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Cat: 590410 Rel: 09 Nov 15
 
Analog multi-channel mixing synth module for mixing audio, CV and gate signals - 10HP wide
Notes: MIXZ is a low-cost, analog multi-channel mixing module for mixing audio, CV and gate signals with excellent linear response and low noise. Balancing a clear visual layout and multiple mixer in a small footprint makes the MIXZ easy to use in a variety of configurations within the modular synth. Its high quality analog mixing circuitry makes for a great sounding mixer with plenty of headroom, providing a smooth organic merge of dynamics, and excellent separation of mixing sections and channels. MIXZ has three sections:

Mixer A - a low-noise, 4-channel mixer with independent gain control for each channel
Mixer B - a low-noise, 4-channel mixer with master gain control
Bus Mix - a multi-channel mixer that mixes signals from modules utilizing the Tiptop Bus Mix

Mixer A and B can be configured as either two independent 4-channel mixers or as a single 8-channel mixer. If the output of Mixer A is not in use, then Mixer A will be routed internally to Mixer B forming the 8-channel mixer.

Tiptop Bus Mix is a new method we have developed to mix audio signals through the Eurorack power bus board without patch cables, a little bit of magic, eh? Although this technique is not ideal for a low-noise mix, we found it to be useful for some applications including mixing our drum modules, which all have a Bus Mix enabled output. The result is that your drum modules are always available and mixed on the master out of the MIXZ with a flip of a switch. This will save you time and frees up cables for re-patching sounds again and again, while keeping the channels of MIXZ free to bring other signals into the mix.

Combining the Bus Mix with Mixer A and B, the MIXZ can sum dozens of channels in only 10 HP
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 2 in stock $100.95
Cat: 641112 Rel: 27 Feb 17
 
Z-DSP VC-Digital signal processor
Notes: Tiptop Audio - Numberz Digital Audio Lab USB Programmer is a USB device that communicates with a software front-end (for PC) and can be used to download DSP programs and display text to blank, non-volatile cards for use with the Z-DSP. Numberz can also feed directly into the Z-DSP's card slot for real-time programming.

With Numberz you can:

- Download free Z-DSP programs from the web and "burn" them into cartridges
- Modify programs for new and interesting effects
- Write and debug Z-DSP programs in a real-time environment

- Share your programs online with other Numberz users
- Share your programs on Z-DSP cartridges with other Z-DSP users
- Create your own text for the Z-DSP LCD display
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 1 in stock $184.69
Cat: 641102 Rel: 27 Feb 17
 
24bit, 96k 4HP mono sample player
Notes: ONE brings organic sound and super low latency sample playback to the modular. It differs from other sample players in that it handles the digital audio bits as a continuously manipulated electrical flow, a feature inspired by our analog knowhow. This unique core makes ONE truly integral within the Tiptop percussive modular ecosystem thanks to a lightweight and responsive digital circuit with a very analog feel.

ONE brings a world of colours to the modular right out of the package. We have invited some of the best sound designers in the Industry to create professional sound libraries with content tailored to the unique sonic framework of the modular synthesizer and that fully takes advantage of ONE's unique qualities. To start with, ONE comes with a SD card loaded with a free set of 60 sounds designed by Glitchmachines. More cards are available to purchase separately each containing carefully selected material with up to 256 sound files. Using your own sample libraries or recordings is easy too, just copy 16 or 24bit mono WAV files onto the SD card, pop the card into ONE and go.

ONE offers several modes of operation, with the primary being the super low latency Trigger mode that retrieves audio data off the SD card adding no artificial processing such as click removal, crossfading, EQ or gain normalization. In this mode, it's a highly transparent player up to 24 bit 96kHz with no interpolation of the audio data: what you put in is what you get out. With a delay as low as 0.25ms from the moment the trigger hits, ONE offers harmonically dense, clear and detailed audio with a great rhythmic feel.

ONE handles external CV through a user selectable multifunction jack. Pitch is the main control with two modes available: Free pitch allows for fine tuning of the playback rate, great for adding subtle vibrato or wild tape speed effects; Quantized pitch maps CV to the standard 12 tone system over 3.5 octaves and is ideal for melodic content. CV can also be used to sequence through files off the SD card allowing far more varied sounds from a single source; almost like an entire percussion section behind the slim panel.

Although originally designed to play tightly with our analog drums and envelopes, ONE's rich sound quality encouraged us to make it work in a variety of other applications that are less demanding of sub millisecond timing response. The extra headroom at the core level allows features such as Gated playback, Looping, and Triggering with fades in and out to accommodate different types of sound sources from drum loops to polysynth chords to noise sources and other yet unimagined uses.

ONE offers another useful dimension since it can play CV signals too. Drop in a card with LFO signals, random CV, slopes and envelopes for a whole set of new control and modulation possibilities.

ONE is as simple to use as it is affordable and plays extremely well with its analog cousins - our vision for bringing samples into the modular world.
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 5 in stock $160.21
Cat: 641103 Rel: 27 Feb 17
 
24bit, 96k 4HP mono sample players - pack of 4
Notes: ONE brings organic sound and super low latency sample playback to the modular. It differs from other sample players in that it handles the digital audio bits as a continuously manipulated electrical flow, a feature inspired by our analog knowhow. This unique core makes ONE truly integral within the Tiptop percussive modular ecosystem thanks to a lightweight and responsive digital circuit with a very analog feel.

ONE brings a world of colours to the modular right out of the package. We have invited some of the best sound designers in the Industry to create professional sound libraries with content tailored to the unique sonic framework of the modular synthesizer and that fully takes advantage of ONE's unique qualities. To start with, ONE comes with a SD card loaded with a free set of 60 sounds designed by Glitchmachines. More cards are available to purchase separately each containing carefully selected material with up to 256 sound files. Using your own sample libraries or recordings is easy too, just copy 16 or 24bit mono WAV files onto the SD card, pop the card into ONE and go.

ONE offers several modes of operation, with the primary being the super low latency Trigger mode that retrieves audio data off the SD card adding no artificial processing such as click removal, crossfading, EQ or gain normalization. In this mode, it's a highly transparent player up to 24 bit 96kHz with no interpolation of the audio data: what you put in is what you get out. With a delay as low as 0.25ms from the moment the trigger hits, ONE offers harmonically dense, clear and detailed audio with a great rhythmic feel.

ONE handles external CV through a user selectable multifunction jack. Pitch is the main control with two modes available: Free pitch allows for fine tuning of the playback rate, great for adding subtle vibrato or wild tape speed effects; Quantized pitch maps CV to the standard 12 tone system over 3.5 octaves and is ideal for melodic content. CV can also be used to sequence through files off the SD card allowing far more varied sounds from a single source; almost like an entire percussion section behind the slim panel.

Although originally designed to play tightly with our analog drums and envelopes, ONE's rich sound quality encouraged us to make it work in a variety of other applications that are less demanding of sub millisecond timing response. The extra headroom at the core level allows features such as Gated playback, Looping, and Triggering with fades in and out to accommodate different types of sound sources from drum loops to polysynth chords to noise sources and other yet unimagined uses.

ONE offers another useful dimension since it can play CV signals too. Drop in a card with LFO signals, random CV, slopes and envelopes for a whole set of new control and modulation possibilities.

ONE is as simple to use as it is affordable and plays extremely well with its analog cousins - our vision for bringing samples into the modular world.
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 1 in stock $503.71
Cat: 634778 Rel: 06 Feb 17
 
Digital processor with high precision analog CV circuitry
Notes: QuantiZer is a creative melody composing module that uses cutting edge analog electronics and DSP to tune analog VCOs precisely into Western musical scales. The front panel is packed with functions that makes it very playable and intuitive to use, with a layout that moves forward from the typical quantizer design. At its centre is a slider that can be set to play notes, add Portamento to an incoming sequence, transpose a sequence with in an octave range or transpose a sequence within 5 octave range. The 12 note keyboard can be set to play notes manually, add and subtract notes from scales, transpose a sequence as well as setup a variety of settings that define the quantizer behaviour and sync with other modules.

Major and Minor keys are both built in to let you switch scales in a very playable way, making it pretty easy to explore musical progression. There are also 24 user scales ready to be filled up with your own custom scales. A built in sketch pad records and plays back keys entered manually on the keyboard and slider in sync with external clock and reset signal, or Tiptop's SyncBus which chains the QuantiZer recording function to the Circadian Rhythms time line for precise recording and playback. Scale CV in can be set to switch between changing scales or transposing pitches using CV from sequencers. Quantization can be set for free run or Trigger mode for even more interesting ways to interact with external sequencers.

Quantizer sets a new performance standard for Eurorack that offers incredibly stable CV quantization minimizing glitches on input, utilizes high precision temperature compensated 1V/Oct CV generation on output and features stunning conversion latency of less than half a millisecond. QuantiZer can be set to process a wide variety of CV voltage input ranges, +/-5V CV from LFOs, bi-polar envelopes and such, or 0-10V / 0-5V standard CV from sequencers. Continuing the tradition of advanced Tiptop digital modules, the QuantiZer Firmware running the digital brain is upgradeable via a USB thumb drive interface at its back allowing for continuous improvement and fine tuning of function and stability over time.
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 1 in stock $261.19
Cat: 590417 Rel: 09 Nov 15
 
Snare drum module made from the TR808's circuit adapted for Eurorack use - 4HP wide
Notes: Introducing the SD808, part of our new series of drum modules that brings analog percussion to the modular synth world, instantly turning your system into a self-contained music machine.

The SD808 is the TR-808's analog snare drum circuit adapted for use in Eurorack modular synthesizer format and was designed to sound like a fresh-out-of-the-box, 1980s TR-808 snare. Adapting the circuit to the modular format has allowed us to add special features like independent accent levels, a high-powered gain stage, a dual-input pulse-shaper, and an adjustable noise source - all without compromising the signature sound of the TR-808 snare drum.

The SD808 sounds tight and extremely snappy because it's analog - the real thing, not samples. The sound is made with three analog sound generators mixed together: two oscillating sine waves and a noise source. The SD808's front panel controls have a lot of sweet spots with sounds that are not just limited to snare drum sounds; it can also create other electronic percussive elements.

The noise source generator in the original TR-808 machines were revised in later production batches, resulting in variations in sound across the production run. The SD808 uses this later, revised circuit to create a snare drum hit that is slightly darker, has more body, and is more realistic. Just like other drums in this series, the SD808 includes a high-powered output gain stage capable of producing signals up to 20Vpp, allowing you to get an array of harmonized snare drums sounds with even tighter attacks. On the inputs, we have designed a dual-input pulse-shaper circuit so you can trigger the SD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
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 2 in stock $106.44
Cat: 658617 Rel: 13 Sep 17
 
Snare drum module in Eurorack format - 8HP
Notes: The SD909 adapts the iconic TR-909 snare drum and noise generator for use in the Eurorack modular synthesizer format. We painstakingly tested the module in our lab to sound like a fresh machine coming off of the assembly line back in the 80s. On top of the original circuit, we have added new features that expand the palette of what can be produced with this analog circuit.

The sound of the SD909 consists of two main sections: the binary noise generator and two modulated triangle oscillators. The oscillators provide the low end punch while the noise makes up the upper sonic spectrum, resulting in a combination that makes the 909 snare sound so rich. In the SD909 module the noise generator and oscillators are variable and voltage controlled, which pushes the circuit beyond its original boundaries offering new sounds as well as many variations of the original tone. The panel has markings to guide setting the knobs to reproduce the snare sound of the vintage machine.

Just like the other drums in this series, the SD909’s high-powered output gain stage allows further enhancement of the sound through distortion and clipping. We have designed a dual pulse-shaper circuit on each gate input so you can trigger your SD909 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. Also, the SD909 is equipped with access to the MIXZ MixBus matching the rest of the Tiptop line of percussive modules.
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 2 in stock $183.26
Cat: 669806 Rel: 20 Nov 17
 
Special Throbbing Gristle edition of the Tiptop Audio ONE module
Notes: TG ONE is a special edition of the Tiptop Audio ONE module designed to commemorate the 40th anniversary of Throbbing Gristle's ground-breaking 'Second Annual Report'. Few bands have staked out such on original space in music that proved not only immediately provocative and illuminating, but filtered into almost every corner of electronic and popular music in the succeeding decades.

Collaborating with the band and MUTE records, the Tiptop Audio team tailored the features of the popular ONE to the sound and aesthetic of Throbbing Gristle.

Decked out in a TG colour scheme of red and white on black, the design incorporates the iconic TG 'flash'. Even the packaging sports classic cover art from '20 Jazz Funk Greats'.

Working with long time beta-tester Chris Carter, the Tiptop R&D tweaked the ONE firmware creating two new modes: the first a random file selection on each trigger input; and the second, looping playback that randomly seeks in a sound file with each trigger. Both of these functions take TG ONE into new sonic territory.

TG ONE includes two exclusive cards of Throbbing Gristle samples curated by Chris Carter from his archive of the original Throbbing Gristle recording sessions. The files have been further reworked and revised, modified and mangled by Carter to give the user a unique Throbbing Gristle sonic palette to work wonders with while retaining the spirit of the original sources. Card one consists of 128 percussive sounds and audio snippets with the second card featuring 128 longer samples, pads and loops.
Tightly coupled with the firmware these cards are only available with the TG module.

Tiptop Audio would like to thank Paul Taylor, Daniel Miller and all at Mute for their support; and Chris Carter, Cosey Fanni Tutti, Genesis Breyer P-Orridge and the late Peter 'Sleazy' Christopherson for their inspiration.
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 5 in stock $210.70
Cat: 590408 Rel: 19 Jan 16
 
Trigger sequencer
Notes: From a conceptual view, the Trigger Riot generates 16 clock streams consisting of multiple time manipulation functions (division, offsets, etc) that interact to create the trigger output, and direct access to each parameter via individual knobs allows for quick manipulation. The 8 outputs are the sum of those manipulated streams per row. The outputs of the module are arranged as either a 4x4 matrix, where each of the 16 knobs affects both row and column, or as a set of independent outputs for each row or column. This allows forming 8 complex musical interactions in a 'Matrix' mode or 8 independent streams in 'Independent' mode and is switchable from one to the other on press of a button for some unexpected results.

Since each of the 16 knobs represents a real time tweakable trigger generator/modifier the Trigger Riot is extremely playable and can result very complex patterns with only few knob turns; patterns that would otherwise take much longer and in some instances be almost impossible to produce using grid based step sequencing. Patterns can have unique time signatures that can repeat or be randomized through probability, time shifted and phased, divided, multiplied and counted, it's unbelievable how complex this module can get with minimal input.
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 1 in stock $436.76
Cat: 595826 Rel: 19 Jan 16
 
4HP power supply module for Eurorack format systems
Notes: The microZEUS is a 4HP power supply module for Eurorack format synthesizers. It is the smallest and most powerful power supply available for its size.

uZEUS with flying bus boards: this version features two ribbon bus boards. All you have to do is plug in your modules and play.

The uZEUS mixes linear and switching power technology to produce 1000mA at +12V, 500mA at -12V, and 170mA at +5V and uses a standard +15VDC non-regulated wall adapter for power.
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 1 in stock $75.17
Cat: 595808 Rel: 19 Jan 16
 
3U rack ears for use as either tabletop or rack mount frame
Notes: The Z-Ears Tabletop are standard 3U rack ears that can be used as either a tabletop frame or standard rack mount frame. These parts are made of anodized aluminium and are custom made to work with Eurorack mounting rails like Z-Rails.
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 1 in stock $20.84
Cat: 595807 Rel: 19 Jan 16
 
3U rack ears for use as either tabletop or rack mount frame
Notes: The Z-Ears Tabletop are standard 3U rack ears that can be used as either a tabletop frame or standard rack mount frame. These parts are made of anodized aluminium and are custom made to work with Eurorack mounting rails like Z-Rails.
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 1 in stock $20.84
Cat: 590405 Rel: 09 Nov 15
 
Analog voltage controlled oscillator synth module - 14HP wide
Notes: The Z3000 is an all-analog, voltage-controlled oscillator that gives you the ability to implement synthesis techniques in a controlled and planned manner, turning your modular system into an even more powerful musical instrument.

The Z3000 is bilingual - equally fluent in the language of sound (frequency) and music (notes and octaves). Its intelligence comes from its built-in arithmetic processor, which allows for relevant data to be displayed constantly, taking the guesswork out of tuning your modular.

The 73000's analog core generates four waveforms with substantial character, giving you the sound signature that can only be created by a true analog VCO. The Z3000 unique circuitry allows for high levels of synthesis complexity such as frequency modulation, all while maintaining excellent wide-range tracking and without falling into chaos. The Z3000 brings a world of new possibilities that will give rise to a whole new sound spectra within your modular synthesizer.
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 1 in stock $237.04
Cat: 590406 Rel: 10 Nov 15
 
Matric sequencer synth module - 28HP wide
Notes: The Z8000 Matrix Sequencer is a powerful modulation source in a compact package. The 16 knobs of the Z8000 are accessed by ten sequencers each with their own clock, direction and reset inputs. The ten sequencers are as follows:

- Four 4-step CV sequencers on the horizontal.
- Four 4-step CV sequencers on the vertical.
- One 16-step CV sequencer on the horizontal.
- One 16-step CV sequencer on the vertical.

With the Z8000, you can simultaneously modulate many parameters in your synthesizer polyrhythmically, with unprecedented motion. One knob affects all 10 CV outputs! Imagine modifying 10 parameters from one knob, and all clock inputs can be driven at audio rates.

Your synthesizer is modular, so your sequencer should be too. The Z8000's open design allows you to create a custom sequencing environment to fit your personal needs. Add clock dividers, clock sequencers, switches, trigger sequencers and logic gates to create a completely unique system.
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 1 in stock $334.71
Cat: 595775 Rel: 19 Jan 16
 
Open-source, cartridge-based, digital sound processing and generating platform for your modular synthesizer
Notes: The Z-DSP is an open-source, cartridge-based, digital sound processing and generating platform for your modular synthesizer. The Z-DSP has a stereo DSP processor with 24-bit sampling, 15Khz of bandwidth, smooth voltage controlled parameters, and has the ability to be programmed - all in a Eurorack format. While the Z-DSP cannot compete with the processing power found on personal computers, it does provide direct control of the DSP hardware and has a unique set of features aimed at the manipulation of digital effects. With the Z-DSP, digital audio can be bent, stretched, deformed, and distorted by interacting with your modules; something personal computers just can't do.

The Z-DSP interface includes VC digital parameters, VC Mix/Dry, manual and sequential program switching, and a pair of VC feedback loop paths with exposed patch points that let you insert the rest of your modular into the DSP process. The Z-DSP lets you go far beyond ordinary processing, breaking the rules and allowing you to patch right into the heart of the DSP chip through the clock input, allowing for some digital madness and creative sound design.

*For sound examples, please visit - http://www.tiptopaudio.com/zdsp.php?goto=music
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 4 in stock $328.13
Cat: 595821 Rel: 19 Jan 16
 
Links up to 6 Zeus Studio Bus boards with an external power supply
Notes: Zeus Access Dual provides a simple, fast, and cost-effective solution for linking up to six Zeus Studio Bus boards with two Cincon-TTA brick-style power supplies for monstrous eurorack systems. It is a tethered 4HP space-saving front panel with two long lasting high power rated On/Off switches and power sockets.

It comes fully assembled and wired with 16AWG wire and plated copper terminals leads that require no additional assembly or special tools for connecting to a Zeus Studio Bus board.
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 1 in stock $39.51
Cat: 595820 Rel: 03 Aug 16
 
Links up to 3 Zeus Studio Bus boards with an external power supply - 4HP wide
Notes: Zeus Access provides a simple, fast, and cost-effective solution for linking up to three Zeus Studio Bus boards with an external Cincon-TTA brick-style power supply. It is a tethered 4HP space-saving front panel with a long lasting high power rating On/Off switch and power socket.

It comes fully assembled and wired with 16AWG wire and plated copper terminals leads that require no additional assembly or special tools for connecting to a Zeus Studio Bus board.
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 2 in stock $32.37
Cat: 641107 Rel: 28 Feb 17
 
Micro SD Card with 256 fresh sounds for the One sample player
Notes: BENT features 256 sounds harvested from a variety of customized circuit bent instruments. We recorded an exhaustive collection of bent vintage educational toys and toy keyboards that were all hand-built by sound designer Ivo Ivanov over the course of five years. The lo-fi character of this sample pack is perfectly at home in the modular synth domain and compliments its already vastly diverse sonic landscape by injecting it with a highly nuanced and rare set of sounds that can be integrated as percussive effects along with existing modules.

All samples on the card are available for playback at 48k, 64k and 96k for maximum versatility in pitch control while maintaining latencies of as low as 0.25 ms.

Design by: Glitchmachines
Type: One Shot
Character: Percussive, Digital

Only compatible with the Tiptop Audio One Digital Audio Flux Eurorack Module.
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 1 in stock $25.79
Cat: 641108 Rel: 28 Feb 17
 
Micro SD Card with 256 fresh sounds for the One sample player
Notes: HYBRD features 256 Foley and field recordings that have been treated with numerous binary manipulation techniques. We have carefully used just the right amount of processing on a diverse collection of freshly recorded natural sounds in order to give the material a unique and stylized electronic aesthetic. These sounds have familiar undertones, but are presented in creative ways that suggest they belong to a sonic universe of unknown origins right inside the modular.

All samples on the card are available for playback at 48k, 64k and 96k for maximum versatility in pitch control while maintaining latencies of as low as 0.25 ms.

Design by: Glitchmachines
Type: One Shot
Character: Percussive, Texture

Only compatible with the Tiptop Audio One Digital Audio Flux Eurorack Module.
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 1 in stock $25.79
Cat: 641106 Rel: 28 Feb 17
 
Micro SD Card with 256 fresh sounds for the One sample player
Notes: KERNL features 256 ultra-modern layered and processed sound with distinct percussive qualities specifically geared toward use within the modular ecosystem. You will find a carefully selected set of sounds captured on the surface of an imaginary world somewhere deep in the mind of sound designer Ivo Ivanov. This library includes hyper-stylized digital impacts, mutated organisms, granulated liquids, twisted mechanical vocalizations, morphing textures, digitally generated tones, eerie detuned vocalizations, biomechanical malfunctions, creatures interface effects and otherworldly articulations that defy categorization.

All samples on the card are available for playback at 48k, 64k and 96k for maximum versatility in pitch control while maintaining latencies of as low as 0.25 ms.

Design by: Glitchmachines
Type: One Shot
Character: Percussive, Texture

Only compatible with the Tiptop Audio One Digital Audio Flux Eurorack Module.
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 1 in stock $24.13
Cat: 641109 Rel: 28 Feb 17
 
Micro SD Card with 256 fresh sounds for the One sample player
Notes: SBSTRT features 256 recordings of raw, natural earth sounds, all of which were created by manipulating numerous materials such as metal, stone, ice, earth, plastic, wood, vegetables, fruit and liquid to name just a few. Everyday sounds you may hear in a construction site, warehouse, traffic, crowd, factory, subway, garden, park, office or forest have been identified, performed and captured for integrating into the modular synth. These raw & unprocessed sounds were carefully edited to highlight their percussive qualities, making them an ideal counterpart to the electronic modular sound palette.

All samples on the card are available for playback at 48k, 64k and 96k for maximum versatility in pitch control while maintaining latencies of as low as 0.25 ms.

Design by: Glitchmachines
Type: One Shot
Character: Percussive, Texture

Only compatible with the Tiptop Audio One Digital Audio Flux Eurorack Module.
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 1 in stock $26.61
Cat: 658618 Rel: 13 Sep 17
 
SD card for the ONE modular synth module featuring 256 Deep/Tech House chords
Notes: V Haus features 256 Deep House chords formed, structured and shaped from a variety of classic and modern day synths by Voltage Disciples chief sound designer Richard Somerville. The chord structures have been especially chosen to provide the configurations often used in Deep House and provide a starting point or stepping off point for complex chords in the modular environment. Some samples have subtle delays and reverbs which add characteristics often found in Deep House whilst others remain dry to allow the user further experimentation with modular delay's, reverbs and FX etc. With ONE's tape-like pitch control these chords turn into beautiful pads and bass material inside the modular.
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 2 in stock $29.62
Cat: 658619 Rel: 13 Sep 17
 
SD card for the ONE modular synth module
Notes: DOTS features 256 short/dots one shot sounds created specifically for ONE to further extend ZV_K's live Tiptop drum setup. These sounds were selected for their percussive transient response but are also great as monophonic sound sources to use alongside analog synth when sequenced. DOTS are samples of the signature sounds of Buchla, Cwejman, Mutable Instruments, Jomox, Mungo, Industrial Music Electronics (aka The Harvestman), HexInverter, Make Noise, Monomachine, Vermona, Audio Damage. Bastl, Epoch, Mungo, Delptronics as well as some human voice artefacts and even a prepared piano. Each sound was carefully selected from hours of recordings, edited but not altered to retain the original sound's qualities and dynamics and was extensively tested using the module to make sure all the sounds sound good at any setting. DOTS are very easy to fit into a mix, run through effects and are very well suited to be used and abused by a modular system.
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 1 in stock $29.62
Cat: 581149 Rel: 05 Feb 18
 
Lag/portamento, sample/hold & staircase wave generator, or LFO module
Notes: The Sport Modulator could be one of the most confounding yet simple and useful Eurorack modules ever conceived, a veritable set of swiss-army knives in a compact package. The Sport Modulator draws deep on the "patch-programmable" design approach of the Serge modular system, particularly the "Smooth/Stepped Generator".

It can be difficult to describe what it "is" exactly because what that is depends on how it is used in your system, such as for generating modulations, sampling/processing itself or other modules, as an audio source, timing duties etc.

Technically speaking, it is a set of two voltage-controlled integrators with peripheral circuitry set up to make it behave as one thing or another, depending on how it is configured.

Practically speaking, however, each section can *independently* be used as, for example:

- A VC lag-processor that can be made to hold-state on command
- Wide-range VC LFO/ Clock
- Sample and hold
- Track and hold
- Comparator
- Gate delay
- Gateable oscillator

Finally, the unlabelled jack in the middle is a gate output that compares the top section's output with the bottom.

- 3U Eurorack module, 12HP deep, 36mm deep
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 2 in stock $241.42
Cat: 623954 Rel: 05 Feb 18
 
Stereo mixer with 4 fully-featured input channels
Notes: Clean stereo mixer with four full-fledged channels, each with a pre/post selectable aux send, popless mute/solo as well as voltage control of panorama, level and aux send amount.

The module has a loud headphone output which emits either a monitor mix or a cue mix with a wide range of applications. The aux return is stereo and has level control; the panorama circuitry has a compensated "constant power" law.

- 4 fully-featured input channels, with voltage control over LEVEL, PAN position and AUX SEND level.
- Pop-Free Muting | Cueing | Soloing. (long press on the LED Mute Switch enables SOLO for selected channel).
- -3dB compensated "constant power" pan law.
- Stereo Aux Return with level control. ("L/Mono" return normalized to "R" return for Mono if "R" is unpatched). Extra gain available for outboard effects.
- "Cue Mix" output available for use as pre-listen, a second FX send channel, alternate mix, etc...
- AUX send can be switched to PRE or POST fader for each of the four channels. -10dB pad available for aux send via jumper.
- Loud and super clean stereo headphone driver allows monitoring of either "Main Mix" or "Cue Mix" which allows for previewing input sources before adding them to the Main Mix. This can also be used to link to line level TRS outboard recording/processing devices, stereo send, etc... Independent level control of both headphone and main mix.
- Master volume control and dual 5-segment VU metering.
- Efficient design. Relatively low power consumption and very low-noise/ low distortion audio path. Audio AC coupled through low-distortion "audio grade" film capacitors and a very low-noise opamp.

Revision 1.1 offers improved LED response and the pan law is closer to the ideal. Furthermore, the HP amp is even louder than before. The most noticeable thing, however, is a new channel expansion header on the circuit board.
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 1 in stock $437.87
Cat: 581146 Rel: 05 Feb 18
 
Triple wave folder module containing 3 independent voltage controlled wave multipliers
Notes: The TWF module was designed with multi-use in mind. It is composed of three identical (with the exception of a couple features) direct-coupled waveshaping stages that can be used independently or in series. The operation is selected according to which inputs are used.

The facility for independent control over each folding stage provides multiple processing options for a variety of sources as well as more interesting explorations with timbre modulations/frequency synthesis.

Each stage can gently fold an input source inward on itself as it approaches a threshold set by the panel controls and CV. For example, a sawtooth or a triangle input from a VCO can be bent into a sinewave, and beyond that, doubled in frequency at constant amplitude. Use them in series and they will continue to fold.

Here are a few things that you can do with it, under voltage control:

Create complex timbres from audio sources. The possibilities are really limitless. You can control each series of harmonics via the BIAS panel controls. So the overall sweep through the folds when using the VC ALL/MANUAL controls is very flexible and since each stage of the folding process is VC'able, you can use different modulation sources simultaneously for wild animation/phasing/beating with a single tone source.

The normalized DC bias at input 1B can be used to control the symmetry of the folding process, via the control knob (when the input is not in use).

CV Processor for LFOs, envelope generators, sequencers or any control source. Create multiple interesting rhythmic modulation sources from an otherwise dull one. Useful in creating more complex, continuously variable shapes for modulation or timing.

Accurately multiply/square up an input signal. Shape your triangles and sawtooths into very pure sinewaves. Mangle your sinewaves or anything else into asymmetrical fuzz. Generate a cosine function relative to your VCO's triangle/sine output (useful for quad panning, stereo modulation). You can do a couple of these things at the same time with different sources.
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 1 in stock $246.91
Cat: 642591 Rel: 24 Apr 17
 
Reverb/Flanger module with built-in VCA - 14HP wide
Notes: Heklev is an analog echo and reverb module, which can also be used to create chorus and flanger effects. It is based on MN3007 bucket brigade devices. Besides the actual effect block, there is a built-in VCA. The Heklev's beefy sound character is reminiscent of renowned vintage effect units.

The Heklev comes equipped with three potentiometers to adjust delay time and feedback of the BBD circuit as well as the mixture of dry and processed signals. A CV input allows the user to modulate the echo's rate. The results are sent to the VCA, which can also be influenced by control voltages. Heklev offers three outputs. They emit dry and mix signals of the effect block as well as material coming from the VCA.

On the circuit board of the Heklev, there are five trim potentiometers. These control elements make it possible to adjust input and output volumes, the BBD bias, noise cancelling as well as the range of the echo time knob.
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 1 in stock $329.21
Cat: 657572 Rel: 24 Apr 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Heklev is an analog echo and reverb module, which can also be used to create chorus and flanger effects. It is based on MN3007 bucket brigade devices. Besides the actual effect block, there is a built-in VCA. The Heklev's beefy sound character is reminiscent of renowned vintage effect units.

The Heklev comes equipped with three potentiometers to adjust delay time and feedback of the BBD circuit as well as the mixture of dry and processed signals. A CV input allows the user to modulate the echo's rate. The results are sent to the VCA, which can also be influenced by control voltages. Heklev offers three outputs. They emit dry and mix signals of the effect block as well as material coming from the VCA.

On the circuit board of the Heklev, there are five trim potentiometers. These control elements make it possible to adjust input and output volumes, the BBD bias, noise cancelling as well as the range of the echo time knob.
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 1 in stock $245.34
Cat: 642592 Rel: 24 Apr 17
 
Handmade distortion & fuzz module - 8HP
Notes: TouellSkouarn Strakal Brulu is a handmade distortion and fuzz module. The great sound is due to the new-old-stock east-German germanium transistors.

Very characteristic for the module's sound if the feedback that is coupled to the feedback. The more fuzz, the more feedback - the Strakal Brulu 2 can get pretty nasty and it screams a lot at high fuzz settings and low input level. The fuzz amount can be voltage controlled, with an inverse attenuator. Input and output levels can also be set separately.
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 1 in stock $277.64
Cat: 693092 Rel: 24 Apr 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


TouellSkouarn Strakal Brulu is a handmade distortion and fuzz module. The great sound is due to the new-old-stock east-German germanium transistors.

Very characteristic for the module's sound if the feedback that is coupled to the feedback. The more fuzz, the more feedback - the Strakal Brulu 2 can get pretty nasty and it screams a lot at high fuzz settings and low input level. The fuzz amount can be voltage controlled, with an inverse attenuator. Input and output levels can also be set separately.
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 1 in stock $259.38
Cat: 690787 Rel: 31 May 18
 
Powerful, hand-wired tube distortion module featuring American military grade low-noise tubes
Notes: Strakal Orsel is a powerful, hand-wired tube distortion module. As known from other Touell Skouarn circuits, all sockets and control elements have Breton names. (Except for the audio input and output, which are marked with arrows.)

Triodenn (switch) - Here, you can choose between pentode and triode operation for the left tube. Thus, this switch varies the basic sound character.

Boukl Retroaktin (switch/knob) - The switch activates the feedback path. With the potentiometer, you can vary the feedback intensity. High values lead to screaming self-oscillation. At low settings, signals are nicely thickened.

Gounid (knob) - This potentiometer is used for determining the level between the first and the second tube stage.

Ampled (knob) - For setting the degree of distortion. How hardcore would you like your sound to be?

Enklas Modulan (socket) - CV input for influencing the feedback respectively volume. (It works even without the feedback being active.)

Without an input signal, but with wide open feedback, the Strakal Orsel can be used as a beefy effect oscillator. Using its CV input, the pitch can be varied. There is no accurate pitch tracking according to the standard 1 v/octave, though. If you now deactivate the feedback and dial in the right volume and distortion settings, you can enjoy the Orsel's noise floor in its purest form. In other words, the module will emit charming tube noise. Operation as a crude VCA is possible as well.

The following tubes are compatible with the Strakal Orsel:

- 6J1P
- 5654
- 6AK5
- EF95

The Strakal Orsel offered here is equipped with American military grade low-noise tubes, type 5654. This one sounds better than the 6J1P and offer higher gain.

Power consumption: 5 mA at +12 V, 5 mA at -12 V and 350 mA at +5 V

HP: 12
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 1 in stock $367.63
Cat: 690784 Rel: 31 May 18
 
Powerful, hand-wired tube distortion module featuring Russian NOS tubes
Notes: Strakal Orsel is a powerful, hand-wired tube distortion module. As known from other Touell Skouarn circuits, all sockets and control elements have Breton names. (Except for the audio input and output, which are marked with arrows.)

Triodenn (switch) - Here, you can choose between pentode and triode operation for the left tube. Thus, this switch varies the basic sound character.

Boukl Retroaktin (switch/knob) - The switch activates the feedback path. With the potentiometer, you can vary the feedback intensity. High values lead to screaming self-oscillation. At low settings, signals are nicely thickened.

Gounid (knob) - This potentiometer is used for determining the level between the first and the second tube stage.

Ampled (knob) - For setting the degree of distortion. How hardcore would you like your sound to be?

Enklas Modulan (socket) - CV input for influencing the feedback respectively volume. (It works even without the feedback being active.)

Without an input signal, but with wide open feedback, the Strakal Orsel can be used as a beefy effect oscillator. Using its CV input, the pitch can be varied. There is no accurate pitch tracking according to the standard 1 v / octave, though. If you now deactivate the feedback and dial in the right volume and distortion settings, you can enjoy the Orsel's noise floor in its purest form. In other words, the module will emit charming tube noise. Operation as a crude VCA is possible as well.

The following tubes are compatible with the Strakal Orsel:

- 6J1P
- 5654
- 6AK5
- EF95

The Strakal Orsel offered here is equipped with Russian NOS tubes, type 6J1P.

Power consumption: 5 mA at +12 V, 5 mA at -12 V and 350 mA at +5 V

HP: 12
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 1 in stock $328.13
Cat: 634213 Rel: 11 Dec 17
 
Vintage computer synthesizer featuring 3 oscillators in 1 module
Notes: The AY3 is a programmable sound generator (PSG) designed by General Instrument at the end of the 1970s. The AY3 gave voice to the Amstrad CPC, Atari ST, Intellivision, AppleII Mockingbird sound card, MSX, Vectrex, ZX Spectrum 128K. Many early 1980s Arcade Games used two AYs; the Gyruss arcade board had five!

The AY3 Eurorack module is the perfect solution to capture this piece of history in your rack with its slick & sturdy all-metal design and intuitive controls. The module can be set to 3 clocking modes: normal, helium (overclocked) and deep (underclocked), pushing the range of frequencies and sounds to the extreme. The AY chip brings with it a whole range of strict limitations which were embraced resulting in some highly unique forms of sound and music.

OPERATION OVERVIEW:

Osc 1+2:
- Osc 1 & 2 are detuneable and can be switched or arpeggiated.
- Use the tune knob to tune both oscillators within 1 octave range.
- The spread knob will increase osc2 pitch up to an octave above osc1.
- Chords: Turn the spread knob above 80% for 3 chords: Major, Minor, fifth. Only active when Arp is running!

With Arp Knob at 0% both oscillators play simultaneously. Above 5% osc1 and osc2 alternate for arpeggiator effects. (0.5Hz to 125Hz).

- Gate effect: When arp is above 5% and only osc1 is active (spread knob below 5%) osc1 will toggle on & off resulting in a gate effect.

- The trig input has two modes (selectable via a jumper at rear):
- Gate Mode: send a 5V pulse to turn Osc 1 & 2 on or off (5V=On 0V=off).
- Arp Mode: send a 5V pulse to clock the switch/arp (overriding the arp knob).

Noise:
- Osc 3 outputs digital noise for sound effects.
- The pitch can also be modulated via the pitch jack (0-5v)
- The Osc3 gate can be opened and closed via the trig input (5v pulse) or held open via a jumper.

Connectivity:
- MIDI in (3.5mm midi cable supplied)
- 2x Audio Out
- DC In (power supply suited for your region supplied)
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$205.94 SAVE 20%
 1 in stock $164.75
Cat: 677175
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Dual Buffered Multiple/Inverter is equipped with two active buffered multiples in 1U tile format.

Each section of this Tile has an input and three buffered outputs on top - a classic buffered multiple. On the bottom the inversion ofthe input is available, likewise three-fold, active and buffered which in contrast to an un-buffered multiple allows you to use this module also to distribute Key-CV to a few oscillators.

In the left section you'll find an Offset input socket which allows you to mix an offset voltage with the input signal. With a constant CV source, e.g. from the Dual Attenuator/Mixer you can amplify the signal of this multiple section or attenuate it with negative voltage. With a LFO or Sequencer you can also modulate the amplitude of the inverted multple signal.

Technical specifications:
Height: 1U
Width: 26HP

Connections per unit:
Input
3x Output
3x Output Inv
Offset-input (only unit 1)
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 1 in stock $105.35
Cat: 553426 Rel: 15 May 15
 
Quad modulation engine synth module with internal clock generator
Notes: fourMulator is a digital quad LFO-module for euro rack compatible modular synthesizer and sound processing systems. Due to its ability to synchronize the modulators (LFOs) to each other or to an overall clock-reference, fourMulator is capable generating complex and rhythmic modulation structures.

Modulators (LFOs)

Each modulator offers six wave forms: ascending and descending saw tooth, square, triangle, sine and random (sample & hold) with a frequency range between 0.05Hz (20 seconds) to approx. 100Hz. Each modulator offers wave form and trigger outputs, the latter sending an impulse with every new start of the selected wave form. Reset- and CV-inputs allow external parameter manipulation - from other modules or from other modulators of the fourMulator itself.

Synchronization

All four modulators work independently. However, they can be synchronized with each other. Each modulator can be individually synchronized to the left neighboring module or to a clock-reference.

Two or more synchronized modulators always oscillate at the same frequency. However, a synchronized modulator can be phase-shifted by up to 180° (a half-cycle) to the clock-reference. This allows easy creation of counter-rotating modulations. More complex modulations can be achieved using the CV-input to manipulate phase-shift.

With active clock-synchronization, the corresponding modulators oscillate in reference to a common clock-signal, but use individual clock-dividing factors. Again, advanced possibilities result from being able to manipulate clock-division through the modules' CV-inputs.

Both forms of synchronization can be combined. With one modulator being synchronized to a clock signal, it may as well serve as reference to the right neighboring modulator.

CLOCK Generator (CLK)

fourMulator integrates an internal clock generator. Its tempo can be assigned using a tap-tempo-button or by using an external clock-reference.
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 1 in stock $320.43
Cat: 677526 Rel: 13 Feb 18
 
Random-based trigger sequencer - 24 HP
Notes: RandomRHYTHM is a random-based dual-channel trigger sequencer with a very unique concept. What you cannot do with it is manually setting steps or tapping-in a rhythm. Instead you have four sliders per rhythm-section to set the probability for the appearance of quarters, eighths, sixteenths and triplets to form sequences.

Realtime or Dice:

Each of the rhythm-section can work in realtime or dice mode.

Realtime means, that the module is continuously generating new random values for each note value whereas in dice-mode it generates them for a complete 3/4- or 4/4-bar. In both modes, even if a bar has been diced, the sliders still influence the resulting sequence.

Clock central and multiple outputs:

Beside the sequence output of each rhythm-section there are individual outs for the quarters, eighths, sixteenths and triplets. You can use them with or without random. The latter makes RandomRHYTHM a precise tool to generate or multiply clocks.

Apropos clocks, the module can create its own or work with external clocks (per rhythm-section if you like).

Additional fun is guaranteed by the flexible RESET input that lets you mute the outputs or restart your diced bar. As with all parameters, the functionality can be set individually per rhythm-section.

Endless creativeness:

RandomRHYTHM is a creativeness booster. It is easy to create complex rhythms or straight four-to-the-floor beats. Its fool proof user interface lets you play it without thinking about randomness and probabilities, although that's the fundamental concept of the module. You don't need to be a stochastic genius!

It doesn't matter if you use it as sole rhythm-base or as valuable addition to other sequencers. RandomRHYTHM gives you a different view to rhythms and the way to generate them.
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 2 in stock $284.22
Cat: 433131 Rel: 19 Aug 11
 
Desktop spring reverb
Notes: Today's digital effects and plug-ins can create almost perfect room simulations. However, when it comes to characteristic and charismatic reverb, analogue effect-processors are yet to beat. The reverberating sound of a spring is so lively and unique that its sound is almost impossible to recreate in the digital domain. In addition to this, Retroverb Lancet is not just a spring reverberation system - it is an analogue multi-effects-processor. It offers overdrive, filtering, VCA, envelope and LFO to manipulate the spring sound and create different sounds like auto-wah, tremolo, distortion, delay, gater and of course reverb.

The typical spring reverb sound is generated by a Belton/Accutronics type 4 spring tank with 3 individual springs. It can be placed pre or post the VCF/VCA section and equalized by the Tone parameter.

The Crash function generates the popular thunder effect that occurs when kicking an amplifier with spring tank. You don't have to kick Retroverb Lancet you simply can achieve this effect by pressing the Crash button. It also can be triggered by a Gate voltage.

The multimode filter works as lowpass or highpass with a slope of 24 dB per octave or as bandpass with 12 dB per octave. It is followed by a voltage controlled amplifier. The filter and amplifier can be modulated individually by different sources.

The Retroverb Lancet offers 3 internal modulation sources:

Envelope follower: the envelope follower converts the amplitude characteristic of the audio input signal into a control voltage.
Envelope generator: the envelope generator can be triggered by the input signal itself, a second audio signal or a gate voltage. Depending on the trigger source it works as Attack-Decay or as Attack-Sustain-Release envelope.
LFO: the LFO offers saw up and saw down, square, sine as well as sample&hold. Additionally it can use the envelope generators settings as waveform. It can oscillate freely or reset by different trigger sources.

The Retroverb Lancet also offers a CV/Pedal input which can be feed by external control voltages or can be used with expression pedals.
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 5 in stock $453.23
Cat: 553428 Rel: 30 Jun 16
 
Transformer isolatoed audio interface synth module
Notes: The TAI-4 not only makes it easy to get balanced signals out of or into a modular system, it also does that job with superior audio quality. Above, it galvanically separates the inputs from the outputs by using a total of four high-end audio transformers and thus prevents unwanted noise interferences.

We decided to uses switches instead of potentiometers for adjusting the gain levels. This ensures accurate and equal leveling of stereo signals.

The TAI-4 is an extremely useful module when it comes to integrate external studio processors, or the opposite, connecting the modular system to outboard equipment or DAWs.
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 1 in stock $267.76
Cat: 662843 Rel: 18 Sep 17
 
TwinVCFilter extension module with individual filter outputs for each channel - 10HP
Notes: twinVCFilter is a versatile filter module itself. But there are times when you need some additional features like a notch-filter. In this case tVCF-Extension is your friend.

Individual Filter Outputs:

tVCF-Extension has got individual outputs for each filter type of twinVCFilter's filter-sections and even adds notch outputs. You can use all outputs at the same time.

Polarizers:

As you might know, twinVCFilter already has two CV-inputs per filter section. We thought that might not be enough for complex patches, so tVCF-Extension has additional CV-inputs to modulate the cutoff-frequencies. Each with a dedicated polarizer for attenuating and inverting incoming voltages.
With these you will get new modulation possibilities like controlling both cutoff-frequencies at the same time in parallel or contrary.

To get even more out of the module you can separate the polarizer section from the cutoff-frequencies and use them independently of twinVCFilter. They also can generate a voltage on their own.

tVCF-Extension is an elegant and even slim way to extend the vast possibilities of twinVCFilter.
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 1 in stock $133.87
Cat: 617817 Rel: 30 Jun 16
 
Twin output synth module with 2 adjustabe electronically balanced XLR outputs
Notes: Eurorack-outputs deluxe:
Besides spectacular sound engines and -shapers, usual and unconventional sources and manipulators of control voltages, every modular system also needs a choice of modules for the "daily" business. twinOUT is such a module: the perfect connection to the outer world.

This DI-box in a module offer two adjustable electronically balanced XLR-outputs. twinOut is designed for full stereophonic or dual mono use. To complete its functional range, a headphone output was added - being also suitable to transport line levels.

Like every VERMONA module, each twinOUT is hand-assembled in our electroacoustic manufactory in Germany. If you want to get the most of your modular synthesizer, you cannot pass by the twinOUT!
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 2 in stock $193.15
Cat: 624960 Rel: 08 Sep 16
 
Duophonic percussion/drum module
Notes: TwinCussion is a dual channel drum-synthesizer module. Its components are explicitly designed to create percussive sounds while its flexible interconnections make it a must-have for rhythm based modular systems.

Special units A and B:

TwinCussion offers two sensibly structured sound engines, each consisting of an oscillator (complemented by a noise generator in engine 2), a voltage controlled amplifier and an envelope generator. Both sound engines can be used independently or combined for more complex sounds. The internal structure can be edited and expanded at will, thanks to the multiple in- and outputs being available.

Versatile expert:

TwinCussion is a versatile sound chameleon. Although its sound engine is specialized in electronic drum sounds, it is not limited to specific instruments of this genre. This module generates pushing bass drums, prominent snares and chirping hi-hats with ease. And there is much more to twinCussion if using a little creative patching. Unleash numerous sounds like wooden clicks, metallic pings and a lot more.
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 1 in stock $403.85
Cat: 662851 Rel: 18 Sep 17
 
Compact precision oscillator featuring six waveform outputs - 10HP
Notes: Audio-oscillators are probably the most widespread modules in Eurorack-systems. They are fundamental for generating synthetic sounds, tonal as well as percussive ones.

Oscillator-circuits are used in our VERMONA synthesizers, we know how to design them. But instead of copy and paste, we reworked many aspects when adapting our circuits for modular purpose. What is great for closed systems might not always be perfect for modular systems.

All that development work resulted in uniCYCLE: compact, high-performant and stable.

Simple interface and quality without compromises:

When designing an audio-oscillator we took great care to make it suitable for musical context. Beside excellent sound quality this also means rock-solid tuning stability. uniCYCLE more than fulfils these requirements. It easily covers a huge tuning-range while strictly following the 1-volt-per-octave-convention.

With one knob you can master uniCYCLE's frequencies in three different modes. TUNE either controls the low-frequency or audio range or adds respectively subtracts, exactly one octave. In this calibrated mode it provides a dead-zone around its centre-position. Thus it's easy to access all three octaves without the need of a centre-click.

With only 10 HP in width, uniCYCLE offers all the common features that you might expect: inputs for hard- and soft-sync as well as exponential and linear frequency modulation.

Even more than standard waves:

uniCYCLE offers six waveform outputs. Beside the classic sawtooth, triangle and square it generates sine, even and a special sawtooth with doubled frequency. PWM is not only available for square. Even - a shape the only has even-numbered harmonics - can be transformed to a sine-like wave whereas the doubled saw turns into half-pitched triangles.

uniCYCLE is a strong base for each Eurorack-system. At least one should be in every case.
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$282.03 SAVE 20%
 1 in stock $225.62
Cat: 572805 Rel: 14 May 15
 
1U spring reverb unit using a spring tank from Accutronics, ideal for use with any kind of audio signal - UK power adapter included
Notes: Finally the VSR 3.2 is here! It is the enhanced successor of the Vermona VSR-3 - Vintage Spring Reverb.

Most of the features, like the AccuBell spring tank (type 9), the TONE control as well as in and output stages are equal.

What has been improved is the way EFFECT STOP is working. Compared to its predecessor VSR 3.2 offers the possibility to determine where EFFECT STOP cuts the signal path: PRE or POST the spring tank. In the new PRE mode the input of the spring tank is cut from the signal path, so the reverb's decay isn't abruptly stopped when pressing EFFECT STOP and still can fade out.

The VSR 3.2 is suitable for all kinds of input signals like synthesizer, organs, guitars, vocals etc. It's available as of now from stock. It is already listed in our latest price list from 2015-05-01.

*UK 3-pin power adapter included.
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 1 in stock $287.51
VSL
Cat: 640993 Rel: 13 Mar 17
 
All analog, real-time, complex wave-shaping 3-channel mixer module
Notes: The AWM-3 is an all analog, real-time, complex wave-shaping (triple wave-folder) 3-channel mixer module with added features of compression and multiple mix modes including matrix mixes. The combination of multiple access points (outputs of various mixes), wave-folding, and compression allow for an extremely wide array of signal processing, including complex chorus-like sounds.

All three channels are identical and can operate independently. They can also be cascaded (connected in series) to obtain double and triple wave-folding. The compressor at the front-end of each channel allows for not only unique wave-shaping, but the ability to send asymmetrical wave-shaped signals through multiple wave-fold stages while preserving a better managed signal process.

With individual outputs for each channel, a master mix (and master level control), as well as three matrix mix outputs as: "MIX 1+2" (1 OUT + 2 OUT), "MIX 2+3" (2 OUT + 3 OUT), "MIX 1+3" (1 OUT + 3 OUT), the AWM-3 is wave-shaper, signal processor, and multi-mode mixer.

Each channel has independent positive and negative control over wave-shaping, including CV inputs, CV attenuation, bias (wave-fold threshold), and level (wave-fold volume). Each channel also has a dry level control. Between the dry level, positive wave-fold level, and negative wave-fold level controls, many variations of wave-shaping are possible.

All CV inputs will accept LFO or audio-rate frequencies. The main signal path is DC-coupled. Each dry signal throughput can be amplified up to +6dB (2 times the input signal) and has a buffered output.

With the addition of a VCA inserted before the AWM-3 (i.e. VCO > VCA > AWM-3), dynamic wave-folding opens up a high degree of variation for automatic wave-shaping. Add the compressor stage, then new and complex sounds can be generated.
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 1 in stock $240.33
VSL
Cat: 676905 Rel: 16 May 18
 
Delayed envelope generator - 10HP
Notes: The D-ENV is a 10hp Eurorack Envelope Generator with the addition of Delay and Hold functions for gates. As a "utility-effect" of sorts, it allows for delayed dynamics, which can provide more spacial or dimensional sounds within many configurations, including drum beat delays, or part of an echoic soundscape. Exponential envelope generator (ADSR/AR) with independent delayed gate/trigger processing (up to 1 second), and delay-hold (up to 1 second).

- 3 Env timing ranges (Short timing fixed range. Long timing can be extended for Extended-Long timing.)
- CV to Delay time
- Delay + Hold for Gate/Trigger Delays

Delayed Gate/Trigger can be routed internally at the push of a switch, and is "OR'd" with any income gates or triggers entering the envelope generator's gate and trigger input jacks.

Delayed gates only accept new gate signals once the entire Delay and Hold cycles are complete. Delay cycle starts once a signal at the D-G IN jack is received (rising edge -or- positive-going). Both the Delay and Hold cycles are minimum 12 ms, and maximum 1050 ms, each, and are sequenced from Delay to Hold.
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 1 in stock $235.94
Cat: 599599 Rel: 19 Dec 16
 
Compressor synth module with flexible side-chaining & RMS/peak modes
Notes: A true high-end analogue compressor not only adds punch to your signal, but it also can be modulated in intriguing and unconventional ways!

Side-chaining with an adjustable balance control will open a huge set of modular possibilities.

The CMP1 has all the features you expect from a modern compressor including attack and release control, automatic and manual modes, hard and soft knee as well as output gain and bleed amount of the original signal.
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$185.46 SAVE 20%
 2 in stock $148.37
Cat: 677189 Rel: 01 Jan 90
 
***B-STOCK: Box opened, product unused***
Notes: A true high-end analogue compressor not only adds punch to your signal, but it also can be modulated in intriguing and unconventional ways!

Side-chaining with an adjustable balance control will open a huge set of modular possibilities.

The CMP1 has all the features you expect from a modern compressor including attack and release control, automatic and manual modes, hard and soft knee as well as output gain and bleed amount of the original signal.
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 1 in stock $163.52
Cat: 667536 Rel: 15 Sep 15
 
B-STOCK: Box slightly damaged, product in perfect working order
Notes: ***B-STOCK: Box slightly damaged, product in perfect working order***


nw1 is our debut product for the popular Eurorack format. It includes an advanced wavetable engine with independent control of spectral envelope and noisiness - just like Nave.

Wavetable scanning is cyclic with optional modulation of travel speed, position, spectrum, and more besides. By providing the worshipped Waldorf wavetable set from the classic Microwave and Wave synthesizers, nw1 will enrich your Eurorack modular system as a potently powerful sound source. The nw1 sound engine also allows for onboard creation of user wavetables via time domain multiple foldover analysis. All you need to do is connect any sound source to the nw1 to transfer audio into a wavetable. Or use the integrated speech synthesizer to translate typed text into wavetables.

Wavetable synthesis is an extremely powerful sound source suited to producing all kinds of vivid metallic hues and digital clangorous tones. It can create organic, bell-like timbres, as well as spectacular-sounding scans through various waveforms with truly ear-opening results. It was almost impossible to create these kinds of sharp-edged, digital sounds back before the invention of wavetable synthesis in the late-Seventies.

Starting with the wavetable synthesizers of those days, a whole new sound palette left its imprint on so many hit records. Today, with Waldorf's neatly-sized nw1 Wavetable Module, this sound is readily available for the popular Eurorack standard - sounding just as pure, sharp, and massively destructive as it did back in the golden days of digital!
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 1 in stock $280.94
Cat: 669366 Rel: 15 Sep 15
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


nw1 is our debut product for the popular Eurorack format. It includes an advanced wavetable engine with independent control of spectral envelope and noisiness - just like Nave.

Wavetable scanning is cyclic with optional modulation of travel speed, position, spectrum, and more besides. By providing the worshipped Waldorf wavetable set from the classic Microwave and Wave synthesizers, nw1 will enrich your Eurorack modular system as a potently powerful sound source. The nw1 sound engine also allows for onboard creation of user wavetables via time domain multiple foldover analysis. All you need to do is connect any sound source to the nw1 to transfer audio into a wavetable. Or use the integrated speech synthesizer to translate typed text into wavetables.

Wavetable synthesis is an extremely powerful sound source suited to producing all kinds of vivid metallic hues and digital clangorous tones. It can create organic, bell-like timbres, as well as spectacular-sounding scans through various waveforms with truly ear-opening results. It was almost impossible to create these kinds of sharp-edged, digital sounds back before the invention of wavetable synthesis in the late-Seventies.

Starting with the wavetable synthesizers of those days, a whole new sound palette left its imprint on so many hit records. Today, with Waldorf's neatly-sized nw1 Wavetable Module, this sound is readily available for the popular Eurorack standard - sounding just as pure, sharp, and massively destructive as it did back in the golden days of digital!
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 1 in stock $279.84
Cat: 606407 Rel: 30 Mar 16
 
Variable-width bandpass filter synth module with 8-pole filter core
Notes: The Aperture is a variable-width bandpass filter with fast and tactile controls. It is capable of simple filtering, self oscillation FM timbres, nasty acidic squelches, and capturing images of UFOs descending from the heavens on a cold winter's night. The concept is a bandpass that ranges from transparent to gnarly, with precision controls that behave under stress, all while being joyful to wreak havoc with.
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 1 in stock $297.39
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