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Back Catalogue: Studio Equipment

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Cat: 673911 Rel: 15 Jan 18
 
Balanced TRS 1/4" input path to Eurorack modular signal level
Notes: This module allows you to connect balanced line level audio (+4 dBu) into your Eurorack modular system. It is a compact and easy way to patch in a rack mount/desktop FX units, external line-level instruments like synths and drum machines, outputs from your DAW, or many other line level sources.
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$40.85 SAVE 10%
 5 in stock $36.76
Cat: 563664 Rel: 10 Mar 15
 
Complex multi stage pitch and gate sequencer synth module, 34HP wide
Notes: The Metropolis is a unique and powerful musical sequencer inspired by the Ryk M-185 (a Roland System 100m format sequencer.) but with many additional enhancements and functions.

The Metropolis comprises eight "STAGES", each with its own assignable gate mode, pulse count and pitch value. Each stage can also have a special slide or skip function activated too. The slide functionality is a constant time portamento very similar to the Roland TB303 (unlike most synths/sequencers that use constant rate portamento) which produces a very musical and interesting result.

In addition to the base sequencer settings set with the sliders and switches there is a full menu of controls and auxiliary modifiers that allows the user to control and manipulate the sequence in many powerful ways including sequencer direction modes, pitch quantization and scale manipulators, clock dividers, shuffle and much more
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 3 in stock $549.55
Cat: 602202 Rel: 04 Apr 16
 
Passive multiple synth module
Notes: Dual 1x5 Passive Multiple

Two rows of 1 x 5 Passive Multing
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 3 in stock $28.64
Cat: 673867 Rel: 12 Jan 18
 
Effects pedal interface - 16HP
Notes: The Pedal I/O 1U system enables the modular synthesist to interact with the impressive assortment of delays, choruses, flangers, phasers, fuzz boxes, tremolos, wah-wahs, amp simulators, compressors and pitch shifter pedals available to guitarists. Conversely, it also grants guitarists access to the myriad filters, ring mods, wavefolders and - most importantly - the near infinite CV modulation delights inherent in Eurorack.
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 4 in stock $96.54
Cat: 673902 Rel: 12 Jan 18
 
1/4" TS jack interface for the Pedal I/O 1U system - 8HP
Notes: The Pedal I/O JACKS 1U Module allows you to patch standard 1/4? TS cables to and from your guitar/instrument pedals.

This module only works when connected to a Pedal I/O 1U module via ribbon cable.
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 2 in stock $23.33
Cat: 563671 Rel: 10 Mar 15
 
Planar vector joystick / quad panner synth module, 14HP wide
Notes: This has to be one of the most fun modules we have ever played with! With just a few audio and CV sources and some inter dependencies (i.e use the Joystick CV to simultaneously modify the signals being processed by the VCAs) you quickly get highly complex sounds that you can easily control and play with.

This input is also very useful when coordinated with a CV recorder. You can record the modulation from the X, Y outputs and then turn the joystick off (see switch at top left) and playback the modulation into the X and Y input.

This will allow you to recreate a complex quad panning or vector mixing jam.

REVERSIBLE! The module will ship with a second faceplate that is designed to mounted upside down (so joystick is at the bottom) and there are jumpers on the back of the module so you can coordinate the reversed orientation of the joystick. This is to facilitate use in a skiff.
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 2 in stock $337.37
Cat: 563674 Rel: 10 Mar 15
 
Voltage controlled logic & tap clock eurorack synth module with dual 3-input logic block
Notes: The Plog module comprises two programmable logic sections (select one of six different 3 input boolean logic types) as well as a toggle flipflop and data flipflop block. all four sections are linked together via specially planned normals.

This module was primarily designed as an interesting tool to be used with sequencers. you can derive complex rhythmic sequences from basic sparse sources (e.g. from a simple gate sequence or clock). by adding vc control of the logic types via some kind of cv source like a triggered envelope, lfo or sequencer you produce even more complex results.

Plog can also be used in many other creative applications including making interesting timbres and for self generating patches.
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 2 in stock $209.00
Cat: 620700 Rel: 10 Aug 16
 
Versatile Multimode VCF + Phaser synth module in Eurorack format - 10HP wide
Notes: The Polaris is a 4-stage cascaded OTA filter designed by David Dixon. It builds on the lineage of the Dr. Octature and Atlantis filters, but with a totally revised core and resonance control. Along with dedicated LP, HP and BP outputs it features a configurable MULTI output capable of an unprecedented 27 different filter modes.

With drive turned down the Polaris is capable of buttery smooth filtering, and the cutoff control range has been fine-tuned for playability. With the drive dialled up and the new asymmetric multi distortion circuit engaged it creates a more aggressive sound. Not content to be just a filter, the Polaris's AP phaser mode combined with frequency modulation can be used to achieve a phaser effect.

With so much versatility in a modest size, the Polaris is an ideal filter for a starter system and an excellent addition to the tonal palette of a larger modular.
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 3 in stock $221.73
Cat: 563679 Rel: 10 Mar 15
 
Quad functon/envelope generator synth module with 4 x function generators and 3 modes: "ad (attack - decay), "ahr (attack - hold - release)", & cycle (ad envelope loops)
Notes: Each function can have a linear or exponential curve.

wide time range for attack/decay controls: <0.5ms to well over 30s

All analog and discrete logic for function generation (totally smooth and continous waveforms)

12hp and skiff friendly
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 1 in stock $259.92
Cat: 677565 Rel: 29 May 18
 
Mark II version of the Rubicon triangle core VCO module
Notes: Intellijel has made the already awesome Thru Zero VCO Rubicon even better! In addition to the seven waveforms plus sub-oscillator of the first version, the second generation offers a new Warp stage, which generates a hybrid of complex pulse and other waves - you can even use external audio material. In order to keep results in the range of 10 Vpp, there is a wave folder called Squish. On top, the FM capabilities were expanded.
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 2 in stock $379.81
Cat: 643384 Rel: 27 Mar 17
 
Voice allocator, note hocketing & analog shift register module - 6HP
Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.
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 3 in stock $164.44
Cat: 643391 Rel: 29 May 18
 
Updated version of the Springray module with added parametric EQ
Notes: There are many excellent digital reverbs available these days but there is still nothing quite like the timeless and magical character of a true spring reverb.

For the Intellijel Springray II, each tank has a totally different set of characteristics, with many unexpected surprises when feeding it through a wide variety of sound sources. One of the most interesting results is how a slow attack saw waveform from a Dixie almost sounds like a realistic cello!

Version two of the Springray provides a number of changes and improvements to the original design. The shelving EQs have been replaced with a parametric EQ with frequency, Q, and gain controls. The CV inputs for feedback and mix balance have been replaced with inputs to control the filter frequency and gain. Lastly, the feedback and limiter circuits have been redesigned, and the drive quality has been improved.

PLEASE NOTE: Does not include Spring Reverb Tank.
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 2 in stock $231.28
Cat: 643385 Rel: 29 May 18
 
Touch-sensitive control surface for Eurorack - 20HP
Notes: Tetrapad is a versatile, multi-dimensional, touch-sensitive control surface for Eurorack. Each of its four pads use force sensing resistors to respond to both the vertical position of your finger and its pressure. Four push encoders and a shift function give you even more tactile control over your modular system.

Tetrapad operates in numerous modes - each of which configures the module to perform a specific control task. Through these modes, Tetrapad can emulate a bank of faders; a voltage storage device; a finger drumming surface; a chord generator; an 8-key keyboard; four independent LFOs; or an 8-switch panel. The chosen mode determines what type of signal (CV, note, trigger, gate, etc.) is sent from each of Tetrapad's eight independent outputs, while its multitude of multi-coloured LEDs keep you informed of exactly what's happening within each mode.

Tetrapad automatically remembers how you've configured each of its modes and retains these settings when powered off. By default, Tetrapad automatically saves these settings every minute, or whenever you change modes. This makes Tetrapad ideal for live performance, since you know it will always power up with your configurations intact.
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 3 in stock $286.45
Cat: 698092 Rel: 10 Mar 15
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


This is a utility module we found ourselves always needing and using. The three well spaced knobs can act as active attenuators, attenuverters (bipolar) and inverting attenuators depending on the three position switches.

each input is normaled to a dc voltage but this voltage is selectable for each channel to be 5v or 10v via jumpers. so with nothing plugged into the jacks, each knob controls a voltage amount. so if the rear jumper for channel a was set to 5v then the knob a would control the following ranges on output a: position 1: 0 to -5v, position 2: -5 to +5v, and position 3: 0 to +5v
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 1 in stock $85.22
Cat: 563706 Rel: 10 Mar 15
 
Wavefolder/waveshaper synth module with cv input and dedicated attenuator
Notes: The uFold is a collaborated design with David G. Dixon.

This is the version II of the original uFold.

We looked very closely at how some of the most loved timbre shaping circuits worked in classic synth modules; Not just in how they were implemented electronically but how they sounded and how efficient they were to get great sounds. it was important that their design was very versatile in range of timbres but still easy to use and with well thought out control ranges.

When combining the Dixie, uVCA, uFade and uFold you can achieve extremely complex palette of sounds with just a few modules!
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 2 in stock $152.77
Cat: 563707 Rel: 10 Mar 15
 
Headphone and stereo line out output synth module with headphone amp capable of driving high impedance headphones via 1/4? stereo Neutrik jack
Notes: A very handy module for directly monitoring your system with headphones and as a convenient line level output to connect to amplifiers or recording devices.

The headphone amp is low noise and capable of driving low impedance studio headphones.
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 1 in stock $115.64
Cat: 563713 Rel: 10 Mar 15
 
Voltage controlled amplifier Eurorack synth module with continuously adjustable curve response (from linear to exponential)
Notes: This is the version II of the original uVCA.

This module was adapted from a design by David G. Dixon
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 1 in stock $151.71
Cat: 620699 Rel: 10 Aug 16
 
USB/DIN MIDI voice and clock interface synth module in Eurorack format - 6HP wide
Notes: The uMIDI provides all the essentials to control and sync your Eurorack modular from your computer, iPhone/iPad, or hardware MIDI device with a minimum of fuss. No menu diving or configuration scripts, just two buttons. The connectivity, feature set, and compact size make the uMIDI ideal for integrating your modular with the rest of your rig while not taking up too much space in your case.

The upper clock section features a dedicated 16th note clock output ideal for synchronizing a Eurorack sequencer like the Metropolis. A second clock output with selectable divisions can be used when difference sync events are needed. The run and reset outputs can be used to reset your Eurorack sequencers in tandem with any external sequencer or DAW.

The lower half of the uMIDI gives you everything you need to control a single voice synth via MIDI. Just connect either a USB or DIN MIDI cable to the module, LEARN a channel, and start playing.

Future firmware updates over USB are made easy with the Firmware Updater software.
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 1 in stock $221.73
Cat: 589202 Rel: 29 Sep 16
 
Eurorack complex time-woven filter matrix
Notes: The T-Rackonizer transforms timely events into an analog feedbacked filter network.

The T-Rackonizer is the eurorack successor of our very sucessful T-Resonator which did very well over the past 7 years. It has been the least possible implementation of the former experimental filter network synthesizer called „Resonator Neuronium". The number of 6 nodes had been reduced to only two filter nodes - but still this structure offers a tremendous variety of sounds. The module contains 2 analog T-ladder moog-like filters and a digital delay. Not only can these two filters being controlled by cutoff and resonance - they can be feedbacked negatively or positively to itself or even across the partner filter by the mix knobs. Also they can be feedbacked across a digital delay/reverb chip which is literally woven into the signal path.

On the T-Rackonizer, the feedback and cutoff controls can be CV-controlled. Once you insert a CV cable into the CV jacks, the corresponding internal control knob (e. g. Cutoff) acts as an amount to the external CV. Without CV input, the control knobs work across the internal range. The filters are made from discreete parts and form a 24 dB pole lowpass filter transistor cascade. You can select 8 different algorithms, each with different delays, wave guides or structures and different feedbacks and modulate them even with an LFO.

Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm. These capabilities let you create evolving analog tape echoes, "klingon parties" by extremely feedbacked wave guide algorithm and much more. By the analog feedback everything sounds organic. The screaming analog feedbacks can delay themselves and thereby form new sound patterns. The sine LFO gets retriggered by the audio signal and can be shaped with the audio envelope or just run alone. In center position the amount is 0, to the left it's envelope-shaped LFO, to the right it's only LFO.

Incredible bass gains or screaming scratch sounds are no problem. Positive feedbacks create distorting bass enhancements or low feedback tones without applying a signal. The mix pots are zeroed in center position; any other angle will couple or feedback negatively or positively. The external CV inputs work from 0 to 5 volts. At maximum amount (corresponding control knob open fully clockwise), a voltage of 2.5 volts represents the center position of the control. This is very useful for usage with most of the external CV sequencers available. The input has an adjustable gain and a Hi-Z input to plug in a guitar directly. Any line level signal can be processed, be it either mono or stereo.
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 1 in stock $287.51
Cat: 639926 Rel: 12 May 17
 
Dual high quality stereo VCA/panner - 10HP
Notes: VCAs are the heart of any system and the K6100 offers a small and flexible design that offers excellent performance in a small package. It looks great and sounds great, offering several different modes of operation. You can use it as two independent VCAs or combined for ganged / stereo operation. Each channel has an offset control that can be used to tailor the response based on your CV input source, or used as a manual volume control.

By using internal normalling connections, the input signals and CV signals are normalled to the second channel when only the first channel inputs are used. This allows you to use the K6100 as a dual VCA with the same source, or as a stereo VCA with the same control voltage signal. Or, for that extra level of dimension use the PAN IN control to adjust the relative balance between the two channels.
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$168.69 SAVE 20%
 2 in stock $134.95
Cat: 605849 Rel: 26 May 16
 
Eurorack multi-mode filter module inspired by PHENOL - 8HP wide
Notes: The incredible success of the PHENOL Patchable Analog Synthesizer has created a buzz amongst Eurorack users. After being asked many times whether we would release any parts of PHENOL for Eurorack, we finally created the K6501 PHILTER, inspired by the amazing filters on PHENOL! Offering the fat punchy sound and dirty overdrive when the resonance setting is high, the PHILTER is redesigned to work with Eurorack systems. It offers low-pass, band-pass and high-pass outputs simultaneously. Each output contains a signal indicator showing when that output is active. PHILTER has the same tone and range of control as the PHENOL filters in a compact package.

Although it's only 8HP and looks quite tame, don't be fooled! The sound and tone colour is completely massive! PHILTER will take even the tamest sounding oscillators and make them completely explode. Try it with drum loops and other sounds, or just run your whole mix through a pair of them!
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$189.90 SAVE 25%
 2 in stock $142.43
Cat: 546682 Rel: 04 Dec 14
 
Spring reverb effects unit with exposed spring design
Notes: *** NO POWER SUPPLY INCLUDED - USES GENERIC 12VAC ADAPTER ***

Basically, the Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb - this makes for happy-fun-time finger-modulation of the reverb on whatever audio that's going through it. On top of this there's an analog multimode filter that can be used to attenuate or exaggerate certain frequencies in the sound, this is real handy while playing the springs as you can - for instance - cut all the highs and just make thunderous doomy sounds or do the opposite; cut all the lows and make that ear piercing high frequency special love. Also, it incorporates an LFO that's internally routable to the filter and that also has some external routing-stuff. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back for even more hillarious moments. The Moisturizer is a mono unit.

The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more.

The Ekdahl Moisturizer contains exactly:
Preamp (up to 10 times gain)
Reverb
Reverb / Preamp wet/dry crossfader (Knob & CV/EP controllable)
State variable filter with
Lowpass/Bandpass/Highpass seamless crossover (Knob, CV/EP & LFO controllable)
Cutoff (Knob, CV/EP & LFO controllable)
Resonance (WITHOUT resonance limiter)
LFO with
Speed control (Knob & CV/EP controllable)
Square / Triangle crossover
External output with output amplitude knob
Filter / No filter wet/dry crossfader (Knob & CV/EP controllable)

The preamp section is designed for a max of 10 times gain, this to accomodate for low level output instruments such as guitars etc. The reverb tank has normal reverb signal gain on it, meaning that if you hit the springs hard they'll distort like crap which is real nice, if you hit them softly the sound won't be distorted.

The filter in the Ekdahl Moisturizer is abrasive, the fact that it doesn't have any resonance limiting makes it possible to get the filter to sound *really* bubbly & metallic (way more then any filter i've ever heard), but it's also of course capable of sounding completely "normal" - it all depends on the amount of resonance and/or gain. The fact that you can seamlessly fade inbetween lowpass, bandpass or highpass filter (or lowpass+bandpass and highpass+bandpass) makes the unit pretty damn versatile and by using the wet/dry filter/no filter crossfader there's some neat shit that can be done too. Now it should be said that due to the fact that there's no resonance limiter, if using very high gain, with high resonance and turning the cutoff frequency very high the filter might cut out - not to worry, just turn the cutoff back a bit and the filter pops in again. This happens because the filter gets overloaded and can be avoided with a resonance limiter, however if i had one of those all the super-awesome bounce would be gone and it'd sound like all the other filter out there.

The Ekdahl moisturizer has six CV/Expression pedal related jacks on the back, one of them is a LFO output so you can control other shit with The Moisturizer's LFO. All the other jacks are inputs and takes either CV or Expression pedal, they are: Reverb Mixture, VCF Cutoff, VCF Filter Mode (LP/BP/HP), Filter Mixture and LFO Speed.
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 1 in stock $509.24
Cat: 663389 Rel: 26 Oct 17
 
Fully assembled field kit for experimenting with electro acoustic sound
Notes: The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!

Let's get more detailed...

The Field Kit boasts 7 separate functional blocks all focussed on receiving or generating all types of signals. They are designed to operate together as a coherent electroacoustic workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.

The Four Channel Mixer is the beating heart of the Field Kit, providing a fully functional mixer with individual Gain, Mix Level and Tone control over each channel and individual Master- and Aux sub-mixes.

The level of the Master and Aux Channels can be set with the Master Volume and Aux Volume controls and the channels being sent to the Aux sub-mix can be set with dedicated Aux Select-buttons. The Aux sub-mix is pre-fader.

The CV Radio is a CV-controllable radio receiver capable of receiving radio frequencies on AM/FM and SW bands. Additionally it provides the ability to catch electromagnetic waves for further processing inside the Field Kit. The frequency of the radio can be set with a dedicated multifunctional Search-control which acts both as a manual CV-source and as an input attenuator for a CV-signal.

The Envelope Follower in the Field Kit applies two functions to the waveform you send to the input: full-wave rectification (mirroring of negative portions of the waveform) and low-pass filtering (averaging). It can also be used for frequency doubling of a signal, which is a great tool to have in the electroacoustic domain.

The Low Frequency Oscillator generates periodically varying voltages to be used as control signals. The output waveform can be set with a three-position Waveform-control and gives out either a Square-, Triangle- or a mix of Square and Triangle waveforms.

A very cool function of the Field Kit is the DC Interface. You can use its output voltages to run little motors, fans, solenoids, buzzers and control them with control voltage signals. You can pick up the vibrations and electromagnetic waves with the contact microphones and electromagnetic pickup.

The Signal Interface is a nifty toolset to transform the raw signals of a wide variety of sensors and switches into signals that can be used with the Field Kit or other gear. This means you can trigger or control sound by light, heat, humidity, distance, speed, acceleration, proximity, pressure, force, level, all depending on what type of switch or sensor you are using! Ideal for sound installations!
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 3 in stock $231.28
Koma Elektronik Field Kit Expansion Pack (expansion/accessory pack)
Cat: 663392 Rel: 26 Oct 17
 
Expansion pack for the Koma Elektronik Electro Acoustic Workstation
Notes: It's all about the things you connect to the The Field Kit! To get you started, Koma Elektronik have decided to offer an Expansion Pack with a bunch of different sources that you can use and connect to create your own signature sounds.

The Expansion Pack contains:

- 2 x Contact Microphones: Use these contact microphones to pick up vibration or sound, they are an amazing versatile input source
- 1 x Electro-Magnetic Pickup: This guy is good at picking up changes in magnetic fields, you can use it to amplify a string like a guitar pickup or amplify a spinning motor
- 1 x Solenoid push-pull motor: Use the solenoid to hit things, together with the DC Interface the solenoid can make anything rhythmical and percussive
- 1 x DC motor: The Motor can be used to rotate things or as a noisy oscillator together with the Electro-Magnetic Pickup
- 1 x small speaker: Use the speaker to listen to the main mix or as a sound source and to feedback sounds
- 3 x patch cables Always handy to have around to patch up different parts of your Field Kit... and a bunch of little objects to play with (little springs, marbles)

The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!
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 8 in stock $60.47
Cat: 689037 Rel: 19 Jun 18
 
Front panel for the Koma Elektronik Field Kit FX
Notes: Use this panel to mount your Field Kit FX in your Eurorack System.

Please note: This only includes the Eurorack Panel, NOT the full Field Kit FX.
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 2 in stock $33.95
Cat: 689031 Rel: 19 Jun 18
 
Electroacoustic workstation - boxed version
Notes: This new device is a powerful new CV controlled effects unit for your electronic music setup and pairs extremely well with the KOMA Field Kit.

- Looper
- Frequency Shifter
- Sample Rate Reducer/Bitcrusher
- Digital Delay
- Analogue Spring Reverb
- 4 Channel VCA Mixer
- 4 Step Mini Sequencer
- Envelope Generator

All of this, combined with the new 4 Channel CV Interface which allows you to route four CV signals throughout the device, means an incredible control over sound and timbre and a great addition to your mobile performance rig.

The Field Kit FX is built up from 7 separate functional blocks all focused on mangling and changing incoming audio and CV signals. They are designed to operate together as a coherent addition to our Field Kit Electroacoustic Workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.
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 More than 10 in stock $231.28
Cat: 689032 Rel: 19 Jun 18
 
Electroacoustic workstation - Eurorack version
Notes: This new device is a powerful new CV controlled effects unit for your electronic music setup and pairs extremely well with the KOMA Field Kit.

- Looper
- Frequency Shifter
- Sample Rate Reducer/Bitcrusher
- Digital Delay
- Analogue Spring Reverb
- 4 Channel VCA Mixer
- 4 Step Mini Sequencer
- Envelope Generator

All of this, combined with the new 4 Channel CV Interface which allows you to route four CV signals throughout the device, means an incredible control over sound and timbre and a great addition to your mobile performance rig.

The Field Kit FX is built up from 7 separate functional blocks all focused on mangling and changing incoming audio and CV signals. They are designed to operate together as a coherent addition to our Field Kit Electroacoustic Workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.
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 1 in stock $231.28
Cat: 547481 Rel: 03 Oct 14
 
Dynamic and compact effects processor with sampler functions
Notes: A powered-up mini kaoss pad 2, the mini kaoss pad 2S ("S" for sampler) is a powerful DJ effect unit that fits in the palm of your hand. It includes the familiar KORG touchpad, which allows you to intuitively control 100 different effects, and a sampler function that makes it easy to load and trigger a variety of sounds. Whether you are playing or performing, you'll have more fun than ever with the powerful mini kaoss pad 2S.

The newly added sampler function let you prepare sound effects or voice samples, and use them in your DJ work or live performance. According to your needs, you can choose from three methods of playback: One Shot, Gate, and Loop. You can also change the playback speed (pitch change) and specify the playback start position (cue point). In addition, the sample recorder lets you capture sounds that are input via either the line in or the built-in mic.

You can also use the unit as a conventional audio player; save your favorite songs on a card and use the mini kaoss pad 2S to apply effects for fun. No other equipment is required.

You can intuitively control effects in real-time by stroking the touch pad with your fingertip. There are one hundred built-in effect programs, ideal for DJ mixing and controlling the sound.

Numerous other functions indispensable for DJ work are also provided:
-When you take your finger off the touchpad, the FX RELEASE automatically adds a delay effect so that the effect blends smoothly into your song or performance, and avoids abrupt effect dropouts.
-Excellent for DJ use and live performance, the mini kaoss pad 2S provides three Program Memories for instant recall of your favorite effects.
The Hold function freezes the effect parameters based on your finger's current location on the touchpad for hands-free operation.
Auto BPM detection syncs the applicable effects to the tempo of the song, so that everything continues to move in sync for a professional performance.
The built-in mic lets you apply effects to your voice.

Many convenient functions are now available for enhanced usability and enjoyment:
Record your mini kaoss pad 2s performances in WAV format using .the master recorder function.
Battery operation and a built-in speaker let you perform anytime, anywhere.
6 Preset audio demo loops are stored in the internal memory. These demo loops provide a handy audio source that can be used to immediately audition the various effect programs, without having to hook up an external audio player.
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 2 in stock $120.94
Cat: 460820 Rel: 29 Jun 12
 
4-in/4-out reverb/effects processor with USB hardware plug-in capability
Notes: Plug-in programming and recall with the power of Lexicon hardware.

You want the rich, luscious sound that's defined studio reverb for three decades: a genuine Lexicon hardware processor. But you also want the flexibility of programming high-quality effects right inside your DAW program...without bogging down your CPU or resorting to expensive processing cards.

Have it all with the MX400. All parameters of every reverb, delay and dynamic effect in this powerhouse quad processor are available inside any AU compatible DAW program. Just link your computer to the MX400 with a USB cable and control all automation and recall parameters exactly as you would with any software plug-in i while enjoying the sonic benefits only Lexicon hardware can provide.

Along with Lexicon's unique hardware plug-ins for PC and Macr, they have also included MX-Edit Librarian software so you can store and recall custom programs or pull up your choice of 223 genuine Lexicon settings including 25 dedicated Surround Programs. At its heart, the MX400 is everything you would expect from the company that invented digital reverberation. Seventeen Lexicon reverbs, delays and modulation effects plus dbxr compression and de-essing. A generous LCD display and big comfy knobs you can get your hands around.

Get a demo at your Lexicon dealer. And then get on the road to creating a hit.

Meet the most Lexicon power ever offered in a super-affordable 1RU effects processor. Perfect for band PAs, churches and clubs.

Lexicon know you need to be able to make changes quickly, so they designed the MX400's intuitive front panel to be a bare minimum of knob tweaks away from any adjustment or effects change. For example, 3 individual, assignable parameter controls mean you don't have to page through menus to fine tune a reverb tail. Because you can use its built-in DBX compression and de-essing in tandem with reverb, the MX400 is the perfect tool for taming problem vocalists. Finally, you can rely on the MX400 for years to come, through countless load-ins and loadouts, although its sound is A-studio-quality, Lexicon designed the MX400 to withstand dust, moisture, shock, power surges and all the other rigors of live sound use.

http://www.youtube.com/watch?v=dosnzfcRjvg
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 1 in stock $276.49
Cat: 557509 Rel: 19 Dec 14
 
Clocked sequential binary event machine module
Notes: BRAINS is a clocked sequential binary event machine. It is designed to be connected to one or two Pressure Points to form a 4 or 8-Step 3-channel analog sequencer. Classic synthesis control!
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 1 in stock $108.21
Cat: 664819 Rel: 03 Oct 17
 
4 stage function generator or ADSR module - 8HP
Notes: CONTOUR is a 4 Stage function generator, or ADSR, derived from our 0-COAST synthesizer. It is designed to create control voltages to drive the Dynamix, modDemix and other fast VCAs, VCFs, and more. The Contour takes inspiration from the original Loudness Contour circuit of the MiniMoog, which is perhaps the most well-known example of East Coast Synthesis. The simplified control set (where Decay adjust both the decay to Sustain and the Release) makes it quick and intuitive to set-up. The Contour module adds full voltage control, a mirrored output, End of Onset and End of Contour Gate outputs which allow it to be highly integrated into any modular synthesizer regardless of coastal allegiance.

Width: 8HP
Depth: 24mm
Power @+12V: 36mA
Power @-12V: 16mA
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 3 in stock $103.97
Cat: 557458 Rel: 19 Dec 14
 
Dual voltage controlled oscillator (VCO) for generating complex waveforms
Notes: A dual Voltage Controlled Oscillator designed for generating complex waveforms.

Expanding on the classic arrangement of Primary and Modulator Oscillators, the DPO has both of the VCOs operable as complex signal sources. It is in essence a Dual Primary Oscillator.
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 3 in stock $561.01
Cat: 664820 Rel: 03 Oct 17
 
2 channel low-pass gate with integrated mixer - 10HP
Notes: DYNAMIX is a fast two-channel Low Pass Gate, dynamics manager and mixer, the core of which is derived from our 0-COAST synthesizer. The LEVEL parameter provides simultaneous voltage control over the Amplitude and Frequency content of audio signals, operating as a VCF/A. The DYNMC parameter accepts audio signals or control voltages and converts them into a signal that may increase or decrease the LEVEL parameter thus allowing for Expansion, Compression and Ducking. The summing section is complete with an AUXiliary INput allowing for the chaining of multiple MIX units (modDemix, Optomix and RxMx modules) to create large, non-centralized mixes.

The DYNAMIX is functionally similar to the Optomix LPG: a fundamental element in the sound of West Coast Synthesis, however, rather than using the Vactrol component that gives the Optomix its characteristic "slow" sound, the DYNAMIX circuit utilizes transistors in a topology that has more in common with East Coast instruments. This combination of West Coast technique and East Coast circuitry is No-Coast synthesis at its best, allowing the Low Pass Gate to be used in tandem with an extremely important East-Coast synthesis circuit: the ADSR, a 4-stage Envelope generator we call CONTOUR.

Width: 10HP
Depth: 24mm
Power @+12V: 55mA
Power @-12V: 45mA
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 3 in stock $157.02
Cat: 557496 Rel: 19 Dec 14
 
Pitch shifting echo synth module with all analog dry signal path
Notes: Pitch Shifting Echo with smooth Time Modulation, Tempo Sync, saturating Feedback and a unique Pitch Shifting algorithm inspired by the Springer Tempophon and lovingly engineered by DSP Guru Tom Erbe of soundhack . "...the most inspiring module of the year." -Electronic Musician.
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 3 in stock $360.71
Cat: 557477 Rel: 19 Dec 14
 
Compact analog computer module specifically designed for musical purposes
Notes: FUNCTION is part of the MATHS family of control voltage utility modules.

It is a small analog computer designed for solely musical purposes.
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 2 in stock $149.58
Cat: 561171 Rel: 24 Mar 15
 
6 band filter synth module with simultaneous 6db/ octave and 12db/ octave inputs, pairs well with the RxMx module
Notes: 6 Band Fixed Filter bank offering simultaneous 6db/ Octave and 12db/ Octave inputs. The 6 filter bands are spaced at roughly 11 to 13 semitones and cover a range of around 6 octaves. The FXDf is useful for isolating a particular portion of the spectrum for mixing and analog or digital signal processing such as ring modulation, amplitude modulation, pitch-shifting and reverberation. The module has a header behind the faceplate allowing for normalled connection of the 6 filter band outputs to the 6 inputs of RxMx allowing for voltage controlled, percussive spectral animation.

In the past the Serge System Fixed Filter used a 6db/ Octave filters while the Moog Modular used 12db/ Octave filters. We liked the sound of both filter slopes, so we implemented a way to use either or both simultaneously. In this way the FXDf also allows for blending of two audio signals. Traditionally fixed filters are large modules having 8 to 10 bands, each with a manual level control, but rarely having any voltage control. The FXDf is so small we had to abbreviate the words Fixed Filter and by providing individual outputs as well as a header for normalled connection to our RxMx 6 channel macro-lowpass-gate module, voltage control over level of each band is possible through patching. We selected the 6 bands we found to produce the most sonic energy in typical Make Noise system patches. We also took care to spaced them wide enough that each of the bands could be distinct from the others. This makes for quite an impactful sound when modulating the amplitude of the 6 bands using the RxMx or VCAs.
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$105.03 SAVE 10%
 8 in stock $94.53
Cat: 590918 Rel: 26 Oct 15
 
Dual Low Pass Gate synthesizer module - 4HP wide
Notes: The LxD, Low Strike Duo, is a dual-response, two channel, direct-coupled, Low Pass Gate, which utilizes vactrols in order to provide simultaneous control over the Amplitude and Frequency Spectrum of an Input Signal.

It is, in essence, a VCFA (Voltage Controlled Filter Amplifier). Unlike the Optomix, the LxD offers two different filter responses. CH. 1 offers a 12db/ Octave response that is mildly-resonant, while CH. 2 offers a 6bd/ Octave that is non-resonant.

The Output of CH. 1 is normalled to the input of CH. 2. This normalization puts the two channels in series, which is similar to the VCF into VCA arrangement made popular by many monosynths of the 1970's.
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 3 in stock $102.91
Cat: 557488 Rel: 19 Dec 14
 
Analog computer synth module designed for musical purposes
Notes: MATHS is an analog computer designed for musical purposes. Amongst other things, it will allow you to:

- Generate a variety of linear, logarithmic, or exponential triggered or continuous functions
- Integrate an incoming signal
- With no signal applied, generate a variety of linear, logarithmic, or exponential functions
- Add, subtract and OR up to 4 signals
- Generate analog signals from digital information (Gate / Clock)
- Generate digital information (Gate / Clock) from analog signals
- Delay digital (Gate / Clock) information
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 More than 10 in stock $285.39
Cat: 557508 Rel: 19 Dec 14
 
Multiple signal sending module
Notes: The Multiple is a simple but important module that allows for sending a signal to multiple destinations. Within the Make Noise system the Multiple may also be used for combining clock, gate and pulse signals together to create interesting timing sources (in other words, it acts as a Gate combiner aka logic OR circuit).

It has 9 inter-connected sockets that may be split into different group combinations depending upon how it is patched. The jacks circled in white will make or break the interconnects between the 3 groups of three, thus allowing for three 3-way, one 5-way/ one 3-way or one 7-way multiple.

The Multiple is passive, because the Make Noise system does not require Buffered Multiples since all critical control signals are already buffered in such a way as to provide a large fan-out capability.
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 9 in stock $31.56
Cat: 605438 Rel: 19 Dec 14
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***

A two channel Low Pass Gate, providing simultaneous voltage control over amplitude and frequency content of a signal. It is in essence, a Voltage Controlled Filter Amplifier (VCFA) that has an extremely organic response to control signals.

The Low Pass Gate is a classic West Coast synthesis circuit.
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 1 in stock $159.13
Cat: 557491 Rel: 19 Dec 14
 
Two channel low pass gate synth module
Notes: A two channel Low Pass Gate, providing simultaneous voltage control over amplitude and frequency content of a signal. It is in essence, a Voltage Controlled Filter Amplifier (VCFA) that has an extremely organic response to control signals. The Low Pass Gate is a classic West Coast synthesis circuit.

Revision 2 adds audio side-chain compression and expands CV generation and processing capabilities.
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 1 in stock $203.70
Cat: 557512 Rel: 19 Dec 14
 
Cartesian Sequencer synthesizer module, allowing the user up to 4 simultaneous clock inputs and 2 CV inputs
Notes: Rene is the world's only Cartesian Sequencer for music synthesizers.

Named for the French philosopher & mathematician Rene Descartes, it uses his Cartesian coordinate system to unlock the analog step sequencer from the shackles of linearity.
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 1 in stock $408.17
Cat: 557451 Rel: 19 Dec 14
 
Random voltage generator synth module
Notes: The "WoggleBug" is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the "smooth" and "stepped" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 "Source of Uncertainty," expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges).

The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!
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 3 in stock $235.52
Cat: 660743 Rel: 19 Dec 14
 
B-STOCK: Light surface marks on product, product in perfect working order
Notes: ***B-STOCK: Light surface marks on product, product in perfect working order***


Rosie is an output interfacing module with the added functionalities of FX Loop, Crossfader and Auto-Cue system.

It is designed to facilitate live performance on the modular synthesizer by allowing the artist to preview and modify portions of a patch using the Auto-CUE system, while the audience is listening to a different portion of the patch as selected by the crossfader.

Additionally it allows for Stereo processing of all sounds via the FX Loop. The Rosie is suitable for headphone monitoring of the modular system and interfacing the modular system to a recording environment. Internal Level Matching and Limiting w/ overload indication makes it easy to connect the modular system in the studio or on stage.
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 1 in stock $129.43
Cat: 561172 Rel: 24 Mar 15
 
Macro-lowpass gate and signal crossfader synth module for smooth dynamic blending and percussive animation of related or unrelated signals
Notes: Vactrol-based 6-input, 3-output macro-lowpass gate and signal crossfader, based on Grant Richter's circuit idea for applying "cadavre exquis" (aka exquisite corpse, a technique of serial blind composition) to modular synthesis. If modulated by a Wogglebug, one will achieve modular "cadavre exquis." If patch programmed using a sequencer such as the Pressure Points/ BRAINS or Rene, modular "melange automatique" (automatic re-mixing) could be achieved.

The Level and Strike parameters are similar to those of the Optomix where Level is controlling amplitude and frequency content simultaneously and Strike triggers the LPG (Low Pass Gate) circuit by "plucking" or "pinging" the vactrol, thus allowing it to impart its magically slow response time upon the amplitude of the signal being processed.

The Channel parameter selects which of the 6 Low Pass Gate circuits is driven by the Level and Strike parameters and the Radiate parameter turns on channels adjacent to the selected channel. At maximum Radiate settings all six channels become active simultaneously. Radiate therefore allows for voltage control of the complexity of the mix ranging from 1 to 6 active sound sources, while Channel selects the focal point of the mix.
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 1 in stock $359.65
Make Noise Skiff Module Case (synth module case)
Cat: 593468 Rel: 04 Jan 16
 
104hp synthesizer module case - requires user to install power solution
Notes: In 2009 Tony designed the first Skiff to complement the vertically oriented cases available at the time by providing an ergonomic enclosure for our Rene and Pressure Points touch controllers.

Today the Make Noise Skiff is updated to provide a smart way to build a small modular synthesizer. It is low cost, but extremely durable. The clean simple lines and matte black color place visual emphasis where the action is; the patch the artist has created.
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 4 in stock $106.08
Cat: 638949 Rel: 31 Jul 17
 
Experimental sampler module - record, slice & rearrange audio material
Notes: The Morphagene is a next generation tape and microsound music module that uses Reels, Splices and Genes to create new sounds from those that already exist. Search between the notes to find the unfound sounds.

A few of the Morphagene's most basic uses: Splice recorded audio and jumble it using ORGANIZE. Manipulate playback speed and direction with Vari-Speed. Granularize with Gene-Size and Slide. Layer or Stagger Genes using MORPH. Undertake iterative music processes by recording manipulations and overdubs into new Splices, like having two machines (one for Playback and modulations, one for Record). Process sound in real time using Time Lag Accumulation. Utilize envelope following CV OUT and EOSG Trigger to engage Morphagene in conversation with the rest of your modular system. Stretch and squash sound with Clock input.

Width: 20hp
Max Depth: 30mm
Power: 165mA @ +12V, 20mA @ -12V

***MG137 Firmware Update:

Change Log

1. Improves Vari-Speed response for slow modulation rates.

2. Improves SD Card file format for more compatibility with software .wav file formats.

3. Doubles total record time per Reel.

Upgraded memory performance offers an increase from 1.45 minutes to 2.9 minutes of record time.

If you are using Splices that are over 1 minute long the SLIDE parameter will be scanning across a massive amount of material and therefore the longer the Splice the longer it will take to get to where you are Sliding toward. Imagine a tape machine shuttling forward or backward to get to your desired destination. No we cannot change this, the MG is scanning as fast as possible. This new double record time firmware will make this even more of a factor.

Read and Write times will be MUCH longer when you have a Full 2.9 minute reel. So for example, if you decided to erase a 5 second Splice in the middle of a 2.9 minute reel it will take twice as long as before because the MG must re-write the entire 2.9 minute reel. Of course all of this is happening in the background and should not cause too much hassle. Still when that SHIFT button is flashing it is best to not perform more SD Card actions.

For most granular processing Splices of 10 seconds or less are recommended.

So why even bother increasing record time to 2.9 minutes? Well it allows for storing even more Splices on a Reel and it also makes it possible to record long portions of a patch for later arranging within your DAW. You could potentially capture a patch, including modulations of a shorter Splice (say 10 seconds), retrieve the sound from the SD Card and compile into a larger work using your DAW.

4. Increased max number of Splices to 300.
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 8 in stock $506.06
Cat: 557453 Rel: 19 Dec 14
 
Compact voltage controlled oscillator (VCO) module specifically designed for generating SINE waves
Notes: A compact Voltage Controlled Oscillator designed for generating SINE waves, Variable wave-SHAPEs, SUB-Octaves, Oscillator SYNC and Linear FM in the analog domain.

The Sub-Timbral Oscillator is the more subtle and melodic friend to the DPO's complex harmonic lattice.
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 1 in stock $183.54
Cat: 580353 Rel: 04 Sep 15
 
Multi-Voice, Multi-Algorithm synthesizer module - 14HP wide
Notes: The tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer module named for the music hall considered by some to be the location of the first electronic music concerts. It was coded by Tom Erbe with the goal of presenting three historically important pioneering electronic tone generation techniques less often implemented within the modular synthesizer.

The tELHARMONIC's roots go back further than the advent of electronic music, as it also takes a new approach to handling music theory in the modular context. TONIC, INTERVAL, DEGREE and D-GATE, allow for patch-programming of complex chord progressions, scales, melodies and playing styles. This Voltage Controlled Music Theory guides the Algorithms in a unified way, whereas CENTROID, FLUX and H-LOCK sculpt the timbre of each Algorithm uniquely, allowing for complex sounds to be created around a unified melodic structure and pattern.

***FIND THE SPIRATONE INSIDE YOUR TELHARMONIC***

Spiratone:
The Spiratone is a form of Shepard Tone generator. It is a sonic barber pole that creates the auditory illusion of a tone that continually ascends or descends in pitch, yet ultimately seems to get no higher or lower.

It occupies the same space as the tELHARMONIC. To find it, have nothing patched to D-Gate and HOLD H-LOCK for 5 seconds. The sound will dramatically change... you've found the Spiratone inside your tELHARMONIC.
Multi Voice Shepard Tone generator inspired by Jean-Claude Risset "Computer Suite from Little Boy: Fall," 1968 & James Tenney "For Ann (rising)," 1969

CENTROID sets spacing of the oscillators

INTERVAL allows for complete control of modulation depth and direction

FLUX adds random pitch fluctuations

8 octaves of continuous 1V/ Octave pitch control

8 octaves of quantized pitch control

DEGREE Modulation able to be synchronized by clock or gate via D-Gate input

Gate Out completes the conversation between Spiratone and rest of system!

Utilizes High performance DSP hardware with 24bit, 48kHz codec, 32 bit floating point processing

Reasonable power consumption

Pairs well with Optomix

Video demo - https://www.youtube.com/watch?t=1&v=Mz6n-tzX5Xk
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 2 in stock $324.64
Cat: 598833 Rel: 25 Feb 16
 
Time shifting clock synth module with 6 simultaneously programmable and patchable clocks - 10HP wide
Notes: ***NEW revision TEMPI firmware tempi11 improves External SYNC and RUN/ STOP behaviors. Download here today - http://www.makenoisemusic.com/content/patchsheets/tempi11_firmware_update.zip***

TEMPI is a 6 Channel, polyphonic time-shifting clock module. It provides an intuitive method for creation and recall of complex clocking arrangements within a modular synthesizer system. Using HUMAN and/ or MACHINE programming you could re-create most classic Clock Divider and Multiplier arrangements and then continue on to create new ones. Store up to 64 for later recall and Select them using control signals from within your system or the Select Bus.
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 2 in stock $263.11
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