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Cat: 577754 Rel: 29 Nov 17
 
Envelope generator with CV outputs for modulation - 8HP
Notes: Module A-140 is an envelope generator, and, since it puts out control voltages, counts as one of the modulation devices in a modular system. As soon as the gate input receives sufficient voltage, the ADSR generates a variable voltage, changing in time, called an envelope. This varying voltage is output in normal (positive) and inverted form, and can be used, eg. for voltage controlled modulation of a VCO, VCF, or VCA, or for processing other modules' inputs and outputs.

The shape of the envelope is governed by four parameters: Attack, Decay, Sustain and Release.

The envelope is started (triggered) by a gate signal either from the INT.GATE voltage on the system bus, or, if a signal is put into it, from the gate input socket.

The envelope can also be re-triggered, i.e. start from scratch again, each time a trigger signal is sensed at the Retrig. input socket, when the gate is still open.

Module A-140 has available a three-position toggle switch to select one of three time ranges. The envelope duration ranges from about 50us (microseconds) up to several minutes.

In combination with the Comparator module A-167 a free-running "ADSR-LFO" can be realized.
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 6 in stock $74.06
Cat: 684450 Rel: 18 Jul 18
 
Dual ADSR envelope generator - 8HP
Notes: Module A-140-2 contains two ADSR type envelope generators behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V. The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR. Changing the positions of the mentioned jumpers allows to modify the factory settings.
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 1 in stock $132.89
Cat: 684451 Rel: 28 Aug 18
 
Dual envelope controlled VCA - 8HP
Notes: Module A-142-2 contains two envelope-controlled VCAs behind a front panel with 8 HP only. Each of the two sub-units is the combination of a simple AD/ADSR/AR envelope generator and a VCA. The type of envelope can be selected by means of a toggle switch:

- AD: Attack-Decay
- AR: Attack-Release
- ADSR: Attack-Decay-Sustain-Release with the limitation that Decay Time = Release Time and fixed Sustain level (factory setting 50%)

Each sub-unit provides these controls and in/outputs:

- LED control (envelope display)
- Attack (A), manual control
- Decay/Release (D/R), manual control
- Mode switch (AD, AR, ADSR)
- Audio level control (small control without knob)
- CVT Input (CVT = CV Time)
- CV Ducking input
- Attenuator for CVT (small control without knob)
- Gate Input
- Manual Gate (momentary switch)
- Audio Input
- Audio Output

The Envelope Output of version 1 has been cancelled for the benefit of the new CV Duck input. But there is an internal pin header available that has available the envelope signal (0...+10V) and the CV input of the VCA (0...+10V). Ex works the pins are shortened by a jumper but can be used for modifications (envelope output, VCA CV input).

By means of two internal jumpers for each sub-unit one can select which parameter(s) are controlled by the CVT input (e.g. D+R only or A only or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question). Two more jumpers are used for the optional bus access to the gate signal of the bus for each envelope.

CV Duck is an additional control input for the VCA that can be used to mute the VCA by means of an external control voltage. Beyond about +5V CV Duck the VCA is fully muted, in the range 0...+5V there is only a partial muting. Circuitry-wise the CV Duck signal is amplified by two, inverted and added to the internal envelope signal (0...+10V). The sum of both signals is used to control the VCA.

The time range of Attack/Decay/Release is about 1ms to 30s (can be modified by changing the value of a capacitor).

Applications:

Virtually in each patch one or more envelope/VCA combos together with a sound source are very useful, mainly for percussive sounds. Voltage control of the times and the ducking animates each performance.
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 4 in stock $143.78
Cat: 671585 Rel: 29 Nov 17
 
Module consisting of voltage-controlled low frequency oscillator (LFO) & voltage controlled amplifier (VCA) - 8HP
Notes: Module A-147-2 is the successor of the VCLFO A-147 but offers much more features than the predecessor. The module is made of these sub-units:

- VCLFO: voltage controlled low frequency oscillator
- VCA: voltage controlled amplifier, switchable to voltage controlled polarizer
- VC delay unit: voltage controlled linear attack envelope (only one parameter: attack) for delayed LFO operation in combination with the VCA (e.g. delayed vibrato/tremolo)

LFO: The voltage controlled LFO has the waveforms Triangle, Sine, Sawtooth and Rectangle available and features a Reset/Sync input. Triangle/Sine and Rectangle are displayed by means of dual-colour LEDs (probably red/green), Sawtooth has a unicolor LED available (probably blue). The output levels are about -4V...+4V for Triangle, Sine and Rectangle. The Sawtooth level is about 0...+8V.

The CV control can be switched to attenuator or polarizer ("CV Mode" switch). In polarizer mode the CV inputs affects the frequency in the reverse manner when the CV control is left from the centre position. In the centre position CV has no effect and right from the centre the control works like a normal attenuator. The frequency range (without external CV) is from about 0,005 Hz (i.e. about 3 minutes per period) to 200 Hz (with external CV max. frequency about 1kHz). In addition a ultra-low mode can be activated by means of an internal jumper. When the ultra-low jumper is set a fixed voltage is connected to the switching contact of the "LFO CV" socket. In polarizer mode of the CV control that way extremely low frequencies (up to one hour period and more) are possible. For this a jumper has to be installed on the pin header JP6. In the factory a dummy jumper is installed on the pin header JP7 "Dummy". JP7 has no function and is used only for "parking" of the jumper. Simply remove the jumper from JP7 and plug it on JP6. JP6 is located behind the CV control.

VCA: This is a linear VCA that can be switched to "normal" VCA (i.e. kind of a voltage controlled attenuator) or voltage controlled polarizer ("VCA Mode" switch). In the "normal" VCA mode amplification +1 is achieved with about +5V control voltage. In polarizer mode the amplification ranges from about -0.5 (i.e. inverted signal with about 50% level) with 0V CV to +0.5 (i.e. non-inverted signal with about 50% level) with +5V CV. With about +2.5V CV the signal is suppressed. Details about the functioning of a voltage controlled polarizer can be found in the description of the module A-133. In this mode the VCA can be treated also a DC coupled ring modulator (similar to A-114).

The VCA of the A-147-2 has three sockets available: "In" (signal input), "Out" (signal output) and "CV" (control voltage input).

The Triangle Output of the LFO is normalled to the VCA signal input by means of the switching contact of the "VCA In" socket. If another LFO waveform (or any other signal) should be processed by the VCA the corresponding signal has to be patched to the "VCA In" socket. The VCA can be used also independently from the LFO and the Delay CV. In this case the VCA sockets In, Out and CV have to be patched accordingly. The VCA can be used also as waveshaper for the LFO signals (e.g. by patching VCA In and VCA CV to different LFO signals, if necessary via attenuator A-183-1 or offset generator/attenuator A-183-2).

Attack/Delay: The third sub-unit of the module is a simple, voltage controlled envelope generator that has only the parameter "Delay" (or Attack) available. This unit generates a linear increasing voltage that starts from 0V after each Delay Reset until it reaches about +5V. Then the voltage remains at +5V until the next Delay Reset occurs. The inclination or gradient is controlled by the manual Delay control and the Delay control voltage ("Delay CV" input). The waveform is linear, the control scale is exponential. The output voltage is displayed by a green LED and available at the "Delay Out" socket.

The manual Delay control ranges - without external "Delay CV" - from about 5ms (fully CW) up to 2 minutes (fully CCW). By means of an external voltage applied to the "Delay CV" socket this range can be extended. A rising CV shortens the delay time (behaviour like a VCO)!

The Delay output voltage ranges from about 0V to +5V. The rising edge of the gate, clock or trigger signal applied to the "Delay Reset" sockets resets the Delay output voltage to 0 V.

"Delay Out" is normalled to the VCA CV input by means of the switching contact of the "VCA CV" socket and consequently controls the Triangle level provided that no other patch is made. A typical example is the usage of a Gate signal (e.g. from a USB/Midi-to-CV/Gate interface) as Delay Reset. That way a delayed vibrato or tremolo can be realized if the VCA output is patched to the frequency CV input of a VCO (or VCF), or the CV input of a VCA.
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 3 in stock $120.91
Cat: 671556 Rel: 29 Nov 17
 
Octal VC/manual programmable switch - 12HP
Notes: Module A-150-8 contains eight manually/voltage controlled switches. Each of the eight switches has a manual control button (Man.), a control voltage input (CV), a common Out / Input (O/I), and two In / Outputs (I/O1, I/O2). The switches are bi-directional, i.e. they can work in both directions, so can connect one input to either of two outputs, or either of two inputs to one output. Two LEDs show which in / output is active (i.e. which is connected to the common out / input). In addition, the LEDs are used for the programming of the module:

For each unit the operating mode can be selected: Toggle or Level controlled. In Toggle mode the rising edge of the CV input or operating the manual control button changes the state of the switch. In Level mode the switch state is defined by the voltage applied to the CV input (low voltage = I/O1, high voltage = I/O2) or by the state of the manual control button (not pressed = I/O1, pressed = I/O2). The modes are programmed very easily: Operating the Toggle/Level button of the program section displays the current state of each switch with the LEDs: left LED on = Toggle mode, right LED on = Level mode. Operating the manual control button of the switch in question changes the toggle/level mode while the Toggle/Level button of the program section is operated. During the programming patched CV signals may have to be removed as the CV signals would interfere with the manual operating buttons during the programming process.

In addition, it's possible to define master/slave groups. In such a group the upper unit (= master) controls also the state of the following switches provided that they are defined as slaves. Master/slave programming is also very simple: Operating the Master/Slave button of the program section displays the current state of each switch with the LEDs: left LED on = Master, right LED on = Slave.

When all 8 units are defined as master all switches are independent from each other. If for example the sequence is MSSSMSMS the control unit of the first switch also controls the switches 2, 3 and 4. The control unit of switch 5 also controls the switch 6, and the control unit of switch 7 also controls the switch 8. The current states of the slave switches are overwritten by the state of the master switch.

Technical note: To protect the electronic switches in case of an unsuitable patch (e.g. connection of two outputs) a 1k protection resistor is inserted into the O/I line of each switch. If control voltages used for VCOs are switched this may cause a small voltage drop and lead to undesired audible detuning. For this application we recommend to insert a CV buffer between A-150-8 and the VCO(s), e.g. the Buffered Multiple A-180-3 or the Precision Adder A-185-2. Integrating the buffers into the module A-150-8 was not possible because this would ruin the bidirectionality of the switches.
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 1 in stock $137.25
Cat: 684460 Rel: 23 Apr 18
 
Two independent voltage controlled switches in one module - 4HP
Notes: Module A-150 (Dual VCS) contains two separate voltage-controlled switches.

Each switch has a control voltage input, a common Out / Input, and two In / Outputs. The switches are bi-directional: they can work in both directions, so can connect one input to either of two outputs, or either of two inputs to one output. Voltages in the range -8V...+8V at the O/I resp. I/O sockets can be processed by the module.

Two LEDs show which in / output is active (i.e. which is connected to the common out / input).
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 1 in stock $71.89
Cat: 671576 Rel: 29 Nov 17
 
Enhanced clock divider with multiple dividing factors - 4HP
Notes: Module A-160-2 is an enhanced version of the standard clock divider A-160. The module is a frequency divider for clock/trigger/gate signals, designed to be a source of lower frequencies, particularly for rhythm uses. The Clock input will take any digital signal from, eg. LFO, MIDI sync, or the gate from a MIDI-CV interface. At the outputs, you have access to three sets of seven different sub-divided clock signals, from half the clock frequency down to 1/128. The low/high levels of the output signals are 0V and about +10V.

The A-160-2 also has a reset input. Whenever a reset signal is sensed, all outputs are set to certain levels which depend upon the selected mode.

These are the most important features of the module:

Three different sets of dividing factors, selected by a three-position switch at the front panel:
- Power of two: 2, 4, 8, 16, 32, 64, 128
- Prime numbers: 2, 3, 5, 7, 11, 13, 17
- Integer: 2, 3, 4, 5, 6, 7, 8

Two output modes, selected by a two-position switch at the front panel:
- Gate mode: outputs act like the outputs of typical binary dividers
- Trigger mode: in this mode the outputs are AND-wired with the clock signal (i.e. the clock pulsewidth affects the pulsewidth of the outputs)
- Clock edge type selected by a jumper on the pc board:
- Positive: the rising edge of the clock signal triggers the state change of the outputs
- Negative: the falling edge of the clock signal triggers the state change of the outputs

Reset behaviour by two jumpers on the pc board:
- Level triggered: the level at the Reset input triggers the Reset
- Edge triggered: the edge of the signal at the Reset input triggers the Reset
- Positive: a high level (> 2.5V) or the rising edge at the Reset input triggers the Reset
- Negative: a low level (< 1 V) or the falling edge at the Reset input triggers the Reset

Output polarity selected by a jumper on the pc board:
- Positive: non-inverted outputs
- Negative: all seven outputs are inverted

Width: 4HP / 20mm
Depth: 35mm (Measured from the rear side of the front panel)
Current: +12V: +50mA, -12V: -0mA
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 2 in stock $96.94
Cat: 671561 Rel: 18 Dec 17
 
Pair of multicore signal connectors
Notes: A-180-9 is another simple but useful tool. It can be used to connect up to 14 signals between different cases by means of standard network cables (RJ45). These cables are available all over world smoothly in different lengths and colours. From the factory two black network cables with 0.5 m length are enclosed.

The upper network connector is wired to the eight sockets 1-8, the lower to the six sockets A-F. That way it's possible to pre-patch different cases and connect signals, that are required in all cases (e.g. clock, start/stop, master CV) by means of one or two cables only instead of 14 individual patch cables. When only eight signals are required only the upper network connector is required and the sockets 1-8 are used. When more than eight signals have to be patched both network connectors have to be used. It's also possible to wire the upper and lower network to different cases (i.e. signals 1-8 to external case #1 and signals A-F to external case#2).

The module is fully passive (no power supply required) and simply wires the 14 sockets to 14 pins of the network connectors.

The A-180-9 comes in pairs for combining two modular systems.
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 2 in stock $123.08
Cat: 671598 Rel: 29 Nov 17
 
Monophonic MIDI/USB interface Eurorack module with outputs for gate, clock, reset & two outputs for CV's
Notes: A-190-4 is the replacement for module A-190-1 which is no longer available. The functions of A-190-1 and A-190-4 are nearly the same (Midi In, Midi Out, CV1, CV2, Gate, Clock, Reset). But the operation of the A-190-4 has been improved because a 3-digit LED display is available. The current values of all parameters (like Midi channel, reference note, clock divider) can be read back and modified by means of up/down buttons. In addition, A-190-4 is equipped with an USB interface and the external +5V supply is no longer available. Consequently, the additional charges for the 5V adapter fall away.

The module width is the same for A-190-1 and A-190-4. In the A-100 basic systems the A-190-1 will be replaced by the A-190-4 from about May 2014.

Important notes:

- The Scale (SCA) and Tune (TUn) parameters remain unchanged when the module is initialized! Otherwise the initialization would overwrite the adjusted values. Because of the tolerances of electrical parts there are no fixed values for SCA and TUn which are valid for all modules. The values for SCA and TUn differ a bit from module to module because of the tolerances of electrical parts. In case that the module has been adjusted totally wrong: typical values are 100 for SCA (coarse) and 55 for TUn (coarse).

- The module comes with installed bus jumpers for CV and Gate. One has to remove the jumpers if e.g. an A-164, A-190-1, A-190-2, A-190-3, A-185-1 or A-185-2 is already connected to the CV and/or gate lines of the same bus board! If the A-190-3 should be used as CV and gate source for the A-100 bus the CV and gate connections of other CV/gate sources to the A-100 bus have to be removed. Otherwise short circuits are made between the outputs of the CV or gate transmitters!

- The gate level of the A-190-3 can be changed from +5V to +12V. For this the jumper on JP10A (behind the CV Note socket, labelled "GATE 5V JP10A") has to be removed and installed to JP10B (behind the 16 pin bus connector, labelled "GATE 12V JP10B").

- The module is a USB device or slave in USB mode. It has no USB host function (like computers or laptops with type A USB connectors).
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 2 in stock $146.43
Cat: 577766 Rel: 15 Aug 18
 
Analogue noise & random module - 8HP
Notes: Module A-118 is a noise and random voltage generator. It produces three types of signal: white noise, coloured noise, and random voltage.

White and coloured noise can be used as audio sources, and also, in conjunction with a sample & hold module, as control voltages, and the random voltage is a useful source of voltage control, especially for its low frequency content.

The A-118 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the coloured noise output.

There are knobs to control the rate of change and amplitude of the random voltage, and two LEDs indicate the state of the voltage at any one time.
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 2 in stock $68.62
Cat: 703564 Rel: 08 Oct 18
 
Analogue noise/random with black faceplate & custom knobs - 8HP
Notes: Module A-118 is (as you might have guessed) a noise and random voltage generator. It produces three types of signal: white noise, coloured noise, and random voltage. The noise signal is generated 100% analogue by amplification of the noise of a transistor. White and coloured noise can be used as audio sources, and also, in conjunction with a sample & hold module, as control voltages, and the random voltage is a useful source of voltage control, especially for its low frequency content.

The A-118 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the coloured noise output.

There are knobs to control the rate of change and amplitude of the random voltage, and two LEDs indicate the state of the voltage at any one time.
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 1 in stock $79.51
Cat: 577771 Rel: 29 Nov 17
 
Envelope follower & pre-amplifier for microphone/line-signals - 8HP
Notes: Module A-119 (External Input / Envelope Follower) is designed to allow external audio signals to be integrated into the System A-100. It comprises a pre-amp, envelope follower, and comparator.

The pre-amp has two inputs: an unbalanced input for line level signals, with a gain factor of from 0 to 20, and a balanced input with a gain factor of from 0 to 500, for insertion of low level signals, for instance from a microphone or electric guitar.

The Envelope Follower reads the signal level of the input, and puts out a proportional voltage as an envelope at its own output.

The comparator generates a gate signal whenever the input goes above an adjustable trigger threshold.

Three LED's help you keep track of overload, the envelope, and the gate signal.
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 4 in stock $68.62
Cat: 577743 Rel: 29 Nov 17
 
12dB multimode filter module - 8HP
Notes: Module A-124 is a special 12dB multimode filter using the "strange" filter circuit of the "EDP Wasp" (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company "Electronic Dream Plant").

This design "abuses" digital inverters as analog operational amplifiers leading to distortions and other "dirty" effects that generate the specific sound of this filter.

The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal.

If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates.

The module does not feature self oscillation in contrast to most of the other filters of the A-100 system.
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 5 in stock $81.69
Cat: 676696 Rel: 01 Feb 18
 
Four-fold envelope follower with adjustable attack & release time for each channel
Notes: The A-135-4C is composed of four envelope followers with adjustable attack and release. The circuit was designed to be used as an addition for the A-135-4A/B Performance Mixer, adding ducking, compressor and expander functions to the mixing system. However, thanks to a full set of inputs and outputs, it is also possible to employ the A-135-4C for other tasks.

The A-135-4C offers four identical envelope followers. Each modulator comes equipped with an audio input, attack and release potentiometers as well as a CV output. LED's visualize control voltages generated by the module. The A-135-4C can be connected to the A-135-4A/B Performance Mixer via a Ribbon cable. Users are able to determine whether audio material gets tapped off directly after the input connectors, behind the gain stages or after the level control of the A-135-4A. By plugging in patch cables into the envelope follower's inputs, the internal routing can be suspended.
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 1 in stock $130.71
Cat: 577776 Rel: 29 Nov 17
 
Four channel mixer module - 8HP
Notes: Module A-138 is a four channel mixer, which can be used with either control voltages or audio signals. Each of the four inputs has an attenuator, and there's a master attenuator, so that the mixer can be used at the end of the audio chain, i.e. it can be used to interface directly with an external mixer, amplifier, etc.

The A-138b has potentiometers with logarithmic response, so is especially suitable for audio signal mixing.
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 1 in stock $56.63
Cat: 671593 Rel: 29 Nov 17
 
Performance Mixer system input module featuring four identical input channels - 16HP
Notes: Modules A-138p/o are used to built a simple performance mixer (instead of an external stand-alone mixer). Module A-138p is the 4-fold input module, A-138o is the output module that can be combined with one or more A-138p.

A-138p features:

- 4 channels
- Controls and inputs for each channel
- Input (3.5 mm mono socket)
- Signal LED (as a coarse monitor of the incoming level, the level is measured after the gain control)
- Mute switch
- Gain (control to adapt different audio levels)
- Level (the main volume control)
- Aux
- Pan
- Internal jumper for each channel to choose between Aux pre/post main Level control
- Internal connection to the output module and to other A-138p modules

Doepfer A-138p requires A-138o (no stand-alone use).
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 2 in stock $108.92
Cat: 698465 Rel: 15 Aug 18
 
Reverb effects module with spring reverb tank - 8HP
Notes: Module A-199 is a spring reverb module. The reverb effect is electronically simulated by means of 3 spiral springs. Spring reverb systems have a very characteristic sound that is based on the (insufficient) mechanical properties of the springs like signal delays, audio resonances, limited frequency range, acoustic feedback behaviour, sensitivity to mechanical shocks and others.

The 3-spring system used in the A-199 ensures a "dense" reverb because of the different properties of the three springs.

The A-199 implies some special features that are not self-evident for spring reverb units:

The reverb signal can be fed back to the input using the Feedback control. Even self-oscillation of the springs similar to the self-oscillation of filters is available. The feedback loop can lead even via external modules like VCA, VCF, phaser, frequency shifter, vocoder, distortion/waveshaper, ring modulator and others. In this case the reverb output of the A-199 is connected to the input of the external module(s) and the output of the external module(s) is fed back to the Ext. Feedback In socket of the A-199. This socket contains a switch that interrupts the internal feedback loop as soon as a plug is inserted.

Another feature is the Emphasis control. This enables the adjustment of the accentuation of middle frequencies (around ~ 2kHz).

With the Mix control the relation between original and reverb signal appearing at the mix output is adjusted.

Using all these features very extreme and unusual effects can be generated with the A-199.
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 1 in stock $131.80
Cat: 695534 Rel: 03 Sep 18
 
All-analog multi-effects processor - MKII version
Notes: Elektron proudly presents the Analog Heat MKII, a versatile and powerful stereo analog sound processing unit. It does not make any sound on its own but does an excellent job enhancing any sound source you plug into it. The eight analog stereo effects circuits, the multimode filter, and the two-band EQ provide a wealth of sound shaping options. Upgrades from the MKI version include tougher and more precise encoders, back-lit buttons and a larger, sharper OLED screen. Great for stage, great in the studio, it even works as a 2-in/2-out sound card, for the on-the-go music producer.

Eight Effects:
The eight stereo analog circuits are designed to quickly access varied and powerful sound shaping. Each circuit has a distinctive way of processing sound. Clean boost, tape-like saturation, tube amp-like enhancement, overdrive, crunch, distortion, harmonic fuzz or high gain? You'll find your favourite flavour with ease.

Filter, EQ, Modulation:
Right next to the effects dial there's a stereo analog multimode filter and a two-band stereo analog EQ, hands-on and accessible. Modulation sources include a custom envelope and an LFO, each with a host of possible destinations. The intuitive controls and the ample modulation options make precise sound processing a breeze. Combined use of filter and envelope lets you heat up just the frequency range you want, at just the amplitude threshold you want.

Brighter and Better:
The MKII version of the Analog Heat features improved durability and precision encoders, new tough back-lit keys and a crisp OLED screen. The display is bigger, sharper and brighter: perfect for performing in the dark. There is also additional visual feedback on the Amp, Filter, Envelope and LFO pages that makes overview and understanding of sound processing and modulation a whole lot easier.
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 More than 10 in stock $663.40
Cat: 682565 Rel: 11 Oct 18
 
10HP Eurorack filter module
Notes: The Polivoks Filter module, from Elta Music, utilizes the classic Soviet filter chip for a unique and iconic filter tone, and brings it to the Eurorack modular format. It provides two CV inputs with individual depth pots for ultimate control over cut-off frequency. One input with sensitivity control and four outputs available simultaneously, lowpass, bandpass, high-pass, and notch filter types.
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 2 in stock $152.50
Cat: 673533 Rel: 02 Jan 18
 
4 HP auto-tuner module
Notes: You can't tune two VCOs to note A in less than a minute? You need the Autopilot! Simply connect oscillators and a pitch CV source, press the module's button and wait for a few seconds. It doesn't get any easier than this.

The Autopilot features two identical tuners for precisely calibrating oscillators to note A.

The procedure:

- Connect the Drop Out socket of the tuner to the 1v / octave input of the VCO.
- Patch the VCO's waveform output to the Tune In connector of the tuner.
- Connect a sequencer or keyboard to the tuner's Key In socket.
- Press the tuner's button and wait a few seconds.
- Done

With a long press on both tuner buttons, the reference pitch can be shifted from 440 Hz to 432 Hz.
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 2 in stock $114.38
Cat: 638010 Rel: 30 Jan 17
 
Digital multi-purpose module with dual voltage controlled AD/AR/looping envelope & dual gates
Notes: The Grand Terminal is a digital multipurpose module for ambitious sound designers. It contains two function generators, which can be used as envelopes, LFOs or VCOs, two filter channels with eight modes of operation, mixing and routing options as well as a multi effects unit. Considering this feature set, it is safe to say that the Grand Terminal is more than the sum of its parts. It is a complete synthesizer voice, which can also be used as a dual mono or stereo filter plus reverb, delay respectively chorus processor and modulators. Despite its high complexity, handling the unit is easy as pie. The sound is crystal clear and, thanks to all the filter types and effect algorithms, very versatile. Simply put it in your modular and take off!
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 1 in stock $598.04
Cat: 617810 Rel: 30 Jun 16
 
USB to MIDI to CV converter synth module - 12HP wide
Notes: - 12 HP width, up to 1 1/3" in depth

- USB-to-MIDI-to-CV converter module with 16 arbitrary assignable channels

- Simultaneous USB on-the-go device and host modes using 120 MHz ARM Cortex-M3 CPU

- Internal PSU capable of working from cigarette lighter receptacle, rechargeable battery or 12-20V AC-DC power adapter to power up the full Endorphines Shuttle system

- No drivers required for a direct connection to your MAC/PC or iOS devices

- Up to 8 voices of polyphony, polyphonic key aftertouch, no steps in CC voltages, MIDI clock, Tap Clock, Tap LFO, bi-directional USB-MIDI transfer and many more MIDI events can be translated into CV

- Edit your presets with web MIDI editor on the go in a web-browser

- Easy firmware update via USB on PC/MAC
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 2 in stock $429.19
Cat: 617811 Rel: 30 Jun 16
 
MIDI merger synth module for merging MIDI and USB-MIDI streams into one MIDI/USB MIDI flow - 6HP wide
Notes: - 6 HP width, up to 1 1/3" in depth

- Merge MIDI and USB-MIDI streams into one MIDI/USB MIDI flow

- Perfect mate for Shuttle Control to be able to connect a few MIDI devices into Shuttles "to host" input (e.g., merge drum machine's MIDI clock while playing with your MIDI controller)

- No bus power required - device runs fully on power delivered from USB socket, however it also may be powered from the bus board
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 2 in stock $114.38
Cat: 553603 Rel: 19 Nov 14
 
Quad multimode filter synth module
Notes: In our project Orage Magnetique to recreate a sound spaciolab to recreate sounds from space , this quad multimode filter has been designed to simulate the action of magnetic fluctuations on the sound landscape. The effecs of ionisation variations are modified by the different filters cutoff frequencies and the way they are synced. The module Fluctuations magnetiques (magnetic fluctuation) is a module from the modular synthesizer Orage Magnetique. This quad mutimode filter combines 4 independent multi-mode filters with selectable low-pass, band-pass & hi-pass. Each filter can be synced to one another to build to a 48dB low-pass/hi-pass filter or 24dB band-pass. Each filter has an modulation input and an individual output to create stereo effects a well as quadriphonic textures. The filters A & B and C & D can be used in parallel mode or serial mode.
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 3 in stock $200.44
Cat: 553606 Rel: 19 Nov 14
 
Voltage controlled amplifier synth module
Notes: GERMANIA 241 is a germanium transistor voltage controlled amplifier simulating the crossing of the belt of asteroids Germania 241. The germanium transistor will add this particular distorted sound made by the speed of asteroids.

Germanium transistors stocks are limited and may have different origins. Note that this module is a limited edition and that the sound can differ from one module to to another.

signal 0>10: input level
gain 0>10: minimum output level
mod2: amount of gain modulation of mod2 input
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 3 in stock $127.45
Cat: 694978 Rel: 09 Jul 18
 
Delay stage for clock signals featuring three modes of operation
Notes: The Swing module is simple, but an effective addition to analogue sequencers. Swing is a voltage-controlled clock delay with three modes, which can be used to provide step sequencers with a swing factor.

Swing features a clock and reset input to synchronize to an external clock, and four outputs that can be time delayed.
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 2 in stock $90.41
Cat: 690930 Rel: 14 Jun 18
 
Versatile Eurorack sequencing module - 10HP
Notes: Erica Synths 8 channel Sequential Switch is a unique module that allows you to sequence up to eight sound sources in advanced ways or route one sound source sequentially to eight different sound modifiers - VCFs, waveshapers, VCAs, etc.

Erica Synths Sequential Switch (SS) has unique control interface that allows you to pause, skip and merge steps and set sequence length, but what really sets it apart from other sequential switches is Gate output - when used with ADSR and VCA, you get a really powerful sequencer with real time control over each sound source in the sequence. Use Sequential Switch with random clock source and you get a heart of insane random, self-generating patches!
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 1 in stock $145.96
Cat: 690948 Rel: 19 Sep 18
 
Synth voice module for ultimate acid basslines - 14HP
Notes: Erica Synths Bassline is fully analogue synth voice module for ultimate basslines and leads.

It features AS3340 VCO with three waveforms, a filter inspired by Erica Synths Acidbox and unique features - transistor based suboscillator and two BBD lines that emulate VCO detune creating a sound of massive polysynth from one oscillator.

Accent provides more expression to the bassline, by adding volume and opening the VCF slightly.
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 6 in stock $350.75
Cat: 690934 Rel: 14 Jun 18
 
Duophonic MIDI Eurorack module - 6HP
Notes: Erica Synths Black MIDI-CV is a compact, highly accurate and easy to use duophonic MIDI interface.

This module emulates classic monophonic and duophonic synth behaviour, it can also be configured for use in two independent MIDI channels. Bonus features - MIDI clock output and analogue glide circuit on both channels.

Erica Black series are high-end modules with unique functionality. Only the highest quality components are used and all inputs and outputs are protected against undesired overvoltage. When designing the Black Series, we did not economise on the module width, we put design and usability first. Big knobs are assigned to functions that make difference in sound. Together the Erica Black series are a range of modules that make an entire synthesizer.
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 1 in stock $190.62
Cat: 702199 Rel: 19 Sep 18
 
Analogue clap circuit with sharp, punchy sound 10HP
Notes: Erica Synths Clap is developed together with French company e-licktronic and it's our take on analogue clap circuits adapted for modular systems. Sharp, punchy sound, Accent & CV control over Tone make it distinctively expressive in studio and live performances.

Decay range 120ms - 1100ms
Audio output level -5...+5V
CV level (full span) -5 - +5V
Trigger level 5V
Trigger time 1ms
Accent CV level 10V
Power consumption 24mA@+12V, 20mA@-12V
Module width 10HP
Module depth 35mm
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 1 in stock $150.32
Cat: 702201 Rel: 20 Sep 18
 
Compact drum mixer with compressor - 10HP
Notes: Erica Synths Drum Mixer Lite is compact version of Drum Mixer. It features extended headroom and a dedicated drum compressor of unique design keeps each drum sound clearly distinguishable and add power to the final mix. Bonus feature - effects send output allows to apply external effects to the signals on the first three inputs. LEDs next to each input give visual feedback on the signal level.

Mixer gain -+6dB
Power consumption 59mA@+12V, 36mA@-12V
Module width 10HP
Module depth 35 mm
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 1 in stock $172.10
Cat: 702204 Rel: 19 Oct 18
 
Dedicated drum mixer with a compressor - 14HP
Notes: Erica Synths Drum Mixer with extended headroom and a dedicated drum compressor of unique design keeps each drum sound clearly distinguishable and adds power to the final mix. Bonus feature - effects send output allows to apply external effects to the signals on the first three inputs. LEDs next to each input give visual feedback on the signal level.
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 1 in stock $193.89
Cat: 702185 Rel: 19 Sep 18
 
Dual Drive for For extreme, distorted drums 10HP
Notes: For extreme, distorted drums Dual Drive module is a must! The module features two identical overdrive sections with adjustable Gain and Drive level, each with three flavors of overdrive. CV control over Gain and Drive adds more expression, while built in limiter prevents output signal to run into undesired clipping. Furthermore, the output of the first section is normalled to the input of the second, so you automatically get extreme, versatile dual overdrive circuit. The module can be used in the stereo appliations as well and it's not limited for drums only - it will turn any sound source into roaring monster.

Audio output level -5V...+5V
CV level (full span) -5V...+5V
Power Consumption 58mA@+12V
58mA@-12V
Module width 10HP
Module depth 50mm
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 1 in stock $261.43
Cat: 690929 Rel: 15 Jun 18
 
Multi-purpose analogue effects unit featuring dual BBD chips
Notes: Erica Synths Fusionbox is a distinct multifunctional analogue effects unit that combines BBD chip-based effects - delay, flanger, chorus - with tube overdrive in the delay output and feedback path for extra thickness of sound.

Fusion Box lowpass filtering is fully adjustable from none to extreme for a really deep bass sound. A special feature, not found in other contemporary stompboxes or effect units, is the Vintage Stereo Ensemble.

The Vintage Stereo Ensemble provides the classic "stereo ensemble" effect, found on many vintage synthesizers from almost any brand and make. In stereo ensemble effect, the delayed, processed and filtered sound is added back to the dry (mono) audio with inverted phase for one channel, and direct phase in the other. This gives it the distinct and unique moving character, different from that obtained with chorus effects. However, use of inverted phase in stereo field also adds certain peculiarities to watch out for. For example, when such stereo audio is played back on an older "surround" decoding sound system, ensemble effect sound may move to the rear sound channel. Also, if the output gets mixed back to mono, the effect may disappear. This also applies to mono subwoofer systems, or speakers that are placed too close. This is normal, and occurs with any similar vintage stereo ensemble processing. In this case and if such oddities are undesirable, to avoid mono mixing issues, you can choose to use only one of the output channels, or use two separate ensemble processors for left and right channels.

Fusionbox has adjustable input gain, therefore it works with various sound sources - guitars, units with line level signals (synthesizers, grooveboxes, etc.) and modular synths. Footswitch allows to switch on or bypass effects making Fusionbox ideal for guitar players.
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 2 in stock $511.98
Cat: 690932 Rel: 14 Jun 18
 
Bi-directional MIDI to clock conversion module - 6HP
Notes: Erica Synths MIDI to Clock V2 is an essential module if you wish to sync your modular system to MIDI devices.

What sets Erica Synths MIDI <-> Clock module apart from others is that it works BOTH WAYS - it derives analogue clock from MIDI messages AND you can flip a switch and turn incoming analogue clock to MIDI clock and sync your MIDI devices to your modular. For more versatility the module can be used with several incoming clock PPQs, plus, divisions and multiplications of incoming clock are available straight away.
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 1 in stock $166.66
Cat: 690933 Rel: 14 Jun 18
 
MIDI & modular conversion Eurorack module - 6HP
Notes: Erica Synths MIDI to Trigger module lets you control your drum modules and trigger events on your modular from any MIDI sequencer!

If you want to use a MIDI sequencer to trigger events on your modular synthesizer (e.g. using the hexinverter.net Mutant drums range or Tiptop Audio classical drum modules or envelope generators to control VCAs), Erica Synths MIDI to Trigger module is just what you need, it converts ANY MIDI notes to eight 10ms Trigger signals.

When designing the module, Erica Synths put usability as priority; it will take you seconds to program the module. It works with any MIDI sequencer & controller so there is no need to change MIDI controller settings, instead, you reprogram the module.
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 1 in stock $117.64
Cat: 686681 Rel: 30 Apr 18
 
Precision scaler to adapt Moog Mother 32 1V/oct to Eurorack standard
Notes: Erica Pico MSCALE (Moog Scale, to be specific) is precision scaler to adapt Moog Mother 32 to Eurorack standard 1V/oct control voltages.

Those who own Moog Mother 32 know that it requires -5V - +5V on 1V/oct input to operate in full range, while the Eurorack standard is 0V - +10V. So, to control Moog Mother 32 from a Eurorack sequencer you need to bias a sequencer output for 5 volts down. And vice versa - Moog Mother 32 sequencer outputs -5V - +5V on 1V/oct output, and, if you wish to control some Eurorack VCO from Moog Mother 32, you need to bias it 5 volts up. This is exactly what MSCALE does - it has two sections - upper one adds 5V to the input voltage, other subtracts 5V form the input voltage.

Of course, the module is not limited for use with Moog Mother 32 only. You can use it as a regular Eurorack precision voltage scaler.
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 2 in stock $81.69
Cat: 686691 Rel: 27 Apr 18
 
Companion board for uploading your samples to Pico Drums
Notes: If you wish to upload your own drum samples to Pico Drum module, you'll need the Pico Drum Programmer. Please refer to the Pico Drum user manual for sample upload instructions via a plug in for the Google Chrome browser.

- 5 pin header connects with the module, USB header connects with the computer
- USB cable is not included
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 2 in stock $25.33
Cat: 686654 Rel: 30 Apr 18
 
Dual drum/sampler module with 64 samples, pitch, decay & volume control
Notes: Erica "Pico DRUMS" module gives you two independent great sounding drums with versatile control over several parameters and extensive collection of drum samples. Chain up several Pico Drums and get one of the smallest modular drum setup in the modular world!

You can also upload your own drums (samples) on it using the programmer device.
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 2 in stock $130.71
Cat: 686661 Rel: 30 Apr 18
 
Compact envelope generator with selectable AD & ASR modes - 3HP
Notes: Erica Pico Envelope Generator brings you straight-forward AR/ASR linear or logarithmic envelope generator and LFO in 3HP module.
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 2 in stock $60.85
Cat: 686624 Rel: 30 Apr 18
 
External device input module - 3HP
Notes: Erica Pico INPUT module is just what you need to interface your modular system with external synths or even your mp3 player or mobile phone.

It boosts external signal to modular synth signal level.

With the Pico Input, line signals from, for example, a synthesizer, drum-computer, audio interface or smartphone can be raised to modular level. The module delivers up to 40 dB of gain. Thanks to its two channels, users can comfortably process mono as well as stereo material.

The Pico Input comes equipped with two signal paths. Each signal path features an audio input, a volume potentiometer and an output. Up to 40 dB of amplification are available. Using jumpers on the circuit board, it is possible to dampen the maximum gain to 20 dB. The module's first input is a stereo jack, meaning the user can connect a smartphone or tablet without any adapter cables. In this case, incoming signals are distributed internally to both channels.
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 2 in stock $70.80
Cat: 686657 Rel: 30 Apr 18
 
Advanced random CVs module - 3HP
Notes: Erica Synths Pico Mask is advanced random CV signal generator that generates sample and hold CV signal within user defined mask.

This means that you have certain control over randomness. Pico MASK can play key role in self-generating music, work as CV processor, waveshaper and bitcrusher - your imagination is the limit!
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 1 in stock $67.85
Cat: 686665 Rel: 30 Apr 18
 
Envelope generator & VCA combo in 3HP
Notes: Erica Pico Modulator combines Envelope Generator and VCA in one module with straight-forward controls for live performances.

Small, yet versatile envelope plus VCA, the Pico Modulator is an envelope generator with AD and ASR modes. The circuit can work with linear or exponential curve shapes. Thanks to its loop function, the module is also usable as a LFO. Furthermore, the Pico Modulator comes equipped with a VCA, which is controlled by the envelope.
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 2 in stock $128.53
Cat: 686673 Rel: 30 Apr 18
 
Output module with headphone amplifier - 3HP
Notes: Erica Pico Output module is just what you need to monitor your music on headphones and have standardized connection to mixing desks.

3.5mm stereo output jack allows you to connect the Pico System directly to virtually any speaker system or line input. Even in your car.
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 2 in stock $92.58
Cat: 686628 Rel: 30 Apr 18
 
Microtonal quantizer module - 3HP
Notes: Erica Pico Quant is advanced CV quantizer with some unique features - quarter tone accuracy and the web-based interface for creating user generated scales.

- 8 preset scales
- Web based interface for user generated and extra preset scales
- Microtonal quarter tone scales
- Adjustable tolerance
- Adjustable CV glide between notes
- Clocked and independent quantization
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 4 in stock $128.53
Cat: 686655 Rel: 27 Apr 18
 
Random generator & LFO with independent outs - 3HP
Notes: Erica Pico RND is combined LFO/random source module.

It generates sine LFO waves, white noise, S&H CV and some interesting stuff - random triggers and pulse wave with random duty circle; basically, everything, you need, to bring some uncertainty in your modular setup.

The Pico RND comes equipped with five outputs, they emit the following signals:

- Sine waves
- Pulse waves with varying width
- Random triggers
- Sample and hold material
- White noise

The speed of LFO and S&H circuit can be edited using the module's potentiometer (Range: 0.1 Hz to 20 Hz). For synchronizing the Pico RND with other gear, a clock input was implemented.
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 1 in stock $99.12
Cat: 686648 Rel: 30 Apr 18
 
Signal manipulation module - 3HP
Notes: Erica Pico SCALE module allows you to manipulate audio or CV signals - attenuate, boost, invert and offset - in order to achieve interesting modulation effects.
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 1 in stock $55.23
Cat: 686629 Rel: 30 Apr 18
 
Compact master clock with step patterns & 4 trigger outputs - 3HP
Notes: The Pico Trigger not only provides a master clock but can even generate different trigger patterns which can be up to 16 steps long and feature adjustable shuffle. There are clock divder patterns, polyrhythmic patterns, and so on. New patterns can be loaded via the clock input and there's memory for eight patterns.

The module is used to create four trigger sequences which can be up to sixteen steps long. The pattern length can be set for each track - polyrhythmic use is totally easy to accomplish!

Patterns are created solely with a web based pattern generator and are loaded to one of the eight memory slots via the clock input in a special mode. The pattern generator is neither an app nor a special program but a website and thus works with every computer, laptop, tablet or smartphone with internet connection.

The Pico Trigger has an integrated clock generator but it can be synchronized to an external clock, depending whether the clock socket acts as an input or output.
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 1 in stock $117.64
Cat: 686639 Rel: 30 Apr 18
 
Polivoks-inspired VCF - 3HP
Notes: Erica Pico VCF1 is a younger brother of Erica Black Polivoks VCF, designed on the similar topology using rare Russian op-amps.

As result you get a filter for great acid basslines, screaming resonance sweeps and deep wobbles.
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 2 in stock $103.48
Cat: 686678 Rel: 30 Apr 18
 
Synth voice with 8 sound generation algorithms
Notes: Erica Pico Voice is amazingly versatile sound source in just 3HP. It features 8 sound generation algorithms: Karplus Strong, Chords, Wavetable, TB303 bassline emulation, PWM, Supersaw, Wavefold and Harmonic saturation, with three adjustable parameters per algorithm and CV control over one user defined parameter. Despite the small size, Pico Voice sounds bigger than it is!
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 2 in stock $138.33
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