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Cat: 598833 Rel: 25 Feb 16
 
Time shifting clock synth module with 6 simultaneously programmable and patchable clocks - 10HP wide
Notes: ***NEW revision TEMPI firmware tempi11 improves External SYNC and RUN/ STOP behaviors. Download here today - http://www.makenoisemusic.com/content/patchsheets/tempi11_firmware_update.zip***

TEMPI is a 6 Channel, polyphonic time-shifting clock module. It provides an intuitive method for creation and recall of complex clocking arrangements within a modular synthesizer system. Using HUMAN and/ or MACHINE programming you could re-create most classic Clock Divider and Multiplier arrangements and then continue on to create new ones. Store up to 64 for later recall and Select them using control signals from within your system or the Select Bus.
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 3 in stock $240.68
Cat: 638093 Rel: 06 Feb 17
 
DIN/SYNC expander module in Eurorack format - 4HP wide
Notes: DIN SYNC is a 4 output expander module with selectable divide (1,2,4) for use with Malekko SYNC. Connects to SYNC via 6-pin cable (included).
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$83.07 SAVE 20%
 1 in stock $66.46
Cat: 659994 Rel: 06 Oct 17
 
4 channel gate delay module - 8HP
Notes: The Quad Gate Delay is a 4 channel tempo-synced rhythm generator and logic delay. There are 3 switchable time modes: milliseconds, tempo synced (unquantized), and tempo synced (quantized) with additional manual control over each mode as well as CV inputs over channels 1 & 2 (3 & 4 are fixed). The first mode allows for up to 1 second of delay per channel. Tempo synced (unquantized) allows for up to a bar of delay based on the incoming clock. Tempo synced (quantized) mode allows for up to a bar of delay quantized to 1/16 divisions. There are 3 normalling modes. In the first mode all inputs only trigger their own channels. In the second mode the first input will trigger all channels at the same time which allows for multiple taps off a single trigger. The third mode sends the delay output from the current channel into the next channel's input. The mix output combines all 4 channels and sends a short pulse any time one of the outputs goes high.
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 1 in stock $189.02
Cat: 616112 Rel: 07 Jul 16
 
4 channel mixer eurorack synth module - 3HP wide
Notes: The Mix 4 Eurorack module is one of our most popular utility modules, this 3hp 4-channel mixer is the first to literally fill the odd hp gap - Harvestman users rejoice! Mix 4 also features DC coupling for mixing low frequency as well as CV.
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 2 in stock $104.39
Cat: 616113 Rel: 07 Jul 16
 
Buffered mult synth module with 2 sets of 3 outputs - 2HP wide
Notes: The 2HP Performance Buffered Mult features 2 sets of 3 outputs as well as a SWITCH for disconnecting the 2nd input to make a total of 6 outputs. It's the perfect mult solution for live performance!
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 1 in stock $78.02
Cat: 616197 Rel: 07 Jul 16
 
Dual analog filter eurorack synth module - 16HP wide
Notes: Dual analog filter module:
The Malekko Richter series in Eurorack modular format offers the same great sound, ergonomics, musicality, and quality that made the Wiard 300 series legendary, at a fraction of the cost and size.

The Dual Borg contains one Borg I (left side) and one Borg II (right side). These are two different filters, each with their own character. They do not sound the same nor react the same way to your inputs. The Dual Borg is a versatile audio processor and the concept comes from a marriage of two divergent influences: the Buchla 292 Low Pass Gate and the Korg MS20 filter.

The Borg Filter is different from most filters in that it, at its heart, is a vactrol. Vactrols are combination light sensor/light resistors that possess interesting sonic traits. Often described as "rubbery" or smooth in quality, vactrols are also known for their relatively slow response. This response creates a natural, very musical decay. As a low pass gate (frequency mode), the Borg will act as a filter and a VCA simultaneously. In combination with the characteristic vactrol response, this creates a signature sound that is desired by many synth enthusiasts, especially when used with very short, percussive patches.

But the Borg is no one-trick pony, and low pass gates are not for every patch. When in frequency mode, the Borg is a 12db filter with loads of personality. Gorgeous resonance (influenced by the MS20 and shaped by the vactrol design) swells from subtle warmth to a roaring howl that is unique to the Borg! For entering VCA mode, the new push button VCA switches allow instant changeover between modes- great for performances!

A continuously adjustable low pass to high pass control is provided (a notch filter is a mix of these two). Each filter has one audio input and two CV frequency inputs (one with attenuation). Two separate outputs are provided, and output 2 has a slightly more aggressive resonance. Removing either jumper on the back of the filter will make the resonance "scream" even more! The jumper behind the Borg I effects the Borg I's resonance, and the jumper behind the Borg II changes the Borg II's resonance.

The Borg I (left side) has a slower response and a more mellow sound compared to the Borg II (right side). Thanks to its longer decay time, the Borg I is best for recreating the famous Buchla bongo patch, and the Borg II is best for a faster, more aggressive response.

The signal path of the Dual Borg is selectable: Series or Parallel.
- In Series mode, when you plug into either in 1 or in 2, or even both inputs (as a mix), the signal is routed through the Borg I then Borg II filters and both out 1 or out 2 have the same signal. If you are connected to both outputs, you will only get signal from out 2.
- In Parallel mode, a single input into in 1 or in 2 is routed through both filters side by side, and a single output (either out 1 or out 2) will give you a mix of both filters. If you have only one input but two outputs, out 1 is the Borg I filter only and out 2 is Borg II only. If you have two inputs and two outputs, then each filter is completely separate: in 1 and out 1 is Borg I, in 2 and out 2 is Borg II. To use only one filter, you must patch into both outputs then choose which filter's output you want to hear.
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 2 in stock $296.73
Cat: 627828 Rel: 31 Oct 16
 
Compact sequencer and control station with 8 channels of gates, each with up to 16 steps
Notes: VARIGATE 8+ is designed to be the ultimate compact sequencer and control station over an entire Eurorack modular system. Create songs and live performance material with 8 channels of gate outputs with up to 16 steps per channel, 2 independent CV outputs for custom scale quantization, easy recall of 10 storage banks and 100 channel presets, random functions, mute functions and so much more!
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 1 in stock $492.35
Cat: 607106 Rel: 10 May 16
 
Control voltage processor synth module - 4HP wide
Notes: The perfect buddy for any filter, oscillator, quantizer or VCA... in fact it the perfect buddy for anything you want to modulate.

You can dial in your modulation exactly how you want it with:

Level - Attenuverter, positive attenuator or inverted attenuator.
Offset - Add a stable DC offset (positive or negative) to make sure the modulation is in exactly the range you need it.
Glide - Slew your signal to smooth it out for filter response or portamento.

Works great with 1v/oct sources. The through (->) output is a buffered multiple so you can take your sequencers output and use this module to add a interval on a second oscillator.
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 1 in stock $89.01
Cat: 607114 Rel: 10 May 16
 
Discrete SVF with Moog CP3 mixer module - 14HP wide
Notes: Comments from the creator:
"It started life as the SVF design (based on the J. Haible discrete 2040 gain cell) which Scott Stites posted over at electro-music in April. I'd been wanting to work with another filter for a while and this one looked interesting, so I started playing with it. I lopped off the audio input section and grafted on the CP3 mixer (moar transistors!) and that's what you're hearing in this rather short clip. It's definitely interesting! A very thick, rich-sounding filter with a lot of different personalities depending on how hard you drive the inputs."

- 30 mA +12V
- 30 mA -12V
- 0 mA 5V
- 45 mm Depth
- O 4.75 (12 Votes) Average Rating
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 3 in stock $252.76
Cat: 607118 Rel: 10 May 16
 
Discrete transistor mixer synth module
Notes: The DTM is a discrete transistor circuit core mixer with 3 inputs and 1 output, based on the vintage Moog CP3. Very similar in features to Manhattan Analog's other mixer, the DTM instead is known for its interesting clipping behavior.

The module is equipped with threee inputs and each of them has a level control. The fourth potentiometer O is an offset potentiometer, which generates an offset voltage at the output.
Approximately at 13h-position of the input level potentiometer the channel will start to clip and adds a very transistor-specific sound coloration by saturation.

The module is not limited to mixing and saturating audio signals as you might as well shape control voltgages e.g. altering the shape of an envelope or a LFO and the offest control is very handy for CVs as well.
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 5 in stock $96.70
Cat: 607104 Rel: 10 May 16
 
Clean, high quality audio mixing synth module - 4HP wide
Notes: The Mix is designed primarily for clean, high-quality audio mixing. it is fully dc-coupled so that it retains utility as a cv mixer when necessary. i also put the jacks at the bottom so that it retains tweakability even when fully-patched.

Under the hood it's a unity-gain op amp mixer, with three unipolar inputs and an output which can be switched between uni- and bi-polar operation using a jumper on the board. the inputs use audio-taper pots while the output is linear to facilitate both modes of operation. care has been taken in the selection of the op amps used to ensure low noise, no signal bleed, and as little added 'color' as possible.

Width: 4hp
Depth: 33mm
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 2 in stock $96.71
Cat: 607111 Rel: 10 May 16
 
Expander module for Synthesis Technology E350 Morphing Terrarium - 4HP wide
Notes: E350 Morphing Terrarium Expander:
Expander for the Synthesis Technology E350 Morphing Terrarium. Offers access to the phase and glitch modes and includes a passive CV attenuator.
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 1 in stock $75.82
Cat: 607108 Rel: 27 Feb 17
 
Multi-function manual vontage processor synth module with attenuverter/offset, mixer & mutliples functions - 16HP wide
Notes: The manual voltage processor (MVP) is a multi-function module with several vital "basic-utility" functions all packed onto one panel. this module is an ideal one-stop solution for manually mixing, scaling, inverting, distributing and offsetting audio and/or control voltage signals.

This module consists of three basic sections: first is the attenuverter/offset section at the top. each of the 3 independent attenuators is bipolar and will output a static +/-5v dc voltage (offset) with nothing plugged into its input jack. the corresponding led will indicate your signal's strength and polarity. (red = positive.)

Second is the mixer section in the middle. it's set up as a basic unipolar 4-input unity-gain mixer. the sum of channels 1 & 2 can be removed from the main output by inserting a cable into the jack labelled "1+2", allowing you to use this section as two independent 2-input mixers. the output jacks are marked with black square surrounds. this mixer is designed to handle primarily audio and uses the same op-amps as the mix. it'll handle CVS quite happily, but the inputs aren't matched and you may not get good results with critical signals such as pitch cv.

Finally there is the multiples section across the bottom. on the left are two 1->2 buffered multiples and on the right are two 1->3 passive multiples. the input jack for each section is marked with a black circular surround. the arrows on the panel indicate internal connections between sections. with only buffered input a in use you can distribute a signal to as many as 10 different destinations.

Like all Manhattan Analog modules, the MVP is entirely hand-built using panel-mounted metal-shaft pots and is fully protected from reverse-power accidents.
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 1 in stock $189.02
Cat: 607116 Rel: 16 Jan 18
 
Officially licensed reissue of the original Synthasystem filter - 14HP
Notes: The Steiner Synthasystem VCF is a multimode filter with powerful, clearly analog sound. It features high-pass, low-pass and an exceptionally crisp bandpass mode. The input level is adjustable. The cutoff potentiometer means business. For modulations, there are two CV inputs with attenuators. High resonance values result in wet to sharp and aggressive sound. A very versatile filter!

The audio input of the Steiner Synthasystem VCF is followed by a level control. Via a switch, users can choose the module's high-pass, band-pass or low-pass mode. Two large, very handy potentiometers allow users to comfortably adjust cutoff and resonance. For cutoff modulations, two CV inputs plus attenuators were implemented. Thanks to two outputs, filtered audio material can be sent to several other circuits in parallel.
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 2 in stock $195.61
Cat: 683850 Rel: 13 Apr 18
 
Eurorack version of the Mantic Flex pedal
Notes: Mantic teamed up with the legendary William Matthewson to convert and optimize our acclaimed Flex PLL circuit for the Eurorack format!

Recommended for use as an effect with quick enveloped sounds, percussion, snappy basslines, VCOs and as an aux send as it will create something new and exciting out of anything you throw at it. Same PLL circuit as the original Flex, Flex PRO, and FLEX xs guitar pedals. Wild range of sounds and controllability Creates a new and inspiring voice out of anything you put in Dry/Wet mix for added versatility Input VCA with offset changes tone drastically based on input level set.
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 1 in stock $181.34
Cat: 674119 Rel: 25 May 18
 
MIDI to CV interface - controls up to 4 CV synthesizers individually or as a polysynth - 32HP
Notes: Polygene is a Eurorack polyphonic MIDI to CV converter with 4 voice outputs that can be used to play your CV synths/modules as a 4 voice polysynth.

Simple to use, it's the perfect way to have MIDI control over 4 CV synths, to play together as one poly synth.

Connect to 4 mono synths, e.g. Analogue Solutions Nyborg, or connect to Eurorack modules set up as 4 synth voices.

The Arpeggiator has no nonsense operation harking back to the days of early Roland synths such as the Jupiter 8 and SH101. The Arpeggiator can also be used as a simple 16 note step sequencer, and also plays back the velocity amount that was used. The Arpeggiator will control CV synths, but the note info is also sent to the MIDI Out socket as MIDI notes, so you can have it play a MIDI synth.
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 1 in stock $363.77
Cat: 680755 Rel: 22 May 18
 
Dual vactrol based LPG/VCA module - 2HP
Notes: The Meng Qi DPLPG is a Dual Passive 1-pole vactrol based Low Pass Gate/VCA in modest 2 HP. No power is required as the design is completely passive.

Handpicked components ensure that the modules will be musical.

Feed it a trigger and enjoy the natural smooth decay of a vactrol.
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 2 in stock $75.83
Cat: 680754 Rel: 29 May 18
 
Physical modelling synth voice module - 8HP
Notes: DU-KRPLS is a physical modelling synthesizer voice that simulates the sound of string instruments. It is based on Karplus Strong algorithms. Small errors in the code were added to create results reminiscent of circuit bending. Compared to the Karp, this module is even more glitchy and unpredictable.
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 2 in stock $137.38
Cat: 680757 Rel: 22 May 18
 
Dual stereo attenuator - 6HP
Notes: The Dual Stereo Volume is a passive dual stereo attenuator controller module which uses high quality Alps Stereo potentiometers. The most obvious use would be as an audio output module or as a complement to stereo output transformers that do not have a volume control.
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 1 in stock $75.83
Cat: 680752 Rel: 07 Jun 18
 
Collection of real time functions integrated with hand gestures & trigger input - 8HP
Notes: Hand is a gestural controller based on a piezo mic build in the elevated front panel.

When you tap the front panel, the audio is converted into CV and allows you to control a collection of real time functions including an LFO or envelope, a clock source and a trigger delay. It's possible to switch between LFO and envelope mode when holding the Rec button for 4 seconds.

Slew smoothes the slopes and the Rec button allows you to record the gestures for 2.22 seconds max.
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 3 in stock $149.46
Cat: 680753 Rel: 29 May 18
 
Physical modelling synth voice module - 8HP
Notes: Karp is a physical modelling synthesizer voice that simulates the sound of string instruments. It is based on Karplus Strong algorithms. Small errors in the code were added to create results reminiscent of circuit bending.

Karp explores and exploits errors in code, achieving non-linearity in control and circuit-bent-esque sounds. In a general sense Karp excels in glitches and micro-movements with millions of sweet spots. Circuit bent sounds are achieved by literally using wrong code.
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 1 in stock $137.38
Cat: 680750 Rel: 07 Jun 18
 
Tactile patching interface
Notes: Lines takes another approach of control than expressive CV generation; it's a tactile patching interface. Your patch is now linked to your muscle memory, as swift as your movements.

The diagonal layout ensures ultimate versatility with easy hand shapes; +5V normalled to input 1/3, -5V normalled to input 2/4.

Spread and divide an input signal by routing it to multiple outputs.

Bi-colour LED's display signals of each output.
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 3 in stock $149.46
Cat: 680758 Rel: 07 Jun 18
 
Transformer module for Eurorack - 6HP
Notes: The Please Exist module shifts signal levels and offers a bidirectional audio path. Send and return your guitar pedals (may need gain) or apply DC offset to saturate your audio.

- Handmade item
- Transformer, Audio jack, PCB
- 1/4" is balanced (use TRS cable)
- 6hp, 45mm deep
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 3 in stock $174.74
Cat: 680756 Rel: 22 May 18
 
Passive multiple module with one input & five outputs - 4HP
Notes: Meng Qi Split module is a passive 1 In 5 Out multiple. Four of the Outputs have their own attenuators which makes it a perfect choice for routing signals in setups where multiple parallel processing is required or as an Aux-send module for effects.
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 1 in stock $64.84
Cat: 622159 Rel: 24 Oct 16
 
Digital Noise Generator Module
Notes: Digital Noise Generator Module

- Frequency
- CV In
- Level
- Out
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$65.23 SAVE 20%
 1 in stock $52.18
Cat: 622161 Rel: 24 Oct 16
 
Ring Modulator Module
Notes: Ring Modulator Module

- Trigger X
- Trigger Y
- In X
- In Y
- Out
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 1 in stock $85.05
Cat: 622162 Rel: 24 Oct 16
 
Oscillator Module
Notes: Oscillator Module

- Tune
- CV In
- Saw
- Square
- Sub
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 1 in stock $80.49
Cat: 677571 Rel: 28 Feb 18
 
16HP Eurorack incarnation of the filter section from Modor's NF-1 digital polyphonic synthesizer
Notes: Modor's Formant Filter is a special filter that does a kind of 'vowel morphing' between three vowels. The big central FORMANT control is responsible for that, and on the Eurorack module there's of course a CV control (with attenuation) on this parameter.

You can imagine a formant filter as a set of parallel bandpass filters, picking up and amplifying a set of small frequency bands. For example, with these frequency bands around 750Hz, 1200Hz and 2800Hz, you get the sound of an 'A'. So far, nothing special. There are more formant filters around composed of a set of parallel bandpass filters.

It gets more interesting when you're able to 'morph' between different sets of those formant frequencies. Behind the central FORMANT control, there are 3 of those sets of frequencies. One at full left, one in the middle, and one fully right. So you can for example morph between A-E-O. Or U-I-E. Or AO-UI-EU. Or ...

That's what it does: morphing between different sets of formant frequencies, and that's why it sounds a lot more genuine vowel-ish than many other static bandpass combinators.

There are 10 preset vowels, that can be selected with the VOWEL button: A-E-O-I-OE-U-EI-EU-AO-U-UI. The vowels of the Dutch language... :-)

The 1-2-3-4 controls on top give you the possibility of composing your own vowels by manually adjusting the frequency bands.
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 4 in stock $312.11
Cat: 676908 Rel: 28 Feb 18
 
Passive bus mult distribution system with cables
Notes: Bus Mult allows you to passively distribute signals throughout your system using a two pin jumper cable on the back of each module. Bus Mults can either be daisy chained to one another in an endless cascade or connected directly to the CV or gate bus on your busboard. This distribution method allows you to save a slot on your mult that normally would be reserved for linking two mults together. It is now also possible to have one signal be distributed long distances throughout your system without the need for long cables.

Each module comes in a pack of three, with a one foot two pin Dupont jumper cable. Longer cables can be built or purchased from common electronics suppliers. This module does not need power, so you can grab a bunch and scatter them throughout your case without worrying about current draw.
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 3 in stock $98.90
Cat: 674319 Rel: 28 Feb 18
 
4HP glitch drum module
Notes: DIAL-UP! The oscillator core has a single knob (lil' computer) which scrambles the glitch algorithm. Bipolar CV control over this parameter can be accessed by the CV input (lil' phone). The oscillator goes into an onboard transistor VCA with built in decay envelope. Decay times can be changed with the "tail" knob as well as the three-position range switch which selects the max decay range from low, medium, to high. Just like Muskrat, the BANG! input does not only accept triggers, it can also be used as an envelope follower input.

It's difficult to say what exactly the knob and CV do, as this parameter is responsible for controlling several different pieces of the code at once. It's a sort of hybrid between the overall pitch and the amount in which the module glitches out.

Bask in the glory of the days of yore... when modems and dial-up tones reigned supreme. That god-awful sound emitted as you tried with all of your might to ping a communication across the globe...that sound...is precisely what we have harnessed and packaged into a percussion voice for the modern day cyber junkie.
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 2 in stock $128.57
Cat: 659995 Rel: 06 Oct 17
 
6 channel trigger sequencer/clock divider with bipolar CV - 18HP
Notes: MITO (derived from "mitosis") is a 6 channel trigger sequencer that specializes in swingin', divide'n, n' polyrhythm'n. With the turn of a knob, the user can select which division of the incoming clock (BANG!) is output from the corresponding jack (all the way left: divide by 16, all the way right: divide by 1). Each channel is equipped with its own mute switch, allowing the user to turn each individual sequence on and off while other channels keep chuggin' and clockin' along. Global swing can be controlled with the amoeba knob in the top right hand corner of the module. Beneath the amoeba, a global pulse width feature allows the user to lengthen and shorten pulse length of all 6 channels at the same time. This feature is particularly useful when paired with the Muskrat & Kriket, or any other module that reacts proportionally to incoming pulse length. Last but not least, the RESET input will set all division counts back to zero to square up your groove. Each channel will be held HIGH, as long as the incoming voltage is HIGH. This RESET capability allows you to get even more odd metered grooves as it is not dependent on the internal clock of MITO.

All features on MITO can be controlled with bipolar CV, allowing for a wide range of modularity and flexibility. When paired with the Deviant, each knob on the module becomes the anchor point of the groove. As the random voltages from Deviant shift around, creating rhythmic variations by adding and subtracting CV, the position of the knob will dictate how busy or relaxed the groove is. For playability sake, this patching approach is what led to the decision to have the pots as offsets rather than attenuators on MITO. Everything from simple poly-rhythmic structures to nonsensical spewing and sputtering are now at your finger tips with this lovely duo.

Something considered when coding the module was avoiding the use of averaging to determine master clock tempo. In a performance setting when averaging is used, it often translates to the module taking a few pulses to calculate the overall clock speed. With MITO, the divisions are calculated in an "analog" fashion, step by step with each individual clock pulse.
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 1 in stock $240.68
Cat: 686842 Rel: 13 Mar 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


MUSKRAT is a flexible, 8-bit wavetable drum synth. There are 23 onboard wavetables to choose from, either manually or via bipolar CV input. Pitch and phase distortion also include bipolar CV inputs and accept -5v to +5v. The 'Trigger' input is designed without input conditioning and picks up signals of all varieties. In other words, it's an envelope follower circuit. You can plug an external CV or offset into this input and it will operate like a regular VCA. For even more extreme sound mangling, engage the MUSKRAT mode via the switch to feed a random number into the phase accumulator at the internal clock rate. This mode also includes a gate input that acts as an 'accent'.

The Muskrat was inspired by the MSG: a small desktop breakout of the oscillator core from the Muskrat. The MSG was designed as a prototyping platform to play with code on the Attiny85 while going through hardware revisions on the Muskrat. The MSG was born out of a fascination with trying to push a relatively simple piece of technology to its maximum sonic potential. Naturally, playing with the MSG featured experiments with a few different synthesis techniques. The Muskrat firmware is believed to be the coolest culmination of the different experiments. To bring the circuit into Eurorack, it seemed natural to add bipolar CV control over the different parameters. To fully utilize the intricacies of the different parameters it makes sense to make the pots attenuators rather than offsets to allow for dialled in modulation over small ranges. As with all Moffenzeef modules it turned into something that could be utilized for drum synthesis, hence the trigger and decay circuit.

Basically, pick a kraptastique wave, change the pitch, mangle the hell out of it, feed the rodent, BANG! it; you've caught yourself a Muskrat. WARNING: if you feed the rodent, it's brain goes into a fiery frenzy and spits out glitch after glitch of holy bleepbloopness. If you yank on its tail it'll shriek a lil' longer, especially if you're pulling it at long range. Beware, once you let this critter out of the cage it will want to nest so BANG! it on the head!

- Width: 10HP
- Mounting depth: 20mm
- Current draw: 55ma +12v / 20ma -12v / 0ma 5v
- Input impedance: 100kw
- Output impedance: 1kw
- 8bit 8khz audio resolution
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 1 in stock $120.97
Cat: 669024 Rel: 28 Feb 18
 
Master clock transport module with comprehensive feature set - 8HP
Notes: The COUNT is a master clock transport with a rich feature set suitable for a small drum system. User has control over master tempo with coarse and fine adjustments as well as bipolar CV modulation capabilities. There is a range switch which allows the master tempo to toggle from slow to fast speeds. The master clock can be initialized with a start/stop switch. Pulse width for all outputs can be controlled with a single knob or bipolar CV.

The five additional outputs at the bottom of the module allow clock sync and distribution to other modules in your system. The START output sends a single pulse when the clock starts to give a reset reference for all other sequencing modules in your system. The four additional outputs are all divisions of the master clock which can be configured with the TOP, BOTTOM, LEFT, RIGHT switches. TOP/BOTTOM switches the divisions from "even" to "odd" metered divisions whereas RIGHT/LEFT switches the divisions from "beats" to "bars." Possible divisions are 2, 3, 4, 5, 6, 7, 8, 9, 12, 20, 24, 28, 32, 36. The user also has the additional capability of changing these outputs from upbeat to downbeat with the BEAT switch.
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 2 in stock $163.75
Cat: 666812 Rel: 18 Oct 17
 
Compact multi-effects processor
Notes: MOOER has entered into the realm of portable multi-effects processors. The PE100 is a pocket sized, desk top unit which contains everything the guitarist needs tightly wrapped up within a small sleek shell. A full range of amp models, a myriad of effects and stompboxes, a precision tuner, drum patterns and metronomes.

It's dual output jacks make it ideal for connection to amp, hi-fi, headphones or direct to a mixer or computer for direct recording. Super easy to program, small enough to slip into your pocket and powered by a small DC power adapter or by battery. The PE100 is perfect for the guitarist on the go.
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 1 in stock $79.11
Cat: 616167 Rel: 09 Jun 16
 
4 channel coltage controller signal polarizer synth module - 12HP wide
Notes: Blinds is a 4-channel voltage-controlled signal polarizer. Each channel consists of a polarizer circuit, also known as a four-quadrant multiplier. This circuit acts like a VCA, except that a negative control voltage will cause the output signal to be inverted, instead of being silenced. Blinds' outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels, to be mixed together.

One can think of Blinds' as a voltage-controlled version of Shades, the control center for all the modulation CVs used in a patch. Many other uses are possible, though. For example, each individual channel can be used to scale/offset a CV; and with audio rate modulation signals, each channel acts like a ring-modulator, with massive potential for drones and feedback patches.
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 2 in stock $164.85
Cat: 569587 Rel: 10 Apr 15
 
Dual Bernoulli gate synth module, 6HP size
Notes: A Bernoulli gate takes a logic signal (trigger or gate) as an input, and routes it to either of its two outputs according to a random coin toss. The knob controls how fair the coin toss is - with the knob in minimal position, the first output always win, with the knob in maximal position the second output always wins - with random fun in-between. And obviously, this bias is CV-controllable!

Branches packs two such gates in a small 6-HP panel. Get a sequencer to randomly skip steps, randomize drum patterns, dispatch events from a sequence to two subpatches, or patch a monster modular Pachinko machine...

Input specifications: 100k impedance, 0.6V threshold.
Output specifications: 5V HIGH level.
Response time: 15us.
6-HP.
Current consumption: +12V: 10mA, -12V: 1mA.
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 4 in stock $96.04
Cat: 687873 Rel: 01 May 18
 
Unique contact microphone & amplifier, based on Tom Whitwell's open-source module - 4HP
Notes: Ears is Mutable Instruments' take on Tom Whitwell's open-source Mikrophonie module - a contact microphone and amplifier.

A large palette of organic, physical sounds can be generated by scratching, tapping, and more generally collecting any kind of acoustic waves surrounding your modular case - even speaker feedback.

With its built-in envelope follower and gate detector, it can also be the gateway between external audio sources and your modular system.

Ears for your modular:

- Built-in contact microphone soldered right under the front panel, turning the panel and your entire case into a microphone.

- Increasingly spaced ridges on the panel, generating sonically interesting pulses or impulse combs when rubbed. Strike, pick or scratch digital resonators like Rings, Elements or the 4ms SMR.

- High-quality amplification stage suitable for external contact microphones, electro-acoustic instruments like guitars, or plain line-level signals.
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 More than 10 in stock $93.42
Cat: 691037 Rel: 01 Jan 90
 
***B-STOCK: Box opened, product unused***
Notes: Ears is Mutable Instruments' take on Tom Whitwell's open-source Mikrophonie module - a contact microphone and amplifier.

A large palette of organic, physical sounds can be generated by scratching, tapping, and more generally collecting any kind of acoustic waves surrounding your modular case - even speaker feedback.

With its built-in envelope follower and gate detector, it can also be the gateway between external audio sources and your modular system.

Ears for your modular:

- Built-in contact microphone soldered right under the front panel, turning the panel and your entire case into a microphone.

- Increasingly spaced ridges on the panel, generating sonically interesting pulses or impulse combs when rubbed. Strike, pick or scratch digital resonators like Rings, Elements or the 4ms SMR.

- High-quality amplification stage suitable for external contact microphones, electro-acoustic instruments like guitars, or plain line-level signals.
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 1 in stock $75.83
Cat: 569524 Rel: 30 Jun 15
 
Modal synthesis voice module comprising a noisy and impulsive excitation signal generator, and 64-partial modal resonator
Notes: Elements is a full-blown synthesis voice based on modal synthesis - an under-appreciated flavour of physical modelling synthesis with a strange and abstract feel.

Elements combines an exciter synthesis section generating raw, noisy sounds characteristic of bowing (filtered friction noise), blowing (pitch-controlled granular noise), or striking (stick, mallet, hammer or brush sample playback... or bursts of synthetic impulsions). These sources, or external audio signals, are processed by a modal filter bank - an ensemble of 64 tuned band-pass filters simulating the response of various resonant structures (plates, strings, tubes...) with adjustable brightness and damping. A stereo ambience reverberator adds depth and presence to the sound.

All parameters have a very meaningful and well-delimited impact on the sound. When designing Elements, great care has been taken in selecting parameter ranges and control curves, producing a large palette of sounds - often beyond physical realism - but always well controlled and stable. The "dark spots" of noise and feedback are reached gradually, and they do still react to controls. The module is deliberately menu- and switch-free - what you dial/patch is what you hear!

*For audio demos, please visit - http://mutable-instruments.net/modules/elements/demos
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 4 in stock $482.46
Cat: 569552 Rel: 10 Apr 15
 
Mixer/keyframer synth module, 18HP size
Notes: The heart of Frames is a 4-channel analog VCA under tight digital control. Through flexible input/output mixing and normalling options, it can be patched to serve the following purposes (among others):

- 4-channel attenuator/VCA.
- 4-channel mixer.
- 4-channel programmable CV source.
- Quadraphonic signal dispatcher.

But what makes Frames truly unique is the way in which channel/CV levels can be controlled, using a technique inspired by computer animation. Frames allows up to 64 configurations of the 4 level knobs to be stored and recalled throughout the course of its big Frame knob. By rotating the knob (or sending a CV to the Frame modulation input and adjusting its amount with the attenuverter), the configurations are morphed into one another.

To fine-tune the animation and get varied morphing or sequencing results, the following options are available for each of the 4 channel:

- Easing curve (stepped, linear, exponential, logarithmic, sine, bouncy)
- Attenuation response of the level knob, from linear to logarithmic

With a bit of patching and imagination, Frames can also be repurposed as a 4-channel sequencer, a multi-stage envelope generator or a trajectory generator for quadraphonic panning...

Mutable Instruments modules are packed with features and Frames is no exception: Frames can switch easily to an entirely different mode of operation in which it becomes a wavetable quadrature LFO.
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 3 in stock $259.36
Cat: 693440 Rel: 01 Jan 90
 
***B-STOCK: Box opened, product unused***
Notes: The heart of Frames is a 4-channel analog VCA under tight digital control. Through flexible input/output mixing and normalling options, it can be patched to serve the following purposes (among others):

- 4-channel attenuator/VCA.
- 4-channel mixer.
- 4-channel programmable CV source.
- Quadraphonic signal dispatcher.

But what makes Frames truly unique is the way in which channel/CV levels can be controlled, using a technique inspired by computer animation. Frames allows up to 64 configurations of the 4 level knobs to be stored and recalled throughout the course of its big Frame knob. By rotating the knob (or sending a CV to the Frame modulation input and adjusting its amount with the attenuverter), the configurations are morphed into one another.

To fine-tune the animation and get varied morphing or sequencing results, the following options are available for each of the 4 channel:

- Easing curve (stepped, linear, exponential, logarithmic, sine, bouncy)
- Attenuation response of the level knob, from linear to logarithmic

With a bit of patching and imagination, Frames can also be repurposed as a 4-channel sequencer, a multi-stage envelope generator or a trajectory generator for quadraphonic panning...

Mutable Instruments modules are packed with features and Frames is no exception: Frames can switch easily to an entirely different mode of operation in which it becomes a wavetable quadrature LFO.
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 1 in stock $246.18
Cat: 569556 Rel: 03 Mar 16
 
Topographic drum sequencer module - 16HP wide
Notes: Take the user interface of an euclidean sequencer, a healthy dose of machine learning and graph algorithms, megabytes of drum loops, hours of intensive computations and you've got a drum pattern generator like no other.

Grids' "brain" is a map of the typical drum patterns used in (mostly electronic) music, laid out by similarity, trained on a large corpus of drum loops. The module can smoothly interpolate and navigate from one pattern to the other, at the whim of a knob move or a CV.

But Grids' knowledge of drum patterns goes far beyond what would be achieved with presets - given a position in the map, thousands of variations can be intuitively generated by controlling the "event density" of each of the 3 channels (bd, sd, hh) - gradually moving from a sparse backbone to a deliciously rich pattern with ghost notes, rolls and fills.

Add CV-control on these parameters and you can add subtle or drastic variations to the drum pattern. If you don't want to waste a noise source or S&H for that, Grids has its own internal source of randomness that can unpredictably spice the pattern, in an always meaningful way.

Building the rhythmic foundation of your tracks with Grids is fun, surprisingly intuitive, with modulation and variations possibilities that will rapidly make you forget x0x-style sequencers.

*For audio demos, please visit - http://mutable-instruments.net/modules/grids
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 4 in stock $173.64
Cat: 606495 Rel: 24 Mar 16
 
utility synth module with three analog functions for altering the shape of audio or control signals - 4HP wide
 4 in stock $97.76
Cat: 569591 Rel: 10 Apr 15
 
Multiples and mixing utilities synth module, 4HP size
Notes: Links provides 3 utility functions focused on signal distribution and mixing.

1:3 is a 3-output buffered multiple, with an offset error < 0.1%. It is useful for distributing the voltage from a CV output with a large protection resistor to several modules - particularly VCOs.

2:2 is a 2-input summer with unity gains. The sum of the two input channels is distributed to 2 outputs.

3:1 is a 3-input mixer with a gain of 1/3 for each channel (averager). It is particularly suitable for rapidly mixing audio sources such as oscillators, for which a unity gain mixer would have caused clipping.

A 2-color output monitoring LED is available for each of these functions.
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 1 in stock $58.24
Cat: 596644 Rel: 18 Dec 15
 
Physical modelling synthesis Eurorack synth module - 14HP wide
Notes: Rings brings physical modelling synthesis to your Eurorack system, from a more modular angle than Braids' models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.

Three families of vibrating structures are simulated by the module, with CV control over their parameters:

- Strings, membranes and tubes as modelled by Elements' resonator section (modal synthesis).
- Strings coupled together and vibrating in sympathy, with controllable intervals between them.
- Strings with a variable amount of inharmonicity.

Rings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords.

*For audio demo, please visit - http://mutable-instruments.net/modules/rings
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 1 in stock $269.26
Cat: 569573 Rel: 23 Sep 15
 
Liquid filter Eurorack synth module
Notes: Ripples delivers a classic, big-sounding analog four-pole filter in a small 8-HP package, continuing Mutable Instruments' lineage of warm and tasty filters started by the Shruthi SMR4 mkII and 4-Pole Mission.

3 filter modes are available: 2-pole band-pass, 2-pole low-pass, and 4-pole low-pass.

Self-oscillation is available for all modes and produces a clean sine-wave on the LP4 output. Unlike many classic 4-pole designs, this filter does not suffer from "loudness drop" when resonance is increased. The resonance loudness compensation circuit brings a slight tone coloration reminiscent of the Roland SH/Jupiter filters, with a very round and "liquid" resonance.

The 4-pole low-pass output is additionally sent to a VCA. This makes Ripples a good "final stage" module for an inexpensive/space-constrained subtractive synthesis synth voice.

*For audio samples, please visit - http://mutable-instruments.net/modules/ripples
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 3 in stock $158.26
Cat: 569592 Rel: 10 Apr 15
 
Mixer, offset, attenuverter synth module with 3 channels of audio/CV processing, 6HP size
Notes: Shades provides 3 channels of audio/CV processing which can be configured either as active attenuators or as attenuverters.

A bicolor LED monitors the polarity and intensity of the audio or CV signal on each output.

Unconnected inputs are normalized to an internal precision voltage reference, which can produce either a +5V or +10V constant voltage.

Normalization on the outputs allows the module to be used as a mixer or offset generator: when no jack is inserted in an output, the signal from this output is summed into the next output. Combined with the internal voltage reference, this allows the module to be used as a CV offset control.

Patch examples:

Mixing:
When output 1 is left unconnected, the signal on output 2 is the sum of channels 1 and 2. Channel 3 can be used for another purpose (attenuation, attenuversion, or constant CV generation).

When output 1 and 2 are left unconnected, the signal on output 3 is the sum of channels 1, 2 and 3.

Offset generation:
Leave channel 1's input and output unconnected, and connect a CV source to channel 2's input. Channel 2's output will contain a scaled and offset copy of the input CV. Channel 1's level knob will control the offset and channel 2's level knob will control the signal scale and polarity.
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 4 in stock $91.77
Cat: 673020
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Tides is all about waves that go up and down, from minute-long cycles to audio rates... This module is Mutable Instruments' unique take on the looping AD envelope generator - pushing this well-known trope to unknown territories.

The core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO). The triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and "bounces" to the waveform. Because Tides has been designed from the ground up to work at audio rates with minimal aliasing, and because all its parameters are under voltage control, it can be used as a unique self-contained synth voice.

Tides' advanced features include:

- Output level CV input (digital VCA).
- Dual outputs: standard unipolar waveform, and "double-shot" waveform with a positive spike during the ascent and a negative spike during the descent. At audio rate, both of them have a different sound.
- Accurate V/Oct tracking with straightforward calibration procedure.
- Freeze input to temporarily hold the waveform.
- Clock input to lock onto a multiple or fraction of a trigger sequence... or audio signal, PLL-style.

*For audio demos, please visit - http://mutable-instruments.net/modules/tides/demos
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 1 in stock $186.83
Cat: 616166 Rel: 09 Jun 16
 
Quad VCA & mixer synth module - 12HP wide
Notes: VCAs are the cornerstones of modular patches: shaping the amplitude or timbre of a tone with an envelope, animating a mixture of several oscillators, controlling the amount of filter modulation with a random source or a touch controller, applying an envelope on the linear FM signal hitting an oscillator... are all possible uses of these super versatile building blocks. That's why you never have enough of them.

What about four more?
Veils provides four VCAs with an adjustable response curve. Veils' outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels, to be mixed together.
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 8 in stock $163.75
Cat: 593673 Rel: 13 Nov 15
 
Meta modulator synthy module designed to blend and combine two audio signals - 10HP wide
Notes: Evolved from the oscillator mixing section of Mutable Instruments' desktop hybrid synths, Warps is designed to blend and combine two audio signals. A variety of wave-shaping and cross-modulation methods - some of them emulating classic analog circuits, some of them purely digital - are provided by the module.

With Warps, the cross-modulated sound can be sculpted with control voltages along 4 dimensions: by controlling the amplitude and distorting the input signals, by smoothly scanning through the collection of modulation algorithms, and by adjusting a timbre parameter controlling the brightness/harshness of the modulated signal.

Since many classic cross-modulation effects work best when the carrier is a simple waveform - for example, a sine wave for ring-modulation or a buzzing waveform for vocoding - Warps includes a digital oscillator offering a handful of classic waveforms. This internal oscillator, which tracks V/Oct and supports through-zero FM, will replace the carrier audio input - freeing up one oscillator in your system for other duties!
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 2 in stock $207.71
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