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Back Catalogue: Studio Equipment

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QTX
Cat: 630251 Rel: 07 Nov 16
 
Adjustable shelf/stand for music and tablet
Notes: Attach this music/tablet shelf to any suitable stand or pole with a diameter of between 14 to 35mm. This covers most microphone and music stands, so should work with your existing equipment. The stand is locked in place via a 'C' clamp which is easy to adjust and secure in any position. The angle is adjustable and the stand can be moved left and right to get the viewing position exactly right.
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 1 in stock $18.16
QTX
Cat: 652992 Rel: 02 Jun 17
 
Handheld dynamic microphone
Notes: Handheld vocal microphone with precision-machined metal body and high quality dynamic capsule. Features a built-in On/Off switch, ideal for vocal and karaoke applications.
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$17.16 SAVE 10%
 4 in stock $15.44
Cat: 614733 Rel: 28 Nov 16
 
3 pin XLR female to 6.3mm stereo Jack plug
Notes: XLR socket to 6.3mm stereo plug.
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 3 in stock $1.74
QTX
Cat: 655662 Rel: 29 Jun 17
 
4 channel mini line level mixer
Notes: Compact mixer with high impedance jack inputs suitable for auxiliary line level or instruments, mixing to a master jack output. Available as either 4 mono or 4 stereo version with separate volume controls for each input and master output. Powered by 1 x 9V battery or optional 12Vdc adaptor.
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 2 in stock $21.24
QTX
Cat: 655663 Rel: 29 Jun 17
 
8 channel mini line level mixer
Notes: Compact mixer with high impedance jack inputs suitable for auxiliary line level or instruments, mixing to a master jack output. Available as either 4 mono or 4 stereo version with separate volume controls for each input and master output. Powered by 1 x 9V battery or optional 12Vdc adaptor.
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 4 in stock $30.49
Cat: 614726 Rel: 28 Nov 16
 
3 pin XLR male to 6.3mm stereo Jack socket
Notes: XLR plug to 6.3mm stereo socket.
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 2 in stock $1.96
QTX
Cat: 614725 Rel: 25 Aug 16
 
Male XLR plug to male 1/4" mono jack plug adapter
Notes: 3 pin XLR MALE to 6.3mm mono Jack plug.
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 5 in stock $1.47
Cat: 683576 Rel: 22 Mar 18
 
Analogue drum synthesiser based on the Boss PC-2/AMDEK PCK-100
Notes: The Rakit Drum Synth is based on the (now rare) Boss PC-2/AMDEK PCK-100 percussion synthesizer. The sounds produced by the synth are not limited to what you would expect to associate with drum sounds and can vary from big bass drums to tapping on glass to UFO space drum-wobbly things! Not only does this Drum Synth do sonic justice to the original but Rakit have also put their own spin on it with extra modifications, including Attack on/off, VCO & LFO wave shape selection, and Pitch CV input.
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 4 in stock $84.97
Cat: 701428 Rel: 05 Sep 18
 
RK-003 8CH stereo passive mixer board can be used for audio
Notes: The RK-003 is a little kit we made to mix your gear in the simplest way possible. The mixer can be used for audio but also for e.g. the splitting of sync signals.

Note: This is a 'passive mixer' which means there is no amplifier in it, only small resistors to protect the gear you're mixing. You have to adjust volume on the devices itself and expect a volume drop which needs to be compensated on the amplifier on which your mixing to.
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 1 in stock $38.12
Cat: 701432 Rel: 12 Sep 18
 
The 6 channel MIDI Merger/Splitter, 8 channel Sync-hub & clock processor
Notes: The RK-004 is not your 'ordinary 6 channel MIDI-merger or MIDI-splitter'. The 7 MIDI DIN5 sockets hide more than you would expect at first sight.

MIDI thru
MIDI message arriving at an input will be casted-thru to all connected outputs. This makes the RK-004 behave like a MIDI-thru box, syncing up all your connected MIDI devices. The cool thing is that each connector can act as MIDI input or MIDI-output. This means you can use the RK-004 to merge up to 6 MIDI-sources into one output, split one MIDI source up to 6 outputs or just sync up 7 MIDI devices by using the RK-004's internal clock or (or slave all MIDI devices to an incoming sync pulse, see 'tempo manipulation') The direction of the ports is ad hoc, and the direction is detected automatically: this means that you just can "plug and play™", and use the connectors as you like.
MIDI merge Today you want to control your sound module with 2 controllers(='merge'): just connect and it will merge. Tomorrow you want to control 2 sound modules with 1 controller (='split'): just connect and it will split... any other combination is valid also! The good thing is that you don't have to reconfigure: the direction will be auto-detected. Note that the MIDI-in mode of the RK-004 is not opto-isolated like regular MIDI-in ports. Although this could sometimes lead to a 'ground loop' it is not more dangerous for your equipment than plugging a midi-out to a midi-out port.
Analog SYNC input In order to use your favorite analog sync source there is the sync-in connector which accepts good-old analog sync input. With this connection it is possible to use an analog sync generator as master clock to which the whole remaining system will lock. So yes: this will generate MIDI clocks from analog sync input!
Analog SYNC output
The other way around: if you want to slave-sync your analog equipment with a clock originating in the digital MIDI world there is the sync-out connector. On this connector you can connect analog equipment which will lock to the generated sync signal.
Ports can be defined as sync-only You can change the MIDI connector into sending out sync signals. With the use of a MIDI to Mini-jack converter (as provided with e.g. the Arturia Beatstep) in reverse to the RK-002, this enables you to use the MIDI-connectors as sync output. This way you can also use the RK-004 to drive a bunch of (example given) Pocket Operators.

Tempo manipulation Every port can be set to run relative to the midi or sync master clock (or discard the master clock all together). This way you can creatively use sequencer machines to run in different tempos with each other.

Stand-alone tempo If you don't use any MIDI or analog sync-master gear on the RK-004 you can use it so generate it's own tempo just by tapping it.

Raspberry Pi USB Host
The basic RK-004 only has it's USB ports for power distribution but you can connect a RaspberryPi to the (PiZero)-layout-compatible connector, download our disk image and use the RK-004 to merge your USB-only midi devices into 'the real MIDI world'.
Not only for RPi projects by the way; By setting the 1st RK-004 port to Serial mode you are able to connect the RK-004 via serial port on a regular baud rate, easily integrating other hardware projects into your music.
You can download a RPi disk image from Google Drive

Configurable with Audio only
It is not necessary to have another MIDI interface at hand to set the clock divisons, force port directions or set sync properties. Just a phone or tablet with audio out can be used to configure the RK-004.
You can use this link to open the RK-004 settings page on a new tab so you can bookmark it on your home screen as a web app.

The RK-004 comes with the RK-USB cable
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 2 in stock $234.20
Cat: 701438 Rel: 12 Sep 18
 
Host for USB MIDI devices and USB Hubs
Notes: The RK-005 hosts USB MIDI devices and USB Hubs. It interconnects USB-Devices and sends the merged MIDI to the DIN5 out port.
Where other USB-Hosts do host-only, the RK-005 is also a Class Compliant MIDI device as well. The RK-005 connects to a computer, phone or tablet and gives you a fast and solid MIDI In and Out from your DAW. Even simultaneously.

Translates MIDI clock to Gate-out: Sync up Pocket Operators, Monotribes or Modular systems to your USB or DAW setup with ease.
The RK-005 is a small device which can combine all layers of the MIDI spectrum and beyond!

The RK-005 is the most complete Standalone USB Host out there: Integrate those small and handy USB MIDI devices to your traditional MIDI gear and leave your computer at peace. And it's not just a bridge to DIN5 MIDI: The RK-005 supports USB-Hubs too so you can interconnect multiple USB devices with it without using MIDI cables at all.
And where other USB-Hosts do host-only, the RK-005 is also a Class Compliant MIDI device. This means if you connect the RK-005 to a computer, phone or tablet: It will give you a fast and solid MIDI In and Out from your DAW. Even simultaneously. The RK-005 is a 2-in-1 device!

If you're also looking to connect other gear which only have gate triggers to listen to: The RK-005 has an on-board MIDI clock to Gate converter. You can sync up your Pocket Operators, Monotribes or Modular systems to your USB or DAW setup with ease.

With the RK-005 you can now create that compact live or production hardware setup: full control without the full table.
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 2 in stock $142.69
Cat: 701442 Rel: 07 Sep 18
 
9V To 5V Converter small PCB with the LT1129 onboard
Notes: Just a small PCB which has the LT1129 onboard, a very low-dropout regulator which in this case is used to step down the 9V battery to a small 5V USB power level (700mA).
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 2 in stock $12.26
RME ADI2 DAC 2 Channel DA Converter & Audio Interface (DA converter/headphone amplifier)
RME
Cat: 673824 Rel: 05 Mar 18
 
High-quality USB DA converter & headphone amplifier
Notes: In 2016 RME released the ADI-2 Pro. With a lot of fresh ideas, innovative features and numerous useful functions it rolled up the AD/DA converter scene and quickly became a reference for both AD- and DA conversion. Equipped with two Extreme Power headphone outputs it also found its way into HiFi and home use, getting countless rave reviews for its sound, flexibility and technical prowess.

To address the home and HiFi users, RME exchanged some of the Pro's studio features with typical home and HiFi ones. With an adapted feature set and much simplified operation RME proudly presents the ADI-2 DAC. Built on the technology, concept and features of the ADI-2 Pro, the DAC concentrates on DA conversion in top high-end quality, along with two exceptional outputs for headphones and IEMs, and - a remote control.

Packed into the compact half 19" format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS.

As the most versatile DAC available, the ADI-2 DAC offers balanced/unbalanced analog outputs, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility and sample rates up to 768 kHz as well as DSD and Direct DSD playback. The SPDIF input signal can even be recorded via USB - as one would expect from RME the DAC is a true 2 channel Full Duplex audio interface.

Improving DA:

With the DAC RME engineers took the opportunity to slightly enhance the DAC's analog output stage to be even more perfect as it already was. More relays, a different double symmetrical attenuator circuit and one additional buffer OP amp succeed in less noise and less THD. As the DAC-chip is the limiting factor here this is hard to measure, but nevertheless an important improvement, especially at lower hardware output levels typical for Cinch/RCA usage. The new hardware reference levels of +13 dBu, +7 dBu, +1 dBu and -5 dBu also add to this.

Super Low Noise for IEM lovers:

The headphone revolution not only brought headphones but also IEMs (in ear monitors) back into the attention of audiophiles and music lovers. Modern IEMs have a reference sound that easily competes with bulky over-ear headphones, making them not only a mobile alternative, but also an interesting solution in home.

Modern IEMs are extremely sensitive and operate on very low voltages. As a side effect they uncover the noise floor of the player, DAC or headphone amp. When RME developed its Extreme Power headphone stage the basic noise floor was taken care to be as low as possible. Which was then confirmed in many reviews (most black background...). Even when used with IEMs.

Lights Out:

A studio converter with all lights off? Defective. But on a DAC it was one of the most often requested features from our ADI-2 Pro HiFi customers. Here we go: display, function keys, volume knob, even the standby button - they all go off after 10 seconds of no user operation when AutoDark is activated in the unit's menu. Touching any button or control will turn on all lights for 10 seconds. Using the remote AutoDark can also be switched off/on, and using any button on the remote turns lights on for 3 seconds. Once again: we're sure you will love it!

SteadyClock FS:

The ADI-2 DAC is the first device in RME's range with SteadyClock FS. There is not much to improve with SteadyClock, it has earned its accolades over years of flawless operation in numerous RME devices, guaranteeing that using the internal clock will produce exactly the same sound as when using an external one. SteadyClock highly rejects jitter and handles all digital interface formats in an exemplary way. That's why SteadyClock's design and behaviour didn't change in the DAC.

Final Chord:

The ADI-2 DAC includes an improved SteadyClock, a fine-tuned to perfection analog circuitry, remote control, Extreme Power headphone output and a very special IEM output. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more. With its simplified operation and stunning design it is the ideal centrepiece from home listening up to studio reference playback.
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 2 in stock $868.28
RME
Cat: 620638 Rel: 30 May 17
 
Remote control for RME audio interfaces
Notes: Plug'n Play Plus:

The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.

The ARC USB is a USB 1.1 MIDI remote control. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands.

TotalMix FX:

Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind.

With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete.

TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.

TotalMix FX for iPad App:

TotalMix FX for iPad adds full control over hardware mixer and DSP effects for Fireface UCX, UFX, 802 and Babyface, Babyface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad.
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 4 in stock $118.73
RME
Cat: 571284 Rel: 22 Aug 15
 
24 channel bus-powered USB interface, with ADAT I/O
Notes: The exciting new Babyface Pro once again demonstrates RME's absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics.

Created with the highest precision from a block of aluminum, this high-end yet portable interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.

For the main I/O RME have designed a completely new XLR socket, which integrates seamlessly into the housing and saves space. The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.

Two digitally controlled preamps provide individually switchable 48V 'phantom power. These brand new circuits feature gain of up to 70 dB, adjustable in steps of 3 dB, plus a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.

Babyface Pro's incredibly efficient design almost never requires an external power supply - it's perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.

The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro's jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.

Babyface Pro ships with RME's TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in every situation. You can do something as simple as mixing together your guitar and vocal to headphones.

The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also onboard.

Latest generation low latency AD/DA converters, combined with RME's unique SteadyClock technology, result in exceptional specifications that will satisfy the most demanding of professionals.

This high-end interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.

Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired.

RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range.

The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.

Even in stand-alone mode, routing and mixing of inputs to outputs directly on the device opens a whole world of possible applications.
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 3 in stock $667.75
RME
Cat: 420693 Rel: 29 Mar 11
 
36-channel 192 kHz USB2.0 high speed audio interface
Notes: The compact RME Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core, the Fireface UC audio interface provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS, the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.

Under both operating systems, the available latencies are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance comparable to PCI express interfaces under USB 2.0.



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 1 in stock $844.22
RME
Cat: 445883 Rel: 26 Jan 12
 
Hybrid 36-channel USB & FireWire audio interface
Notes: The RME Fireface UCX is a compact 36-channel, 192kHz USB and Firewire hybrid audio interface, incorporating Hammerfall X-Core technology, high-end converters and TotalMix FX effects engine.

Continuing the line of pristine quality X-Series interfaces, the Fireface UCX packs an incredible amount of technology into a half-rack unit. Featuring 18 ins and outs in total, 8 analogue i/o, 2 digitally controlled mic preamps, 2 instrument inputs, SPDIF, ADAT, Wordclock, 2 MIDI i/o all piped through FireWire 400 or USB 2.0 (USB 3 compatible) computer connections.

The Fireface UCX has impressive technical specifications, with 115dBA dynamic range on the analogue inputs and outputs; an excellent signal-to-noise ratio with very low distortion and jitter. Latency is negligable (0.4ms at 48 kHz), surpassing that of many, more expensive interfaces, making the UCX a serious recording tool for studio or stage. The mic preamps use technology from the RME Micstacy, ensuring flat response and supreme dynamic range, and can also provide automatic and intelligent level control to ensure distortion-free recording.

TotalMix allows for flexible DSP mixing and routing of all i/o's plus effects even at the highest sample rates. Every channel can have 3-band parametric EQ, adjustable HPF, dynamics, MS processing and phase reversal. A stereo auxiliary send gives access from any channel to the reverb and delay effects engine, allowing DSP-based mininal-latency monitoring effects. There are limitations to the total number of simultaneous effects depending on sample rate, but when the DSP load is too high, the Fireface UCX will use the FX-DSP automatic overload surveillance to inform you, or deactivate some DSP, ensuring the DSP engine is never overloaded.

As well as using RME's proprietry USB and Firewire drivers, the Fireface UCX can also be used standalone, or in Class Compliant Mode. This allows the unit to be used without a driver on several operating systems including (via the Camera Connection Kit) the iPad or iPad2, making these mobile platforms capable of studio quality audio recording.

http://www.youtube.com/watch?v=NbeuGVzippc
http://www.youtube.com/watch?v=YTNQAJu6Vlg&feature=player_embedded
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 1 in stock $1,042.48
Cat: 678441 Rel: 08 Feb 17
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Predator 2 is the successor of a legendary synthesizer that has inspired many artists/composers and appears on countless music tracks! As before it combines inspiring presets and cutting edge features to make this your 'go-to' synth for contemporary music production.

The user interface has again been designed so that almost all main controls are visible on screen, making it fun and incredibly easy-to-use.

With Predator 2 and all its many cool features, we have also included an 'Easy Page' for the users that don't like too many controls. The 'Easy Page' offers you the most important parameters if you want to change a sound quickly or just want to use the handy 'preset variation' function, which is an intelligent randomizer.

Predator 2 is packed with new powerful features such as: 'Waveform morphing', 'Waveform drawing', "WaveSet playmode', XY pad, new EQ, and new voice level distortion.... and so much more!

Shipped with inspirational presets, Predator 2 is a unique synthesizer concept which combines 'User Friendliness' and 'Packed Features' in one amazing product.
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 1 in stock $105.72
Cat: 634409 Rel: 08 Feb 17
 
Two-oscillator virtual synthesiser featuring an X/Y field for phase distortion control
Notes: At the Dutch Dancefair 2014, DJ Promo (aka producer Sebastian Hoff) and DJ Free-K (aka producer Freek Vergoossen) approached Rob Papen with the idea of a synthesiser that focused more on 'distorted' sounds with an easy to use layout.

Renowned for delivering fresh, cutting edge and musical plugins for producers, Rob Papen invited the DJs to his studio for a brainstorming session resulting in a list of 'must have' features and tools for a brand new synth. Armed with this list and several more brainstorming sessions later, Rob Papen and his development team created a powerful new virtual synth RAW.

RAW has two oscillators each with an X/Y field, (as included in Blade and BLUEII) to distort the waveform using Phase Distortion. But that's not all, you can also draw two of your own 'waveforms' and use them as LFO waveforms enabling the creation of unique 'wobble' movements that are perfect for for DubStep and other electronic music styles.

RAW has all the great Rob Papen filters to shape your sound further, but in a refreshing twist, 'EQ', 'Waveshaper', 'Distortion' and 'LoFi' have also been added on a voice synthesis level. Other FX such as Chorus, Phaser, Flanger, Stereo delay and the amazing HQ Reverb of Rob Papen can all be added to your sound and of course, the cool Arpeggiator/Sequencer, Easypage and preset bank manager have all been included as standard.

In true Rob Papen style, RAW comes with many great presets with mainly contributions from several well known DJs and Producers for instant user inspiration! Promo, Ophidian, Mad dog, Deathmachine, D-Passion, Rob Fabrie, DJ Thera, N-Vitral, Tha Playah, DJ Hidden, The Viper, Warface, Stephan Jacobs, Amnesys and many more...
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 2 in stock $82.90
Cat: 672789 Rel: 12 Jan 18
 
Complete recording bundle including condenser microphone & studio quality audio interface
Notes: RODE's AI-1 Audio Interface is stacked with incredible technology to ensure recording on your computer is easy, versatile and sounds superb. The Complete Studio Kit comes with the AI-1, RODE's peerless NT1 large diaphragm condenser microphone, a shock mount and all cables. Let's get started.

As for inputs: the AI-1's got both kinds:

The AI-1's single input is a Neutrik Combo Jack, which takes both a 3-pole XLR (common to most microphones) and a quarter-inch jack common to most electric instruments like guitar, bass et al. Layering tracks is as easy as plug in, set level and go.

No cords barred (and other puns):

The Complete Studio Kit comes with the RODE NT1 studio condenser microphone, a shock mount, pop-shield, RODE XLR cable and USB-C/A cables to transfer data from your AI-1 to your computer, and power - including 48V phantom power to your AI-1.

Superior Headphone Amplifier onboard:

Not only does the AI-1 deliver crystal clear audio to your computer software, but headphones have never sounded sweeter thanks to the discrete studio-quality headphone output and level control.

In the box:

- NT1 Cardioid Condenser Microphone
- AI-1 Single Channel Audio Interface
- SMR Shock Mount & Detachable Popshield
- XLR Cable
- USB-C/A Cable
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 1 in stock $265.15
Cat: 455772 Rel: 28 May 12
 
Condenser microphone for recording vocals, acoustic instruments and percussion
Notes: The Rode K2 is the result of designing and building 1000's of valve microphones.

The K2's HF-1 capsule is the pinnacle of transducer technology. The sound quality combines modern high-end specifications with the character and subtleties of the legendary 50's mics. Infinitely variable control of the K2's polar patterns provides the freedom and flexibility to excel in any recording situation. The K2 is another example of Rode's commitment to building quality studio microphones to meet the exacting standards demanded by today's professionals.
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 1 in stock $514.17
Cat: 446898 Rel: 10 Feb 12
 
Live performance dynamic microphone
Notes: With rock-solid build quality and a high-power neodymium capsule, the Rode M1 live dynamic microphone is designed to provide the very best performance night after night, while taking all the abuse expected of a microphone with the rock 'n' roll credentials of Rode.

The M1's ergonomically designed all-metal body is engineered for maximum comfort when used as a handheld microphone. It feels robust, solid and perfectly balanced without being weighty or heavy, and handling noise is all but eliminated by the microphone's internal design.

Featuring a warm response that is never muddy or undefined, the M1's smooth character and defined clarity offer incredible performance as a live vocal microphone. A tightly controlled cardioid polar pattern minimises spill and feedback.

Renowned as one of the industry's best live vocal microphones, the M1 is an equally strong performer on guitar amplifiers as well as kick drum, snare drum, toms and percussion.

The microphone and steel mesh head are presented in an attractive and durable satin black finish.

The Rode M1 live performance dynamic microphone is covered by Rode Microphones' lifetime warranty, providing peace of mind that your microphone is covered for many years to come.
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 1 in stock $68.39
Cat: 446899 Rel: 10 Feb 12
 
Dynamic microphone for live vocals, guitar, drums and public speaking
Notes: Featuring rock-solid build quality and a high-power neodymium capsule, the M1-S switchable live dynamic microphone is designed to provide the very best performance on vocals, guitars, drums and as a presentation microphone.

Featuring a warm response that is never muddy or undefined, the M1-S' smooth character and defined clarity offer incredible performance as a live vocal microphone. A tightly controlled cardioid polar pattern minimises spill and feedback.

The ergonomically designed all-metal M1-S body is engineered for maximum comfort when used as a handheld microphone. It feels robust, solid and perfectly balanced without being weighty or heavy, and handling noise is all but eliminated by the microphone's internal design.

The addition of an on/off switch adds versatility for artists, engineers and presenters that prefer control while on stage. A flush-mounted lock ensures the microphone cannot be accidentally switched.

For additional security the M1-S features an XLR lock that can be used to fix the microphone to the cable.

The microphone and steel mesh head are presented in an attractive and durable satin black finish.

The Rode M1-S live performance dynamic microphone with lockable switch is covered by Rode Microphones' industry leading 10 year warranty.

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 1 in stock $86.72
Cat: 472164 Rel: 01 Jan 90
 
B-STOCK: Box opened but product is new & unused
Notes: *** B-STOCK: Box opened but product is new & unused ***

Featuring rock-solid build quality and a high-power neodymium capsule, the M1-S switchable live dynamic microphone is designed to provide the very best performance on vocals, guitars, drums and as a presentation microphone.

Featuring a warm response that is never muddy or undefined, the M1-S' smooth character and defined clarity offer incredible performance as a live vocal microphone. A tightly controlled cardioid polar pattern minimises spill and feedback.

The ergonomically designed all-metal M1-S body is engineered for maximum comfort when used as a handheld microphone. It feels robust, solid and perfectly balanced without being weighty or heavy, and handling noise is all but eliminated by the microphone's internal design.

The addition of an on/off switch adds versatility for artists, engineers and presenters that prefer control while on stage. A flush-mounted lock ensures the microphone cannot be accidentally switched.

For additional security the M1-S features an XLR lock that can be used to fix the microphone to the cable.

The microphone and steel mesh head are presented in an attractive and durable satin black finish.

The Rode M1-S live performance dynamic microphone with lockable switch is covered by Rode Microphones' industry leading 10 year warranty.

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 1 in stock $56.65
Rode M3 Condenser Microphone (condenser microphone)
Cat: 446901 Rel: 15 Feb 12
 
Condenser microphone for recording/live vocals, guitar, drums and public speaking
Notes: The Rode M3 is a highly versatile condenser microphone powered by 9V battery or phantom power.

Featuring a heavy duty metal body and internally shock mounted 1/2" condenser capsule mounted for end-address, the M3 is at home in the studio, on stage or on location and is equally suitable as a vocal microphone, guitar microphone, drum microphone or presenter microphone.

A -10 dB and -20 dB level attenuation (or PAD), selectable from inside the battery compartment, allows recording of loud sound sources, such as a guitar amplifier or drum. A high-pass filter selectable on the microphone power switch introduces a filter at 80Hz to reduce low frequency sounds and handling noise.

The M3 also comes complete with windshield and a stand mount, and can be powered via a 9V battery or 24-48V Phantom.

The Rode M3 versatile multi-powered microphone is covered by Rode Microphones' industry leading 10 year warranty.

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 1 in stock $76.04
Cat: 525856 Rel: 01 Jan 90
 
B-STOCK: Box opened, product in perfect working order
Notes: *** B-STOCK: Box opened, product in perfect working order ***

The Rode M3 is a highly versatile condenser microphone powered by 9V battery or phantom power.

Featuring a heavy duty metal body and internally shock mounted 1/2" condenser capsule mounted for end-address, the M3 is at home in the studio, on stage or on location and is equally suitable as a vocal microphone, guitar microphone, drum microphone or presenter microphone.

A -10 dB and -20 dB level attenuation (or PAD), selectable from inside the battery compartment, allows recording of loud sound sources, such as a guitar amplifier or drum. A high-pass filter selectable on the microphone power switch introduces a filter at 80Hz to reduce low frequency sounds and handling noise.

The M3 also comes complete with windshield and a stand mount, and can be powered via a 9V battery or 24-48V Phantom.

The Rode M3 versatile multi-powered microphone is covered by Rode Microphones' industry leading 10 year warranty.

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 1 in stock $71.17
Cat: 455771 Rel: 28 May 12
 
MiCon connector for select Sennheiser devices
Notes: The Rode MiCon connector system provides seamless integration between the Rode HS1 headset, PinMic and Lavalier microphones and a wide range of wireless systems.

The MiCon-1 is designed to connect to the Sennheiser transmitters SK 500 G3, SK 300 G3, SK 100 G3, SK 500 G2, SK 300 G2, SK 2 Freeport.
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 1 in stock $16.45
Cat: 485700 Rel: 20 Mar 13
 
MiCon 7 connector for select Lectrosonics devices
Notes: The Rode MiCon connector system provides seamless integration between the Rode HS1 headset, PinMic and Lavalier microphones and a wide range of wireless systems. The MiCon-7 is designed to connect to Lectrosonics transmitters SM series, UMa series, LMa series and UM450.

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 1 in stock $18.51
Cat: 543648 Rel: 11 Aug 14
 
Side-address USB microphone with all-metal pop shield and desktop stand included
Notes: The NT-USB is a highly versatile side-address microphone that is ideal for recording singing and musical performances in addition to spoken applications such as podcasting and voice-over.

It is fully compatible with all mainstream recording applications on both Windows and Mac OS based computers, as well as the Apple iPad using RODE Rec, GarageBand, or any other recording app that accepts an external microphone. Use on the Apple iPad requires a suitable USB connection adaptor, such as the Apple Camera Connection Kit.

The body of the NT-USB features a zero-latency stereo headphone monitoring (3.5mm) jack, which allows you to monitor the microphone input in realtime, along with dials to adjust the monitoring level and mix between the computer/iPad audio and the microphone input.

A premium pop-filter is included, which fits onto the base of the mic, positioning the filter the ideal distance from the capsule to minimise plosives (hard 'B', 'T' or 'P' sounds that produce a harsh sound) during singing or speech. Also provided is a high-quality stand mount with industry standard 3/8" thread, desktop tripod stand that allows the NT-USB to sit at a comfortable height on a tabletop, and a pouch for storage of the microphone when not in use.
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 1 in stock $139.89
Cat: 448472 Rel: 23 Feb 12
 
Pair of condenser microphones for group vocals, drum overheads and stereo recording
Notes: The Rode NT1-A 1" cardioid condenser microphone has become an industry standard, delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the most expensive microphones.

This pair of NT1-A microphones has been acoustically matched to be within +/- 1/2 dB sensitivity, and is an ideal stereo microphone solution for recording choirs, drum overheads and other X/Y and spaced pair stereo recording applications.

The NT1-A-MP (matched pair set) also features professional accessories for both microphones, including 2 shock mounts and 2 x 20 inches microphone cables. Also included is a matched pair certificate, detailing the microphones' serial numbers and certifying them as being acoustically matched.

The Rode NT1-A acoustically matched pair of large diaphragm 1" cardioid condenser microphones is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=5zByhzmhbe8
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 1 in stock $349.18
Cat: 446891 Rel: 15 Feb 12
 
Condenser microphone for vocal recording + Shockmount with intergrated Pop-Filter + 6m XLR cable + bag + a Tutorial DVD
Notes: The Rode NT1-A 1" cardioid condenser microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the most expensive microphones.

With a self noise level of only 5 dBA it is widely recognised as the world's quietest studio microphone. This low noise makes it ideal for vocal recording as well as voice overs and environmental recording.

Packaged in the Complete Vocal Recording Solution, the NT1-A includes everything you need to get a truly professional vocal recording and is ideal for home studio recording.

A studio grade pop shield and shock mount is included, along with a premium microphone cable, dust cover, and an instructional DVD with recording tips.

The NT-1A continues this tradition while improving specifications and tonal qualities. Using cutting edge technology for electronics, RODE has implemented a computer controlled manufacturing line. Unlike many leading brands, all electronic boards are made without human hands assuring high specifications, tight tolerances and unsurpassed consistency. It's built to last with a new computer controlled machine process. This product is also available as a Matching Pair.

The Rode NT1-A large diaphragm 1" cardioid condenser microphone is covered by Rode Microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=HpTKZpoyXzs
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 3 in stock $147.52
Cat: 448485 Rel: 23 Feb 12
 
Condenser microphone for recording vocals, acoustic instruments and percussion
Notes: The Rode NT2000 is the world's first large diaphragm condenser studio microphone with seamlessly variable polar patterns, filter and pad located conveniently on the microphone body.

The NT2000's state of the art surface-mount electronics combined with the Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.

http://www.youtube.com/watch?v=c2ZaOHXHdas
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 1 in stock $372.10
Cat: 465320 Rel: 01 Jan 90
Notes: The Rode NT2000 is the world's first large diaphragm condenser studio microphone with seamlessly variable polar patterns, filter and pad located conveniently on the microphone body.

The NT2000's state of the art surface-mount electronics combined with the Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.

http://www.youtube.com/watch?v=c2ZaOHXHdas
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 1 in stock $392.16
Cat: 448476 Rel: 23 Feb 12
 
Condenser microphone for recording vocals, instruments and percussion + shockmount + pop-filter + cable
Notes: The NT2-A carries on the tradition forged by the now legendary Rode NT2. A professional large capsule (1") studio microphone incorporating 3-position pick-up patterns, PAD and high pass filter switches conveniently located on the mic body.

At the heart of the NT2-A is the Australian designed and manufactured HF1 dual diaphragm capsule. The frequency and transient response of this transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50's and 60's. These features provide the flexibility and superlative audio characteristics that make the NT2-A one of the most versatile condenser mics available.

Includes SM6 popshield, XLR cable and microphone dust cover.

http://www.youtube.com/watch?v=DCtdnmFxFJs
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 1 in stock $239.19
Cat: 529027 Rel: 01 Jan 90
 
Multi-powered condenser shotgun microphone with FREE microphone windshield
Notes: The Rode NTG2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (161gm/5.7oz without battery) makes it an ideal boom microphone.

In addition to the NTG2 native 20-20000Hz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The NTG2 operates either from a AA (1.5V) battery or P48 phantom power which can be supplied by professional cameras, audio recorders and power supplies.

The WSVM windshield is supplied to minimise light wind noise and plosives during recording. The optional DeadCat furry is recommended for outdoor applications.

The Rode NTG2 shotgun microphone is covered by Rode Microphones' industry leading 10 year warranty.

This microphone can either be powered by an AA battery, or phantom power.

www.youtube.com/watch?v=pUVvzytDpTQ
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 1 in stock $227.67
Cat: 509380 Rel: 18 Nov 13
 
Dynamic handheld microphone designed for interview purposes
Notes: Designed for handheld interview and presentation applications, the Reporter features an omnidirectional dynamic capsule that is designed to allow the user freedom of use, without the technique related issues typical of directional end-address microphones.

Additionally its frequency response has been specially tailored for voice reproduction, to maximise intelligibility and deliver crisp, clear results in almost any condition.

The microphone features a durable die-cast aluminium alloy body coated in a discrete matte black anti-glare finish. An innovative multi-layer mesh basket protects the microphone from environmental noise without the need for a bulky and distracting foam wind shield.

It is supplied with a removable microphone 'flag' that can accommodate high visibility branding.

The Reporter is covered by Rode's industry leading support guarantee, with a twelve month warranty 'out of the box' that is easily increased to ten years free of charge, following online registration of the microphone.
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 1 in stock $117.64
Cat: 448508 Rel: 23 Feb 12
 
Condenser microphone for live vocals
Notes: The Rode S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability.

At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise.

Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response.

The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

The Rode S1 live condenser vocal microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=NkZlMLXAGok
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 1 in stock $265.79
Cat: 473082 Rel: 01 Jan 90
 
*** B-STOCK: Box opened but product is new & unused ***
Notes: The Rode S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability.

At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise.

Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response.

The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

The Rode S1 live condenser vocal microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=NkZlMLXAGok
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 1 in stock $185.18
Cat: 464577 Rel: 01 Jan 90
Notes: The Rode S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability.

At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise.

Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response.

The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

The Rode S1 live condenser vocal microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=NkZlMLXAGok
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 1 in stock $227.67
Cat: 561655 Rel: 23 Apr 15
 
3.5mm TRRS extension cable for SmartLav microphones
Notes: The SC1 is a premium shielded extension cable for the smartLav and smartLav+ TRRS microphones.

Measuring 6m/20', the SC1 features gold plated contacts for superior audio reproduction.
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 2 in stock $17.98
Cat: 522678 Rel: 25 Mar 14
 
Signal breakout box for smartphones and tablet devices
Notes: The SC6 is an input/output breakout box for smartphones and tablets. With two TRRS inputs and one stereo headphone output, the unit connects to any TRRS device and allows the use of one or two smartLav microphones as well as headphones for monitoring and playback.

With the SC6 users can monitor audio from the smartLav, as well as input two smartLavs into the one mono channel in interview or dual-dialogue scenarios.

(Note that the two microphone inputs will be recorded to the same channel)
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 2 in stock $14.16
Cat: 455703 Rel: 28 May 12
 
Minijack/3.5mm stereo extension cable
Notes: The VC1 is a 3m 3.5 mm stereo audio extension cable, featuring 2 core shielding and a gold plated jack and socket.

It is ideal for use to connect the Rode VideoMic, Stereo VideoMic or VideoMic Pro when the microphone is mounted on a boompole, or away from the camera or recorder.

The VC1 can also be used as a high quality headphone extension cable.
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 2 in stock $9.26
Cat: 455702 Rel: 28 May 12
 
Minijack to XLR adaptor for the Videomic
Notes: The VXLR is used to convert a mono 3.5mm mini-jack to a 3-pin XLR.
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 3 in stock $10.08
Cat: 696694 Rel: 29 Oct 12
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


There's no shortage of portable MIDI keyboard controllers on the market, but portability often equates to subpar keyboard action. With the new A-49, the game has changed i this lightweight, slim-line controller features a premium-grade, full-size keyboard that raises the bar in its class. Available in pearl white and black finishes, the A-49 is a dream for musicians seeking a simple, easy-to-use MIDI keyboard with pro-quality playing feel.

The A-49's keys have a rounded shape for better reaction to the player's touch and more comfortable glissandi. Other enhancements have been made to reduce the already low mechanical noise and eliminate vertical shake. All of these features add up to a keyboard that even the most discerning pros will appreciate.

Add color to your sound and excitement to your performance by waving your hands over the invisible D-Beam. The A-49 can assign all its controllers automatically for fully utilizing an external SuperNATURAL sound module such as the Integra-7. It's also a great second keyboard for controlling synthesizers that have onboard SuperNATURAL sounds, such as the Jupiter-80 and Jupiter-50.

The A-49 was born for mobile use. It's strong yet amazingly lightweight (less than 6 pounds/2.5 kg), making it easy to lift and carry. And although it has a very streamlined design, the A-49 features a full-size, premium keyboard with 49 velocity-sensitive keys.

For the ultimate in portable convenience, the A-49 is powered from your computer's USB bus, no power cable or adapter is required. It draws a minimal amount of current, which is ideal for a USB bus-powered device.

The A-49 provides clean connections via its recessed rear panel, so you can place a computer monitor or laptop in the perfect position for creating music. 2 x knobs, 2 x switches, and the D-Beam controller are all easily accessible and intelligently arranged to make your workflow fast and fluid. Dedicated octave buttons offer immediate control of the key scale, and a transpose button is provided for adjusting the scale in semitone steps; LED indicators give you instant visual feedback of your octave/transpose settings. Other settings can be accessed via the Function button, which lets you use the keys to perform additional tasks printed above the keyboard.

The A-49 can be connected to the iPad via Apple's Camera Connection Kit. Recently, many musicians have gravitated toward their Apple iPads to record musical ideas. While there are small MIDI keyboards that can be used with the iPad, the A-49 gives you pro playability as well as mobility. Its clean, clutter-free surface and excellent feel keeps your fingers on the keys and your mind on the music.

http://www.youtube.com/v/614K-P6nu_4&feature=player_embedded&autoplay=1
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 1 in stock $126.19
Roland Aira Bundle 1: TR8 Rhythm Performer, TB3 Touch Bassline & VT3 Voice Transformer (drum machine + bass synthesizer + voice tranforrmer synthesizer)
Cat: 574924 Rel: 01 Jan 90
 
Performance rhythm machine, bundled with performance-ready bass synthesiser & voice transformer unit
Notes: Roland Aira TR-8:

The TR-8 is a performance rhythm machine that melds the legendary sound and vibe of the TR-808 and TR-909 with features and functions for the modern age. Genre-defining sounds, classic effects, unprecedented live pattern manipulation, and solid, intuitive performance controls. It's the TR...evolved.

Roland Aira TB-3:

Based on the wildly influential TB-303, the new TB-3 Touch Bassline is a performance-ready bass synthesizer with authentic sound and intuitive controls engineered to play. The TB-3 contains the unmistakable character of its predecessor, wrapped in a modern package with a pressure-sensitive touch pad that makes both playing and programming a total joy.

Roland Aira VT-3:

Aggressively processed vocals are common in electronic music today, but producing these effects easily and reproducing them live has been a challenge - until now. With the VT-3 Voice Transformer, you can smoothly alter pitch and formant in real time to introduce heavily processed vocal sounds into your studio tracks and stage performances with zero hassle. On top of that, the VT-3 looks great and works seamlessly with other products in the AIRA series.
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 1 in stock $887.81
Cat: 522656 Rel: 26 Jun 14
 
Keyboard synthesiser using Roland's anologue circuit behaviour technology to merge classic and modern sounds
Notes: Meet the SYSTEM-1, a synthesizer probably unlike any you've encountered before. Like its predecessors, the SYSTEM-1 breaks new ground with remarkable flexibility and access to a vast palette of synthesized sounds with the bold and unmistakable character associated with Roland synthesizers for nearly four decades.

At the heart of the SYSTEM-1's sound is our new Analogue Circuit Behaviour technology (ACB) which we use to carefully analyse every aspect of analogue circuits and then faithfully recreate them down to the finest details. This technology fills the SYSTEM-1 with a fusion of beautifully classic and utterly modern synthesizer tones.

The SYSTEM-1 can control and even host software recreations of classic Roland synthesizers. That's right. The SYSTEM-1 can control plug-in versions of now legendary Roland synths, and those same plugins can be hosted in the SYSTEM-1 itself - with no computer required. You can even switch between the SYSTEM-1's internal sounds and those of the hosted plug-in. We call this wizardry "PLUG-OUT" - and we're pretty excited about it.

And we think you'll be excited too once you experience the supreme authenticity of the upcoming SH-101 softsynth, with the SYSTEM-1 providing an intuitive and fully automatic one-to-one control interface that just works. Let's be honest - who could make a better plug-in version of a classic Roland synth than Roland?

And the SH-101 is just the beginning.

The SYSTEM-1 not only sounds amazing, but it also has a totally innovative design with performance ready controls, quality construction, and a dizzying array of lights and knobs and sliders.

You can connect the SYSTEM-1 to your computer via its USB jack to send and receive audio and MIDI data.

The SYSTEM-1 can receive MIDI clock information to sync with external devices including other AIRA series units.

The SYSTEM-1 is designed to work seamlessly and look great with other products in the AIRA series.
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 2 in stock $397.41
Roland Aira TB3 Touch Bassline (bass synthesizer)
Cat: 522654 Rel: 17 Apr 14
 
Bass synthesiser based on the classic TB-303
Notes: Based on the wildly influential TB-303, the new TB-3 Touch Bassline is a performance-ready bass synth with meticulously authentic sound and intuitive controls engineered to play.

It's the TB...

...Evolved.

Nobody could have anticipated what would happen to the world of dance music when Roland's now-legendary TB-303 was embraced by inventive musicians on both sides of the Atlantic. Since the 1980s, the TB-303 has been a staple of electronic music. It is the defining sound of Acid House and has since been the marquis instrument on an array of groundbreaking electronic dance tracks. It's not only been used to write songs, but it has songs written about it. In fact, the release of the TB-303 has been heralded as one the key events in the history of dance music. Not bad for a little silver box.

Launched in 1981, the TB-303 continues to be an indispensable bass synth for dance music. Roland have meticulously analysed the circuitry of the TB-303 piece-by-piece and down to the individual circuit behaviour.

Using Analogue Circuit Behaviour technology Roland have fully reproduced both the saw-tooth and square wave oscillators as well as the -18dB/octave ladder low pass filter used in the original TB-303, capturing that unmistakable cutoff and resonance character.

In addition to the faithful reproductions of classic TB tones, the TB-3 is packed with 134 sounds that live and breathe. Bubbling synth basses, hard distortion basses, trippy delay sounds and drippy effects. They're all here - and then some.

A TB bass line not only sounds unique, but it has its own trademark feel as well. The TB pulses. It drives. It bubbles and it percolates. That's why Roland worked so hard to faithfully reproduce the Accent, Slide, and Step Sequencer behaviour of the original unit.

But Roland's vision went beyond simple reproduction.

The truth is, the step entry on the original TB-303 was difficult to use, the keyboard was difficult to play, and special manoeuvres were required for the shuffle functions.

So Roland experimented with a variety of prototypes in our quest to create the optimal TB interface.

The new TB-3 is equipped with a brightly lit, green and red, pressure sensitive touch pad that lets you seamlessly create patterns and interact with the unit during performance. In addition to pitch and volume, you can tweak filters and even control modulation by simply pressing down on the pad with your finger. It also makes the keyboard a breeze to play.

The TB-3's evolved Step Sequencer is easy to use and allows seamless switching between pattern creation and performance. Of course, an attractive aspect of the original TB-303 was how it would sometimes generate unintended sounds as the user maneuvered through its complex and cryptic pattern creation operation. In order to inject that element of chance and discovery, the TB-3 has automatic pattern generation and random pattern modification.

The TB-3's Scatter function features slicing, reverse, gating and other effects, instantly creating variations, stutters, and glitches that would normally require painstaking editing in a DAW. Complex, per-step functions are triggered easily with the Touch Pad and a single finger. Keep things fresh and interesting with 8 different types of Scatter variations and 10 levels of Scatter Depth - all controllable in realtime and in perfect sync.

You can connect the TB-3 to your computer via its USB jack for USB bus power and to send and receive Audio and MIDI data.

The TB-3 can receive MIDI clock information to sync with external devices including other AIRA series units.

The TB-3 is designed to work seamlessly and look great with other products in the AIRA series.
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 2 in stock $244.99
Cat: 522643 Rel: 17 Apr 14
 
Performance rhythm machine combining the legendary sounds of the TR-808 and TR-909 with added modern features
Notes: The TR-8 is a performance rhythm machine that melds the legendary sound and vibe of the TR-808 and TR-909 with features and functions for the modern age.

Genre-defining sounds and classic effects. Unprecedented live pattern manipulation. Solid, intuitive performance controls.

It's the TR...

...Evolved.

With the TR-8, Roland have obsessively analysed and faithfully re-created every detail and nuance of the analogue circuitry of these legendary rhythm machines. The boom and snap of the 808. The thud of the 909. The robotic click of an 808 rim shot or a classic 909 snare roll. It's all here.

Not content with mere recreations however, Roland have enhanced these classic instruments with capabilities far beyond the original units.

Tune and Decay knobs are now present on every instrument and the Bass and Snare drum modules have dedicated "Attack" and "Comp" knobs allowing for a great variety of tones - from subtle ambient percussion to pounding dance grooves. Per-step effects and the massively addictive "Scatter" function take things into entirely new territory.

With the authentic tone and character of the original units and with new sound tweaking capabilities inspired by legions of users, the TR-8 breathes new life into the sounds we all know and love.

Make no mistake - the TR-8 is an instrument, carefully designed from the ground-up, to be played. Every control has a solid, predictable feel with each drum instrument having robust, "playable" faders. Numerous lighted knobs and RGB-lit buttons give realtime performance feedback and a striking appearance on stage.

Pattern creation is creative and intuitive using an evolved version of the TR-REC method which originated in the TR-808 and eventually became the standard for electronic rhythm programming. Based on detailed analysis of the original TR-808, the TR-REC behaviour has been faithfully modelled in the TR-8. But the TR-8 goes well beyond the original, allowing you to seamlessly switch between programming and performance modes and to introduce lots of groovy rhythmic variations - from subtle snare fills to total glitch meltdowns.

Scatter is a unique performance function that gives you detailed realtime control over variations in your patterns and any incoming external input signal.

Scatter can reverse, glitch, gate, truncate, stutter and perform all manner of rhythmic variations - from subtle to extreme - and all in perfect sync.

Pick from 10 different types of Scatter and smoothly adjust the intensity or "Scatter Depth" with the large comfortable dial.

Seamlessly switch between Scatter patterns and quickly turn Scatter on and off for cool variations when and where you want them.

You can connect the TR-8 to your computer via its USB jack to send and receive Audio and MIDI data. The TR-8 can receive MIDI clock information to sync with external devices including other AIRA series units. The TR-8 is designed to work seamlessly and look great with other products in the AIRA series.

Product demo video:

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 2 in stock $369.28
Cat: 663218 Rel: 10 Oct 17
 
Boutique Series synthesiser module based on the original Roland D-50
Notes: Released in 1987, the Roland D-50 Linear Synthesizer is easily one of the most influential keyboards ever made. This revolutionary instrument helped define the sound of the late '80s with its instantly recognizable mix of sampled attacks and synthesized sustaining waveforms, plus built-in chorus, reverb, and EQ. It's the basis of classic tracks in a wide range of genres including synth pop, new wave, new jack, and R&B, and can be heard in countless film scores of the era. With the Roland D-05, you get the iconic sound and dedicated control of the D-50 in a modern device that perfectly recreates the legendary synth down to its finest details.

Vintage Digital:

When most people think of vintage synthesizers, they think of analog beasts with lots of knobs and sliders. The 1980s ushered in something new: sleek keyboards with digital engines that brought musicians and producers a totally new palette of sounds not previously possible with analog.

As Roland's first all-digital performance keyboard, the D-50 took the world by storm with its unique mix of sampled attack transients and synthesized waveforms combined with built-in digital effects and...a joystick!

Name a famous track from the late '80s to early '90s and there's a good chance it was built around one or more Roland D-50 sounds. Unabashedly digital, the D-50 has taken its rightful place in the hallowed halls of classic vintage synthesizers. Its sound is unique and beautiful, and it brings a certain "something" to your tracks that you just can't get anywhere else.

New Wave. New Jack. New Age. And So On:

The '80s were a dynamic period for pop music. Producers were trying new things, looking for new sounds, and new genres were being forged at a furious pace. From 1987 on, the Roland D-50 was massively influential and appeared in studios and on stages around the world. Some of the most revered recording artists in history have used the beautifully crafted presets, unaltered, as the cornerstone of huge international hits. There's just something about the quality of its sound that grabs you. And with the Roland D-05, we celebrate the 30th anniversary of this trailblazing synthesizer by putting all the powerful beauty of the D-50 into the modern Roland Boutique format.

Samples Meet Synthesis:

So, what exactly made this synth so attention-grabbing? The D-50 used an innovative mixture of short, sampled attack transient waveforms blended with digitally synthesized sustaining sounds. This technique, dubbed "Linear Arithmetic (LA) Synthesis," offered the realism of expensive (at that time) digital samplers, the expressiveness of a synth, and the polish of a high-end studio thanks to onboard digital effects. It's no wonder the D-50 became one of the best-selling professional keyboards in history.

But thirty years on, the combination of sampling and synthesis is as relevant today as the era in which the D-50 shined so brightly. Dig deeper into the structures of the LA Synthesis sound engine and you can create powerful percussive patches, smooth ambient pads, and staccato sequencer sounds that give you that "something new" you've been looking for.

LA Boutique:

The compact form factor of the Roland Boutique line provides professional synthesizers designed to fit in any studio, stage, or music space. At the D-05's core lies the first synthesizer with Digital Circuit Behaviour (DCB) technology combined with the exact PCM attack and loop samples as the original D-50, precisely recreating every tonal nuance in stunning detail. The user interface is totally authentic as well, with the inclusion of plenty of direct-access controls. Even the all-important joystick is included to smoothly morph between different mixes of Upper and Lower Tones, perfect for performance and sound design.

But the D-05 also has some exciting updates. The 64-step, polyphonic sequencer is great for performance and sparking new ideas. It can store tempo and patch changes, and can sequence shuffle and gate timing. And the built-in arpeggiator adds movement to the already evocative sounds. The D-05 is rugged and compact, runs on batteries or USB power, and can go just about anywhere. You get flexible connectivity with audio and MIDI over USB, space-saving 1/8" analog jacks, and 5-pin MIDI ports. The D-05 can even be an audio interface for your computer, meaning less stuff to carry around, fewer cables, and faster setup.

And because the D-05 is compatible with Roland Boutique accessories, you can put it in the optional DK-01 Boutique Dock for a compact enclosure that offers various tilt options, or the K-25m Keyboard Unit for a fully playable D-50 that slips into a backpack. With all this power and flexibility, you may be most surprised by the D-05's affordable price, which puts the iconic D-50 experience within reach of just about anyone.
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 4 in stock $386.71
Cat: 659965 Rel: 13 Nov 17
 
Synthesiser based on the classic Roland SH-101 featuring Analog Circuit Behaviour technology - blue edition
Notes: The SH-01A is a meticulous reproduction of the iconic Roland SH-101, one of the most popular classic synthesizers of all time. Analog Circuit Behaviour (ACB) technology reproduces the SH-101's legendary sounds by faithfully recreating the actual behaviour of the original analog circuits, right down to the fine details and odd quirks that have endeared the synth to musicians and producers for decades. The SH-01A builds on the great sounds and creative immediacy of the original, now in the popular Roland Boutique format - offering exciting new polyphonic capabilities, inspiring new performance features, and a level of authenticity that could only come from Roland.

Beauty Through Simplicity:

The now-legendary SH-101 was a seemingly simple monophonic synthesizer launched in 1982. Unlike more complex synthesizers available at the time, the SH-101 quickly became popular for its characteristic tone and simple one-VCO, one-VCF, one-VCA, one-LFO structure. A legion of artists found it quick to program and adept at bright edgy tones and exciting sound effects. Its bass sounds are universally revered, and somehow any sound it produces always just fits perfectly in a mix.

More than thirty years later, the SH-101's hallmark sounds continue to be sought after by electronic artists the world over. It's a staple of vintage synth collectors and well-equipped, world-class studios, and now returns as the inspiration for the SH-01A.

An Inspired, Iconic Sequencer Revisited:

One of the most creative features of the original SH-101 was its 100-note step sequencer. Press Load, add sequential notes with legato and rests, and press Play. Easy. Designed to inspire through simplicity, the SH-101 sequencer has been the source of countless bass lines and lead melodies on legendary dance tracks. But the limitation of playing one sequence back at a time has been resolved with the SH-01A. Now you can save and access 64 sequence patterns, perfect for any performance situation. Recall any pattern at any time, and use the iconic sequencer to control your modular rig, hardware synthesizers, and software plugins via CV/Gate, MIDI, and USB. Let the SH-01A be the heart of your electronic instrument setup, on stage or in the studio.

Portable. Performer:

The simple design of the SH-101 made patch creation immediate, with sounds quickly forming under the movement of each key and slider. But that inspiring sound could vanish as quickly as it appeared due to its lack of patch memory. The SH-01A adds 64 writeable patches that can serve as presets for different tracks or quick starting points for experimenting with new sound designs, making inspiration only a button press away.

The SH-01A takes the original SH-101's portability and stage prowess to a whole new level. It's small enough to take just about anywhere, yet ruggedly built with sturdy knobs, metal-shaft sliders, and solid silver buttons like the original. It has several tilt options for easy viewing in various live and studio scenarios, and can serve as a low-latency, portable audio interface. In addition, it has a built-in speaker, and even runs on batteries. And when mounted in the optional K-25m Keyboard Unit, it can be used as a compact, all-in-one synth with 25 velocity-sensitive keys. With all this power and flexibility, you may be most surprised by the SH-01A's affordable price, which puts the iconic SH-101 mojo within reach of just about anyone.

A is for Authentic:

Original SH-101s are becoming increasingly rare, making them ever more expensive on the used market. Because of this, many have resorted to sample packs, hardware knockoffs, or software plug-ins loosely inspired by the SH-101. The SH-01A accurately recreates what makes the original so special, and the interface, while more compact, is 100% authentic.

The sound is vibrant and alive thanks to proprietary Analog Circuit Behaviour (ACB) technology, which carefully recreates all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level. Face-to-face consultation with the original designers and relentless research beyond the original schematics provides meticulously recreated oscillator, filter, and envelope behaviour - a perfect foundation to build upon for a new generation of '101' fans.

Did You Say Polyphonic:

The SH-101 found its power in a huge monophonic voice for a wide variety of sounds. The SH-01A now has four huge voices, allowing for more modes to expand upon the original's sound palette. On top of the classic Mono mode, you can stack the four voices in Unison mode to add some punch to your bass and lead lines. Chord mode layers any four notes, and can be shifted up and down in semi-tone intervals. Poly mode allows for four notes to be played simultaneously, making the famous monosynth now capable of pads and chords.
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 6 in stock $325.71
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