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Review: It's over 25 years since Baby Ford decamped to the studio with, alternately, Mark Broom and the late Ian 'Eon' Loveday to re-examine the depths and possibilities of collaborative underground techno. The result, as we now know, was a giant step forward into a new sound, with a new label, Ifach, that would go on to define the blueprint for a more minimal sound it would take others a decade emulate. Monolense, four bittersweet, emotional, stripped bare explorations of techno has long been sought-after, commanding high prices on the secondhand market, and is finally getting a re-release. This is not just a moment in time, but a bookmark in UK techno history.
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Review: 3 track EP by Overlords of the UFO, including 2 previously unreleased tracks and one track released on an earlier EP named Transcendental Overdrive.
All tracks were produced in the late 90's.
This EP continues the trademark retro sci-fi analogue synth vibe of Overlords of the UFO and is the 2nd release by Enlightenment Records.
… Read moreAll tracks were produced in the late 90's.
This EP continues the trademark retro sci-fi analogue synth vibe of Overlords of the UFO and is the 2nd release by Enlightenment Records.
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Review: Having recently released the impressively in-your-face Live at Primary CD, it's something of a surprise to see CV313 dropping another live recording so soon. To be fair, Live Excursions first surfaced digitally last year via their own Bandcamp site, and now makes its way onto CD for the first time. The recordings themselves are vintage too, having been captured at a warehouse party in Detroit back in 2001. According to the Echospace website, the tracks were performed live using only outboard kit and a 16-channel mixer, with no computer trickery. Whatever the method, the resultant tracks are long, trippy, and immersive forays into dub techno and ambient in CV313's trademark style.
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Review: REPRESS ALERT: After strong turns from buttechno and label founder Pavel Milyakov, RASSVET makes one of its most decisive moves yet with this crucial slab of dance-wrecking badness from Shadowax. The Russian artist made her first appearance on a compilation on Nina Kraviz's Trip label, and now steps forward with some seriously badass techno that will draw in curious trainspotters and head-in-the-clouds ravers alike. "A & B" is a cover of 90s Russian hip-hop crew Pyanstvu Boys, and Shadowax's version is pure fire, her voice poising eerily over a punchy off-beat and droning bass. Buttechno delivers a simple, savage remix, while the B side presents an alternative mix and an acappella that should see lots of action from remixers and creative DJs alike.
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Review: For the first time since establishing the Kangding Ray project back in 2006, David Lettelier appears on the acclaimed Stroboscopic Artefacts imprint. The transfer seems to have inspired him artistically, too. While previous albums for Raster-Norton were principally concerned with blurring the boundaries between club-ready techno, off-kilter IDM and worthy experimentation, Hyper Opal Mantis looks much more closely at ghostly ambient, industrial and Electronic Body Music. Of course, while the influences may be broader, Lettellier's "high definition" approach to sound design and production is still present throughout. In other words, it's very much a Kangding Ray record, he's just moved the goalposts a bit.
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Review: New Japanese label Grunge House Records featuring Japanese artist Altz cover of Everybody Loves the Sunshine, Peter Power (Multi Culti/ Invisible, Inc.) mysterious ambient tune, and a polyrhythmic tribal dub techno cut with a motif of Japanese mythology by Ground (ESP Institute / Chillmountain).
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Review: Scott Hallam has been an acid devotee since the early days, and he's largely put out his music on his own Axia label. While most of that is digital-only, now Cartulis have picked up on the considerable talents of this hardware lifer and presented five of his finest works on wax. The vibe veers tremendously, touching on dark and sinewy dungeon acid, boxy electro workouts, strangely psychedelic hardcore and plenty more besides. Hallam's style feels betrothed to the outboard approach - it's all synths and drum machines to these ears, and its immediacy is a big part of the charm. That, and the playful personality he works into those wigged out acid lines and pinging FX.
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Review: Mystical dreamweaver Edward has previously brought out some of his classiest club-tooled gear for Trelik, with 2018's Rumours EP being a particular highlight in his glittering career in minimal. Breaking a protracted silence for Baby Ford's label, this new three-tracker once more takes us into the unique atmospheric zone Edward occupies with his productions. 'The Giver' has an unnerving, desolate quality but it's also rock-solid in the rhythm department, with subtle threads of warmth to balance out the eeriness. 'Memory Motions' is a spicier cut with a pronounced house jack to propel a tense set of sonic motifs, with a special mention to the wobbly organ-like chord line. 'Tuned' is the most upfront of all the tracks, using some processed piano hooks and a full compliment of nagging, funkified ingredients to make a certified, if left-of-centre, party starter.
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Review: After two utterly essential releases on ae Recordings and Primary Colours in 2021, Altone once more delivers the goods for Lempuyang. The label's eighth release brings together two of the most respected heads in the business on remix duties. Altone's deep & pulsing title track 'Vortex' gets Yagya's glacial treatment on the A-side. 'Customization' on the flip gets a Bluetrain rework; with Steve's trademark Special Edition Dub giving the track a dancefloor edge.
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Review: Roy Of The Ravers may be best known for his lysergic rave pelters, but there's always been a hint of grandiose melancholy in his synth work that suggested there was more to the machine botherer than tear-out acid beats. Emotional Response worked with the artist in trawling through a vast archive of material recorded between 1997 and 2017, rescued from hard drives once thought lost, and now gathered as a compelling ambient release with the full fat hardware veneer of Roy's work to date, but coming from a more reflective angle. From cathedral-quaking drones to deeply submerged aquatic excursions, this album has plenty to draw you into the inner world of an acid hero.
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Review: Given their famously militant approach to music formats, it's a surprise to see Paranoid London's previously vinyl-only 2014 debut album finally being issued on CD. For those who missed out first time around, it's well worth checking. As you might expect, it makes great use of both vintage analogue equipment and similarly old skool influences, in turn doffing a cap to Phuture-style Chicago acid, Inner City, hip-house, Green Velvet, Dance Mania style ghetto-house, and stripped-back, dancefloor-friendly machine soul. Despite the ragged nature of some of the material, it's both hugely listenable and hangs together impressively - no mean feat given the DJ-friendly nature of the tracks. It all adds up to a retro-futurist treat.
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Review: Three distinctly outer space-themed cuts from Greece's Alex Celler, each with a linear minimal/tech skeleton that has other, interloping musical influences draped elegantly and classily across it. 'Ancient Astronuats' has the weird, wired mystical stirrings of early Black Dog about it, complete with melting, bendy electro notations that coax it along and add a psychedelic dimension. 'Stargate To Cosmos' has a playful, Drexciyan feel to it, with crunchy, organic drum beats flirting alongside the more rigid electrics. 'Object In The Sky' is the most minimal of the pack, sleek and stalker-like, but still contains enough action - mainly floating around up there in the ether - to hold and build attention.
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Review: Third part of Gary Martin and Yossi Amoyal's DET project. Re-issue of proper wild mid-90's Gigi Galaxy classics - Killer 12"
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Rhythm Method Vol 4 (heavyweight vinyl 12" limited to 500 copies)
Cat: MOSAIC LTDX4. Rel: 07 Feb 22
Minimal/Tech House
Review: Steve O'Sullivan invites a trio of artists to lay down some serious head nodding beats for 'Rhythm Method Vol.4'. Calling on one of Canada's trusted talents and solid purveyors of deep grooves Jay Tripwire leads the charge with 'Mung Bean Medley'. There's simply no messing: pushing through a taught rhythmic workout, incessant toms and metallic tones etch deep into the mood - awash with dubbed out atmospherics and crafty touches that more than a give a nod to the dark house dubs of yesteryear. On the flip, 'Hidden Sequence' inject their creative flex, demonstrating the all important art of minimalist bounce with 'Synchro'. The kind of fully swung beats and tripped out twinges that brighten the groove more often than not when 7am comes calling. The svelte bustle and soothing tones of 'Makka' from Fletcher by contrast, soothe the mind and leaves plenty of room to kick back as weary limbs take their toll: a fine tonic indeed.
… Read morePlayed by: Juno Recommends Minimal Tech
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Review: Lempuyang's third offering is an outstanding split release between Steve O'Sullivan & Hydergine, label bosses for Mosaic/Bluetrain & Ranges. In 'Binary Riddim' Steve delivers a two-part dub track spanning >13 minutes, seriously heavy in the low end; melancholy strings in the first half, progressing to outright menacing chord stabs in the latter. A versatile track offering something for both warm-up and the dancefloor. Complimenting on the flip are 'Mystic Light' and 'Lunar Eclipse' from Hydergine. Deep, dubby atmospherics meander over a weighty 909 kick on B1. Subtle minimalism a la Terrence Dixon, pitched down on B2. Essential release!
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Review: The ever prolific Lee Renacre is on Constant Sound in his 100Hz guise for a fresh trip through expressive techno and house music delivered with a warm, old-skool flavour. 'Jive' skips and twirls across the A side in a swung, sprightly exploration of soft and rounded synth lines and pleasingly chunky beats, capturing a dusky ambience along the way that's so easy to melt into. 'Honkey (Crazy Hats)' takes things deeper with a more rhythm-focused joint that maintains a submerged feel throughout. 'Ochos' completes the set with a deep tech house meditation rich in melodious uplift, striking a spiritual tone which would go down very well with someone bumping records on Yoruba and other such labels.
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Review: Fourier Transform is a brand new label vying for attention in the minimal and tech house world. On the evidence of its first transmission it will do so with ease: Casey Tucker brings the space age tech funk on 'Deep Soul Calm' with its wiggy lead and crashing hits, then 'Identity' goes more deep on warmer pads and supple grooves. The Vast Profound remix of 'Deep Soul Calm' is a cosmic one, with plenty of modulated synths weaving and warping their way through the cosmos on a wave of positivity.
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Review: Stroboscopic Artefacts chief Lucy teams up with Rrose (Eaux) as The Lotus Eaters, which sees the two visionary techno artists collaborate for the first time. Although they had previously remixed each other's work, the idea of working together became inevitable. Several intense sessions in Lucy's Berlin studio, using mainly analogue hardware, resulted in a new project starting with two EPs released on their respective imprints. Desatura features a diverse array of powerful and innovative sonic perspectives: the highly engineered tunnelling techno that you've come to expect from either artist is finely displayed on tracks like "Decanter" or "A Third Man", between moments of slow motion hypnotism ("Eat Eat Eat") and droning/textural soundscapes like "The Idea Of North" and "Under The Benches".
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Review: Elbee Bad continues to provide a direct line to the heart and soul of jacking house music with every new record he throws down. After some strong turns on Thema and LaRhon last year, he's now shored up on Solid Groove with a serious grip of club workouts. "Sock It To Me Mao Fao" is an unrelenting trip through tough drum machine beats, while "In The Key Of N 90's" brings a distinctive, rave stab-like tonality to the table. "Bitten By A Zombie" is a saucy tale riding on sleazy bass and a perilous tale of undead interaction, and "Set Up The Warp Drive" pings off grid for a more experimental kind of groove.
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Uniformity Of Nature EP (140 gram clear vinyl 12" in screen-printed PVC sleeve + download card)
Cat: DET 002. Rel: 27 Jan 20
Experimental/Electronic
Review: Czech label Detach launched back in 2015 with some low key firepower from Moll+, and now they're back with a split release that showcases some fiery upcoming talent in the field of experimental electronica. The sound DYL is exploring on "Phrases" is rabid and deconstructed, but equally bristling with analogue energy. Senking jumps in with DYL for the more rhythmically structured "Destroyed City Lights", which balances sweet and savage tones beautifully. DYL and DB1 create a stern, percussion led variation of electro on "Uniformity Of Nature" and Senking's solo piece "Launch" jettisons off into misty blue pools of synthetic expression, making this a record that surprises and satisfies at every turn.
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Review: Seminal reissue alert! Baby Ford had already been a chart-baiting acid house superstar by the time he launched the PAL SL label in 1996. He'd left behind the major label scene and moved firmly back into the underground with exploratory techno releases on Ifach and collaborations with Mark Broom. This new label marked a shift for Ford though, setting him up for the trips into minimalist club tracks that have been his bread and butter for decades now. From the machine soul trysts of "Slow Hand" to the woozy techno thrust of "Tall For His Height" and the atmospheric house wriggle of "Kez", this release is a classic through and through. Beat the sharks and nab a copy of this long out-of-print gem.
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Review: It's been a while since we last heard from deep cover tech house crew OdD, but finally they're back on their own label OdD Music. As demonstrated throughout their discography, the pairing of Damian Daley and Danny Dixon have a unique touch when it comes to their craft, edging a little bite and verve into their productions which is instantly more interesting than 90% of music in the close vicinity. Even the comparatively minimal '1m Pendulum' has more than enough intrigue in the looping phrases darting around the groove. 'Hotep' has an almost French micro house flavour to it, but with a little UK rudeness when it reaches the final third. 'Obelisk' takes the prize though, edging some genuinely moving keys into the mix across a long form, live-feeling techno trip-out.
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Review: Blackhall & Bookless have been pursuing a fantastic strain of house and techno via their Jaunt label for many moons now. They're back and celebrating 10 years with a series of fantastic remixes that highlight the scope of their artistic vision, and that of those close to them. Inland leads in with an oceans deep version of the label bosses' "Spirit", which is smartly followed up by Jonas Kopp's equally submersive take on Hiver's "Itria". Jasper Wolff and Maarten Mittendorff lets the swooning "Meandering Rivers" by Kaelan burst its banks and fill out an expansive landscape, while Stojche pings Gian's "The Exchange" out into an electro-speckled cosmos.
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Review: NX12X is the first in a new series of experimental records from this label and the artists given the keys for the inaugural release are Goldsmiths student and modular synth maestro Sam Hostettler and electronic innovator La Leif who tackle a pair of tracks each. Hostettler's sounds are the moody, heavy ambient atmospheres of 'Pointalims' and the more light and airy li-fi soundscapes of 'Opalescence.' La Leif offers broken beats with a skeletal feel and a burial-style synth aesthetic on 'Kyoto' and then crunchy breaks and fizzing, distorted synth malfunctions of 'Kimochi.'
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Cat: POLEGROUP 021. Rel: 10 Dec 13
Techno
Review: As part of Oscar Mulero's Unknown Landscapes mix CD his label Pole Group has done the right thing and released the first of several various artist samplers. This first body of music is opened by the rusty pings of DVS1's "Strobe", while up and coming Spanish techno producer, Kwartz, earns his Pole Group stripes with a deep and blipping "Hate". Long-time label cohort Reeko provides the elongated mind trip that is "Enlightenment Process", and the last spot is of course reserved for industrial demigod Adam X who doesn't falter with the voltage charged "Meridien Arc".
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Review: Floating between their own B12 imprint and the mighty Warp Records, the UK's Michael Golding and Steve Rutter, also known as B12, have been important in the development of the Anglo techno and IDM scenes up to this day. In 2015, after a lengthy hiatus which saw them release their last 12" in 2007, the duo make their return and it's on Slam's legendary Soma imprint. A good British showdown, indeed. "Into The Void" is a pile of broken drum machine twists, while "Descension" leans towards classic electronica patters and 'intelligent' techno routes. On the flipside, "Unsound Mind" clicks and steps its way through eerie pads and heavy slices of kick drums, whereas "Terra Incognita" enters the ambient kingdom, a habitat only mildly populated by percussion. Terrific.
… Read morePlayed by: John Shima
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Review: By the time they released the cheekily titled Deep House Anthems in 1991, Chris Shepard and Mike Mangino had been releasing thrillingly odd cassettes as Smersh for eight years. Despite the title, it's typical of their work, focusing as it does on a bombastic fusion of industrial attitude, EBM style vocals, ragged acid lines and obvious electro influences. Here, four tracks from that cassette appear on vinyl for the first time, thanks to the efforts of San Fran crate diggers Dark Entries. The quartet of cuts is as bombastic and full throttle as you'd expect, with acid-fuelled opener "Rhythm Crash" and techno slammer "Hard Wired" being our pick of the bunch.
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Cat: POLEGROUP 043. Rel: 13 Jan 17
Techno
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Review: Given it's a reunification of latter-day UK electronic visionary Rian Treanor and decade-spanning next level imprint Planet Mu, many ears will already know what to expect from this one - a collection of tracks that are jarring, alien and wildly unorthodox, while still somehow immediately engaging rhythmically. Suffice to say, your presumptions are correct in this case.
In many ways the four tracks here are among Treanor's most accessible, although that's perhaps not saying too much. The broken, dub-techno-on-speed opener, 'Obstacle 2', manages to be frantic and deep at the same time. The glittering synth lines of 'Obstacle 3' help create a sense of rave-y invitation, despite the track itself being a staccato curveball. While the remaining two efforts are equally impressive examples of how to push sonic limits without asking too much in terms of audience endurance.
… Read moreIn many ways the four tracks here are among Treanor's most accessible, although that's perhaps not saying too much. The broken, dub-techno-on-speed opener, 'Obstacle 2', manages to be frantic and deep at the same time. The glittering synth lines of 'Obstacle 3' help create a sense of rave-y invitation, despite the track itself being a staccato curveball. While the remaining two efforts are equally impressive examples of how to push sonic limits without asking too much in terms of audience endurance.
Played by: Mark Forshaw
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Review: It's nice to be hearing new more new material by Belgian minimal house expert Lawrence Le Doux, who resurfaced after a two year hiatus last year on Kalahari Oyster Cult. In what was one of this week's most welcomed releases, the Vlek records staple brings you his latest one courtesy of Rotterdam's Nous'klaer Audio titled Compassion Lake. The title track's lush ambience sets the tone for a series of chilled-out and introspective grooves, as heard on the smooth broken beat acid of 'Alta' or the clipped jitter-funk of '1010' on the flip, followed by the sombre afterhours dancefloor reflections of 'Tout.
… Read morePlayed by: Dj soFa
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35 004 Acid Track Remixes (limited hand-numbered blue vinyl 12")
Cat: AAP 3035004. Rel: 18 Mar 22
Techno
Review: The Afro Acid Plastik label has been doing a fine job of carrying new and retrospective works from DJ Pierre, with the most recent focus being on extensive remix packages around the iconic 'Acid Track'. This fourth installment comes with a slightly heavy heart as fellow Chicago titan Paul Johnson leads the way with his 'Jack Nation' remix pumping out while his sad passing still weighs on our minds. Elsewhere, Marko Nastic, Shinedoe, Zombie Nation and NUDE all deliver versions which pay tribute to the legacy of one of the most important club tracks of all time.
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Review: Although he never confirmed it when he launched the project in 2006, Blackploid is an electro-fired alternative alias of sometime International Deejay Gigolos artist Martin Mastike - and not, as some speculated all those years ago, a Drexciya side project. You can see why some would have though Blackploid to be a Drexciya product though. This surprise EP for Sheffield's CPU Records is full of Drexciyan tropes, with three out of the four tracks delivering the kind of high-grade, sci-fi-fuelled electro brilliance that we've long associated with the legendary Detroit outfit. Highlights include the thrusting, bleep-heavy brilliance of 'Night Drive', the surging, space disco-influenced heaviness of 'Night Drive' and the raw, angular techno stomp of opener 'Electric Engine'.
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Review: Dynamo Dreesen and Sven Rieger wrote, recorded and mixed the two tracks on this limited edition, hand stamped 12"l back in spring of 2019. It was just after their first ever live tour of Japan as DRESVN's and lays out their slow, meditative take on techno. 'Track 1' slowly but surely builds the pressure with percolating bass and silvery drum loops that get you into a state of hypnosis. 'Track 2' exceeds eight minutes and is a more tight, intense series of loops that are run through with some dreamy cosmic melodies that take the edge of the machine automated sound of the drums.
… Read morePlayed by: M50
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Review: While NPM's first release, which dropped earlier this year, was a classical-tinged drone EP courtesy of Giulio Aldinucci, this follow-up from Brighton-based Mause explores a simultaneously melodious, skittish, picturesque and acid-fired sound that sits somewhere between ambient techno, IDM and Rephlex-style "braindance". He first opts for a deep and beautiful sound on the thoughtful 'LocriLogAcid Seq', before ratcheting up the tempo (and minor key melodies) on the sprightly 'SeqtuningMLogAcid'. Over on side B, 'Strimsang (Beacon 4)' bustles, bubbles and spits impressively to avoid easy categoriziation, while 'Sunday Multi Acid Seq20d' is high-grade IDM/ambient techno fusion that reminded us a little of Holovr's similarly 90s-inspired works.
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Review: Boris Barksdale's Eternal Remorse originally saw the light of day on Portugese label Eye For An Eye as a digital release back in 2018, and now it's getting a vinyl pressing. A physical release feels appropriate for this pointedly dusty release, which leans in on synthwave influences to create a thoroughly dark and gnarly atmosphere. '5.0.5' steps out on a tough, dishevelled rhythm section, with seriously degraded synths falling apart behind the jackhammer drums. '7.0.8' takes the intensity up a notch, hitting with an industrial bite, while 'Sentier' channels even more of that Ministry-flavoured malaise with its disturbing yelps and screams. 'Sramota' has the hallmarks of a mid 80s bedroom beatdown from a blackened soul, 'Take Notes' delivers yet more pounding, percussive punishment, and 'Geezer' rounds things off with a bleak and troubled slab of EBM dragged from the underworld to stalk amongst all nightcrawlers and ne'er-do-wells.
… Read morePlayed by: Juno Recommends Techno
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Cat: HB 020. Rel: 13 Jun 22
Minimal/Tech House
Review: REPRESS ALERT!: Margaret Dygas may be based in Berlin but her unique sound can't be tied down to any one city or scene, as she proves on her latest 12" across three tracks for the consistently exciting Half Baked label. Not that there's anything half done here, of course, with A-side tune 'Butterfly Effect' a prime slice of groovy. resonant techno that's understated and restrained enough to gain comparisons to Jaydee's 'Plastic Dreams' classic. 'CC Is 33' is warmer, with nicely slidy, jazzy organ chords and itchy technofunk rhythms, with the most minimal of the three tracks, the static-infused, atmospheric 'Subliminal 20A7', coming last but by no means least. A great showcase for a great, original talent.
… Read more in stock $9.01
