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Notes: ***B-STOCK: Box opened, product in perfect working order***


Enter the Behringer CP35 ATTENUATORS Module. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The CP35 features 4 passive attenuators with linked inputs and 4 separate outputs. Each attenuator knob can be used to adjust the level of the input signal passively from - 8 to unity gain. Connecting a single signal to the first input will allow it to pass to all 4 outputs to have up to 4 variations of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 and 4 leaving input 1 to feed out of output 1. Having multiple inputs allows you to attenuate 4 separate signals and be more flexible with your tone.

Along with the standard outputs, the CP35 also features 6-volt outputs. These outputs give a reference voltage of -6 Volts out of one pair and +6 Volts out the other. Also included are two banks of 4-point multiple circuits for you to be able to route multiple copies of input signals to other modules. The CP35 can be a powerful addition to your synthesizer rig by allowing you to have multiple sources output to multiple modules so you can shape and sculpt sounds that are sure to blow everyone away!

Installing the CP35 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP35 to be mixed with other synth modules for a truly unique set up.

Notes: Eurorack module; two identical analog VCOs in one module.

Selectable waveforms: triangle, sawtooth and squarewave/pulse; adjustable pulsewidth and PWM CV input with attenuator; octave-switch and fine-tune control knob; hard and soft sync; 3 pitch CV inputs with attenuators;

Power consumption: 130mA (+12V) / 70mA (-12V); width: 16 HP; depth: 46mm

Notes: Clone of the Moog 921B module, a free-running LFO or oscillator driven by the accompanying 921A oscillator driver module. An affordable entry point to classic Moog-inspired sounds.

Supplier's Notes:
Enter the Behringer 921B OSCILLATOR. An authentic reproduction of the circuitry from the "Modular 55 and 35" series oscillators used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 921B OSCILLATOR module is controlled by the Behringer 921A OSCILLATOR DRIVER or can be used as a free-running LFO. Separate Frequency and Range knobs allow you to adjust the frequency range in semitones and in octaves. The 921B along with the 921A modules form the foundation of a proper modular synthesizer and the basis for some really great music.

The 921B OSCILLATOR features independent audio outs for each of the 4 waveforms which include sine, triangular, sawtooth and rectangular which can be patched out to different modules to unlock even more creative possibilities. A dedicated oscillator sync input and switch can be used to sync the 921B to a signal introduced into the Sync In jack. Parallel link jacks allow the 921B to link to other 921B in the chain.

Installing the 921B OSICLLATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 921B OSICLLATOR to be mixed with other synth modules for a truly unique set up.

Notes: An authentic reproduction of the circuitry from the Modular 55 series used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard EURORACK case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 960 SEQUENCER CONTROLLER is an 8-step sequencer with 3 rows of CV controls for adjusting the pitch of a signal at that stage. An additional 9th step can be used to stop the sequence. Plug in a Behringer 962 SEQUENTIAL SWITCH and transform the 960 from an 8-step sequencer into a 24-step giant capable of creating more intricate sequences and beats.

More sequence variations can be achieved by switching any of the desired Stage Mode switches to Normal, which lets the current stage proceed to the next one; Skip, which lets you bypass the stage; or Stop, to freeze the sequence. You can even manually trigger each stage by pressing the respective Set button. Create an 8-step sequence then set the 960 to skip every other stage to have a staccato rhythm and spice up a song.

The 960 also comes with an oscillator where you can adjust the oscillator range or pitch with the Frequency Range knob and fine tune that with the Frequency Vernier knob. You can also manually start or stop the oscillator with the on and off buttons or connect an external gate signal to control the on/off status. A control input is available for you to connect another module to tweak the oscillator frequency of the 960 and expand its flexibility.

Installing the 960 SEQUENCER CONTROLLER is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 960 SEQUENCER CONTROLLER to be mixed with other synth modules for a truly unique set up.

100 mA +12V
50 mA -12V
0 mA 5V
47 mm deep
O 5.00

Inputs:
Oscillator on/off
Type
2 x 3.5 mm TS jacks, AC coupled

Impedance: >3 kO, unbalanced

Maximum input level : +5 V

Minimum switching threshold:
Control input
Type: 3.5 mm TS jack, 1 V/oct

Impedance: 100 kO, unbalanced

Maximum input level : i2 V, vernier set to 5

Shift input
Type: 3.5 mm TS jack, DC coupled

Impedance: 7 kO, unbalanced

Maximum input level : i5 V

Minimum switching threshold: +1.5 V

Stage triggers: Type
8 x 3.5 mm TS jacks, AC coupled

Impedance: >3 kO, unbalanced

Maximum input level : +5 V

Minimum switching threshold: +3.5 V trigger

Outputs
Row outputs
Type: 6 x 3.5 mm TS jacks, DC coupled

Impedance: 500 O, unbalanced

Maximum output level: +8 V (range X4)

Stage trigger outputs: Type
8 x 3.5 mm TS jacks, DC coupled

Impedance: 250 O, unbalanced

Maximum output level: +5 V, active high

Oscillator output
Type: 3.5 mm TS jack, DC coupled

Impedance: 4 kO, unbalanced

Maximum output level: +4 dBu

Duty cycle: 90%

Controls:
Frequency range:
1 (0.04 to 0.5 Hz), 2 (2.75 to 30 Hz)

3 (0.17 to 2 Hz), 4 (11 to 130 Hz)

5 (0.7 to 8 Hz), 6 (44 to 500 Hz)

Frequency vernier: Tune the oscillator range, 3 octave range

Oscillator on/off
Manually start or stop the oscillator

Voltage knobs
-8 to max voltage set by the range switch

Mode switch
Skip stage, play stage, stop sequencer

Set
Manually select stage

Range switches
X1 (+2 V), X2 (+4 V), X4 (+8 V) max. output

Timing on/off
Allows 3rd row knobs to control stage duration

Shift button
Manually skip to next stage

Power supply: Eurorack

Current draw: 100 mA (+12 V), 50 mA (-12 V)

Physical Dimensions: 284 x 129 x 47 mm (11.2 x 5.1 x 1.9")

Rack units: 56 HP

Weight: 0.64 kg (1.41 lbs)

Notes: No prizes for guessing that this one's inspired by the legendary Moog 904-A filter, but offered at Behringer's hugely tempting affordable price point. Silky, fat filter with tons of character.

Supplier notes:
Enter the Behringer 904A VOLTAGE CONTROLLED LOW PASS FILTER Module. A vintage-sounding authentic reproduction of the circuitry from the Modular 55, 35 & 15 Series from the 70s used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

FILTER Module. A vintage-sounding authentic reproduction of the circuitry from the Modular 55, 35 & 15 Series from the 70s used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 904A VOLTAGE CONTROLLED LOW PASS FILTER features a cutoff frequency knob that lets you decide which frequencies to attenuate. The resulting frequency is determined by this knob giving you the ability to change your sound with one turn.

Three Control Inputs plus audio ins and outs are available to send the processed signal to other modules and to connect voltage signals from other modules to affect the cutoff frequency.

The 904A VOLTAGE CONTROLLED LOW PASS FILTER provides you control of the resulting frequency and internal feedback with the Fixed Control Voltage and the Regeneration knob. A switch also allows you to command the frequency range by letting you decide which frequency band you want to operate in. This gives you real-time access to all important parameters with one module.

Notes: Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the '70s. An authentic reproduction of the circuitry from the "Modular 55" series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the '70s. An authentic reproduction of the circuitry from the Modular 55 series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 903A RANDOM SIGNAL GENERATOR generates both white and pink noise via two 3.5 mm outputs each allowing you to send different signals to other modules in your rig.

Installing the 903A RANDOM SIGNAL GENERATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 903A RANDOM SIGNAL GENERATOR to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 904B VOTLAGE CONTROLLED HIGH PASS FILTER Module. A vintage-sounding authentic reproduction of the circuitry from the Modular 55 & 35 Series used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 904B VOLTAGE CONTROLLED HIGH PASS FILTER allows you to attenuate low frequencies and accentuate higher ones in a signal. With the Fixed Control Voltage knob, also known as a cutoff frequency, determines the frequencies attenuated below a certain point. Switch the Frequency Range between Low (4 Hz to 20 kHz) or High (10Hz to 50 kHz) to select what frequencies the Fixed Control Voltage affects. You can use the 904B to let you cut through a mix for some searing lead tones or pair it with the Behringer 904A VOLTAGE CONTRLLED LOW PASS FILTER and be prepared to hear some very interesting sounds.

Audio in and out connectors are available on the 904B that let you process an incoming signal before sending it to another module via a 3.5 mm TS cable. You can also use the Control Inputs to connect voltage signals from other modules to affect the cutoff frequency. Use this module to add distinct tweaks to your patches so you can create more unique sounds.

Installing the 904B VOLTAGE CONTROLLED HIGH PASS FILTER is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 904B VOLTAGE CONTROLLED HIGH PASS FILTER to be mixed with other synth modules for a truly unique set up.

Notes: The 921 VOLTAGE CONTROLLED OSCILLATOR module features six selectable waveforms (sine, triangle, saw, inverted saw, square and inverted square). These can be adjusted via the Frequency and Range controls to change the tonality of your signal. Finer frequency control is provided via the Scale and Coarse RNG switches. Patch in some control voltages via the two CTRL IN jacks and adjust with the Rectangular Width knob to create some fat Pulse Width Modulation sounds.

Multiple ins and outs are available on the 921 VOLTAGE CONTROLLED OSCILLATOR. Three summed Frequency Control Inputs as well as auxiliary and waveform outputs can be used to introduce modulation signals into the 921 VOLTAGE CONTROLLED OSCILLATOR and out to other modules to create complex patches that are perfect for your next studio session or jam.

Installing the 921 VOLTAGE CONTROLLED OSCILLATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 921 VOLTAGE CONTROLLED OSCILLATOR to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 914 FIXED FILTER BANK module. An authentic reproduction of the discrete I/O circuitry from the Modular 55 Series. The world's most famous pop, rock and jazz musicians use this for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 914 features 12 active bandpass filters ranging from 125 Hz - 5.6 kHz with additional Low Pass and High Pass filters to allow you users to adjust the gain on each of the indicated frequencies to fully shape and control a signal's timbre and resonance.

Mix the 914 in with your other modules via the dual 3.5 mm input and output jacks. The inputs are wired in parallel to allow the signal source to be filtered and to pass on the unfiltered signal to another module at the same time while the outputs can send two different signals to separate modules.

Installing the 914 FIXED FILTER BANK is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 914 FIXED FILTER BANK to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 992 CONTROL VOLTAGES Module. An authentic reproduction of the circuitry from the Modular 55 & 35 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 992 CONTROL VOLTAGES features 4 channels for CV signals routing to the 904A LPF module. This allows your sound to be freely connected/disconnected with a flip of a switch. Putting the switch in its up position means that you are allowing your signals to connect to other modules and vice versa.

An external input is available If you have an additional input you want to connect to the 992 CONTROL VOLTAGES module. And with the inverting Attenuator knob, you can adjust the CV level of this signal by turning it clockwise to adjust the CV level from 0 to 10 or counterclockwise to change it from 0 to -10.

3 switched and summed CV inputs are present for the frequency control of VCF modules which can be connected via 3.5 mm TS cables. The 992 CONTROL VOLTAGES allows you to send out the combined voltage from all 4 inputs via 3 parallel CV outputs; which can drive multiple 904A LPF and 904B HPF modules for an unlimited number of sonic combinations.

Installing the 992 CONTROL VOLTAGES is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 992 CONTROL VOLTAGES to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer CP35 ATTENUATORS Module. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The CP35 features 4 passive attenuators with linked inputs and 4 separate outputs. Each attenuator knob can be used to adjust the level of the input signal passively from - 8 to unity gain. Connecting a single signal to the first input will allow it to pass to all 4 outputs to have up to 4 variations of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 and 4 leaving input 1 to feed out of output 1. Having multiple inputs allows you to attenuate 4 separate signals and be more flexible with your tone.

Along with the standard outputs, the CP35 also features 6-volt outputs. These outputs give a reference voltage of -6 Volts out of one pair and +6 Volts out the other. Also included are two banks of 4-point multiple circuits for you to be able to route multiple copies of input signals to other modules. The CP35 can be a powerful addition to your synthesizer rig by allowing you to have multiple sources output to multiple modules so you can shape and sculpt sounds that are sure to blow everyone away!

Installing the CP35 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP35 to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer CP3A-O OSCILLATOR CONTROLLER module. An authentic reproduction of the circuitry from the Modular 55 and 35 series mixers used by the world's most famous pop, rock and jazz musicians. Now musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The CP3A-O Module features 4 routing switches that enable you to send Control Voltages to one or more oscillators. Switches 1 to 3 are connected to Control Inputs 1, 2 and 3; switch 4 can be used to route an external Control Voltage signal via a 3.5 mm TS plug and can be controlled by an attenuator knob.

You can route up to three external control voltage signals to any of the three summed Control Inputs. Signals from these inputs can be combined by flipping any of the matching routing switches on. The parallel jacks at the bottom will route the final combined voltage signal to any module they're connected to. A great way to utilize the CP3A-O is to have it drive multiple 921A or B oscillator modules which can allow you to create more intricate patches and hours and hours of fun.

Installing the CP3A-O is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the CP3A-O to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 994 MULTIPLES Module. An authentic reproduction of the circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The dual 4-socket multiples of the 994 MUTLIPLES allows you to split CV or audio signals to multiple destinations. Now, one signal can control several modules.

Installing the 994 MULTIPLES is simple as it was designed to fit into a standard Eurorack case. This allows for the 994 MULTIPLES to be mixed with other synth modules for a truly unique set up.

Notes: This is the Behringer SYSTEM 100 130 DUAL VCA. An authentic reproduction of the original System 100M circuitry from the 80's that can fit in a standard Eurorack case- at a very affordable price. Mix the 130 DUAL VCA in with your existing rig or start your modular synth journey from here.

Each VCA in the 130 DUAL VCA comes equipped with three Sig In signal input jacks with their own gain controls. These inputs can accept audio signals via a 3.5 mm jack. The VCA's in the 130 also have a manual gain control, a low and high output as well as signal and clip indicators to keep an eye on your signal's levels. The low output can be connected to guitar amplifiers or mixers while the high output can connect to line level inputs in mixers or powered speakers. The outputs can be further modified to be linear or exponential via a switch located next to the gain knob.

The 130 DUAL VCA can also accept signals from other modules via the 3.5 mm Mod In jacks to shape the waveforms of the Sig In signals. These inputs have also have their own Mod In Knobs that control the amount of signal that goes through the Mod In jacks.

Installing the 130 DUAL VCA is designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 130 to be mixed with other synth modules for a truly unique set up.

Notes: Another module inspired by Roland's System 100, the 121 dual VCF offers tons of filtering options for very little money thanks to a pair of matching low-pass filters with built-in mixers and high-pass options.

Supplier's Notes:
This is the Behringer SYSTEM 100 121 DUAL VCF Module. An authentic reproduction of the original System 100M circuitry from the 80s that can fit in a standard Eurorack case, at a very affordable price. Mix the 121 DUAL VCF in with your existing rig or start your modular synth journey from here.

The 121 DUAL VCF features 3 CV inputs and 3-channel mixers per VCF; allowing you to independently mix all input signals. All of these inputs have their own attenuators to provide you more control over each signal that goes into the module.

Each VCF has its own output accompanied by a resonance slider that boosts resonance frequencies and a cutoff control to adjust the cutoff frequency of the lowpass filter. The 121 DUAL VCF also features a 3-mode Fixed HPF switch where you can select between Off, 1 (1 kHz), 2 (2 kHz) or 3 (5 kHz). Combine this with the resonance and cutoff sliders to create intricate and interesting patches.

Installing the 121 DUAL VCF is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 121 DUAL VCF to be mixed with other synth modules for a truly unique set up.

Notes: This is the Behringer SYSTEM 100 173 QUAD GATE/MULTIPLES. An authentic reproduction of the original System 100M circuitry from the 80s that can fit in a standard Eurorack case. The best part? It's at a very affordable price. Mix the 173 QUAD GATE/MULTIPLES in with your existing rig to expand its capabilities and you're sure to have a lot of fun.

The SYSTEM 100 173 QUAD GATE/MULTIPLES Module features 4 signal gates (switches) with buffered audio inputs and outputs for immediate signal switching. This provides users the option to choose between a control gate operation, non-inverting (active high) input or an inverting (active low) input.

6-channel multiples, each with 4 floating parallel connectors, are available for optimal signal integrity. You can now send out your signal to other modules to help you create more intricate patches and deliver more compelling sounds from one source.

Installing the SYSTEM 100 173 QUAD GATE/MULTIPLES is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the SYSTEM 100 173 QUAD GATE/MULTIPLES to be mixed with other synth modules for a truly unique set up.

Notes: This is the Behringer SYSTEM 100 150 RING MOD/NOISE/S&H/LFO. An authentic reproduction of the original System 100M circuitry from the 80's that can fit in a standard Eurorack case- at a very affordable price. Mix the 150 RING MOD/NOISE/S&H/LFO in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun.

The 150 RING MOD/NOISE/S&H/LFO comes with a ring modulator to create some metallic and bell-like sounds that can be applied to any signal such as a sine wave or a signal from an LFO via the EXT SIG X/NOISE and EXT SIG Y/LFO jacks and out the RING MOD output. The LFO features 5 waveforms including sine, triangle square, ramp and sawtooth. Parameters can be further adjusted by the FREQ and DELAY sliders.

If you want to start layering your song on a droning note or maybe just create some ambience in your music, then you can connect any external signal source into the S&H circuit. A 3-way selector switch allows you to select which type of signal being introduced into the SIG IN jack whether its External Input, LFO or Noise.

Installing the 150 RING MOD/NOISE/S&H/LFO is designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 140 to be mixed with other synth modules for a truly unique set up.

Notes: Inspired by circuits from the classic Roland System 100 modular system, the 140 combines two independent envelope generators and CV-controllable LFO. Both envelopes offer two positive outputs plus one inverted.

Supplier's Notes:
This is the Behringer SYSTEM 100 140 DUAL ENVELOPE/LFO. An authentic reproduction of the original System 100M circuitry from the 80's that can fit in a standard Eurorack case. The best part? It's at a very affordable price. Mix the 140 DUAL ENVELOPE/LFO in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun.

The 140 DUAL ENVELOPE/LFO features 2 independent ADSR envelope generators that can be controlled via an external gate or manual triggering. Each envelope generator comes with a Manual Gate that you can press and hold to start the envelope cycle; independent Attack, Decay, Sustain and Release controls to adjust the rate of these parameters and 3.5 mm envelope outputs that allows you to send up to two positive wave forms out to two modules and one negative wave form.

The LFO on the 140 comes with 5 waveforms: sine, triangle, square, ramp and saw tooth. The Frequency Range switch which sets the oscillating frequency of the LFO along with the Frequency and Delay sliders gives the 140 unparalleled flexibility when it comes to shaping LFO's. You can also connect an external trigger switch which can work with the Delay control to phase lock the LFO to your keyboard playing.

Installing the 140 DUAL ENVELOPE/LFO is designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 140 to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 962 SEQUENTIAL SWITCH Module. An authentic reproduction of the discrete circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 962 is used as a latch, shifter and signal selector. Depending on the number of input jacks plugged into the module, the 962 can alternate between two or three signal inputs. It can also be used to expand the Behringer 960 SEQUENTIAL CONTROLLER from an 8-step sequencer up to a 24-step sequencer.

The 962 SEQUENTIAL SWITCH features 3-channel V-Trig inputs for selecting CV input channels and separate V-Trig outputs per channel. Triggers from other modules can be connected via 3.5 mm cables and can be manually selected with the Trigger buttons.

The SIG IN jacks are what allow the 962 to alternate between inputs. Connect an input signal to input 1 or 2 and the 962 will alternate between these two inputs. If all three inputs are used, then the module will automatically alternate between the three stages.

Installing the 962 SEQUENTIAL SWITCH is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 962 SEQUENTIAL SWITCH to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer CP3A-M Analog Mixer Module. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 series mixers used by the world's most famous pop, rock and jazz musicians. Now musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The CP3A-M Module features 4 3.5 mm input channels each with its own input knob to allow users to adjust the volume of incoming signals. The module also comes with two pairs of outputs, one positive and one negative plus a passive Master Gain knob for overall control of the CP3A-M's output volume. The transistor circuitry adds character to your mix.

Patching is the backbone of modular synths and that's why we've included dual 4-point multiple circuits to act as a patchbay for users to be able to route 3 copies of any output signal to other modules. So you can have one signal go into a delay module then have another signal go into a step sequencer or other modules to create more intricate patches and hours and hours of fun.

Installing the CP3A-M is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP3A-M to be mixed with other synth modules for a truly unique set up.

Notes: Legendary Analog VCO/VCF/VCA Module for Eurorack

The 80s was the golden age of electronic music. Synthesizers were at their prime and almost every hit song and movie soundtrack at that time had a synth in one form or another. Modular synths have become more and more popular with professionals and enthusiasts over the years and they're about to get even better.

This is the Behringer System 100 110 VCO/VCF/VCA Module. An authentic reproduction of the original "System 100M" circuitry from the 80s that can fit in a standard Eurorack case. The best part? It's at a very affordable price. Mix the 110 in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun!

The 110 comes with a complete synth voice with an internally patched signal flow for ease of use and to save patching time so you can focus on your music. You can vary the VCO section by selecting one of three waveforms; triangle, ramp and Pulse Width Modulation which can be adjusted by the Mod Manual knob. The VCO also offers pitch and range control knobs as well as one audio output, which can be routed to another source, and two CV inputs.

The VCF features cutoff frequency and resonance sliders while the VCA comes with two audio outputs (low/high). Both the VCF and VCA each feature two audio inputs and two CV inputs that allow for other sources to be plugged into the 110, making it a must-have in any modular synth.

Installing the 110 VCO/VCF/VCA is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 110 VCO/VCF/VCA to be mixed with other synth modules for a truly unique set up.

Whether you're just getting into modular synths or looking to complete your collection, the 110 VCO/VCF/VCA module from Behringer is a great tool to have when creating amazing music.

Specification:

Inputs
Pulse width mod
Type
3.5 mm TS jack, DC coupled

Impedance
>70 kO, unbalanced

Maximum input level
0 V to +10 V, 4% per volt

Signal input
Type
Impedance
>50 kO, unbalanced

Max input level
+17 dBu @ unity gain

VCO mod input
Type
2 x 3.5 mm TS jacks, summed

Impedance
>50 kO, unbalanced

CV range
0 V to +10 V, 1 V/oct

VCF mod input
Type
2 x 3.5 mm TS jacks, summed

Impedance
>50 kO, unbalanced

CV range
0 V to +10 V, 1 V/oct

VCA mod input
Type
2 x 3.5 mm TS jacks, summed

Impedance
>50 kO, unbalanced

CV range
0 V to +10 V, typically 1 V per 10 dB

Outputs
VCO output
Type
3.5 mm TS jack, DC coupled

Impedance
1 kO, unbalanced

Max output level
10 V p-p

Frequency range with no external CV
<10 Hz to 500 Hz

Frequency range using external CV
<1 Hz to 30 kHz

VCA output
Type
2 x 3.5 mm TS jacks, AC coupled

High impedance
1 kO, unbalanced

Low impedance
3 kO, unbalanced

High max output leve
+18 dBu

Low max output level
-2 dBu

High output noise
<-60 dBu, 22 Hz -22 kHz

Low output noise
<-80 dBu, 22 Hz -22 kHz

Controls
Pulse width manua
50% to min

Waveform
Triangle, sawtooth, pulse

Range
32', 16', 8', 4', 2'

Pitch
2 octave range

Cutoff frequency
20 Hz to 20 kHz

Resonance
Off to self oscillation

Sig in level
-8 to unity gain

Mod in level
-8 to unity gain

VCA initial gain
Power
Power supply
Eurorack

Current draw
80 mA (+12 V), 50 mA (-12 V)

Physical
Dimensions
81 x 129 x 46 mm (3.2 x 5.1 x 1.8")

Rack units
16 HP

Weight
0.19 kg (0.42 lbs)

Notes: Legendary Analog Parametric EQ, Mixer and Output Module for Eurorack.

This is the Behringer System 100 305 EQ/MIXER/OUTPUT Module. A parametric EQ, mixer/oscillator and headphone amp combo that's an authentic reproduction of the original "System 100M" circuitry from the 80s that can fit in a standard Eurorack case. The best part? It's at a very affordable price! Mix the 305 in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun!

The 305 allows for maximum tone shaping with its 4-channel EQ section complete with level, bandwidth and frequency controls that span a wide frequency spectrum from 20 Hz all the way up to 20 kHz. Using the two outputs of this section, you can then patch signals to two different modules for some extra modulation and waveform sculpting possibilities and even switch between EQ'd and Bypass modes for a quick comparison.

For added mixing capabilities, you can use the 305's 4-input mixer with individual pan and level controls. The output signal can be in either mono or stereo via 3.5mm and 14" jacks. Monitor your overall signal though the independent headphone output and its included level control.

Installing the 305 EQ/MIXER/OUTPUT is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 305 EQ/MIXER/OUTPUT to be mixed with other synth modules for a truly unique set up.

Notes: Legendary 2500 series dual noise source module for Eurorack.

This is the Behringer 2500 series DUAL NOISE/RANDOM VOLTAGE MODULE 1016. An authentic reproduction of the original "System 2500" circuitry from the 70's that can fit in a standard Eurorack case. The best part? It's at a very affordable price. Mix the DUAL NOISE/RANDOM VOLTAGE MODULE 1016 in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun.

The DUAL NOISE/RANDOM VOLTAGE MODULE 1016 is a classic discrete transistor white/pink/random noise source with independent attenuators for the white/pink noise level, a white /pink selector switch with color coded LED's. The slow random voltage generator produces random CV voltages and the maximum level can be controlled via the attenuators as well as an on/off switch with LED indicators for each channel. The 2 channels are completely independent of each other for even more creative possibilities.

The 1016 gives you comprehensive connectivity, each channel has a separate white/pink noise output and separate outputs for the random voltages, the outputs are all available simultaneously to feed multiple noise and CV signals to other modules.

Installing the DUAL NOISE/RANDOM VOLTAGE MODULE 1016 is easy as it is designed to fit into a standard Eurorack case. Just connect the power cable to the power supply and screw in the module using the included screws. This allows for the 1016 to be mixed with other synth modules for a truly unique set up.

Specification:

Outputs
Noise
Type
2 x 3.5 mm TS jacks, DC coupled

Impedance
1 kO, unbalanced

Max output level
i5 V

Random
Type
2 x 3.5 mm TS jacks, DC coupled

Impedance
1 kO, unbalanced

Max output level
i5 V

Controls
Noise
Attenuates noise generator output

Random
Attenuates voltage output

White/pink/of
Selects white or pink noise, or of

Random on/of
Engages or disengages voltage generator

Power
Power supply
Eurorack

Current draw
45 mA (+12 V), 15 mA (-12 V)

Physical
Dimensions
42 x 71 x 129 mm (1.7 x 2.8 x 5.1")

Rack units
14 HP

Weight
0.13 kg (0.29 lbs)

Notes: Legendary 2500 Series 12dB state variable filter module for Eurorack.

This is the Behringer 2500 series MULTIMODE FILTER/RESONATOR MODULE 1047. An authentic reproduction of the original "System 2500" circuitry from the 70's that can fit in a standard Eurorack case. The best part? It's at a very affordable price. Mix the MULTIMODE FILTER/RESONATOR MODULE 1047 in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun.

The MULTIMODE FILTER/RESONATOR MODULE 1047 is a classic voltage controlled 12 dB per octave state variable filter, the filter is a matched transistor design for a vintage sound. The 1047 filter is equipped with a coarse and fine filter frequency controls, a resonance (Q) control which acts on all 4 filter outputs, a resonance limit switch prevents signal overload when high levels of resonance are used, the notch frequency/fc control allows the notch frequency to be adjusted up or down from fc as set by the frequency controls, 2 summed frequency CV attenuators and a resonance (Q) CV attenuator for maximum flexibility, the signal input is also equipped with an attenuator. All this gives you endless possibilities of filter curve shape to create the ultimate sound.

The 1047 gives you comprehensive connectivity, filter signal input, FCV 1 and FCV 2 inputs can be used for filter frequency control or modulation, the Q CV input allows modulation of Q and resonance. The independent low-pass, high-pass, band-pass and notch filter outputs are all available simultaneously to feed multiple filter signals to other modules.

Installing the MULTIMODE FILTER/RESONATOR MODULE 1047 is easy as it is designed to fit into a standard Eurorack case. Just connect the power cable to the power supply and screw in the module using the included screws. This allows for the 1047 to be mixed with other synth modules for a truly unique set up.

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


Enter the Behringer CP35 ATTENUATORS Module. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The CP35 features 4 passive attenuators with linked inputs and 4 separate outputs. Each attenuator knob can be used to adjust the level of the input signal passively from - 8 to unity gain. Connecting a single signal to the first input will allow it to pass to all 4 outputs to have up to 4 variations of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 and 4 leaving input 1 to feed out of output 1. Having multiple inputs allows you to attenuate 4 separate signals and be more flexible with your tone.

Along with the standard outputs, the CP35 also features 6-volt outputs. These outputs give a reference voltage of -6 Volts out of one pair and +6 Volts out the other. Also included are two banks of 4-point multiple circuits for you to be able to route multiple copies of input signals to other modules. The CP35 can be a powerful addition to your synthesizer rig by allowing you to have multiple sources output to multiple modules so you can shape and sculpt sounds that are sure to blow everyone away!

Installing the CP35 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP35 to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 995 ATTENUATORS. An authentic reproduction of the circuitry from the Modular 55 and 15 series attenuators used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 995 features three separate attenuators each with their own independent inputs and outputs. The attenuators can be used to adjust the level of the input signal passively from - 8 to unity gain and accept both audio and CV signals. Connecting a single signal to the first input will allow it to pass to all 3 outputs for up to 3 variable outputs of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 leaving input 1 to feed out of output 1.

Installing the 995 is simple as it was designed to fit into a standard Eurorack case. This allows for the 995 to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 961 INTERFACE Module. An authentic reproduction of the circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 961 features an audio to V-Trig Converter, allowing you to plug in any audio source and transform it into a voltage trigger to drive other modules in your rig. Dual S-Trig to V-Trig and a multichannel V-Trig to S-Trig converters on the 961 can be utilized to switch or control a particular function on other modules.

Controls on the 961 include a Sensitivity knob that adjusts the gain of the audio signal coming into the module via the Audio In jack. Column B in each V-Trig In bank has a Switch-On Time knob you can use to manually control how short or long the "ON" duration is for S-Trig signals. This feature is normally used to drive the 911 envelope generator. Add a 960 sequential controller to release the full creative potential of this interface module.

Installing the 961 INTERFACE is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 961 INTERFACE to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 923 FILTERS. An authentic reproduction of the circuitry from the Modular 35 and 15 series filters used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 923 features separate Low and High Pass filters each with their own dedicated frequency cutoff controls. The Low Pass filter control will roll off all frequencies above the set threshold frequency from 10Hz to 10KHz while the High Pass filter control will roll off frequencies below the set frequency. Each filter comes with their own 3.5 mm ins and outs giving you the ability to route incoming signals through the IN jack, through the filter and back out the OUT jack.

For you to shape an endless number of tones, the 923 comes with a white and pink noise generator. Use the parallel jacks for each of the noise sources to send out a white or pink noise signal and start sweeping frequencies to build tension and excitement in your songs, or use them to create some percussive sounds for a real groovy drum beat.

Installing the 923 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 923 to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 911 Analog Envelope Generator. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 series envelope generators used by the world's most famous pop, rock and jazz musicians. Now musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth to complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 911 Module allows you to create a deeply contoured signal with its 4 independent controls for Attack (T1), Decay (T2), Release (T3) and Sustain levels from 0 to +5 Volts. Create snappy and percussive sounds or long evolving drones perfect for a funky groove or a brooding soundtrack to your latest cyberpunk epic.

For a more flexible setup, the 911 features a trigger input where you can connect an external trigger system like a keyboard via a 3.5mm TS cable as well as an output to send the envelope to another module

Installing the 911 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 911 to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 902 VOLTAGE CONTROLLED AMPLIFIER. An authentic reproduction of the circuitry from the Modular 55, 35 and 15 series attenuators used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 902 module features two signal inputs and two signal outputs that can be used to amplify two sources, either audio or control voltage, at the same time via a 3.5 mm connector. A rocker switch allows you to toggle between linear and logarithmic response modes while you can manually set the control voltage with the Fixed Control Voltage knob. Control inputs at the bottom of the module can accept control voltage signals from other modules to be change the amplification level.

Installing the 902 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 902 to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer CP1A Module. A high-performance, ultra-low noise power supply. Easy activation of this module is facilitated by a toggle switch. There are 3 LED Indicators available for each power rail as well as a DC Input. Its narrow design helps it seamlessly fit in your modular synth.

Installing the CP1A is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP1A to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 921A OSCILLATOR DRIVER. An authentic reproduction of the circuitry from the Modular 55 and 35 series oscillator drivers used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 921A OSCILLATOR DRIVER module features a frequency knob that can adjust between either octave or semitone frequencies. The included rocker switch can be used to select between the two frequency types. The width of the rectangular wave is adjusted via a control knob that goes from 10% up to 90%. You can also connect any incoming control voltage or modulation signal into either of the 3.5 mm Frequency or Width inputs.

The 921A not only controls just one 921B Oscillator, but 12 of them- providing you with more flexibility and more nuanced waveforms.

Installing the 921A is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 921A to be mixed with other synth modules for a truly unique set up.

Notes: Enter the Behringer 911A DUAL TRIGGER DELAY. An authentic reproduction of the circuitry from the Modular 55 series used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 911A comes with two delay triggers with their own delay time controls ranging from 2 ms up to 10 seconds and their own 3.5 mm S-Trig ins and outs. Connect the 911A to the Behringer 911 ENVELOPE GENERATOR module and turn your Attack/Decay/Sustain/Release (ADSR) module into a Delay/Attack/Decay/Sustain/Release (DADSR) module. Rather than just playing the note when the signal is triggered, the 911A creates a nice volume swell effect, rising from 0 until the peak volume then going through the rest of the phases set in the envelope generator.

The delays in the 911A can be coupled in three different ways. In the Off setting, the delays are triggered separately via the trigger inputs. In Parallel mode, the trigger connected to the input at the top section will activate both delays at the same time. Switching the knob to Series will trigger the top section first then the lower section after.

Installing the 911A is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 911A to be mixed with other synth modules for a truly unique set up.