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Cat: 694717 Rel: 20 Feb 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Contour is a quad envelope generator. Each channel has looping, CV over attack and decay, as well as unique chaining capabilities. This makes for the creation of complex modulation patterns with a minimum amount of trigger sources. Cycle times range from 5ms all the way to 20 minutes, providing an extremely wide range. In addition to its full feature set and four channel architecture, the ergonomic interface makes it ideal for performance scenarios.
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 1 in stock $248.19
Cat: 620648 Rel: 11 Aug 16
 
Envelope, oscillator & noise source synth module in Eurorack format - 2HP wide
Notes: EON is an envelope, oscillator, and noise source in 2 HP.

It has three modes that are quickly and easily set via a 3 position switch.

Its functionality is deep and multifaceted. The EON can be a full fledged envelope with linear and exponential shapes, a square wave oscillator that tracks 1 volt per octave, or a digital noise source with downsample control.

In addition to the three main functions, the EON also has a triangle wave LFO, random gates, and cycling envelopes.

Packing more features per HP than any other module before, the EON is the best way to fill any empty spot in your case.
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 1 in stock $149.74
Cat: 677587 Rel: 29 May 18
 
Granular sample player/DSP platform - 20HP
Notes: Record. Mangle. Destroy.

Nebulae is a granular sampler and DSP platform. Its phase vocoder audio engine provides elastic audio, which can be time stretched, granularized, and mangled to no end. With independent control over pitch and speed, and granular controls such as overlap, window, and density, finding new sonic territory is only a knob turn away. Nebulae can use live audio input, a recorded buffer, or audio files as the source material for its powerful audio manipulations. The live input buffer can record up to five minutes of stereo audio at 48kHz, 24 bit. In addition, up to 75 MB of stereo audio can be loaded simultaneously through the USB port. No naming convention or special formatting necessary; just plug and play.

Nebulae lives a double life as an open source DSP platform with an extensive library of off the shelf alternate instruments. You can turn the module into a lush reverb, spectral delay, or tape-style looper simply by loading a new file onto the flash drive. Do you want to tweak one aspect of an existing instrument, even the default functionality? No problem. No prior coding knowledge is necessary to tweak and refine existing firmware to your liking or start with one of our templates. Alternate firmware files can be written with Pure Data, Csound, SuperCollider, and even bare-bones C programs.
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 1 in stock $410.16
Cat: 628000 Rel: 15 Nov 16
 
4-channel pattern generator module with BPM display
Notes: The Rhythm is a 4 channel pattern generator with BPM display. It ships with a multitude of genre-oriented rhythms that can be altered on a per channel basis. With each parameter under voltage control, an unlimited number of permutations are available.

This unique interface removes the intricate patching necessary for crafting complex drum beats, and allows the user to focus on what matters most; composing and performing music.
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 1 in stock $248.48
Cat: 677589 Rel: 15 Oct 18
 
Organic wavetable oscillator featuring scanned synthesis - 16HP
Notes: Scanned is an organic wavetable oscillator. It uses an unexplored technique known as Scanned Synthesis to animate wavetables that are created in real-time. This synthesis method was conceived by the father of computer music, Max Mathews, as the next paradigm in digital oscillators, and until now, has never been implemented on hardware.

The wavetables are dynamically generated from a set of "objects" tied together on a virtual string. These objects have physical properties including Mass, Stiffness, and Damping which affect the way that the string moves through space and time. Unlike physical modelling, however, this algorithm is a means of creating new electronic sounds, not replicating acoustic instruments.

To animate the waveform, the objects are morphed into the currently selected hammer shape and then released. This excitation of the sound generates evolving timbral landscapes that contain harmonic movement without external modulation. The hammer section also determines whether Scanned is a free-running oscillator, or a triggered sound source allowing it to function as a complete voice without additional filters or VCAs.
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 1 in stock $352.65
Cat: 677586 Rel: 30 Aug 18
 
Voltage controlled, cross fading switch - 20HP
Notes: Synapse is a crossfading switch with a signal path that can be rearranged on the fly. Its dynamic routing and mixing functionality make it capable of turning static waveforms into evolving soundscapes.

The core of Synapse is comprised of four crossfade circuits chained to a sequential switch, all under digital control. This enables many intelligent behaviours that aren't possible in the analogue domain. Crossfade positions can be saved in up to eight memory locations for easy recall. These let you create sections within your patch, and travel through them with a single knob - all without repatching. In addition, the switch outputs can be rotated left, right, or randomized, enabling unique spatialization of sounds through effect chains, filters, or other mixers.

Synapse can process CV signals just as well as audio and even generate its own adjustable DC voltage for modulation. A configurable +5V DC offset is normalled to each B input, allowing it to function as a four step sequencer or eight stage stored voltage source without needing any additional modules.
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 1 in stock $340.71
Cat: 658148 Rel: 02 Aug 17
 
Quad voltage controlled filter module
Notes: Tone is a quad, voltage controlled filter with low pass and band pass outputs. Its four channel architecture enables the intuitive patching of shimmering, polyphonic textures. The 24dB slope provides a warm, buttery character. Self oscillation allows each channel to double as a sine wave oscillator with v/oct tracking across four octaves. Cascade OTA topology. A perfect match for the Chord.
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 2 in stock $254.99
Cat: 686767 Rel: 09 Jul 18
 
4HP triple clock generator that produces synchronised clock signals
Notes: CLK is a 4HP triple clock generator that outputs three synchronised clocks. It comprises of a master clock and two dual function multiplier/dividers. Turn clockwise to multiply, anti-clockwise to divide. The outputs are always perfectly synchronised. Use it to feed several trigger sequencers or to generate instant 'four on the floor' style patterns.

The top knob sets the master clock, ranging from 40 to 200 BPM. The top jack outputs the master clock as 16th notes.

The middle and bottom knobs either multiply or divide the master clock, depending on whether the knob is turned clockwise (multiplication) or anti-clockwise (division) from the centre position. At 12 o'clock they output the same clock as the master, that is to say they multiply/divide by 1.

The middle knob values are 1 in the centre, then 2, 3, 4, 6, or 8 times as you move away from 12 o'clock.

The bottom knob outputs 1, 2, 4, 8, 12 or 24 times multiplication or division.
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 2 in stock $98.73
Cat: 649079 Rel: 11 May 17
 
Dual envelope generator module
Notes: Gonies is a dual envelope generator with unprecedented range and precision, thanks to its unique tempo sync ability. Each envelope has two stages with CV control, adjustable shape, and three modes: trigger, gate and cycle. The attack and release times are tempo dependent and can be synchronised to an arbitrary clock. In cycle mode the envelopes can be used as variable shape, voltage controlled LFOs.
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 1 in stock $172.53
Cat: 635353 Rel: 06 Feb 17
 
Matrix mixer with 4 input/2 output channels plus headphone jack
Notes: Mix 01 is an extensible 4 in / 2 out matrix mixer with dedicated stereo headphone output. It delivers crystal clear, transparent audio as well as precise control voltage mixing.

Analogue Bus:
Mix 01 features the new Rebel Technology analogue bus, allowing compatible modules to be interconnected without additional patching. Two or more Mix 01 modules can be combined to create a matrix with more inputs and outputs. Balanced inputs and outputs can also be added, either for front panel mounting or built in to the modular case.

Controls:
The knobs set the level of each input at each output. The top left knob sets the level of the first input going to the left output channel. The top right knob sets the same input at the right output channel. The second row sets the levels of input two, and so on.

Jacks:
The first row of jacks are the inputs for channels 1 to 4. The second row has the two output channels on individual mono jacks to the left and right respectively. In addition there is a stereo headphone jack in the middle with line level output.

Bus:
On the back of the module there are four interconnect headers. Two 5-pin headers connect the input channels and normalled inputs. Two 3-pin headers connect the summing bus and normalled outputs. Normalling means that a connection can be made between two modules when nothing is inserted into the normalled jack. Inserting a plug into the jack breaks the normalled connection. Connecting the input bus of two Mix 01 modules creates a 4 in / 4 out matrix. Connecting the output bus creates an 8 in / 2 out matrix. Both the input and output bus can be connected simultaneously to create many routing possibilities: 4/4, 8/2 or any combination of inputs and outputs allowed by the normalling function of the jacks. The modules can still be used independently while connected to the same input and output bus.

Levels:
By default the Mix 01 has audio taper knobs. At fully clockwise, the output level is +6dB, 2x gain. Unity gain is at 3 o'clock, and infinite attenuation at the fully anti-clockwise position. If required, linear taper can be configured by cutting the solder jumpers on the back of the module.

Outputs:
The left and right mono outputs provide DC coupled Eurorack levels. These outputs are suitable for both audio and control voltage mixing. The headphone output is attenuated to line level, and suitable for connecting headphones or for use as a stereo line out. It is AC coupled and safe to plug into mixers and audio interfaces. Note that with a strong input signal and full mixer gain it is possible to exceed normal line levels, so please beware to keep the outputs at comfortable and safe listening levels at all times.
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 1 in stock $92.23
Cat: 660813 Rel: 05 Sep 17
 
Additive interval pitch sequencer for turning triggers into melodies - 6HP
Notes: In a slim 6HP format the Rebel Technology Tonic offers one adjustable and five fixed intervals. Each interval has a trigger input and manual trigger button. Freely combine intervals for more than four octaves chromatic range.

The bottom interval is negative, the middle four are positive. The top, adjustable interval has a range from minus one half octave at fully counter-clockwise, to plus one octave at fully clockwise, with zero in the middle.

The default tuning gives you whole tone steps: +2, +4, +8 and +16 semitones. The bottom, negative interval drops the pitch by a semitone. This provides a basic range of 32 semitones, not counting the adjustable interval.

The module is entirely analog, each interval can be tuned using the 23-turn precision trimpots on the back of the module.
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 3 in stock $134.55
Cat: 690831 Rel: 30 May 18
 
Hand-wired glitch, pitch & slice module - 14HP
Notes: Is it a distortion? Is it a ring modulator or a delay? We call it the Bad Comrade, the world's first hand-wired glitch, pitch and slice module.

The Bad Comrade will let you beef up every sound you will send through the device. Dull drums will be transformed into hard banging sounds. Acoustic instruments, as well as synthesizers, can be "spiced up" the same way. For the adventurous sound-researcher that craves unthinkable tones, the Bad Comrade lets you distort, modulate, glitch and slice on the fly like no other module.

There are three simple parameters for varying the sound.

The delay time can be set manually via the Time potentiometer and it is possible to influence it via the CV input. Altering this parameter during operation leads to pitch effects.

Turning the Glitch knob to the left will increase the threshold, cutting noise and clipping the signal.

To compensate the boost in amplification caused by the module, you can use the Level knob to bring it back to the desired volume. Turned all the way to the left, the sound will be completely silenced.

Pushing the Freeze button will lock the signal at the rate set by the delay time control knob.

The Bad Comrade is hand-wired in Seattle, Washington.

Full-lifetime warranty.
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 1 in stock $186.63
Cat: 690832 Rel: 30 May 18
 
Versatile module featuring delay, modulation, freeze & stutter effects - 14HP
Notes: Cutting Room Floor is the most versatile release from Recovery Effects to date. Unlike any effect you've heard before, it offers mountains of wild modulation, delay, freeze and stutter. Anything from smooth lo-fi chorus to broken-tape-deck sounds can be achieved with this unique effect. First melt, then freeze sounds in place, or use it as a gritty echo or faux reverb.

The Time knob sets the delay time, which can also be influenced via CV. Altering this parameter during operation leads to pitch effects.

The Blend potentiometer acts like a Dry/Wet.

The level of the output can be controlled by the Volume knob.

It's possible to change the shape of the flutter modulation from triangle to square wave with the Shape knob. The speed of tape fluctuation can be set by the Flutter knob. This is to be used in conjunction with the Wow knob, which controls the level of melting modulation.

It's possible to turn flutter on and off with the Stability toggle-switch, enabling or disabling the fluctuation of the tape speed.

There is also a toggle-switch labelled S/M, which changes the effect from a single to repeated delays, acting like a simple feedback control.

The Freeze button temporarily loops the playback head and locks the audio signal. This mode alters the behaviour of the Blend potentiometer. - It sets twelve o'clock to zero. Rotating the knob to the left models the playback of an Ampex 456. Turned to the right, it models the playback of an Ampex 499.

The module is hand-wired in Seattle, Washington.

Full-lifetime warranty.
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 1 in stock $186.63
Cat: 690833 Rel: 30 May 18
 
Ringmod/frequency shifter - 14HP
Notes: Motormatic adds a new twist on classic old school synth technology, creating beautifully bizarre textures and erratic pitches from your original sound source.

Starting with a two-channel ring modulator, Motormatic produces its own variable frequency that latches to CV, allowing movement and dynamic motion. Relation of the original sound source to carrier frequency can be modified with input sensitivity controls.

The Frequency potentiometers control the frequencies of the carriers and the Level knobs adjust the volume of each channel. The pitch of each channel can be influenced by the corresponding CV input.

Motormatic is hand-wired in Seattle, Washington.

Full-lifetime warranty.
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 1 in stock $137.81
Cat: 701430 Rel: 07 Sep 18
 
Passive mixer board for audio
Notes: The RK-003 is a little kit we made to mix your gear in the simplest way possible. The mixer can be used for audio but also for e.g. the splitting of sync signals.

Note: This is a 'passive mixer' which means there is no amplifier in it, only small resistors to protect the gear you're mixing. You have to adjust volume on the devices itself and expect a volume drop which needs to be compensated on the amplifier on which your mixing to.
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 2 in stock $43.39
Cat: 701436 Rel: 12 Sep 18
 
6 channel MIDI Merger/Splitter, 8 channel Sync-hub and clock processor
Notes: The RK-004 is not your 'ordinary 6 channel MIDI-merger or MIDI-splitter'. The 7 MIDI DIN5 sockets hide more than you would expect at first sight.

MIDI thru
MIDI message arriving at an input will be casted-thru to all connected outputs. This makes the RK-004 behave like a MIDI-thru box, syncing up all your connected MIDI devices. The cool thing is that each connector can act as MIDI input or MIDI-output. This means you can use the RK-004 to merge up to 6 MIDI-sources into one output, split one MIDI source up to 6 outputs or just sync up 7 MIDI devices by using the RK-004's internal clock or (or slave all MIDI devices to an incoming sync pulse, see 'tempo manipulation') The direction of the ports is ad hoc, and the direction is detected automatically: this means that you just can plug and play, and use the connectors as you like.
MIDI merge Today you want to control your sound module with 2 controllers(='merge'): just connect and it will merge. Tomorrow you want to control 2 sound modules with 1 controller (='split'): just connect and it will split any other combination is valid also! The good thing is that you don't have to reconfigure: the direction will be auto-detected. Note that the MIDI-in mode of the RK-004 is not opto-isolated like regular MIDI-in ports. Although this could sometimes lead to a 'ground loop' it is not more dangerous for your equipment than plugging a midi-out to a midi-out port.
Analog SYNC input In order to use your favorite analog sync source there is the sync-in connector which accepts good-old analog sync input. With this connection it is possible to use an analog sync generator as master clock to which the whole remaining system will lock. So yes: this will generate MIDI clocks from analog sync input !
Analog SYNC output
The other way around: if you want to slave-sync your analog equipment with a clock originating in the digital MIDI world there is the sync-out connector. On this connector you can connect analog equipment which will lock to the generated sync signal.
Ports can be defined as sync-only You can change the MIDI connector into sending out sync signals. With the use of a MIDI to Mini-jack converter (as provided with e.g. the Arturia Beatstep) in reverse to the RK-002, this enables you to use the MIDI-connectors as sync output. This way you can also use the RK-004 to drive a bunch of (example given) Pocket Operators.

Tempo manipulation Every port can be set to run relative to the midi or sync master clock (or discard the master clock alltogether). This way you can creatively use sequencer machines to run in different tempo's with each other.

Stand-alone tempo If you don't use any MIDI or analog sync-master gear on the RK-004 you can use it so generate it's own tempo just by tapping it.

Raspberry Pi USB Host
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 2 in stock $154.07
Roland Aira VT3 Voice Transformer (voice tranforrmer synthesizer)
Cat: 522657 Rel: 01 May 14
 
Easy voice transformation with vocoder, lo-fi effects, and synths you can sing
Notes: Aggressively processed vocals are common in electronic music today, but producing these effects easily and reproducing them live continues to be a challenge. The VT-3 lets you smoothly alter Pitch and Formant and can introduce heavily processed vocal sounds into your studio tracks and live performances with zero hassle.

And it's not just for robot voices (although we totally approve of robot voices). The VT-3 has the power to transform your voice into synthesizers, synth basses, hard-tuned and lo-fi vocals and more. The VT-3 can also be subtle and musical, with built-in reverb, smooth Wet/Dry fader control and instant bypass.

Built for creative speed and live performance, the VT-3 is meant to be played. It has high quality specs and sturdy, brightly-lit controls that are dead simple to use. The controls and functions are smooth and immediate with no popping or clicking or latency issues to worry about, even when switching presets or changing voice characters. Weighing less than two pounds and small enough to slip into a bag, you can take the VT-3 anywhere.
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 1 in stock $167.60
Cat: 553327 Rel: 01 Jan 90
 
Easy voice transformation with vocoder, lo-fi effects, and synths you can sing - bundled with a Decksaver cover
Notes: Aggressively processed vocals are common in electronic music today, but producing these effects easily and reproducing them live continues to be a challenge. The VT-3 lets you smoothly alter Pitch and Formant and can introduce heavily processed vocal sounds into your studio tracks and live performances with zero hassle.

And it's not just for robot voices (although we totally approve of robot voices). The VT-3 has the power to transform your voice into synthesizers, synth basses, hard-tuned and lo-fi vocals and more. The VT-3 can also be subtle and musical, with built-in reverb, smooth Wet/Dry fader control and instant bypass.

Built for creative speed and live performance, the VT-3 is meant to be played. It has high quality specs and sturdy, brightly-lit controls that are dead simple to use. The controls and functions are smooth and immediate with no popping or clicking or latency issues to worry about, even when switching presets or changing voice characters. Weighing less than two pounds and small enough to slip into a bag, you can take the VT-3 anywhere.
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 1 in stock $195.32
Cat: 687377 Rel: 19 Jun 18
 
Compact Eurorack module based on the SH-5 monophonic synth filter section
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesiser. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesiser and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYSTEM-500 505 VCF:

Inject the sound of the Roland SH-5's revered filter section into your modular rig. The Roland SH-5 is one of the most sought after monosynths in history. Its dual architecture was deep and sounded massive. It also happened to have one of the most distinguished filters of any monosynth in history. Combining a multi-mode filter with a band-pass filter, it produced a sound that has propelled it to "favourite filter ever" territory for many. In stark contrast to the traditional Ladder filter design, the SH-5's filter maintained its bass response with a meaty resonance growl. With the SYS-505, Roland and Malekko have brought this highly-coveted filter, in all its sonic glory, to the Eurorack format. With switchable outputs, built-in VCAs, and CV control of cut-off, resonance, this dual filter gives you two different vintage filter characters in a flexible and compact 16hp module.
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 5 in stock $389.55
Cat: 687381 Rel: 19 Jun 18
 
Compact Eurorack module based on System-100m's 110 VCF, VCO & VCA module
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesiser. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesiser and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYSTEM-500 510 SYNTH:

With the SYS-510, designing your first modular setup or integrating classic Roland sound into your existing modular rig has never been easier. Based on the vintage SYSTEM-100m's 110 VCO, VCF, and VCA module, the SYS-510 brings together the best aspects of the SYSTEM-500 into a single voice module. It contains three pristine oscillator waveforms, classic Roland low pass filter with hi-pass switches, and a VCA with multiple outputs. It has inputs for external signals and modulation, and output jacks for both Eurorack and line-level audio. At 20hp and internally normalled for cableless operation, the SYS-510 is an essential building block, whether you're an experienced user or just diving into modular synthesis.
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 2 in stock $417.76
Cat: 581793 Rel: 04 Jul 16
 
Dual Voltage Controlled Oscillator (VCO) synth module - 16HP wide
Notes: Dual VCO:
Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

Classic System. New Format:
The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

512 Dual VCO:
The 512 Dual VCO (voltage controlled oscillator) is a single module consisting of two voltage controlled oscillators. Each independent VCO produces frequencies across a wide range with 1V/octave tracking and dedicated pulse, triangle, and saw wave outputs. Variable pulse width is available via panel control or CV modulation. Each oscillator's frequency can also be synchronized to the other in weak or strong modes to achieve a unique "sync" sound.
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 1 in stock $335.29
Cat: 581796 Rel: 04 Jul 16
 
Dual Voltage Controlled Amplifier (VCA) synth module - 16HP wide
Notes: Dual VCA:
Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

Classic System. New Format:
The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

530 Dual VCA:
The 530 Dual VCA (voltage controlled Amplifier) features two independent voltage controlled amplifiers for controlling the loudness of audio signals. Each VCA has three sliders for an audio input mixer, three sliders to mix CV inputs, and a selector switch for linear or exponential response modes.
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 1 in stock $305.21
Cat: 687380 Rel: 20 Aug 18
 
Versatile Eurorack module inspired by Roland Systems-100m's output synthesiser
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYSTEM-500 531 MIX:

Inspired by the SYSTEM-100m's 131 output module, the SYS-531 brings an updated approach with convenient and modern features. With six high-quality inputs, each with level slider, pan knob, and performance-friendly mute button, the SYS-531 is your central hub for mixing mono or stereo (PRE only) signals. It has high-fidelity sound with low noise, ensuring that your modular rig sounds its best. The six pan knobs are CV controlled so you can create space and dimension, and achieve interesting stereo effects. There's even a boutique-quality stereo preamp, so you can bring in mic or line level signals -and abusing this preamp's gain knob gives you pleasing overdriven tones. The headphone section has an easy-to-reach, dedicated volume knob as does the multi-format output section that lets you use both 1/4"and 1/8" cables. There's even an LED level indicator for visual feedback.
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 4 in stock $416.67
Cat: 581798 Rel: 04 Jan 16
 
Dual envelope generator & low frequency oscillator (LFO) eurorack module - 16HP wide
Notes: Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

The 540 Dual Envelope Generator and LFO (low frequency oscillator) is a multi-purpose modulation source. This unit features two independent ADSR (attack, decay, sustain, release) envelope sections that produce variable voltages for controlling other Eurorack format synthesizer modules such as oscillators, filters, and VCAs. Each section can be triggered externally, internally, or manually with dedicated jacks for each envelope, as well as an inverted output.

Additionally, the 540 includes a voltage controlled LFO with 5 waveform outputs. Front panel controls adjust both frequency and delay time of the LFO start. Delay and reset can be triggered from either envelope 1 or 2.
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 2 in stock $306.51
Cat: 687379 Rel: 22 Jun 18
 
Versatile Eurorack module based on System 1000m's 150 & 165 modules
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYS-555 LAG / S&H:

Channelling inspiration from the Roland SYSTEM-100m's 150 and 165 modules, the SYS-555 is a five-in-one powerhouse that brings core utility functions to your modular setup, but with some new and interesting twists. The SYS-555 contains both traditional and non-traditional modulation sources applicable to any imaginable configuration or setup. With ring modulation, versatile sample and hold with seven waveforms and internal LPF, pink and white noise modes, LFO with internal ENV and VCA, and two CV controlled portamento circuits, your tonal shaping and modulation options are near infinite.
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 3 in stock $350.48
Cat: 581800 Rel: 04 Jul 16
 
Modular Phase Shifter/Delay/Low Frequency Oscillator (LFO) synth module - 16HP wide
Notes: Phase Shifter + Delay + LFO:
Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

Classic System. New Format:
The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

572 Phase Shifter + Delay + LFO:
The 572 Phase Shifter, Delay and LFO is a time-based, multi-effects module. The 572 includes a five-stage phase shifter, analog audio delay, a control voltage gate delay, and an LFO. The phase shifter has panel controls for shift frequency and resonance amount that can vary from subtle to a deep, lush analog effect. Similarly, the audio delay has independent knob control of delay time and resonance (or feedback) for short chorus-like modulation delays. Both the phase shifter and delay can be modulated by the 572's internal LFO or external CV signals and feature wet/dry effects mix controllable via the front panel or with CV.
The LFO section has a knob for controlling frequency and features both normal and inverted output jacks. The gate delay has knobs to control threshold, delay time, and gate time for modifying incoming gate signals from other modules.
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 1 in stock $305.21
Cat: 571175 Rel: 23 Jul 15
 
Distortion effects module with classic Roland distortion sound, for use as tabletop effect or Eurorack module
Notes: TORCIDO is a versatile modular effect combining classic Roland distortion sound and unprecedented control and flexibility. Able to be used as a tabletop unit or as a Eurorack module, and with an array of CV/Gate inputs, this compact 21 HP unit has a wide range of uses from studio production to live performance. Not only for modular synth users, TORCIDO is perfect for keyboard players, guitarists, DJs or any adventurous musician looking to expand their sound. Carefully crafted in Japan, TORCIDO has large, ultra-smooth controls with over 16 million steps of resolution and is fully re-programmable via computer, smartphone or tablet.

TORCIDO can produce tones ranging from gentle, warm overdrive to heavy distortion. Using the large, high-resolution knobs, or standard 1/8" patch cables, you can independently control the distortion amount, tone, tube warmth, wet/dry signal, low-end boost and signal bypass. Both the distortion amount and tone parameters have input level controls for adjusting the modulation range when controlled from an external source. Two inputs and two outputs make TORCIDO a stereo-capable, 24bit/96kHz audio interface for Eurorack systems and the built-in AIRA Link USB compatibility gives it single-cable, plug and play connectivity with the MX-1 Mix Performer.

While it sounds great out of the box, you can fully customize TORCIDO's internal signal path by re-patching its array of virtual sub-modules via a custom application that works on Mac and PC as well as iOS and Android devices. Submodules are re-patched through a simple and intuitive drag and drop interface that even lets you choose which parameters are assigned to the high-resolution "GRF" knobs. You can reprogram TORCIDO in realtime via USB connection or save and recall patches with a simple audio signal. You can even share patches with other TORCIDO users.

TORCIDO includes 15 virtual sub-modules with more available through future expansion:

LFO, ADSR, NOISE, SAMPLE & HOLD, RING MOD, FILTER 6dB, FILTER 12dB, TONE, AMP, MIXER, STEREO MIXER, CURVE CONV, GATE DIVIDER, TRIG TO CV DELAY TIME, MIDI CLOCK TO GATE
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 1 in stock $291.89
Cat: 658749 Rel: 11 Sep 17
 
Modulated ladder filter Eurorack module with Variable Slope, Q Intensity Control & Q Level Compensation
Notes: At the core of the EVOLUTION Variable Character Ladder Filter is Dave Rossum's enhancement of the iconic Moog ladder filter from the original E-mu Systems 2100 LPF module (which, incidentally, Dave counts as his favourite sounding of all of the analog filters he designed).

For EVOLUTION, Dave has designed new capabilities that not only allow you to dial in all of the outstanding qualities of the original 2100, but combine to let you create the sonic characteristics of a wide variety of other filter types.

They include:

- A Genus control that allows continuous voltage control of the number of filter poles (from 3 to 6 poles), essentially allowing real-time variation of Evolution's effective cutoff slope from 18dB/oct to 36dB/oct. LEDs give continuous indication of the current slope.
- A Species control that lets you vary the signal level into the ladder, letting you control the intensity of the filter's characteristic distortion. When in self-oscillation mode, this control modulates the amplitude of Evolution's output.
- Voltage controlled resonance with a variable Q Level Compensation control that controls the balance of the resonant peak and the frequencies below the cutoff frequency (which would otherwise be attenuated as the resonance is increased).
- An extremely accurate and temperature-stable frequency control exponential generator (accurate over 10 octaves), rivalling the specifications of the best analog VCOs.

Taken together, EVOLUTION gives you everything from the platonic ideal of the classic ladder filter to a vast selection of alternative filter characteristics.

And like all Rossum Electro-Music modules, it's solidly built, with machined aluminium knobs and high quality components throughout.
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 2 in stock $334.21
Cat: 658753 Rel: 11 Sep 17
 
Premium 14-pole stereo digital filter module
Notes: With our MORPHEUS digital filter module, we're finally able to unleash the full power of the 14-pole Z-Plane Filters that Dave invented for the E-mu Morpheus synthesizer.

The MORPHEUS Eurorack module includes over 280 filter configurations, what we call Cubes. Each Cube is composed of up to 8 complex filters that you can picture as being at the corners of a three dimensional cube (hence the name). Morpheus gives you the ability to smoothly interpolate between those 8 filters within the cube's three dimensional space.

Due to processor limitations back in the day, the original Morpheus was capable of real-time morphing in one dimension, but interpolation in the frequency and transform dimensions were set at note-on and remained static for the remainder of the note. But even with that limitation, Morpheus offered sonic capabilities that are unmatched to this day.

With the MORPHEUS filter module, you now have simultaneous real-time CV control of all three dimensions, for dynamic timbral effects unlike anything you've ever heard before. In stereo.
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 4 in stock $453.56
Cat: 658754 Rel: 11 Sep 17
 
Compact programmable universal CV generator - 12HP
Notes: Satellite is a compact 12HP module that can be loaded with all (or a subset) of the presets and preset sequences from a Rossum Electro-Music Control Forge or other Satellite and then function as a completely stand-alone CV generator. Once the presets and preset sequences are transferred from the other module (via a patch cord connection), Satellite no longer requires any connection to the module.

With one or more Satellites, you can take advantage of all of your Control Forge presets and sequences in multiple cabinets or even different systems.

Multiple Satellites can be programmed from the same Control Forge and synced together via their Gate inputs to create complex polyphonic sequences and modulation contours.

In addition to direct connection with a Control Forge or other Satellite, presets and preset sequences can also be loaded via audio file archives that have been saved from a Control Forge or Satellite. And since those files can be posted online and downloaded, it’s a great way to share and exchange presets.
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 2 in stock $275.61
Cat: 630892 Rel: 25 Jan 17
 
Modular synthesiser in Eurorack format - improved version of the Thru-Zero Oscillator module
Notes: Improved version of the high performance Thru-Zero Oscillator OMEGA-PHI.

What has been improved?

Firstly, the VCO core:
- Parasitic noise effect especially audible at low oscillator frequencies at the Omega-sine/tri outputs exactly when the thru-zero operation begins to start by FM-modulation through a sine modulator is reduced by 15 db and is so no longer audible! BTW: a similar noise at the Phi-sine/tri outputs was not reduced!
- Highly improved oscillator FM-stability;
a) New precision rectifier design leading to terrific in-tune FM synthesis over the full index over a very wide frequency range.
b) New core-symmetry circuit for a perfect balanced triangle wave eliminates tendencies to asymmetric tri/sine shapes even at high FM-modulation frequency/carrier frequency ratios. This leads to no more carrier-sine distortions and no detunes even at high ratios.
c) Improved thermal board design for better frequency stability and linearity at very high frequencies and thus more stable FM results, generally.
- Extended maximum FM index from 44 to now 50.

Secondly, the VCO environment:
- Completely new VCA design for FM and PM providing ultra-low noise and ultra-low control feed-through capability.
- Ultra low constant or transient frequency shifts with varying FM indices in both modes, DC and AC.
- Cleaner sound, especially for PM and also for FM at higher oscillator frequencies, where VCA noises become relevant.
- Smoother VCA-index curve for better control even around zero reduced potentiometer noises for PM Phi (-360- - +360-).
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 1 in stock $1,112.21
Cat: 602582 Rel: 16 Dec 16
 
Highly versatile, fully analogue, programmable & voltage-controlled filter synth module
Notes: The CS-8 VCF02 is a very versatile, fully analogue, programmable and voltage-controlled filter (VCF). It is capable of processing all sorts of audio signals. It is designed for mounting into a 3U Eurorack with an internal +/- 12V power supply.

This module is capable of producing 121 different filter types (27 low-pass, 18 high-pass, 13 band-pass, and 63 all-pass/notch/phase-type filters). External control voltages can be used to control all functions, thus the CS-8 VCF02 can be remote-controlled by sequencers, foot pedals/switches etc. The CS-8 VCF02 features some unique and very powerful functions that are entirely new to voltage-controlled filter modules such as emphasize, 2nd harmonic distortion, and drop.

The CS-8 VCF02 features a unique "layer cake" design. This way, its installation depth is reduced to a minimum, compared to other Eurorack modules.

Design and implementation meet highest technical standards concerning usability, sound quality, and signal-to-noise ratio. The front panel is made from an anodised and printed piece of aluminium sheet metal of 2 mm gauge. The entire design and production work was done in Germany.
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 1 in stock $674.92
Cat: 673250 Rel: 06 Apr 18
 
Programmable VCF module
Notes: The CS-8 VCF1E is a very versatile, fully analogue, programmable and voltage-controlled filter (VCF). It is capable of processing all sorts of audio signals. It is designed for mounting into a 3U Eurorack with an internal +/- 12V power supply.

Basically, two modes are possible. The classical filter mode with 12 selectable different functions (low-, high-, band-passes) and the phaser mode also with 12 phaser-sounding combining modes (4x phaser-, 2x low-, 2x high,- 4x band-passes).

For the classic filter mode, 3 different resonance modes are available - these generate different sound impressions for each filter function. So, there is no rule how to sound a certain selected resonance mode. It depends on the selected function.

With a further 4-pos. rotary switch the resonance emphasize is dialable, which provides further sound nuances. This is also equipollent to the amplitude of the self-oscillation. An illuminated tactile switch allows to add a unique 2nd harmonic distortion to the resonance sound.

The frequency range (cutoff) goes from 2 Hz to 40 kHz. A gain controller allows input-to-output gains from -20 db to 0 db. A clip LED light up just before output clipping.

Design and implementation meet highest technical standards concerning usability, sound quality, and signal-to-noise ratio. The front panel is made from powdered and printed piece of aluminium sheet metal of 2 mm gauge. The entire design and production work was done in Germany.
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 1 in stock $693.37
Cat: 682068 Rel: 16 May 18
 
Complex noise oscillator module - 14HP
Notes: The Interstellar Radio is a faulty transmission line providing several varieties of destructive effects as well as acting as a non-volts/octave complex oscillator when no input is provided.

Interstellar radio converts an audio signal from the input jack to a high frequency pulse train and then back to an audio signal with voltage control over the clock for the up conversion (CARRIER) as well as the down conversion (DEMODULATOR), like a voltage controlled radio transceiver designed for poor reception.

Manipulating these clocks allows for a variety of aliasing, distortion, and frequency modulation type effects. The output is also sent to a comparator along with the input, and the result is available at the "ERROR" output for a ring modulation type effect.

When no input is provided a DC offset (controllable with the input jack) sets a frequency for the up conversion (which is effectively a VCO), the down conversion acts as a modulation oscillator allowing for a fairly radical form of frequency modulation. Two audio signals can be inserted into the clock input jacks and modulate each other in the same way.
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 2 in stock $181.21
Cat: 667770 Rel: 25 Jan 18
 
Dual chaotic oscillator with 2 CV inputs, Gate output with adjustable threshold & two sets of X & Y outputs
Notes: The Dreamboat is a dual chaotic oscillator with 2x CV inputs, a Gate output with adjustable threshold, and two sets of X and Y outputs. There are two oscillator sections to the module, the top half is an audio rate chaotic oscillator and the lower half outputs LFO rate signals. With its five outputs, the Dreamboat allows you to connect to plenty of modules all at once, allowing all kinds of modulation and listening possibilities. When used with an oscilloscope or a scope program in X/Y mode, the Dreamboat allows you to view its chaotic attractors in real time.

Allowing for unique rhythms through the use of the gate output, a typical setup might see the Dreamboat involved in a few feedback loops while controlling an ADSR and a VCA with its gate output. When used with TIP-TOP's special dual cables, hearing AND viewing the Dreamboat at the same time is a snap.

The Dreamboat is easy to use, just turn the knobs until the Chaos starts, then add modulation, cross-couple the two sections, and bring in a VCO or Noise module. For even more far out sounds, we recommend the use of two or even three Dreamboats for a truly powerful setup. Though the Dreamboat is not an oscillator in a way you might be used to, it will push you into new musical directions.

From subtle to destructive, from scary to absurd, the Dreamboat is a strange bird.

Use the Dreamboat to create everything from strange fogs to banging pots and pans, use it to explore Chaos or simply to have a truly unique module in your setup.

Snazzy FX recommends Gleick's classic book CHAOS for those who want to know a bit more about what is going on behind the scenes in this module.
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 2 in stock $205.08
Cat: 667789 Rel: 14 Nov 17
 
Low-pass filter module - 8HP
Notes: Take advantage of the instability!

The Eternal Spring Filter is quite different than most filters. It belongs to that category of sound modifiers which could be called an "effect", which is to say that it doesn't just filter the sound in a regular manner but also adds a considerable amount of edge/personality. At times it sounds like a wavefolder and when you plug a nice slow LFO into the CV input, you can really get some intense sounds out of it.

At lower drive settings, this filter adds noise, grit, and harmonics, while at higher settings the sound of the filter takes over and replaces your input with sparks and sludge. It sounds great on synth leads, on basslines, and really adds a lot of movement to drones. It is a weird beast which is capable of some different sounds than other filters in your system. On top of all of that, this filter is not temperature compensated and has plenty of musical instability. The cut-off and Q move around nicely to add energy to your incoming audio.
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 1 in stock $166.02
Cat: 682336 Rel: 14 Nov 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Take advantage of the instability!

The Eternal Spring Filter is quite different than most filters. It belongs to that category of sound modifiers which could be called an "effect", which is to say that it doesn't just filter the sound in a regular manner but also adds a considerable amount of edge/personality. At times it sounds like a wavefolder and when you plug a nice slow LFO into the CV input, you can really get some intense sounds out of it.

At lower drive settings, this filter adds noise, grit, and harmonics, while at higher settings the sound of the filter takes over and replaces your input with sparks and sludge. It sounds great on synth leads, on basslines, and really adds a lot of movement to drones. It is a weird beast which is capable of some different sounds than other filters in your system. On top of all of that, this filter is not temperature compensated and has plenty of musical instability. The cut-off and Q move around nicely to add energy to your incoming audio.
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 1 in stock $152.63
Cat: 667785 Rel: 14 Nov 17
 
Kick drum module able to generate a wide array of classic to modern bass drum sounds
Notes: Snazzy's first step into the world of drum modules, the Kick Me is their take on the all-important bass drum. Snazzy prefer tweakability over vintage pedigree, so the Kick Me doesn't sound like your classic XOX drum machine. However, with a wide range of useful sounds easily created with a few knob twists, that's a good thing.
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 2 in stock $134.55
Cat: 667781 Rel: 28 Aug 18
 
Sample & hold/random voltage module - 12HP
Notes: Inspired by sample and hold/analog shift register with some very unique features.

This beast incorporates not one but five sample and holds, chained together, with two controllable feedback taps, individual outputs at five points, a wave shaper output, built in white noise, two different clock modes, lag, and the ability to LOOP the analog cells (you load in 5 different voltages and then loop them this can all be started and stopped via a gate pulse and/OR with the built in BUTTON)

Includes attenuverters on both Main Outputs to allow for fine tuning of output signals, a slew section with two input sources (one being the clocked waveshaper), white noise output, a very unique SUM output which allows for a mixture of ALL FIVE sampling cells to create trills, strange Legato effects, and interesting reconstruction of the incoming signal.

To put it lightly, The Telephone Game can create a multitude of different modulation effects and it is EXTREMELY SIMPLE TO USE. You can either use the built in white noise as your signal source, or plug in any CV or audio in your system. Then you have the option of taking the CLOCK OUT from the Telephone Game and driving your sequencers, clock dividers, and envelope generators/VCA's IN TIME with all the wonderful random voltages the Telephone Game creates (highly recommended), OR use it without any other clocked modules and tune in to the wavy world of 'science sounds'.

Tested and developed in live situations, which means the panel layout, the graphics, and all controls add up to a module that is quick to setup and allows for on the fly melodic content.
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 1 in stock $272.35
Cat: 599034 Rel: 22 Feb 17
 
8-bit wavetable oscillator for Eurorack with Uni-Five companion module
Notes: The Oscitron is an 8-bit wavetable oscillator for Eurorack. It is based around the Atmegatron audio engine but also has a lot of different features, which make it more suited to the modular environment.

One of the key differences is the ability to capture wavetables via an audio input. There is also a "continuous capture" mode which produces vocoder-style effects.

The resolution of the audio engine can be altered from the Atmegatron's 32 sample wavetables, down to 16 and up to 128 samples, creating radically different timbres.

There is a clock input that can be routed to many different parameters. There are 5 CV inputs for controlling the most common parameters. 16 patches can be stored internally. As with the Atmegatron, different software can be uploaded to the Oscitron. A port of the Odytron software is ready for release in the first quarter of 2017.

Uni-Five companion module:

The Oscitron comes bundled with the Uni-Five companion module. This is a utility module that takes 2 bipolar +5/-5V signals and 1 unipolar 8V signal and converts them to unipolar 5V signals, suitable for the Oscitron's inputs. This is most useful for bipolar LFOs and envelopes. There is also an attenuator on each input. The modules are also available separately.

Play:

- 8-bit wavetable module
- Unique wavetable PWM Synthesis audio engine.
- Quick and intuitive controls, no complex menu systems
- White aluminium faceplate with walnut side panels
- Nearly all parameters controllable by CV
- 16 preset sounds that can be overwritten with your own patches

Program:

- Huge selection of waveforms and filters
- Sample your own wavetables using the audio input
- Continuous sampling mode for vocoder-style effects
- Powerful synthesis features that takes Chiptune beyond 80s computer sounds
- Portamento and Quantizer
- Pulse width and phaser controls
- Unique 'wave crusher' effect

Hack:

- Download the open source code from the downloads page
- Download the free Arduino development environment
- Tutorials and forums to help programmers
- Upload software using FTDI cable

Inputs/Outputs:

- 1V/oct for pitch and filter cutoff
- 0-5V CV for pulse width, resonance and phaser
- Clock input (can be configured as extra CV control)
- Standard bipolar audio output
- 10 pin power and 6 pin FTDI programmer headers
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$268.00 SAVE 10%
 4 in stock $241.20
Cat: 670613 Rel: 19 Mar 18
 
8-track sequencer & interface - perfect for composition & live performances
Notes: Hermod brings together a powerful step sequencer, a CV looper, a real-time effect processor, LFO generators and a complete bi-directional MIDI-USB-CV input/output interface.

Record a performance at any time thanks to the CV inputs, the USB HOST, the USB DEVICE and the MIDI input. Create and edit your tracks with the STEP mode and its piano roll and automation view. Generate crazy patterns with the randomization tool.

Hermod is polymetric, it means that each track can have a different length, from 1 step to 64 steps (256 quarter notes). Moreover, you can zoom in to increase the resolution of the step sequencer.

Polymorphic tracks:

Thanks to Hermod architecture, a track can be a simple mono CV/GATE voice, but can be easily configured as a polyphonic track (up to 8 voices), a CV/GATE + velocity + aftertouch track, a modulation + clock track... in order to perfectly fit your Eurorack system!

Sequences and Projects:

The 8 tracks are grouped into one of Hermod's 8 sequences. Every sequence is totally independent and contains a new set of tracks to be played with, for a total of 64 tracks in a single project.

The number of projects is unlimited and the save/load can be done in a flash, allowing you to jump from one song to the next in your live performance.

Dynamic effects:

All the fun in Hermod resides in its effect system, allowing you to transform input signals, whether it's MIDI or CV. You can stack on each track up to 8 real-time effects: Quantize, Swing, Arpeggiator, Glide, Harmonizer, Delay, Chance, Scale, LFO... Experiment with the effects position and parameters to generate eccentric melodies!

Every effect parameters can be edited in the EFFECTS mode, or with CC messages & CV inputs, thanks to the modMatrix.

MIDI-USB-CV interface:

Full connectivity: control Hermod with plug-and-play midi USB devices, midi keyboards, computers or other Eurorack CV systems.

Hermod is also a great midi hub, allowing you to sequence midi synthesizers/drum machines and computer's virtual instruments. Of course, Hermod can be perfectly paired with Pyramid or other hardware and software sequencer, in order to benefit from its CV/GATE outputs.

With Hermod's rock-solid clock, this module becomes a great synchronization tool, for all your setup!
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 8 in stock $460.08
Cat: 703641 Rel: 12 Oct 18
 
3HP high fidelity multiple featuring two 1x4 buffered multiples
Notes: CLONE is a 3hp, High fidelity Multiple featuring two 1x4 buffered multiples.

Multiple B is normalized from multiple A to provide 1x8 multiple capability.

CLONE allows for signal multiplication with extremely low degradation and each section is capable of driving an equivalent load impedance of 600 Ohms without distortion and extremely low signal loss.

We use audiophile grade active components to ensure signal integrity and fidelity across the audio and low frequency spectrum, ensuring practically zero loss of your multiplied signals.

In light of modular making its way into polyphonic territory, 1:4 multiples are necessary to accommodate 4 voice polyphonic modular systems.
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 2 in stock $84.63
Cat: 677509 Rel: 12 Oct 18
 
Analogue envelope follower - 6HP
Notes: The Detect-Rx is a versatile envelope follower, voltage controlled comparator (gate extractor) and rectifier providing many useful prescriptions to fill in your modular needs.

Functions:

DETECT-R is the main input and provides an envelope output, rectified output and gate output simultaneously. If a second signal is also patched into the EXTRACT-R, it can be used separately.

The top two controls and switch alter the response of the resultant envelope. Any signal level from LINE (-10dBv) up to modular (+/-5 to +/-10V) may be used.

The FREQ switch selects the spectra in which the envelope will respond to dynamic changes from the input signal.

SMOOTH adds an additional ripple smoothing level control and tracks the FREQ setting

ENV GAIN controls the level of the envelope and is capable of attenuation as well as a lot of gain for low level input signals and even guitars (some pre-gain may be required for certain guitar pickups)

THRU provides a buffered copy of the input signal for easy patching of classic envelope follower applications and more

An LED is provided for visual feedback of the envelope and peak level (clipping) indication.

Some uses for the DETECT-R:

- Create envelopes that follow the input amplitude and frequency spectra
- Slew audio or control voltages
- Create a side chain envelopes for amplitude dynamics

EXTRACT-R is a voltage controlled comparator with three threshold selections; LINE level, 5V and 10V peak for various levels of control and response. The output gate is normalized into the DETECT-R input by default - providing a second method of producing an envelope from a gate rather than dynamic content.

RANGE selects the maximum threshold level of the attenuator.

THR CV is the input for dynamic voltage control of threshold.

THRESHOLD works as the manual adjustment and as a CV attenuator when CV is utilized.

An RGB LED is provided for visual feedback of the threshold range and gate activity.
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 5 in stock $179.03
Cat: 658627 Rel: 18 Aug 17
 
High performance quad normal/inverting attenuator, mixer, add/sub & high fidelity mixer
Notes: MIXMODE is a high performance quad attenuator, inverting attenuator, precision adder/sub, RGB amplitude/polarity indicator and high fidelity mixer with both clean and saturated output modes.

The saturator is completely user configurable, allowing independent adjustment over the positive and negative clipping threshold levels. The unique response and wide harmonic palette makes this saturator stand in a class of it's own.

- Four inputs, Four outputs
- 3U Eurorack module, 6HP wide, 23mm deep
- Maximum current draw: 39mA at +12V and -12V
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 1 in stock $161.68
Cat: 677505 Rel: 12 Oct 18
 
Discrete VCA
Notes: 8 channel, cascading analogue summing mixer with clickless mutes.
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 1 in stock $266.92
Cat: 658628 Rel: 18 Aug 17
 
Analog noise & random source module - 4HP
Notes: This new revision of the Quantum Rainbow features all of your favourites from the original plus two new noise outputs to expand the palate even further.

Known as one of the best voiced noise sources to date, the Quantum Rainbow is a surplus of true randomness. Unlike digital noise which will only ever be pseudo random at best, analog noise is the only real source of natural random fluctuations. This is because analog noise is the actual sound of real electron behaviour, as they break through a semiconductor junction. The QR uses a reverse biased transistor as the source of this amazing phenomenon.

Interesting fact - studies have been performed in order to prove that the power of thought is linked to statistical phenomena via the means of controlling random electron behaviour.

Special attention was paid when voicing the seven colours of noise in order to provide the most pleasing and accurate coloured noise pallet - that only a true analog noise source can deliver.
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 4 in stock $138.89
Cat: 658635 Rel: 18 Aug 17
 
Analog comprehensive random source with 5 unique outputs
Notes: The first module of the Ultra-Random series, the Ultra-Random Analog is a random voltage generator with six random outputs including two clocked stepped random outputs - one with built in logarithmic slew, a third stepped output that toggles between two internal noise sources or whatever is patched into the sample inputs, a fully voltage controllable smooth fluctuating random voltage output, a voltage controllable random gate/noise with 7 selectable levels of randomness and an independent vactrol based voltage controllable integrator - all with a built in 1V/Oct tracking voltage controlled clock. The URA can additionally function as a dual Sample and Hold, capable of wave shaping and sample reducing CV and audio.

The URA was designed to maximize routing options both within the module itself as well as within your modular system.

- Twin analog white noise generator sourced sample and holds: A and B for producing bipolar stepped and slewed random voltages. External input jacks are provided for both units - for processing external signals, random or otherwise. Sample level attenuators provided for each. These units will pass digitized analog white noise at the outputs when high sampling rate is achieved - using an internal or external clock.

- A third stepped output (TOGGLE A/B) provides another unique stepped random output which alternates sampling from two sources in time with the sample clock. This function can additionally splice two external sources together or a single source with one of the internal random sources. In essence, a double throw switch with synchronous sample rate reduction.

- Very smoothly fluctuating random voltage (R-FLUX) provides a very organic random output with voltage controllable (via vactrol) slew speed and voltage controlled output level probability. Internal or external clock timing.

- Random pulse/gate output (R-PULSE) operates from sub-sub audio well into the audio rate for use as a random gate/trigger sequence, additional random clock or digital noise generator. The frequency is variable via panel control and FM (density) input. R-Pulse features 7 selectable levels of randomness through 7 stage divisions. Scroll up/down through divisions. Saves selection every 60 seconds.

- Opto-Integrator - a vactrol based Integrator for smoothing voltages. This integrator features an input jack for processing external signals but processes the R-Pulse output through internal normalization when nothing is patched in. Panel control and CV input provided for altering the integration slope.

- Built in clock with hi and low range selector. Panel speed control and 1V/OCT FM input. Temperature compensated for low drift. Clock output for timing external devices. Clock doubles as a full range pulse VCO.

- External clock input for optionally timing S&H-B, R-FLUX and TOGGLE outputs.

- All packed into a comfortably designed 10hp width.
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$270.19 SAVE 10%
 4 in stock $243.17
Cat: 698449 Rel: 07 Sep 18
 
Dual attenuator and lag generator module 10HP
Notes: Multi-purpose heavy lifter. The attenuators reduce level, audio or CV, when switch is set to off.

With the switch up the audio/signal passes through at full level. The inputs are linked together: patching into channel 1 drives both attenuators; patching into channel 2 breaks the link.
Experimentation with key tracking to create alternative tunings, or interaction with audio inputs that don't afford attenuation does good things.

The two lag circuits provide a handy CV mult/hub for oscillator and filter tracking (perfect for CV-ing up our OSCILLATION module with its switchable one in/three out structure for both attenuation and slewing-x2) and are linked together: if you patch into channel 1 only, the outputs of both channels are driven (just like the attenuation circuit); patching into channel 2 breaks the link and they become two separate CV mult/lag circuits - envelopes look out.

Four Pots
ATTENUATE 1, ATTENUATE 2, LAG TIME 1, LAG TIME 2.

Four Switches
OFF: the top two handle attenuation duties; the bottom are wired to lag time.

Ten Patch Points
ATTENUATE 1: IN, OUT; LAG TIME 1: IN, OUT 1A, OUT 1B, OUT 1C; ATTENUATE 2: IN, OUT; LAG TIME 2: IN, OUT 2A, OUT 2B, OUT 2C

Common Controls and Patch Points
Attenuation
ATTENUATE - Level reduction.
IN - Attenuation input.
OUT - Attenuation output.
OFF - Bypass is in up position.
Lag
LAG TIME - Exponential slewing amount - still affectionately called glide in some quarters.
IN - Lag input.
OFF - Lag bypass.
OUT A - Lag output A.
OUT B - Lag output B.
OUT C - Lag output C.

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 1 in stock $128.04
Cat: 655869 Rel: 13 Sep 18
 
Compact, high quality, 4 in/1 out audio & CV mixer 6HP
Notes: Space conscious, 4 in/1 out, high quality audio and CV mixer. Originally set at unity gain (along with the VCA2), but tinkering provided useful intel and design changes. Upshot: With the pot set at 3:00 you are at unity, fully clockwise, expect a 2 Volt increase.

Four Pots:
LVL 1, LVL 2, LVL3, LVL 4.

Five Patch Points:
OUT, IN 1, IN 2, IN 3, IN 4.

All Controls and Patch Points:
LVL 1 - Adjusts the level of IN 1
LVL 2 - Adjusts the level of IN 2
LVL 3 - Adjusts the level of IN 3
LVL 4 - Adjusts the level of IN 4
OUT - Composite output
IN 1 - Audio/CV input 1
IN 2 - Audio/CV input 2
IN 3 - Audio/CV input 3
IN 4 - Audio/CV input 4

- Size: 6hp
- Depth: 25mm with ribbon cable attached
- Power Usage: 4mA (+12 / -12)
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 1 in stock $96.57
Cat: 655847 Rel: 06 Sep 17
 
Quad digital OSC module - 12HP
Notes: Deeply featured 12hp module with four digital oscillators - each with a selection of 64 waveforms, 7 different processing modes including phase distortion and wave sequencing, and a dedicated volt per octave input. In unison mode, all 4 OSCs can be played via the 1st 1V/O input, by 1V/O inputs 1-4, and widely detuned, or switched to a preset chord formation - a major move beyond the 'one note samba' monophonic, module choreography - scooch over Grainy, Quadnic is cookin' up digi-vittles for four. "Come 'n' git it!" and stay in record: the Quadnic is non-programmable; when the power recycles, the Quad defaults to voice 1 active with current pot positions. All edits are live; all edits are volatile. Exciting. Always fresh.

The Four Oscillator Structure image gets one into the weeds of the sound. Control of all the OSCs parameters globally without sacrificing individual CV control is now a reality: essentially a sensible polyphonic mode with individual CV control. Previous OS Master Modes used only OSC 1 as the controlling CV - the additional mode uses all 4 controlling CVs. Changing stronger together.

Master Matters:
- With MASTER mode switched on, the oscillator responds to it's own CV input
- Oscillators 2 to 4: If Master LED is not lit, the oscillator responds to CV 1, with the pitch control adding +/-1 octave offset
- Oscillator 1 always responds to CV input; the other oscillators follow CV 1 if they are not set to Master
- When all 4 oscillator switches/lights are selected, the Quadnic is in unison mode and all oscillators follow CV 1; the front panel control affects all 4 oscillators
- To get all oscillators to same pitch, adjust the Pitch and Fine controls
- To get all oscillators to play the same sound (they are quite independent), adjust all controls
- All 4 OSC lights on, with Master selected or flashing: unison can detune massively up to 4 octaves
- All 4 OSC lights on, with master not selected: unison and Chord produce chords

Inputs and Outputs:
1V/OCT 1 - Oscillator 1, 1 Volt per octave input. 0-10V input range. Controls the pitch of any other oscillator that is set to Slave mode.
1V/OCT 2 - Oscillator 2, 1 Volt per octave input. 0-10V input range. Only affects oscillator 2 when in Master mode.
1V/OCT 3 - Oscillator 3, 1 Volt per octave input. 0-10V input range. Only affects oscillator 3 when in Master mode.
1V/OCT 4 - Oscillator 4, 1 Volt per octave input. 0-10V input range. Only affects oscillator 4 when in Master mode.
Proc CV - Process CV input. +/-5V input range. One CV input for all oscillators, but can be attenuated for individual oscillators using the Process CV control.

Out 1 - Oscillator 1 output.
Out 2 - Oscillator 2 output.
Out 3 - Oscillator 3 output.
Out 4 - Oscillator 4 output.

- Size: 12hp
- Depth: 35mm including connectors
- Power Usage: 50mA max
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 1 in stock $258.25
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