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The ReMix Collection 25th Anniversary Limited Edition Box The ReMix Collection 25th Anniversary Limited Edition Box
Cat: 779581 Rel: 04 Aug 20 • View all Record boxes
 
6x12" record box + art prints
Notes: Limited Edition BOX to house 6 x Vinyl plus 6 individual prints for The ReMix Collection Series.

Please note there is no vinyl included in this boxset, only 6x12" art prints.
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 2 in stock $35.86
Electrosmith Patch Pal 24 Inch Standard Eurorack Patch Cable (purple, single)
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
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MRP:$3.91 SAVE 42%
out of stock $2.28
Electrosmith Patch Pal 24 Inch Standard Eurorack Patch Cable (pink, single)
Cat: 786070 Rel: 06 Aug 20 • View all Audio cables
 
Eurorack patch cable
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
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MRP:$3.91 SAVE 42%
out of stock $2.28
Electrosmith Patch Pal 24 Inch Standard Eurorack Patch Cable (green, single)
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.

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MRP:$3.91 SAVE 42%
out of stock $2.28
Electrosmith Patch Pal 24 Inch Standard Eurorack Patch Cable (blue, single)
Cat: 786076 Rel: 06 Aug 20 • View all Audio cables
 
Eurorack patch cable
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
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MRP:$3.91 SAVE 42%
out of stock $2.28
Electrosmith Patch Pal 24 Inch Standard Eurorack Patch Cable (white, single)
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
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MRP:$3.91 SAVE 42%
out of stock $2.28
Electrosmith Patch Pal 24 Inch Standard Eurorack Patch Cable (black, single)
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
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MRP:$3.91 SAVE 42%
out of stock $2.28
Electrosmith Patch Pal 24 Inch Standard Eurorack Patch Cable (red, single)
Cat: 786084 Rel: 06 Aug 20 • View all Audio cables
 
Eurorack patch cable
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
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MRP:$3.91 SAVE 42%
out of stock $2.28
Qu Bit Surface Multi Timbral Physical Modeling Voice Module
Notes: Surface is a multi-timbral physical modeling voice. Its output ranges from plucked strings and marimbas, all the way to FM drums.

Each model features stereo outputs and up to eight unique voices that can be active at a time.
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MRP:$356.10 SAVE 17%
 6 in stock $296.74
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quote 766027
Sound Machines BI1 Brainterface (Desktop) Sound Machines BI1 Brainterface (Desktop)
Sound Machines BI1 Brainterface (Desktop) (brainwave to synthesiser interface module)
Cat: 777372 Rel: 07 Aug 20 • View all Synthesisers
 
Brainwave to synthesiser interface module
Notes: Soundmachines BI1brainterface is an exploration and performance tool for musician, producers, actors, body performers and coreographers who wants to connect their mental and emotional sphere directly with the performance.

The BI1 doesn't require the use of a computer, and brings immediacy and easy of operation in this upcoming technology.

By stressing the capabilities of the Neurosky MindWave Mobile headset, the BI1brainterface is developed to connect your mental status to your gear, in the most easy and open way possible.

Whenever you have an analog modular synthesizer or a MIDI sound generator, you can influence on sounds, sequences, timbres and drive the performance with an added controller, the most sophisticated: you.

Attention and Meditation are the most 'robust' and repeatable variables that you can count on. But also the EEG power spectrum bands (Alpha, Beta, Gamma, Delta and Theta) are available to control other eight sound/light/video characteristics. As a bonus, the toolbox has a variable threshold to generate a 'trigger' based on your facial muscular activities (i.e. blinking or grin).

In the studio or in a live environment, weared by a dancer or an actor on stage, or just use it to relax yourself and raise your self-consciousness about focus, relax and meditation.

Bio feedback is another field of operation for the BI1brainterface, reaching applications such as the several described above and more.
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MRP:$585.68 SAVE 17%
out of stock $485.88
Presonus Studio One 4 Professional Upgrade From Professional & Producer (boxed software)
Notes: Upgrade to Studio One 4 Professional from any prior version of Studio One Professional OR Producer!

There's a very good reason why so many musicians have switched to Studio One from older, more rigid programs. Built on a modern foundation that's not bogged down by legacy code, Studio One provides an efficient, creative companion from initial inspiration to final master. Its efficient, single-screen interface houses an unlimited number of tracks, intuitive editing tools, advanced virtual instruments, mastering, and video player- you spend your time creating music, not wondering what to click next. The 64-bit double-precision mix engine is state of the art, while the smooth, analog quality of the virtual instruments comes from proprietary techniques that provide much higher controller resolution. That's why Studio One just plain sounds better.

The reason why Studio One resonates with musicians is simple: PreSonus listens. Many new features in Version 4 are the direct result of user feedback, including AAF import/export so users can bring song data from their old DAW into Studio One. Add the most flexible arranging tools of any music program, full integration with Notion for superior notation, over 20 GB of carefully curated content, analog console emulation, advanced step sequencing, unified hardware control with the FaderPort series of hands-on controllers, and much moreiit's no wonder that Studio One continues to gain new followers every day.

Create Without Boundaries - Produce Without Limits

System Requirements:
Windows

Windows 7 (SP1 + platform update), Windows 8.1 or Windows 10 x64
Studio One 4 operates on 64-bit operating systems only.
Intelr Core Duo or AMD AthlonX2 processor (Intel Core 2 Duo or AMD Athlon X4 or better recommended)
4 GB RAM minimum (8 GB or more recommended)
Internet connection (needed for installation and activation)
Monitor with 1366 x 768 resolution (high-dpi monitor recommended)
A multi-touch enabled monitor is required for touch operation
40 GB hard-drive space
Mac

macOSr 10.11 or higher
Studio One 4 operates on 64-bit operating systems only.
Intelr CoreTM 2 Duo processor (Core i3 or better recommended)
4 GB RAM minimum (8 GB or more recommended)
Internet connection (needed for installation and activation)
Monitor with 1366 x 768 resolution (Retina display recommended)
A multi-touch enabled monitor with TUIO support is required for touch operation
40 GB hard-drive space
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MRP:$170.88 SAVE 15%
 1 in stock $146.07
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quote 780097
Electrosmith Patch Pal 12 Inch Standard Eurorack Patch Cable (white, single)
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
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MRP:$2.61 SAVE 27%
 2 in stock $1.90
Electrosmith Patch Pal 12 Inch Standard Eurorack Patch Cable (red, single)
Cat: 786067 Rel: 07 Aug 20 • View all Audio cables
 
Eurorack patch cable
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
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MRP:$2.61 SAVE 27%
 2 in stock $1.90
Electrosmith Patch Pal 12 Inch Standard Eurorack Patch Cable (blue, single)
Cat: 786063 Rel: 07 Aug 20 • View all Audio cables
 
Eurorack patch cable
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colors and lengths, these cables are sure to become your new favorite patching pals.
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MRP:$2.61 SAVE 27%
 2 in stock $1.90
Electrosmith Patch Pal 12 Inch Standard Eurorack Patch Cable (purple, single)
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
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MRP:$2.61 SAVE 27%
 2 in stock $1.90
Electrosmith Patch Pal 36 Inch Standard Eurorack Patch Cable (pink, single)
Cat: 786085 Rel: 06 Aug 20 • View all Audio cables
 
Eurorack patch cable
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
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MRP:$5.22 SAVE 31%
 2 in stock $3.59
Electrosmith Patch Pal 36 Inch Standard Eurorack Patch Cable (green, single)
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
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MRP:$5.22 SAVE 31%
 2 in stock $3.59
Electrosmith Patch Pal 12 Inch Standard Eurorack Patch Cable (black, single)
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
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MRP:$2.61 SAVE 27%
 2 in stock $1.90
Electrosmith Patch Pal 36 Inch Standard Eurorack Patch Cable (blue, single)
Cat: 786088 Rel: 06 Aug 20 • View all Audio cables
 
Eurorack patch cable
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
Read more
MRP:$5.22 SAVE 31%
 2 in stock $3.59
Electrosmith Patch Pal 12 Inch Standard Eurorack Patch Cable (pink, single)
Cat: 786051 Rel: 07 Aug 20 • View all Audio cables
 
Eurorack patch cable
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
Read more
MRP:$2.61 SAVE 27%
 2 in stock $1.90
Electrosmith Patch Pal 12 Inch Standard Eurorack Patch Cable (green, single)
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
Read more
MRP:$2.61 SAVE 27%
 2 in stock $1.90
Electrosmith Patch Pal 36 Inch Standard Eurorack Patch Cable (purple, single)
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
Read more
MRP:$5.22 SAVE 31%
 2 in stock $3.59
Electrosmith Patch Pal 36 Inch Standard Eurorack Patch Cable (white, single)
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
Read more
MRP:$5.22 SAVE 31%
 2 in stock $3.59
Electrosmith Patch Pal 36 Inch Standard Eurorack Patch Cable (black, single)
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals.
Read more
MRP:$5.22 SAVE 31%
 2 in stock $3.59
Electrosmith Patch Pal 36 Inch Standard Eurorack Patch Cable (red, single)
Cat: 786092 Rel: 06 Aug 20 • View all Audio cables
 
Eurorack patch cable
Notes: Heavy duty 3.5mm Eurorack patch cables built with an extra thick 4mm PVC jacket, and internal shielding. These are built to last, and feature an ergonomic grip on the connector for comfortable patching and repatching. Available in standard configurations and a multitude of colours and lengths, these cables are sure to become your new favourite patching pals. Eurorac
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MRP:$5.22 SAVE 31%
 2 in stock $3.59
ACL Mini MIDI USB MIDI To CV Converter Module
Cat: 776679 Rel: 06 Aug 20 • View all Synth modules
 
MIDI to CV converter module
Notes: The ACL MINI MIDI is a USB MIDI to CV convertor module in a small module.

It uses MIDI CLOCK, START/STOP, one selectable MIDI Controller and a monophonic MIDI Note to be converted to Eurorack compatible CV, GATE and clock signals.

It can be used as USB MIDI to CV interface by connecting to your computer via the USB B port. A Class Compliant USB MIDI device can be connected to the USB A port.
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MRP:$350.88 SAVE 21%
 2 in stock $276.09
Soma Laboratory Pipe Soft Case For Pipe Voice Controlled Dynamic FX Processor & Synthesiser
Cat: 784039 Rel: 06 Aug 20 • View all Keyboard bags & covers
 
Soft case
Notes: Soft case - will ensure the safety of your instruments! best quality from Cordura with exclusive material finishing with red thread. Very low weight! They are not so heavy as hard cases. High quality embroidered the Pipe logo!

(Protection - 1 cm hard foam made from Cordura: Cordura is the brand name for a collection of fabrics used in a wide array of products including luggage, backpacks, trousers, military wear and performance apparel. Cordura fabrics are known for their durability and resistance to abrasions, tears and scuffs.)
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MRP:$49.57 SAVE 17%
 1 in stock $41.30
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quote 784039
Sound Machines BI1 Brainterface (Eurorack)
Cat: 777373 Rel: 07 Aug 20 • View all Synth modules
 
Brainwave to synthesiser interface
Notes: The first commercially available brainwave to synthesizer (both CV and MIDI) interface on the worldwide market.

By using the Neurosky Mindwave headset you can coax your brain activity to change every parameter of sound, light and video devices in your performance or studio.

Headset NOT included.

Soundmachines BI1 brainterface is an exploration and performance tool for musician, producers, actors, body performers and coreographers who wants to connect their mental and emotional sphere directly with the performance.

The BI1 does nort require the use of a computer, and brings immediacy and easy of operation in this upcoming technology.

By stressing the capabilities of the Neurosky MindWave Mobile headset, the BI1brainterface is developed to connect your mental status to your gear, in the most easy and open way possible.

Whenever you have an analog modular synthesizer or a MIDI sound generator, you can influence on sounds, sequences, timbres and drive the performance with an added controller, the most sophisticated: you.

Attention and Meditation are the most 'robust' and repeatable variables that you can count on. But also the EEG power spectrum bands (Alpha, Beta, Gamma, Delta and Theta) are available to control other eight sound/light/video characteristics. As a bonus, your toolbox has a variable threshold to generate a 'trigger' based on your facial muscular activities (i.e. blinking or grin).

In the studio or in a live environment, weared by a dancer or an actor on stage, or just use it to relax yourself and raise your self-consciousness about focus, relax and meditation.

Bio feedback is another field of operation for the BI1brainterface, reaching applications such as the several described above and more.
Read more
MRP:$517.85 SAVE 17%
 1 in stock $429.36
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quote 777373
Keeley El Rey Dorado Overdrive Pedal
Cat: 782412 Rel: 04 Aug 20 • View all Effects pedals
 
Overdrive pedal
Notes: The El Rey Dorado is your go-to box for that Plexi tone. Yes, there is a wide range of 1960s Plexi Amp Tone in terms of power, which tubes are installed, which speakers and/or cabinet is used, but the El Rey Dorado hits the core tone bullseye! One of the many reference points for the tone was the JTM 45/100r full stack. (It's a dead-on reissue Marshallr did with crazy cool custom-made vintage-recreation speakers and dual transformers to transfer the load of the 4 EL-84s!)

The El Rey covers a lot of classic British amp tones by featuring two gain modes with the Power Toggle. With the Power Toggle switch you have control over the compression and harmonics. Low Power mode is louder, has more girth, and has fewer harmonics for a more old-school tone. The High Power mode has more compression, more harmonics, and a tighter, more defined tone. Old-school crunch in Low Power mode, super lead tones in the High Power mode.

Simple as grabbing an open E Chord!
Volume, Gain, Tone, Power Toggle: Yes

Keeley Engineered: Yes

Ripe Tide Gain: Yes

9 volt battery: 9V compatible (battery not included)
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MRP:$194.36 SAVE 17%
 1 in stock $161.97
Keeley Bubble Tron	Dynamic Flanger/Phaser Pedal
Cat: 782324 Rel: 04 Aug 20 • View all Effects pedals
 
Flanger/phaser pedal
Notes: The Keeley Bubble Tron Dynamic Flanger.Phaser pedal explores some of the famous, but very hard to find sounds of the past. Keeley Engineering has created another batch of Neo-Vintage effects that never were. This time Keeley has made the Flanger and Phaser in dynamic with your pick attack and strength. Then add the Random Stepped Filter with the new "M-Style Synth" bandpass shaping feature, and you have a lead guitarist's dream tool. Shut up and play your effect pedal! Yeah, you play this thing like an extension of your mind and fingers.

The Keeley Bubble Tron Dynamic Flanger Phaser and Random Synth Filter has three modes of operation.

The Flanger section of the pedal draws on inspiration from the MicMix DynaFlanger. This incredible piece of gear was used by FZ to create many of the sounds in the late 70s to mid 80s where a dynamic flanger was used to get envelope based flanging in his solos. A dynamic flanger is one that starts and stops based on your pick attack or envelope. The word envelope is used because if you were to measure the "weight" of your guitar signal and put it in a storage container (the "envelope" is an imaginary capacitor) it can then be used to control another part of the circuit. The Bubble Tron uses your playing to start and stop the flanger. Most flangers just cycle around and around and you can hear that swooshing in the background. Not in this case, it only cycles as you play. Many flangers offer only positive or negative feedback. This one allows you to try either with the FDBK Control. The negative feedback sounds more vocal like and hollow to my ears while the positive feedback is more conventional and has a thicker, smoother sound. The Sensitivity Control allows you to set how delicately you want to play and have the flanger go fully crazy on you. You can set for crazy silverback gorilla flange or easy flangin' on Sunday morning. The Depth Control is just that, how deep you want the flanging to be.

The DynaMoPhase section of the Bubble Tron is actually two phasers. One has an LFO that you set the speed of with the Rate Control (while it's depth is dynamically controlled) and the other is a true Dynamic Phaser. It starts and stops based on your pick attack. Again, you can set the Depth and and Sensitivity of this phaser to give you a very watery sound that is all based on your guitar's signal. You can turn off the standard phaser and just run it DynaPhase by turning the Rate Control off.

The White Zone is for Loading and Unloading Only.

The only effect that isn't dynamic is the Filter Section of the Bubble Tron Dynamic Flanger Phaser. With the Filter you can control the different ramps or random nature of the pedal with the Shape Control. The very exciting part of this pedal is the Sensitivity Control which is actual like a vintage synth style bandpass filter control. It shapes the bandpass filter on the filter and gives you some incredible keyboard like sounds.

One very nice side effect of dynamic based effects is that they don't produce the constant, swooshing sound of LFO based effects.

If you're a lead guitar player that likes to explore and has never had the kind of expression or dynamics from your sound effects that you have in your mind, this is for you. If you are a sound-experimentalist, this is for you! The sounds are nearly endless in that your input shapes what the effect will do.
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MRP:$259.58 SAVE 27%
 1 in stock $189.14
Keeley Bassist Limiting Amplifier Pedal (For Bass)
Cat: 782303 Rel: 04 Aug 20 • View all Effects pedals
 
Compresssion & limiting pedal
Notes: The Keeley Bassist Compressor provides true high-fidelity compression and limiting. Be heard and felt using performance compression by Keeley Engineering.

The Bassist Compressor is built around the exotic and extremely high fidelity THAT Corp. 4320. Think of it as very affordable studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra high performance op-amps to bring you the very best quality. VCA compressors give you precise control. Therefore they are directly suited to bass guitars. The Keeley Bassist Compressor is both musical and very transparent. Where our older compressors were based on the CA3080 or the LM13700 and are perfect for single coil guitars, the new Keeley Bassist Compressor has no problems with active pre-amps and line level input signals! Not only can the Keeley Bassist handle astonishingly large signals, it has an incredible bandwidth of over 20 KHz and incredibly low noise. No detail in your bass guitar's tone will be lost. The Keeley Bassist will be a sound investment in your tone, you now have rack-mount quality at your feet.

Compression and Threshold

When bass players use the Keeley Bassist Compressor they will be greeted with a sound that is more easily amplified and heard. Using the effect as a limiting amplifier saves your speakers from clipping and distortion. Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers. Simply watch the Threshold Indicator light to see what type of playing you want to limit, it's that easy! Next set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold. Set Compression all of the way down for no (1:1) compression and use the Gain control as a boost! Set Compression all of the way up for an above-Threshold hard-knee limiter.

A typical soft compressor setting would be 2:1 above threshold. A good starting ratio for the Compression control may be 4:1 as it generally sounds good with bass guitar. A ratio of 5:1 or 6:1 will sound great for slap or funk-style playing. For synth-bass try 10:1 Compression.

Attack and Release

There is a certain figure that just sounds good as far as compression goes; and that's 125 dB/second. With feed forward compressors that use this type of true-RMS detector you use a single time constant parameter. The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor. Bottom line: Attack and Release times vary on program content. Attack times are generally speaking, about 100 times faster than release times.

Attack Time: typically 15ms for 10dB, 5ms for 20dB, 3ms for 30dB

Release Time: typically 8ms for 1dB, 40ms for 5dB, 80ms for 10dB, 160ms for 20dB, 240ms for 30dB

Specs:

Voltage Input: 9V

Current Draw: 50mA

Input Impedance 1 Meg ohm

Output Impedance: 100 ohm

Output Voltage Gain: +30dB Boost

Bandwidth > 20kHz

Total Harmonic Distortion: 0.1%

Noise: -95dBV

Threshold Indicator: Dual LED
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MRP:$259.58 SAVE 25%
 1 in stock $194.58
Keeley D&M Drive & Boost Pedal
Cat: 782395 Rel: 04 Aug 20 • View all Effects pedals
 
Drive & boost pedal
Notes: The D&M Drive is the perfect storm of Drive and Boost. The D&M offers a gorgeous sounding high-voltage Boost side which is designed to impart the perfect tone on any amp that needs to be pushed. No longer will you wonder what the perfect clean boost should be. As you roll things up, the drive morphs your tone into singing gold. A sexy and smoothly saturated midrange voice appears which breathes confidence. The Drive side offers everything you would want in a powerful gain stage. From flat honest overdrive that is perfect for any set of chords to searing hot lead work with tons of sustain. The Drive is the perfect counterpoint to the Boost. Not only does each side of the pedal provide rewarding guitar tones, they can be used to stack together for an out-of-this-world experience. The pro switching system developed for the D&M Drive allows you to select which side of the pedal comes first. What's more, you can configure the pedal to work in a pro switching system like the G2 for independent Boost/Drive use!

That Boost
Are you looking for something in between a clean boost, such as the high voltage Keeley Katana, and a germanium modded professional overdrive? If so, the D&M is the answer. To get things started, the D&M Drive delivers insane amounts of headroom. Then, a distinct midrange voice can be dialed in to give you the lead voicing you dream of. When dialed in, it can give you the punch and clarity of a horn yet be subtle and smooth in saturation in order to give you a warm overdrive filled with tons of sustain. Expect it to work well with any amp or rig.

That Drive
Multiple Gain Stages is where it's at. This drive delivers. From its lowest settings, where you feel like you've discovered the perfect pro sounding overdrive, to the roar of a high-end amp, the multiple gain stage Drive delivers a heavily saturated punch. And the headroom here is no slouch. Use it to find that delicate balance between drive and amp saturation for the core of your tone. Turn up the Drive to give yourself a dynamic and searing tube-like gain that excels in sustain. The D&M is designed for quick attack with plenty of high and low end. Rich harmonic gain and sustain with dynamics is what this side offers.

That Switching
Daniel Steinhardt from TheGigRig insisted that this was a versatile dual-gain box that wasn't limited in any way with its two simple stomp switches. You select the order! A simple toggle allows you to configure the pedal so that when both the Drive and Boost are on, you decide which is first. If you want to have a smooth and round tone to go into a richly driven amp-like gain stage - or if you want a highly driven tone with edge and harmonics to be then boosted with clarity and refinement, it's your choice. Not only that, but Daniel had the engineers incorporate his idea for TRS insert cables so that this pedal would easily integrate into a professional switching system like the G2. Now pedalboard designers can configure the D&M Drive to act as two independent pedals, switching between either side of the pedal as it were its own stand alone effect.
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MRP:$306.53 SAVE 20%
 1 in stock $246.75
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quote 782395
Keeley Filaments High Gain Distortion Pedal
Cat: 782417 Rel: 04 Aug 20 • View all Effects pedals
 
Distortion pedal
Notes: Keeley Electronics, the leading manufacturer of pedals built in the U.S., announces the release of their most potent and aggressive metal stompbox to date: the Filaments High Gain Distortion Pedal. The Filaments accurately replicates high-gain tube amps by layering 3 stages of gain while providing 7 ultra-flexible ways to EQ the tone.

The Filaments has more flexibility in tone-shaping than any other Keeley stompbox. Level and Gain set the stage for rich layers of high gain tube-amp saturation. Bass and Body give you the punch and authority of a gain monster no matter what size amp you are playing. Even if you're running a 10-inch speaker the bass and body controls will give you the low end bass response you need. Running through a 4×12 already? Just dial back the body control to keep the sound tight and focused. Have an amp that's hard to push? The Boost and Crunch switches give you two different levels of gain and compression to get your edge just right for your tone. The Presence control works with the Bright control to give any guitar or pickup combination the authority to stand up and shout. Lastly, the Treble control gives you that added range of highs to make your amp sing.

Metal is more nuanced and subdivided that nearly any other style of music outside the classical stuff. The Keeley Filaments High Gain Distortion pedal feels your pain, brother. So of course its amazing 7 layer toneshaping lets you chameleon into any of these types of metal: Christian or Death Metal, Black Metal or Folk Metal, both types of Core, Grind and Metal. Crust Punk or Glam Metal? Progressive Jazz Metal or just good old Stoner Metal? The Filaments pedal has got you covered. Get a Keeley Filaments High Gain Distortion pedal and pound it out !! Get creative! Create your own Metal.

Keeley is well-known for high-end tone and durability. His attention to detail in stompbox tone, tube amp building experience and "tough as nails" build quality ensures his new Filaments pedal will dominate the high-gain pedalboard. Isn't it time you had a high gain pedal that gives you everything you need for the road?

Tech Specs:

9-18 VDC - Louder and More Powerful at 18 Volts!

Ultra Low Current = 10mA

Center Negative Tip

Power Supply Required - No Battery Operation

True-Bypass
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Keeley GC-2 Limiting Amplifier Pedal (For Guitar & Other Instruments)
Cat: 782422 Rel: 04 Aug 20 • View all Effects pedals
 
Compressor/limiting amplifier
Notes: The Keeley Compressor GC-2 Limiting Amplifier. The same great professional compression/limiting technology available in our Bassist Limiting Amplifier, for musicians and compressor fans of all kinds!

The Keeley Compressor GC-2 Limiting Amplifier is built around the exotic and extremely high-fidelity THAT Corp. 4320. Think of it as very musical studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra-high performance op-amps to bring you the very best quality. This type of compressor gives you precise control and very musical results. This along with a full frequency range means that the GC-2 Limiting Amplifier compressor is well suited for guitar, keyboards, drum machines and, really, anything you can throw at it. The Keeley GC-2 Limiting Amplifier is both musical and transparent. Where our older compressors were based on the CA3080 or the LM13700 and are perfect for that "Compressor Effect" and are still in use by tens of thousands of players, the new Keeley GC-2 is a different style compressor, aimed at being the ultimate in low noise and transparency. Not only can it handle astonishingly large signals, but it has an incredible bandwidth of over 20 KHz. No detail in your guitar's tone will be lost. The Keeley GC-2 will be a sound investment in your tone-you now have genuine rack-mount quality at your feet.

When musicians use the new Keeley Compressor GC-2, they will be greeted with a sound that is more easily amplified and heard. Using the effect as a limiting amplifier saves your speakers from clipping and distortion. Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers. Simply watch the Threshold Indicator light to see what type of playing you want to limit; it's that easy! Next, set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold. Set Compression all of the way down (1:1) for no compression and use the Gain control as a boost. Set Compression all of the way up for an above-Threshold, hard-knee limiter.

There is a certain figure that just sounds good as far as compression goes, and that's 125 dB/second. With feed-forward compressors that use this type of true-RMS detector you use a single time-constant parameter. The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor. Bottom line: Attack and Release times vary on program content. Attack times are, generally speaking, about 100 times faster than release times.

Attack Time: typically 15ms for 10dB, 5ms for 20dB, 3ms for 30dB

Release Time: typically 8ms for 1dB, 40ms for 5dB, 80ms for 10dB, 160ms for 20dB, 240ms for 30dB



Specs:

Voltage Input: 9V

Current Draw: 50mA

Input Impedance 1 Meg ohm

Output Impedance: 100 ohm

Output Voltage Gain: +30dB Boost

Bandwidth > 20kHz

Total Harmonic Distortion: 0.1%

Noise: -95dBV

Threshold Indicator: Dual LED
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Keeley Oxblood Overdrive Pedal
Cat: 782448 Rel: 04 Aug 20 • View all Effects pedals
 
Overdrive pedal
Notes: When inspiration hits, you need the voice to proclaim it. When you need that voice, count on the Keeley Oxblood Overdrive to be your beast of burden.

The Keeley Oxblood Overdrive is Keeley's response to everyone cloning the "Mythical Beast" pedal, with the intent of building an original design, a circuit that lets players blend from perfectly clean to amp-crushing roar, and animpossibly huge and focused midrange that makes any guitar- Strat, Paul, Tele- sound incredible.

Clean, distortion, fuzz - it's all there.
With the Oxblood Overdrive you roll off the Drive Control and get a perfectly clean sound; you can dial in any amount of distortion and volume to stomp an amp into pure tonal Nirvana. The Keeley Oxblood Overdrive offers you two ways to clip and saturate your signal with overtones by selecting carefully chosen diodes. These are different than the standard Oxblood. These diodes were chosen to give you bigger, more open amp tones without a lot of compression.

The key to the ultimate overdrive, in our opinion, is the ability to control five different parameters.

Bass response
The Phat Switch cuts bass response to give you that classic Screamer or that mythic, K-like midrange shelving. The bass response, when cut, is saturated with a hint of 2nd order harmonics. Punchy and full yet not overbearing, it cuts like a buffalo.

Clipping
Sometimes there just ain't enough gain in the world. Well, not so with this beast. The Clipping Switch gives you the ability to sing with near infinite sustain or just stand on your amp like a chief.

Tone Control
You need to be able to dial in the highs perfectly or nothing else matters, right? The highs are what make it ear candy or ice picks, giving you the range to do whatever the heck you want to do. And that's a two-heck sentence.

Volume
You have to be able to put the pedal to the metal whenever you darn well chose. Voltage doubling in our circuit gives you just that. Headroom for days. Slay an amp, leave it a bloody mess. No, you won't blow tubes, but you will have them at the right temperature to make them glow with delight.
Drive. What? You want me to describe Drive? Shoot, from "Is it ON?" cleans to searing sustain and saturation. It pushes you. Compels you to play. Non-stop playing....

Midrange
The 6th sign of a wonderful overdrive pedal is what's under the hood. It's masterful creation of sultry mids. The kind of mids singers or cellos are known for. Throaty and powerful. Not just a woman tone, but a manly roar. Not congested and stuffed up. Focused and brilliant.

Trifecta
The Keeley Oxblood Overdrive was designed by Robert Keeley and Craighton Hale with a lot of help and insight from Jack Orman. Jack Orman has been a pioneer in the modern world of effects for 20 years. His thoughts and ideas are incorporated by nearly every boutique builder out there. Here is your chance to hear a brand new creation designed to outperform any of the clones.
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Keeley Super Phat Mod Full Range Transparent Overdrive Pedal
Cat: 782451 Rel: 04 Aug 20 • View all Effects pedals
 
Overdrive pedal
Notes: Many say the Phat Mod delivers their favorite tone from a pedal. It's that natural break-up that just feels good and lets you express yourself. The dynamics make it feel alive and part of your fingers. That's the reason the modified pedal has stayed on people's boards for nearly 15 years. The Keeley Super Phat Mod is the famous mod now perfected with amazing sounding JFETs that emulate old tube amps in a unique way.

The original pedal was a great design that features tube-like amp stages, tube amp tone stacks, and a variety of tone shaping circuits to bring out the best in any guitar's pickups. The problem with building one in the past has been the difficulty finding the perfect FET to capture the magic. If the harmonic content and grain of the distortion and overdrive weren't exactly right, it was put to one side- then Keeley found the magic device that pushed it over the top, and it was dressed in gold and royal purple. The name badge had to speak of its history and heritage. With Super Phat Mod in an old, Blackface-style logo and the metal-flake clear-sparkle on gold, it will look incredible in any rig.

The Super Phat Mod pedal now has incredible dynamics. It is full range and very responsive. The phrase "transparent overdrive" was born of this design! From country pickin', to blues and rock wailing, the Phat Mod is the choice for those not wanting the over-refined sound of a common Screamer. Set the gain high and let your guitar's volume control or your pick attack do the work. With the Super Phat Mod, you now have all of the refinements-the very best of tone-shaping electronics and modern features like true-bypass.

The Keeley BD-2 was the first mod that had a switch. It was done to give players two modes of bass response. With the slight boost, it was called the Phat mode. It was perfect for players of Strats and Teles who wanted just a small push without being muddy. That same design is also available via the micro toggle on the Super Phat Mod. Later on Keeley released the Luna Overdrive which won a Gear of the Year award in England, and that pedal had further refinements made to it and became the Katana Blue Drive. The Katana Blues Drive still retained the active bass and treble controls but smoothed out the highs and increased the gain range slightly. That was an original design designed to meet many of the tonal characteristics of the Blues Driver. The new Super Phat Mod takes off by duplicating the Keeley Phat Mod part-for-part with the exception of the new super JFETs.
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Keeley Verb O Trem Inspired Reverb & Tremolo Pedal
Cat: 782478 Rel: 04 Aug 20 • View all Effects pedals
 
Reverb/tremolo pedal
Notes: The Keeley VoT reverb and tremolo combo gives players a simple and beautiful sounding way to end their pedal boards. Reverb and Tremolo often sound best at the end of your guitar rig, after effects like compression, fuzz or overdrive. The Keeley VoT gives you famous Keeley spring and plate reverbs as well as modulated tube amp tremolos. This immaculate pairing provides you with everything you need for a small, compact pedal board.

When you go minimalist, you still consider Reverb and Tremolo. So if you're doing a small gig with a compact board or you just want the captivating power of tremolo and reverb at the same time, the Keeley VoT is a simple and beautiful sounding combo.

Reverbs
Keeley 2 Spring Reverb is the real deal, it's so good sounding, they install it in The Amp now. The Keeley Spring Reverb allows you to get that splashy spring sound that instantly fattens your guitar tone.

If you want something super smooth, however, you flip it over to switch in the Plate Reverb. Get that huge plate reverb sheen by simply flipping a switch!

Tremolos
A Lotus Flower of Tremolos- you have three tremolos in the Keeley VoT.

R+T is an organic tube bias type tremolo. This means you hear the tube amp bias change enough to modulate the volume. A very personal and haunting tremolo. Very moody.

Mack - This mode is a MagnaAmp style pitch vibrato. Done by carefully changing the phase to elicit a silky smooth pitch shift. Sounds like you have your finger on the pulse of life. Sometimes a walk on the wild side is the way to go.

HAR - Harmonically Amplified Resonator. I made that up too. Harmonic Tremolo -two filters that we vine around, back and forth, creating a notch filter that gives you that Tower of Flower sound.

VoT - Lotus
Here's where the flowering magic occurs: you can set the VoT to be either Reverb OR Tremolo OR Both if you want. Let's say you just need some 'verb for the night, simply reduce the Depth control! Reverb Purity.

What if you want to use the tremolo only? Simply roll off the Reverb control.

This pedal can simply and easily be reborn into any combination of tones you need.
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Keeley Memphis Sun Lo-Fi Reverb, Echo & Double-Tracker Pedal
Cat: 782474 Rel: 04 Aug 20 • View all Effects pedals
 
Reverb/echo/double tracker pedal
Notes: The new Memphis Sun - Lo-Fi Reverb, Echo and Double-Tracker is Keeley's second studio themed pedal. Like the Keeley 30ms ADT, this pedal gives you a wealth of tones for capturing that classic Rock-and-Roll sound as well as sounds you've not heard before. It's NeoVintage. It's an Echo and Reverb pedal.
Toggle through the different effects presets:

SLAPBACK 600 - Echo for long delays
SUN MODE - Auto Track-Doubling and slapback with short delays
ROOM - Studio simulation reverb

Both of the ECHO 600 and SUN MODE effects have a Room Reverb.

It's a one-knob, rock and roll type of room reverb.

SLAPBACK 600

Rock and Roll is the Devil's music, right? So of course, the delay time is up to 666ms to simulate some unearthly echo machine that never really existed. Filtering in the Slackback mode is done in stages. First, the response is heavily filtered at 1 kHz then compress the thing. Remember the concept: pack a bunch of sound in a small room and it compresses. Next, it's filtered again at 1 kHz ! Sounds like Rock and Roll, right? Aaron Tackett is the Rock and Roll Doctor of DSP at Keeley. Not only is he devilishly good looking, he has a way of making waves look good - adding curves, so to speak. He has added 2nd and 3rd order harmonics to this mix to simulate tape response and equipment distortions. Waves folded back on themselves. You're gonna love his curves.

Time 30-666ms m/ m/
Regen As Jack White says: "Three." Up to three repeats. Or sometimes six....
Reverb Old Rock-and-Roll Room Reverb.

Sun Mode

Let's Do it Twice Mama, It's Alright! Automatic Double Tracking (ADT) was not available in the 1950s, but it's sneaked in here because it makes a wonderful sound. And, if you lengthen the time, it goes right into slapback territory which is at the heart of Country and Rock and Roll guitar sounds. Like our Keeley 30ms, this pedal will do ADT. The Memphis Sun creates a vintage-voiced double-track in mono. Your guitar-playin' "Gemini-Twin" has a very warmed-up tone. Adjusting the Time Control lets you easily create anything from Double Tracking to Slapback with up to 180ms of delay time.

Time Delay Time is 0-180ms. For Automatic Double-Tracking set this control at the second mark or lower, 0-30ms. For slapback echo 30-180ms sounds great. The knob markers notate 0,30,60, 90, 120, 150, and 180ms
Regen Modulation for the ADT. Set to OFF for NO Rate or Depth. Increasing this control increases both the Rate and Depth of "Tape" modulation.
Reverb It's Still Rock-and-Roll Room Reverb to Me

Room

The Room Reverb simulates a small 33' by 18' asbestos-tiled room so filled with music the sounds actually get compressed- with the frequency response of the mics used back then taken into account. The RCA 77 is loosely simulated by a group of filters including a HPF = 300 Hz and LPF = 8 kHz. Many artifacts are incorporated in our room reverb. And second and third order harmonics are added to make sure it sounds just right.

Time is the Pre-Delay amount: 0-150ms of pre-delay. This allows for a slapback sound as the first reflections come into focus.
Regen is the Tone control: this is an active filter +/- 10 dB and is centered around 1.1 kHz.
Reverb is the Depth control for the reverberations.

That's What I Say Rockin' Robbin!
NeoVintage - Low Fidelity. That's right. That's what I say. This doesn't sounds like some merry band of pixie nymphs playing digital fiddles in your ear.
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Keeley Synth-1 Reverse Attack Fuzz Wave Generator Pedal
Cat: 782476 Rel: 04 Aug 20 • View all Effects pedals
 
Fuzz wave generator pedal
Notes: The Synth-1 allows you to create fuzzed-out synth waves! Use the Filter and Blend controls to mix your guitar with the fuzz from the synth. Go from churning slow-gear reverse swells to sounding like a light saber.

The Keeley Synth-1 is a guitar-triggered, single-note wave generator. You control the tone of the wave with the Filter Control. The lead-in time or swell of the note is controlled with the Attack knob. Then use the Blend control to remove the natural tone from your guitar as you slide through synth-sounding fuzz waves. Use an expression pedal to control the Filter, and now you have Wah-Wah-like control of the Synth-1.

Synth Wave Generator
Create fuzzed-out, single note synth sounds

Reverse Attack
Volume Swell Effect - put your guitar in slow gear!

Chaos Switch- change dimensional triggering and octaves and stuff

Filter - shape the EQ and tone of your fuzz wave

Wave Selector - change wave modes on the fly with your foot!

Control the Blend of your natural guitar and the wave generator

Side Mount Expression Jack for TRS control of the Filter

Top Mounted Jacks, True-Bypass

Designed and Made in the USA
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Keeley Dark Side Modern Fuzz Pedal With Rotary, Vibrato & Delay
Notes: We should all be so lucky as to be identified by the sound of a single note. Some players are so well defined that their entire musical journey can be heard in a single note they play. Tone is in the fingers. Tone is in the mind. Effects can be a great way of expressing emotions or creating textures. The Dark Side is about creating sounds and adding new tones to your symphony. It's the things you can't create with your fingers or mind. It's metasymphonic. The Dark Side provides all the textures that define an essence, in one pedal.

The individual pieces that make up the Dark Side workstation are Fuzz, Delay and Modulation. The Fuzz side of the Dark Side is a big fuzz style distortion based on a 1977 op-amp style, which was also used for Keeley's Psi Fuzz. This one is completely and radically different. Many changes have been made to extract the nuances of earlier transistor based fuzzes. This pedal lets your guitar sing with sustain, yet retains the essence of you guitar whether single coil or humbucker based.

The next core element in the Dark Side pedal is the Delay and Modulation side. You can select between a multi-head tape delay effect or between a combination of 4 different modulation sounds. The Dark Side delay has 12 different syncopated delays. They are rhythmic and have the tonal quality of the old spinning drum tape delays. The Dark Side has many subtle filters to get the tape delay setting to have the feel and warmth of the original machines, yet gives you range of control to have modern features like expression pedal control for the number of repeats. You can use it for creating a feedback oscillation delay. Extremely subtle modulations in the delay make it very musical.

The next atom in this workstation is the modulation effect. There are four parts to this effect. Flanger, Rotary Speaker Cabinet, U-Vibe, and Phaser. You can blend between the "Electric Lady" Flanger and a Les-Rotary cabinet, creating new sounds. You can find that perfect blend between a vintage sounding opto-coupler based U-Vibe and the little orange phaser.

There is also an Expression Pedal port on the pedal. It is highly recommended to have an expression pedal handy. You can make many adjustments on the fly that just increase the fun and functionality of the pedal while you're creating music. It has to be a TRS style expression pedal- it is recommended to use something like the M-Audio or Moog expression pedals.
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Keeley Fuzz Bender	 Fuzz Pedal With Active EQ And Gate Controls
Notes: The Keeley Fuzz Bender is a 5 knob-3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium. What makes fuzz better? Active EQ. Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes. Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones. With the all new Bias Control, you control the attack and decay of your notes. Anything from Fat Square Waves to Angular Fuzz to glitchy-Velcro attacks are possible with the Bias Control. The Fuzz Bender's five knobs confirm size matters when creating a new and epic world of fuzz.
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Keeley Hooke Reverb Spring/Octave Reverb Pedal With Tremolo
Cat: 782425 Rel: 04 Aug 20 • View all Effects pedals
 
Reverb/tremolo pedal
Notes: The new Hooke Spring Reverb from Keeley brings vintage tube-amp spring reverb and tremolo into one package. Bring your Blackface reverb and tremolo on the road with you without lugging around your prized possession! Choose from Classic Spring, Blackface Trem-n-Verb, or an organ-like Fugue-Verb.

The Hooke Spring Reverb begins with a Spring Reverb mode. The main features of this mode include the Tone and Spring controls. The Tone control allows you to work within the range of bright and spanky to dark and thick. The Spring control is the amount "looseness" or "Sproing!" in the reverb pan. Loose springs seem to generate a lot of reflections, and you can hear the reverb "bounce." With the Hooke, you can simulate a specific reverb pan of a vintage amp, two-springs, three-springs, short, medium, long decay ... it's all in there. What's more, combinations of these two controls allow you to fine-tune the tone and the character of the springs and tubes in order to dial in your favorite vintage reverb response. The depth and warmth of the Hooke reverb is simply remarkable. It's one of our finest creations.

Trem-n-verb is designed to give you the ultimate Fullerton, CA black panel Vibrato channel reverb. Everyone knows that it's not really (pitch) vibrato, it's tremolo. Keeley have EQ'd and filtered the sound to not only be tube-like, also crafted a tonal modification that makes for a deep, throbbing tremolo. By adjusting the bias of the output tubes for the volume tremolo, you also dip the volume of the reverb. A special recipe has been created in which the reverb washes over the tremolo texture just a little thickened in order to craft a tone that is truly magical.

The Hooke Reverb needed something crazy, something that just didn't exist. Ah, yes, all wet. All wet is where magic can happen. No original signal, all wet spring reverb with octave up and down. Church Organ, Organ Reverb, Fugue It! Get Hooked and Go Fugue!

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Keeley Monterey Fuzz Vibe Rotary Wah Pedal
Cat: 782431 Rel: 04 Aug 20 • View all Effects pedals
 
Fuzz/wah pedal
Notes: Hendrix-inspired pedal combines fuzz and modulation for psychedelic bliss. Dial in a blend of distortion with rotary simulation, auto wah, octaver and more. Huge tone and impressive range.

Supllier notes:
With the Keeley Monterey Workstation you take one step back in time and two steps forward. The Monterey is a surrealistic envelope of neo-vintage effects. It combines classic sounds with new interpretations to create a modern timbre and audio spectrum for guitarists.

The Keeley Monterey Rotary Fuzz Vibe has a vintage fuzz, rotary speaker, vibe, harmonic and auto wah, an octave up or octave down, as well an expression control to allow you to create a rich array of new and newer sounds.

There are two channels on the Monterey Rotary Fuzz Vibe, and these can be configured to give you five different sounds.

The right stomp switch activates the fuzz channel. The fuzz channel has been designed to give you a rich, full, classic two-transistor fuzz sound that is accurate yet has a touch of smoothness added. It is very responsive and dynamic. It plays well in any position on a Strat or Les Paul style guitar. At the heart of the fuzz are vintage Fairchild Semiconductor transistors. These moderate gain transistors offer the perfect fuzz tone and do not have the temperamental temperature related problems that germanium devices exhibit, while still giving you incredible tone.

The modulation channel is where the fun really starts. The Monterey Rotary Fuzz Vibe offers an Octave effect with both the Vibe and Wah sounds. With those two sounds you can either have Octave Up, Octave Down, or No Octave.

In the Center Position of the Octave Control you have NO octave up or down. If you turn the Octave Control up (or clockwise), you have an increasing octave up sound. As you turn the Octave Control down, you have an increasing amount of octave down sound added. Again, if you do not want an octave effect added, simply set the Octave Control to the center position.

The Monterey Rotary Fuzz Vibe features a very rich and deep vibe sound. The "Kool Vibe" setting is perfect for getting complex phaser-like sounds. It combines phasing and tremolo at key frequencies to give you incredible depth and rhythm. Not only does it match the frequency response of a vibe, it simulates the unique pulsing of a photo-cell based effect. You can add the Octave to the "Kool Vibe" for an amazing doubling effect or for an incredibly deep synth bass type sound.

The "Les Rotary" sound in the Monterey Fuzz Vibe is both very accurate and surprisingly new sounding. Like the original cabinet, this simulation joins both the lower drum and the upper horn into a rich, dimensional effect that generates an unmistakable chorus and tremolo soundscape. Not only is the cabinet itself simulated with very short reverberated reflections that offer a doubling effect, the Doppler Effect provides a soothing chorused sound that is clean and ethereal. The Octave Control in the Rotary cabinet simulation controls the volume of the horn or tweeter sounds. It does not produce an octave effect here. This allows you to get a very chorus-like effect with ample high-end detail when simulating a "Les Rotary" style cabinet. Set the Rate OFF for no rotation, turn the Fuzz on, and the Depth and Octave controls give you a wonderful speaker cabinet simulation. It's fuzz with tonal control like you've never had before! Perfect for matching any size of power amp with the pedal's fuzz to give you anything from dark overdrive to hard, edgy, squared fuzz!

The "Harmonic Wah" section combines several more new sounds from Keeley in the Monterey Rotary Fuzz Vibe. It is a fixed or cocked wah sound, an auto wah, a harmonic/tremolo wah, and even a regular foot-controlled wah when you add an expression pedal. With the Depth Control turned all of the way down/off you are in the Wah Mode. The Wah Mode gives you control over the frequency you boost by adjusting the Rate Control. If you have an expression pedal connected, it becomes a regular Wah Pedal. Turn the Depth control up a slight amount and the Monterey becomes an Auto Wah. In the Auto Wah mode, your pick attack and strength creates an envelope filter sound. After the noon/center position on the Depth Control, you have the new Harmonic Wah. It is like the harmonic tremolo on a brown face amp, but the frequencies are centered around a wah pedal instead. It's ideal for players who like the rhythmic back-and-forth rocking sound of a wah pedal.

Add any expression pedal controller to the EXP input on the back and you have control over the Rate of the "Les Rotary" and "Kool Vibe" settings. In the "Harmonic Wah" setting, it controls the frequencies.
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Keeley Katana Mini Clean Boost Pedal
Cat: 782428 Rel: 04 Aug 20 • View all Effects pedals
 
Clean boost pedal
Notes: Mini Katana Clean Boost- Keeley's oldest design made smaller and with tasteful updates including an additional feature. The Katana started back in 2002 within the Time Machine Boost. It was a dual class A JFET design that gave players and incredible boost and sounded so good they never turned off. In fact they often ran two or three on stages like John Mayer! The Mini Katana boost provides over 35dB of boost. Enough for the most demanding players and sound reinforcement.

The new Mini Katana is now a 4 Mode Booster! With the dual micro switches you have a total of four sounds possible. Need drive, just flip the micro Hi-Gain Switch inside and you've got overdriven tone! Flip the Hi-Cut Switch (NEW for the Katana Mini!) on the inside and you have a warmer tone to soften any Strat or Tele. Flip both switches and you have the ultimate sounding boost, thick, creamy, tube-amp sounding, and plenty of volume on tap!

Obsessed with cleanest, most enjoyable tone boosted? Well, Before other people started using Blue LED's and non-diode clipping stages, there was the TMB and Katana.... Cascading FET stages do the tube-amp-thing like nothing else!

Now made smaller, it will fit any board - any budget. Enjoy a tasteful update to the pedal that redefined clean boost in the boutique era!
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Keeley Red Dirt Germanium Special NOS Germanium Transistor Equipped Red Dirt Overdrive Pedal
Notes: Keeley's latest mod to the venerable platform has everyone grinning here at the shop. The Red Dirt Germanium is nothing short of a red hot saturation machine. Perfect classic amp tones.

The Red Dirt overdrive began from a quest to find the perfect classic drive sound while also offering new levels of sonic versatility to satisfy a wider range of musical styles. Founder and head engineer Robert Keeley took this idea and combined the great sounds found within his original "Mod Plus" and "Baked" modified pedals and added refinements found exclusively in his custom pedal line. A Keeley designed FET input stage makes this overdrive breakup in a whole new, genuinely "tube like" style that will have your leads singing and your rhythm playing sounding more dynamic and expressive than ever. It all culminates in an overdrive that is superbly dynamic, with crispness and clarity that let players cut through a dense mix, while retaining the plump midrange. By incorporating these tones along with the Keeley standard of U.S.A. hand-built quality using premium components, the Red Dirt overdrive aims to become an indispensable part of any pedal chain.
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 1 in stock $194.58
Keeley Seafoam Plus Chorus Double Chorus & ADT Pedal
Cat: 782462 Rel: 04 Aug 20 • View all Effects pedals
 
Chorus pedal
Notes: Keeley are proud to announce the all new Seafoam Plus Chorus - True Chorus and ADT with Reverb. It will forever change the way you think about chorus, because Keeley have developed a new type of chorus that until now has only been available in expensive DAWs and in studios. Not only is it tuned for guitar, but there are voices and modes created specifically for bass players including flanging and tremolo. Lastly, this tri-mode chorus pedal offers internal switching for vintage and modern tones, further doubling the amount of sounds you can get.

ADT: the new definition of chorus.
In the Seafoam Plus Chorus you get the automatic doubler that was developed in the revolutionary 30ms Double Tracker. The ADT chorus is what is called True Chorus, because second and third voice-like singers in a choir are created. Not only do they sing at different times, they sing at different pitches. True Chorus.

Seafoam Mode: You guessed it- the all new Seafoam Plus Chorus- lush, wide, and with a very musical vibrato. It gives you the lush sounds and tone of a vintage BBD analog chorus unit. This is where you'll find a typical chorus feature. The Seafoam Mode of the pedal has an LFO, the regularly cycling part you hear in most every other chorus unit. It provides a classic tone that you expect and which has become part of many classic tunes. Set the rate for slow and the depth for wide, and enjoy a really spacious sounding chorus. Roll the Mix Control all of the way up for Vibrato. With the Space control acting as a Tone Control in this mode, you can go from bright to vintage warmth, dialing in the perfect chorus.

Dual Chorus Mode: a frequency crossover-based dual-chorus engine. Imagine a dividing line that is centered on your high E-string. Control the depth of chorus independently for highs and lows. Craft the ultimate Come As You Are (Nirvana) of chorus tones. Create a very deep, throbbing chorus on the low end, and a near perfect calm on the top end. Or make the high-end and shimmer and waver while keeping the low end fixed!

ChoralFlangelo
OK, it goes twice as deep. The Seafoam Plus Chorus is a Bass Chorus, Flanger, and Tremolo too! Pop off the back, flick a switch, and it's a bass guitar player's dream. The Space Controls gives you controls or Regeneration, High-pass filtering to keep things tight, and a haunting Tremolo you have to hear to believe! o let's get down and funky, Michelangelo!

Vintage at Heart
Want a softer tone? Chorus that's silky smooth and warm? No problem. Internal switching puts it in Vintage Mode. The Keeley Seafoam Plus Chorus ships in Modern Mode for ultra wide, lush, and high-fidelity chorus. Either way, enjoy sounds that are downright frighteningly good.
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MRP:$246.53 SAVE 17%
 1 in stock $205.44
Keeley Neutrino V2 Optocoupler Envelope Filter/Auto Wah Pedal
Cat: 782443 Rel: 04 Aug 20 • View all Effects pedals
 
Envelope filter/wah pedal
Notes: The Keeley Neutrino V2 is an amazingly toneful and compact form of the classic opto-coupler envelope filter. The Neutrino takes your guitar playing and creates an automatic wah sound based on your pick attack! Envelope filters or auto-wahs as they are often called, sound and react best when they are opto-coupler based. The opto-couplers used in the Neutrino are particularly smooth, giving you an amazing vowel-like tone. The Keeley Neutrino gives you 3 filter ranges, 2 directions, 2 ranges for the frequency center and a Peak control. Keeley has engineered a power supply voltage-doubler so you maintain the highest headroom for your tone. An incredibly tough build means it will last for many decades to come. Whether you're in a jam band or playing funk, the Keeley Neutrino V2 delivers incredible vocal-like tone.
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MRP:$233.49 SAVE 27%
 1 in stock $170.15
Keeley Nocturner Dark Reverb Pedal
Cat: 782447 Rel: 04 Aug 20 • View all Effects pedals
 
Reverb pedal
Notes: Nocturner Reverb - Dark, watery halls of reverberation. Shimmering highlights, eerie reverse verb that sings back at you.

The Nocturner is darker in voice than ther Aurora, with two of our new tones, Shimmer and Reverse, (as on the Sojourner) the Nocturner is a reverb fan's dream. It's simple to let the pedal do the work and start experimenting with deep and rich watery layers of reverb, or switch modes and let shimmering washes highlight your playing.

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MRP:$259.58 SAVE 18%
 1 in stock $211.97
Keeley Caverns Delay/Reverb V2 Delay Pedal
Cat: 782331 Rel: 04 Aug 20 • View all Effects pedals
 
Delay/reverb pedal
Notes: The Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb for the perfect end to any pedal board. It features Keeley's analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. Caverns now comes with a True-Bypass or Trails option. Because of its small and compact design, the New Caverns is a perfect fit for any fly-rig or small board where you have tight space requirements. The New V2 features Keeley's most popular time-based effects, blended perfectly via a design fine-tuned for over 2 years. Simply put, it will be an amazing addition to any board.

The Reverb side of the pedal features 3 cavernous sounds:

Spring Mode - Blackface Amp style spring reverb with F Style Tremolo
Modulation Mode - Choral modulation to the reverb for a huge, cavernous space
Shimmer Mode - Reverb with emphasis on octave-up voices in the reverb trails

The Delay side of the pedal incorporates Keeley's popular Magnetic Echo circuit, which is designed to emulate analog tape delay lines. Three way switchable modulation gives you options for adding Wow and Flutter to the repeats. Perfectly voiced echoes sit well in the mix, either clean or with distortion.

The New Caverns Delay Reverb V2 builds on the old Caverns pedal by giving players a more open and logical control layout with more space between the foot switches.

Top-Mounted Jacks allow for a compact pedalboard layout.

True-Bypass or Trails option gives you the freedom to create huge caverns of sounds and lets them ring out even after you turn the pedal off. Our buffers are engineered to retain your tone and to feed your amplifier a full-strength signal.

The New Caverns Delay Reverb V2 is entirely built in the US. Keeley's veteran crew builds the most reliable and road-worthy gear.

Use 2 TRS Breakout cables for effects patching or to use the Caverns with a pro switching system.
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MRP:$233.49 SAVE 30%
 2 in stock $163.68
Keeley DDR Custom Drive Pedal With Delay Or Reverb
Cat: 782386 Rel: 04 Aug 20 • View all Effects pedals
 
Delay/reverb pedal
Notes: The DDR combines the most common guitar effects- DRIVE and WET- into one pedal. Choose between two classic overdrive tones and then pour on some delay or reverb. One pedal, any gig.

The DRIVE section gives you two styles of overdrive to choose from: Crunch or Lead. The Crunch Style gives you a gritty British tube-amp combo sound. The Lead Style gives you a warm and dark, mid-pushed overdrive. The WET side of the pedal gives you Delays and Reverbs. A Vintage/Modern Switch allows you to toggle between Spring & Plate reverb or Analog & Digital delay. Use the built-in effects loop to insert effects between Drive and Wet, or run it by itself as the only pedal you'll need!

DRIVE Channel:
A pair of modified super-drives to choose from. Volume, Tone, and Drive for days!

STYLE Switch:
Tube-amp Crunch or Lead-channel Sustain

WET Channel:
three knob delay or reverb with Blend, Decay, and Time

Delay/Reverb Switch:
Center toggle, WET Mode Select

Top-mounted jacks for effect pedal insert or split

TRS Insert Switch:
side mounted selector

True-Bypass or Trails Switch:
side mounted selector

9VDC, 100 mA, no battery option
Designed and Made in the USA
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MRP:$233.49 SAVE 26%
 1 in stock $172.83
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