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Notes: ***B-STOCK: Box opened, product in perfect working order***


Enter the Behringer CP35 ATTENUATORS Module. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The CP35 features 4 passive attenuators with linked inputs and 4 separate outputs. Each attenuator knob can be used to adjust the level of the input signal passively from - 8 to unity gain. Connecting a single signal to the first input will allow it to pass to all 4 outputs to have up to 4 variations of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 and 4 leaving input 1 to feed out of output 1. Having multiple inputs allows you to attenuate 4 separate signals and be more flexible with your tone.

Along with the standard outputs, the CP35 also features 6-volt outputs. These outputs give a reference voltage of -6 Volts out of one pair and +6 Volts out the other. Also included are two banks of 4-point multiple circuits for you to be able to route multiple copies of input signals to other modules. The CP35 can be a powerful addition to your synthesizer rig by allowing you to have multiple sources output to multiple modules so you can shape and sculpt sounds that are sure to blow everyone away!

Installing the CP35 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP35 to be mixed with other synth modules for a truly unique set up.

Notes: The POWERPLAY P1 Personal In-Ear Monitor (IEM) Amplifier puts control where it's most useful - right at the artist's fingertips. Whether on stage or in the studio, the P1 provides performers and recording artists with a dependable and affordable personal monitoring solution.

The P1's high-power headphone output ensures that as the band gets louder, you'll still be able to hear every nuance of your performance. And the P1's simple user interface makes it easy for everyone to dial in a perfect mix every time.

Using the P1 also helps protect your hearing in two ways. First, thanks to a built-in current limiter, unexpected peaks in signal level won't get to your ears. Second, the simple act of wearing headphones or earbuds helps isolate your ears from loud stage volume of instrument amps and monitor wedges. With the P1, you can clearly hear your own performance and blend in the ideal amount of the rest of the band.

Dual XLR inputs allow 2-channel, mono or stereo operation with a convenient mix function which allows you to run two sources into the P1 and dial-in exactly what you want to hear as you perform. Two simple controls, Level and Balance, help you achieve the perfect mix in an instant. The P1 lets you take control of what you hear and allows the engineer to concentrate on providing the audience the best listening experience. Plus, setup is so fast and easy, letting you concentrate on putting on the best performance when you hit the stage.

One little 9 V battery lasts up to 12 hours, so the P1 will go as long as your next show or studio recording session! Or, use the optional PSU-SB DC power supply for the ultimate in dependable power. And the P1's metal chassis is built like a tank to handle even your most-demanding and energetic performance. Small enough to hang on your belt - or mount on a mic or drum stand, the P1 puts complete balance and volume control in your hands.

Notes: Your guitar is a time tested cornerstone of popular music. Hook it up directly to pop's present and future with the Guitar Link UCG102.

The UCG102 is a USB interface that, like a guitar amp, receives signal from your guitar via a 1/4" input jack. A built in USB cable then sends signal directly to your computer, where the amazing included software package simulates guitar amps and stomp boxes, in addition to tracking your latest masterpiece. It has a 1/4" headphone jack and Phones volume dial so you can monitor your performance as you record, a Clip LED to tell you when your signal is too hot, and a Hi/Lo level selector.

Included with the UCG102 is Native Instruments' AC Box Guitar Combo, which emulates one of the most iconic 1960s British amps with its original cabinet impulse response, Tremolo effect, spring Reverb and Treble Boost pedal.

Also included are a precision tuner, metronome and a variety of stomp boxes for stunningly real amplifier tones. The variable speed virtual tape deck lets you play along with your favourite artists and backing tracks, or to record your own ideas.

Notes: The BA 85A Super Cardioid dynamic microphone is a performer's and home recording enthusiast's dream come true! This professional-quality microphone is designed to capture your sounds with outstanding sensitivity and accuracy. With a Super Cardioid pickup pattern for excellent sound source separation and feedback rejection, this ultra-wide frequency response mic is an excellent choice for any performing or recording scenario. With an integrated shock mount system and spherical wind and pop noise filter and coming packaged with a mic stand adapter and an impact-resistant carrying case, the BA 85A is the only microphone you will ever need.

Dynamic mics have several advantages that make them ideal for live vocal applications and for recording amplified instruments. They're robust, resistant to moisture and can achieve high gain before feedback. The BA Series' Super Cardioid pickup pattern captures the source signal, such as a guitar amplifier or vocalist, while shunning off-axis sound. And best of all, dynamic microphones don't require any phantom power, so all you need is your mic and cable.

The BA 85A provides an amazingly flat frequency response while incorporating a smooth mid-frequency presence rise for excellent voice projection and includes a two-stage pop filter to minimize breath and pop noises. It features an extremely high output to get your voice out there! And with their tough metal construction and sturdy steel windscreen, you can count on the BA mics to come through after countless gigs and studio applications. We've even included a rugged hard case with a mic clip and stand adapter.
The BA 85A is built to be your go-to dynamic mics for years to come. It's high-quality components and extremely rugged construction can withstand the rigors of the bar circuit with ease. And with the included mic stand adapter and carrying case, the BA 85A travels along with all you need in style.

This microphone is an excellent choice for live and studio applications and is available at a price that will leave you with enough cash left over to secure other recording essentials. Check out the incredible BA 85A microphone at a dealer near you.

Notes: Affordable all-rounders, designed for broadcast, gaming and other applications where a headset-style mic comes in handy. Cheap and cheerful, with decent sound quality for the money.

Supplier's Notes:
Whether you're mixing a recording, monitoring a bass line or enjoying a conversation with your friend, you want headphones that deliver a wide frequency response and high dynamic range. The Behringer HLC 660M headphones provide incredible high-resolution performance at a price well within the reach of every budget.

HLC 660M headphones provide everything you need for comfortable listening. The oval-shaped ear cups contain high-resolution capsules that deliver every nuance of your sound. Featuring an ultra-comfortable headband; and a 1/4" adapter for the 1/8" connector, HLC 660M headphones are compatible with everything from your smartphone - to your mixing console.

Notes: Whether you're mixing a recording, monitoring a bass line or just sitting back enjoying your favorite song, you want headphones that deliver a wide frequency response and high dynamic range. The Behringer HC 2000BNC headphones provide incredible high-resolution performance, at a price well within the reach of every budget.

HC 2000BNC headphones provide everything you need for comfortable listening. The oval-shaped ear cups contain high-resolution capsules that deliver every nuance of your sound. Featuring an ultra-comfortable headband and wireless connectivity. With the amazing HC 2000BNC headphones, you get truly-exceptional, high-resolution sound reproduction at a price that will leave money in your pocket for more tunes, or more studio gear.

Notes: Smartly priced entry-level headphones with built-in mic, ideal for newcomers to DJing, recording and live sound. Good frequency response, good isolation and a very nice price.

Supplier's Notes:
Whether you're mixing a recording, monitoring a bass line - or enjoying a conversation with your favorite friend you want headphones that deliver a wide frequency response and high dynamic range. Our BB 560M headphones provide incredible high-resolution performance - at a price well within the reach of every budget.

BB 560M headphones provide everything you need for comfortable listening. The oval-shaped ear cups contain high-resolution capsules that deliver every nuance of your sound. Featuring an ultra-comfortable headband and wireless connectivity.

With the amazing BB 560M headphones, you get truly-exceptional, high-resolution sound reproduction.

Notes: Cheap but effective wireless studio headphones designed for recording, mixing and general production work. Bluetooth connection for convenience, plus built-in microphone.

Supplier's Notes:
Whether you're mixing a recording, monitoring a bass line - or just sitting back enjoying your favorite song, you want headphones that deliver a wide frequency response and high dynamic range. The HC 2000B headphones provide incredible high-resolution performance - at a price well within the reach of every budget.

HC 2000B headphones provide everything you need for comfortable listening. The oval-shaped ear cups contain high-resolution capsules that deliver every nuance of your sound. Featuring an ultra-comfortable headband and wireless connectivity.

With the amazing HC 2000B headphones, you get truly-exceptional, high-resolution sound reproduction.

Notes: Entry level DJ headphones from Behringer offer surprisingly good sound at such a low price point. Not the last word in pro DJ gear but impressively good all-rounders for beginner DJs.

Supplier's Notes:
Whether you're mixing a recording, monitoring a bass line or just sitting back enjoying your favorite song, you want headphones that deliver a wide frequency response and high dynamic range. The Behringer HC 200 headphones provide incredible high-resolution performance at a price well within the reach of every budget.

HC 200 headphones provide everything you need for comfortable listening. The oval-shaped ear cups contain high-resolution capsules that deliver every nuance of your sound. Featuring an ultra-comfortable headband; and a 1/4" adapter for the 1/8" connector, HC 200 phones are compatible with everything from your smartphone to your mixing console.

With the amazing HC 200 headphones, you get truly-exceptional, high-resolution sound reproduction at a price that will leave money in your pocket for more tunes, or more studio gear!

Notes: You depend on your DEEPMIND 12D Polyphonic Synthesizer to work perfectly night after night - so protect it with a custom-fit, deluxe, waterresistant transport bag. Made of super-tough, multi-layer black nylon, the DEEPMIND 12D-TB is a 'must-have' accessory for your DEEPMIND 12D synth. The rugged DEEPMIND 12D-TB helps keep your DEEPMIND 12D free from dirt and moisture during transit to and from the gig, and protects it from dust in-between performances. Equipped with convenient carry handles and shoulder strap, the transport bag cradles your DEEPMIND 12D in a thick layer of interior padding for exceptional protection during transit. The super-tough, multi-layer black nylon DEEPMIND 12D-TB fits your DEEPMIND 12D Polyphonic Synthesizer like a glove, and protects your investment from dirt, dust and rain - and is an amazingly affordable way to keep your gear looking great for years.

Notes: Whether you're a keyboardist, drummer, or other musician whose performance keeps them anchored in one spot, the P2 Ultra-Compact Personal In-Ear Monitor Amplifier was designed specifically for you. A convenient hard-wired personal in-ear control center, the P2's belt pack puts monitor control right at your fingertips, plus it's powerful, lightweight and ultra-easy to use.

You can use your favorite headphones, earbuds or custom-molded professional InEar Monitors (IEMs) with the P2, thanks to the top-mounted, standard 3.5 mm (1/8") stereo output jack.

Because your monitor is crucial to your performance, P2's XLR / TRS combo input connector features a locking mechanism to prevent accidental mic cable disconnects. Just press the tab next to the bottom-mounted connector to release the cable at the end of the gig. It is important to note that P2's XLR input accepts balanced line signals taken directly from your mixer, allowing you to control the volume of the onboard amplifier.

P2's internal Mono/Stereo switch lets you choose the mode that best fits your needs. When using your mixer's aux send or any other mono source, move the switch to the Mono position. For connecting to a headphone output or other stereo source, simply set the switch to Stereo and use an XLR-to-TRS or TRS-to-TRS (male to male) cable.

The P2 features an extremely high-quality level control with on/off switch for dialing in the perfect level every time. Designed for long life and super-smooth performance, this detented control stays where you put it. When you do need to move around, say to change your amp or stomp settings, P2's built-in belt clip will always keep it close at hand. Just slip the P2 onto your waistband or belt- and let the good times roll.

When it comes to wired monitor applications, you simply will not find a better or more affordable solution than the amazing P2 Ultra-Compact Personal In-Ear Monitor Amplifier. Built-like-a-tank to be "drummer proof", and featuring an impact-resistant metal chassis, the P2 was made for the road and will give you many years of dependable, highest-quality performance.

Notes: The MONITOR1 Premium Passive Stereo Monitor and Volume Controller takes the analogue signal to the next level, putting high-resolution audio level control right at your fingertips. With no active circuitry or digital artifacts to color the sound, you can instantly adjust the level of your active studio monitors. The large volume knob makes it easy to dial-in the perfect level every time, without having to reach for your mixer or your mouse. With XLR/TRS combo Inputs and XLR Outputs, as well as two 3.5 mm (1/8") jacks, MONITOR1 is ultra-easy to connect to your current system - and it is so affordable.

Although it sounds contradictory, the MONITOR1 is totally passive, meaning external power is not required and there is no active circuitry to affect the purity of the analogue signal coming from your mixer or audio interface. MONITOR1 doesn't get in the way of your sound source, and will not add any distortion or RF interference to your system. So whether you're recording in your bedroom or laying down tracks at a professional recording studio, MONITOR1 makes sure the volume is always exactly where you need it, when you need it. And when it's time for a break, just press the convenient Mute button to turn the sound completely off.

Small knobs make for low precision. Conversely, the bigger the knob is, the higher the precision. Think of a knob as a circle. On a small circle/knob, the distance from one degree to the next is very small, making it difficult to dial-in perfection. On MONITOR1's big knob, the distance between degrees of the circle is much larger, allowing you to make high-precision adjustments with ease. MONITOR1's bigger knob helps you set levels fast and accurately.

MONITOR1 takes up a fraction of the space on your desk as your mixer, and thanks to its tiny footprint it's never in the way. But even though it is small, MONITOR1 is all about quality, all the way from the stereo XLR/TRS combo and 1/8" Inputs to the XLR and 1/8" Outputs. Built from the highest-grade components, MONITOR1 is the perfect way to put a little easy into your current studio monitoring setup.

Notes: Whether you sing, play in a band, create DJ magic, or give awe-inspiring speeches - you want to share your passion. But to be heard by the world, you need to record it, right? The LINE 2 USB Interface Cable connects your keyboard, drum machine or other stereo line-level signal directly to music's present and future by plugging straight into your computer. Now when inspiration strikes, you can capture the moment in all its dazzling brilliance - and share it with everyone! It's also perfect for recording from the stereo output of an audio mixer - so your live performances can be captured, and relived again and again.

The incredible LINE 2 USB is the very essence of simplicity. Connect the stereo 14 " jacks straight into your mixer, keyboard, drum machine or other stereo line-level audio source and run the USB cable to your computer.

LINE 2 USB's long cable (6.6' / 2 m) provides the ultimate in convenience for your creative space, keeping everything within easy reach - and your workstation neat and tidy.

LINE 2 USB interfaces seamlessly with Windows* PC and Mac* operating systems and is ideal for use with low latency ASIO drivers (such as ASIO4ALL*) for PC and the built-in Core Audio drivers for Mac. Step into the virtual world of recording software, amplifier and effect plug-ins and create stunning soundscapes - that would otherwise require the keys to one the world's top recording studios. LINE 2 USB works with virtually all popular 32-bit compatible recording software including Avid Pro Tools, Ableton Live, Steinberg Cubase, etc., so you can record tracks directly into your favorite DAW - and mix and master to your heart's content.

LINE 2 USB supports both 44.1 kHz and 48 kHz sample rates for maximum flexibility, so whether you are recording the next global smash hit or a heart-pounding video soundtrack, it's all you need.

Notes: These fader knobs are identical to the ones that ship on our award-winning X32 mixing consoles. They are the ideal replacements for your BEHRINGER digital mixer fader knobs, should you need one - or 20.

Notes: Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the '70s. An authentic reproduction of the circuitry from the "Modular 55" series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the '70s. An authentic reproduction of the circuitry from the Modular 55 series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 903A RANDOM SIGNAL GENERATOR generates both white and pink noise via two 3.5 mm outputs each allowing you to send different signals to other modules in your rig.

Installing the 903A RANDOM SIGNAL GENERATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 903A RANDOM SIGNAL GENERATOR to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 994 MULTIPLES Module. An authentic reproduction of the circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The dual 4-socket multiples of the 994 MUTLIPLES allows you to split CV or audio signals to multiple destinations. Now, one signal can control several modules.

Installing the 994 MULTIPLES is simple as it was designed to fit into a standard Eurorack case. This allows for the 994 MULTIPLES to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 962 SEQUENTIAL SWITCH Module. An authentic reproduction of the discrete circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 962 is used as a latch, shifter and signal selector. Depending on the number of input jacks plugged into the module, the 962 can alternate between two or three signal inputs. It can also be used to expand the Behringer 960 SEQUENTIAL CONTROLLER from an 8-step sequencer up to a 24-step sequencer.

The 962 SEQUENTIAL SWITCH features 3-channel V-Trig inputs for selecting CV input channels and separate V-Trig outputs per channel. Triggers from other modules can be connected via 3.5 mm cables and can be manually selected with the Trigger buttons.

The SIG IN jacks are what allow the 962 to alternate between inputs. Connect an input signal to input 1 or 2 and the 962 will alternate between these two inputs. If all three inputs are used, then the module will automatically alternate between the three stages.

Installing the 962 SEQUENTIAL SWITCH is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 962 SEQUENTIAL SWITCH to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer CP3A-M Analog Mixer Module. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 series mixers used by the world's most famous pop, rock and jazz musicians. Now musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The CP3A-M Module features 4 3.5 mm input channels each with its own input knob to allow users to adjust the volume of incoming signals. The module also comes with two pairs of outputs, one positive and one negative plus a passive Master Gain knob for overall control of the CP3A-M's output volume. The transistor circuitry adds character to your mix.

Patching is the backbone of modular synths and that's why we've included dual 4-point multiple circuits to act as a patchbay for users to be able to route 3 copies of any output signal to other modules. So you can have one signal go into a delay module then have another signal go into a step sequencer or other modules to create more intricate patches and hours and hours of fun.

Installing the CP3A-M is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP3A-M to be mixed with other synth modules for a truly unique set up.

Notes: The DD600 is the ultimate digital delay effects pedal for subtle to substantial echo delays. Compare it to delay boxes costing three times as much and you'll find yourself returning to this remarkable pedal every time. The pedal has dedicated Mode, Delay Time, Feedback and Level controls for awesome sound shaping, which results in 24-bit high-resolution stereo delay, echo and panning effects with delay times of up to 2000 milliseconds. Modes include 4 tempo settings, 4 delay settings (exclusive of delay time), E/D and Reverse. The featured Real Sound Modeling (RSM) processor emulates true acoustic environments, delivering ultra-realistic sound to your ears. Other features include an extra Pan Out output, a bright blue LED to indicate the power status and battery condition, as well as an electronic bypass footswitch which preserves signal integrity. The DD600 can be powered by either the Behringer PSU-SB DC power supply or a typical 9V battery.

Notes: Upgrade your DDM4000 DJ mixer with the X1 Infinium Optical Fader. Its patented and contact-free optical technology means the X1 will be functional for countless gigs, all while delivering a truly analog feel and touch. This fader includes complete installation instructions and toolkit.

Notes: The Behringer Xenyx Q502USB Mixer stands at the top of it's class. Armed with premium microphone preamps and robust feature sets typically reserved for more expensive consoles, next generation Xenyx Q502USB mixer can handle your live gigs as well as provide the state of the art tools to make stunning, professional quality recordings.

Got a solo gig at the local coffee shop, or just need to make a quick public announcement? Simple sound calls for the simply excellent Xenyx Q502USB, the 5 input, 2 bus mixer with everything you need for incredible sound. Thanks to onboard phantom power, Q502USB's Xenyx mic preamp can handle dynamic, as well as a studio grade condenser mic. Elegant in its simplicity, the British style, 2 band EQ provides warm and musical tone correction. The Q502USB also sports RCA CD/Tape I/O, handy for playing break music or for recording your set.

Ask professional sound engineers what their favorite piece of external processing gear is and the response will be virtually unanimous "dynamic compression". This limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate sound techs have difficulty mastering. Our "one knob" compression is available on all mono channels and is easy to operate, even for entry level users. Now you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity.

The state of the art Xenyx mic preamps are a tremendous step in the evolution of audio technology and they can easily hold their own, even when compared to expensive, boutique style mic preamps. Xenyx preamps offer a staggering 130 dB of dynamic range with a bandwidth that extends from below 10Hz to well above 200KHz. As a result, Xenyx mixers provide such transparent, crystal clear performance that you just might think someone upgraded your microphones while you weren't looking.

The British consoles of the '60s and '70s changed the sound of rock and roll. These legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our Xenyx mixers is based on that very same circuitry, allowing you to process signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.

There was a time when the recording process called for lots of specialised gear, which meant the average musician had to buy time at a recording studio, which can be expensive! But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. Thanks to the built in, bi-directional stereo USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source connected to the mixer can be recorded straight to your hard drive. Which brings us to software...

Because you'll want to take full advantage of your Xenyx Q Series mixers' recording and podcasting potential, we've put together a massive software download at www.behringer. com that includes Audacity, Podifier, Juice, Podnova and Golden Ear. You're ready to go live on your PC or Mac right out of the box! You also get more than 100 virtual instruments and 50 FX plugins, turning your computer into a complete home based or mobile recording studio.

No matter what your audio mixing needs are, Behringer Q502USB Mixer provides the performance and features to take your talent to the next level, at a price that's sure to amaze you. try it today!

Notes: With the DI100, you can rest assured that your sound source will reach the console balanced and noise free. Behringer's take on the all important active DI box gives you functionality, durability and incredible sound at a remarkable price.

Plug into the DI100's balanced 1/4" TRS or XLR input, then send a signal to your console via the balanced XLR output. You can even plug your guitar or bass amp's speaker output into the DI100, which can handle ratings of up to 3,000 Watts and still deliver a perfect signal. It also features a 1/4" link jack to send your signal to an on stage amplifier.

The DI100 also has a switchable attenuation pad, allowing input levels of up to +50dB. There is also a ground lift switch to eliminate noise associated with ground loops. The DI100 also features Behringer's renowned OT-1 output transformer.

Notes: Whether you're recording or on stage, you need a great DI (direct injection) box to get your guitar sound to the console with full dynamics and power. The Ultra G GI100 active DI box gives you all the full rock glory of a cranked 4x12 cabinet at a fraction of the weight and floor space.

The Behringer GI100 works like a standard DI box. You can use it to tap into your amplifier's speaker outputs, even high powered rigs with ratings of up to 3,000 Watts. Or, just plug your guitar directly into the GI100, switch on the realistic 4x12 cabinet simulation designed by renowned engineer Juergen Rath, and you've got rock royalty sized tone in a package the size of a cheeseburger! You may never mic your speakers again!

The DI100 sounds amazing, and it comes equipped to meet the most common needs of gigging and recording, as well as the travel in between. There's a ground lift switch that eliminates typical ground loop problems, and when phantom power is connected, this DI box automatically shuts off the internal battery. The DI100 is housed in cool looking red aluminum and features stackable, oversized rubber corners.

The DI100 goes way beyond the typical abilities of a DI box to give you the sound and performance you'd expect from a super charged vintage half stack, plus enough power to have your audience wondering where you hid the amp. Introduce your axe to the guitar loving DI100.

Notes: The Ultra DI DI600P is a passive DI (direct injection) box for connecting a guitar, bass or keyboard directly to your mixer. With the DI600P as your go between, impedance matching problems become a thing of the past, and long cable runs will not sacrifice all of your precious tone.

With its parallel 1/4" in and out jacks, Behringer's DI600P allows you to plug in your instrument and send the same signal to your onstage amplifier, while the XLR Output sends a balanced signal to your mixer. A ground lift switch eliminates hum associated with ground loops and our high performance transformer provides the ultimate in signal integrity.

Just flip the Inst/Amp switch and the DI600P can easily accommodate either the low level signal of a high impedance mic or guitar (inst mode), or the speaker output of a guitar amplifier (amp mode). Even if your amp cranks out as much as 3,000 Watts, you get a perfect signal every time!

Notes: Whether you're recording or performing, it's important to keep AC hum out of the mix. No matter the quality of the venue's wiring, the BEHRINGER HD400 Hum Destroyer eliminates AC hum quickly and reliably.

The HD400 features two channels that can eliminate hum in two mono signals or one stereo signal. Try putting it between a stereo mixer and your power amps for a squeaky clean sound free of AC hum. It breaks ground loops safely while maintaining the highest sound quality. It can even convert unbalanced signals into balanced without any signal degradation.

Notes: When a specific frequency, or range of frequencies, reaches too high a level, feedback occurs - that all too familiar squeal or howl you get when the mic is too close to the speaker. Basically, feedback happens when there is so much of a particular frequency that it is picked up by the mic and run through the system again. That's why feedback typically gets louder and louder the longer it's allowed to occur. Needless to say, this kind of feedback is very undesirable.

This is where the FBQ800's feedback detection system really works its magic. In this ingenious circuitry, LEDs on the individual faders light up when that frequency band is approaching the danger zone. All you need to do is lower the illuminated slider until the LED blinks out - and there you have it, feedback problem solved!

With its 9 frequency bands, you easily fine tune your sound and instantly eliminate feedback. And each fader can be used to boost or cut the frequency range it controls by as much as 12dB (and that's a lot!).

Special attention is paid to the low frequency zone. In addition to low frequency faders, the FBQ800 features a Low Cut filter for removing unwanted low frequencies such as floor rumble, room resonance, electrical hum, etc. This is especially handy if your system is being used for speech rather than music.

Raising and lowering specific frequency bands can improve the frequency response of any room's acoustics. For instance, if the room you're in is "bass heavy", lowering the 63Hz and 125Hz faders can help eliminate an overall "boomy" or "muddy" sound. Likewise, gently boosting the 8KHz and 16KHz sliders can add sparkle to a somewhat "dark" or "dull" mix. Are the vocals getting lost in the mix? Raising the level of the 1KHz slider can help bring them out.

Speaking of headroom, FBQ800's 6 digit LED I/O meters and level control are provided for precise level maintenance. Long term reliability is ensured, thanks to high quality illuminated faders and switches, and our ultra low noise audio operational amplifiers provide outstanding sonic performance. In addition, all Mini Series components can be stacked to create an ultra compact signal processing solution.

Notes: If you're tracking more than one musician at a time, or if everyone in a group wants to listen to a playback, you need a monitor distribution system. The compact, flexible AMP800 can power up to 8 pairs of headphones and up to 2 different stereo mixes.

The Behringer AMP800 features 4 totally independent stereo high power amplifier sections, each with dual outputs. You can use the phones level control plus the accurate 6 digit LED output meter per channel for easy level monitoring. There are 2 balanced stereo main inputs with independent level and balance controls for individual mixes, selectable for all 4 of the headphone amplifiers.

If you must accommodate more than 8 listeners, a parallel link output enables cascading of several AMP800s. Long term reliability is guaranteed thanks to high quality potentiometers and illuminated switches, and Behringer's ultra low noise audio operational amplifiers provide outstanding sound performance. In addition, all Mini Series Behringer models can be stacked to create an ultra compact signal processing solution.

Notes: The ultra compact MicroMon MA400 is the ideal personal monitor mixer for the performer who always asks for "more me".

The MA400 features XLR thru jacks and provides superb noise free operation. Just connect your mic to the mic input and send a line from the mic thru to your main mixer. You can even use studio grade condenser mics, as the MA400 will pass +48V phantom power, if your mixer is so equipped. The phones jacks accept both 1/4" and 1/8" headphone and earbud connections, making the MA400 ideal for hardwired IEM (in ear monitor) applications, such as singing drummers and keyboardists. The MA400 comes with a dedicated 12V DC power supply and an LED to indicate when it is powered up.

Capable of stereo or mono operation, the MA400 is a powerful little mixer that allows you to control two independent sources, a microphone and the monitor feed from your main mixer. Simply adjust the mon level control to a comfortable setting and then dial in all the "me" you want with the mic level control.

Notes: The P16-MB mounting bracket for the Behringer P16-M Digital Personal Mixer attaches to standard microphone, music or drum stands.

High quality components and exceptionally rugged construction ensure long life and a reliability.

Notes: The Hellbabe HB01 is unlike any wah you've ever stepped on, offering a tremendous array of tone sculpting options. You get everything from old school wah to the most up to date sounds, all in one mesmerizing effects pedal. The Hellbabe will add new dimension and depth to your artistic expression.

First of all, the Behringer Hellbabe's heel down range control provides low frequency adjustment that can be swept from 440Hz down to 250Hz, making the HB01 the ideal companion for either guitar or bass. For custom tailoring the toe down frequency range, the Hellbabe features a fine control, allowing you to adjust the frequency sweep as high as 2.2KHz.

It is also possible to dial in a powerful volume boost (up to +15dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal like effects.

Unlike anything else on the market, the HB01 uses no mechanical pots or switches, which significantly reduces on wear and tear. But that's not all that separates this pedal from the pack; it also features a spring back pedal mechanism with resistance adjustment. And thanks to our ultra bright LED indicators you'll always know when it's on and when the volume boost is activated. You can power this bad boy with a 9V battery or our PSU-SB DC power supply (not included).

Notes: Our authentic V-Tone modelling technology recreates 3 of the most sought after classic guitar amps, with 3 gain modes and 3 mic placements for a total of 27 possible configurations. You get a truckload of great amps in one convenient stomp box, allowing you to go from clean or crunch to super fat distortion in a flash.

Operation is simple - simply choose the type of amp, from the smooth Calif (Californian), the bright, punchy TWED (Tweed), or the BRIT (British) with its incredible sustain and aggressive mids. Then select the gain mode, CLN (clean), HOT or HI G (high gain). Lastly, choose the mic placement from the three available selections. This feature is a Behringer exclusive, allowing you to place the virtual mic in any of three positions:

(OFF X) - At the edge of the speaker cone, producing a smoother, softer sound with less midrange content
(CNTR) - Positioned at the centre of the cone, for more upper mids and beefy low end
(CLSIC) - Slightly in front of the cabinet, for high midrange content with tons of definition

We've also included a dedicated drive control, for adjusting the amount of gain. This control effectively mimics the amount of push applied to the output stage of a tube amplifier, from a gentle nudge to full out, tube melting overdrive. Further tone shaping is provided by a highly musical 2 band EQ.

The GDI21 can be used for direct recording output, with speaker simulation or, when used in bypass mode, as a superb active DI box. A 1/4" output jack is provided for connecting to your amp and the gold plated, balanced XLR connector will link you cleanly to the front of house console. Ground loop problems are non-existent, thanks to the onboard ground lift switch.

Notes: If the raw, Neanderthal power of history's nastiest stomp boxes inspires you to plug in, turn on and rock out, it's time to expand your mind with the Super Fuzz SF300.

With the SF300's three unique sound modes you can: channel the grittiest tones of underground punk legends; update your sound into a crunchy industrial cacophony; or opt for a pure gain boost that will make your amp spew white hot lava.

Dedicated level, gain, treble and bass dials provide tons of tone shaping options. A blue LED tells you when this wild thing is activated, and a top quality on/off switch maintains optimum signal integrity in bypass mode.

You can power it with a Behringer PSU-SB DC power supply (not included) or a 9V battery.

Notes: The classic sound of blazing, overdriven vacuum tubes never goes out of style. This sound is at your command when you put the Vintage Tube Overdrive TO800 in your effects chain.

In order to recreate the sound of real tube crunch, we put the original 4558 op amps and legendary MA150 distortion diodes in the TO800, putting rock's most powerful overdrive sounds at your disposal. The resulting output is extremely faithful to that of the vintage tone machines that made rock and roll history.

Dedicated drive, tone and level controls let you shape exactly the sound you want. The status LED tells you when this pedal is activated, and its top quality on/off switch gives you the highest signal integrity in bypass mode.

You can power the TO800 via a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: In the churning, smoldering world of heavy metal, it's the middle frequencies that make all the difference between mush and muscle. With the UM300 Ultra Metal, you not only get control over the mids - you can micromanage them!

The UM300 effects pedal gives you the most extreme, sought after hard rock and heavy metal sounds with super thick, tube like distortion - plus virtually endless sustain.

Like most distortion stomp boxes, the UM300 comes with distortion and level controls. And the high and low controls let you dial in the amount of top end and bottom you desire. But the similarity to other stomps ends right there. Much like our world class mixing consoles, we've given the UM300 a mid freq control, allowing you to select a midrange frequency (from 200Hz-5KHz) and boost/cut it by up to 15dB (that's a lot!). What this means in terms of tone, is thick, tube like distortion with endless sustain, for everything from aggressive, traditional metal assaults to bone crunching mayhem.

A bright blue LED tells you when the UM300 is active, while a top quality on/off switch maintains highest signal integrity in bypass mode.

You can power the UM300 with Behringer's PSU-SB DC power supply (not included), or pop in a 9V battery.

Notes: Studio effects processors sound really good, but they can bulky, complicated and expensive. Now you can have all the power and great sound of studio grade, stereo effects processing, thanks to the ultra affordable, and easy to use Digital Multi FX FX600.

This studio in a box features flanger, chorus, phaser, delay, tremolo and pitch shifter, all in mind blowing 24bit/40KHz resolution that turns everyday riffs into 3D epics from the outer limits.

Just select one of the 6 effects with the dedicated FX knob, and then use the two PAR(ameter) dials to fine tune the effect. The LEVEL control determines how much of the effect is mixed with the original signal.

The LED tells you when the FX600 is activated, and the top quality on/off switch maintains incredible signal integrity in bypass mode.

You can power this pedal with either a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: The Ultra Chorus UC200 pedal enhances your guitar's tone by making it sound super thick, plus adds an unbelievably rich stereo effect.

The UC200 features dedicated level, tone, rate and depth controls for awesome sound shaping.

A cool blue status LED for effect on/off and battery check plus a first class electronic on/off switch for highest signal integrity come standard.

The UC200 runs on a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: When you've got to have the classic tremolo made famous by vintage '50s amps, get the Behringer Ultra Tremolo UT300.

The classic surf music of the '50s and '60s might not have even happened if tremolo hadn't come along. Vintage amps produced this intriguing effect by pulsing the volume of the instrument signal at a user-adjustable rate. The UT300 pays homage to this legendary sound, bringing it up to date for modern surf freaks.

With its dedicated Rate, Wave and Depth dials, you can shape a pulsating tremolo that nails every sound from rowdy rockabilly and surging surf, to modern space rock.

A red LED tells you when the effect is activated, and you can power this groovy stomp box with either a Behringer PSU-SB DC power supply (not included) or a 9 V battery.

A top quality on/off switch maintains excellent signal integrity in bypass mode.

Notes: Finding it hard to get the perfect sound from your guitar? Maybe your guitar gets lost in the mix? Do you have major feedback issues with your acoustic?

The problem's not your guitar - you need an equalizer! The Graphic Equalizer EQ700 provides total control over your tone and puts the brakes on annoying feedback, no matter what the performance situation. You can instantly improve the sound of your guitar with a little help from the Behringer EQ700.

With 15dB of available boost or cut per band (that's a lot!), the EQ700's seven frequency bands have been carefully optimised to provide the ultimate tools for EQing the guitar. Of course, to make full use of the EQ700's capabilities, it helps to first understand some basics about the frequency range of your axe.

The EQ700 covers the audio spectrum from below 100Hz to over 6.4KHz, allowing you to effectively cut or boost specific frequencies to help focus your sound. Special attention has been paid to the critical midrange frequencies, which can make or break your tone.

Notes: For an unplugged sound that's rich, loud and electrifying, step on the V Tone Acoustic Driver DI ADI21. This amazing little box is essential for piezo equipped guitars and will make your acoustic guitar sound come to life!

By their very nature, piezo pickups tend to be very bright, with somewhat reduced bass response and warmth. The ADI21 combines the features of an active DI (direct injection) box with our proprietary microphone/tube emulation. If you don't want to use the emulation feature, the ADI21 also functions as a superb active DI box. The blend control allows you to mix the amount of modeled tone with your instrument's normal output. The resulting sound is more natural with smooth saturation, just as if your guitar were being miked.

Armed with an onboard 3 band EQ, with sweepable mids to keep feedback under control, the ADI21 effectively eliminates the harsh harmonics of piezo pickups. The output is laid out on 1/4" TS or balanced gold plated XLR connectors, which can be used to send a low impedance signal to the mixing console or straight to tape. You also get a ground lift switch to eliminate annoying ground loop hum problems. You can power this little lifesaver with a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: There are DI boxes - and then there's the V Tone Bass BDI21 - the feature packed analog DI box built especially for bass.

The BDI21 combines the features of an active DI (direct injection) box with our proprietary tube emulation circuitry. It's like having a truckload of vintage tube amps right at your toes! The Blend control allows you to mix the amount of tube emulation you want with your direct bass signal. And if you don't want to use the tube emulation feature, just step on the switch and the ADI21 functions as a superb active DI box.

With its dedicated Drive, Treble, Bass, Level, and Presence dials, the BDI21 DI box goes above and beyond, giving you vintage tube tones for some funked-up slap, gonzo overdrive and everything in-between. You can use the BDI21 as a recording output DI, with tube emulation, or as a standard active DI box, when running in bypass mode. The output is laid out on 1/4" TS or balanced, gold plated XLR connectors. There's also a ground lift switch that eliminates typical ground loop hum problems.

You can power this bad boy with a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: Do you find it hard to get the perfect sound from your bass? Maybe your bass seems to virtually disappear in some rooms; then again, it feels like a runaway locomotive in others? The problem's not your bass - you need an equalizer! The Behringer BEQ700 can resurrect your bass, providing total control over your tone, no matter what the performance situation. You can instantly improve the sound of your band from the bottom up, with the Behringer BEQ700.

With 15dB available boost or cut per band (that's a lot!), the BEQ700's seven frequency bands have been carefully chosen to provide the ultimate tools for EQing the bass guitar, even 5 & 6 string instruments. Of course, to make full use of its capabilities, you should first understand some basics about the frequency range of your axe.

The BEQ700 covers the audio spectrum from below 50Hz to over 10KHz, allowing you to effectively cut or boost specific frequencies that help focus your sound. Special attention has been paid to the critical midrange frequencies, which can either make or break your sound. The following section offers tips that will have you sculpting the perfect bass sound in no time at all.

Most performers don't have a clue about what good equalization can do for their sound. Maybe you've heard the old maxim, "Make a sine wave to get really good sound," or "Make a smiley face, that always works." Sadly, this qualifies as advice from the uninformed. Just as every room is different, every musical instrument is unique. Even guitars and basses made by the same manufacturer, using the same materials, on the same day can vary a great deal.

People provide a good example of this principal - although we are all similar, we don't all wear the same size shoes, or even have the same colour eyes. There is no one "perfect" equalization curve that fits every scenario; equalization is dynamic.

When frequencies from 20Hz - 200Hz are boosted or cut, the bass is affected dramatically, since sounds in this range are often felt, as well as being heard. Boosting frequencies within this range can increase the sensation of power and punch. Conversely, reductions in this range can weaken or muddy low frequency response.

The fundamental notes of most basses fall within the 100Hz - 1000Hz range. Even slight changes in this range can cause a tremendous variation in overall bass energy and impact, as the human ear is especially sensitive to this range. Boosting frequencies around 200Hz often gives the bass warmth and body, without a loss of definition, while boosting frequencies in the 500Hz to 1000Hz range tend to make bass sounds brittle. Often, better EQ results can be achieved by reducing the frequency bands that are offending and by turning up the overall volume, rather than boosting one specific band.

Notes: Does your bass sound dull and lifeless? Sound engineers and professional bass players have known for years that high quality limiting and enhancement makes bass tracks pop in the mix. The Bass Limiter Enhancer BLE400 gives your playing that same velvety finishing touch by smoothing out inconsistent volume peaks. This is especially noticeable if your performance involves slapping and popping styles. The BLE400 will make your tone as solid as your performance.

Even if you employ the best technique, there will be volume inconsistencies in your sound. This becomes really obvious when you switch from finger style playing to slapping and popping. The BLE400 can help smooth out these inconsistencies and improve your sound. How? A limiter works by reducing the dynamic range of a signal, often referred to as compression. This means that loud signals are turned down and softer sounds are turned up, so they more closely match each other. The resulting sound is more powerful, focused and rich in tone.

By its very nature, extreme compression tends to suck the high end out of any signal, so we added a tone compensation circuit to the BLE400. This dedicated Enhance control lets you dial in just the right amount of sparkle, without giving your bass that over-processed or brittle sound. This feature alone will make the BLE400 one of your favorite secret weapons!

The dedicated Level, Enhance, Ratio and Threshold controls provide easy and intuitive sound shaping. Just set the Ratio control for the amount of compression you want and adjust the Thresh(old) control to where you want the compressor to kick in. Then, turn the Level knob to match the volume of your bass when the effect is switched off. It's just that easy!

A first class electronic on/off switch is provided for absolutely noise free operation. The BLE400's top mounted LED lets you know when it's on and also serves as a battery tester.

And if you don't enjoy replacing 9V batteries, you can always use Behringer's PSU-SB DC power supply (not included) to power this pedal.

Notes: The B-5 comes with interchangeable cardioid and omnidirectional capsules, making it a fantastic all purpose condenser microphone. It is designed to capture your sounds with incredible realism, sensitivity and accuracy, and is perfect for acoustic instruments, vocals and overhead miking.

Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is that they contain active circuitry that requires phantom power (+48 V DC) for operation. You can power them from any phantom power equipped Behringer Xenyx mixer, plus enjoy the benefits of our state of the art Xenyx mic preamps.

The B-5 is an affordable, high quality way to put a gold sputtered diaphragm condenser mic to work for you. It comes with two interchangeable capsules: omnidirectional for picking up sound on all sides of the mic, and cardiod for picking up the source signal while shunning off axis sound. With its excellent transducer and gold plated XLR output, the B-5 is very neutral sounding and truly delivers on the promise of noise free transmission. It also features a switchable -10 dB attenuator to capture high volume signal sources without distorting, as well as a low cut filter to eliminate infrasonics caused by floor rumble and other turbulance.

Notes: Behringer's C 2 microphones are built to capture the performance of a choir, piano or any other vocal or acoustic sound source to provide a beautiful true to life sound. Sold in perfectly matched pairs, these condenser mics are outstanding in both live and studio applications.

A condenser mic is the ideal choice for capturing vocals or acoustic instruments, either in live or recording settings. By their very nature, condenser microphones are much more sensitive than dynamic microphones, enabling them to pick up even the subtlest of signals. Thanks to their cardioid (heart shaped) pattern, Behringer's C 2 microphones pick up your source signal while rejecting off axis sounds that can ruin an otherwise perfect recording.

Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48 V) for operation. You can power them from any phantom power equipped mixer.

Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold plated 3 pin XLR connector, you get the highest signal integrity.

Once connected to your system, you'll notice these twin pro caliber microphones have a 4dB boost in the 1KHz - 8KHz range. For those of you new to condenser mics, this basically means you'll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response.

The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C 2 mics contain ultra low noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136dB. So even if the featured performer at your next recording session or live show happens to be a revved up jet engine, this workhorse mic will not distort!

Behringer's C 2 mics also feature a low frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10dB input pad to accommodate hot signals, such as a really loud vocalist or that overzealous cellist.

Notes: To get the best sound in any room, you must first understand the room's acoustics. The ECM8000 is a specialised condenser microphone designed for use with real time analyzers, such as Behringer's Ultracurve DEQ2496, to provide an accurate acoustic picture of the room. You can then use your graphic EQ to fine tune your system's performance to perfectly match the characteristics of any acoustic environment.

The ECM8000's ruler flat frequency response from 15Hz to 20KHz and omnidirectional polar pattern give you a clear, accurate reading of any room's unique sound characteristics.

Like standard condenser mics used for recording or performance, the ECM8000 is phantom powered, from +15V to +48V. We've even included a rugged carrying case, microphone clip and stand adapter to ensure smooth operation every time

Notes: Get louder, get quieter, or get modulated with the Foot Controller FCV100. This versatile pedal from Behringer works equally well as a volume pedal or a modulation pedal.

The FCV100 can accommodate two mono or one stereo instrument via dual 1/4" Input jacks. By switching into Norm mode, the FCV100 is capable of controlling the volume of two individual instruments. In CV mode the FCV100 can control modulation and volume levels of other musical instruments by connecting Output 2 to the volume or modulation input of the instrument. In CV mode, when Output 2 is in use, Input/Output 1 can still be used for controlling the volume of another instrument, similar to Norm mode.

Once you have determined your hookup configuration, simply depress the pedal to increase sound, then rock back on your heel to decrease the sound. By turning the Min Vol control, you can determine the minimum volume you wish to achieve. You can power this pedal with a 12V DC Power adapter (not included) or a 9V battery.

Notes: The Behringer XENYX 302USB is ideally suited for a small home studio or the on-the-go recording enthusiast.

At approximately 4" long and 5" wide (117mm x 135mm), the Behringer XENYX 302USB respects your desk space, while providing an XLR & 1/4" combination socket, stereo USB/line channel plus a dedicated 2-track input.

Don't let the XENYX 302USB's diminutive size fool you, this little gem is loaded with features typically reserved for larger, more expensive mixers. For instance, Behringer equipped the mic input with their XENYX mic preamp, which is legendary for its sonic clarity and high-headroom performance. Behringer also gave the mic and line/USB channels our 2-band British-style EQs (low and high) and provide a 2-track input that can be assigned to either the main mix or phones.

You can even power the XENYX 302USB from your computer's USB port, which is great for capturing the sounds of migratory birds in flight, or for posting your podcast straight to the web. sports announcers, radio and TV reporters will definitely want one of these in their field bag.

Notes: When it's time to make recording history, you need the best audio interface you can get, and you need one you can count on. That's why we're kicking it up a notch with our new U-Phoria Series USB audio interfaces. With 4 unique models to choose from, the U-Phoria series has the ideal interface to make your recording experience legendary.

Renowned for their mastery of digital console design, our sister company Midas developed the world class preamps for the UMC204, UMC202 and UMC22 interfaces and thanks to the available +48V phantom power, you can even use professional grade studio condenser mics to create outstanding tracks.

You take your tracks seriously, and the U-Phoria Series respects that, providing your choice of 96KHz resolution (UMC204/UMC202), or 48KHz resolution converters (UMC22/UM2), depending on your application. Both sampling rates offer better than CD recording quality for professional results.

All U-Phoria models provide powerful phones output with level control and direct monitor select, status, signal and clip LEDs, and are powered via your computer's USB port so they're ready to go wherever you go. Plus we provide free audio recording, editing and podcasting software, plus 150 instrument/effect plugins just a download away at www.behringer.com.

Notes: When it's time to make recording history, you need the best audio interface you can get, and you need one you can count on. That's why we're kicking it up a notch with Behringer's new U-Phoria Series USB audio interfaces. With 4 unique models to choose from, the U-Phoria Series has the ideal interface to make your recording experience legendary.

Renowned for their mastery of digital console design, Behringer's sister company MIDAS developed the world class preamps for the UMC22 interfacesiand thanks to the available +48V phantom power, you can even use professional-grade studio condenser mics to create outstanding tracks.

You take your tracks seriously, and the U-Phoria Series respects that, providing 48KHz resolution converters (UMC22/UM2), depending on your application. The sampling rate offers better than CD recording quality for professional results.