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Home  Back Catalogue  Studio Equipment  Studio Equipment
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Items 1,701 to 1,750 of 2,942 on page 35 of 59
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Befaco Sampling Modulator Multi-Function Module
Befaco Sampling Modulator Multi-Function Module (oscillator/sample & hold/sequencer module)
Cat: 668583 Rel: 09 Nov 17
 
Voltage controlled oscillator, sample & hold, 8-step trigger sequencer module - 8HP
Notes: The Sampling Modulator is a multi-function module that lies somewhere between a VCO, a Sample & Hold, and an 8 step trigger sequencer.

Sequencer Clocked Sample & Hold

In this mode it acts like a regular Sample and Hold (S&H) but since it is "sequencer clocked", it is capable of much more interesting patterns than the usual S&H melodies.

The CLOCK input can work in two ways: 1. As a typical clock 2. In "positive going hard sync" mode allowing you to create shuffling and polyrythmic effects.

The HOLD input can be used to keep certain notes playing.

Analog Down-Sampling Effect

In this mode (with the clock running at audio rates) you can go from nasty and harsh sampling rate reduction to an almost clean signal. (The clock run up to 25Khz without external CV and up to 200Khz with CV on the input).

Sampling Modulator/Shaper

Thanks to the V/Oct clock, by feeding a simple waveshape such as a sine wave to IN, and pitch CV to the VCO as well as to the Sampling Modulator CV input, their related frequencies and aliasing caused by the sampling rate reduction are capable of creating clangorous metallic sounds, 8 bit textures and much more.

The game becomes much more interesting when you try to destroy the wave by flipping on and off the switches of the sequencer (which at times can make it sound like three VCOs running in unison).

To understand how the Sampling Modulator works, keep in mind that we are working with a temperature compensated ramp core VCO with more than 4 octaves of tracking. This allows the timbre to stay the same while you move through the scale as the internal and external VCOs are synced in a fashion similar to "frequency related sampling rate modulation"

Unusual V/oct VCO You can use the trigger outputs as a pulse VCO. Flipping the switches on and off the switches can offer a lot of interesting timbral changes.
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 1 in stock $181.96
Befaco Spring Reverb CV Controlled Spring Reverb Module
Cat: 668584 Rel: 09 Nov 17
 
CV controlled spring reverb module - 8HP
Notes: This is Befaco's take on an analogue spring reverb module. Featuring VCAs for the two available inputs (with different routing), CV control for DRY/WET and visual feedback for signal levels at input and output of the tank.

Reverberation can be defined as the sum of all the reflections created from an initial sound source within a space, at a point within that space, over time.

To simulate this effect we can pass a sound through a spring with two transducers at either end. As the sound propagates it will cause the spring to expand and contract, creating a series of reflections that are picked up by the transducers (along with the original sound). This creates a simulation of reverberation with (in the case of spring of the reverb) a characteristic and classic colour.

Electronically generated audio will usually sound starkly different to acoustically generated sound. This is more-often-than-not a desirable thing, but there are times when you might want to bring the "depth" of an acoustic environment back into your mix.

The obvious difference between acoustic and synthesised sounds is that acoustic instruments have resonators, and exist in reverberant spaces. One way to add depth to an electronic sound is to somehow simulate the characteristics of a space, and mix this with the original sign

Specifications

Current needs: +12V: 51mA, -12V: 35mA
Width: 8 HP
Depth: 40mm (including power connector)
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona
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 1 in stock $200.89
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Befaco ST Amp 1U Input Stereo Amplifier Module
Befaco ST Amp 1U Input Stereo Amplifier Module (dual/stereo/preamp synth module)
Cat: 938387 Rel: 25 Apr 23
 
A stereo amplifier module in 10HP and 1U format.
Notes: ST Amp is a 1U stereo amplifier designed to boost your external signals into modular levels. The module is designed under the Intellijel 1U format and uses the same pinout, making it fully compatible with the Intelljel case's rear connectors.

Features

Stereo amplifier and signal booster.
Three selectable gain modes: x1, x5 and x10
Level meter LEDs
Fully compatible with Intellijel's 7U and Palette cases.
1U Intellijel format.

Specs

Current needs: +12V: 30mA, -12V: 30mA
Width: 10 HP
Depth: 37mm (including power connector)
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona
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 1 in stock $82.03
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Befaco STMix 4-Channel Stereo Mixer Module
Befaco STMix 4-Channel Stereo Mixer Module (dual/stereo/mixer synth module)
Cat: 716763 Rel: 14 Feb 19
 
Stereo mixer - 6HP
Notes: Stmix is a compact 4 channel stereo mixer with an Auxilliar input. This input will allow us to chain a few of them or to insert an extra fifth input.

This module is compatible with Befaco's Hexmix system, and can be internally connected to hexmix module to add the output of STMIX to your main mix.

Specs

Current needs: +12V: 8mA, -12V: 10mA
Width: 6 HP
Depth: 20mm (including power connector)
Aluminiun, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona
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 1 in stock $145.14
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Befaco TRS 1U MIDI Module
Befaco TRS 1U MIDI Module (attenuator/dual/stereo/expander/external/utility synth module)
Cat: 966386 Rel: 27 Sep 23
 
MIDI 1U module - 6HP.
Notes: 1U TRS

Total flexibility for the Befaco 7U or Intellijel cases rear connectors Jacks.
The channels are reversible and can be used independently for Input or Output.
4 Inputs or Outputs (per module) can be obtained by "AND" cables.
Independent tip and ring attenuators are selectable for each channel to convert the Modular Input Level to Line Output Level.

Features

Selectable attenuator per channel
Fully compatible with Intellijel's 7U and Palette cases.
1U Intellijel format.

Specs

Current needs: Passive
Width: 6 HP
Depth: 20 mm (including power connector)
Designed, kits prepared and completed modules assembled in Barcelona
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 1 in stock $46.27
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Befaco VCMC Voltage Controlled MIDI Controller Module
Cat: 739915 Rel: 24 Oct 19
 
Full voltage-controlled instrument interface
Notes: Interesting MIDI option for Eurorack. Eight faders and buttons, mappable to MIDI note, CC and lots more parameters, then controllable using CV and gate signals. Versatile.

Supplier's notes:
A fully editable MIDI controller with eight faders and push buttons. Each of them with a CV or Gate input associated to automate their functioning via external signals or to be configured independently for further control.

Each control on VCMC can be edited on its OLED screen and will be output either via DIN-5 or USB as a class compliant MIDI device.

- Current needs: +12V: 64mA, -12V: 12mA
- Width: 20 HP
- Depth: 30 mm
- Aluminium, heat-treated front panel
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 1 in stock $308.18
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Befaco Voltio Manual Voltage Source Module
Cat: 981224 Rel: 07 Dec 23
 
Manual voltage source module - 6HP
Notes: An accurate Manual Voltage Source.

Voltio fits somewhere between a music tool and a piece of electronics lab gear.

It generates voltages equivalent to all the notes on the 12-tone equal temperament scale throughout a ten-octave range, with an intuitive two-knob interface.

The Precision Adder In, lets you sum Voltio's Out with external voltages.

Additionally, the front panel banana connectors let you plug standard multimeter probes for hands-free operation on electronics lab.

Use it to transpose Oscillators and sequences in a musical way or as a reference to calibrate your analogue gear.

Features:

Easily adjust your oscillators in known intervals.
Transpose Musical phrases from sequencers, arpeggiators, or any other notes source.
Calibrate oscillators and filters on your DIY projects or during analogue gear maintenance.

Specs:

Current needs: +12V: 35mA, -12V: 15mA
Width: 6 HP
Depth: 30mm including power connector
Designed, kits prepared and assembled in Barcelona.
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 1 in stock $136.73
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Behringer CP35 Attenuators Module (B-STOCK)
Cat: 913148 Rel: 19 Jun 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Enter the Behringer CP35 ATTENUATORS Module. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The CP35 features 4 passive attenuators with linked inputs and 4 separate outputs. Each attenuator knob can be used to adjust the level of the input signal passively from - 8 to unity gain. Connecting a single signal to the first input will allow it to pass to all 4 outputs to have up to 4 variations of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 and 4 leaving input 1 to feed out of output 1. Having multiple inputs allows you to attenuate 4 separate signals and be more flexible with your tone.

Along with the standard outputs, the CP35 also features 6-volt outputs. These outputs give a reference voltage of -6 Volts out of one pair and +6 Volts out the other. Also included are two banks of 4-point multiple circuits for you to be able to route multiple copies of input signals to other modules. The CP35 can be a powerful addition to your synthesizer rig by allowing you to have multiple sources output to multiple modules so you can shape and sculpt sounds that are sure to blow everyone away!

Installing the CP35 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP35 to be mixed with other synth modules for a truly unique set up.
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 1 in stock $45.49
Benidub Digital Echo Desktop Delay Effects Unit
Cat: 817811 Rel: 14 Apr 21
 
Digital echo delay unit
Notes: Digital delay meets analogue filtering in this versatile little effects box. Single-tap delay with loop option and clever time multiplication, plus low-pass and high-pass filters.

Supplier's Notes:
Digital delay settings combined with analog sound shaping

SPECIFICATIONS:

Audio output: impedance balanced 1/4" TRS Jack

Audio input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm*5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

12VDC 1A power supply included.
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 1 in stock $391.27
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Benidub DS01E Dub Siren Echo Effects Unit
Cat: 957732 Rel: 19 Jul 23
 
Old School sound FX machine with in-built echo.
Notes: Combining features from the DS01 dub siren and Benidub's Digital Echo, the DS01E is the best of both worlds. A complete old-school dub instrument in one box.

Supplier's Notes:
A mix ready, all-in-one dub sound system box

The DS01 unmistakable sound surely it's a staple when it comes to dub music. However, it transforms into the authentic dub sound system tone which everyone is seeking only when used in conjunction with a delay. In order to achieve that precise feeling, Benidub rewrote the DSP FV-1 used in othe Digital Echo to integrate it into the DS01.

The newest incarnation of one of Benidub's most beloved dub siren ever, now improved with a built-in delay effect.

Using an external delay gets complicated when it comes to wiring and it's not that practical for those going to play on an unfamiliar rig. That's why Benidub built a model that combines both units.

Features

Dub combo unit

Old-school inspired dub siren with a built-in delay, as featured in the Digital Echo, now enhanced to seamlessly integrate into a mix-ready unit.

Authentic dub-delay tones

DS01E features two HPF / LPF resonant filters with variable frequency, to fine tune the delay to your likings and necessities.

Echo integration

The echo not only provides an ambient to the dubsiren sounds, but also, through the dedicated filter and the ability to create rhythmic loops using the echo-cut button, it becomes an integral part of generating sound effects.

TIME: Sets the delay time from 50ms to 1 sec.
POWER INPUT: 12VDC,1A, Center positive, 2.1mm x 5.5mm barrel connector.
AUDIO OUTPUT: 1/4" bal. or unbal. MONO Jack.
MASTER VOLUME: Master output volume control.
MODE: Select between four classic DS01 dub siren tones.
RATE/MANUAL: Modulation rate selector. In manual mode the push-button triggers the modulation.
TRIGGER: Push upwards to trigger the siren temporarily or downwards for a continuous tone.
VOLUME: Sets the echo-section volume.
FEEDBACK: Sets the repetition intensity ranging from one single repetition to continuous oscillation.
FILTER: Combined HP-LP resonant filter to shape the echo tone.
ECHO CUT: Temporary button that mutes the echo output. It can be used to rhythmically cut the echo loop.
MASTER VOLUME: Master output volume control.
PITCH: Select between three preset audio oscillator base frequencies.
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 2 in stock $465.97
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Benidub Phase 12-Stage Analogue Optical Stereo Phaser Effects Unit
Cat: 916838 Rel: 19 Dec 22
 
12-Stage all-analog optical stereo phaser
Notes: Beautiful combo of vintage tech and modern features from Benidub's boutique analogue phaser unit. Six-stage stereo processing with real-time switching to 12-stage mono mode. Excellent playability with large controls.

Supplier's Notes:
Old school mojo with a modern twist on versatility and sound quality
PHASE is an analogue optical phaser, featuring 12-stage in mono and 6-stage when used in stereo. You can switch between the two modes with the "Mode Select" control any time. We made it completely clickless, allowing you to flawlessly switch mode during your set! This unique control provides even more playability and a wide range of phaser tones.

100% analogue audio path for subtle-to-extreme true phasing colours and tones

Unlike many other phasers in the market, designed after guitar-frequencies needs, Benidub's PHASE has been built with a "studio" oriented design in mind, making it the best phaser for either producers and musician. From studio-standard headroom to balanced connections, everything is designed to improve sound quality while granting a smooth and precise excursion along a wide frequency spectrum.

Features

100% Analogue
As any other BENIDUB device, Phase is precisely built with high quality components for a complex and organic sound. The optical-based design not only ensures the best signal/noise ratio for a phaser circuit but also provides the iconic old-school timbre we all love.

Versatile Routing
PHASE can be used as a 12-stage mono or a 6-stage stereo phaser. We designed it as a playable feature, allowing you to switch between the two modes with the Mode Select, clickless control. Not just a "setting", but a tool to build new phasing effect possibilities.

Performance Oriented Design In A Sturdy Case
While designing PHASE we kept our easy-to-use, performance oriented philosophy. PHASE comes in a tank-built enclosures with every control you'll ever need on board, making it an extremely playful stompbox.

Specifications
1. Input L:

1/4" Balanced or Unbalanced jack. The "main" mono input of the unit.

2. Bypass:

Turns off the out of phase signal, thereby stopping the phaser effect.

3.LFO Depth:

Sets the amount of modulation.

4.Input:

In INSERT mode, you got the usual 50/50 dry signal. In AUX mode, you got the full wet signal.

5. Mode Select:

On MONO you get 12 stages. On STEREO you get 6-stages per channel. The stereo mode can be used with a mono input to generate a mono-to-stereo output.


6. Power Input:

12VDC, 500mA, center positive, 2.1mm*5.5mm barrel connector.

7.LFO Mode:

In LINEAR mode, all the 12 (6+6) stages will receive the same modulation. In MIRRORED mode, the first batch of stages modulation will be inverted.

8. LFO Rate:

Sets the modulation speed.

9. Centre frequency:

Sets the frequency that the phaser will revolve around. The Centre Frequency determines where the middle of the comb-filter will be on the spectrum.

10. Feedback:

The feedback knob controls the amount of phase-shifted signal that gets fed back to the phase-shifting circuit.
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MRP:$408.11 SAVE 18%
 2 in stock $332.94
Black Corporation Deckard's Voice Semi-Modular Synth Module
Black Corporation Deckard's Voice Semi-Modular Synth Module (oscillator/VCA/envelope generator/noise/synth voice/filter module)
Cat: 743310 Rel: 24 Feb 21
 
Semi-modular synth module - 32HP
Notes: Deckard's Voice is an entry level semi-modular synth from Black Corporation for eurorack systems. Sharing the same paradigm and circuit as it's bigger brother Deckard's Dream, trimmed down for eurorack and supplemented with the flexibility available only in a modular format.

Features:

VCO with pulse, glitch saw and sine outputs
Dedicated LFO for PWM
Noise source
External audio input to a filter
Discrete hipass and lowpass filters with resonance and IL-AL-ADR envelope
LFO with sine, saw, ramp, square, smooth and stepped random output
Output VCA with ADSR envelope and velocity control over volume
ADSR (0-10V) and LFO (-5V/+5V) outputs
Master and line level outputs
32HP size
+12/-12V standard eurorack power
38mm deep
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 2 in stock $720.50
Blood Cells Audio 221.x2 Expandable 4-Channel Audio & CV Utility Module
Cat: 857276 Rel: 28 Mar 22
 
A clean and precise utility module that is equally at home mixing Control Voltage as it is audio.
Notes: 221.x2 is a clean and precise utility module that is equally at home mixing Control Voltage as it is audio. At its simplest, it is two independent 2-to-1 mixers that offer per-channel attenuation and inversion, as well as +6dB of gain available at the summed outputs. With a tap of the "All Mix" button, these separate mixes can be combined into a 4-to-1 mix at the "All Mix" output - meanwhile, the first 1+2 mix is still available at its respective summed output. A rear expansion input and output allows for combining multiple modules into larger systems.

In addition, each channel also offers a Direct Output that can be taken pre or post attenuation/inversion.

A 6-volt offset is normalled into the input jacks of channels 2 and 4. This voltage is available at the channel's Direct Output, as well as added to the mixed outputs. Useful as an offset for mixing with another CV signal, or simply as a voltage source.

Each summed output group has two blue LEDs for displaying the shape of the summed CV, and can also serve as signal present indicators for audio. Peak LEDs trigger at ~9.6V, allowing for a bit of headroom before things get out of hand.

Specifications:

Width: 10HP
Depth: 3.3 cm
Power: 133 mA @ 12V
129 mA @ -12V
Inputs/Outputs: All I/O is unbalanced
Input Impedance: 10 Mohms
Output Impedance: Mix Outputs: 330 ohms
Direct Outputs: 10 ohms
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 1 in stock $172.49
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Blue Lantern Modules Arcade Kick 909-Influenced Kick Drum Module (black)
Notes: This product is used to produce drum and percussion sounds. You can make 909 type of kick drums- the toggle switch on the left chooses between long and short vca decay. The toggle switch on the left chooses long and short pitch envelope decay. Smack knob control lefts you mix in a noise 'paper' sound for the drum.

You can mix in two trigger sources to create complex percussion patterns. The internal circuit is using logic 'OR' triggering.

This product was refined for optimum sound and response from the controls. Part values were changed from the original 909 design.

-There is onboard distortion to get techno type of kick drums.

-This internal oscillator is triangular core, with internal reset.

-The internal trigger conditioner can take audio rate frequencies.

-There is a manual push button.

Width: 10hp

Current: +30mA,-24mA
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 1 in stock $166.18
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Blue Lantern Modules CSR-VCO CMOS Shift Register VCO Module
Cat: 920883 Rel: 23 Jan 23
 
CMOS shift register VCO module in 8HP.
Notes: This is a complete mini synthesizer that only requires CV and Gate from your midi to CV converter. You can use an AKAI Mini Keyboard or Arturia KeyStep for example. As long as the product has CV and GATE outputs, you can musically control the CSVCO module. This is a great first-time module, or a great percussive voice to add to your electronic singer section.

The CSVCO is similar to the 'toy' algorithm on the mutable braids module, and the weird noise ring (kinda).

-When the Shift Register is put into random mode using the toggle switches you can create the classic arcade noise sound found on the Atari, and defender arcade game.
-The shift register can loop into more musical overtones, using the toggle switches, that also resemble early Atari pulse wave sounds.

These are the only two modules that BLM were able to confirm use the same related approach of using many pulse harmonics to sculpt the sound. There is no firmware, or simulation happening on the CSVCO. The module is an analogue and CMOS logic hybrid module. There are many modular sections involved to make this happen. It would take many modules to attempt to make your own CSVCO patch on your modular.

You would need the following: Triangle VCO, x2 clock generator, Shift Register module, High Pass Filter, VCA, Envelope Generator, Sub Division Pulse Generator Module, Logic xor, Logic AND, Logic Invert modules, and a mixer module. This would easily take up 64-84hp. Such a complicated patch on your system would probably not work as good as the CSVCO.

It can also be used for bright percussive sounds. All of this tracks +5 octaves, musically.

The CSVCO contains so many over tones (mathematically sub divided), that it is indeed producing chords. The EXT trigger input 'rolls the wheel of chance', and changes the overall tone of the shift register.

The CSVCO seems to sound more 'Minor' at times, it gives out a more creepy, spooky set of chords upon changing up the shift register.

Width: 8hp
Current: +150mA, -140mA
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 2 in stock $180.91
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Blue Lantern Modules Deluxe VCLFO Analogue LFO Module With Reset
Cat: 920151 Rel: 23 Jan 23
 
Analogue Simple LFO module with Reset in 6HP.
Notes: BLM Deluxe VCLFO

This module is a tricked out 2023 version of the simple VC LFO 4hp module.

Digital or Analog?
Analog
Triangle Core, with tilt function (slew) to make Saw/Ramp shapes

Why does it matter?
Since this is analogue, the signal is very smooth.

LFO Speeds: Slow, Hyper (Audio Rates), normal ranges.

Output Shapes Available: Triangle, Sine, Square, Sinus Spike

All wave forms can be distorted with the Skew knob.

Sync/Reset circuit with high quality JFET chopper on the main timing capacitor. There is a threshold 'SYNC' knob that will manually stop the oscillation passed the 12 o'clock position.

Otherwise, a gate or trigger signal will brute force reset the LFO.

LFO CV Modulation input with Level input control.

Width: 6HP
Current: +30mA -28mA
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Blue Lantern Modules Millipede VCF MK2 Variable Pole Filter Module
Cat: 861030 Rel: 18 Feb 22
 
Variable pole analogue filter based on Asteroid Op VCF Tech.
Notes: Variable Pole analogue filter based on Asteroid Op VCF Tech

Model: Millipede Variable Pole VCF
Analogue Filter, Can easily get Brutal tones.

What does this do?

This is an analogue filter that uses two modern equivalent ssm2164 IC's v2164 from cool audio to do it's magic. This particular filter however allows the user to vary the phase of each pole or filter cell. There are four filter cells total. This is similar to the Blue lantern Asteroid Operator Station VCF. The Asteroid Operator Station VCF has 8 Static filter out puts. Those 8 flavors were found by exploring the circuit found on the millipede vcf and internally installing the resistor ratio for that flavor.

On the millipede vcf you are allowed to find more exotic flavors yourself. Operation is easy. You first have all the poles counter clockwise and the three switches set to mute. This will have the filter as a dark Low pass filter. Then you turn on a pole using the switch and turn the know to hear the change. Pole 3 by default is always on, otherwise there would have been no sound if all poles were muted. Having all the poles set clockwise and active easily gets you into brutal sounding tones in a good way.

There is an on board diode limiter circuit to help tame really harsh tones. This is activated by switch.

The audio input has some gain, so you don't always have it fully clockwise. There is also a capacitor selector switch just like my other filters. This modifies the rez peak.

Dimensions
13 HP
32 mm deep

Current Draw
58 mA +12V
56 mA -12V

Depth: 2.5 inches
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 1 in stock $210.36
Blue Lantern Modules Stereo Sir Mix Alot 6-Channel Audio Mixer Module
Cat: 773987 Rel: 13 May 20
 
stereo synth level mixer
Notes: This module allows you to connect 6 channels of synth level Euro Format signals (-5/+5v) from your vco's or percussion modules. You then can pan left or right like normal desktop mixers. The final mixdown outputs are also synth level (-5/+5v). There are two send and returns which are also synth level (-5/+5v). There is no CV control of any kind. This is a basic stereo audio mixer.

Current: +37mA, -37mA

width: 24hp

Depth 1.5", PCB Stack Level: 1

D Shaft Metal Potentiometers.

Channels: 6, with panning on each channel.

Input gain: x10, synth level optimized.

Output: synth level optimized. Since there are master level knobs, one can attenuate for line levels.

Link ability: Yes, with 3.5mm stereo Y-cable. There is a jack labeled 'Stereo Link' where you can patch left and right synth level input signals.
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Bocuma Esquivel SV VCF 3-Input State Variable Voltage Controlled Filter Module
Cat: 929605 Rel: 28 Apr 23
 
3-input state variable voltage controlled filter module in 14HP.
Notes: Esquivel is Bocuma's homage to space-age pop. This is a voltage controlled filter in a 14HP Eurorack, around a diode ladder topology. It is capable of switching between the 3 classic states: low-pass (LPF), high-pass (HPF) and band-pass (Band Pass).

Control cut-off, resonance and two inputs for CV. Likewise, a mixer for 3 signals was added at the input, giving it the possibility of mixing 3 different waveforms to obtain more harmonic-enriched signals and to maximize the sonic possibilities of its resonance.

Specs:

14HP
+12V > 12mA -12V > 12mA
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 1 in stock $235.60
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Bocuma Sum0 Voltage Controlled Oscillator Module With Output Mixer & Onboard LFO
Cat: 929616 Rel: 28 Apr 23
 
Voltage controlled oscillator with output mixer and onboard LFO module in 22HP.
Notes: Introducing SUM0, a voltage-controlled oscillator with expanded harmonic possibilities, in a Eurorack format.

The 4 classic waveforms are generated by a meticulously designed oscillation engine.

You can modulate its frequency and its pulse width thanks to its integrated LFO, capable of reaching audible frequencies to achieve expressive modulations with the simple touch of a switch.

Expand the voice of your system by creating complex waveforms and high harmonic content thanks to its output mixer. This mixer also has an input to integrate an external signal to the mix output.

Of course, all its parameters (FM, PWM, SYNC, V/OCT) are at your fingertips through its patch points on the front panel.

And of course, assembled with a load of passion in Bocuma's studio-workshop in Guadalajara.

Nerdy-specs:

22HP
+12V > 12mA -12V > 12mA
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 1 in stock $294.51
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Bocuma Sum0 Voltage Controlled Oscillator Module With Output Mixer & Onboard LFO (B-STOCK)
Cat: 949354 Rel: 01 Jan 90
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Introducing SUM0, a voltage-controlled oscillator with expanded harmonic possibilities, in a Eurorack format.

The 4 classic waveforms are generated by a meticulously designed oscillation engine.

You can modulate its frequency and its pulse width thanks to its integrated LFO, capable of reaching audible frequencies to achieve expressive modulations with the simple touch of a switch.

Expand the voice of your system by creating complex waveforms and high harmonic content thanks to its output mixer. This mixer also has an input to integrate an external signal to the mix output.

Of course, all its parameters (FM, PWM, SYNC, V/OCT) are at your fingertips through its patch points on the front panel.

And of course, assembled with a load of passion in Bocuma's studio-workshop in Guadalajara.

Nerdy-specs:

22HP
+12V > 12mA -12V > 12mA
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 1 in stock $247.61
Boss RC-505MKII Loop Station
Boss RC-505MKII Loop Station (desktop loop station)
Cat: 858659 Rel: 29 Mar 22
 
The industry-standard tabletop looper, updated and enhanced.
Notes: Second-generation version of Boss's excellent looper gives you five stereo tracks, four simultaneous effects, hands-on control and full MIDI support. Ideal for live use but also a creative studio tool.

Supplier's Notes:
Looping Magic at Your Fingertips

Packed with inspiring tools for on-the-spot music creation, the RC-505mkII brings next-generation power and flexibility to the world's most popular tabletop looper. Elevate your performances with five stereo tracks and four simultaneous Input FX and Track FX, and soar even further with customizable buttons, expanded I/O, increased mixing control, and other enhancements requested by long-time RC-505 users. Built for free-flowing expression on stage and in the studio, the RC-505mkII is a dream machine for beatboxers, vocalists, multi-instrumentalists, and other fearless looping artists.

More to Love

The RC-505mkII retains everything that made the original so loved and adds a wealth of new features to make the looping experience even more creative and free flowing. The faders provide longer throw for finer adjustments, and they also have a more solid feel under the fingers. And each track now has dedicated FX and Track buttons, making it easier to colour and control your loops in the heat of the moment. Undo/redo has also been enhanced with a Mark Back function that lets you instantly jump back to a previous loop state while performing.

Customize Your Workflow

While the original RC-505 was very customizable, the RC-505mkII takes things to the next level with a vast range of user-configurable controls. You can assign various CTL parameters to the FX and Track buttons and trigger them with a press, hold, or double-click. Pressing the Undo/Redo button reveals a secondary layer, doubling your options. Two external control jacks are also available for connecting footswitches or expression pedals, and each has its own dedicated set of parameters. Crave even more? Then tap into the Assign screens to set up 16 different targets for hardware control and MIDI operation.

More Sonic Colours for Inspired Looping

Sonic variations help make loop performances more compelling, and the RC-505mkII provides a greatly expanded FX palette to colour your sounds during recording and playback. There are 49 Input FX and 53 Track FX types to choose from-including powerful new vocal harmony effects-and you can use up to four in each section at once. Going further, groups of four Input FX and Track FX can be stored in four banks for quick recall, along with toggle or momentary button settings for each type. A step sequence function is also available in some FX to automate parameter changes for dynamic real-time movement.

SPECIFICATIONS

Sampling Frequency: 44.1 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point

Recording/Playback
Number of Tracks: 5
Data Format: WAV (44.1 kHz, 32-bit float, stereo)
Maximum Recording Time: Approx. 1.5 hours (1 track), Approx.13 hours (total of All memories)

Rhythm Type: 200 types or greater
Rhythm Kit: 16 types

Effect:
INPUT FX: 49 types
TRACK FX: 53 types
MASTER FX: 2 types
Memory: 99
Nominal Input Level: MIC 1, 2 INPUT: -40 dBu/INST 1, 2 INPUT: -10 dBu
Maximum Input Level: MIC 1, 2 INPUT: 0 dBu/INST 1, 2 INPUT: +7 dBu/+20 dBu (selectable)
Input Impedance: MIC 1, 2 INPUT: 3k ohms/INST 1, 2 INPUT: 1 M ohms/25 k ohms (selectable)
Nominal Output Level: MAIN OUTPUT: -10 dBu/SUB 1, 2 OUTPUT: -10 dBu
Maximum Output Level: MAIN OUTPUT: +7 dBu/SUB 1, 2 OUTPUT: +7 dBu
Output Impedance: MAIN OUTPUT: 1 k ohm/SUB 1, 2 OUTPUT: 1 k ohm
Recommended Load Impedance: MAIN OUTPUT: 10 k ohms or greater/SUB 1, 2 OUTPUT: 10 k ohms or greater

Controls:
TRACK1--5 REC/PLAY button, TRACK1--5 STOP button, TRACK1--5 TRACK button, TRACK1--5 FX button, ALL START/STOP button, UNDO/REDO button, TAP TEMPO button, RHYTHM START/STOP button, RHYTHM EDIT button, INPUT FX A--D button, INPUT FX EDIT button, TRACK FX A--D button, TRACK FX EDIT button, MENU button, LOOP button, ENTER button, EXIT button, PAGE buttons, 1--4 knobs, OUTPUT LEVEL knob, TRACK1--5 LEVEL Faders

Display:
Graphic LCD (128 x 64 dots, backlit LCD)

Connectors:
MIC IN 1, 2 jack: XLR type (balanced, phantom power: DC 48 V, 10 mA Max
INST IN 1, 2 jacks, MAIN OUT jacks, SUB OUT 1, 2 jacks: 1/4-inch phone type
PHONES jack: Stereo 1/4-inch phone type
CTL1,2/EXP1 jack, CTL3,4/EXP2 jack: 1/4-inch TRS phone type
USB port: USB B type
MIDI (IN, OUT) connectors
DC IN jack

Power Supply: AC adaptor
Current Draw: 1.0 A (with phantom power), 0.9 A (without phantom power)
Accessories:

AC adaptor
Owner's Manual
Leaflet "USING THE UNIT SAFELY"

Options (sold separately):
Footswitch: FS-5U
Dual Footswitch: FS-6, FS-7
Expression Pedal: FV-500H, FV-500L, EV-30, Roland EV-5

SIZE AND WEIGHT

Width: 420 mm/16-9/16 inches
Depth: 234 mm/9-1/4 inches
Height: 67 mm/2-11/16 inches
Weight: 1.8 kg/4 lbs
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Buchla & TipTop Audio Dual Oscillator Model 258t Module
Buchla & TipTop Audio Dual Oscillator Model 258t Module (dual & stereo/oscillator synth module)
Cat: 846759 Rel: 07 Mar 22
 
Dual oscillator module
Notes: Best value Buchla module ever? An official Buchla module produced by TipTop Audio, the 258t is a dual triangle-core oscillator, with sine/sawtooth wave shapes in the top half and sine/square at the bottom. Bags of character.

Supplier's Notes:
Two independent voltage-controlled oscillators. Each has one processing input, a frequency modulation input and a 1V/oct input.

Waveshapes, as well as frequency, can be voltage controlled. Model 258 oscillators feature low sine wave harmonic content, negligible settling error, and high short and long-term stability, even with rapidly changing ambient temperatures.

Trimmers:

There are three trimmers for each oscillator on the back of the module:

1V/oct is the octave tracking trimmer and is set at the factory using high precision instruments.
SHAPE is the trimmer that set the sine wave, for the lower harmonic content of the sine wave.
VC WAVE SHAPE sets the response of the waveshaper to the incoming control voltage. Both SHAPE and VC WAVE SHAPE trimmers are used to adjust the sine wave purity.

Size: 18HP
Depth: 45mm
Power: +12V 70mA / -12V 40mA
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 5 in stock $176.70
Buchla & TipTop Audio Dual Voltage Processor Model 257t Module
Cat: 846754 Rel: 07 Oct 22
 
Dual voltage processor module
Notes: Yet more bargain Buchla collabs from TipTop Audio with this dual voltage processor. Generate CV outputs algorithmically based on multiple inputs, allowing for some seriously complex modulation.

Supplier's Notes:
Model 257 Dual Control Voltage Processor consistsof two identical sections, each of which permits several applied control voltages to define a single output voltage according to the equation:

(Va * K) + ((Vb * (1-M)) + (Vc * M)) + Voset = V_out

The algebraic manipulations possible with this module include addition, subtraction, scaling, inversion, and multiplication. Also incorporated is the capability of using one control voltage (M) to transfercontrol from one applied voltage (V_b) to another (V_c).

Functions

- Attenuverter
Va is the voltage input a for attenuverter (left jack on the panel)
K knob can scale the incoming Va voltage either positively or negatively

- Crossfader
Vb is the voltage input b for the left side of the crossfader (second jack from the left)
+.5 switch adds 5 volts to the input of Vb
Vc is the voltage input c for the right side of the crossfader (fourth jack from the left)
M scales Vb from 1 to 0 based on the position of M knob
M scales Vc from 0 to 1 based on the position of M knob
The middle CV input at M/M can crossfade between Vb and Vc (third jack from the left)
The M knob and M CV added together to control crossfade position

- Oset
Voset Adds 0 - 10 volts to any combination of Va + Vb + Vc

- Output
Vout is the combined voltage of the attenuverter, crossfader and oset (right jack on the panel)

Specifications:

Size: 14HP - Depth: 25mm
Power: +12V 45mA / -12V 22mA
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Buchla & TipTop Audio Mixer & Preamplifier Model 207t Module
Cat: 950885 Rel: 26 Jan 24
 
Mixer & preamplifier module - 28HP.
Notes: A characteristically unique take on mixing from Buchla, with six mono inputs and a built-in mic/guitar pre-amp. Each channel can be cued to a monitor mix, while the first and last channels also include voltage-controlled panning.

Supplier's Notes:
The Tiptop 207t is a modern reimagining of the classic Don Buchla 207 Mixer/Preamplifier from the 1970s 200 Series. This stereo mixer comes with a built-in preamp that allows you to boost external instruments and microphones, making it a versatile tool for any modular setup. The 207t also features a six-channel mixer with a variety of signal routing options, including the ability to route channels to the monitor and L&R signal outputs, with per-channel control over loudness and panning.

Each channel has a Mon switch that sends the channel's signal to the monitor outputs, which are always full-volume and summed to mono, making it useful for basic monitoring applications or rudimentary mixing. The Prog switch sends the signal to the L&R signal outputs, with loudness controlled by the Level Adjustment slider and panning determined by the Channel Assignment knobs. The first and sixth channels offer voltage control of panning; these channels are hard-panned when no CV is applied.

The preamp section features a 1/4" input and multiple gain settings, making it suitable for use with external line level instruments, electric guitars, or dynamic microphones. The continuous amplification control provides added flexibility for your audio needs. Finally, the Expansion In is a stereo input that sums to the left and right main outputs, which is great for chaining multiple 207t modules or adding another stereo source at the final output.

While the 207t's functionality may be simple, it is an essential part of any 200t system, serving as the glue that holds everything together. The Tiptop 207t is a fantastic mixer/preamp option that delivers quality sound and reliable performance.

Buchla 207t Features

Mixer/preamp module based on Don Buchla's original 207 design
Six-channel mixer with per-channel level control and panning
Voltage-controllable panning on channels 1 and 6
Manual panning on channels 2-4
Program switches can act as channel mutes for main outputs
Mon switches route signal (in mono) to Monitor output
Expansion input useful for stereo chaining and more
Re-designed preamp for high audio fidelity
Preamp suitable for use with external instruments, electric guitars, dynamic microphones, and more

Eurorack module
28hp wide
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Buchla & TipTop Audio Sequential Voltage Source Model 245t Module
Buchla & TipTop Audio Sequential Voltage Source Model 245t Module (clock generator/sequencer/quad synth module)
Cat: 846746 Rel: 05 Sep 22
 
Sequential voltage source module
Notes: The Buchla & Tiptop Audio 245T Sequential Voltage Source Model is a powerful and flexible voltage generator that authentically recreates the original Buchla 245, now in Eurorack format. Comprised of four rows of five steps, the 245T offers a wide range of sequencing abilities for your modular synth. With three available options for accessing the steps of the 245T, you can seamlessly integrate into almost any modular system to unlock the creative potential of the Sequential Voltage Source.

A wealth of connectivity, CV and parameter control options gives you complete control over your sequences. The 245T Sequential Voltage Source includes CV and manual control over the pulse length to ensure you are matching your material as well as a slew of output options to connect to other modules in your system. Both Pulse and Ref outputs allow you to take control over your sequencing, with Pulse outputting a trigger at each step and then controlled via the Pulse Length parameter and Ref offering a short envelope on the currently selected step.

Dimensions: 30 HP
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Buchla & TipTop Audio Source Of Uncertainty Model 266t Module
Buchla & TipTop Audio Source Of Uncertainty Model 266t Module (attenuator/clock generator/CV modulation/dual & stereo/quantizer/random/utility module)
Cat: 846752 Rel: 12 Dec 22
 
Random voltage generator & sculpting module - 24HP
Notes: More great value from TipTop's Eurorack reissues of classic Buchla modules. Noise sources, random voltages, sample-and-hold and integrator (slew) provide a range of modulation and processing options.

Supplier's Notes:
Offering tonnes of opportunity for creating unique instances of controlled randomness, TipTop Audio's Buchla Model 266t Source of Uncertainty is a recreation of the classic random voltage generator and sculpting module. Bringing back a classic set of Buchla's 200-series modules, the 266t recreates six different tools in one classic interface for all of the Eurorack community to bask in. The 266t divides into two sections of generation and modification, featuring two different processors and four generator types with one producing three flavours of analogue noise, labelled flat, -3dB/oct, and +3dB/oct.

The fluctuating random voltages section features two individual smooth voltage generators for adding wiggles and warbles to your modules, each controlled by a rate parameter with CV inputs for modulation. Right below is the quantized random voltage, offering a stepped random output that randomly decides voltage based upon one of two equations corresponding to a value called "n". Depending on the output, you can tune your range to a set amount of possibilities with n+1 output being more localized to the 5V range and the 2^n output having equal opportunity across all 10 volts. The final generator labelled stored random voltage produces two outputs of stepped voltage with an equally distributed random voltage output as well as a selectable bell distribution output that centres its options based on the probability control.

Looking at the processing section, the top-right sample and hold section is actually a track and hold processor, tracking the cv input and changing only at the next high input on the pulse in. The resulting CV output additionally has two alternate outputs that base off alternative pulse counts, and the pulse output alternatives similarly alternate each pulse count. The final section of the 266t lies in the integrator, featuring a simple yet very handy smoothing processor by determining the time it takes to reach from one CV value to the next. With all this versatility to work amongst many modules or even self-patch for related modulation, the Buchla Model 266t Source of Uncertainty will certainly make any modular system lively.

Specifications:

Size: 24 HP
Depth: 25mm
Power: +12V 150mA / -12V 100mA
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 3 in stock $241.03
Citronic CE22 Stereo Enhancer Exciter Rack Unit
Cat: 607885 Rel: 14 Apr 16
 
Dual/stereo multi-band processor for enhancing dull sounding audio - rackmountable
Notes: The CE22 is a professional multi-band enhancer/exciter designed for various applications.

This unit combines 2 processors to align the phase and focus of bass frequencies, improve the response of mid-high frequencies and add harmonic content to any "dull" sounding audio.

The surround processor utilises the phase alignment engine to give a greater perceived width to the stereo field.
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Cosmotronic Delta-V Dual Amped Envelope Generator Module
Cosmotronic Delta-V Dual Amped Envelope Generator Module (CV modulation/envelope generator/LFO/polarizer/slew limiter/utility/VCA synth module)
Cat: 803494 Rel: 20 May 21
 
CV modulation/envelope generator/LFO/polariser/slew limiter/utility/VCA module
Notes: Delta-V is a fully analogue dual-channel function generator, featuring a dedicated VCA and LFO cycle switch for each channel. It packs a great deal of functionality in only 10HP, and will surely find use in almost every patch.

Generate envelopes, slew gates and signals, or run LFOs with precise control over attack and decay times. Using the SHAPE knob, Delta-v can create a wide range of envelopes, from very snappy exponential curves for percussion to logarithmic thumps for bass lines.

If VCA's input is unpatched, the module outputs a regular voltage envelope. When an audio signal is patched into the VCA input, the output signal becomes the audio signal amplified by the envelope.

Sending other envelopes or an LFO to VCA input lets you modulate those modulators, quickly creating complex control voltages that go beyond the usual attack-decay envelope.

Combine this with the SUM output, which sums the two channels, and the attenuverters, which can quickly attenuate or invert the signal, and you have a whole array of signal processing capabilities.

The TRIGGER input fires a Attack-Decay envelope, while the SLEW input will affect the rate of change of the signal.

The trigger for channel 1 and 2 can be linked together, so you can fire two envelopes with one patch cable.

Each channel has an End of Cycle output, (EOC) this outputs a short trigger at the end of each envelope cycle.

The output voltage ranges from -10 to +10 volts, set with handy output attenuverters.

The CYCLE switch starts looping the envelope, creating LFO's that go up to audio rate, and that can also be used as an interesting sound source.

There are many ways to utilise Delta-V.

Challenge yourself to explore new, unconventional territories!


Width: 10HP
Depth: 27MM
Power: +12V 70 MA
Power: -12V 70 MA
Power 5V: 0 MA
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 2 in stock $192.47
Cosmotronic Messor Stereo Compressor & Transient Shaper Module (black)
Cosmotronic Messor Stereo Compressor & Transient Shaper Module (black) (dynamics/dual/stereo/envelope follower/expander/VCA module)
Cat: 849464 Rel: 16 Mar 22
 
Stereo compressor & transient shaper module - 8HP
Notes: Messor is a stereo compressor with lots of tricks up its sleeves. From gluing a mix together to squashing drums, sidechaining kicks and sculpting transients.

It's a VCA based feed-forward compressor with a high quality low noise signal path. The magic happens in the internal sidechain that shapes the gain reduction envelope.

There are the familiar controls of a compressor, attack, release, threshold, ratio and makeup gain, as well as a switchable high-pass / low-pass sidechain filter.

The ratio can go past limiting and into over-compression, which can completely reshape transients, a great tool for sound design.

Being modular, of course there are CV inputs for Attack, Release and the Filter cutoff.

The Gain CV controls the makeup gain, but also doubles as a Stereo VCA with the Gain knob off.

The gain reduction envelope is also available, for turning filters or other VCA's into compressors for example.

There's a bypass switch, and another Warm/Pure switch, that can bring in a bit of additional saturation and compression in the form of analog tube simulation circuitry.

Lastly there's the possibility to insert an external sidechain, for that classic kick sidechain compression.

Dimensions
8 HP
25 mm deep

Current Draw
45 mA +12V
26 mA -12V
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Cosmotronic Vortex Thru-Zero Complex Oscillator Module
Cosmotronic Vortex Thru-Zero Complex Oscillator Module (oscillator/synth voice synth synth module)
Cat: 831106 Rel: 04 Apr 22
 
Complex oscillator featuring two independent VCOs
Notes: Wow. Oscillators don't come much more special than this. Two contrasting, fully independent VCOs with waveshaping and complex cross-modulations, plus the 'Thru Zero Trinity' of FM, phase and amplitude modulation. Beautiful.

Supplier's Notes:
Thru Zero Complex Oscillator

A new complex oscillator, featuring two independent VCO's. Both voices have a unique signal path and flavour. Complex cross modulations entangle them together, opening up completely new timbral territories.

Features include the Thru Zero trinity; Frequency, Phase and Amplitude modulation.

Each oscillator also has its own Low Pass Filter, which works great to mellow the harsher tones from complex intermodulations.

Each VCO has great tracking and temperature stability, there is no distinction between a carrier and modulator.

The FM bus lets you modulate the index of each individual voice, with linear and exponential inputs for external sources. There are also inputs for Sync in, with both soft and hard sync.

VCO 1

The left VCO signal chain starts with a shape function, that let's you morph between triangle and saw. This waveform is also available as a separate output.

Next is a sinusoidal wavefolder, which changes its response dramaticaly based on shape of the waveform. The circuit is based on a modified version of a design by Barrie Gilbert from 1977, popularized by Open-Music-Labs (used with permission).

This circuit also creates the possibility of Thru Zero Phase Modulation, here the depth is controlled with the third slider. The source is normaled to VCO 2, but external modulation sources can be patched in, and the depth can also be modulated with CV.

Lastly there's a 2-pole Low Pass Filter, before going out the MAIN output. All parameters can be CV controlled, and feature handy attenuators at the inputs.

VCO 2

The first slider is a continuous waveform shaper, that morphs from sine to tri to saw.

This waveform then enters the Thru Zero Amplitude Modulation (Ringmod) section. The slider sets the depth of modulation, with the source normalized to VCO 1. The depth can be CV controlled, and an external source can be patched as well. The result is also available on a separate output, pre wavefolder/filter (VCO 2 sine).

The third slider is a wavefolder, it's based around a novel wavefolding topology, with a unique and more aggressive sound compared to the sinusoidal folder of VCO 1.

The wavefolded signal goes into a 2 pole Low Pass Filter, and out of the MAIN output.

Dimensions
26 HP
27 mm deep

Current Draw
190 mA +12V
190 mA -12V
0 mA 5V
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Cre8audio Function Junction Function Generator Module
Cre8audio Function Junction Function Generator Module (attenuator/CV modulation/function generator/mixer/envelope generator/LFO module)
Cat: 872059 Rel: 26 Apr 22
 
Function generator module - 16HP
Notes: Function Junction

ADSR, Function Generator, LFO, & Mixer

According to the user manual, "Function Junction is a modulation hub combining four independent sections into a single intertwined module that offers much more than the sum of its parts. Although a sum of its parts is one of its best features!"- but Function Junction can do more than a ton of things. In fact, it's downright impressive what's possible with this lovely module.

Function Junction combines three classic analogue modulation sources, ADSR envelope, function generator, and LFO. All are fed into an attenuverting mixer to create a complex modulation junction that can be used as 4 independent sections or in conjunction with each other.
The magic of the module is the ease you can flow from using its functions for basic everyday tasks to creating hyper-complex modulation. The sheer breadth of what you can do and the ease of doing it are simply amazing. Cre8audio highly recommending reading the manual to get a feel for the possibilities.

Specifications

Width = 16hp
Depth = 30mm
Power draw: 130mA when running +12V rail, 70mA when running -12V
ADSR / Envelope facts
Fully analogue Pittsburgh Modular Synthesizers developed 4 stage ADSR circuit with independent Attack, Decay, Sustain and Release controls.
Voltage output range 0V - 10V
"Long" button doubles the length of the envelope attack, decay, and release times
"Loop" button enables/disables envelope cycling. The SUSTAIN KNOB and RELEASE KNOB are used to adjust the time it takes to loop.
"A LOOP JACK" - Enables/disable loop mode. An external gate signal will flip the state of the loop mode. If loop mode is on, the gate will turn loop mode off. If loop mode is off, the external gate will turn loop mode on.
Function Generator facts
Function Generator can be used as an envelope generator, a voltage controlled LFO, a slew generator, a gate signal delay, envelope follower, a clock source, voltage controlled clock divider, complex modulation source, and more
Voltage output range +/-5V
ATTACK KNOB - Attack duration control knob.
DECAY KNOB - Decay duration control knob.
CURVE KNOB - Attack and decay response curve. Exponential (full left), Linear (12 o'clock), Logarithmic (full right)
MOD KNOB - Modulation input (F MOD JACK) attenuverter knob.
MOD BUTTON - Assign Modulation input (F MOD JACK) to attack, decay, or both.
LOOP BUTTON - Enable/Disable loop mode.
LOOP BUTTON (2nd FUNCTION) - Press and hold MOD BUTTON then press LOOP BUTTON to assign A LOOP JACK destination to ADSR or function generator.
SUSTAIN BUTTON - Enable/Disable sustain mode.
F IN JACK - Function Generator trigger/gate input gate jack.
F MOD JACK - Function Generator modulation input jack.
F OUT JACK - Function Generator output jack.
F TRIG JACK - Function Generator end of decay trigger output jack. A trigger is output at the end of the decay stage.
LFO facts
Triangle and Square LFO outs
Dedicated rate knob
LFO output voltage +/-8V
Mixer facts
3 channel attenuverting mixer with OR circuit
Mixer can be split into 3 independent attenuverters, one two-channel mixer, and one attenuverter, or a three-channel mixer
OUTPUT 1 KNOB - Channel 1 input (1A JACK) attenuverter knob.
OUTPUT 2 KNOB - Channel 2 input (2F JACK) attenuverter knob.
OUTPUT 3 KNOB - Channel 3 input (3L JACK) attenuverter knob.
1A JACK - Channel 1 input jack. Normaled to ADSR output.
2F JACK - Channel 2 input jack. Normaled to function generator output.
3L JACK - Channel 3 input jack. Normaled to LFO output.
+OR JACK - Analog logic output jack.
OR circuit outputs the current highest voltage value of any of the voltages output by the mixer
1 OUT JACK - Channel 1 breakout output.
2 OUT JACK - Channel 2 breakout output.
MIX JACK - Mixer output.
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 1 in stock $177.76
Dannysound Cali Oscillator Wave Shaping Oscillator Module
Cat: 967569 Rel: 15 Sep 23
 
Wave shaping oscillator module with touch sensitive switch - 12HP.
Notes: The Cali oscillator is a new and improved version of the classic Buchla 258 wave shaping oscillator with an additional pulse width modulated output. The oscillator features the classic Sine to Square and Sine to Saw wave shaping with dedicated CV control. The Cali Oscillator differs from previous versions of the 258 in that it has a 3-way position switch rather than 2-way. This new middle position features a bonus waveform that will shape from a pulse into a kind of triangular trapezoid shape. The shaping control is more unpredictable in this middle position and the switch reacts to body contact when the wave shape is set low - it can be thought of as an extra bonus waveform, great for producing glitchy sounds! There are dedicated inputs for linear and exponential FM and the Cali also adds a Pulse output with it's own width control and PWM CV input. The behaviour of the pulse output can be affected by the position of the waveform switch and wave shape control. The module features Coarse and Fine frequency controls and an LFO mode, LFO range is accessed via an LED pushbutton that also acts as the LFO speed indicator - the button will light up when the waveform moves through its positive cycle. Because the wave shape modulation is independent of pitch this oscillator is very useful for creating complex timbres whilst retaining musical pitch.

Features

Sine to saw/square waveform output with cv over wave shaping

Pulse output with voltage controlled PWM

Linear FM with attenuator

Logarithmic FM with attenuator

Bonus 'trapezoid' output

Coarse & fine controls with LFO mode

Includes power supply isolation on frequency controls


Width: 12 HP
Depth: 22mm

Power
+12V = 37mA
-12V = 34mA
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 1 in stock $243.69
Dannysound Dynamics Analogue Compressor/Expander Module
Cat: 967575 Rel: 15 Sep 23
 
Analogue compressor/expander module with inductor EQ section, sub bass enhancer and harmonic exciter - 12HP.
Notes: The Dannysound Dynamics is a compressor / expander originally designed to process drums but, like most processing devices, it can be used for a wide variety of applications.

The module comprises of:

Compressor / Expander
Sub Bass Enhancer
3 Band Inductor-based EQ
Harmonic Exciter

The compressor / expander section uses a discrete transistor-based circuit that allows for soft clipping when overdriven.

The envelope detector is known as a feedforward type of circuit; taking its input from the signal before it goes to the compressor rather than after. This type of circuit is known for having fast attack times.

The Sub Bass enhancer has its own compression circuit that "ducks" the initial transient. This allows the sub bass to be increased without distortion on the transient peaks, increasing the overall level.

There is a MIX control to allow the unprocessed signal to be mixed back in with the processed signal.

The 3 band EQ is an inductor based LCR design. After Dannysound tryed out various EQ topologies, this was the design that sounded the nicest. When overdriven it gives a nice "bite" to the sound, and it has a certain characterful charm that's hard to put into words. The controls have a response that are subtle to begin with and get more pronounced as the controls are increased.

The Harmonic Exciter adds a little distortion to the high frequencies, which bring out the sparkle of cymbals or the snap snare drums. The operating bandwidth can be switched between Low (snare drum snap) or High (Cymbals sparkle).

There are inputs for side chaining and control with an external envelope as well as an envelope out to make the envelope detector output available to drive other modules.

It also features separate inputs and outputs for the Compressor / Expander and EQ sections, so they could be used as 2 separate modules.

Features:

Compressor/ Expander
Sub Bass Enhancer
3 Band Inductor-Based EQ
Harmonic Exciter
Envelope In/Out
Sidechain Input
Seperate In/Out for Compressor, Expander and EQ-Section
Power consumption: 85mA at +12V and 61mA at -12V

Depth: 25mm

HP : 12
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Dannysound EN129 Thru-Zero Oscillator Module
Dannysound EN129 Thru-Zero Oscillator Module (LFO/oscillator synth module)
Cat: 967572 Rel: 15 Sep 23
 
Through zero oscillator module - 12HP.
Notes: Gorgeous vintage-style through-zero FM here, featuring five simultaneous waveform outputs, pulse width modulation, soft sync and a dedicated LFO mode.

Supplier's notes:
The EN129 Thru Zero Oscillator is an all analogue triangle-core VCO specialising in frequency modulation. Analogue through-zero FM modulation produces a wide array of timbres particularly useful for bell like or percussive sounds. Through zero linear frequency modulation can be precisely dialled in thanks to a dedicated CV input attenuator and through zero offset control. Logarithmic FM is also available via it's own dedicated input with attenuator and both FM inputs have an LED to indicate incoming voltages. Simultaneous analogue wave outputs include: Sine, Triangle, Sawtooth, Square and Pulse wave with Pulse Width Modulation. The PWM control goes to zero at either end of it's range, which is very useful for creating rhythmic sounds with voltage control. Furthermore the PWM control doubles up as wave shape modulation for the Sawtooth wave - gradually altering the waveform until it shifts half a cycle. The EN129 features Coarse and Fine frequency controls as well as an LFO mode. LFO range is accessed via an LED pushbutton that also acts as the LFO speed indicator - the button will light up when the waveform moves through its positive cycle. A new addition of a Soft Sync Input allows the phase of the oscillator to be controlled by an external oscillator for an even greater range of timbres.

The EN129 is based on the pioneering work by Douglas Kraul and Bernie Hutchins. You can read the original Electronotes article from 1981 that the design is based upon here.

Features:

Soft Sync Input
Thru Zero Linear FM
Logarithmic FM
Zero to Zero PWM
Sawtooth Wave Shape Modulation
Simultaneous Outputs for: Sine, Triangle, Saw, Pulse & Square
Coarse & Fine Controls with LFO Mode
Includes Power Supply Isolation on Frequency Controls
Power consumption: 51mA at +12V and 47mA at -12V

Depth: 22mm

HP : 12
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Dannysound Looping VC-ADSR 4-Stage Envelope Generator Module
Dannysound Looping VC-ADSR 4-Stage Envelope Generator Module (envelope generator/function generator/LFO synth module)
Cat: 967622 Rel: 15 Sep 23
 
ADSR envelope module with full CV control and looping LFO mode - 6HP.
Notes: The Looping VC-ADSR is a 4-stage, loop-able, envelope generator based on the ENVGEN 8C IC from Electric Druid. The individual sections of the Envelope (Attack, Decay, Sustain, Release, Level and Time) can all be individually controlled via CV.

The module has 5 MODES of operation that can be selected via the pushbutton LED switch with the status indicated by the five LEDs above:

Normal Envelope - Gate signal at the GATE/TRIG input, fires the ADSR.
Trigger Mode - Trigger signal at the GATE/TRIG input fires the AD portion of the envelope. The sustain control determines the final value the envelope rests at after the decay portion has ended.
Gated Looping Envelope - ADSR loops whilst gate signal is high.
Looping Envelope - ADSR loops regardless of gate signal.
LIN response (Hold switch to select between LIN/EXP Mode) - Sets the envelope response to be Linear. The response is Exponential when the status LED is off.
When the envelope is looping, all 5 controls affect the output. Attack and Decay operate, as one would expect. The Sustain control sets the minimum voltage the decay part of the envelope will decay to. The Release sets a release time from the end of the Sustain period to the beginning of the next cycle. When the Sustain is set to 0 you can use the Release control to add a delay between the Attack and Decay cycles.

In Normal Envelope mode the Sustain CV input can be used with an LFO source to add amplitude modulation that gradually increases as the Envelope transitions from the Attack/Decay part of the envelope into the Sustain part. The Level CV is also a useful point for amplitude modulation or can be used for Velocity Sensitivity via CV.

The Time CV is set so that increasing voltage shortens the overall envelope time to better mimic the sounds of percussive instruments.

Features:

5 Modes of Operation: Gate Input ADSR, Trigger Input ADS, Gated Loop, Constant Loop and EXP/LIN Envelope Responses
CV over: Attack, Decay, Sustain, Release, Level and Time
Works with Gate or Trigger Signals from +5V to +12V
CV Input Range 0V to +10V
Output CV Range 0V to +10V


Power consumption: 28mA at +12V and 18mA at -12V
Depth: 25mm
HP : 6
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Dannysound MML Filter Multi-Mode Ladder Filter Module
Cat: 967619 Rel: 12 Dec 23
 
Multimode transistor ladder filter module with red mode feedback distortion - 6HP.
Notes: The updated "Skiff friendly" design of the mml filter now features bipolar "Attenu-verters" for the cv controls as well as an all new red mode!

This new mode activates a feedback distortion circuit capable of actually changing the pitch of the notes coming in to the filter in a musical way that adds instant variety to acid basslines, creates weird and strange alterations to drones or adds some nice overdriven distortion to whatever goes into it!

The multi-mode ladder (mml) filter is based on the classic transistor ladder low pass filter by dr. Robert a. Moog. This filter updates the classic 4-pole ladder design to provide band pass and high pass filter responses as well as the traditional low pass filter. There are 2 bipolar controls with attenu-verters for the cut-off frequency plus a cv input for the resonance.

The core of the circuit features a fully discrete transistor design with an op-amp buffered output, this allows soft saturation of the input signal to get the classic overdriven tones of the ladder filter. A bass compensation circuit has been included to retain the bass response in low pass mode when the resonance is increased. The bass compensation also helps to improve the response of the high pass filter.

The red mode is activated/de-activated by holding the mode button for 0.3s. In this mode the filter cut-off, input volume and resonance all interact and the effect is to produce alterations to the incoming frequencies. The pitches of the audio coming into the filter also affect the alterations as well selecting between low pass, band pass and high pass filter modes whilst in red mode.

Features

Low pass, band pass and high pass modes.
Red mode feedback distortion.
CV controlled resonance.
Added low frequency compensation.
Soft saturation of input.
2 x bipolar attenuverter CV inputs.

Width: 6 HP
Depth: 25mm
Power: +12v = 50ma / -12v = 39ma
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Dannysound Timbre Buchla 259 Inspired Wavefolder Module
Cat: 967621 Rel: 15 Sep 23
 
Buchla 259 inspired wavefolder module - 6HP.
Notes: The Timbre is a 6HP Eurorack module based on the wave folder section of the Buchla 259 oscillator as implemented in the Music Easel.

The wave folder adds extra harmonics to input signals that have low harmonic content to create rich and interesting timbres. Typical input sources to use would be Sine and Triangle waves but you are welcome to try other sources as well! The Dannysound Timbre adds an extra input to the Buchla design to allow 2 oscillators to drive the wave-folder simultaneously - this dramatically increases the range of possible tones that can be generated and allows the folder to go wild!

Features:

Osc1 / Osc2 Mix - Adjusts the mix between the Oscillator 1 and 2 inputs, also acts as an attenuator if only one input is used.
Timbre Control - Adjusts the overall amount of wave fold
Timbre CV - Bipolar (attenuator) controls the Timbre CV input
Symmetry - Adds an offset to the input so that the top half of the wave begins to fold earlier
Blend - Mixes between the clean and effected sound

Power consumption: 46mA at +12V and 48mA at -12V

Depth: 25mm

HP : 6
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quote 967621
Dannysound VU Meters Analogue VU Meters Expander Module For Dynamics
Cat: 967625 Rel: 15 Sep 23
 
Analogue VU meters expander module for the Dynamics module - 8HP.
Notes: The Dannysound VU Meters is designed to be used with 2 x Dynamics modules. The modules connect internally via 2x3 pin ribbon cables. The meters provide a visual representation of various signals within the Dynamics modules making settings easier.

Features:

External input sockets for monitoring external sources.

Switch to select high or low meter sensitivity or off if the clicking needles get annoying!

Monitoring of the compression/expansion amount.

Monitoring of the unprocessed input level.

Monitoring of the compressor/expander output level.

Power consumption: 0.03mA at +12V and 83mA at -12V at and 3mA at +5V
Depth: 51mm
HP : 8
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Der Mann Mit Der Maschine Droid M4 Motor Fader Controller Module
Cat: 913511 Rel: 07 Dec 22
 
DROID M4 motor fader controller with 4 faders
Notes: This module provides you with four motorised faders (aka flying faders) to be attached to your DROID master. You can attach up to 16 of these units (or any other DROID controllers) to one master, so the maximum number of faders on a DROID is 64. Below each fader is a touch button and an LED.

You can use the faders, the buttons and the LEDs in very flexible ways to control all parameters in your DROID patches, like steps of a sequence, volumes of channels of a digital mixer (controlled via MIDI with the X7), parameters of a large bank of envelopes, CV values that are organized in presets and much more.

The special thing about the motorized faders is that each fader can be assigned several functions or presets. When you switch the function, the fader moves to the exact position that corresponds to the current value. The usual Eurorack "picking up" of potentiometers or faders, where you never know exactly which value is currently set, is now a thing of the past.

Another unique feature is the "haptic feedback". If a fader is used, for example, in a sequencer to select a note from a scale, you can feel each individual note like an artificial notch. The fader intelligently creates these virtual grooves with its motor. This is very useful and very intuitive whenever you use the fader to select one out of several discrete values. Other examples are clock divider settings, the number of a preset, a waveform, a clock offset and much more. Due to the haptic feedback you don't need any display for seeing what you are doing. You can concentrate on making music and play very intuitively.

Another kind of haptic feedback is a kind of "pitch bend wheel", where the fader always pushes back to the center position by itself. Here the motor creates an artifcial spring. When setting analog values such as a volume or a filter cutoff, the fader then runs freely, of course.

Applications

The DROID plus the faders can be used for various applications - and due to the possibility of switching even at the same time! Here are some example:

A multi track performance sequencer
Use a MIDI controllable digital audio interface as mixer
Control a bank of four envelopes with A, D, S, R each with just four faders
Use the faders for CV presets
Use the faders and their haptic feedback for live performing with pitch bends, ratcheting and all other crazy stuff
Power
Motor faders need much energy. Theoretically one single fader can draw up to 800 mA when at full power. That seems to be the main reason why nobody dared in bringing motorised faders into Eurorack so far.

Der Mann Mit Der Maschine have solved that challenge by making use of the fact that the fader need their power always just for a very short time. The M4 unit comes with four big power tanks (called super caps) that are loaded with a low current but provide the full power when the faders need them. That way the maximum current of one M4 unit is limited. With jumpers on the back you can choose between a peak current of 350, 450, 500 or 600 mA.

Dimensions
14 HP
42 mm deep

Current Draw
350 mA +12V
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quote 913511
Der Mann Mit Der Maschine Droid Master Universal CV Processor Module
Der Mann Mit Der Maschine Droid Master Universal CV Processor Module (envelope generator/frequency divider/function generator/LFO/quantiser/random/sequencer/slew limiter module)
Cat: 865052 Rel: 07 Jun 22
 
The DROID is a very flexible generic CV processor.
Notes: Versatile CV processing with eight inputs and eight outputs, programmable via a text file on an SD card. Can work as an envelope generator, melody sequencer, clock divider and much much more.

Supplier's Notes:
The DROID is a very flexible generic CV processor. It has 8 CV inputs and 8 CV outputs, all ranging from -10V to +10V. The DROID can do almost any CV task you can imagine, such as sequencing, melody generation, slew limiting, quantizing, switching, mixing, working on clocks and triggers, creating envelopes and LFO or other fancy voltages, or any combination of these at the same time. While doing this, is very precise both in voltage and in timing.

Now you can attach several different DROID controller modules in order to get direct hands on access to all parameters and values of these patches.

You tell your DROID what to do by means of a simple text file called "DROID patch". That file is be named droid.ini and is located on a micro SD card. No special software is required for writing that file. A simple text editor running on Windows, Linux, Mac or any other device will suffice. DROID patching is not programming, it's just a simple configuration file.

The building blocks of a DROID patch are called circuits. Every type of circuit performs some basic task. Just like a Eurorack module each ciruit has inputs and outputs. You can wire these either directly to the eight inputs and out or even connect them internally. Every parameter can be CV controlled. You can attach up to 16 controllers. Controllers have faders, buttons and potentiometers and allow you to map assign to any parameter or function you like. This gives you direct control over your DROID patch and allows you to create you own instrument.

Here are a few examples of what your DROID can be for you. As long as you do not run out of inputs and outputs you can implement as many of these functions at the same time in one DROID. You also can connect them together internally.

Envelope generator
Melody sequencer
Trigger sequencer
Random / Pseudo random melody or trigger generator
Precision adder
Slew limiter
Clock divider and multiplier
Logic gate
CV looper
Sample and hold
Euclidean rhythms generator
Quantizer
Addressable and clockable CV switch
CV mixing and routing matrix
LFO
Bernoulli gate
Mathematical operator
... and many many more
You can use these circuits either directly - just like normal Eurorack modules - or combine them internally in order to implement more complex functions. Then you can assign pots and buttons of your controllers for switching, tuning and live performing with these. Basically you can transform your Eurorack modular system into your own custom instrument. Or you simply use the DROID as a replacement for several utility modules, because it is very space efficient.

Expanders:

The P2B8 is a controller with two pots and eight buttons - for free assigment. You can attach up to 16 of these to one Master.
The P10 is a controller with two large and 8 small pots.
The G8 is an expander with 8 additional gate inputs / outputs.
The X7 gives full MIDI connectivity via DIN and USB, also remote access to the SD card
Further expanders are under development

Dimensions
8 HP
40 mm deep

Current Draw
154 mA +12V
15 mA -12V
0 mA 5V
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Der Mann Mit Der Maschine P4B2 Expander Module For Droid
Cat: 1005196 Rel: 07 Mar 24
 
Expander module for the Droid with 4 pots & 2 buttons - 5HP
Notes: Expander for the DROID with 4 pots and 2 buttons

The P4B2 controller provides 4 potentiometers and 2 push buttons for free assignment to any of the DROID's parameters.

Each potentiometer outputs a value between 0 and 1 and can be used for controlling every aspect of the functions of your DROID patch (configuration), such as the speed or depth of an LFO, the pitch of a sequencer step, all aspects of an envelope, clock division and multiplication and much much more.

The buttons can be used as momentary or toggle buttons, if you like with three or four states. Or you can group several buttons together so that they work like "radio buttons". Buttons can be used for various tasks like switching between different behaviours, selecting wave forms, switching steps of a step sequencer, changing the root or scale of a quantizer or chord generator and much more. Also you can use buttons for overlaying a single pots with multiple switchable functions.

You can attach up to 16 controllers to one DROID master. This is done with a 6 pin ribbon cable. This module gets its power from the DROID master.

Besides the P4B2 there are many other types of controllers for the DROID.

Dimensions
5 HP
25 mm deep

Current Draw
11 mA +12V
0 mA -12V
0 mA 5V
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quote 1005196
Der Mann Mit Der Maschine R2M/R2C Controller Remote Connection Modules For Droid Master (pair)
Cat: 971155 Rel: 06 Nov 23
 
R2M/R2C: two controller remote connection modules for the Droid Master - 2HP each.
Notes: R2M is module 1 of a pair of two 2 HP modules that allow you to connect a chain of controllers to your DROID master through a standard 3.5 mm stereo cable (sometimes also called aux-cable).

The usual idea is that you put all your DROID controllers into a skiff case and mount your DROID master, X7 and G8 into another case, together with all your fancy Eurorack sound modules.

R2C is module 2 of a pair of two 2 HP modules that allow you to connect a chain of controllers to your DROID master through a standard 3.5 mm stereo cable (sometimes also called aux-cable).

The usual idea is that you put all your DROID controllers into a skiff case and mount your DROID master, X7 and G8 into another case, together with all your fancy Eurorack sound modules.

While you could do this with the typical 6-pin ribbon connector (e.g. the 80 cm version that we offer), using the R2M/R2C combination has some serious advantages:

The connection cable can be almost arbitrary long (20 m have been tested and works perfectly).

Since the connection is done on the front of the modules, you can quickly disconnect your skiff for the purpose of travelling to a gig.

You can use a standard 3.5 mm stereo TRS cable for the connection.

These modules are not just passive connectors but contain special driver ICs that transform the electronic voltage levels, which run in the 6-pin ribbon, to something more stable and reliable that is fit for longer distances in a more hostile environment.

The controllers do not receive their power from the master but from the R2C module, which has a power connector and a voltage regulator for that purpose. Each chain of the R2C module provides the same power to its controller chain as the master does (it contains the identical voltage regulator). That means that you can connect up to 32 controllers (!) to one R2C.

Another nice thing: The R2M/R2C combination allows for two of these master / controller connections in parallel. That means that you can have two masters being attached to their individual controller chains. That does not mean, that each of the masters can access each of the controllers at the same time, however. Both master / controller connections work completely separately.

Package contents:
* one R2M module
* one R2C module
* one Eurorack power cable for the R2C
* two 6-pin ribbon cables for connecting the R2M to two masters
* two 3.5 mm stereo TRS cables, approx.. 1.2 m
* 4 red M3 screws for mounting the two modules
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Der Mann Mit Der Maschine S10 Droid Controller Module With 10 Switches (black)
Cat: 913504 Rel: 07 Dec 22
 
DROID Controller with two rotary switches and eight toggle switches
Notes: The S10 controller contains ten switches. The two big rotary switches at the top have eight positions each. The small switches on the bottom have three positions: top, middle, bottom. The rotary switches yield the numbers 0, 1, 2, ... 7, the small switches yield 0, 1 or 2. You can use these values to directly control parameters in your DROID patch.

The special advantage of switches as opposed to buttons is the direct haptic feedback. So with the S10 you can create very intuitive playing interfaces for your own modular instrument. Also the S10 is very dense in functionality. The switches have a total of 40 different positions, at just 5 HP.

You can attach up to 16 controllers to one DROID master. This is done with a 6 pin ribbon cable. This module gets its power from the DROID master.

Besides the S10 there are many other types of controllers for the DROID.

Dimensions:
5 HP
25 mm deep

Current Draw:
10 mA +12V
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Der Mann Mit Der Maschine TRS Split CV/Audio Signal Distributor Module
Cat: 1005286 Rel: 07 Mar 24
 
CV & audio signal distributor module - 2HP
Notes: TRS Split - CV/Audio signal distributor

TRS Split is a multipurpose CV and audio signal distribution module. It has three 3.5 mm TRS (tip/ring/sleeve - stereo) jacks and six ordinary 3.5 mm mono jacks.

It contains 3 identical sections set up as following:

Upper jack carries the tip signal
Middle jack carries the stereo/dual signal
Lower jack carries the ring signal

Each section can either split a stereo signal into two mono signals or join two mono signals into one stereo signal. The module does not have any active components and does not need a power supply.

Use cases:

When you plug a stereo signal carried by a stereo (TRS) cable into the middle jack, you receive two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. That way you can attack an "AUX" cable such as from your smartphone to your modular.

Or the other way around: Send two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. Receive a stereo signal at the middle jack to be used with a stereo (TRS) cable.

Converting from stereo to dual mono and back allows you to alter the two sides of a stereo signal with different effects/filters.

Some tuners such as the Korg NTS-2 accept inputs to tune two oscillators combined in one 3.5 mm stereo jack. With one splitter you can easily feed two VCO signals into such a tuner.

Switching sides

Two splitters can be used to switch tip and ring (left and right): Plug in a stereo cable in the middle jack of the first section. Connect mono cables to the upper and lower jack of the first section. Then connect the upper mono cable of the first section to the lower mono jack of the second section and the lower mono cable of the first section to the upper mono jack of the second section. The signals are switched. Plug a stereo cable in the middle of the second splitter and you're good to go.

Hint: This also works for MIDI signals. If you use MIDI over minijack, there are two standards A and B - some manufacturers use A some B - thus not all connections are working. Now you can easily switch between the standards using the TRS Split.

Note: The MIDI input of the DROID X7 automatically detects A and B, so there is no switching necessary. The MIDI output of the X7 can be set to A or B with a switch on the back of the module.

Stereo multiple setup

If you have a separate multiple in your modular, you can use the TRS-SPLIT to create a 1:2 stereo multiple as follows:

Plug a stereo cable in the middle jack of section 1, patch the mono cable from the upper jack into section 1 of your multiple (e.g. a 3/3/3 multiple) and feed two of the outputs back into the upper jacks of section 2 and 3. Do the same with the mono cable coming from the lower jack of section 1 going into the second section of a 3/3/3 multiple and patch two cables back into the lower jacks of section 2 and 3 of the TRS Split. Now the middle jacks of section 2 and 3 both carry the stereo signal.

Dimensions
2 HP
22 mm deep

Current Draw
Module does not draw current
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Der Mann Mit Der Maschine TRS Tool Stereo/Dual CV/Audio/MIDI Signal Multipurpose Module
Cat: 1005290 Rel: 07 Mar 24
 
Stereo & dual CV, audio & MIDI signal multipurpose module - 2HP
Notes: TRS Tool - Stereo/Dual CV/Audio/MIDI signal multipurpose module

TRS Tool is a multipurpose CV and audio signal distribution module for working with 3.5 mm stereo jacks (tip/ring/sleeve). These jacks are common for stereo audio but also for MIDI.

The TRS TOOL has no active components and does not need a power supply. It contains 3 different sections set up as following from top to bottom:

TRS Split
The upper jack carries the tip signal
The middle jack carries the stereo/dual signal
The Lower jack carries the ring signal

Use cases:

When you plug a stereo signal carried by a stereo (TRS) cable into the middle jack, you receive two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. That way you can attack an "AUX" cable such as from your smartphone to your modular.

Or the other way around: Send two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. Receive a stereo signal at the middle jack to be used with a stereo (TRS) cable.

Converting from stereo to dual mono and back allows you to alter the two sides of a stereo signal with different effects/filters.

Some tuners such as the Korg NTS-2 accept inputs to tune two oscillators combined in one 3.5 mm stereo jack. With one splitter you can easily feed two VCO signals into such a tuner.

TRS Quad Multiple

Multiply a stereo signal. Four TRS jacks to be used with stereo minijack cables.

Use cases:

You could use this to multiply the signal for headphones - listen to patches together.

Or create sends - route one (or two) stereo signals to effects and use the third one as dry signal going to the mixer.

Experimental: multiply a MIDI signal to two or three receivers: NOTE: depending on the output power of the MIDI sender and the power draw of the MIDI receivers this might or might not work. MIDI uses a current of typically 5 mA instead of voltage levels for data transmission. So when you attach too many devices to one output the current might not be enough to drive all of them. So this is strictly spoken not covered by the MIDI standard, but might work anyway.

A/B Swapper
The bottom section of the module consists of two connected TRS jacks.
Whatever signal applies to the tip in jack A will be routed to the ring in jack B.
Whatever signal applies to the ring in jack A will be routed to the tip in jack B.

Use cases:

Switch the left and right side of a stereo audio signal.

Switch between MIDI standard A and B: If you use MIDI over minijack, there's two standards A and B - some manufacturers use A some B - thus not all connections are working. Now you can easily switch between the standards using the TRS Split.

Note: The MIDI input of the DROID X7 automatically detects A and B, so there is no switching necessary. The MIDI output of the X7 can be set to A or B with a switch on the back of the module.

Dimensions
2 HP
22 mm deep

Current Draw
Module does not draw current
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Der Mann Mit Der Maschine X7 MIDI & USB Droid Master Expander Module
Cat: 865060 Rel: 07 Jun 22
 
The X7 gives you USB and MIDI connectivity for your master and also four gate outputs with modular levels.
Notes: Welcome to the DROID X7 expander. The X7 gives you USB and MIDI connectivity for your master and also four gate outputs with modular levels.

You can process incoming and generate outgoing MIDI streams, both via classical DIN cables and via USB. Both the in and the out direction support polyphony with eight or even more voices in parallel.

For size reasons the X7 uses 3.5 mm TRS jacks for MIDI instead of the classical DIN jacks. But it comes with two DIN to TRS adapters, so you are free to use either form factor.

As a bonus feature, the X7 provides super fast loading of DROID patches via USB - without any need for putting the SD card in and out anymore.

Here are some examples of what you can do with the X7:

Attach an external keyboard to your modular.
Use an external hardware sequencer for playing melodies and beats in your modular.
Use an external MIDI controller to influence your DROID patch.
Do the same with a MIDI controller app on your tablet or phone (via USB).
Use your modular for playing polyphonic music and beats on your hardware synths or software synth plugins in your DAW, tablet or phone.
Connect two DROIDs (both with X7) and exchange real time CVs and triggers.
Use the four additional gate outputs on the X7 for sending clocks, gates and triggers and free your valuable CV outputs for other things.
Access the SD card in your master just like a USB stick for direct access to it via your PC, Mac, phone or tablet.
Alternatively load new patches to your master via MIDI sysex from your PC - and get your new patch ideas up and running in less than a second.

Dimensions
4 HP
23 mm deep

Current Draw
94 mA +12V
0 mA -12V
0 mA 5V
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 1 in stock $207.20
DivKid Mutes Performance Focused Multi-Channel Mute Module
DivKid Mutes Performance Focused Multi-Channel Mute Module (controller/expander/expression/multiple/quad/utility synth module)
Cat: 799084 Rel: 20 Nov 20
 
Controller/expander/expression/multiple/quad/utility synth module
Notes: Mutes goes above and beyond basic muting by allowing you to split groups of signals to multiple destinations, making it great for FX dub performing and varied signal routing.

You also get a three position switch giving you: MOMENTARY signal pass through (it springs back to the centre when released); OFF (or muted) in the centre; and ON to the right. We've also added vactrols to the circuit giving the switching a pleasing decay for both audio and modulation as well a totally click free muting. This module can add mutes to anything, your mixer, module inputs or outputs, modulation signals, sequencers, gate sources and more.

Mutes was developed by Befaco on behalf of DivKid.

50 mA +12V
32 mm deep
O 4.29 (14 Votes) Average Rating
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 1 in stock $114.65
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DivKid Stereo Strip Channel Strip Module
DivKid Stereo Strip Channel Strip Module (attenuator/distortion/dual/stereo/equaliser/external/panning/preamp/VCA module)
Cat: 876141 Rel: 12 May 22
 
Stereo voltage controlled amplifier module - 6HP
Notes: Stereo Strip takes the idea of a channel strip and makes it modular. By bringing this long-established component of the audio engineering world into the Eurorack environment and by adding CV control over its key parameters, you will find new, creative ways to use it in your patches!

It features stereo inputs and outputs for audio or CV with EQ, voltage controlled panning, stereo VCA, performable mute and input/output level switching for Eurorack or line level uses. Abusing the input level switching allows for some musical, modulate-able and highly shapeable distortion sounds too.

Stereo Strip was designed to be a creative part of a modular patch. Creating stereo images from mono sources, shaping and modulating existing stereo images, synthesising stereo pseudo ring modulation, sweetening FX with EQ or drastically wave shaping your oscillators, creating send FX routings with benefits or it can simply be used as a channel strip at the end of chain in a patch.

The addition of line level gain boosting (for the input) or reduction (for the output) allow it to work as a stereo input or output interface for external gear with the advantage of the VCA, panning and the EQ to shape the sound. Experiment with bringing external gear into the Eurorack format and then shape and modulate those sounds them on the way in!

Try patching Stereo Strip anywhere you would place a VCA in a system and/or explore its EQ and voltage controlled panning, which are rarer additions to the sound sculpting options for the Eurorack format.

Specs

Current Draw: +12: 63mA -12: 63mA 5v:0
Width: 6HP
Depth: 33mm including power connector
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.
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 1 in stock $178.80
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Dnipro Krait 3-Channel Knob Recorder/LFO/Random Generator Module
Dnipro Krait 3-Channel Knob Recorder/LFO/Random Generator Module (controller/CV modulation/LFO/random/sequencer synth module)
Cat: 846610 Rel: 01 Nov 21
 
A 3-channel knob recorder, LFO & random generator.
Notes: Dnipro serve up a solid option for generating modulation signals: knob recording, LFOs or loopable random modulation, all syncable to a clock signal. Nice touches include tap tempo and slew.

Supplier's Notes:
Krait is flexible 3-channel modulation source for eurorack system. Each channel can be either a Knob Recorder, LFO or loopable Random Generator.
The module is designed to be in solid sync with your beats, so in order to work, Krait should receive steady external clock pulse. However, LFO will work without clock. All settings and waveforms will be autosaved and reloaded after power off.

Knob Recorder:

Can record pot turns, up to 8 bars loops possible.

LFO:

Tap tempo LFO with morphable waveforms and phase offset. Sync it to your beats.

Random Generator:

Syncable random with portamento and possibility to freeze and loop 16 steps.

Technical details:

6 HP

70 mA +12V

12mA -12V

0 mA 5V

42 mm deep

Voltage ranges: +5-5v, 0v+5v
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 1 in stock $271.36
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