Back catalogue: Studio Equipment

Notes: Mackie Mix Compact Mixers deliver the quality you expect from the world leader in compact mixer design.

The professional and affordable Mix Series mixers feature high quality components, a rugged metal chassis and features designed for a variety of applications.

With Mackie preamps and proven high-headroom, low-noise design, Mix delivers great sound from any source. Besides, wouldn't you rather Mix on a Mackie?

Notes: Super basic mixer ideal for small hardware setups. Smash a kick drum into a mic input and pretend you're Jeff Mills. Lovely. Two mono mic channels, two stereo line-level channels plus a stereo aux return.

Supplier notes:
Mackie Mix Compact Mixers deliver the quality you expect from the world leader in compact mixer design.

The professional and affordable Mix Series mixers feature high quality components, a rugged metal chassis and features designed for a variety of applications. With Mackie preamps and proven high-headroom, low-noise design, Mix delivers great sound from any source.

Besides, wouldn't you rather Mix on a Mackie?

Notes: ***B-STOCK: Box opened, product in perfect working order***


The MR524 5" Powered Studio Monitors by Mackie offer professional performance, clarity and superior mix translation so you can listen with confidence knowing your mix will sound great anywhere. Drawing from Mackie's extensive studio monitor design experience, the MR524 monitors are precision tuned to stay true to your mix whether it's dialogue, hip hop, rock and beyond. Their proven logarithmic waveguide provides an ultra-wide listening sweet spot and enhanced stereo imaging while the Acoustic Space controls allow you to adjust the frequency response of the monitor to match your studio. The studio monitor inspired by you - MR524 Powered Studio Monitors.

***Now with Pro Tools First (including The Musician Collection) upon registration***

Notes: A true all-rounder from Mackie's ONYX range. 12-channel analogue mixer with built-in USB audio interface, allowing you to record your multi-tracks to a DAW or a stereo mix to built-in SD card.

Supplier's Notes:
Incredible sound quality, multitrack recording, and professional built-in effects make Onyx Premium Analog Mixers with USB the ultimate compact, affordable solution for live audio, home recording, and content creation.

If there's one thing Mackie engineers can do in their sleep, it's design a mixer that sounds great, is easy to use, and is packed with flexible features. Sounds pretty good right? So if you mix live sound, record in your home studio, or live stream, this is the heart of your audio.

Onyx Series mixers feature bright, easy to read buttons that shine bright in the darkest places so you will always know whats going on with your mix. On top of that, the full-color display of Studio Command makes it easy to adjust effects and SD card recording/playback.

To create the Perkins EQ, Cal Perkins started with the Wien Bridge circuit topology - a very musical design inspired by the hallowed "British" desks of the 60s and 70s. This design essentially trades boost/cut capability for a wider, highly musical Q filter. After a mind-numbing amount of math, Cal was able to specify capacitor and resistor values that would give the EQ an extra 6dB of control (i15 dB) without excessively narrowing the "Q" or bandwidth of the filters.

Line inputs: 10
Mic inputs: 4
Aux sends: 1
Compressors: 2
USB I/O: 12x4

Notes: Ten-channel version of Mackie's new compact ProFX mixer, ideal for home studio use or small live setups. Built-in USB interface and digital effects section. Great value.

Supplier's notes:
The Mackie ProFX10 v3 10-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools First and Waveform OEM recording software/plugin packages are included.

Notes: ProFX10v3+ is a compact analogue mixer and USB-C audio interface with features from a studio recording console. Equipped with essentials including one-knob compression, EQ, Hi-Z switches and 100 Hz low-cut filters, it's the perfect centrepiece for your studio.

Mackie ProFXv3+ Series is a professional analogue mixer and USB-C audio interface with powerful enhancements for studio-quality recordings and live streams. Capture your performance with Onyx preamps and channel EQ, add computer audio via loopback, bring in calls via Bluetoothr and enhance your sound with upgraded GigFX+ effects on a colour LCD screen.

With up to 60 dB of gain and ultra-low noise, ProFXv3+ series mixers allow you to sound better than ever. Record podcasts, stream gameplay or produce the next hit-all with ultra-clean, transparent audio. The award-winning Onyx Mic Preamps deliver analogue warmth so you sound great, no matter what you do.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

Capture your stream or performance at pristine 24-bit / 192 kHz quality with a built-in 2x4 USB-C audio interface, complete with three recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

Use the dedicated Bluetooth channel to send and receive audio from devices like smartphones and tablets. For podcasters, it's an effortless way to bring in phone calls. For musicians and performers, it's the easiest option for streaming outside music and backing tracks.

Features:

4 Onyx mic pres with up to 60 dB of gain and ultra-low noise performance
High-resolution GigFX+ effects engine
Full-colour LCD display for editing and saving effects presets
24-Bit / 192 kHz 2x4 USB-C audio interface
Three recording modes: Standard, Loopback and Interface
Bi-directional Bluetooth for music playback and caller integration
3-band EQ on all channels
One-knob compression on channels 1 and 2
Hi-Z switches allow direct connection of instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 1/8" input on channel 9/10
Headphone output with separate level and blend control
Easily blend between monitoring your computer output and a latency-free feed from the mixer
Waveform OEM recording software Included
Legendary Built-Like-A-Tank design
Solid steel chassis
Tough ABS side protection

Line inputs: 10
Mic inputs: 4
Aux sends: N/A
Subgroups: 2
Compressors: 4
Effects: GigFX+
USB I/O: 2x4
USB Type: C
Recording modes: Yes
Bluetooth w/MixMinus: Yes

Notes: Mackie have always been strong when it comes to smaller mixing desks for studio and live use. The third-gen Pro FX12 continues that tradition. Lots of mix power for the money with a built-in audio interface too.

Supplier's notes:
The Mackie ProFX12 v3 12-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools First and Waveform OEM recording software/plugin packages are included.

Notes: Part of Mackie's excellent ProFX series, the 12v3+ combines a 12-channel analogue mixer with built-in USB audio interface for quality recordings. Includes GigFX+ digital effects, colour LCD screen and Bluetooth input.

Supplier's Notes:
12-channel professional analogue mixer and USB-C audio interface with powerful enhancements for studio-quality recordings and live streams. Capture your performance with award-winning Onyx preamps, channel EQ and analogue compression. Upgraded GigFX+ effects enhance your sound, plus you can edit and save your presets on the fly via the full-colour display. Switch between recording modes to track dry or include the FX, or use loopback mode to stream video games or perform over backing tracks without feedback. You can even bring in podcast guests over the phone via Bluetooth on a dedicated channel. With easy connectivity, the warmth of analogue and an upgraded FX engine, Mackie ProFX12v3+ is the perfect centrepiece for your studio.

Mackie ProFXv3+ Series is a professional analogue mixer and USB-C audio interface with powerful enhancements for studio-quality recordings and live streams. Capture your performance with Onyx preamps and channel EQ, add computer audio via loopback, bring in calls via Bluetoothr and enhance your sound with upgraded GigFX+ effects on a colour LCD screen.

With up to 60 dB of gain and ultra-low noise, ProFXv3+ series mixers allow you to sound better than ever. Record podcasts, stream gameplay or produce the next hit-all with ultra-clean, transparent audio. Our award-winning Onyx Mic Preamps deliver analogue warmth so you sound great, no matter what you do.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

Capture your stream or performance at pristine 24-bit / 192 kHz quality with a built-in 2x4 USB-C audio interface, complete with three recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

Use the dedicated Bluetooth channel to send and receive audio from devices like smartphones and tablets. For podcasters, it's an effortless way to bring in phone calls. For musicians and performers, it's the easiest option for streaming outside music and backing tracks.

Features

7 Onyx mic pres with up to 60 dB of gain and ultra-low noise performance
High-resolution GigFX+ effects engine
Full-colour LCD display for editing and saving effects presets
24-Bit / 192 kHz 2x4 USB-C audio interface
Three recording modes: Standard, Loopback and Interface
Bi-directional Bluetoothr for music playback and caller integration
3-band EQ on all channels
One-knob compression on channels 1-4
Hi-Z switches allow direct connection of instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 1/8" input on channel 11/12
Separate FX, monitor and subgroup busses
Headphone output with separate level and blend control
Easily blend between monitoring your computer output and a latency-free feed from the mixer
Waveform OEM recording software Included
Legendary Built-Like-A-Tank design
Solid steel chassis
Tough ABS side protection

Line Inputs: 12
Mic Inputs: 7
Aux Sends: 1
Subgroups: 2
Compressors: 4
Effects: GigFX+
USB I/O: 2x4
USB Type: C
Recording Modes: Yes
Bluetooth w/MixMinus: Yes

Notes: Mini version of Mackie's excellent ProFX mixer series. Two mono mic/line channels plus two stereo line input channels. Basic two-band EQ on the mono channels plus digital effects. Small but capable.

Supplier's notes:
The Mackie ProFX6 v3 6-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever. The new GigFX effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools First and Waveform OEM recording software/plugin packages are included.

Notes: Part of Mackie's ProFXv3+ series, this six-channel model offers great value, with built-in audio interface, Bluetooth streaming and GigFX+ effects.

Supplier's Notes:
Mackie ProFX6v3+ is a professional 6-channel analogue mixer and USB-C audio interface featuring Onyx preamps and EQ, switchable USB recording modes, Bluetoothr for capturing phone calls and upgraded effects you can adjust on a colour LCD screen.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

With up to 60 dB of gain and ultra-low noise, ProFXv3+ series mixers allow you to sound better than ever. Record podcasts, stream gameplay or produce the next hit-all with ultra-clean, transparent audio. Our award-winning Onyx Mic Preamps deliver analogue warmth so you sound great, no matter what you do.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

Capture your stream or performance at pristine 24-bit / 192 kHz quality with a built-in 2x4 USB-C audio interface, complete with three recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

Use the dedicated Bluetoothr channel to send and receive audio from devices like smartphones and tablets. For podcasters, it's an effortless way to bring in phone calls. For musicians and performers, it's the easiest option for streaming outside music and backing tracks.

Product features
Three recording modes: Standard, Loopback and Interface
Bi-directional Bluetoothr for music playback and caller integration
2-band EQ on channels 1 and 2
One-button compression on channels 1 and 2
Hi-Z switches allow direct connection of instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 1/8" input on channel 5/6
Headphone output with separate level and blend control
Easily blend between monitoring your computer output and a latency-free feed from the mixer
Waveform OEM recording software Included
Legendary Built-Like-A-Tank design
Solid steel chassis
Tough ABS side protection

Line inputs: 6
Mic inputs: 2
Effects: GigFX+
USB I/O: 2x4
USB Type: C
Recording modes: Yes
Bluetooth w/MixMinus: Yes

Notes: Introducing the CTRL CASE PUSH 3 - the perfect protective solution for live performers on the go. Custom designed to a hold the new Ableton Push 3 and is a very lightweight and convenient solution to carry the standalone instrument well protected to your next studio or live session. Crafted from rigid Durashock moulded EVA shell and a high-density foam interior it is furthermore equipped with an accessory panel to organize power plug, audio cables and accessories.

Fits

Ableton Push 3
Ableton Push 2
Ableton Push

Specs

Outer measures: 43 x 37 x 10,5 cm
Inner measures: 39 x 33 x 5 cm
Weight: 1,3 kg

Notes: The CTRL MPC LIVE II is custom designed to a hold the Akai MPC LIVE II and is a very lightweight and convenient solution to carry your MPC well protected to your next studio or live session. Crafted from rigid Durashock molded EVA shell and a high-density foam interior it is furthermore equipped with an accessory panel to organize audio cables and accessories.

FITS:
Akai MPC LIVE II
MPC Live
Akai MPC Touch

BASICS:
Crafted from 6 mm thick and rigid Durashock molded EVA foam and water rejecting polyester exterior shell
Sturdy zipper
Including practical cable organizer panel
Incl. removable egg-foam padding to protect knobs, faders and pads
Comfortable carrying handles and shoulder strap
Compatible with Decksaverr cover

SPECS:
Outer measures: 44 x 29 x 13 cm
Inner measures: 42 x 27 x 11 cm
Weight: 1,26 kg

Notes: The CTRL Case MPC ONE is custom designed to a hold the new AKAI MPC ONE and is a very lightweight and convenient solution to carry your sampling workstation well protected to your next studio or live session. Crafted from rigid Durashock molded EVA shell and a high-density foam interior it is furthermore equipped with an accessory panel to organize audio cables and accessories.

FITS:
Akai MPC One

SPECS
Outer measures: 32 x 32 x 13,5 cm
Inner measures: 28 x 28 x 10 cm
Weight: 0,8 kg

Notes: The new CTRL Case SP-404 MK2 is custom designed to fit the Roland SP-404 MK2 sampler and other models such as SP-404, SP-404SX or SP-404A. Crafted from rigid Durashock molded EVA shell and a high-density foam interior it is furthermore equipped with a mesh compartment to store audio cables and a power adapter.

Fits:

Roland SP-404MKII
Roland SP-404SX
Roland SP-404A
Soundswitch Control One

Specs:

Outer measures: 33 x 19 x 8 cm
Inner measures: 32 x 17 x 7 cm
Weight: 0,45 kg

Notes: A modern classic. Superb little semi-modular monosynth in its own right, but comes alive when paired with other modular gear. A great option for beginners and experienced synth users alike.

Supplier's notes:
The 0-COAST is a single voice patchable synthesizer. Its name reflects the fact that it utilizes techniques from both the Moog and Buchla paradigms (aka "East Coast," and "West Coast," due to their locations), but is loyal to neither and thus implements "no coast synthesis."

While the 0-COAST utilizes classic modular synthesis techniques, it's designed to operate with or without the use of patch cables. The necessary connections have been made from circuit to circuit so it operates as an expressive, musical MonoSynth. Using only the MIDI controller of your choice you could apply new timbres to your existing musical forms!

Using the included Patch Cables you could get more scientific, experimenting with new ways to wire up the circuits. You might even forgo MIDI altogether, disappearing into a cloud of analog FM induced Sidebands and harmonics scattered around a single fundamental drone that has nothing to do with any form of music you've ever known.

Notes: Brilliantly innovative sequencer from the renowned synth brand. Huge creative potential in the studio and live settings. Ideal for use with analogue synths and Eurorack.

Supplier notes:
The Make Noise 0-CTRL is a patchable, clockable controller and step sequencer for voltage controlled synthesizer systems. Designed to be patch pals with the 0-Coast, it is a tabletop device whose inputs and outputs follow Eurorack standards, making it also a great partner for a modular system or another patchable tabletop synth.

Power Requirement: +15VDC on 2.1mm Tip Positive Connector
Includes Power Adapter, Patch Cables

Notes: In 2009 Tony designed the first Skiff to complement the vertically oriented cases available at the time by providing an ergonomic enclosure for our Rene and Pressure Points touch controllers.

Today the Make Noise Skiff provides a smart way to build a small modular synthesizer. It is low cost, but extremely durable. The clean simple lines and matte black color place visual emphasis where the action is: the patch the artist has created. At one side there is a power button and the Make Noise logo is illuminated to show the power is ON.

Ships ready to use. Just add modules, patch cables, and inspiration.

Notes: Make Noise's 208hp 7U 4 Zone CV Bus Case arrives ready to use. Just add modules, patch cables and inspiration. The powder coated metal construction offers excellent mechanical durability. The lid is removable and can be closed with the system fully patched. The sleek matte black finish was selected to match Make Noise's line of Black & Gold modules, and it looks great with just about any module installed. This finish will show the story of your modular synth's travels over the years.

The Make Noise 4 Zone Power Bus Board is a new approach to accommodating the ever-growing universe of Eurorack modules. The multi-zone solution is like having 4 independent bus boards in a convenient single bus board package. Each Zone features isolated +12 VDC and -12VDC supplies and a dedicated ground return path. The +5VDC supply is shared amongst all 4 zones.

The multiple section of the CV Bus was originally designed in 2013 for Alessandro Cortini's personal Make Noise system. It provides visual indication of level, rate and polarity for up to 4 control signals that will be shared throughout a patch. These 4 control signals are colour coded and distributed across the centre of the system allowing for quick, clean and intuitive patching. The distribution method is unlike the typical multiple since the control signals will appear beneath their possible destinations allowing for the use of shorter patch cables. The colour coding and visual indication makes navigating complex patches easier and more intuitive. Typically, the CV Bus would be used to share the most important control signals in a patch such as your Master Clock.

This new version of the CV Bus also includes useful modular utilities:

The Voltage Math is found at the left end of the CV Bus. Like the similar circuit on the 0-Coast, it is a small collection of universally useful modular utilities. The two inputs are summed at the output, one at unity and one adjusted by the input attenuverter. The attenuverted input is also normalled to a DC offset, for purposes of level shifting, voltage mirroring etc. The output strength and polarity is indicated by the Green and Red output LEDs.

A high quality Stereo Line Driver converts powerful modular synthesizer signal levels to the commonly used Line Level. There are mini-jack inputs for Left or Mono, and Right for Stereo sound, a single master volume control, as well as a stereo line output pair, and finally a TRS line/headphone out on a single jack. This output is capable of driving a long cable out to a PA System or a set of Headphones. It is AC coupled with a built-in limiting circuit (with visual indication) that prevents damage to ears and PA system when the patching gets experimental.

Includes

Two 104 hp 3U rows for Eurorack modules, One 104hp 1U row fitted w/ CV Bus
Hybrid switched/linear power solution for low noise and excellent load regulation
Multi-Zone, allowing isolation of noise-prone modules from noise-sensitive ones
Black powder coated metal w/ embossed logo on lid
Sealed to keep dust out during travel or storage
Lid offers space to close w/ your system patched
Recessed side mounted on/off switch and power inlet for safe travel
Locking power connector helps prevent on-stage power loss accidents
Solid carrying handle and rubber feet so the case travels w/ ease
Meets carry-on luggage size requirements for most airlines
Universal AC power adapter works world wide (Need IEC Cable for non-US outlets)
Blued Steel Stand sold separately

Specifications

Size: 7U
Total HP: 208 @ 3U, 104 @ 1U
Outer Dimensions:
22.25" x 14" x 7.25" w/ lid
Max Module Depth: 2.5"
Weight: 12.75 lbs. (w/ powered bus board, CV Bus installed)
Power: +12VDC @ 4A, -12VDC @ 2.4A and +5VDC @ 1A
Connectors: 32
Includes: CV Bus, Powered Bus Board, 120 Sliding M2.5 nuts w/ Black screws, AC Adapter

Notes: Make Noise is proud to introduce Strega!Strega is an audio alchemical experiment. Activate! Spill the tonic into time and let time decay through the filter to hear the results.

Strega is an instrument designed in collaboration with Alessandro Cortini. Inspired by Cortini's music and sonic experimentations, Strega embodies the seen and unseen, the sign and magic, the alchemy of sound.

Strega is able to conjure audio tones, generate control signals, and process external sounds. Patch the 0-COAST or any other line level source into the Strega to unlock new sounds!

This new instrument takes the same form factor as the 0-COAST and 0-CTRL. It was designed to be controlled by the 0-CTRL or the 0-COAST's MIDI CV B outputs and is equally happy interfacing with Eurorack modules as well.

Dimensions: 5.5 x 9 x .75 inches

Weight: 1.7lbs

Power Requirement: +15VDC @1A, 2.1mm Tip Positive Connector

Notes: Gorgeous experimental system based around Make Noise's brilliant Maths, Morphagene, QPAS and Mimeophon modules. Capture and process sounds in stereo and warp them into new dimensions.

Supplier's Notes:
The Tape & Microsound Music Machine music synthesizer is a small stereo system devoted to capturing external sounds and sculpting them into new ones. The Morphagene operates as a recorder that also allows the artist to mulch, layer and rearrange the sound and manipulate the speed and direction of playback. The Mimeophon repeats sounds and subjects them to further manipulation, and when combined with the Quad Peak Animation System (QPAS), incredible stereo sculpting of the spectrum. The Wogglebug and MATHS work to animate these effects, and the XOH provides a final stereo mix and line level or headphone outputs for monitoring and/or performance.

Notes: A lot of fun from this quirky little box, designed to hold up to eight minutes of samples and then allow you to trigger, warp and manipulate them in real time with hands-on controls.

Supplier's Notes:
Pikoloops is Manecolabs' take on the Pkocore, developed by InfiniteDigits:

Main features:

A lo-fi music mangler based on the Raspberry Pi Pico .
Capable of holding 8 minutes of 8-bit 33 kHz monophonic samples.
Tempo-synced with a selectable BPM between 60 and 300, with samples mangled by beat-synced effects (stutter, retrig, gate, tunneling).
Loaded with real-time effects like a resonant filter, timestretching, volume, and wavefolding.
Sequenced with a 128-step sequencer with recording/playback
Saved and loaded via EEPROM for instant patch recall.
Able to load custom firmware, new samples, all through USB-C.
Sync-compatible with eurorack devices.

Notes: An absolute powerhouse of a synth with 16-voice polyphony, stereo architecture and a four-part multitimbral digital sound engine. Built-in sequencers, sample playback and effects make it a true all-rounder.

Supplier's Notes:
MD900 is a polyphonic desktop synthesizer, multitimbral with 4 parts. A polyphony of up to 16 voices are shared by the 4 multi-timbral parts. All of these 4 parts have their own effect stack [Mod-Delay (flanger, chorus, vibrato), Reverb, Tube-AMP, EQ, LP-Filter, DYNAMIC (Limiter) , Stereo Delay ...].

The overall audio path is stereo. Rationally, the oscillator, mixer filter, amps and effects are all in stereo.

Four independent arpeggiator und step sequenzer assigned to each of the four synth parts. The trigger sequencer may trigger the built in transient sample player (Drum Kit .wav) or send triggers to MIDI-Out (USB-DIN or USB-MIDI)

The housing is made of aluminum with real walnut wood on the front and back.

All components are industrial grade. On the operator panel we use precision potentiometer with aluminum covered knobs.

For some parameter entries we use endless encoder without rest.

This kind of encoders feels like a potentiometer.

All of this feels very valuable and it feels great to work with.

The MD900 XVA engine is patch compatible with the M800-R2 synthesizer.

Overview Firmware OS:

The XVA-Sound Engine of the MD900 runs on top of a Linux OS with real time extensions. The overall boot time is < 30 sec.

All contents like Wavetable-, Sample-files, preset and sub-preset files are stored on the internal filesystem.

The filesystem is accessible over ethernet (USB-Lan Adapter).

Managing presets, samples, wavetables configurations & updates are possible and easy to handle.

Operation Panel:

The operation panel gives you real time control to the major voice parameters with a dedicated knob. All parameters are accessible via touch-display and the endless rotary encoders. The part (timbre) has to be selected to alter the parameter on the dependent timbre.

The module specific info display gives the necessary detailed feedback on the parameter changes.

Specifications

Dimensions: 460mm x 295mm x 65mm
Power: External 15V DC power brick 50W
Audio In : 6.3mm stereo jack
Audio Out: Left 6.3mm mono jack, right/left 6.3mm stereo jack
Headphone: 6.3mm stereo jack
MIDI DIN: 1x Midi Input, 1x Midi Output, 1x Midi through
USB 2.0: 2x Hot connect for USB/Ethernet, USB-Midi Host
Pedal SW: 1x Pedal switch input 6.3mm jack
Volume pedal: 1x Standard expression pedal
TFT Display: 5" 800x 480 Colour (24bit) capacitive touch display.
Frontpanel: 37x Potentiometer, 12x linear slider, 12x endless encoder, 30x switches, 42x Leds

Notes: Meng Qi's Char is a unique passive signal multiple, allowing three-way stereo signal multing.

It features a keychain attachment for easy carrying.

Notes: Honey is a palm-sized, touch-based noise instrument based on the bytebeat principle. It runs on a single AAA battery and emits sound through a speaker. It doesn't have an audio jack. It creates dynamic sounds by manipulating variables and mathematical operations through touch.

The internal dynamic equations consist of five variables and four operations, with six possible operators for each operation. They are constantly changing and forming new equations, creating chaotic randomness.

If the unit does not respond correctly, the battery needs to be replaced.

Powered by one AAA battery

Notes: The Meng Qi Wingie Mk2 is a handheld stereo resonator with built-in microphones and stereo line iput.

Version 2 now also offers MIDI input (via 3,5mm TRS jack), an aluminium case, and a better user interface including 3 switches, 26 buttons, 3 sliders and 2 RGB LEDs that indicates the current mode.

There is a USB-Type C jack for power and convenient data transfer. Wingie can also run on a power bank.

To make sure you always have the most up-to-date capabilities, the USB serial chip can be updated easily.

Power supply via USB (Type C)

Dimensions: 116 x 100 x 33mm including switches

Notes: 4 Port USB Charger

A mains charger with 4 USB ports and a combined charging load of 4A, ideal for charging smartphones, tablets many other USB powered devices.

Compact and portable design
Perfect for home, office and travel use
Power: input 100-240Vac
Output voltage: 5Vdc
USB output current: 4A (4 x 1A)
Dimensions: 75 x 28 x 52mm
Weight: 60g

In the box
The box for this item contains :

1 x 4 Port USB Charger

Notes: This mains charger has 2 USB sockets, each capable of producing 2100mA output. Ideal for charging tablet computers, smartphones, cameras and other devices.

- Blue LED power ON indicator
- Capable of charging two devices simultaneously

Notes: Mains Power Leads UK - IEC 10A

UK 3 pin plug to IEC C13 female plug 3 cores mains power lead, suitable for connecting power to general electronic equipment up to 2300W (10A).

Max. current: 10A
Max. power: 2300W

Notes: The Meris MIDI I/O is a MIDI-TRS control interface which opens up unlimited control capabilities for up to four Meris pedals. The interface offers remote control, the saving of multiple presets offline and much more, all via your favourite MIDI controller device - even wirelessly via Bluetooth.

Finished in stylish black paintwork, it allows control of all your Meris pedal's parameters via MIDI and can control up to 4 separate pedals, using different MIDI channels.

MIDI I/O supports MIDI input and output from all Meris pedals and therefore allows unlimited offline preset saving and loading, so you can recall all your preset creations and with the amount of control each Meris pedal gives you, this is a hugely valuable feature.

Using a wireless Bluetooth/MIDI dongle and the MIDI I/O also can allows full control of all parameters of your Meris pedal via your iPhone with a suitable MIDI controller app, when using a suitable Bluetooth MIDI adapter (like Yamaha's MD-BT01 or similar). The interface has MIDI in and out activity status LEDs so you can keep tabs on what's sending and receiving MIDI.
As a bonus, the Meris MIDI I/O is also compatible with pedals from other companies like Empress and Chase Bliss*.

9V DC center-negative, 10mA, 2.1mm jack

Dimensions 3.7" wide, 2.6" deep, 1.5" tall

Weight 6.4 ounces

Includes 1 Flat 11" TRS cable. (No power supply included.)

Notes: The Analogue-only variant can ONLY be used via CV/Gate like the original CMU-810. MIDI is NOT available on this device.

Fully assembled and Calibrated.

The MSW-810 is a faithful recreation of the CMU-810 Monosynth which was designed as a synth expander for the 1983 CMU-800 computer music production system. At its core however, is the tone generator of the MC-202.

Specifications:

VCO

AS3340 Based
Range: 16'/8'/4'/2'
Pulse Width Modulation: 50% to Min
PWM Mode: ENV/Manual/LFO
Modulation Depth
Tune

Sound Mixer

Level Control Sliders: Square, Saw, Sub-OSC, Noise
Sub-OSC Waveforms: 1 oct down, 2 oct down, 2 oct down PWM

VCF

AS3109 Based
Cutoff Frequency: 10Hz to 20kHz
Resonance: 0- Self Oscillation
ENV Depth
Modulation Depth
CV Follow: 0-100%

VCA

Gate or Envelope

Envelope

Attack time: 1.5 ms to 2 s
Decay time: 2 ms to 10 s
Sustain Level: 0-100%
Release Time: 2 ms to 10 s

LFO

Rate: 0.1Hz to 20 kHz
Delay Time: 20 ms to 0.7s
Rate Indicator

VCA + Mixer

Level Control Sliders: Synthesizer, Input 1, Input 2, Output
VCA Bypass Switch
VCA Response: Lin/Exp

Jacks
Synth CV in: 1V/Oct, 0-7V, 3.5mm TS
Synth Gate in: 0-12V, On>2.5V, 3.5mm TS
VCA CV In: Lin 0.83 to 5V, Exp 0.83-4.58V, 3.5mm TS
Input 1: Unbalanced 1/4" TS
Input 2: Unbalanced 1/4" TS
Synth Out: Max -6 dBm, Unbalanced 1/4" TS
Mix Out: Max -10 dBm, Unbalanced 1/4" TS
Headphone Out: Stereo, 9-150 ohm, 3.5mm TRS
Accent In: 0-5V, 3.5mm TS

Power
9V DC, 500 mA, Tip positive. 120-240V Included

Dimensions
13"x2.5"x8"

Includes: Universal power supply, MSW-810 Synthesizer

Notes: The Michigan Synth Works SY-1 Drum synth is a full size, exact replica of the Pearl SY-1 Syncussion. Every detail has been replicated from the original board layouts to the mechanical construction. The assembled version has been modernized to use current manufacturing processes while still using the original board layouts and all parts have been carefully chosen to match the behaviour of the original. Case, boards, and I/O Boards are all interchangeable with the original Pearl device

The Syncussion:

The Syncussion is a 2 voice drum synthesizer with two oscillators per voice and six different modes. Five modes mix and modulate the oscillators plus a noise channel. Each voice has controls for TUNE, DECAY, SWEEP amount, SWEEP Speed, Sweep up/off/down, LFO amount, and LFO speed, LFO Shape (Tri or Square), and sample and hold

OSC Modes:

A: One oscillator sound, at this position the regular drum synthesizer sweep can be effected.

B. Sound of one oscillator adjusting the other osciIIator frequency; produces a metallic sound.

C. Sound of a mix of two oscillator outputs; sound is similar to that of a vibraphone.

D. Sound of mix of two oscillator outputs; produces a low to high sweep and is done by hitting pad softly or hard; there is no connection to SWEEP SPEED and SWEEP RANGE

E. Sound of one oscillator adjusting the other oscillator frequency with a mix of noise; produces a sound similar to hitting thin metal.

F. Sound of only noise

Triggering:

The SY-1 is designed to be triggered via drum triggers which output a very low pulse signal. Modern 5V trigger signals (v-trig) can be used, how it i recommended experimenting with simple audio samples or more dynamic triggers. One of the more interesting features of the Syncussion is the dynamic response to the drum triggers and just sending a straight pulse which maxes out the trigger inputs does not do the device justice.

Tuning:

The original SY-1 uses a tune pedal to adjust the pitch of both oscillators while playing. This functionality has been retained in the original configuration but is of limited use without the pedal. The expanded version DOES have per voice CV control (1v/Oct) as well as the MIDI.
The Michigan Synth Works SY-1 is available in 3 different versions:

Expanded I/O Configuration: The inputs and outputs use 1/4" Stereo to 1/4" (3 included) to greatly expand the capabilities of the device. The Mod input is open for user modification, factory mods will be available. Please contact for details.

Trig 1,2 In - Mod 1,2 In - Mute - Tune 1,2 CV in - Output 1, 2

The SY-1 ships with a metal base panel but the DIY wood case can be used instead. It is provided UNFINISHED and sold separately.

What's included:
SY-1 Synthesizer
Universal Power adapter (100-240V, 12V DC out, Tip Positive)
Expanded I/O: 3x 1.5m TRS 1/4" Phone to 2x TS 1/4" Phone

Notes: The Michigan Synth Works SY-1 Drum synth is a full size, exact replica of the Pearl SY-1 Syncussion. Every detail has been replicated from the original board layouts to the mechanical construction. The assembled version has been modernized to use current manufacturing processes while still using the original board layouts and all parts have been carefully chosen to match the behaviour of the original. Case, boards, and I/O Boards are all interchangeable with the original Pearl device

The Syncussion:

The Syncussion is a 2 voice drum synthesizer with two oscillators per voice and six different modes. Five modes mix and modulate the oscillators plus a noise channel. Each voice has controls for TUNE, DECAY, SWEEP amount, SWEEP Speed, Sweep up/off/down, LFO amount, and LFO speed, LFO Shape (Tri or Square), and sample and hold

OSC Modes:

A: One oscillator sound, at this position the regular drum synthesizer sweep can be effected.

B. Sound of one oscillator adjusting the other osciIIator frequency; produces a metallic sound.

C. Sound of a mix of two oscillator outputs; sound is similar to that of a vibraphone.

D. Sound of mix of two oscillator outputs; produces a low to high sweep and is done by hitting pad softly or hard; there is no connection to SWEEP SPEED and SWEEP RANGE

E. Sound of one oscillator adjusting the other oscillator frequency with a mix of noise; produces a sound similar to hitting thin metal.

F. Sound of only noise

Triggering:

The SY-1 is designed to be triggered via drum triggers which output a very low pulse signal. Modern 5V trigger signals (v-trig) can be used, how it i recommended experimenting with simple audio samples or more dynamic triggers. One of the more interesting features of the Syncussion is the dynamic response to the drum triggers and just sending a straight pulse which maxes out the trigger inputs does not do the device justice.

Tuning:

The original SY-1 uses a tune pedal to adjust the pitch of both oscillators while playing. This functionality has been retained in the original configuration but is of limited use without the pedal. The expanded version DOES have per voice CV control (1v/Oct) as well as the MIDI.

MIDI equipped I/O Configuration: This is the same as the expanded i/o configuration but adds MIDI in place of the MOD input. The MIDI responds to velocity to gate level and pitch for each channel. 2 TRS-TS and TRS MIDI cables are included

Trig 1,2 In - MIDI In - Mute - Tune 1,2 CV in - Output 1, 2

The SY-1 ships with a metal base panel but the DIY wood case can be used instead. It is provided UNFINISHED and sold separately.

What's included:
SY-1 Synthesizer
Universal Power adapter (100-240V, 12V DC out, Tip Positive)
MIDI I/O: 2x 1.5m TRS 1/4" Phone to 2x TS 1/4" Phone, 1x 1.5M 3.5mm TRS to MIDI, 1x TRS 3.5mm to 1/4" TRS Adapter

Notes: The Michigan Synth Works SY-1 Drum synth is a full size, exact replica of the Pearl SY-1 Syncussion. Every detail has been replicated from the original board layouts to the mechanical construction. The assembled version has been modernized to use current manufacturing processes while still using the original board layouts and all parts have been carefully chosen to match the behaviour of the original. Case, boards, and I/O Boards are all interchangeable with the original Pearl device

The Syncussion:

The Syncussion is a 2 voice drum synthesizer with two oscillators per voice and six different modes. Five modes mix and modulate the oscillators plus a noise channel. Each voice has controls for TUNE, DECAY, SWEEP amount, SWEEP Speed, Sweep up/off/down, LFO amount, and LFO speed, LFO Shape (Tri or Square), and sample and hold

OSC Modes:

A: One oscillator sound, at this position the regular drum synthesizer sweep can be effected.

B. Sound of one oscillator adjusting the other osciIIator frequency; produces a metallic sound.

C. Sound of a mix of two oscillator outputs; sound is similar to that of a vibraphone.

D. Sound of mix of two oscillator outputs; produces a low to high sweep and is done by hitting pad softly or hard; there is no connection to SWEEP SPEED and SWEEP RANGE

E. Sound of one oscillator adjusting the other oscillator frequency with a mix of noise; produces a sound similar to hitting thin metal.

F. Sound of only noise

Triggering:

The SY-1 is designed to be triggered via drum triggers which output a very low pulse signal. Modern 5V trigger signals (v-trig) can be used, how it i recommended experimenting with simple audio samples or more dynamic triggers. One of the more interesting features of the Syncussion is the dynamic response to the drum triggers and just sending a straight pulse which maxes out the trigger inputs does not do the device justice.

Tuning:

The original SY-1 uses a tune pedal to adjust the pitch of both oscillators while playing. This functionality has been retained in the original configuration but is of limited use without the pedal. The expanded version DOES have per voice CV control (1v/Oct) as well as the MIDI.
The Michigan Synth Works SY-1 is available in 3 different versions:

1. Original I/O Configuration: The inputs and outputs use regular 1/4" Mono phone plugs:

Trig 1 In - Trig 2 In - Mute - Tune (via Tune pedal) - Mixed Output

The SY-1 ships with a metal base panel but the DIY wood case can be used instead. It is provided UNFINISHED and sold separately.

What's included:
SY-1 Synthesizer
Universal Power adapter (100-240V, 12V DC out, Tip Positive)

Notes: Simple, straightforward and effective. The XVI-M offers 16 high-resolution faders, 16 programmable buttons and MIDI output over USB or TRS. Solidly built metal enclosure promises durability.

Supplier's Notes:
XVI-M MIDI Controller, 16 Faders, 16 programmable buttons, 14bit resolution

XVI-M Desktop is a 16 channel desktop MIDI control surface.

Features:

Long throw LED 60mm faders
USB MIDI, MIDI TRS#1 and MIDI TRS#2 outputs
USB Powered (USB C, Cable included). Stand alone adapter available but NOT included
14bit (MIDI Pitchbend) resolution faders. Can be set to any 7 bit CC or NRPN/RPN
Online parameter editor: https://misw.us/editor
Fader output can be routed to USB MIDI, TRS MIDI A or TRS B
3 color programmable button can be momentary, 1 state toggle, 2 state toggle, or 3 state toggle with each state sending a MIDI msg
Durable metal case
Includes:

XVI-M Control Surface
USB C to USB A cable (2m)
1.5m TRS A to MIDI DIN cable

Notes: USB Audio-Interface for all cases: With two build-in Microphone-Preamps with Phantom Power and a complete 16 Bit/48 kHz Stereo Instrument/Line Interface this class compliant USB Audio Interface is very easy to use. Fully USB powered, with fast Windows ASIO drivers and adjustable headphone output the Audiolink III gives you all the recording possibilities you will ever need. New: The two XLR/TRS combo inputs on the front side.

Works driverless with Mac OS/X, Windows XP SP2, Windows Vista, Windows 7, 8 and Windows 10

ASIO driver for Windows XP/Vista/Win7/Win8 and Windows 10 for download available

Inclusive: free Miditech software bundle (download versions): Toontrack EZ Mix 2 lite, Magix Samplitude Pro X2 Silver, Makemusic Finale Notepad, Ik Multimedias Amplitube CS, Magix Independence free, Waldorf Edition LE and Imagelines Poizone Synthesizer

Notes: High-speed for guitarists! This small, black Aluminium USB audio-interface is a really cool tool for guitar and microphone recordings! In any case, with it's fast ASIO driver the GUITARFACE II USB is fast enough for speed-metal!

Works driverless with Mac OS/X, Apple iOS 4.2, Windows XP SP2, Windows Vista, Windows 7, 8 and 10

ASIO driver for Windows XP 32/64 Bit, Windows Vista 32/64 Bit and Windows 7/8/10 32/64 Bit available!

Inclusive: free Miditech software bundle (download versions): Toontrack EZ Mix 2 lite, Magix Samplitude Pro X2 Silver, Makemusic Finale Notepad, Ik Multimedias Amplitube CS, Magix Independence free, Waldorf Edition LE and Imagelines Poizone Synthesizer

Notes: Get your patch cables out of the way of your patching with these right-angle patch cables. Pack of eight 24" (60cm) cables are available in the Modbap Modular brand colors - blue, pink, black, and white. Options include all eight cables in one color or choose a variety of colors.

Pack of 8 cables

Right angle to right angle

Modbap brand logo moulded

1/8" to 1/8" (3.5mm to 3.5mm)

Notes: Get your patch cables out of the way of your patching with these right-angle patch cables. Pack of eight 36" (90cm) cables are available in the Modbap Modular brand colors - blue, pink, black, and white. Options include all eight cables in one color or choose a variety of colors.

Features:

Pack of 8 cables

Right angle to right angle

Modbap brand logo moulded

1/8" to 1/8" (3.5mm to 3.5mm)

Notes: Modbap branded Velcro Cable Ties. Package of 40 in four brand colours - pink, blue, black and white.

Notes: Divvy up (split) the signal into 2 or Interconnect patch cables with a package of 4 Modbap Divvy Patch Cables. Divvy cables are available in five colours.

Variations - pink, blue, white, black or mixed and 2 lengths, either 8" (20cm) or 12" (30cm).

Notes: Divvy up (split) the signal into 2 or Interconnect patch cables with a package of 4 Modbap Divvy Patch Cables. Divvy cables are available in five colours.

Variations - pink, blue, white, black or mixed and 2 lengths, either 8" (20cm) or 12" (30cm).

Notes: Divvy up (split) the signal into 2 or Interconnect patch cables with a package of 4 Modbap Divvy Patch Cables. Divvy cables are available in five colours.

Variations - pink, blue, white, black or mixed and 2 lengths, either 8" (20cm) or 12" (30cm).

Notes: ***B-STOCK: Box opened, product in perfect working order***


Introducing the special edition Pod20 customized for ModBap Modular by 4ms, the Modbap20.

The Modbap20 Powered Eurorack Case can be your on-ramp to eurorack, a great option for a focused mini system, or a live control surface, or the perfect way to expand a larger system. The Modbap20 is 20HP in width, and 34mm deep with 4ms power bus boards. The included power brick and your favorite combination of up to 20HP modules are all you need to get started with your new mini system, control pod, performance pod, effects pod, or whatever you so desire.

Features

20HP wide, 34mm deep powered Eurorack case
power brick (included)
Available power: 0.7A (+12V), 0.28A (-12V), 0.2A (+5V)
Rugged anodized aluminum construction

Notes: Get your patch cables out of the way of your patching with these right-angle patch cables. Pack of 8 cables are available in the Modbap Modular brand colours - blue, pink, black, and white. Lengths are 6inch, 9inch, 12inch, and 18inch.

What's in the package:

2 x 6" (blue)
2 x 9" (pink)
2 x 12" (black)
2 x 18" (white)

Notes: Clean up that patch with a package of 8 Modbap Stubs Patch Cables. Stubs are 3" (8cm) long Eurorack patch cables available in four colors variations - pink, blue, white, and black.

Features

Short length patch cables
3" (8cm) long
Pack of 8 cables
Right angle
Modbap brand logo molded
1/8" to 1/8" (3.5mm to 3.5mm)
Mixed Pack of Pink (2), blue (2), black (2), white (2).

Notes: A powerful drum machine in a compact modular format, racked here in its own mini case with power supply. The Trinity digital drum synth generates three drum voices with excellent programming options.

Supplier's Notes:
Trinity Mini System is a powerful and adaptable semi-modular drum device that provides all the tools necessary to create innovative electronic music. With three distinct voices, including analogue-inspired(Block), additive (Heap), FM (Neon), and noise (Arcade)synthesis, you can easily create a vast array of traditional and non-traditional drum sounds.

The Modbap Pod20 case powers the Trinity Mini System and provides a convenient and compact modular synthesis platform. With a width of 20HP, perfectly suited for Trinity 20hp width, and a depth of 34mm, the Pod 20 is ideal for constructing a self-contained mini system that is suitable for both studio and live use.

The Trinity Mini System is the ideal all-in-one semi-modular drum synthesis solution for sound design, percussion design, sample creation, and electronic music production, regardless of whether you are producing techno, hip-hop, or experimental electronic music. Its small dimensions and versatile sound make it a must-have for any electronic music producer seeking to take flight with drum synthesis in their craft.

A power brick and the following products are included in the bundle.

Trinity

Trinity is a 3 channel Digital Drum Synth Array packed into a 20hp eurorack synthesizer. Effectively, Trinity performs as 3 powerful drum voices packaged into one beastly drum module with a few tricks up its sleeve.

Modbap20 Case

The Modbap20 Powered Eurorack Case can be your on-ramp to eurorack, a great option for a focused mini system, or a live control surface, or the perfect way to expand a larger system. TheModbap20 is 20HP in width, and 34mm deep with 4ms power bus boards. The included power brick and your favourite combination of up to 20HP modules are all you need to get started with your new mini system, control pod, performance pod, effects pod, or whatever you so desire. More on Modbap20 Case here.

Features:

Trinity
Power brick
Modbap20 powered case
USB cable (for use as midi over USB device with DAW or Midi-Host)

Notes: A mini-modular synthesizer for real-time composing, sound processing, and having fun.

Pluto is compact and portable, with abilities that belie its small size. Five channels of modulation (named for the five moons of Pluto), two voices, two sequencers, a mini-keyboard, and onboard delay make Pluto its own complete sound environment, but it can happily play with all your other gear.

The design of Pluto draws from a legacy of portable electronic instruments, from the Buchla Music Easel to 80's Casio synthesizers. With a focused, approachable interface, Pluto invites exploration.

Features

Portable 2-voice, 2-sequencer patchable synthesizer
Easily create complex, randomized sequences
Low-aliasing digital oscillators, wavetable oscillators
Rechargeable battery
Built-in delay and reverb effects
Mini touch keyboard
Audio input for audio processing
Audio output (stereo headphone, line)
Quantize to preset scales, MIDI, or even audio input
Eurorack-compatible patch signals (5v)
Sync In & Out
MIDI In & Out (TRS, USB)
2 channels CV Out (0-5v, 1v/oct)
USB-C cable included

Notes: Killer digital drum machine from the excellent Modor. Six instruments, 128-step sequencer and some of the freshest, most innovative drum sounds we've heard in a long time.

*** New upgrade - July 2023 ***

Introducing this new upgrade for the DR-2, OS010. Built in cooperation with Berlin-based Canadian electronic music artist Nicolas Bougaieff!

Bougaieff frequently uses polyrhythmic structures, dividing bars or musical phrases of different instruments into different numbers of steps. Have one instrument play 17 steps in the time another instrument plays only 16 steps, or 8 steps in 5 steps, or... Like stretching N steps of one instrument over M steps of a second one, giving them an N:M speed ratio.

He felt that there were only rather limited possibilities in hardware sequencers and drum machines to achieve this.

The process of achieving this was quite challenging, but the result was worth it! This is a very intuitive way to work with polyrhythms, making use of stretched clocks. It is ready for download now on Modor's download page on their site!

Apart from the main sequencer clock, the DR-2 now has 2 polyrhythmic clocks (or 'polyclocks'), called polyclock A and B. Each of these 2 clocks relates to the regular 'main' clock with a certain N:M ratio. The polyclock takes N steps in the time the main clock takes M steps.

Next, every instrument can separately choose a clock:
the main clock,
the A polyrhythmic clock,
or the B polyrhythmic clock.

This means, you can let, for example, a snaredrum play 7 steps while the rest of the instruments plays 8 steps. The 7 steps are stretched equally in time over the 8 steps of the other instruments.

How is this done?

Keep the A or B button down, and set the N:M ratio using the SELECT/BPM (for N) and VALUE/SWING (for M) knobs.

Keep an instrument button A...F down and hit the A or B button to assign that instrument to one of the polyrhythmic clocks. Hit it again to return to the main clock.

Supplier's Notes:

The DR-2 is a 6 instrument digital DSP drum synth, with a built-in 128-step drum sequencer. At first sight, it will feel recognizable in some ways. There are sounds that will remind you of the good old classic drum machines, and the step sequencer will get you building drum riffs from the first second you touch it. But Modor uses digital sound synthesis to get beyond the possibilities of a classic drum machine, and the step sequencer does more than just hitting drums...

First of all: although it's digital, the DR-2 is not about sampling. It's a drum synthesizer, like a classic analog drum machine, but it uses digital sound synthesis algorithms instead of analog circuitry. There are no samples in the DR-2, and there's no sample memory.

Just like the Modor NF-1, the DR-2 is not built to recreate the classics of the past. The DR-2 uses digital sound synthesis to innovate drum sounds and rhythms. Many sounds will be recognizable. It is possible to make classic sounding bass drums, snares and rimshots. It's not difficult to program classic floorfillers with the DR-2. But with 12 synthesis parameters per drum, you'll easily find yourself creating your own individual sound.

The DR-2 has 6 drum 'channels', drumsets made of 6 drum instruments. These channels don't have predefined instruments. You can choose freely which instruments you want in your 6-channel drumsets. The DR-2 works with drum 'models', of which you can pick one for every channel. You can consider these 'models', or synthesis algorithms, as a collection of small but dedicated drum synthesizers, of which you can pick 6 to form a drumset. There are models for bass drums, snares and cymbals, but also for some more unusual drum sounds, clicks and ticks.

Every model has up to 12 sound synthesis parameters: Pitch with pitch decay, curve and amount, amp volume with panning, amp decay and curve, and parameters X, Y, Z and T that have a different function in every model, see the table below.

The DR-2 has an output jack connector for each of the 6 channels A-F, and 2 master L/R outputs. If there's no cable connected to a channel output, the corresponding channel is sent to the master L/R outputs. The individual channel outputs are mono, but have a panning parameter to give it a stereo position in the master mix.

But there is more! The A-F output connectors are actually insert points, you can use 6.35mm (1/4") TRS jack connectors to route a channel out of the DR-2, and send it back in if you want. This way, you can use external effects, equalisers, compressors, ... on each of the 6 channels individually, and still have them panned and mixed in the master outputs of the DR-2.
Next to the audio connectors, the DR-2 has 6.35mm (1/4") TS connectors for 24PPQN clock input and output, and has classic din-5 MIDI IN, OUT and THRU connectors.

The sequencer of the DR-2 has a lot more options than just the classic 16-step sequencer. First of all: you can use 32nd notes, so the DR-2 doubles the resolution of a classic 16-step sequencer. The DR-2 has 16 step buttons but you can see 32 step leds on the front panel. Keep the '16/32'-button pressed to access the steps-between-the-steps.

A pattern can use up to 4 of these 16/32-step pattern parts, these can be accessed with the 1-16/17-32/33-48/49-64 buttons. Using SHIFT + one of these buttons sets the pattern length. So, it's actually a 4x32 or 128-step sequencer.

But there's more: each instrument has it's own Accent, Flam, Tuplet, Break and Reverse patterns. Keep the ACC, FLAM, SHIFT+FLAM, BREAK or REV button pressed while using the step buttons.

MEASUREMENTS
Width: 440mm without rack ears, 480mm with rack ears (19")
Height: 267mm (10.5"/ 6U)
Depth: 40mm (front) - 80mm (back)
Weight: +/- 6kg

CONNECTIONS
9V, 600mA adapter connection, positive voltage on center pin
MIDI IN/THRU/OUT connections, 3x 5-pin DIN connection
Clock In/Out connections, 2x 6.35mm mono jack
Audio Instrument Outputs/Inserts, 6x 6.35mm TRS or mono jack, unbalanced
Audio Left/Stereo output, 6.35mm TRS or mono jack, unbalanced, capable of driving headphones
Audio Right output, 6.35mm mono jack, unbalanced

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Killer digital drum machine from the excellent Modor. Six instruments, 128-step sequencer and some of the freshest, most innovative drum sounds we've heard in a long time.

*** New upgrade - July 2023 ***

Introducing this new upgrade for the DR-2, OS010. Built in cooperation with Berlin-based Canadian electronic music artist Nicolas Bougaieff!

Bougaieff frequently uses polyrhythmic structures, dividing bars or musical phrases of different instruments into different numbers of steps. Have one instrument play 17 steps in the time another instrument plays only 16 steps, or 8 steps in 5 steps, or... Like stretching N steps of one instrument over M steps of a second one, giving them an N:M speed ratio.

He felt that there were only rather limited possibilities in hardware sequencers and drum machines to achieve this.

The process of achieving this was quite challenging, but the result was worth it! This is a very intuitive way to work with polyrhythms, making use of stretched clocks. It is ready for download now on Modor's download page on their site!

Apart from the main sequencer clock, the DR-2 now has 2 polyrhythmic clocks (or 'polyclocks'), called polyclock A and B. Each of these 2 clocks relates to the regular 'main' clock with a certain N:M ratio. The polyclock takes N steps in the time the main clock takes M steps.

Next, every instrument can separately choose a clock:
the main clock,
the A polyrhythmic clock,
or the B polyrhythmic clock.

This means, you can let, for example, a snaredrum play 7 steps while the rest of the instruments plays 8 steps. The 7 steps are stretched equally in time over the 8 steps of the other instruments.

How is this done?

Keep the A or B button down, and set the N:M ratio using the SELECT/BPM (for N) and VALUE/SWING (for M) knobs.

Keep an instrument button A...F down and hit the A or B button to assign that instrument to one of the polyrhythmic clocks. Hit it again to return to the main clock.

Supplier's Notes:

The DR-2 is a 6 instrument digital DSP drum synth, with a built-in 128-step drum sequencer. At first sight, it will feel recognizable in some ways. There are sounds that will remind you of the good old classic drum machines, and the step sequencer will get you building drum riffs from the first second you touch it. But Modor uses digital sound synthesis to get beyond the possibilities of a classic drum machine, and the step sequencer does more than just hitting drums...

First of all: although it's digital, the DR-2 is not about sampling. It's a drum synthesizer, like a classic analog drum machine, but it uses digital sound synthesis algorithms instead of analog circuitry. There are no samples in the DR-2, and there's no sample memory.

Just like the Modor NF-1, the DR-2 is not built to recreate the classics of the past. The DR-2 uses digital sound synthesis to innovate drum sounds and rhythms. Many sounds will be recognizable. It is possible to make classic sounding bass drums, snares and rimshots. It's not difficult to program classic floorfillers with the DR-2. But with 12 synthesis parameters per drum, you'll easily find yourself creating your own individual sound.

The DR-2 has 6 drum 'channels', drumsets made of 6 drum instruments. These channels don't have predefined instruments. You can choose freely which instruments you want in your 6-channel drumsets. The DR-2 works with drum 'models', of which you can pick one for every channel. You can consider these 'models', or synthesis algorithms, as a collection of small but dedicated drum synthesizers, of which you can pick 6 to form a drumset. There are models for bass drums, snares and cymbals, but also for some more unusual drum sounds, clicks and ticks.

Every model has up to 12 sound synthesis parameters: Pitch with pitch decay, curve and amount, amp volume with panning, amp decay and curve, and parameters X, Y, Z and T that have a different function in every model, see the table below.

The DR-2 has an output jack connector for each of the 6 channels A-F, and 2 master L/R outputs. If there's no cable connected to a channel output, the corresponding channel is sent to the master L/R outputs. The individual channel outputs are mono, but have a panning parameter to give it a stereo position in the master mix.

But there is more! The A-F output connectors are actually insert points, you can use 6.35mm (1/4") TRS jack connectors to route a channel out of the DR-2, and send it back in if you want. This way, you can use external effects, equalisers, compressors, ... on each of the 6 channels individually, and still have them panned and mixed in the master outputs of the DR-2.
Next to the audio connectors, the DR-2 has 6.35mm (1/4") TS connectors for 24PPQN clock input and output, and has classic din-5 MIDI IN, OUT and THRU connectors.

The sequencer of the DR-2 has a lot more options than just the classic 16-step sequencer. First of all: you can use 32nd notes, so the DR-2 doubles the resolution of a classic 16-step sequencer. The DR-2 has 16 step buttons but you can see 32 step leds on the front panel. Keep the '16/32'-button pressed to access the steps-between-the-steps.

A pattern can use up to 4 of these 16/32-step pattern parts, these can be accessed with the 1-16/17-32/33-48/49-64 buttons. Using SHIFT + one of these buttons sets the pattern length. So, it's actually a 4x32 or 128-step sequencer.

But there's more: each instrument has it's own Accent, Flam, Tuplet, Break and Reverse patterns. Keep the ACC, FLAM, SHIFT+FLAM, BREAK or REV button pressed while using the step buttons.

MEASUREMENTS
Width: 440mm without rack ears, 480mm with rack ears (19")
Height: 267mm (10.5"/ 6U)
Depth: 40mm (front) - 80mm (back)
Weight: +/- 6kg

CONNECTIONS
9V, 600mA adapter connection, positive voltage on center pin
MIDI IN/THRU/OUT connections, 3x 5-pin DIN connection
Clock In/Out connections, 2x 6.35mm mono jack
Audio Instrument Outputs/Inserts, 6x 6.35mm TRS or mono jack, unbalanced
Audio Left/Stereo output, 6.35mm TRS or mono jack, unbalanced, capable of driving headphones
Audio Right output, 6.35mm mono jack, unbalanced

Notes: - 2 x 2.1mm power plugs
- Power up to 2 Pedals