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Cat: 679973 Rel: 21 Feb 18
 
Push-button control for the Bastl Bit Ranger
Notes: The Synapsis is a 4x4 pushbutton matrix that offers performative control of the Bit Ranger.

There are 8 patch points connected to 4 rows (ABCD) and 4 columns (1234) of buttons. Pressing button A1 connects point A to point 1. A2 connects A to 2. B2 connects B to 2 and so on.

Package includes:

- The Synapsis
- 10 short + 10 long jumper wires
- Hex key

Using the Synapsis:

It is best used by dedicating rows to outputs (like divider or mix bits) and columns to inputs (like the byte section or inhibit points). In this configuration every possible combination of buttons will connect outputs to inputs and cause a change in the behaviour of the BitRanger. As always it is best to experiment and try new things.

Installing the Synapsis:

- Remove the screws from the bottom of the bit ranger and then remove the bottom plate.
- Remove the small section of plastic from the front edge of the face plate and place it somewhere safe. In newer models there is a slot in the middle of the bottom opening where the mini plate can be placed for storage.
- Screw the bottom plate back onto the BitRanger.
- Slide the Synapsis into the opening in the front.
- Place screws through the holes in the front of the bottom plate to secure Synapsis in place.

That's it!
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 2 in stock $32.26
Cat: 688798 Rel: 10 Sep 18
 
Flexible dual waveform module - 7HP
Notes: Timber is very flexible wave shaping module that can produce rich timbres by adding harmonics to simple waveforms (triangles and sinewaves) or any other signal. It has 2 different unique wave shaping circuits - I. - the WAVE DRIVER and II. -the WAVE FOLDER and voltage-controlled crossfader to fade between the different circuits or between one of them and the clean input signal.

Both circuits share the same control voltages: the SHAPE which sets the input amplification before the wave shaping circuit and the SYMMETRY control which adds voltage offset to the input signal to provide various asymmetric overdrives or wave folding sounds. There is also voltage FBK CV jack which when provided with positive voltages feeds respective portion of the output signal back to the input which results in chaotic and aggressive behaviours. It is calibrated to work well with 5V gate voltages.

I. the WAVE DRIVER is an overdrive circuit with one folding stage and it has 2 configuration 3-way switches (9 different configurations). The drive switch can set the overdrive character to SOFT or HARD or something in between. The FOLD switch can set the folding threshold to HI or LO or it can turn the folding stage off in the NO position.

II. the WAVE FOLDER is a novel take on the serge style wavefolding circuit which has specific behaviour to abuse the high gain of the input amplification stage to provide rich high frequency timbres with higher settings of the SHAPE parameter. It has a configuration switch which can either activate clean 4 stage wavefolding in the OK position or highly asymmetric folding stage in the KO position that provides strange metallic character. The NO position provides only the very last overdrive-folding stage.
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 2 in stock $197.23
Cat: 588628 Rel: 09 Nov 15
 
Broken contact emulator synthesiser module - 1HP wide
Notes: The broken cables and bad contacts are really vintage thing ! Which means sometimes you really want them. Sometimes you really need them ! And yes ! you can really love them!

This is why we carefully designed this 1HP broken contact emulator in form of 2x 4 way multiple!

It is not only a random type of generator to break your patches, it is also very usefull as a CABLE HANGER or as 1HP blank panel. And most of all... it is the ONE module you would love to talk about with your friends!

How to calibrate:

- the module cannot be mounted in the rack for successful calibration
- please don't use it uncalibrated
- Take a broken patchcable (works also with functioning one, but still...)
- push it thru the connector hole you want to calibrate
- keep moving the cable inside the hole to all sides
- keep putting it in and out until you get the feeling and broken-ness you desire
- repeat that process with all connector holes of the module
- note: each hole can and should be broken differently - but we leave that part of the process to your personal taste
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 2 in stock $10.23
Cat: 689667 Rel: 14 Jun 18
 
Probabilistic & pingable burst generator - 8HP
Notes: Burst is a Pingable Trigger Burst generator with distribution, probability and time division control. It will create multiplications of your triggers, leading to doubles, triplets, quintuplets and true polyrhythms for your modular system.

The module allows you to add voltage controlled redrums and dynamic ratcheting effects for your patches. In addition, Burst works like a regular clock source and trigger for other modules via its Tempo and End of Cycle outputs.
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 3 in stock $172.05
Cat: 668632 Rel: 09 Nov 17
 
Two-channel wavefolder - 8HP
Notes: Chopping kinky is a voltage controllable, dual channel Wavefolder.

A wavefolder converts simple signals into richer and more dynamically changing ones. In contrast to a filter, wavefolding adds harmonic content to the waveform. It works by amplifying the waveform until it begins to saturate, then rather than clipping, the waveform gets folded back in on itself.

Each of the module's two channels has a unique wavefolding profile. At each input there are two CV inputs for controlling the level of waveshaping including one that passes through an attenuverter.

The CHOPPING KINKY is DC coupled allowing it to be used for both CV and audio duties; to generate harmonics on an audio signal or kinking LFOs and envelopes.

- Current needs: +12V: 65mA, -12V: 55mA
- Width: 8 HP
- Depth:30mm (inc power connector)
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 1 in stock $178.34
Cat: 668601 Rel: 09 Nov 17
 
CV/audio utility module - 5HP
Notes: The Dual Atenuverter is a CV/Audio utility module designed to attenuate, invert and apply offset to an input signal.

The ATENUVERTER pot will multiply your signal by 1 when turned clockwise and -1 when turned anti-clockwise.

The OFFSET control can add +/- 10V DC to the output. Useful as a manually controlled DC source when no input is connected.

Bicolour LED's glow red when the output is positive and green when negative meaning this module works well as a CV monitor.

- Current needs: +12V: 21mA, -12V: 18mA
- Width: 5 HP
- Depth: 24 mm (inc power connector)
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 1 in stock $88.11
Cat: 668637 Rel: 09 Nov 17
 
6-channel performance mixer with EQ's & mutes
Notes: Hex mix VCA is a compact six channel VCA with an unique response curve range from logarythmic to linear and to exponential using a pot.

All outputs are routed to output six to act as a mixer, with a normalization of each one to remove each VCA from the Mix.

Hexmix VCA can act as six independent VCAs as well as a Mixer for all the inputs (Selectable via a switch). Featuring an internal connection to interface with our Hexmix system.

Every VCA has a response pot for the incoming CV, being full logarythmic at maximum setup and full exponentiall at minimum setup, having the linear response in the centre position.

The pot provides the full range of responses to adecuante to our prefered application, such as percusive sounds or panning effects.

Level pot of each channel is an attenuator of the signal coming out of each VCA.

Jacks are normalled to 10 volts, so when we have no CV present VCA would be fully open and our Level pot will act as a volume.
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 2 in stock $291.65
Cat: 670607 Rel: 10 Jan 18
 
Expander module for the Befaco Hex Mix
Notes: Hexpander adds great functionality to Hexmix module. Featuring Three aux send with stereo returns, individual outputs for each channel, complete PFL system and balanced output.

Hexpander is designed to be placed on top of Hexmix. Expanding Eurorack concept to 6u, allows every channel to be aligned as in traditional tabletop mixers.

Auxiliar sends:
For every channel you have three auxiliar sends. One pot will measure the amount of signal sent to each of them.

Every auxiliar send has a volume pot, that will measure the level of the signal sent. There are two jacks available so it is possible to send the signal both pre or post fader/EQ at the same time, allowing to patch externally depending if its desired to have the original signal, or the signal after being EQ'ed on the effect.

Returns are stereo, having a switch to select if the signal is coming from synth or line level. Like this, levels can be set, for example, either for a guitar pedal or a FX module at synth level.

Monitor section:
Hexpander features a complete PFL system, to send channels to the headphones before you add them to main mix.

Flip PFL switch to send that channel to the headphones out.

With PFL/Master Pot you can do a crossfade between the master signal and every channel sent to PFL. Headphones out will control headphones volume.

Level meter will show the level of the sum of all active PFLs. When there is no PFL active, it will show master level.

Output section:
Every channel has individual 6,5? jacks out at line level. Here you have the signal of every channel post EQ.

As an addition, you have master balanced output.
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 1 in stock $324.17
Cat: 668578 Rel: 09 Nov 17
 
Instrument/signal processor module - 11HP
Notes: There may come a time when you want to marry the rest of your rig with your Eurorack system. The Instrument Interface (I2) is designed to take a wide range of signals and transform them into a set of useful Eurorack compatible voltage levels.

The module uses an envelope follower circuit to achieve direct control of the amplitude of any incoming signal, producing a control voltage proportional to its amplitude. This allows a real and direct communication between external sound sources and Eurorack systems.

The Instrument interface module has the following functional blocks:

Preamp:
With two audio inputs (6.5mm jack and Mini-jack), amplification of the input signal is controlled by the "Gain" pot.

The minimum signal required to generate the maximum envelope is 200mV peak and allows up to 5v input.

BPF:
The signal will then pass thru a band pass filter with cut-off frequency and bandwidth control via "Freq" and "Width" pots. This will set the frequency range of our control signal.

After this stage the signal can be accessed at synth level via "Audio Out".

Env. Follower:
After filtering the signal it will feed into the "Response" stage which determines the envelope follower's response velocity. It features a "High", "Medium" and "Low" selector switch to achieve the optimal envelope for different kind of signals. "Follo Out" will output the extracted envelope and has a level indicator LED. Green: Medium level; Orange: High level; and Red: Max. Level.

Env. Regenerator:
"Rege Out" is a regenerated envelope that allows independent control of the rise part of the envelope with the "Attack" knob, and the fall part with the "Decay" knob.

The Envelope Regenerator also features an LED indicator for the regenerated envelope level. Green: Medium level, Orange: High level, Red: Max. Level.

Trig. Extractor:
With the "Threshold" pot we can control the level of a comparator that determines when "Gate Out" and "Trigg Out" outputs will be activated.

"Gate Out" is active while the envelope is over the threshold we set, while "Trigg Out" is activated just when the threshold is passed.

Indicator LEDS show when the outputs are active.
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 1 in stock $196.18
Cat: 668626 Rel: 09 Nov 17
 
Quad MIDI to CV converter - 6HP
Notes: MIDI Thing is a compact 4 channel MIDI to CV/Gate interface featuring 12 bit conversion that allows V/Oct control with around 1 cent precision.

MIDI Thing offers four different functional modes:

- Mono: One MIDI channel - Pitch, velocity, bend, modulation & gate
- Duo: Two MIDI Channels - 2x Pitch, velocity & gate
- Multi: Four MIDI Channels - 4x Pitch & gate
- Drum: Eight trigger outputs

All modes have Clock and ST/SP outputs.

- Current needs: +12V: 32mA, -12V: 8mA
- Width: 6 HP
- Depth: 30 mm (inc. power connector)
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 2 in stock $187.79
Cat: 668605 Rel: 09 Nov 17
 
Four channel active mixer module
Notes: A four channel active mixer, suitable for audio or control signals.

It features regular and inverted outputs as well as an LED level meter.

- Current needs: +12V: 14mA, -12V: 11mA
- Width: 8 HP
- Depth: 50mm (inc power connector)
- Aluminium, heat-treated front panel
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 2 in stock $87.86
Cat: 689665 Rel: 14 Jun 18
 
VC addressable sequential switch & sequencer - 16HP
Notes: Muxlicer is a sequential signal processor designed for add a huge range of special functions to your modular setup in the minimum space.

Muxlicer is divided in three main blocks: Digital Step Controller, Gate Generator and Analog Switch (a.k.a. Mux/DeMux).

The module is designed with high "function to HP ratio" philosophy, to have maximum flexibility in minimum space.
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 1 in stock $216.10
Cat: 713608 Rel: 14 Jun 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Befaco's new Output Module is designed to be the master output for your modular system, providing an extra Cue Input to monitor any signal.

Left IN is routed to both channels when no Right signal is present. Both Outputs are TRS balanced.

A Headphones out is available. You can route Headphone OUT to the main out or an independent signal with CUE switch. Like this you can either pre-listen your sounds with the CUE Input or listen to your main out without disturbing your neighbours!

Level LEDs are available to monitor levels of each signal on the module.
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 1 in stock $125.89
Cat: 668585 Rel: 09 Nov 17
 
Dual complex function generator
Notes: The Rampage is Befaco's approach to an old invention: the Serge/Buchla ramp generator.

Befaco took the idea of a "patch programmable" function generator/processor, put two units in the same module and expanded them with new functions and ways to combine them: Slope detectors, analogue logic functions and evolved outputs.

The module is built around two voltage controlled integrators. Integrators (also known as Lag Processors or Slew limiters) allow you to process your voltages, converting sharp square waves in ramp-like waveforms.

These lovely devices can, for instance, convert a gate signal into a simple envelope, or achieve a "portamento" or "glide" effect when applied to pitch CV.

Another useful application of an integrator is its ability to low-pass filter an audio signal.

- Current needs: +12V: 110mA, -12V: 90mA
- Width: 18 HP
- Depth: 30 mm (inc power connector)
- Aluminium, heat-treated front panel
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 1 in stock $261.22
Cat: 668583 Rel: 09 Nov 17
 
Innovative multi-function synth module - 8HP
Notes: The Sampling Modulator is a multi-function module that lies somewhere between a VCO, a Sample & Hold, and an 8 step trigger sequencer.

This module can function as:

- Sequencer Clocked Sample & Hold
In this mode it acts like a regular Sample and Hold (S&H) but since it is "sequencer clocked", it is capable of much more interesting patterns than the usual S&H melodies.

The CLOCK input can work in two ways; 1) As a typical clock 2) In "positive going hard sync" mode allowing you to create shuffling and polyrhythmic effects.

The HOLD input can be used to keep certain notes playing.

- Analog Down-Sampling Effect
In this mode (with the clock running at audio rates) you can go from nasty and harsh sampling rate reduction to an almost clean signal. (The clock run up to 25Khz without external CV and up to 200Khz with CV on the input).

- Sampling Modulator/Shaper
Thanks to the V/Oct clock, by feeding a simple waveshape such as a sine wave to IN, and pitch CV to the VCO as well as to the Sampling Modulator CV input, their related frequencies and aliasing caused by the sampling rate reduction are capable of creating metallic sounds, 8 bit textures and much more.

The game becomes much more interesting when you try to destroy the wave by flipping on and off the switches of the sequencer (which at times can make it sound like three VCOs running in unison).

To understand how the Sampling Modulator works, keep in mind that we are working with a temperature compensated ramp core VCO with more than 4 octaves of tracking. This allows the timbre to stay the same while you move through the scale as the internal and external VCOs are synced in a fashion similar to "frequency related sampling rate modulation".

- 8 step trigger sequencer
A simple utility trigger generator which is also useful as clock divider. The switches have three positions: On, Off and Reset (which resets to the first step for non 4/4 signatures)

- Unusual V/oct VCO
You can use the trigger outputs as a pulse VCO. Flipping the switches on and off the switches can offer a lot of interesting timbral changes.

A veritable Swiss Army Knife in just 8HP!
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 1 in stock $198.28
Cat: 668622 Rel: 09 Nov 17
 
Compact, well-equipped envelope module - 8HP
Notes: The VC ADSR is our take on the classic ADSR: now smaller, more powerful and user friendly.

The circuit is based in a dual transistor "Current Mirror" (a voltage controlled integrator) and switching logic

This compact unit features voltage control for each stage with manual faders to improve usability, feel and aesthetics.

A unique feature of the VC ADSR is the gate outputs for each stage of the envelope offering an extra level of control over your patch!

Envelope generation can be triggered and controlled with the use of the panel mounted push button or with the trigger/gate input.

Control of the response curve between each stage of the envelope (from linear to logarithmic/exponential) is provided by a potentiometer.

Phase Time Limits:

- Attack: Min 3.0ms (down to 200uS with negative CV) // Max 10s
- Decay: Min 2.8ms (down to 400uS with negative CV) // Max 10s
- Release: Min 2.8ms (with Sustain at maximum) // Max 10s
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 1 in stock $161.56
Cat: 668607 Rel: 09 Nov 17
 
Slew Limiter/Lag Processor - 6HP
Notes: Voltage controlled slew limiter, AKA Lag Processor.

A Slew limiter is a device that smoothes an incoming signal, limiting the maximum rate of change of the output voltage over time.

It is widely used with pitch CV's to obtain portamento but is also very useful for converting a gate signal into a basic envelope.

The module has independent time controls for rising and falling voltages, each with it's own CV.

- Current needs: +12V: 10mA, -12V: 10mA
- Width: 6 HP
- Depth: 31 mm (inc power connector)
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 1 in stock $96.51
Cat: 493510 Rel: 14 Jun 13
 
Single channel automatic feedback destroyer with integrated effects
Notes: Thanks to it's intelligent learn mode, the Behringer FBQ100 can automatically equalize your PA and protect your sound system from feedback. Behringer's search algorithm ensures feedback frequencies are attenuated within a fraction of a second, using narrow 1/60 octave single shot filters. The remaining filters automatically take action as required, adjusting only the specific frequencies causing the feedback, so your music stays powerful and alive.

The adjustable mic preamp, with switchable +48V phantom power and ultra low noise technology, guarantees noise free, ultra musical sound. You can choose professional studio (+4dB) or microphone output level, so the FBQ100 can be directly connected to the mic input of a recording device. Virtually any type of signal can be connected and converted.

Delay lines are required to compensate for time variations resulting from speaker positioning in large venues. The FBQ100's delay can be adjusted in meters, feet or milliseconds. The maximum delay time of 2.5 seconds corresponds to a distance of 850 meters. Combining several FBQ100s with the optional rack mount kit puts a complete professional loudspeaker management system at your fingertips.

Like a sonic Swiss army knife, you'll want the FBQ100 close at hand for all your gigs and studio engagements. In fact, you'll want several, which is why they are sized to fit five across your rack.
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 2 in stock $72.38
Cat: 493489 Rel: 14 Jun 13
 
Multi engine effects processor for vocals, bass, guitar or keyboards
Notes: Get even more mind expanding power for your keyboard, bass, guitar or vocals with the Virtualizer 3D FX2000 Effects Processor. This amazing rack unit has 71 incredible new algorithms, including true studio grade stereo and 3D effects that will add a head spinning new dimension to your sound, both live and in the studio. The FX2000 employs Behringer RSM (Real Sound Modeling) technology to simulate acoustic environments with stunning accuracy. Effects options include powerful modulation, amp simulation, distortion and special effects, as well as effective dynamic and psychoacoustics processing. Performance is further enhanced through user addressable high and low EQ and wave adaptive virtual room reverb algorithms.

Because it is one of the most desired effects, the FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs.

Reverbs include: Cathedral, gold plate, small hall, room concert, stage, spring reverb, ambience and early reflections.

Specialty reverbs: Gated reverb and reverse reverb

Delays include: Stereo delay, tape echo and ping pong

The Behringer FX2000 has some of the best sounding reverb and delay programs, but that's not all. It also provides excellent modulation effects (such as chorus, flanger and phaser), including special variations like musical pitch shifter, tremolo and even a leslie simulation.

Modulation and Pitch Shifter FX: Stereo flanger, vintage flanger, jet stream flanger, stereo chorus, analog chorus, vintage chorus, ultra chorus, stereo phaser, vintage phaser, dual phaser, leslie, pitch shifter, vibrato, tremolo and auto panning.

Dynamic FX: Compressor, expander, gate, analog compressor/limiter, ultramizer, denoiser, de-esser and wave designer.

Psychoacoustic FX: Exciter, enhancer, ultra bass, stereo imager, ultra wide and binauralizer.

Filter/EQ FX: Auto filter, LFO filter, parametric EQ and graphic EQ

The FX2000 is also equipped with distortion, amplifier and speaker simulation including: Vocal distortion, tube distortion, guitar amp,tri fuzz, speaker simulation, ring modulator, and lo-fi.

Special FX: Vinylizer, sampler, vocoder, voice canceler and resonator.

Sometimes you want to add a little (or a lot) of color to your reverb and delay patches. The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections.

FX Combinations include: Chorus & reverb, flanger & reverb, leslie & reverb, pitch & reverb, delay & reverb, tremolo & reverb, phaser & reverb, chorus & delay, flanger & delay, pitch & delay and tremolo & delay

Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to seven parameters per preset, and then save them for future use in the 100 provided memory locations.
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 1 in stock $97.67
Cat: 493505 Rel: 08 Jul 13
 
2 channel hum destroyer with unbalanced/balanced converter
Notes: Whether you're recording or performing, it's important to keep AC hum out of the mix. No matter the quality of the venue's wiring, the BEHRINGER HD400 Hum Destroyer eliminates AC hum quickly and reliably.

The HD400 features two channels that can eliminate hum in two mono signals or one stereo signal. Try putting it between a stereo mixer and your power amps for a squeaky clean sound free of AC hum. It breaks ground loops safely while maintaining the highest sound quality. It can even convert unbalanced signals into balanced without any signal degradation.
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 1 in stock $21.51
Cat: 493508 Rel: 14 Jun 13
 
Sound enhancement processor with 25Hz-50KHz frequency response
Notes: The Behringer Sonic Ultramizer SU9920 stereo sound enhancement processor gives your music an added dimension that will make your performances pop! This processor is the ultimate sound improvement tool for home recording studios, DJ systems, keyboard racks and web casting, plus 5.1 and hi fi setups.

The SU9920 provides increased clarity and punchy bottom end to your sound system. It improves the natural brightness through harmonic enhancement and adds density to the low frequencies through phase compensation. Dedicated low contour and process controls for each channel enable fast and easy setup. Once you experience what the SU9920 can do, it will become your go to sound enhancement tool.

The SU9920 is ideally suited for use in all live sound applications, providing noticeable improvement to signal quality and bringing out the very best in your sound system, whether you're mixing a duo in a coffee house, or dialing a massive outdoor concert.

In a studio environment, the Sonic Ultramizer is ideal for enhancing the sound of your mastering recordings. The SU9920 can give your music the professional polish of high quality productions in just a few simple steps. Even if you primarily work with a digital audio workstation, you can perform final mastering with the SU9920 and an external recorder.

In addition to being great for use with stereo signals, the Sonic Ultramizer is also ideal for use with individual signals, such as guitar, keyboards or bass. Just connect the SU9920 into the signal path, or use your amp's effects loop, for sound with more presence, fullness and punch. Since the SU9920 can be run in stereo or dual mono, you can even use one side for the bass, the other for a keyboard or guitar.

All inputs and outputs accept balanced XLR as well as balanced and unbalanced 1/4" connections. Both the 1/4" and XLR outputs can be used in parallel, when two outputs are required.

The SU9920 boasts stellar frequency response from 25Hz to 50KHz. The Process control provides a boost of up to +12 dBu at 5 kHz. The Low Contour filter is capable of +12 dBu at 50 Hz.
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 2 in stock $80.77
Cat: 638002 Rel: 30 Jan 17
 
Multi-purpose synth module in Eurorack format
Notes: The Power Midi is a multipurpose module designed for small Eurorack systems. It contains a MIDI-CV interface and a power supply. In detail, MIDI data can be fed to the circuit using a DIN / mini jack adapter. On the output side, there are connectors for pitch, modulation, velocity and gate signals. The power componentry is fed by an USB power supply. A Flying Bus Board is used to serve other modules with electricity.

The Power Midi employs converters with 16 Bit resolution to generate control voltages. An adapter from DIN to mini jack is included with the module.

The power supply delivers up to 400 mA at +12 V and 300 mA at -12 V.

The manufacturer recommends to use a USB power supply with at least 2 A to operate the module.

ATTENTION: Before you connect the Power Midi to the USB port of a computer, it is very important to check its specifications!
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 1 in stock $103.86
Cat: 640527 Rel: 01 Mar 17
 
Speaker emulation for electric guitar, with 16 speaker cabinet models
Notes: Guitarists are a strange breed. They love modifications just as long as nothing actually changes. Never change a winning team is their approach: the favourite guitar, the good old amp and that particular speaker cabinet. The final link in the chain is the defining resonating body to capture the magical sound.

Electric guitarists looking for the perfect way to mike up for live or for recording now have one of the simplest and most workable solutions available - which also sets new standards in sound quality. Brought together in a compact, lightweight metal box are 16 legendary speaker cabinets. Recorded with the best microphones and digitally converted using today's cutting-edge Convolution Technologie, every detail is locked down. But why conserve the sounds digitally? Simply because analogue equipment cannot capture all the acoustic complexities and nuances the speakers produce. Convolution Technologie on the other hand is able to reproduce the complete array of tones and the uniqueness of each cabinet down to the last detail.

Virtual Speaker-Cabinet Collection:
Just pick your favourite cab, fine-tune the sound with the Mic-Position controller and away you go! 16 classic, world-renowned cabs are available in the BluBox: 5 legendary Marshall cabs with vintages from 1965 and 1980 but also the glorious, cult cabinets from Vox, Mesa-Boogie and Fender. Of course, Also included are the BluGuitar NANOCAB and FATCAB which have been rapturously received in music world for their huge sound.

BluBOX is the ideal partner for all eventualities. Whether on stage or in the studio - wherever you need striking sounds of the highest quality miked up or recorded. All this works with the BluBOX directly and even without a speaker cabinet!

BluBOX - The new Speaker Emulation with the most legendary cabinet / microphone combinations of the past 50 years music history, captured for the discerning professional. Great sounds, simple use, small package! The Sound of Tone Innovation.

Cabinets:

NANOCAB - BluGuitar 1x12"
FATCAB - BluGuitar 1x12"
STACK 1965 - Original Marshall 4x12" Celestion (Alnico 15Watts)
STACK 1967 - Original Park 4x12" Celestion (Greenback 25 watts)
STACK 1970 - Original Marshall 4x12" Celestion (Greenback 25 Watts 55 Hz)
STACK 1971 - Original Marshall 4x12" Celestion (G12h30)
STACK 1980 - Original Marshall 4x12" Celestion" (G12h75)
METAL V30 - Mesa/Boogie Rectifer Standard 4x12" Celestion V30
METAL CL80 - Celestion Classic Lead 80 in custom built 4x12" cabinet
JAZZ 120 - Roland Jazz Chorus 120
TWEED 1x12 - Vintage '57 Fender Tweed Deluxe
SILVER 1x12 - Fender Princeton Silverface 1x12"
BLACK 2x10 - Fender '64 Vibroverb 2x10"
BLACK 2x12 - Vintage Fender Twin Reverb 2x12" orange JBL mixed with Jensen C12K
BLACK 4x10 - Vintage 60s Fender Super Reverb 4x10"
BLUE 2x12 - Original Vox AC30 JMI 2x12" Celestion Blue Bulldog
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 2 in stock $207.71
Cat: 665174 Rel: 12 Jan 18
 
Control voltage processor module - 14HP
Notes: The Model 156 Control Voltage Processor was developed as a "front end" for the dual oscillator of Buchla's 100 series. The module is composed of two circuits, which can mix, attenuate, offset and invert signals. Catalyst Audio's Model 156 M transfers the classic Buchla concept to the Eurorack world. Thanks to its overhauled design, the Model 156 M is fully compatible with the 1v/octave standard. An exact clone of Buchla's Control Voltage Processor is available under the name Model 156 V.
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 2 in stock $156.31
Cat: 665170 Rel: 12 Jan 18
 
Dual envelope/function generator module - 14HP
Notes: The Model 180 Dual Attack Generator is composed of two ASR envelopes. The length of the sustain phases, here called note duration, can be determined by either trigger respectively gate signals or potentiometers. With the knobs turned completely counterclockwise, the envelopes feature an AD characteristic. While attack or note duration phases are active, the modulators can't be retriggered. Thanks to this, it is possible to use the Model 180 as an unconventional clock divider. The circuit produces linear voltage curves. Small time values lead to very punchy results.
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 1 in stock $254.93
Cat: 607885 Rel: 14 Apr 16
 
Dual/stereo multi-band processor for enhancing dull sounding audio - rackmountable
Notes: The CE22 is a professional multi-band enhancer/exciter designed for various applications.

This unit combines 2 processors to align the phase and focus of bass frequencies, improve the response of mid-high frequencies and add harmonic content to any "dull" sounding audio.

The surround processor utilises the phase alignment engine to give a greater perceived width to the stereo field.
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 1 in stock $71.33
Cat: 676107 Rel: 17 Nov 16
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


More Modular Mojo from Dave Smith:
The DSM03 Feedback Module is Dave Smith's third offering for modular synths. At the heart of this unique module is a tuned feedback line for sound mangling; a newly-designed, resonant, low-pass filter for tone shaping; and a triggerable noise source for Karplus-Strong-type plucked string synthesis. Tuned feedback has been a part of the Dave Smith tonal palette since the ground-breaking Evolver, and is also a key sound-shaping component of the Pro 2 and Prophet 12 synths.

Plug It In and Tweak It:
The DSM03 is a 10HP wide, standard Eurorack-format device with interconnections made using 3.5 mm phone jacks. A set of inputs allow individual voltage control of feedback amount, tuning, low-pass filter frequency, and filter resonance. The module provides one audio input and one audio output as well as an audio trigger input for the noise source.

New Filter Design:
The 4-pole, resonant, lowpass filter is a new digital design, based partially on classic analog filters of the past. It features over-sampling and numerous refinements to the signal path, which is 24-bit, 96 kHz resolution for outstanding audio fidelity. It's a great-sounding design that works well both in the feedback context and as a stand-alone tone-shaping tool.

Creative Possibilities Abound:
So if you're looking for something esoteric, but still fundamental to the Dave Smith sound, add this secret weapon to your modular arsenal. From Karplus-Strong synthesis to metallic, industrial grit, the creative possibilities are wide open.
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 2 in stock $210.66
Cat: 701539 Rel: 04 Sep 18
 
Delta Sound Labs Origami skiff-friendly Wavefolder Module based on the circuit found in the 1973 Buchla Easel - 8 Hp
Notes: Origami is our first eurorack module. This is a skiff-friendly Wavefolder based on the circuit found in the 1973 Buchla Easel but re-imagined for the eurorack standard.
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 1 in stock $114.35
Cat: 701540 Rel: 20 Sep 18
 
Saber SEM classic audio filter module 8HP
Notes: Saber by Delta Sound Labs is a reimagined variation of the pioneering 1970's era SEM filter by Tom Oberheim.
This is a truly classic audio filter reworked as a compact and 100% skiff-friendly 8HP module.

The original SEM (Synthesizer Expander Module) was one of the world's first all-in-one synthesizers and it's unique 12dB/Octave multi-mode filter, imparted unique character to anything it touched.
Saber by Delta Sound Labs remains true to this design but features modern touches such as buffered low-pass, high-pass and band-pass outputs, each of which can be used at the same time.
All in all, this makes for a really flexible, great sounding addition to any Eurorack system.
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 2 in stock $143.71
Cat: 682313 Rel: 26 Mar 18
 
Vactrol-based multimode filter based on a schematic by Nyle Steiner, featuring separate inputs for lowpass, bandpass & highpass
Notes: This filter's unique feature is that different filter types are realized by injecting the audio signal at different points of the circuit. For this reason, the A-101-1 has three inputs with level control: one lowpass input which is normalized to the bandpass input, which itself is normalized to the highpass input. The level controls make it possible to mix the filters and to generate new filter types. e.g. with all three filter levels turned to maximum level you get a notch filter.

Furthermore, the cutoff frequency influences which filter type is "monitored". This way you can blend from LP over BP to HP with increasing cutoff, known as "frequency scanning". Interesting effects happen when three different audio signals are used because they are both morphed and filtered at the same time.

Vintage edition with black faceplate and custom knobs.
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 1 in stock $150.01
Cat: 682314 Rel: 26 Mar 18
 
Vactrol based combination of resonant 12dB lowpass filter and/or VCA - inspired by the Buchla 292
Notes: A Low Pass Gate (LPG) can be a low pass filter, a VCA or a combination of both. This means both the harmonic content and volume can be controlled simultaneously which resembles the behaviour of many instruments: the louder, the more harmonics.

The A-101-2's mode of operation is set with a switch: left position is low pass, right is VCA and the combo mode is in the centre. Alternatively, you can activate the modes with gate signals which is the reason for two gate inputs; this is very interesting in combination with clock dividers or trigger sequencers.

- Gate 1 high & gate 2 low = low pass mode
- Gate 1 low & gate 2 high = VCA mode
- Both Gate 1 & 2 high = combo mode

The A-101-2 has an aggressive sound, compared to other LPGs and its resonance goes up to self-oscillation which not many LPGs offer. The oscillation is rather dirty and far from being a sine wave.

3U Eurorack module, 8HP wide, 50mm deep.
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 1 in stock $100.70
Cat: 682321 Rel: 30 Apr 18
 
Complex 12-stage phase shifter with separate in- and outputs for all phaser stages
Notes: Module A-101-3 is a 12-stage phase shifter with vactrols as phase shifting elements. Vactrols are known for their smooth sound behaviour. In contrast to other phaser designs, the A-101-3 is much more flexible and offering a lot of new features not available from other phasers on the market. The main difference is that the Doepfer design offers access to each of the 12 input and output stages leading to a lot of new filters that cannot be obtained in other ways. Especially the free patchable feedback loops (yes, not only one feedback loop is possible) between each of the 12 stages, the separate phase shift control for the stages 1-6 and 7-12, and the 2 polarizers intended to control the feedback loops lead to completely new filter types (a polarizer is a circuit that is able to generate positive and negative amplifications in the range -1...0...+1 with -1 = inversion, 0 = full attenuation, +1 = unchanged signal, for details concerning the polarizer function please look at the A-133 VC Polarizer or A-138c Polarizing Mixer module).

Internally, the module is made of 2 independent 6 stage phase shifters (1-6 reps. 7-12) with separate audio inputs (with attenuators), audio outputs (with mix control), and phase shift control units. The phase shift control units feature both manual and voltage-controlled phase shifting (e.g. from a LFO, ADSR, Random Voltage, Theremin CV, Foot Controller CV ...). For each sub-module a phase shift display (LED) is available. The LED shows the illumination state of the 6 vactrols of the sub-module in question as it is connected in series with the internal vactrol LEDs.

Each of the 12 phase shift states is equipped with an audio output socket and feedback input socket to obtain full flexibility to create a multitude of different filters. The audio input signal and the output signals of stage 6 resp. stage 12 are mixed with 2 manual controls to obtain effects at two audio outputs (for normal phase shifting effect this is 50% input signal and 50% phase shifted signal). The two submodules are internally connected via normalized sockets so that two 6 stage phase shifters can be obtained without external patches. Audio output of stage 6 is normalized to audio input of stage 7 and CV input 1-6 is normalized to CV input 7-12. But due to the open structure of the module even other stages than stage 6 and stage 12 can be used as outputs to generate different sounds (simply patch the desired stage output to the normalized mix input socket).
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 1 in stock $260.16
Cat: 692503 Rel: 18 Jun 18
 
Reproduction of the legendary British diode lowpass filter - 8HP
Notes: Module A-102 is a reproduction of the legendary low pass filter design that uses diodes in the filter stage as frequency controlling elements - resulting in "strange" resonance behaviour and frequency response, as resonance and frequency are not independent from another.

As for the rest, the A-102 is identical to the A-120 Moog low pass filter, the A-103 (18dB TB303 Filter) i.e. the same controls, inputs and outputs. Only the filter sound is different:

- Manual control of filter frequency
- 3 CV inputs (CV1, CV2, CV3), 2 of them with attenuator (CV2, CV3)
- Input level control
- Resonance control up to self-oscillation (depends upon the frequency setting for the A-102)
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 1 in stock $81.82
Cat: 692504 Rel: 18 Jun 18
 
18dB low pass filter based on a modified Moog cascade - 8HP
Notes: Module A-103 is a voltage controlled low pass filter with 18dB/octave slope. The circuit is based on a modified transistor ladder (Moog ladder) and is a reproduction of the legendary TB303 filter.

As for the rest the A-103 is identical to the A-120 Moog low pass filter (same controls, inputs/outputs) only the filter sound is different.
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 1 in stock $84.97
Cat: 692505 Rel: 18 Jun 18
 
Quad resonance filter - 20HP
Notes: A-104 is a fourfold formant filter as used in the Mixtur Trautonium by Oskar Sala. It is made of four parallel resonance filters, each filter can be switched to low pass or band pass or off. Frequency, resonance and level are controlled for each filter separately (no voltage control). The frequency range for the filters is about 50Hz...5kHz. The filter audio inputs are very sensitive so that distortion may intentionally be used to create new sounds - if desired.

The A-104 is a versatile module for sound modification. In the first place it is used for reproduction of resonances (e.g. the vocal-like effects known from the Trautonium). In combination with the subharmonic generator A-113, the Trautonium Manual A-198 and some other A-100 modules, one obtains a Trautonium replica.
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 1 in stock $124.83
Cat: 692506 Rel: 18 Jun 18
 
Voltage-controlled low-pass filter with 24dB/octave slope - 8HP
Notes: The A-105 is a 24dB low pass filter that bases on the SSM 2044 chip that was used amongst others in following units: Korg Polysix, Korg Mono/Poly, Fairlight II, PPG Wave 2.2 und 2.3, Emu SP-1200, Siel DK600, Siel Opera 6. The first Prophets used the SSM2040 - the precedessor of the 2044 - that generates a very similar sound. The filter convinces with a very powerful sound. The resonance starts quite early to colour the signal and makes a big range of sounds possible up to self-oscillation. The latter provides a very clean sine wave - no wonder, because the SEM2044 chip wasn't designed only as a filter core but also as a sine wave oscillator.

The A-105 is based on the patented so-called "true open loop design" which generates a very fat sound. The filter works with a slope of -24dB per octave and provides voltage controllable resonance up to self-oscillation. The audio input is sensitive so you can distort the audio signal at the input if desired. there's a volume control at the audio input, potentiometers for setting the cutoff frequency and resonance as well as attenuators at the CV inputs for cutoff and resonance.
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 1 in stock $119.59
Cat: 676691 Rel: 21 Sep 18
 
Polyphonic filter with four identical 24dB Lowpass filters 8HP
Notes: A-105-4 is our first polyphonic filter and contains four
identical 24dB Lowpass filters (SSM2044 type). It has
available common manual controls and CV inputs with
attenuators for these parameters:

Frequency (F)

Frequency Modulation Intensity (FM)

Resonance (Q)

Audio Input Level (L)
Each filter has available a separate FM input as well as an Audio Input and Output. The FM input is typically connected to the output of the associated envelope generator (e.g. A-141-4).
The envelope amount for all four filters is controlled by the FM knob and the CVFM input by means of four built-in VCAs, which are controlled by the FM control and CVFM input. This allows also voltage control of the envelope amounts.

In addition common frequency modulation for all filters is possible (e.g. by an LFO). For this the CVF input with attenuator can be used. The range of the audio input level control (L) allows also clipping/distortion with typical A-100 audio levels
(e.g. from A-111-4) at the filter inputs. Even this parameter is voltage controllable as well as the resonance (Q).
Application: polyphonic patches (four VCFs with same parameters).
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 4 in stock $193.02
Cat: 692507 Rel: 19 Jun 18
 
MS20 low/high-pass filter - 14HP
Notes: Module A-106-1 is a unique low/high pass filter and has its origin in Doepfer's experiments to build an MS20 filter clone. In contrast to other filter designs, it has different audio inputs for low and high pass, but only one audio output. The type of filter (12dB low pass, 6dB high pass or any mix) is defined by the shares of the audio signal fed to the corresponding inputs. Even two different audio signals can be used as low and high pass input. A special feature is the polarizer at the high pass input that allows to add/subtract the high pass to/from the low pass share, leading to pseudo band pass and notch responses.

Another special feature is the clipping controls, which allow independent adjustment of the positive and negative clipping level. The resonance goes up to self-oscillation, but with a clearly different behaviour than on other filters. At certain resonance and clipping settings the self-oscillation generates rectangle or short sawtooth shaped pulses.

In general, the A-106-1 is a very strange and awesome filter and far away from being perfect (e.g non-linear control scale, self-oscillation with all sorts of waveforms except sine, a lot of roaring, rattling, noise or other unpredictable sounds at high distortion and resonance settings, high distortion or audio level overrides the resonance, significant CV feedthrough). But the A-106-1 has a lot of character - probably much more than any other filter of the A-100 - and is able to generate filter sweeps which are not possible with any other filter.
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 1 in stock $119.59
Cat: 671592 Rel: 29 Nov 17
 
12dB multi-mode filter based on classic SEM filter circuitry
Notes: Module A-106-5 is a 12dB multimode filter that is based on the filter circuit of the Oberheim SEM module. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self oscillation in contrast to most of the other filters of the A-100 system. The module generates a distorted audio signal if the level control is set to about 50% (i.e. centre position) or more with A-100 standard signals like VCOs.

Inputs: Audio In, CV1 In without attenuator, CV2 In with Polarizer
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio Attenuator, CV2 Polarizer, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the Wasp filter module A-124. But the sound of both filters is very different! We will publish no separate user's manual for the A-106-5 but a combined manual for both A-106-5 and A-124. The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer)

Width: 8HP / 40.3mm
Depth: 55mm (Measured from the rear side of the front panel)
Current: +12V: +30mA, -12V: -20mA
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 1 in stock $83.92
Cat: 692508 Rel: 19 Jun 18
 
Multimode filter based on the filter circuit of the Oberheim Xpander - 12HP
Notes: Module A-106-6 is a multimode filter that is based on the filter circuit of the Oberheim Xpander. The module features 15 different filter types (those filters of the A-107 that were available in the Xpander) with 8 filters available simultaneously. The toggle switch Filter Group is used to switch between 2 filter groups.

These filter types are available:

- 1L (6 dB low pass)
- 2L (12 dB low pass)
- 3L (18 dB low pass)
- 4L (24 dB low pass)
- 1H (6 dB high pass)
- 2H (12 dB high pass)
- 3H (18 dB high pass)
- 2B (6 dB band pass)
- 4B (12 dB bandpass)
- 2N (notch)
- 3A (allpass)
- 2H1L (asymmetrical band pass made of a 12 dB high pass and a 6 dB low pass)
- 3H1L (asymmetrical band pass made of a 18 dB high pass and a 6 dB low pass)
- 2N1L (combination of notch and 6 dB low pass)
- 3A1L (combination of allpass and 6 dB low pass)

The module features voltage-controlled resonance. For filter group 2 (2L, 4L, 2B ...) even self-oscillation is possible.

All standard VCF controls are available: manual filter frequency control Frq, one control voltage input with attenuator (FCV2) and one without attenuator (FCV1, ~ 1 V/octave). In addition, voltage-controlled resonance with manual control (Q) and a CV input with attenuator (QCV) are available.

The circuit is based on a 24dB lowpass filter. The outputs of the four internal filter stages (i.e. the 6, 12, 18 and 24dB outputs) are mixed together with different levels and polarities to obtain 15 different filters. Because of this special circuit the outputs have slightly different levels and noise floor. This is caused by the different internal amplifications and numbers of stages that are required to generate the filter in question. If e.g. a filter is derived by one stage only (e.g. the 6 dB, 12dB, 18dB and 24dB low pass) the noise floor is smaller compared to a filter that is derived by a combination of all four filter stages.
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 1 in stock $138.47
Cat: 692510 Rel: 19 Jun 18
 
Classic Moog voltage-controlled lowpass filter - 12HP
Notes: Module A-108 is a completely new voltage-controlled low pass filter based on the well-known transistor ladder (Moog ladder). The module has internally an 8-stage low pass filter with different slopes available: 6, 12, 18, 24, 30, 36, 42 and 48 dB per octave. In addition, it features a band pass output (i.e. band pass with transistor ladder). In the factory, the 4 low pass outputs of the A-108 are internally connected to the filter stages 6, 12, 24 and 48dB.

Resonance (Emphasis or Q) can be adjusted manually right up to self-oscillation, in which case the filter will behave like a sine wave oscillator. The A-108 features an external feedback input that enables the insertion of additional modules into the feedback path (e.g. VCA for voltage-controlled resonance or phaser/frequency shifter for phase/frequency shifting effects). The socket is normalized and internally connected to the 48dB low pass output if no cable is inserted into the feedback socket.

The frequency can be adjusted manually, or by voltage control. Three CV inputs (CV1, CV2, CV3) are available. CV2 and CV3 are equipped with attenuators.

The filter audio input is very sensitive so that distortion - if desired - is possible even with normal A-100 levels (e.g. VCO output). Self-oscillation will break off at high distortion levels as the internal feedback signal is drown out by the distorted audio signal. This feature may intentionally be used to create new sounds.

In combination with the Voltage Controlled Mixer A-135 and the Morphing Controller A-144 a filter with voltage-controlled slope can be realized (i.e. controlling the slope from 6dB to 48dB via CV).
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 2 in stock $144.76
Cat: 577769 Rel: 29 Nov 17
 
Standard VCO providing two CV inputs for pitch, an octave switch, four waveforms with separate outputs, pulse width modulation & hard sync - 10HP
Notes: Module A-110-1 is a voltage-controlled oscillator. This VCO's frequency range is about eight octaves (ca. 15Hz ... 8kHz). It can produce four waveforms simultaneously: rectangle, sawtooth, triangle, and sine wave (triangle and sine shapes are not perfect, see remark below). The output levels are typically 8Vpp for saw and rectangle, and 10Vpp for triangle and sine. The frequency or pitch of the VCO is determined by the position of the octave (Range) switch and tuning (Tune) knob, and by the voltage present at the CV inputs. Frequency modulation (FM) of the VCO is therefore a possibility. Footage (the octave of the fundamental) is set by the Range control in five steps, and Fine tuning controlled by the Tune knob by about +/-1 one semitone (can be modified for a wider range).

You can control the pulse width of the square wave either by hand, or by voltage control - Pulse Width Modulation or PWM.

For more detailed information please look at the user's manual A110_man.pdf. In addition, the A-110 service manual is available as an example for the A-100 service manual that is available at extra charges. This document describes also how to modify the sensitivity of the tune control, how to re-adjust the 1V/octave scale and the frequency offset (i.e. the absolute pitch). Such modifications should be carried out by experienced users only!

The core of the A-110-1 is a sawtooth oscillator (in contrast to the A-111-1, which is based on a triangle oscillator). The other waveforms are derived from the sawtooth by internal waveform converters. As the sawtooth reset (i.e. the back-to-zero slope) is not infinite fast but takes a little bit of time the derived waveforms triangle and sine are not perfect! At the top of the waveform they have a small glitch or notch that is caused by the sawtooth reset and cannot be eliminated by the waveform converters. The sine is derived from the triangle by a simple diode-based converter and the sine shape is not perfect (only a rounded triangle).

If a perfect triangle is required, the A-111-1 is recommended. For a perfect sine wave the quadrature LFO/VCO A-143-9 is recommended.
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 2 in stock $136.37
Cat: 692511 Rel: 19 Jun 18
 
Standard VCO providing two CV inputs for pitch, an octave switch, four waveforms with separate outputs, pulse width modulation & hard sync - 10HP
Notes: Module A-110-1 is a voltage-controlled oscillator. This VCO's frequency range is about eight octaves (ca. 15Hz ... 8kHz). It can produce four waveforms simultaneously: rectangle, sawtooth, triangle, and sine wave (triangle and sine shapes are not perfect, see remark below). The output levels are typically 8Vpp for saw and rectangle, and 10Vpp for triangle and sine. The frequency or pitch of the VCO is determined by the position of the octave (Range) switch and tuning (Tune) knob, and by the voltage present at the CV inputs. Frequency modulation (FM) of the VCO is therefore a possibility. Footage (the octave of the fundamental) is set by the Range control in five steps, and Fine tuning controlled by the Tune knob by about +/-1 one semitone (can be modified for a wider range).

You can control the pulse width of the square wave either by hand, or by voltage control - Pulse Width Modulation or PWM.

For more detailed information please look at the user's manual A110_man.pdf. In addition, the A-110 service manual is available as an example for the A-100 service manual that is available at extra charges. This document describes also how to modify the sensitivity of the tune control, how to re-adjust the 1V/octave scale and the frequency offset (i.e. the absolute pitch). Such modifications should be carried out by experienced users only!

The core of the A-110-1 is a sawtooth oscillator (in contrast to the A-111-1, which is based on a triangle oscillator). The other waveforms are derived from the sawtooth by internal waveform converters. As the sawtooth reset (i.e. the back-to-zero slope) is not infinite fast but takes a little bit of time the derived waveforms triangle and sine are not perfect! At the top of the waveform they have a small glitch or notch that is caused by the sawtooth reset and cannot be eliminated by the waveform converters. The sine is derived from the triangle by a simple diode-based converter and the sine shape is not perfect (only a rounded triangle).

If a perfect triangle is required, the A-111-1 is recommended. For a perfect sine wave the quadrature LFO/VCO A-143-9 is recommended.
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 1 in stock $154.20
Cat: 692512 Rel: 18 Jun 18
 
Basic voltage-controlled oscillator for the A-100 modular system
Notes: Module A-110-2 is a low-cost voltage-controlled oscillator. It's a slightly reduced version of the standard VCO A-110-1. Compared to the A-110-1, the A-110-2 has no sine output and the (expensive) octave rotary switch is replaced by a 3-position toggle switch. In return, the A-110-2 is equipped with an additional linear FM input and a soft sync input. A jumper is used to select the range of the tune control between about 1/2 octave and about 4 octaves. The width of the module is only 8 HP compared to the 10 HP of the A-110-1.

All other features are essentially the same as for the A-110-1.

Explanation of the jumpers and trimming potentiometers:

- JP2: CV connection to A-100 bus
- JP3: range of Tune control (installed = about 4 octaves, not installed = about 1/2 octave)
- JP4: AC/DC coupling of the linear FM input (installed = DC coupling, not installed = AC coupling)
- P5: 1V/Oct scale
- P6: frequency offset
- P7: high-end trim
- P8: adjustment +1 Oct. range switch
- P9: adjustment -1 Oct. range switch
- P10: temperature VCO heater

The core of the A-110-2 is - like the A-110-1 - a sawtooth oscillator (in contrast to the A-111-1, which is based on a triangle oscillator). The other waveforms are derived from the sawtooth by waveform converters. As the sawtooth reset (i.e. the back-to-zero slope) is not infinitely fast but takes a little bit of time the triangle is not perfect! At the bottom of the waveform it has a small glitch or notch that is caused by the sawtooth reset and cannot be eliminated by the waveform converter. If a perfect triangle is required, the A-111-1 is recommended.

The sawtooth output of the A-110-21 has a falling (or negative) slope. The front panel shows erroneously a rising (or positive) slope. This has no influence on the sound but becomes important when the module is used as an LFO or is mixed with the sawtooth output of another VCO.

The control voltage applied to the socket 1V/Oct is added to the control voltage coming from the bus (interruptible by removing the jumper JP2). Connecting a cable to the socket 1V/Oct does not interrupt the bus CV connection!
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 2 in stock $119.59
Cat: 692514 Rel: 18 Jun 18
 
Basic voltage-controlled oscillator for the A-100 modular system - black front panel
Notes: Module A-110-2 is a low-cost voltage-controlled oscillator. It's a slightly reduced version of the standard VCO A-110-1. Compared to the A-110-1, the A-110-2 has no sine output and the (expensive) octave rotary switch is replaced by a 3-position toggle switch. In return, the A-110-2 is equipped with an additional linear FM input and a soft sync input. A jumper is used to select the range of the tune control between about 1/2 octave and about 4 octaves. The width of the module is only 8 HP compared to the 10 HP of the A-110-1.

All other features are essentially the same as for the A-110-1.

Explanation of the jumpers and trimming potentiometers:

- JP2: CV connection to A-100 bus
- JP3: range of Tune control (installed = about 4 octaves, not installed = about 1/2 octave)
- JP4: AC/DC coupling of the linear FM input (installed = DC coupling, not installed = AC coupling)
- P5: 1V/Oct scale
- P6: frequency offset
- P7: high-end trim
- P8: adjustment +1 Oct. range switch
- P9: adjustment -1 Oct. range switch
- P10: temperature VCO heater

The core of the A-110-2 is - like the A-110-1 - a sawtooth oscillator (in contrast to the A-111-1, which is based on a triangle oscillator). The other waveforms are derived from the sawtooth by waveform converters. As the sawtooth reset (i.e. the back-to-zero slope) is not infinitely fast but takes a little bit of time the triangle is not perfect! At the bottom of the waveform it has a small glitch or notch that is caused by the sawtooth reset and cannot be eliminated by the waveform converter. If a perfect triangle is required, the A-111-1 is recommended.

The sawtooth output of the A-110-21 has a falling (or negative) slope. The front panel shows erroneously a rising (or positive) slope. This has no influence on the sound but becomes important when the module is used as an LFO or is mixed with the sawtooth output of another VCO.

The control voltage applied to the socket 1V/Oct is added to the control voltage coming from the bus (interruptible by removing the jumper JP2). Connecting a cable to the socket 1V/Oct does not interrupt the bus CV connection!
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 1 in stock $130.08
Cat: 692515 Rel: 18 Jun 18
 
Thru-zero quadrature VCO with Sine/Cosine core - standard edition
Notes: This analogue VCO is well versed in the art of deep and beautiful thru-zero frequency modulation, allowing the frequency to stop when CVs with 0V are applied, and even to go backwards when modulated with negative CVs.

The term "quadrature" refers to simultaneously available sine and cosine waves at individual outputs. The VCO is sine based i.e. no waveshaping is used to derive the sine; for that reason, the sound is really clear and shows a minimum of distortion and overtones.

The module has two control sections:

The exponential section consists of the XTune control, the 1V/Oct input and the XFM input with the corresponding attenuator XFM.

The exponential control voltage is the sum of these three voltages. The linear section consists of the LTune control and the LFM input with the corresponding attenuator LFM. The linear control voltage is the sum of these two voltages.

The main advantage of the A-110-4 compared to other Thru Zero VCOs is that the design uses a sine/cosine core. The sine/cosine waves are not derived from other waveforms (e.g. sawtooth or triangle) by means of waveshaping. Rather the sine and cosine waves are the core of the VCO which results in very pure waves with a minimum of distortion and overtones.

With it's both control possibilities, linear and exponential, as well as it's thru-zero ability, the VCO is perfectly suited for all types of FM applications.
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 1 in stock $133.22
Cat: 692516 Rel: 18 Jun 18
 
Thru-zero quadrature VCO with Sine/Cosine core - special edition
Notes: This analogue VCO is well versed in the art of deep and beautiful thru-zero frequency modulation, allowing the frequency to stop when CVs with 0V are applied, and even to go backwards when modulated with negative CVs.

The term "quadrature" refers to simultaneously available sine and cosine waves at individual outputs. The VCO is sine based i.e. no waveshaping is used to derive the sine; for that reason, the sound is really clear and shows a minimum of distortion and overtones.

The module has two control sections:

The exponential section consists of the XTune control, the 1V/Oct input and the XFM input with the corresponding attenuator XFM.

The exponential control voltage is the sum of these three voltages. The linear section consists of the LTune control and the LFM input with the corresponding attenuator LFM. The linear control voltage is the sum of these two voltages.

The main advantage of the A-110-4 compared to other Thru Zero VCOs is that the design uses a sine/cosine core. The sine/cosine waves are not derived from other waveforms (e.g. sawtooth or triangle) by means of waveshaping. Rather the sine and cosine waves are the core of the VCO which results in very pure waves with a minimum of distortion and overtones.

With it's both control possibilities, linear and exponential, as well as it's thru-zero ability, the VCO is perfectly suited for all types of FM applications.
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 1 in stock $131.12
Cat: 692521 Rel: 19 Jun 18
 
Voltage controlled oscillator, switchable between LFO & VCO modes - 14HP
Notes: The successor of the good old A-111 High End oscillator is an utterly precise analogue VCO/LFO with an extremely big frequency range, immaculate tracking over at least ten octaves and nearly perfect waveforms. With linear and exponential FM, pulse width modulation, two simultaneous types of sync and attenuators on all CV inputs, the module is really well-appointed.

Not less than four frequency controls make tuning an ease:

- Switch for LFO or VCO range
- Octave rotary switch with six positions
- Fine tuning control (approximately one octave range)
- Coarse tune control (approximately one semitone range)

The oscillator has a frequency range of at least fifteen octaves (0.0001 - 40Hz in LFO mode, 0.5Hz - 20kHz in VCO mode) and has perfect Volt per octave tracking over at least ten octaves, typically in the range of 20Hz to 20kHz. Frequencies below 25Hz are visualized with a two-colour LED.

An 1V/octave input without attenuator is expanded by two scaleable FM inputs, one for linear and one for exponential frequency modulation. Using a jumper, you can decide whether the module obtains pitch CV via the internal bus.

The VCO has a triangle core from which sawtooth, pulse and sine are derived. The wave forms are almost perfect and sans glitches.

The pulse width can be set with a control from 0 to 100% and of course it can be modulated.

The A-111-2 features not only one but two inputs for oscillator synchronisation - one for hard and one for soft sync, which both differ in sound with the hard sync being more aggressive and richer in harmonics.
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 1 in stock $223.44
Cat: 692522 Rel: 19 Jun 18
 
Voltage controlled oscillator, switchable between LFO & VCO modes - 14HP
Notes: The successor of the good old A-111 High End oscillator is an utterly precise analogue VCO/LFO with an extremely big frequency range, immaculate tracking over at least ten octaves and nearly perfect waveforms. With linear and exponential FM, pulse width modulation, two simultaneous types of sync and attenuators on all CV inputs, the module is really well-appointed.

Not less than four frequency controls make tuning an ease:

- Switch for LFO or VCO range
- Octave rotary switch with six positions
- Fine tuning control (approximately one octave range)
- Coarse tune control (approximately one semitone range)

The oscillator has a frequency range of at least fifteen octaves (0.0001 - 40Hz in LFO mode, 0.5Hz - 20kHz in VCO mode) and has perfect Volt per octave tracking over at least ten octaves, typically in the range of 20Hz to 20kHz. Frequencies below 25Hz are visualized with a two-colour LED.

An 1V/octave input without attenuator is expanded by two scaleable FM inputs, one for linear and one for exponential frequency modulation. Using a jumper, you can decide whether the module obtains pitch CV via the internal bus.

The VCO has a triangle core from which sawtooth, pulse and sine are derived. The wave forms are almost perfect and sans glitches.

The pulse width can be set with a control from 0 to 100% and of course it can be modulated.

The A-111-2 features not only one but two inputs for oscillator synchronisation - one for hard and one for soft sync, which both differ in sound with the hard sync being more aggressive and richer in harmonics.
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 1 in stock $248.62
Cat: 671591 Rel: 29 Nov 17
 
Analog VCO/LFO module with wide frequency range - 4HP
Notes: The Micro Precision VCO is a space-saving and utterly precise analog VCO/LFO with a extremely wide frequency range, immaculate tracking over at least ten octaves and nearly perfect waveforms.

Basically, it's the same circuitry like the High-End VCO A-111-2 but with reduced functions and controls. It is suitable as a modulator for exact linear FM and much more.

The A-111-3 has two elements for setting the frequency: A switch selecting between LFO and VCO mode as well as a tune control with a jumper-selectable range:

- Jumper position 1: 16Hz to 20 kHz
- Jumper position 2: 16Hz to 70Hz
- Without jumper: 16Hz to 22Hz

The XM potentiometer can be used as a fine tune control as long as nothing is patched to the XM socket.

The oscillator has a frequency range of at least fifteen osctaves (0.0001 - 40 Hz in LFO mode; 0.5 Hz to 20 kHz in VCO mode) and offers perfect 1 V per octave tracking over ten octaves minimum, typically in the range of 20 Hz to 20 kHz. Frequencies below 25 Hz are visualized with a two-colour LED.

The 1V per octave input is accompanied by two FM inputs, one for linear and one for exponential frequency modulation. A jumper determines whether the module obtains pitch CV via the internal bus.

The VCO has a triangle core from which sawtooth, pulse and triangle are derived. The wave forms are almost perfect and sans glitches.

The pulse width can be set with a control from 0 to 100% and of course it can be modulated.

There is one input for oscillator synchronisation and its type, either hard or soft sync, is jumper-selected. Both types differ in sound with the hard sync being more aggressive and richer in harmonics.
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 2 in stock $147.91
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