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Back Catalogue: Studio Equipment

Items 1,551 to 1,600 of 2,603 on page 32 of 53
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Cat: 690794 Rel: 30 May 18
Compact DSP-based multi-effect module - 10HP
Notes: The Flame FX16-CV module is a small low-cost DSP-based (Spin semiconductors FV-1, 24bit ADC/DAC) multi effect module, designed for small mobile Euro racks. 16 different multi-effect programs are available. There are three knobs with additional CV inputs to change the effect parameters. Also, it's possible to select the effect program with CV or pot.

Audio stereo input and stereo output levels are adjusted for modular rack levels. The input can be attenuated and is protected against level peaks. The dry/wet pot can be used manually for mixing between input and effect audio signal. The outputs are buffered by an op-amp. One red LED indicates clipping.

List of multi-effect programmes:

- PITCH/ECHO (Pitchshifter-Echo)
- VIBRATO (Reverb-Envelope Vibrato)
- FLANGER (Reverb-Flanger)
- CHORUS (Reverb-Chorus)
- PHASER (Reverb-Phaser)
- ECHO-REPEAT (Stereo Ping Pong Delay)
- AUTO-WAH (Reverb-Envelope Lowpass)
- RINGMODULATOR (Reverb-Ringmodulator stereo)
- BITCRUSHER (Reverb-Bitcrusher-Lowpass)
- REV-FL-LP (Reverb-Flanger-Lowpass)
- REV-HP-LP (Reverb-Highpass-Lowpass)
- REV-PT-LP (Reverb-Pitchshifter-Lowpass)
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 2 in stock $230.07
Cat: 680747 Rel: 08 Mar 18
Compact joystick module with 8 memory slots & sequencer functionality - 10HP
Notes: With the Memory Joystick, you can control your modular system like an old video game console. Movements of the stick are recordable. Eight positions can be stored and recalled via buttons. Alternatively, it is possible to jump from one to the next value. The feel is then similar to a step sequencer. You can even vary the playback behaviour.

The Memory Joystick will always start in MANUAL MODE:

Moving the joystick generates CV at the X and Y outputs. Pressing HOLD will freeze the current position. The joystick movements are always being recorded in the background while the SAVE button is blinking. By pushing the SAVE button, now lit permanently, the playback of your movements will start. A RESET impulse resets the loop. Easy and enjoyable!

A little more complex, but not less enjoyable, is the second mode of operation. By pushing MEMORY, you enter the MEMORY MODE:

In this mode, you can use the eight buttons to save eight different joystick positions. This means you have a memory of eight values for the X and Y CV-outputs. You can then play these eight memory slots manually with the respective eight buttons, or sequentially with a CV at CV-MEM or with triggers at the TRIGGER input. While being clocked you can choose nine playback PATTERNS by the position of the joystick. So this module is also a joystick-playable eight-step sequencer!

The memory in MEMORY MODE is non-volatile, meaning you can power off your module and return to the exact setting.

Another nice feature of the Memory Joystick: The orientation can be varied by 180 degrees! This way, you can decide whether you want the buttons and jacks on the top or bottom of the module. When using the module upside-down, there is a nice little trick: Push a little switch on the back of the module to invert the X & Y outputs and also shift the starting position of the sequencer by four steps.
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 2 in stock $207.93
Cat: 690792 Rel: 30 May 18
4-channel CV recorder, looper & lo-fi sampler - 14HP
Notes: Four-channel recorder/looper for recording and playing back control voltages or potentiometer movements in a very wide frequency range, from very slow to fast. The output is a smoothed voltage without audible increments due to an algorithm with 16 bit resolution.

Synchronization via clock or MIDI and "punch-in" recordings are possible. The recording time per channel is up to one hour (such us MIDI clock) independent of selected sync mode.

Four independent channels are used for recording control voltages from analogue sequencers, LFOs, envelope generators, joysticks as well as potentiometer movements. It's possible to record/playback CVs in 16 Bit resolution either in the -5V to +5V range or from 0V to +10V. You can set the range individually for each channel.

SOURCE determines the record source. This can be the CV input, the potentiometer or both. ZOOM is a two stage fine adjust function of the control ruler.

Playing back the tracks can happen manually, via a Trigger, a Gate or via MIDI Start/Stop. Following modes are possible: LOOP, SINGLE (one shot), GATE (gated playback) and SCAN (CV scanning). Using the SCAN mode, the recorded sample can be scanned via CV input or the pot of the channel. It is possible to manually play the track velocity and direction (feasible effects: reverse, randomized, stuttering).

There are a number of possibilities to manipulate track playback. After the recording you can change the START point, end point (LENGTH) and playback SPEED or determine if the loop is set with the CVs or pots.

Using the LINK function, it is possible to group channels for multitrack or joystick recording: ALL allows for using all four channels individually. In DUAL mode tracks are grouped in sets of two or four tracks at any one time (e.g. for simultaneous recording of X and Y axes of a joystick).

Synchronization via clock or MIDI and "punch-in" recordings are possible with individual settings per track and with automatic detection of the clock frequency (number of clocks per quarter). When synchronising to MIDI Clock (96 pulses per bar) you can record up to one hour. The HARD/SOFT setting uses different levels for the CV interpolation in Clock/MIDI sync mode.
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 1 in stock $395.98
Cat: 673008 Rel: 13 Dec 17
Compact three channel utility module for every patch - 6HP
Notes: The 321 includes the most useful functions we always need in every patch, to edit and combine dynamically the signals in use.

It is composed of three identical sections, the red, yellow and green, where each of those is capable of scaling any signal, from 0 up to 2 times (+6dB), flip its phase, and apply a DC offset, allowing to shift your audio or CV up or down.

In case no signals are connected to the section input, the offset may act as a CV source too.

The three sections are then summed together into two independent summing stages: the top right jack outputs the sum of all three sections, while the top left outputs the sum of the unconnected sections only (semi-normalled).

The 321 is entirely DC coupled, allowing the process of control voltages as well as audio signals.

In case CV's or audio signals are particularly hot, the two 6dB attenuators, one per each summing section might be helpful to reduce exactly by 50% the incoming signals.
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 3 in stock $100.64
Cat: 673007 Rel: 22 Dec 17
Mixer/buffered signal distributor module - 6HP
Notes: The 333 is a summing and distribution module for Eurorack modular systems.

It is composed of three identical sections, the red, yellow and green, each of those featuring three inputs summing amplifier with three independently buffered outputs.

Derived directly from the CGM creative mixer series, the sum section is DC coupled, allowing the sum of control voltages as well as audio signals.

With an extremely low tolerance in both sum and output sections, it is suitable also for summing quantized voltages like the ones coming out from the quantized outputs of the SAPEL.

In case CVs or audio signals are particularly hot, the 6dB attenuator might be helpful to reduce exactly by 50% the incoming signals.

Red and yellow output are also normalled to the 1st jack socket of the yellow and green input: in this way this module can also work as a 1 to 9 buffered multiple.
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 2 in stock $94.02
Cat: 673003 Rel: 22 Dec 17
Channel sub-module of the high-quality, expandable CGM Creative Mixer system
Notes: The CGM Creative Mixer is a modular mixing solution for Eurorack modular systems, designed to obtain a flexible setup, providing all the tools you may need in studio and during a live performance, as well as everything you may want to control via CV. Up to 8 Channels may be connected to a single Group, taking care also of its powering. You can connect also up to 4 Groups to a Master module.

The Channel manages mono signals via the 3.5 mm input mono jack. It has a main stereo VCA with CV in and attenuator (RED), a direct output post main VCA (pre or post fader), two parallel sends with mono VCA with CV in and attenuator for each send and pre/post fader switch (YELLOW and GREEN), and a PAN control with offset CV and offset pot. This, together with the latching buttons for mute, solo in place, and PFL, manages the incoming signal and distributes it to the Group module.
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 1 in stock $191.34
Cat: 673004 Rel: 13 Dec 17
GROUP sub-module of the high-quality, expandable CGM Creative Mixer system
Notes: The CGM Creative Mixer is a modular mixing solution for Eurorack modular systems, designed to obtain a flexible setup, providing all the tools you may need in studio and during a live performance, as well as everything you may want to control via CV. Up to 8 Channels may be connected to a single Group, taking care also of its powering. You can connect also up to 4 Groups to a Master module.

The Group gets and sums the L/R post fader signals (WHITE) of all the linked Channels, sums all the signals from the YELLOW and GREEN sends, and manages the sends (mono) and returns (DUAL MONO or STEREO), summing it to the signals from the CHANNELS. It also manages the solo in place activation on all the linked Channels, and provides a L/R output for the outgoing signal, or (via a jumper on the back of the module) a L/R output of the sum of the returns signals.
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 1 in stock $194.66
Cat: 673006 Rel: 12 Feb 18
All analog dual filter bank - 42HP
Notes: The FUMANA is an all analog dual filter bank with various control to access dynamically these bands. Each filter bank is composed of an array of 16 independent 48dB/oct bandpass filters. Having two identical filter arrays, allows you to use one of those for spectral analysis (of a modulator signal) and the other for spectral re-synthesis (of the main signal). Each array is sub-grouped in odd and even bands (numbering these increasingly from 1 to 16 from left to right). It is possible to apply different signal to odd and even bands, both for main and/or modulator arrays. This, together with the 16 envelope followers connected to each band of the modulator filterbank, and the 16 VCA connected to each band of the main filterbank, allows the FUMANA to perform a single 16 bands or a dual 8 bands analog spectral transfer.

While the upper section provide access to each main filter's direct output, the lower section has 4 voltage controllable parameters to manage two independent functions for further spectral editing: tilt and parametric scan.

The tilt, as the name suggest, tilts the spectrum, adding and subtracting amplitude to the 16 bands, emphasizing lower or high bands, and attenuating high or lower bands: this is managed only with the green potentiometer.

The parametric scan, instead, works with three parameters: peak/notch, band selector and width. Like in a parametric equalizer, where is possible to set peak/notch gain, frequency and slope, the FUMANA uses three parameters to set which is the centre band to perform this manipulation, then if that band should be emphasized or attenuated, and how this action is extended to nearby bands.

In addition to the 16 bandpass outputs, there are other 4 outputs provided: the all bands output, the all envelope followers output, the odd bands and the even bands output. These two have the options to be inverted in phase with two switches, in order to obtain even more combination when summed together, maybe/also with the "all bands output", using, for example the 333 module.

Since a spectral transfer tool may be used as a "vocoder-like-effect", the FUMANA provides an input for an external noise which may be used for unvoiced (fricative/sibilants) sounds as words containing or starting with s, f, z, ch and other fricative sounds.
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 2 in stock $1,058.51
Cat: 673009 Rel: 13 Dec 17
6 HP Eurorack power supply module
Notes: The SILTA power module has been designed and manufactured for by SoundMachines. It allows daisy chaining for up to 3 SILTA modules. Each module includes a 5V USB port to power up any USB lamp. It powers UNO.

Three boards are included in each UNO case, with 3 flat cables (9 connectors each for the 84HP, 12 each for the 126HP). The boards are mounted inside each metal row without front panel in order to do not waste any precious HP.
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$173.64 SAVE 20%
 1 in stock $138.92
Cat: 614113 Rel: 16 Jun 16
Eurorack phaser synth module - 12HP wide
Notes: Continuum has it's roots in my previous guitar effects pedal designs. First there was Causality 4, then Causality 6, then Gemini Dual Core.

Continuum looks and acts rather like a VCF, in fact that's exactly what a phaser is, an all-pass VCF. There's far more to phasers than just sweeps up and down from an LFO, so Continuum has two CV inputs, so you can use a variety of CV sources simultaneously.

The topology of Continuum is 4 swept OTA all-pass filter stages with a fixed all-pass filter stage either side of the swept core. There's a switch to select regen over odd or even stages. Most phasers stick to odd stages, but there are undiscovered sonic possibilities using even stages of regen.

Continuum is now a 2 PCB set and skiff-friendly, a tasty PCB sandwich no less! One PCB holds the main circuit, the other all panel components (pots/sockets/switch). The two PCBs are joined by male/female headers The new version is on RED PCB stock (the old version being a GREEN PCB).

For audio demos, please visit - https://soundcloud.com/frequency-central
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 1 in stock $143.34
Cat: 614126 Rel: 15 Jun 16
Voltage Controlled Filter (VCF) & Voltage Controlled AMplifier (VCA) synth module based on the Moog Taurus Mk I VCF and VCA
Notes: Raging Bull is based on the legendary Moog Taurus Mk I VCF and VCA. It has a lovely, thick Moog-like quality, which is further enhanced by the drive you can get out of its VCA at higher settings.

A big part of the sound of the Taurus was the way in which the VCF interfaced with the VCA, so on Raging Bull the VCA is always in the audio path. A toggle switch allows you to select 'always open' or CV control of the VCA from CV input 1.

For audio demos, please visit - https://soundcloud.com/frequency-central
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 1 in stock $159.28
Cat: 614128 Rel: 16 Jun 16
Eurorack variable filter synth module based on Roland System 700 filter module - 10HP wide
Notes: Based on the Roland System 700 state variable filter module. Lowpass, bandpass and highpass outputs.

A big part of the sound of the State 700 is the way in which resonance is reduced as the audio inputs are driven harder. It won't self oscillate with a hot audio input, throttle back a little and you'll get squelchy ear bleeding resonances!

For audio demos, please visit - https://soundcloud.com/frequency-central
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 1 in stock $177.18
Cat: 614151 Rel: 16 Jun 16
Eurorack voltage controlled filter (VCF) & voltage controlled amplifier (VCA) synth module based on the Moog Rogue VCF and VCA - 10HP wide
Notes: Proudly presenting the lastest module in the ever expanding Frequency Central stable - 'Vogue VCF/VCA' - a faithful clone of the Moog Rogue VCF and VCA on 10HP. Vogue... rhymes with... Rogue... rhymes with Moog.

Vogue has two outputs, VCA and VCF, so the module can be used as a VCF and VCA combined, or you can bypass the built-in VCA altogether and use the module as a stand-alone VCF. The VCA CV input is shared with VCF CV input #1, although it is not affected by the attenuator - so you can feed an ADSR into this CV input, attenuate it for the VCF, but still have the VCA kicking out at full gain. I thought this was a cool way to add the extra functionality of the Rogue's quirky VCA without needing any extra panel space!

Module width: 10HP
Module depth: 65mm
Current draw: +10ma/-10ma

For audio demo, please visit - http://www.frequencycentral.co.uk/wp-content/uploads/2012/11/MoroderClarke.mp3
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$148.33 SAVE 25%
 1 in stock $111.24
Cat: 614155 Rel: 16 Jun 16
Eurorack multi-waveform syncable Low Frequency Oscillator (LFO) module based on Electric Druid TAPLFO2D family of code - 4HP wide
Notes: Wave Runner LFO:
Wave Runner is a multi-waveform sync-able LFO based on the Electric Druid TAPLFO2D family of code, but with some significant additions and improvements. The TAPLFO2D-FC PIC and code is exclusive to Frequency Central and was developed specifically for the Wave Runner, and is not compatible with similar modules.

8 waveforms:
- sawtooth
- ramp
- pulse
- triangle
- sine
- noise
- sample and hold
- stepped triangle/sawtooth/ramp

All waveforms can be skewed using the Distort knob, as well as control over pulse width of square, and distortion of the cyclic waveforms, this get you control over Noise freq as well as bitcrushing, bitcrush of S/H down to 1 bit for random triggers.

Tap sync input, for syncing to whatever. Wave Runner measures the last two incoming pulses and syncs itself to these. Multiply knob allows for Wave Runner to run at x0.5, x1, x1.5, x2, x3 and x4 of the incoming sync pulse. Freq is from stupid slow (0.025Hz) into low audio range (50Hz).

The latest version also features Level CV input to control the absolute output level of the LFO.
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 1 in stock $134.93
Cat: 614154 Rel: 15 Jun 16
Eurorack digital voltage controlled oscillator (VCO) synth module
Notes: Waverider Digital VCO - here we go! Now in production, wavetable VCO with tons of features: CV'd interpolating waveforms, CV'd subosc waveforms and octaves, CV'd glide, bitcrushing and more!

Frequency: The Frequency CV input accepts 0-5V control voltages, quantized to semitones, to cover the MIDI note range 0-63. It is possible to limit the CV input with the CV attenuator. The basic frequency range of the VCDO is ten octaves from MIDI Note 0 to MIDI Note 120 (8.18Hz to 8372Hz), and can be selected by the manual Frequency knob.

Detune: The Detune CV input is not quantised, and allows for -5V to +5V CV to modulate +/-8 semitones. The manual Detune knob allows adjustments to be made +/-100 cents.

Waveform: The VCDO section has 16 waveforms which you're unlikely to have seen before, arranged as a wavetable. The VCDO is able to crossfade from one to the next, creating a wavetable which you can scan through under voltage control, -5V to +5V. It would have been easy to include standard waveforms like ramps and triangles, but there are many oscillators that produce those. This oscillator has its own character and provides something different.

Sub Wave: As well as the main oscillator, there is also a sub oscillator with 8 waveforms. Each waveform can be selected at one of four octaves, either +1 octave (above the main osc pitch!), in unison, -1 octave, or -2 octaves. Additionally, the Sub Wave can be selected externally by CV, -5V to +5V.

Glide: Waverider also includes a glide/portamento effect, glide times range from 12ms/octave to 2.4secs/octave. Turning the Glide knob to minimum switches the glide effect off. Additionally, Glide can be externally controlled by any gate source, 0V = Glide off, 5V = Glide on.

Crush: The Crush knob controls the sample bit resolution of the output (ie bitcrushing). This can be reduced from 8-bit down to 1-bit in eight steps.

VCDO and Sub Osc Outputs: 8-bit, 62.5KHz sample output rate. The internal waveforms and calculations are 8-bit, and new samples are output via the on-chip PWM modules at 62.5KHz. The PWM modules' outputs are at 125KHz.

For audio demos, please visit - https://soundcloud.com/frequency-central
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 1 in stock $189.14
Cat: 677567 Rel: 03 Apr 18
Sample-based percussion module - 12HP
 4 in stock $253.29
Cat: 634773 Rel: 15 Dec 16
9 input/9 output pin matrix synth module - 24HP wide
Notes: The MTX9 presents a new take on an old classic - the pin matrix, famously incorporated into EMS and Maplin synthesizer designs. The MTX9 provides 9 inputs and 9 outputs to be patched to one another, whilst allowing for passive splitting of one input to several outputs and averaging summation of several inputs to one output (or more).

Each component of the matrix has been designed to use standard parts - the pins are 2mm banana test plugs and all cards of the matrix are easily replaceable. Whilst the matrix is currently passive, an active expander card will be available from FSS soon. The MTX9 is supplied with a dry-wipe marker and 10 banana pins as standard, with spares available from FSS.
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 4 in stock $108.95
Cat: 674886 Rel: 15 Feb 18
Eurorack buffer board
Notes: Active buffer board for the MTX9. Presents unity mixing and buffered splitting. Supplied with all necessary cabling and hardware.
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 1 in stock $54.75
Cat: 614853 Rel: 06 Jun 16
4 channel mixer eurorack synth module - 4HP wide
Notes: The MX1 mixer module from FSS is designed to present a compact, affordable mixing solution for Eurorack users. The MX1 gives four audio inputs in as many HP, with both normal and phase-inverted outputs available.

The level controls of the MX1 are logarithmic, but the channels are DC coupled, so CVs can be summed together using the MX1 if necessary.

The MX1 provides unity gain of each channel when the level control is fully clockwise, meaning that there is no loss of signal level when mixing. This also allows for the MX1 to be overdriven, especially if the same source is multipled to the four inputs or the "normal" output is fed back into one of the inputs.

A set of expansion headers also allow for the FSS P.O.C.A. VAC1 and Whitehall SW1 modules to be used alongside the MX1 without any patching required, when using the MX1x expander accessory.
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 2 in stock $72.99
Cat: 655336 Rel: 31 Jul 17
Analog bassdrum & distortion module - 13HP
Notes: Like all modules in the "Mutant Drums" series, the bassdrum takes a reverend circuitry and mutates it. In this case it is an 808 BD expanded by a pitch parameter, voltage control of pitch and decay as well as a proper voltage controlled distortion you can use independently for other sounds like a synth lead.

The Tone potentiometer controls, as in the original 808, the timbre of the bassdrum. The decay parameter allows for generating snappy short to very long bassdrums and goes up to self-oscillation. The range of the pitch parameter is very wide, it ranges from sub audio to frequencies suitable for tom sounds. The pitch can be voltage controlled in addition; although the input is not 1V/octave you can still play basslines easily.

The bassdrum is played after having received an impulse at the Trig input. Accenting the sound is possible due to the accent input. An LED indicates when the bassdrum is played.

The bass drum sound is internally routed to the distortion input and is available in its distorted version at the Dist output. As there's an audio input as well, you can distort any sound you desire. Both input level and amount of distortion are adjustable, the latter one is voltage controllable. Distortion activity is visualized with an LED.
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 3 in stock $215.69
Cat: 682347 Rel: 31 Jul 17
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***

Like all modules in the "Mutant Drums" series, the bassdrum takes a reverend circuitry and mutates it. In this case it is an 808 BD expanded by a pitch parameter, voltage control of pitch and decay as well as a proper voltage controlled distortion you can use independently for other sounds like a synth lead.

The Tone potentiometer controls, as in the original 808, the timbre of the bassdrum. The decay parameter allows for generating snappy short to very long bassdrums and goes up to self-oscillation. The range of the pitch parameter is very wide, it ranges from sub audio to frequencies suitable for tom sounds. The pitch can be voltage controlled in addition; although the input is not 1V/octave you can still play basslines easily.

The bassdrum is played after having received an impulse at the Trig input. Accenting the sound is possible due to the accent input. An LED indicates when the bassdrum is played.

The bass drum sound is internally routed to the distortion input and is available in its distorted version at the Dist output. As there's an audio input as well, you can distort any sound you desire. Both input level and amount of distortion are adjustable, the latter one is voltage controllable. Distortion activity is visualized with an LED.
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 1 in stock $214.57
Cat: 655315 Rel: 31 Jul 17
Analog bassdrum synthesis with sub-oscillator - 13HP
Notes: Not just another clone or continuation of the 808-esque, acid-style kicks of the Mutant Bassdrum - the Mutant BD9 seeks to explore uncharted bassdrum territory by having an integrated sub-oscillator for maximal auditory obliteration.

Parametric bassdrum synthesis offers creative control of the core sound:
- The primary analog VCO offers classic 909-esque sinusoidal bassdrums, but can also be switched to generate a square wave bassdrum
- The PITCH of the VCO spans several octaves, from about 30Hz to 240Hz, and can be modulated with voltage control
- A novel PITCH DECAY circuit allows you to adjust the duration and AMOUNT of the pitch-modulation envelope applied to the bassdrum, from short blips to exaggerated tom-like sweeps
- The AMPLITUDE DECAY allows adjustment of the length of the bassdrum, from short punchy kicks to massive booms. This parameter is voltage-controlled with a snappy CV response time, allowing you to modulate the duration of your kicks per step.
- The CLICK generator is responsible for the attack intensity of the BD9. A fair amount of circuitry goes into creating this subtle punch at the beginning of the kick. The level of this effect is adjustable up to a fairly dramatic extremity.
- The overall timbre of the BD9 varies with the DRIVE control from warm, analog bassdrums at low settings to speaker-shattering overdriven sounds at high settings. Output levels are modular-level signals, unlike many classic line-level percussive devices.

Still not heavy enough? Try the sub-oscillator:
- A square wave sub-oscillator derived from the primary oscillator's pitch can be mixed in (manually and with voltage control) to the BD9. The effect can be subtle deepness or extreme timbre changes.
- A jumper on the back of the module allows you to select between the sub-osc being a raw square wave or having some of the high frequency components removed with a lowpass filter.
- At high OUTPUT DRIVE and SUB LVL combinations, the sub-oscillator can be modulated with CV to saturate the BD9 output in evolving ways.
- The SUB OCT can be set to 0, -1 or -2 octaves down from the primary oscillator. A drop of 0 means that you can mix an equal-pitch square wave with a sinusoidal primary wave.

Designed for the contemporary modular synthesizer:
- Plenty of Eurorack-compatible control voltage inputs with bipolar attenuverters allow synthesis of dynamic percussion
- A practical analog trigger circuit allows activation of the BD9 from many signal sources (anything with a positive-going edge lasting 2ms or longer). Most electronic drum pads can also directly trigger the Mutant BD9.
- An accent input accepts analog voltage control (0 to 5V will fully modulate the volume from low to high)
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 3 in stock $230.07
Cat: 655334 Rel: 31 Jul 17
Feature-rich, analog handclap percussion synthesis reminiscent of the 909
Notes: Just like the other Mutant Drums, the Clap is a highly versatile module. It is actually a voltage controlled LFSR noise oscillator as well as a powerful percussion synthesis engine!

- Pitch control of noise generator means you can create everything from vanilla 909 claps to broken, chiptune-like alien sounds
- Doubles as a voltage controlled, Commodore64-sounding noise VCO via the NOISE output and PITCH CV input
- SUSTAIN control lets you crank up the clap's sustain and use the module as an abstract synth voice with external inputs!
- External input allows you to synthesise claps from virtually any sound source you plug in
- Built in internal reverb effect derived from clap tone
- Reverb decay forms the decay of the clap sound, and is fully voltage controllable from short reverb "snaps" to long, whooshing tails!
- You can select between internal and external noise sources as the source for the reverb sound generation, opening up really interesting sounds
- DRIVE control lets you dial in anything from clean to extremely overdriven sounds
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 1 in stock $231.17
Cat: 655335 Rel: 31 Jul 17
Powerful dual hi-hat generator module - 13HP
Notes: A classic electro percussion synthesis design reborn as something completely different. Hexinverter wanted to recreate a classic hihat synthesis design as something new and exciting, so they took the super electro 808 circuit and transformed it into a powerful creative tool for modular synthesis!


- Analogue hihat circuitry capable of synthesising vanilla TR-808 open and closed hihat sounds (simultaneously)
- External audio input lets you synthesise hihats from virtually any sound source (Jupiter Storm, vcNOIZ, etc.)
- Lo-fidelity original VCAs replaced by OTA-based modern VCAs
- VCA DRIVE control for each hihat allows you to dial in anything from soft metallic hihats to extremely overdriven, crunchy hihats
- Exclusive switch lets you select how the two hihats (open/closed) interact with each other when triggered at the same time
- Cutoff frequency control for internal resonant bandpass filter
- Resonant filter can be switched on/off
- Modular level mutual accent input (0-5V CV)
- Trigger input accepts almost anything as a trigger signal
- Non-invasive analogue optocouplers used for voltage control, thus, completely vintage sounds can still be had if that's what you're after!
- Completely redesigned, hi-fi signal chain spares no expense by replacing cheap transistor amplifiers with low noise op-amp and OTA equivalents
- You can dial in super hot, modular level output levels (up to 20Vp-p!)
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 4 in stock $215.69
Cat: 677162 Rel: 31 Jul 17
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***

The Mutant Machine is a dynamic analog instrument capable of generating a wide palette of sounds, ranging from various forms of analog percussion to complex drones and oscillations. To achieve this, the Machine features two synthesis sections which are summed together at the final output: MEMBRANE and SNAPPY. Like the other Mutant Drums, the MEMBRANE and SNAPPY circuits began their mutation as classic analog percussion techniques and have been reimagined for 21st century modular synthesis.

The MEMBRANE forms the main body of the sound by way of two analog VCOs, and the SNAPPY section further adds to the timbre by contributing noisy elements to the mix. A noisy CLICK which occurs at the beginning of the SNAPPY sound can have its volume adjusted independent of the main decaying SNAPPY texture.

The waveforms which make up the MEMBRANE can be selected manually by button press, or the WAVESCANNER can be used to automatically scan through the available analog waveforms. By modulating the frequency through which waves are scanned, unique, complex sounds are created.

Experimentation is encouraged by the many modulation inputs and outputs available to you. The Machine features 8 CV and gate inputs for modulation as well as two external audio inputs, for bringing other modules into the Machine's core. There are many audio outputs for maximum versatility, allowing you to use the Machine to create drones and alien timbres for use elsewhere in the modular analog system.
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 1 in stock $477.83
Cat: 655314 Rel: 31 Jul 17
Analog rimshot & clave generator with built-in filter - 8HP
Notes: The Mutant Rimshot is an analog rimshot and clave percussion synthesis module inspired by analog drum machines of the past. Like the other Mutant Drums, the Rimshot is capable of going above and beyond vanilla sounds. Expressive CV options, an external input and a multi-mode analog filter let you create unique percussion sounds in your modular synthesizer.

Rimshot or clave - take your pick:
- Triple-oscillator analog rimshot core inspired by the legendary 909
- Three modes of percussion synthesis: rimshot HI (classic), rimshot LO and clave (CLV)
- Voltage control of one of the oscillators' pitch
- External input to the filter lets you blend in other signal sources - wavetables and noise make for interesting percussion!
- Rimshot DRIVE control acts as a volume and overdrive control for the rimshot generator

Coupled to an analog multi-mode filter:
- Bandpass, highpass and lowpass modes
- Self-oscillation of the filter plays nicely when mixed in with the rimshot generator
- Resonance clipping enabled by default. Feature can be disabled with a switch on the back of the module
- Voltage controlled cutoff
- Adjustable resonance

Modulation options sculpt the shape of your percussion:
- Eurorack-compatible control voltage inputs (0 to 5V for full modulation) with bipolar attenuverters
- A practical analog trigger circuit allows activation of the Rimshot from many signal sources (anything with a positive-going edge lasting 2ms or longer). Most electronic drum pads can also directly trigger the Mutant Rimshot.
- An accent input accepts analog voltage control (0 to 5V will fully modulate the volume from low to high)
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 1 in stock $186.93
Cat: 655329 Rel: 31 Jul 17
Analog snare drum synthesis with external input - 13HP
Notes: From classic electro snares to warping, alien percussion, the Mutant Snare is a radical departure from the static sounds of the 808!

- MIX lets you blend between the SHELL and SNAPPY tones that make up the overall snare drum
- Turn up the DRIVE to get overdriven snare tones with intense harmonics. The purple LED indicates when the snare begins to overdrive
- Like the other Mutant Drums, signal levels have been normalized for modular level input and output (up to 20Vpp)

SHELL synthesizes the drum skins:
- Analog bridged-t sinewave oscillators, for those organic-sounding tones we've come to love from the 808
- TONE control blends between the two sinewaves of different frequency
- SHELL PITCH lets you tune one of the sine waves, to change the pitch of your snare drum

SNAPPY adds some noise to the snare:
- An analog white noise generator feeds the SNAPPY circuit
- An external input lets you patch any sound source you like into the SNAPPY generator
- Voltage control of SNAPPY decay
- SNAPPY feeds into an analog selectable high-pass or band-pass filter
- Voltage control of filter cutoff frequency
- When nothing is plugged into the cutoff CV input, the SNAPPY envelope OR the adjustable sinewave from the SHELL generator normalize through the CV attenuverter for cutoff CV. A jumper on the back of the module allows you to select which of these internal modulation signals are routed here
- Filter has three resonance settings: classic 808 (low resonance), high resonance, and self oscillation
- Bipolar attenuators (aka: 'attenuverters') on CV inputs
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 1 in stock $231.17
Cat: 655338 Rel: 31 Jul 17
4-pole morphing low-pass filter module with unique Soviet-era filter core design - 12HP
Notes: The Red Dragon is a 24dB/oct 4-pole low-pass filter realised with a unique Soviet-era filter core. The curious filter structure of the Red Dragon favours character over precision; sure to impart colourful tone in your source material.

During the 1980's, a Russian electronics designer realised that one could build a musical filter using a fairly unconventional method. Unlike most other filter topologies, this method did not use capacitors to employ an RC time constant in its core filter stages. Instead, the internal properties of a programmable amplifier chip are modulated by a special "programming" input found on these devices. One of the modified properties is bandwidth of the amplifier. Changing this particular attribute over time effectively limits the frequencies that can pass through the amplifier, resulting in filtering!

Because attributes other than bandwidth are also changing at the same time, this filter stage has instabilities at certain frequencies along the audible spectrum, resulting in colourful distortions and a character all of its own. The resonance's character is especially profound, resulting in bubbly and sometimes screeching sci-fi tones. The Red Dragon achieves a 24dB/oct resonant low-pass response by cascading four of these stages. What's more, you can morph between the two pole extremes (6dB and 24dB) to change the slope of the filter on the fly, either manually or through voltage control.
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 1 in stock $231.17
Cat: 655468 Rel: 22 Sep 17
4 channel oscillator controller with integrated quantizer & chord generator - 15HP
Notes: Argos Bleak is a control voltage processor and oscillator driver with two inputs and four (count 'em, four) outputs. Its per-channel octave, detune, vibrato, and slew controls facilitate full performance control of four oscillators at once, with minimum patch cords required. It excels at bringing multiple oscillators from different manufacturers into full cooperation, with the flexibility to quickly switch between multiple performance setups. Processed control voltages are quantized to the scale of your choice, with the slew limiting able to be routed pre- or post-quantizer. A common vibrato control distributes the internal modulation signal to any of the outputs. A set of performance gate inputs allow instant modification of the fundamental channel settings (input selection/mixing, slew enable, quantizer track-and-hold), and a quantizer trigger output automatically fires when channel 1 quantizes a new note. Each channel may receive its data from either (or a sum or difference) of the CV inputs, so you may run two completely independent CV processing streams, or combine the input data and switch it around using the external gate input.

Each output may be offset (positive or negative) by up to 12 semitones. These semitone shifts occur pre-quantizer, effectively enabling chord construction from a single monophonic CV input. 2 banks of 16 chord presets may be stored, and instantly switched or sequenced by an external cv signal. A bonus CV mode rotates the output semitone shift data among all 4 outputs.

Argos Bleak satisfies many common performance situations that require a series of oscillators to respond to tuned control voltages. CV sequences are easily and precisely transposed. FM carrier/modulator ratios are quickly and effortlessly defined, and changed with the dedicated octave knobs and chord selection. Dedicate an output to managing oscillator sync frequency, apply vibrato, and your modular system is suddenly playing pinch harmonics. The calibration routine is simple, and your attached oscillators can be easily calibrated to each other by ear using the channel controls.
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 2 in stock $408.14
Cat: 661732 Rel: 22 Sep 17
Envelope generator & high-quality audio VCA - 14HP
Notes: A combination module of two essential building blocks from the classic Polivoks synthesizer: the envelope generator and a high-quality audio VCA. The envelope features the four traditional ADSR parameters, as well as additional controls for manual trigger, extended time range, envelope repeat, and a delay function for the attack and release phases. The VCA has several attenuated modulation inputs and a manual "drone" level control. The output of the envelope is normalled to the VCA control input, for compact and convenient integration into the end of a subtractive synthesizer patch with a minimum amount of patch cables required.

Note that the original Polivoks keyboard design includes two VCAs in series for independent control of the keyboard envelope and amplitude modulation. You would need two of these modules to completely recreate the functional specification of the original.

This device is part of the IRON CURTAIN ELECTRONICS system and is created in collaboration with Vladimir Kuzmin, the designer of the original POLIVOKS synthesizer. The module uses original USSR integrated circuits in the differential amplifier section of the VCA circuit to preserve the character of the Polivoks design.
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$253.29 SAVE 20%
 1 in stock $202.63
Cat: 563544 Rel: 10 Mar 15
Dual oscillator subtractive synth voice module, 40HP wide
Notes: The Atlantis is heavily inspired by the architecture and sound of the classic Roland SH-101. It has always been one of our favorite synths and we really liked how the seemingly limited architecture allowed for all sorts of creative and musically useful sounds to be easily generated.

Just like the 101 it is quick to dial in beautifully rich bass and lead sounds. However this module uses triangle core VCOs (based on the Dixie core) instead of Saw core which respond much more musically to FM. The modulation oscillator can be used as an LFO or VCO (audio rate) and both track very precisely over 8 or more octaves.

In the mixer section you can adjust the balance of the primary oscillators waveforms including a sinewave which is normalled to the EXT IN jack. You could also patch in one of the modulation oscillators waveforms into this channel and be able to operate the Atlantis as a proper two oscillator synth. There is a switch labelled "LINK" which enables the modulation vco pitch to be based as an offset of the primary VCO. This is useful when using it as a stacked dual vco or when you have the mod VCO acting as the linear FM source for the primary vco and wish to maintain the ratio.

The filter section is a Roland style cascaded 4 pole multimode filter with LP, BP and HP modes. The LP Boost switch engages a special mode useful for the LP that produces a much fatter and prominent sound that is not drowned out by resonance (unlike the original SH-101). The filter self-oscillates to produce a very clean sine wave which also tracks 1V/Oct. Between the Mod VCO, Primary VCO, Sub Oscillator and resonating filter it is possible to layer up to four different pitches at one time.

The envelope section is an ADSR with a dual range switch. It also can be set to a looping mode which can be gated on/off externally.

The output VCA feeds into a two level output clipping circuit that you can use to get a much ballsier/dirtier sound.
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 7 in stock $664.75
Cat: 602200 Rel: 04 Apr 16
Dual balanced line audio input and balanced line audio output synth module - 24HP wide
Notes: Dual Balanced Line Audio Input and Balanced Line Audio Output

This module allows you to interface your Eurorack modular system to the pro balanced line level world (+4 dBu). You can send and return to rack mount/desktop FX units, patch to external line-level instruments like synths and drum machines, interface to a DAW, and much more.

This module connects to the Audio I/O JACKS module via ribbon cable. The same ribbon cable can be used to connect to the rear-mounted audio jacks of the 7U performance cases
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 1 in stock $130.52
Cat: 563563 Rel: 10 Mar 15
Buffered multiple synth module, 2HP wide
Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult
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 1 in stock $76.32
Cat: 563566 Rel: 10 Mar 15
Dual complex morphable wavetable VCO eurorack synth module
Notes: Cylonix and Intellijel have collaborated to bring you a very sophisticated and deeply complex Wavetable VCO. At the core of this module is very powerful FPGA board that he has pushed to the absolute max of its capabilities and crammed full of features. We wanted to create a module that really worked well in the modular context so there are a lot of modulation and control possibilities.

Oscillator 1 can be operated in a CHORD mode, which runs 8 copies of the oscillator in parallel with adjustable detuning, leading to very fat, rich waveforms. The oscillators have extensive modulation capabilities including audio rate (98KHz) Frequency and Phase Modulation (FM and PM) via external sources. Nonlinear combination processes allow the outputs of the two oscillators to interact to generate complex timbres and sonic textures.
There are 64 user selectable chords.

The SHAPESHIFTER module also includes the analog wave folder circuitry from
module to add analog warmth and metallic rasps to the digital oscillator output.
External signals can also be patched in.

The module includes a sophisticated preset mode where panel settings can be stored. There are 12 user-programmable preset slots and another 52 volatile slots that can be used as a scratchpad. These scratchpad slots are initialized to interesting presets on module powerup. The capabilities of the preset mode is not limited to mere passive storage of settings, however. In this mode the user can also step through, or sequence, the settings, either in order or randomly in response to pulses input to the external sync input. This gives the user the ability to generate complex sequences of sounds. The preset mode also allows the user to morph between the current panel settings and a preset providing a very powerful real-time performance tool.

8 Different sync modes: HARD, SOFT, REV, HOLD, BUMP, 2=1, 1=2, OFF
with the ability to internally sync to a sub oscillator

User selectable modes for the PULSE output: OR, AND, XOR, GLCH, +OSC1, EOC, +OSC2, -OSC2

MOD A modes: (audio rate modulation)

MOD B options (all with CV control)

-Combo modes for OSC1 and OSC2:
-Waveform TILT
-Chord mode overdrive
-Delay depth and FB
-Percussive mode decay time
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 4 in stock $539.77
Cat: 643381 Rel: 27 Mar 17
Lo-fi digital reverb effect unit
Notes: Digiverb is a lo-fi reverb effect unit that uses an Accutronic digital reverb "tank" module. The sound is somewhere between a virtual spring reverb and a dense multi tap delay but the effect is quite musical and interesting.

Use the Digiverb as a simple and fun way to add some extra dimensions to your patches!
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 2 in stock $75.77
Cat: 563572 Rel: 10 Mar 15
VCO/LFO synth module with trianglular core (superior for musical fm sounds)
Notes: the dixie ii has all the great qualities and features of the original dixie but has been made a bit wider (6hp instead of 4hp) for better spacing and is now skiff friendly. the panel knobs are bolted on and the jacks have more space between them.

this makes a perfect modulation source to pair with the rubicon. add a ufold, uvca and ufade and you have all the ingredients for a powerful and highly flexible complex timbre generator.
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 1 in stock $201.31
Cat: 602195 Rel: 10 Aug 16
Full featured VCO/LFO synth module - 8HP wide
Notes: Full-featured triangle core VCO/LFO

The Dixie II+ is a larger variant of the classic Dixie II. Using the same great triangle core oscillator, it adds a number of features to make it even more versatile with only a modest increase in size. The Dixie II+ makes a great primary oscillator for a modular system, or a great companion the Rubicon.
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 1 in stock $222.32
Cat: 563579 Rel: 10 Mar 15
Dual slider based ADSR envelope synth module, 14HP wide
Notes: The circuit is based in part on the Roland SH-101 / System100m design with several enhancements.
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 7 in stock $219.00
Cat: 643382 Rel: 27 Mar 17
Headphone & stereo output module
Notes: High quality headphone amp capable of driving consumer and studio grade headphones with excellent bass response and loud levels.

This module can also be used as a line level stereo output.
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 1 in stock $81.84
Cat: 673911 Rel: 15 Jan 18
Balanced TRS 1/4" input path to Eurorack modular signal level
Notes: This module allows you to connect balanced line level audio (+4 dBu) into your Eurorack modular system. It is a compact and easy way to patch in a rack mount/desktop FX units, external line-level instruments like synths and drum machines, outputs from your DAW, or many other line level sources.
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 6 in stock $42.58
Cat: 563664 Rel: 10 Mar 15
Complex multi stage pitch and gate sequencer synth module, 34HP wide
Notes: The Metropolis is a unique and powerful musical sequencer inspired by the Ryk M-185 (a Roland System 100m format sequencer.) but with many additional enhancements and functions.

The Metropolis comprises eight "STAGES", each with its own assignable gate mode, pulse count and pitch value. Each stage can also have a special slide or skip function activated too. The slide functionality is a constant time portamento very similar to the Roland TB303 (unlike most synths/sequencers that use constant rate portamento) which produces a very musical and interesting result.

In addition to the base sequencer settings set with the sliders and switches there is a full menu of controls and auxiliary modifiers that allows the user to control and manipulate the sequence in many powerful ways including sequencer direction modes, pitch quantization and scale manipulators, clock dividers, shuffle and much more
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 4 in stock $582.89
Cat: 673868 Rel: 12 Jan 18
Versatile audio mixer module - 6HP
Notes: Mixup is a versatile, expandable audio mixer for Eurorack format. It has eight inputs (6 on the front panel) and two outputs. Inputs 1 and 2 are single-channel mono inputs, each with its own mute switch and level control; Input 3 is a dual-channel stereo input with a shared mute and level control; and input 4 is an auxiliary unity-gain, non-mutable stereo input.

Using bus connectors on the back panel, you can chain multiple Mixups together in series, giving you the ability to mix together even more inputs, or to create sub-mixes for routing around larger systems.

Because Mixup is designed specifically for audio (and not for CV mixing), it uses AC-coupled circuitry (which reduces the potential for 'pops' when muting and unmuting audio), and it uses audio-grade, logarithmic attenuators for a smooth, even response across the entire volume range.
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 5 in stock $88.48
Cat: 602202 Rel: 04 Apr 16
Passive multiple synth module
Notes: Dual 1x5 Passive Multiple

Two rows of 1 x 5 Passive Multing
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 6 in stock $28.75
Cat: 563665 Rel: 11 Mar 15
Passive multiple synth module, 2HP wide
Notes: Dual 4-way passive mult (one audio or cv signal in with multiple unbuffered outputs)

On the back of the pcb is a pair of solder points marked as "link". You can connect these (with a solder blob or small jumper wire) to turn the mult into a single 8 channel Mult instead of 2 x 4 channel.
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 3 in stock $31.52
Cat: 643383 Rel: 27 Mar 17
Utility module featuring Clock, Random Pulse, Analog Noise, Sample/Hold & Slew
Notes: Noise Random Tools comprises a collection of useful utility blocks that you could use in many of your patches - Clock, Random Pulse, Analog Noise, Sample and Hold, and Slew.


- Clock and Random pulse source with adjustable rate
- Analog pink and white noise source with very accurate spectrum
- Analog sample / track and hold with very low droop
- Analog slew with adjustable slew rate
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 2 in stock $117.24
Cat: 673867 Rel: 12 Jan 18
Effects pedal interface - 16HP
Notes: The Pedal I/O 1U system enables the modular synthesist to interact with the impressive assortment of delays, choruses, flangers, phasers, fuzz boxes, tremolos, wah-wahs, amp simulators, compressors and pitch shifter pedals available to guitarists. Conversely, it also grants guitarists access to the myriad filters, ring mods, wavefolders and - most importantly - the near infinite CV modulation delights inherent in Eurorack.
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 4 in stock $107.28
Cat: 673902 Rel: 12 Jan 18
1/4" TS jack interface for the Pedal I/O 1U system - 8HP
Notes: The Pedal I/O JACKS 1U Module allows you to patch standard 1/4? TS cables to and from your guitar/instrument pedals.

This module only works when connected to a Pedal I/O 1U module via ribbon cable.
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 2 in stock $24.32
Cat: 563671 Rel: 10 Mar 15
Planar vector joystick / quad panner synth module, 14HP wide
Notes: This has to be one of the most fun modules we have ever played with! With just a few audio and CV sources and some inter dependencies (i.e use the Joystick CV to simultaneously modify the signals being processed by the VCAs) you quickly get highly complex sounds that you can easily control and play with.

This input is also very useful when coordinated with a CV recorder. You can record the modulation from the X, Y outputs and then turn the joystick off (see switch at top left) and playback the modulation into the X and Y input.

This will allow you to recreate a complex quad panning or vector mixing jam.

REVERSIBLE! The module will ship with a second faceplate that is designed to mounted upside down (so joystick is at the bottom) and there are jumpers on the back of the module so you can coordinate the reversed orientation of the joystick. This is to facilitate use in a skiff.
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 2 in stock $351.72
Cat: 563674 Rel: 10 Mar 15
Voltage controlled logic & tap clock eurorack synth module with dual 3-input logic block
Notes: The Plog module comprises two programmable logic sections (select one of six different 3 input boolean logic types) as well as a toggle flipflop and data flipflop block. all four sections are linked together via specially planned normals.

This module was primarily designed as an interesting tool to be used with sequencers. you can derive complex rhythmic sequences from basic sparse sources (e.g. from a simple gate sequence or clock). by adding vc control of the logic types via some kind of cv source like a triggered envelope, lfo or sequencer you produce even more complex results.

Plog can also be used in many other creative applications including making interesting timbres and for self generating patches.
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 2 in stock $220.11
Cat: 620700 Rel: 10 Aug 16
Versatile Multimode VCF + Phaser synth module in Eurorack format - 10HP wide
Notes: The Polaris is a 4-stage cascaded OTA filter designed by David Dixon. It builds on the lineage of the Dr. Octature and Atlantis filters, but with a totally revised core and resonance control. Along with dedicated LP, HP and BP outputs it features a configurable MULTI output capable of an unprecedented 27 different filter modes.

With drive turned down the Polaris is capable of buttery smooth filtering, and the cutoff control range has been fine-tuned for playability. With the drive dialled up and the new asymmetric multi distortion circuit engaged it creates a more aggressive sound. Not content to be just a filter, the Polaris's AP phaser mode combined with frequency modulation can be used to achieve a phaser effect.

With so much versatility in a modest size, the Polaris is an ideal filter for a starter system and an excellent addition to the tonal palette of a larger modular.
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 1 in stock $231.17
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