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Back Catalogue: Studio Equipment

Items 1,701 to 1,750 of 2,616 on page 35 of 53
«  1  2  3  ...  34  35  36  ...  51  52  53  »
Cat: 607116 Rel: 16 Jan 18
Officially licensed reissue of the original Synthasystem filter - 14HP
Notes: The Steiner Synthasystem VCF is a multimode filter with powerful, clearly analog sound. It features high-pass, low-pass and an exceptionally crisp bandpass mode. The input level is adjustable. The cutoff potentiometer means business. For modulations, there are two CV inputs with attenuators. High resonance values result in wet to sharp and aggressive sound. A very versatile filter!

The audio input of the Steiner Synthasystem VCF is followed by a level control. Via a switch, users can choose the module's high-pass, band-pass or low-pass mode. Two large, very handy potentiometers allow users to comfortably adjust cutoff and resonance. For cutoff modulations, two CV inputs plus attenuators were implemented. Thanks to two outputs, filtered audio material can be sent to several other circuits in parallel.
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 2 in stock $168.49
Cat: 683850 Rel: 13 Apr 18
Eurorack version of the Mantic Flex pedal
Notes: Mantic teamed up with the legendary William Matthewson to convert and optimize our acclaimed Flex PLL circuit for the Eurorack format!

Recommended for use as an effect with quick enveloped sounds, percussion, snappy basslines, VCOs and as an aux send as it will create something new and exciting out of anything you throw at it. Same PLL circuit as the original Flex, Flex PRO, and FLEX xs guitar pedals. Wild range of sounds and controllability Creates a new and inspiring voice out of anything you put in Dry/Wet mix for added versatility Input VCA with offset changes tone drastically based on input level set.
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 1 in stock $173.76
Cat: 674119 Rel: 25 May 18
MIDI to CV interface - controls up to 4 CV synthesisers individually or as a polysynth - 32HP
Notes: Polygene is a Eurorack polyphonic MIDI to CV converter with 4 voice outputs that can be used to play your CV synths/modules as a 4 voice polysynth.

Simple to use, it's the perfect way to have MIDI control over 4 CV synths, to play together as one poly synth.

Connect to 4 mono synths, e.g. Analogue Solutions Nyborg, or connect to Eurorack modules set up as 4 synth voices.

The Arpeggiator has no nonsense operation harking back to the days of early Roland synths such as the Jupiter 8 and SH101. The Arpeggiator can also be used as a simple 16 note step sequencer, and also plays back the velocity amount that was used. The Arpeggiator will control CV synths, but the note info is also sent to the MIDI Out socket as MIDI notes, so you can have it play a MIDI synth.
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 1 in stock $345.40
Cat: 680755 Rel: 22 May 18
Dual vactrol based LPG/VCA module - 2HP
Notes: The Meng Qi DPLPG is a Dual Passive 1-pole vactrol based Low Pass Gate/VCA in modest 2 HP. No power is required as the design is completely passive.

Handpicked components ensure that the modules will be musical.

Feed it a trigger and enjoy the natural smooth decay of a vactrol.
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 2 in stock $67.39
Cat: 680754 Rel: 29 May 18
Physical modelling synth voice module - 8HP
Notes: DU-KRPLS is a physical modelling synthesizer voice that simulates the sound of string instruments. It is based on Karplus Strong algorithms. Small errors in the code were added to create results reminiscent of circuit bending. Compared to the Karp, this module is even more glitchy and unpredictable.
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 2 in stock $126.37
Cat: 680757 Rel: 22 May 18
Dual stereo attenuator - 6HP
Notes: The Dual Stereo Volume is a passive dual stereo attenuator controller module which uses high quality Alps Stereo potentiometers. The most obvious use would be as an audio output module or as a complement to stereo output transformers that do not have a volume control.
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 1 in stock $63.19
Cat: 680752 Rel: 07 Jun 18
Collection of real time functions integrated with hand gestures & trigger input - 8HP
Notes: Hand is a gestural controller based on a piezo mic build in the elevated front panel.

When you tap the front panel, the audio is converted into CV and allows you to control a collection of real time functions including an LFO or envelope, a clock source and a trigger delay. It's possible to switch between LFO and envelope mode when holding the Rec button for 4 seconds.

Slew smoothes the slopes and the Rec button allows you to record the gestures for 2.22 seconds max.
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 3 in stock $126.37
Cat: 680753 Rel: 29 May 18
Physical modelling synth voice module - 8HP
Notes: Karp is a physical modelling synthesizer voice that simulates the sound of string instruments. It is based on Karplus Strong algorithms. Small errors in the code were added to create results reminiscent of circuit bending.

Karp explores and exploits errors in code, achieving non-linearity in control and circuit-bent-esque sounds. In a general sense Karp excels in glitches and micro-movements with millions of sweet spots. Circuit bent sounds are achieved by literally using wrong code.
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 1 in stock $126.37
Cat: 680750 Rel: 07 Jun 18
Tactile patching interface
Notes: Lines takes another approach of control than expressive CV generation; it's a tactile patching interface. Your patch is now linked to your muscle memory, as swift as your movements.

The diagonal layout ensures ultimate versatility with easy hand shapes; +5V normalled to input 1/3, -5V normalled to input 2/4.

Spread and divide an input signal by routing it to multiple outputs.

Bi-colour LED's display signals of each output.
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 2 in stock $126.37
Cat: 680758 Rel: 07 Jun 18
Transformer module for Eurorack - 6HP
Notes: The Please Exist module shifts signal levels and offers a bidirectional audio path. Send and return your guitar pedals (may need gain) or apply DC offset to saturate your audio.

- Handmade item
- Transformer, Audio jack, PCB
- 1/4" is balanced (use TRS cable)
- 6hp, 45mm deep
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 3 in stock $156.91
Cat: 622159 Rel: 24 Oct 16
Digital Noise Generator Module
Notes: Digital Noise Generator Module

- Frequency
- CV In
- Level
- Out
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 1 in stock $56.26
Cat: 622161 Rel: 24 Oct 16
Ring Modulator Module
Notes: Ring Modulator Module

- Trigger X
- Trigger Y
- In X
- In Y
- Out
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 1 in stock $73.35
Modor Comb Filter Module (synth module)
Cat: 700648 Rel: 18 Oct 18
14HP Eurorack digital filter
Notes: What is a Comb Filter? It is a digital filter where the input signal is mixed with a slightly delayed version of the input signal. You won't hear it as some kind of an echo, as this delay is very short (40ms at max). But the mixing process creates a number of equally spaced peaks and holes in the frequency spectrum, that make it look like the teeth of a comb. That's where the name 'Comb Filter' comes from.

Comb filters are typically used to make chorus and flanger style effects. These effects are created by modulating the delay time. With longer and relatively fast modulated delays you receive a chorus effect. With short to very short slowly modulated delays, combined with some feedback you'll get the typical sound of a flanger unit.

So, the most interesting parameter in this is the delay time. That determines the frequency spacing of the comb teeth. So that's why there's a CV control for it. The typical chorus and flanger effects are made by modulating the delay time with a triangle LFO. So there's a triangle LFO onboard the module, with speed control. If you don't enter any CV in the CV1 connector, it is normalled to this internal LFO to make typical effects. CV2 is normalled to the reverse signal of CV1, to make Modor's typical wide stereo effects, just as on the NF-1 synthesizer. But of course, you can enter your own CV signals in there: LFO's, Envelopes or some rhythmically undulating spacy voltage signals...

The centre big DELAY control sets the delay time, the DEPTH control sets the amount of CV modulation of the delay time. DEPTH can go positive and negative.

The MIX control sets the dry/wet mix. The FEEDBACK controls the amount of feedback. It can be set both positive and negative. The SPEED control sets the pace of the internal triangle LFO.
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 3 in stock $260.10
Cat: 677571 Rel: 28 Feb 18
16HP Eurorack incarnation of the filter section from Modor's NF-1 digital polyphonic synthesiser
Notes: Modor's Formant Filter is a special filter that does a kind of 'vowel morphing' between three vowels. The big central FORMANT control is responsible for that, and on the Eurorack module there's of course a CV control (with attenuation) on this parameter.

You can imagine a formant filter as a set of parallel bandpass filters, picking up and amplifying a set of small frequency bands. For example, with these frequency bands around 750Hz, 1200Hz and 2800Hz, you get the sound of an 'A'. So far, nothing special. There are more formant filters around composed of a set of parallel bandpass filters.

It gets more interesting when you're able to 'morph' between different sets of those formant frequencies. Behind the central FORMANT control, there are 3 of those sets of frequencies. One at full left, one in the middle, and one fully right. So you can for example morph between A-E-O. Or U-I-E. Or AO-UI-EU. Or ...

That's what it does: morphing between different sets of formant frequencies, and that's why it sounds a lot more genuine vowel-ish than many other static bandpass combinators.

There are 10 preset vowels, that can be selected with the VOWEL button: A-E-O-I-OE-U-EI-EU-AO-U-UI. The vowels of the Dutch language... :-)

The 1-2-3-4 controls on top give you the possibility of composing your own vowels by manually adjusting the frequency bands.
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$294.86 SAVE 10%
 5 in stock $265.38
Cat: 676908 Rel: 28 Feb 18
Passive bus mult distribution system with cables
Notes: Bus Mult allows you to passively distribute signals throughout your system using a two pin jumper cable on the back of each module. Bus Mults can either be daisy chained to one another in an endless cascade or connected directly to the CV or gate bus on your busboard. This distribution method allows you to save a slot on your mult that normally would be reserved for linking two mults together. It is now also possible to have one signal be distributed long distances throughout your system without the need for long cables.

Each module comes in a pack of three, with a one foot two pin Dupont jumper cable. Longer cables can be built or purchased from common electronics suppliers. This module does not need power, so you can grab a bunch and scatter them throughout your case without worrying about current draw.
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 3 in stock $83.19
Cat: 674319 Rel: 28 Feb 18
4HP glitch drum module
Notes: DIAL-UP! The oscillator core has a single knob (lil' computer) which scrambles the glitch algorithm. Bipolar CV control over this parameter can be accessed by the CV input (lil' phone). The oscillator goes into an onboard transistor VCA with built in decay envelope. Decay times can be changed with the "tail" knob as well as the three-position range switch which selects the max decay range from low, medium, to high. Just like Muskrat, the BANG! input does not only accept triggers, it can also be used as an envelope follower input.

It's difficult to say what exactly the knob and CV do, as this parameter is responsible for controlling several different pieces of the code at once. It's a sort of hybrid between the overall pitch and the amount in which the module glitches out.

Bask in the glory of the days of yore... when modems and dial-up tones reigned supreme. That god-awful sound emitted as you tried with all of your might to ping a communication across the globe...that sound...is precisely what we have harnessed and packaged into a percussion voice for the modern day cyber junkie.
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 2 in stock $108.47
Cat: 659995 Rel: 06 Oct 17
6 channel trigger sequencer/clock divider with bipolar CV - 18HP
Notes: MITO (derived from "mitosis") is a 6 channel trigger sequencer that specializes in swingin', divide'n, n' polyrhythm'n. With the turn of a knob, the user can select which division of the incoming clock (BANG!) is output from the corresponding jack (all the way left: divide by 16, all the way right: divide by 1). Each channel is equipped with its own mute switch, allowing the user to turn each individual sequence on and off while other channels keep chuggin' and clockin' along. Global swing can be controlled with the amoeba knob in the top right hand corner of the module. Beneath the amoeba, a global pulse width feature allows the user to lengthen and shorten pulse length of all 6 channels at the same time. This feature is particularly useful when paired with the Muskrat & Kriket, or any other module that reacts proportionally to incoming pulse length. Last but not least, the RESET input will set all division counts back to zero to square up your groove. Each channel will be held HIGH, as long as the incoming voltage is HIGH. This RESET capability allows you to get even more odd metered grooves as it is not dependent on the internal clock of MITO.

All features on MITO can be controlled with bipolar CV, allowing for a wide range of modularity and flexibility. When paired with the Deviant, each knob on the module becomes the anchor point of the groove. As the random voltages from Deviant shift around, creating rhythmic variations by adding and subtracting CV, the position of the knob will dictate how busy or relaxed the groove is. For playability sake, this patching approach is what led to the decision to have the pots as offsets rather than attenuators on MITO. Everything from simple poly-rhythmic structures to nonsensical spewing and sputtering are now at your finger tips with this lovely duo.

Something considered when coding the module was avoiding the use of averaging to determine master clock tempo. In a performance setting when averaging is used, it often translates to the module taking a few pulses to calculate the overall clock speed. With MITO, the divisions are calculated in an "analog" fashion, step by step with each individual clock pulse.
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 1 in stock $230.63
Cat: 669024 Rel: 28 Feb 18
Master clock transport module with comprehensive feature set - 8HP
Notes: The COUNT is a master clock transport with a rich feature set suitable for a small drum system. User has control over master tempo with coarse and fine adjustments as well as bipolar CV modulation capabilities. There is a range switch which allows the master tempo to toggle from slow to fast speeds. The master clock can be initialized with a start/stop switch. Pulse width for all outputs can be controlled with a single knob or bipolar CV.

The five additional outputs at the bottom of the module allow clock sync and distribution to other modules in your system. The START output sends a single pulse when the clock starts to give a reset reference for all other sequencing modules in your system. The four additional outputs are all divisions of the master clock which can be configured with the TOP, BOTTOM, LEFT, RIGHT switches. TOP/BOTTOM switches the divisions from "even" to "odd" metered divisions whereas RIGHT/LEFT switches the divisions from "beats" to "bars." Possible divisions are 2, 3, 4, 5, 6, 7, 8, 9, 12, 20, 24, 28, 32, 36. The user also has the additional capability of changing these outputs from upbeat to downbeat with the BEAT switch.
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 2 in stock $144.27
Cat: 666776 Rel: 18 Oct 17
Portable effects unit
Notes: Portable multi-effect unit featuring 5 effect modules, 15 effect types, 40 drum rhythms, tuner, headphone output and auxiliary input. Runs on 2x AAA/LR03 batteries or DC 9V power supply.
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 1 in stock $50.54
Cat: 616167 Rel: 09 Jun 16
4 channel coltage controller signal polarizer synth module - 12HP wide
Notes: Blinds is a 4-channel voltage-controlled signal polarizer. Each channel consists of a polarizer circuit, also known as a four-quadrant multiplier. This circuit acts like a VCA, except that a negative control voltage will cause the output signal to be inverted, instead of being silenced. Blinds' outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels, to be mixed together.

One can think of Blinds' as a voltage-controlled version of Shades, the control center for all the modulation CVs used in a patch. Many other uses are possible, though. For example, each individual channel can be used to scale/offset a CV; and with audio rate modulation signals, each channel acts like a ring-modulator, with massive potential for drones and feedback patches.
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 4 in stock $151.64
Cat: 569587 Rel: 10 Apr 15
Dual Bernoulli gate synth module, 6HP size
Notes: A Bernoulli gate takes a logic signal (trigger or gate) as an input, and routes it to either of its two outputs according to a random coin toss. The knob controls how fair the coin toss is - with the knob in minimal position, the first output always win, with the knob in maximal position the second output always wins - with random fun in-between. And obviously, this bias is CV-controllable!

Branches packs two such gates in a small 6-HP panel. Get a sequencer to randomly skip steps, randomize drum patterns, dispatch events from a sequence to two subpatches, or patch a monster modular Pachinko machine...

Input specifications: 100k impedance, 0.6V threshold.
Output specifications: 5V HIGH level.
Response time: 15us.
Current consumption: +12V: 10mA, -12V: 1mA.
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 2 in stock $92.66
Cat: 687873 Rel: 01 May 18
Unique contact microphone & amplifier, based on Tom Whitwell's open-source module - 4HP
Notes: Ears is Mutable Instruments' take on Tom Whitwell's open-source Mikrophonie module - a contact microphone and amplifier.

A large palette of organic, physical sounds can be generated by scratching, tapping, and more generally collecting any kind of acoustic waves surrounding your modular case - even speaker feedback.

With its built-in envelope follower and gate detector, it can also be the gateway between external audio sources and your modular system.

Ears for your modular:

- Built-in contact microphone soldered right under the front panel, turning the panel and your entire case into a microphone.

- Increasingly spaced ridges on the panel, generating sonically interesting pulses or impulse combs when rubbed. Strike, pick or scratch digital resonators like Rings, Elements or the 4ms SMR.

- High-quality amplification stage suitable for external contact microphones, electro-acoustic instruments like guitars, or plain line-level signals.
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 8 in stock $89.50
Cat: 569524 Rel: 30 Jun 15
Modal synthesis voice module comprising a noisy and impulsive excitation signal generator, and 64-partial modal resonator
Notes: Elements is a full-blown synthesis voice based on modal synthesis - an under-appreciated flavour of physical modelling synthesis with a strange and abstract feel.

Elements combines an exciter synthesis section generating raw, noisy sounds characteristic of bowing (filtered friction noise), blowing (pitch-controlled granular noise), or striking (stick, mallet, hammer or brush sample playback... or bursts of synthetic impulsions). These sources, or external audio signals, are processed by a modal filter bank - an ensemble of 64 tuned band-pass filters simulating the response of various resonant structures (plates, strings, tubes...) with adjustable brightness and damping. A stereo ambience reverberator adds depth and presence to the sound.

All parameters have a very meaningful and well-delimited impact on the sound. When designing Elements, great care has been taken in selecting parameter ranges and control curves, producing a large palette of sounds - often beyond physical realism - but always well controlled and stable. The "dark spots" of noise and feedback are reached gradually, and they do still react to controls. The module is deliberately menu- and switch-free - what you dial/patch is what you hear!

*For audio demos, please visit - http://mutable-instruments.net/modules/elements/demos
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 4 in stock $419.13
Cat: 569556 Rel: 03 Mar 16
Topographic drum sequencer module - 16HP wide
Notes: Take the user interface of an euclidean sequencer, a healthy dose of machine learning and graph algorithms, megabytes of drum loops, hours of intensive computations and you've got a drum pattern generator like no other.

Grids' "brain" is a map of the typical drum patterns used in (mostly electronic) music, laid out by similarity, trained on a large corpus of drum loops. The module can smoothly interpolate and navigate from one pattern to the other, at the whim of a knob move or a CV.

But Grids' knowledge of drum patterns goes far beyond what would be achieved with presets - given a position in the map, thousands of variations can be intuitively generated by controlling the "event density" of each of the 3 channels (bd, sd, hh) - gradually moving from a sparse backbone to a deliciously rich pattern with ghost notes, rolls and fills.

Add CV-control on these parameters and you can add subtle or drastic variations to the drum pattern. If you don't want to waste a noise source or S&H for that, Grids has its own internal source of randomness that can unpredictably spice the pattern, in an always meaningful way.

Building the rhythmic foundation of your tracks with Grids is fun, surprisingly intuitive, with modulation and variations possibilities that will rapidly make you forget x0x-style sequencers.

*For audio demos, please visit - http://mutable-instruments.net/modules/grids
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 4 in stock $170.59
Cat: 606495 Rel: 24 Mar 16
utility synth module with three analog functions for altering the shape of audio or control signals - 4HP wide
 3 in stock $93.20
Cat: 569591 Rel: 10 Apr 15
Multiples and mixing utilities synth module, 4HP size
Notes: Links provides 3 utility functions focused on signal distribution and mixing.

1:3 is a 3-output buffered multiple, with an offset error < 0.1%. It is useful for distributing the voltage from a CV output with a large protection resistor to several modules - particularly VCOs.

2:2 is a 2-input summer with unity gains. The sum of the two input channels is distributed to 2 outputs.

3:1 is a 3-input mixer with a gain of 1/3 for each channel (averager). It is particularly suitable for rapidly mixing audio sources such as oscillators, for which a unity gain mixer would have caused clipping.

A 2-color output monitoring LED is available for each of these functions.
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 2 in stock $55.80
Cat: 685134 Rel: 24 Jul 18
Random gate/voltage generator - 18HP
Notes: Marbles is a source of random gates and voltages, which offers an extensive amount of (voltage) control on all the different flavours of randomness it produces.

The module gives the musician many different ways of imposing structure on the random events generated by the module: synchronization to external clocks, control of the repetition or novelty of the generated material, quantization of the voltages, or randomization of gates or voltages generated by traditional sequencers.

T: The random gate generator

Marbles either follows its own internal clock, or locks onto an adjustable multiplication/division of an external clock (or regular rhythmic pattern). This regular clock is perturbed by a process simulating an musician playing along a click and trying to catch up on their errors - from perfect accuracy to complete chaos.

From this imperfect master clock, a 2-channel random rhythm is generated, using one of the following processes: random coin toss (similar to Branches), random ratcheting, or random drum pattern generation (similar to a randomly modulated Grids).

X: The random voltage generator

This generator produces 3 channels of random voltages, each of them clocked by the individual outputs of the t section, or by a common external clock signal.

Complete control on the distribution of the output voltages is provided: concentrated or spread-out, quantized or unquantized, smoothed or steppy, centred or biased towards a specific voltage. The same transformations can be performed on an external CV, for sample-and-hold or shift-register operation.

An auxiliary slowly fluctuating random voltage output (Y) is also available for self-patching fun!

A feeling of deja-vu:

Marbles remembers the history of every recent clock deviation, rhythm or voltage it has generated. The DEJA VU knob on the panel controls the probability of reusing past material instead of sampling fresh random data.

You are thus given control on the feeling of repetition and structure in the generated random voltages and rhythms. At the extreme, the module no longer generates any novel values and loops over the same pattern (or a random permutation of it). And of course, this (variably) random looping can be performed on external CVs!
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 More than 10 in stock $241.16
Cat: 681306 Rel: 24 Jul 18
Multi-algorithm macro oscillator - 12HP
Notes: Plaits is the spiritual successor of Mutable Instruments' best-selling voltage-controlled sound source, Braids. Not just an MKII version: its hardware and software have been redesigned from scratch.

Just like its predecessor, it offers direct access to a large palette of easily tweakable raw sonic material, covering the whole gamut of synthesis techniques.

Simplicity first:

Gone are the screen, menu system, hidden settings, and the long list of somewhat redundant synthesis models.

Thanks to additional CV inputs, and to the use of three timbre-shaping parameters per model, Plaits is straightforward to use, and much closer to the ideal of one synthesis technique = one model. What were fragmented islands of sound in Braids are now part of a continuum of sounds.

Ready for percussion:

Patch a trigger generator or sequencer into Plaits' trigger input and instantly use the module as a percussive source thanks to its built-in virtual low-pass gate (LPG).

An internal D (decay) envelope generator is normalled to all unpatched CV inputs. Just turn the corresponding attenuverter to add pitch, timbre or morphing modulation. And if plucks and snappy hits are not your thing, patch your own envelope or CV source into the LPG CV input.
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 More than 10 in stock $183.23
Cat: 596644 Rel: 18 Dec 15
Physical modelling synthesis Eurorack synth module - 14HP wide
Notes: Rings brings physical modelling synthesis to your Eurorack system, from a more modular angle than Braids' models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.

Three families of vibrating structures are simulated by the module, with CV control over their parameters:

- Strings, membranes and tubes as modelled by Elements' resonator section (modal synthesis).
- Strings coupled together and vibrating in sympathy, with controllable intervals between them.
- Strings with a variable amount of inharmonicity.

Rings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords.

*For audio demo, please visit - http://mutable-instruments.net/modules/rings
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 4 in stock $256.94
Cat: 569573 Rel: 23 Sep 15
Liquid filter Eurorack synth module
Notes: Ripples delivers a classic, big-sounding analog four-pole filter in a small 8-HP package, continuing Mutable Instruments' lineage of warm and tasty filters started by the Shruthi SMR4 mkII and 4-Pole Mission.

3 filter modes are available: 2-pole band-pass, 2-pole low-pass, and 4-pole low-pass.

Self-oscillation is available for all modes and produces a clean sine-wave on the LP4 output. Unlike many classic 4-pole designs, this filter does not suffer from "loudness drop" when resonance is increased. The resonance loudness compensation circuit brings a slight tone coloration reminiscent of the Roland SH/Jupiter filters, with a very round and "liquid" resonance.

The 4-pole low-pass output is additionally sent to a VCA. This makes Ripples a good "final stage" module for an inexpensive/space-constrained subtractive synthesis synth voice.

*For audio samples, please visit - http://mutable-instruments.net/modules/ripples
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 2 in stock $157.95
Cat: 569592 Rel: 10 Apr 15
Mixer, offset, attenuverter synth module with 3 channels of audio/CV processing, 6HP size
Notes: Shades provides 3 channels of audio/CV processing which can be configured either as active attenuators or as attenuverters.

A bicolor LED monitors the polarity and intensity of the audio or CV signal on each output.

Unconnected inputs are normalized to an internal precision voltage reference, which can produce either a +5V or +10V constant voltage.

Normalization on the outputs allows the module to be used as a mixer or offset generator: when no jack is inserted in an output, the signal from this output is summed into the next output. Combined with the internal voltage reference, this allows the module to be used as a CV offset control.

Patch examples:

When output 1 is left unconnected, the signal on output 2 is the sum of channels 1 and 2. Channel 3 can be used for another purpose (attenuation, attenuversion, or constant CV generation).

When output 1 and 2 are left unconnected, the signal on output 3 is the sum of channels 1, 2 and 3.

Offset generation:
Leave channel 1's input and output unconnected, and connect a CV source to channel 2's input. Channel 2's output will contain a scaled and offset copy of the input CV. Channel 1's level knob will control the offset and channel 2's level knob will control the signal scale and polarity.
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 3 in stock $87.41
Cat: 686269 Rel: 27 Apr 18
Universal, patch-programmable modulation source - 14HP
Notes: ASR envelope, complex 6-stage envelope, LFO, 4-step sequence or switched LFO: Stages can be any kind of modulation.

Not because all these behaviours have been pre-programmed in the module, but because it allows you to describe your own modulations in terms of basic operations: ramp from one voltage to another, hold a voltage at a set level, wait for a trigger and slew. With or without looping.

Whether you need one complex envelope, or several simpler modulations, Stages reconfigures itself according to which of its gate inputs are patched. There is always a role for it in your patch.

That's it. Really, there isn't more to the story.

Self-generating chiptunes? Very weird LFO shapes? Random gate delay? Stages probably does strange and wonderful things when patched in a certain way.

Flexible input/output layout:

The module detects the presence of jacks on its gate inputs to group its segments: whether it is configured as a complex 6-stage envelope, or 6 individual envelopes, or 3+3, 2+4... depends simply on how you patch it. Dummy patch cables might come handy!

When used as a multi-segment envelope, a segment activation signal is produced on all secondary outputs - for example to trigger an external event when an ADSR envelope enters its decay, sustain or release stages.

In case more than 6 segments are required, up to six modules can be chained together thanks to a connector at the back of the module.

Three segment types:

- Ramp segments go from one voltage to another, in a CV-controlled amount of time, with an adjustable curve (accelerating, uniform, decelerating). They are the building block used for the attack, decay or release segments in envelopes... or for LFOs.
- Hold segments stay at a constant (but CV-controllable) voltage for a programmable amount of time. They serve as the sustain or hold segments in envelopes.
- Step segments glide to a target (CV-controllable) voltage, then stay at this voltage for a certain amount of time until a trigger is received. They are the main ingredient for step sequences, but also for building sequential switches or a sample-and-hold.


A segment, or a group of segments, can loop on itself: if the last segment of the envelope is included in the loop, the loop lasts forever. Otherwise, the loop remains active while the gate is high, then continues past the last segment of the loop. These two behaviours allow the creation of self-looping envelopes (LFOs), or the sustain stage of a good old ADSR envelope!

Single segment processing:

Even when they aren't part of any group and don't receive any gate or trigger signals, individual segments can perform interesting functions: Ramp can loop on itself and turn into an LFO, Hold can delay a CV and Step can slew it.

Now patch a trigger signal: the self-looping Ramp turns into a tempo-synced LFO, the Hold segment becomes a pulse generator, the Step segment a sample-and-hold.
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 More than 10 in stock $261.16
Cat: 569583 Rel: 30 Jun 15
Dual analog VCA and 2-pole VCF, with digital control path - 12HP size
Notes: Streams provides two channels of extremely flexible signal dynamics manipulation.

Each channel consists of an analog voltage-controlled filter and amplifier (VCFA). The response curve of the amplifier section is continuously variable from exponential to linear. The amplifier gain is directly controllable from a CV input, through an attenuator. But what makes Streams truly unique is the multi-purpose EXCITE input. The signal routed to this input is analyzed by a micro-controller and translated into internal control voltages for the VCFA, turning Streams into a very versatile signal contouring tool:

Envelope generator
The EXCITE input can work as a trigger input, triggering an internal AD or AR envelope routed to the gain and the filter cutoff (in variable amount). With only 6-HP of space, you can shape an oscillator or noise source into a full-bodied sound.

Vactrol curve generator
The EXCITE input is processed by a digital model of a resistive opto-isolator (Vactrol), controlling the gain and the filter cutoff (in variable amount). The digital emulation allows the modification of properties of opto-isolators - such as response time - which are otherwise difficult to control. The virtual vactrol response can be either optimized for processing CVs, or triggers (for "plucked" sounds).

Amplitude and frequency content follower
The envelope and cutoff of the EXCITE signal is measured, and applied to the signal on the VCFA input.

Streams' VCF is disabled, and the VCA is used to control the dynamics of the input signal. An intuitive control scheme allows the compressor to be used either for peak reduction/limiting operation; or for boosting signal levels with soft-limiting. The EXCITE input can be used as a sidechain.
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 3 in stock $187.44
Cat: 616166 Rel: 09 Jun 16
Quad VCA & mixer synth module - 12HP wide
Notes: VCAs are the cornerstones of modular patches: shaping the amplitude or timbre of a tone with an envelope, animating a mixture of several oscillators, controlling the amount of filter modulation with a random source or a touch controller, applying an envelope on the linear FM signal hitting an oscillator... are all possible uses of these super versatile building blocks. That's why you never have enough of them.

What about four more?
Veils provides four VCAs with an adjustable response curve. Veils' outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels, to be mixed together.
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 More than 10 in stock $151.64
Cat: 593673 Rel: 13 Nov 15
Meta modulator synthy module designed to blend and combine two audio signals - 10HP wide
Notes: Evolved from the oscillator mixing section of Mutable Instruments' desktop hybrid synths, Warps is designed to blend and combine two audio signals. A variety of wave-shaping and cross-modulation methods - some of them emulating classic analog circuits, some of them purely digital - are provided by the module.

With Warps, the cross-modulated sound can be sculpted with control voltages along 4 dimensions: by controlling the amplitude and distorting the input signals, by smoothly scanning through the collection of modulation algorithms, and by adjusting a timbre parameter controlling the brightness/harshness of the modulated signal.

Since many classic cross-modulation effects work best when the carrier is a simple waveform - for example, a sine wave for ring-modulation or a buzzing waveform for vocoding - Warps includes a digital oscillator offering a handful of classic waveforms. This internal oscillator, which tracks V/Oct and supports through-zero FM, will replace the carrier audio input - freeing up one oscillator in your system for other duties!
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 3 in stock $197.97
Cat: 569586 Rel: 30 Jun 15
MIDI interface and MIDI event processor Eurorack synth module with 4 CV outputs and 4 trigger/gate outputs - 12HP size
Notes: Yarns is a MIDI interface providing up to 4 channels of CV/Gate conversion, and providing some of the MIDI message processing features of Mutable Instruments' MIDIpal, including arpeggiator, euclidean sequencer, and a SH-101 inspired step sequencer.

Yarns provides 4 CV outputs and 4 Gate/trigger outputs, which can be assigned to up to 4 voices. In single voice mode, note, velocity, modulation and aftertouch (or other CC) CV are produced, along with a gate, a trigger, and a clock/reset output. In two voices mode, two channel of note, modulation or aftertouch CV are produced, along with two gates, and clock/reset outputs. Finally, in four voices mode, four pairs of CV/Gate outputs are provided.

The 2 and 4-voice modes are available both in a "polyphonic" and "multitimbral" flavour. The former receives chords from one single MIDI channel and dispatches them to the voices; while the later provides independent monophonic parts - which can be addressed to different MIDI channels, keyboard ranges, or even velocity levels. Various note priority modes (low, high, last) and polyphonic allocation schemes (voice-stealing, random, cyclic) allows you to fine-tune the CV/Gate conversion to your playing style. Each voice has a built-in digital LFO to interpret modulation wheel messages as a vibrato; can respond to pitch-bend messages; or can be smoothed with a glide/portamento control - no need for a dedicated module and patches to get the right response from a MIDI keyboard!

Each part can generate sequences either through an arpeggiator/euclidean sequencer combo; or with a SH-101 style sequencer with step-by-step recording, storing up to 64 notes. The module can sync to an external MIDI clock, and generate a clock/reset output at any subdivisions of the MIDI clock.

Other unique features include support for microtunings (either through standard MIDI messages or from a selection of historical tunings or indian ragas), just intonation, and an audio output mode which can transform one, two, or four of the CV outputs into simple digital oscillators.
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 1 in stock $261.15
Cat: 641945 Rel: 30 Mar 17
Voltage meter module in Eurorack format
Notes: Front panel voltage meter for monitoring system health. Also provides bi-directional access to the CV and Gate bus along with LED monitoring of the busses.

Size: 8HP Eurorack
Depth: 1 Inch
Power: 2x8 Eurorack
Draw +12V: 10mA
Draw -12: 10mA
Draw +5v: 10mA
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 1 in stock $129.53
Cat: 705246 Rel: 08 Nov 18
Lo-fi oscillator featuring low-frequency basses, metallic drones & scratchy digital timbres
Notes: Ataraxic Iteritas is a 10HP voice based on the original Ataraxic Translatron but beefed up with loads more features and tonal controls. AI starts with one of three bit tables shaped via variable interpolation that is then scrolled through, amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Subby basses, metallic drones, unrelentingly digital timbres and more are all to be had from the AI.
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 3 in stock $362.25
Cat: 703012 Rel: 01 Oct 18
Analogue-inspired parameterised digital percussion
Notes: Basimilus Iteritas Magnus is a digital drum synthesiser with its roots in the analogue world. At its heart is a six-oscillator additive synthesiser with adjustable waveform, harmonic spread, attack, decay and noise. These get fed into a built-in wave folder for extra crunch.

Size: 2 MU
Depth: 1.5 Inches
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 9 in stock $386.47
Cat: 676567 Rel: 03 Apr 18
Multi-mode CV generator - 4HP
Notes: Clep Diaz is a handy and small step CV and LFO generator. In step and random modes, use the encoder to control the number of steps in the sequence; in LFO mode, the encoder controls the amplitude of the wave. Toggle the directionality of the sequence: up, down, or up/down to customize the CVs further. CD also gives CV control over the number of steps in the sequence and an end-of-cycle trigger output. Unipolar and bipolar outputs allow maximal control.
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 2 in stock $111.63
Cat: 641950 Rel: 28 Feb 17
Probabilistic beat crossfader module
Notes: Confundo Funkitus crossfades between two sets of four rhythms using probability. Three different probability curves can be selected to control the behaviour of the crossfader. Per-part switch mutes are included with live performance in mind.

Connect up to four rhythm outputs to each of the two sets of inputs. Connect the outputs to modules that take triggers. Drums that take triggers are perhaps the easiest.

Toggle the Curve switch to the top position. If the crossfader is fully left, then only inputs on the left will create gates. If the crossfader is positioned in the middle, the Centre light is illuminated the two rhythms are blended together: gates are generated any time either rhythm is played. If the crossfader is all the way to the right the gates generated come from the second (right-hand) set of inputs.

Between these extremes the produced rhythm is a combination of both sets of input weighted by the position of XFADE and which curve is selected.

Size: 12HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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 1 in stock $219.03
Cat: 641953 Rel: 28 Feb 17
Dynamic rhythm generator module
Notes: Integra Funkitus takes up to four input rhythms and combines and modifies them into rhythm outputs. There are three modes: two based on probability and one on generalized logic combinations.

Feed up to four rhythms from a rhythm module (such as Numeric Repetitor) into the inputs.

Connect the gate outputs to percussion modules, then turn the knobs to control how the rhythms are combined and modified.

Size: 8HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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 2 in stock $196.93
Cat: 671744 Rel: 18 Dec 17
Dual clock divider/trigger generator with multiple modes
Notes: Integra Solum is a dual rotating clock divider with 16 trigger outs in two sets of eight, packed into 8 HP. The two sides can be clocked or reset independently or a single input and/or reset normals to both sides. IS switches between three modes and an encoder adjusts the offset of each side. Bonus modes add randomization options.
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 2 in stock $202.19
Cat: 657487 Rel: 08 Aug 17
20HP drum synth voice module
Notes: Loquelic Iteritas Percido is an extension of the original Loquelic Iteritas. Like Loquelic Iteritas, it is a digital VCO with interpretations of three classic synthesis algorithms involving dual pitch control parameterized by four tone controls. LIP adds an envelope that can be shaped, modulated, and routed to pitches and tone controls, making it into a stand-alone voice.
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 1 in stock $482.31
Cat: 641954 Rel: 28 Feb 17
Comb oscillator, VOSIM, summation synthesis & phase modulation with adjustible waveform & wave folder
Notes: Loquelic Iteritas is a digital VCO with interpretations of three classic synthesis algorithms involving dual pitch control. It creates a huge variety of sounds parameterized by four tone and two pitch controls.

It has had glowing reviews from Surgeon and Surachai, and I am personally very excited about this module!

It has a simple interface, with 3 different synthesis algorithms allied to a number of different controls / CV inputs which have different effects, depending on which mode you choose. Simply hook up a number of modulation sources to the 4 inputs and start wiggling!

Rev.2 now features an additional sync input.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
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 2 in stock $324.35
Cat: 703010 Rel: 01 Oct 18
5U format digital synthesiser voice module
Notes: Manis Iteritas Magnus is a voice based on the architecture of Basimilus Iteritas, but designed to be more gritty and aggressive. It accomplishes this by producing only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis is suitable for leads, bass lines, drums, darkness, detuned madness, or pure mayhem.

Size: 2 MU
Depth: 1.5 Inches
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 More than 10 in stock $386.47
Cat: 671743 Rel: 18 Dec 17
Gritty & aggressive Eurorack 10HP voice module
Notes: Manis Iteritas is a Eurorack 10HP voice based on the architecture of Basimilus Iteritas, but designed to be more gritty and aggressive. It accomplishes this by producing only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis is suitable for leads, bass lines, drums, darkness, detuned madness, or pure mayhem.
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 3 in stock $309.61
Cat: 676565 Rel: 19 Jun 18
Complex 16-step CV sequencer - 10HP
Notes: Mimetic Digitalis is a 10HP step sequencer optimized for live use. MD includes four individually editable CV outputs and a trigger out. Each step can be manually programmed or use MD to live record CV sequences using the encoder. The zero button mutes the CV at a step and shred randomizes the voltage. Save and load up to 16 patterns. Edit a pattern and use undo to return to the unedited version.
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 2 in stock $238.00
Cat: 641955 Rel: 27 Feb 17
CV/Gate expansion module for Mimetic Sequent
Notes: Mimetic Multium provides the three patterns out simultaneously as well as four randomized rhythm sources.
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 1 in stock $100.03
Cat: 641957 Rel: 27 Feb 17
Voltage controlled rhythm generator module
Notes: The Numeric Repetitor is a rhythmic gate generator that describes rhythms as binary numbers and then multiplies by other numbers. With a concept similar to the Zularic Repetitor, the Numeric Repetitor is a voltage controlled rhythm generator.

Clock is sent to the Beat input. With the Prime potentiometer or a CV you can select one rhythmical pattern based on 16 mathematic factors. With a switch you can select between 2 sets of patterns, X and Y.

The gate pattern is available at the Prime output, variation of it at outputs Factor 1, 2 and 3. Each of the variations can be offset in time with the Offset potentiometer or CV, which can generate great rhythms. Each channel has a LED which visualizes a gate.

The Measure input or the button allow you to reset the pattern.
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 3 in stock $202.19
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