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Review: Following a series of self released albums over the past three years which saw them expand on hip hop classics with an auspicious level of jazz virtuosity, Canadian jazz trio Badbadnotgood grace the Innovative Leisure imprint with this enlightening collection III. Consisting of Matthew Tavares on keys, Chester Hansen on bass, and Alex Sowinski on drums, it's not hard to see why Badbadnotgood have been getting the usually hushed toned Gilles Peterson all exciting after a few listens of the nine tracks here. If you dug those cover versions you will love this album.

Review: Five years after the second life of Death was started with the release of their revelatory 1976 album, "For The Whole World To See", "III" slams the door on the vault with a powerful set of songs that bring equal amounts of rock and ethereal soul-searching, in high-fidelity, rich bottomed, studio-grade sound. Alongside songs from 1975, 1976 and 1980, "III" contains two songs from 1992, as the Hackney brothers reconvened nearly a decade after they'd stopped playing together. The album serves as a companion piece of sorts to the "A Band Called Death" documentary, tracking the band's movement from spiritual young rockers to older and wiser, bruised-but-undefeated brothers, in pure musical terms. David Hackney's visual representation of Death was a triangle, where "spiritual", "mental" and "physical" formed the three angles. With this in mind, "For The Whole World To See" is clearly the physical corner, with its undeniable proto-punk power; "Spiritual-Mental-Physical" explores the mental axis, with Death working through some of their influences including The Beatles, Jimi Hendrix, The Who and even ELO in their practice space. "III" is the spiritual end of the portrait, bookended by the dreamlike rock visions of David Hackney that created and propelled the band called Death.