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Cat: 781122 Rel: 08 Jul 20 • View all Synthesisers
 
Analogue synthesiser
Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
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MRP:$728.35 SAVE 14%
 2 in stock $627.98
Cat: 781126 Rel: 08 Jul 20 • View all Synthesisers
 
Effects processor/synthesiser
Notes: THE PIPE is a voice / breath / mouth-controlled dynamic FX processor and synthesiser.

It turns your voice into a powerful FX / beat / lead / soundscape synthesiser and it offers unprecedented levels of vocal processing, truly expanding the traditional boundaries of singing. Conventional singing with lyrics is also possible, and you can use the FX to add live modulations to your vocal performance.

Also, you can use the PIPE as a powerful FX processor for an external signal as a synth, drum machine etc.

THE PIPE has 12 different algorithms: ORPHEUS, FILTERRA, SYNTH, REVERB, MADELAY, PULSE, BASSDRUM (three versions), OCTAVA, GENERATOR, HARCHO!

The PIPE consists of the handheld part and a small break-out box with L R output jacks (1/4-inch) and DC IN for power. The handheld part and break-out box are connected by a single cable that contains both output channels and DC power.

The handheld part consists of the contact vocal mic (connected by a standard 1/4-inch jack), electronic components and the controls. You can easily attach a cable extension to the mic which opens up many more options. Attach it to a stand, or put it inside of or on the surface of acoustic instruments such as drums, guitars, trumpets etc. Also, you can use the mic in jack as external in and use the PIPE to process any signals you want.
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MRP:$607.17 SAVE 14%
 1 in stock $519.64
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quote 781126
Cat: 781120 Rel: 08 Jul 20 • View all Synthesisers
 
Analogue synthesiser
Notes: Brilliantly unusual synth based on eight analogue tone generators, functioning more like an electric organ or FM synth than a conventional subtractive architecture. Unique sound.

Supplier notes:
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of VCOs. Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
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MRP:$728.35 SAVE 14%
! low stock $627.98
Cat: 780106 Rel: 07 Jul 20 • View all Synth modules
 
Four channel mixer module
Notes: The 984 Four Channel Mixer is an AC coupled 4-input, 4-output matrix with bass and treble tone controls for each output channel. Each input has a separate attenuator for each of the four channels. Thus a mixer of 16 input attenuators provides maximum channel separation, or variable combinations of volume balance. Tone controls for each of the output channels can attenuate or emphasize bass or treble signals. Flat signal response is archieved with the control settings kept at "5" on the potentiometers. These are 2-pole active tone controls.

Input Impedance: 25k ohms
Output Impedance: 5k ohms
Inputs: Four input potentiometers per channel
Outputs: Four
Frequency Response: Audio only, AC couplet, DC and Low Frequencies are blocked.

Specifications:
Power: +12 (45mA), -12 (45mA)
Depth: 40 mm
Doepfer compatible
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MRP:$642.51 SAVE 19%
 1 in stock $518.59
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Cat: 780127 Rel: 07 Jul 20 • View all Synth modules
 
Voltage controlled oscillator module
Notes: The AION 921ABB is a VCO-bank with two variable waveform generators which produces frequencies ranging from sub-audio (LFO) to 40.000 hz. Four waveforms are available: sine, triangular, sawtooth and rectangular (with variable duty cycle A.K.A. pulse width modulation).
Both oscillators are controlled by the driver on the left side of the module. 3 control inputs for frequency and 2 control inputs for PWM, as well as manual operation for frequency and pulse width. Each of the two oscillators has a frequency adjust pot, an octave switch, the 4 waveform outputs and one exponential and one linear input for frequency control. A switchable synchronization input for each oscillator completes the operability.

Frequency range:
0.01 hz - 40.000 hz

Range switch:
sub audio - 0.01 - 400 hz
audio - 1 - 40.000 hz

Scale switch:
2 or 12 octave frequency span.

Specifications:
Power: +12V (45mA) -12V (45mA)
Depth: 40mm
Doepfer compatible
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MRP:$729.61 SAVE 19%
 1 in stock $588.02
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Cat: 702734 Rel: 30 Oct 18 • View all DJ controllers
 
4-channel DJ system featuring versatile motorized jog wheels
Notes: Third-generation version of the go-to Traktor controller for most serious DJs. Motorised jog wheels, colour displays and all the goodies you'd expect from a pro option.

Supplier's notes:
TRAKTOR KONTROL S4 lets you connect with your tracks in entirely new ways: Not only do its motorized jog wheels spin and react to nudging, scratching, pitch-fading, and backspins, they transmit cue points, loop markers, and more direct to your fingertips. And with RGB LED rings and high-res colour displays keeping all the info you need front and centre in the booth, everything you need is right where you need it - so you're free to focus on your mix.

Haptic drive - the jog wheel, reinvented:

Haptic Drive gives you a new kind of feedback on touch-sensitive, motorized jog wheels. Change the torque and start/stop times to suit any DJ style - whether you're a laid-back beatmatcher or backspin aficionado. Get closer to your music in three modes - Turntable Mode, Jog Mode, and Beatgrid Adjust Mode.

Three modes - mix with more:

Spinning jog wheels in Turntable Mode let you nudge and scratch like you would with vinyl. Or use classic Jog Mode for spin-to-nudge response. Because you feel loops and cue points as you scroll past them, you can line up tracks in a second and let your fingers do the mixing. Beatgrid Adjust Mode lets you adjust the track's Beatgrid on the fly, so you're always in sync.

RGB light rings - your sound, surrounded:

RGB light rings around each jog wheel deliver quick, responsive tempo and nudging visualization on each deck. DJs using four decks can stay on-track with jog wheel color-coding, and track-end warnings make sure you're never caught out.

New mixer FX - your one-touch secret weapon:

Easy to use and instant - Mixer FX give you control over club-grade filters, delays, gates, reverbs, and more. They're great for big transitions, or to accentuate and control the nuances and ambience of your set - depending on the dancefloor. Use them either on their own, or in combination with the usual TRAKTOR Deck FX for fun ways to shift your sound.

Colour displays - all hands on deck:

Create quick and evolving mixes with everything you need in one place. Each high-resolution display shows track, key, tempo, looping, Hotcue, and waveform information. Control Stems and samples directly with dedicated controls, and access powerful software tools at your fingertips.

Hard to break - carbon protect faders:

Upside-down carbon strips in our revised fader design mean better protection from liquids, dust, and other substances, because they no longer fall onto the conductive carbon surface. It's a simple trick that makes a big difference to their durability - especially in a world of DJ-booth drinks and packed-out dancefloors.

All you need - expanded connectivity:

The TRAKTOR KONTROL S4 is equipped with an integrated, club-grade 24-bit / 96-kHz audio interface, with external input options on every channel. Connect turntables for crate-diggers, drum machines and synths for hybrid wizards, or anything else you can think of to push the boundaries of your mix. When connected to TRAKTOR PRO 3, the software adds headroom to the signal, before TRAKTOR KONTROL S4 gives it an analogue boost - meaning better sound at club levels.

Traktor Pro 3 - crafted to perform:

Audio engine improvements and a redesigned user interface make TRAKTOR PRO 3 the best-sounding and most powerful version yet. Dig into extensive re-editing and mixing possibilities with loops, Hotcues, Flux Mode, samples, beat-syncing, and the industry's largest FX suite - for easy experimentation and soundscape creation.
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MRP:$945.46 SAVE 28%
 More than 10 in stock $680.59
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quote 702734
Cat: 700865 Rel: 26 Oct 18 • View all DJ mixers
 
4-channel rotary mixer with 3-band frequency isolator for DJ's
Notes: Four-channel version of the hugely popular TRM-202 rotary mixer. Solid sound quality with three-band isolator section and two-band EQ per channel. Killer value for money.

Supplier notes:
The 2-channel version of this mixer, the TRM-202 MK3 from Omnitronic, was particularly popular with DJs of electronic music all over the world. With the TRM-402 4-channel rotary mixer, the popular concept is extended by 2 channels: Now nothing hinders a creative 4-deck DJ set or a flying change during a gig. Of course, this version also incorporates the classic features of a rotary mixer in the form of ALPS rotary controls (Blue Velvet RK27) and a 3-band frequency isolator.

Smooth transitions:

The high-quality components of the TRM-402 ensure an appealing sound image. The large rotary knobs of the 4 channels allow the DJ to create very smooth transitions, which are so difficult to set with a conventional mixer (with faders). All channels can be switched between line & phono inputs or sources. A microphone input is also available. The kill characteristic of the isolator ensures the complete elimination of bass, midrange and treble and thus creative mixing.

Recording your own set:

The TRM-402 is equipped with a booth output and a separate volume control. So the use of the mixer in the club is no problem at all. Thanks to the record out, it is also possible to record your own DJ set.
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 More than 10 in stock $502.81
Cat: 717586 Rel: 12 Jun 19 • View all DJ turntables
 
Professional direct drive turntable
Notes: The legend is back. Updated and re-engineered for the 21st century, the classic Technics DJ turntable remains the industry standard. Top sound, top build quality.

Supplier notes:
The SL-1210MK7 is the newest model of the SL-1210 Series. For the development of this model, all that modern-day DJs need and want was reviewed from the ground up. At the drive section of the MK7 is a coreless direct drive motor. While achieving both stable rotation and powerful torque, this has successfully eliminated a rotation irregularity called cogging, which was the only drawback of the direct drive system. As a result, sound quality was further improved. The pitch control incorporates digital control to achieve improved tracking performance and accuracy. The buttons and tonearm are black to complete the all black design, and the LED light can be set to illuminate in red or blue. A reverse play function has been added to expand the breadth of DJ play style. With those features and functions, the MK7 aims to set a new standard for DJ turntables.
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 5 in stock $840.48
Cat: 573213 Rel: 11 May 15 • View all DJ mixers
 
4+1 channel DJ mixer with built-in 16 channel 96kHz 24bit internal soundcard, Serato DJ and DVS Upgrade Ready
Notes: Aimed at software DJs, the 43C is a more digital-friendly offering from A&H, featuring a built-in audio interface and features designed with Serato in mind. Excellent filters, EQ and build quality make it a great choice.

Supplier's notes:
Xone:43C is the perfect gateway to the full spectrum of digital DJing. The mixer is supported by leading DJ Software, Serato DJ, and is DVS upgrade ready with the addition of the Serato DJ Club Kit - eliminating the need for any external interface. Whatever your workflow, Xone:43C delivers a uniquely fluid mixing experience.

Xone:43C is a 4+1 channel mixer, offering a simple and intuitive layout with sublime analogue audio quality. The mixer is equipped with the legendary Xone filter, 3 band EQ, plus X:FX, giving a single control per channel over the send/return to work with external FX units. For even more hands-on creativity, the X:FX can also be routed to the Xone filter to add layers of FX and filtering. Xone:43C also incorporates a premium quality internal 16 Channel USB Soundcard for integration into digital DJ workflows, plus plug n' play connection via X:LINK to Xone:K series controllers for expanded MIDI control.

The crossfader has three switchable curve settings for blending or scratching styles and can be easily replaced or upgraded to a custom Innofader for ultimate crossfader performance.

With balanced XLR main outputs, independent booth and record outputs, Xone:43C has the quality and versatility to become the centrepiece of the club booth or audiophile personal DJ setup.

Xone:43C is an affordable, elegant solution for using Serato NoiseMap Control Vinyl or CDs for hands-on control over Serato DJ software. For new users, simply purchase the Serato DJ Club Kit which is available in-app within Serato DJ or via the Serato Online Store.

Xone:43C offers a convenient, plug 'n play route into DVS DJing, eliminiating the expense and clutter of using an external interface. (Mixer does not support full control of Serato Video).

Xone:43C incorporates a high specification 16 Channel 96kHz, 24bit USB Soundcard, allowing it to be seamlessly integrated into digital DJ workflows.

The original and best. The Xone filter is a legend in the DJ booth - none of its imitators come close. Xone:43C's filter includes HPF, BPF, LPF, resonance control and frequency sweep, plus the option to route the X:FX to the filter.

An intuitive and simple new way to work with external FX - X:FX provides a single control per channel over the send/return to work with external FX units. For even more hands-on creativity, the X:FX can also be routed to the Xone filter to add layers of FX and filtering.. For even more hands-on creativity, the X:FX can also be routed to the Xone filter to add layers of FX and filtering.

For the ultimate digital DJ setup, connect Xone:K series controllers to the Xone:43C over X:Link for hands-on control over your software. When used with Serato DJ, the Xone:K1 is pre-mapped to control cues, loops and Serato DJ FX for control decks 1 through 4.

On top of its four fully featured phono/USB/line channels, Xone:43C has a flexible mic / aux input with XLR and phono connectors. If you don't perform with mics, the phono inputs allow this channel to be used as an extra stereo music source.

Upgrade to a custom Innofader crossfader (available separately) for ultimate performance. Always a popular choice for scratch DJs.

Fully fledged local monitor (booth) output and separate Record output to capture the mix is a rarity at this price point, making Xone:43C perfect for the DJ who requires a compact mix tool.
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 4 in stock $672.05
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Cat: 749527 Rel: 06 Jan 20 • View all Effects units
 
delay desktop effects unit
Notes: The legendary UK label collabs with one of our favourite hardware brands to create a stereo delay unit with valve circuits, analogue filter and huge creative potential. Sounds amazing on pretty much any signal you feed it.

Supplier's notes:
Ninja Tune - an English independent record label based in London and Erica Synths have teamed up to create a custom dub delay effects unit, the Zen Delay.
Features
Controls: delay time, feedback, delay mod (5 presets), tap button, dry/wet, bypass switch, filter cutoff, resonance, drive, input level, filter mode

Inputs
Stereo In: 2x standard jack

MIDI In: standard MIDI socket

CV In: standard jack

Outputs

Stereo Out: 2 x standard jack

Delay times: 1-5000ms with 1/8...x8 of clock/tap rate in beat mode (up to 50 sec)

Inspired by a trip to Berlin's trailblazing music hardware trade show Superbooth, Coldcut's Matt Black and longtime friend Dr Walker (Liquid Sky artist collective / Air Liquide) envisaged the exciting possibilities of a custom hardware effects unit. The result is the creation of the Zen Delay i the first-ever hardware effects unit produced in collaboration with an electronic music label.

Bringing together the best of the digital and analogue worlds, the Zen Delay is a BPM-synced stereo delay line, combining extreme feedback ranges for dub and experimental lo-fi effects with a multi-mode 24 dB synth filter and valve overdrive.

Created and manufactured by Erica Synths, the unit is housed in a metal case with Erica Synths' signature bakelite knobs and a valve circuit for extra analogue warmth. While sonically versatile, it is incredibly easy to use each function has a physical knob that you can play around with without diving into manuals or scrolling through menus on a tiny screen.

Crafted in close collaboration with DJs and producers, the Zen Delay was uniquely developed with both live and studio use in mind and is suitable for many different performance situations, musical styles and instruments. While most delay devices are designed as 'stomp boxes' for guitarists, the device is equally powerful in the hands of electronic music producers, artists and DJs, adding a unique, warm and powerful sonic character to drum machines, loops, vocals, synths, samples or any other source. Even full tracks or a live stereo mix can be enhanced by the combination of analogue and digital circuitry, breathing new life into iPad performances and giving traditional digital synths and drum machines a huge kick.

The Zen Delay is a product of our expertise on vacuum tube designs, our powerful, custom DSP platform and the great sound of our filter ICs made and developed in Latvia. It by far exceeded expectations in terms of how it sounds and feels when played. - Girts Ozolin

The Zen Delay is the analogue delay unit I've been waiting for. Stereo warmth, tone and texture. Perfect for live abusage, and studio madness love it - The Bug

The Zen excels at the sort of extreme dub possibilities Coldcut love. Feed it back! - Matt Black

For years I have dreamed of a state-of-the-art stereo valve dub delay for my MPC that perfectly masters all sound aesthetics from "badass" to "psychedelic hypnotically trashed" and now, have a look! There it is... the Zen Delay! - Dr Walker

Power: 12v (power supply for worldwide use is included)
In/Out levels: 3.2v peak to peak
DAC
114 dB dynamic range

-100dB THD+N

ADC
108 dB dynamic range

-98 dB THD+N

Dimensions: 21 x 15 x 5 cm
Weight: 870g
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 9 in stock $544.88
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Cat: 757240 Rel: 05 Feb 20 • View all Synthesisers
 
polyphonic wavetable synthesiser
Notes: Stunning wavetable business from rising British synth brand Modal. Eight-voice synth engine with incredible sound. Great value. Check out our full review.

Supplier's notes:
Based around its revolutionary new wavetable synthesiser engine, Argon8 derives much of its heritage and DNA from the highly acclaimed Modal 002.

Bringing eight voices of true polyphony in a professional quality package with features previously never seen at this price point.

Modal Argon8 provides a Class Compliant USB MIDI connection, enabling Argon8 to play in an integrated setup, and the free software editor ModalApp is available on MacOSX, Windows, iOS and Android tablets and phones as well as a VST3 and AU plugin for DAW applications.

Oscillators
120 carefully crafted wavetables split into 24 banks of 5 morphable waveform sets, covering virtual analogue classics through to cutting edge EDM and many from the original Modal 002 as well as a whole range of mathematically generated tables. Additional PWM bank and 3 noise/modulation banks accessible on Oscillator 2

28 static wavetable processors including de-rez, wave folders, wave shapers, phase shapers and rectify that can be applied to the 120 wavetables to give a mind boggling array of permutations and new waveshapes

32 high resolution wavetable oscillators, 4 per voice, with 8 types of oscillator modifier including: Phase Mod (FM), Ring Mod, Amp Mod, Hard Sync and Windowed Sync

Keyboard
FATAR TP9/S Full size 37 key keybed with both velocity and aftertouch

1.54 inch large OLED display - that provides instant visual feedback to the user at all times of playing/editing

Multiple keyboard modes, Mono, Poly, Unison 2, unison 4, unison 8, Stack 2 and Stack 4

Inbuilt sophisticated programmable arpeggiator of 32 steps with rest capability with up to 2048 steps before repeating

Glide/Portamento with both legato and staccato modes

Filter
Two pole morphing resonant filter with multiple filter types

Filter can be morphed from low pass, through band pass, to high pass

Modulation
Hugely powerful "Mod Matrix" with eight assignable slots with four additional fixed routes, 11 mod sources and 52 destinations

A 4-axis joystick that can be assigned to a huge range of modulation destinations and virtually 'locked' when desired

Three dedicated envelope generators for AMP, MOD and FILTER that can be accessed independently or all three simultaneously including negative (reverse) versions

Two Audio rate LFO's with tempo sync (one poly, one global). Polyphonic LFO can sync to frequency divisions

FX
Waveshaping distortion

Three incredibly powerful independent and user configurable stereo FX engines that can create sophisticated Delays, lush Reverbs, Flanging, Phasing, and Rich Choruses

Sequencer
Real time sequencer with 512 notes with input quantise and four recordable / editable parameter animations

Delay FX, LFO's, sequencer and arpeggiator can be either clocked internally or externally

Storage
500 patch memories, all fully editable and ships with 300 factory programs and 200 user patch spaces. Patch upload and download through the free MODALapp

100 sequencer presets and 100 FX presets

Connectivity
Analogue clock sync in and out (configured to the KORG / Teenage Engineering specification)

MIDI DIN in and out

Full size quarter inch jacks for stereo audio outs, headphones and external control such as sustain and expression

3.5 mm stereo input with ability to route incoming audio through the FX

Class compliant MIDI provided over USB connection to host computer or tablet

Optional software editor available for macOS, Windows, iOS, Android with VST3 and AU compatibility - MODALapp can be run within your Digital Audio Workstation (DAW)

Power: DC-9.0V-1.5A

Physical
Road ready Steel and Aluminium chassis
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MRP:$730.87 SAVE 26%
 2 in stock $541.74
Cat: 763237 Rel: 21 May 20 • View all Synthesisers
 
hybrid synthesiser
Notes: Limited edition version of the excellent Medusa, combining the best of Polyend's digital sequencer knowledge with a Dreadbox hybrid synth engine.

Supplier's notes:
The whole is greater than the sum of its parts.
The Medusa Hybrid Synthesizer is a fruit of a collaboration between Dreadbox and Polyend companies. It has emerged from both teams unusual approach to integrating analog and digital domains into a totally new quality. The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds. Seems like a simple addition, but this fusion brings something that has never been available before.

The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds. Seems like a simple addition, but this fusion brings something that has never been available before.

64 fully responsive and customizable, three-dimension expressive pads with assignable musical scales and different layouts.
The Grid is storing 128 presets of voices, chords memory, sequences and more than one hundred modulators per step.
Choose any modulation parameter per preset for X, Y and Z pressure axis.
Three sequencing modes: step, live and incremental.
Unique musical controller, sequencer and powerful modulation source fixed in one powerful Grid.
Sequence notes, modulation parameter locks or even entire synth voice presets per step.
Separate voice, notes sequence and modulation randomizer onboard.
All the necessary Grid information is given on a crispy OLED display.

The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds.
Seems like a simple addition, but this fusion brings something that has never been available before.

You like it digital
or prefer analog?
Medusa has it all.
medusa
Three synchronizable analog oscillators with the choice of four classic wave types for each of them.
One 24dB classic Dreadbox analog filter with three different types (2pole LP, 4pole LP, HP).
Frequency modulation separately for analog oscillators and filter.
Analog noise generator with colour shaping.
Three digital wavetable oscillators with a choice of 64 morphable wavetables.
Three different play modes: monophonic, semi polyphonic x3, semi polyphonic x6.
Audio input lets you use the power of Medusa sound engine with external audio sources.
Second OLED screen to display all necessary synthesis data.
Independence. Times ten.
Five independent and adjustable low-frequency oscillators with an extensive pool of parameters to control.
Five independent, adjustable and loopable DADSR envelopes with a wide list of parameters to assign.
Mixer for all seven paths of independent analog, digital and noise voices.
Separate volume control for headphones and master audio outputs.
Implemented MIDI protocol with bi-directional USB and DIN input, output and through. MPE compatible controller.
Sustain notes using the Drone mode. Transpose the running sequences.

The build.
All that analog and digital functionality merged in a one clearly marked layout sealed in a sturdy tabletop aluminium chassis. Handily placed aluminium covered knobs, informative LED buttons for the comfort of use. The Grid pads made of specially designed silicone, so their immaculately matched density and firmness are providing an instant and precise response.

Once you start, you can't stop.
It's all about innovation, revealing new quality and ideas in music. Medusa Hybrid Synthesizer materialized from the genuine passion and a firm relationship between Dreadbox and Polyend synthesized in the proper way. At first, there was a desire to add a simple sequencer and preset functionality to the famous Dreadbox analog synthesizer. But as the more you have, the more you want, this liaison grew up to something utterly unique and totally different than initially planned. We literally had to limit ourselves from tucking more and more new ideas for Medusa functionality, just like you're going to have to withhold yourself from tweaking it all the time. Careful, Medusa might be dangerously absorbing and can drag you in for a long time.

Medusa Black Limited Edition
The Medusa Hybrid Synthesizer is a fruit of a collaboration between Dreadbox and Polyend companies. It has emerged from both teams an unusual approach to integrating analogue and digital domains into a new quality.

Colourful knobs included in every purchase.
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MRP:$756.12 SAVE 15%
 More than 10 in stock $641.67
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quote 763237
MFB
Cat: 689673 Rel: 07 Mar 19 • View all Drum machines
 
Hybrid analogue & sample based drum machine
Notes: Analogue-focused drum machine and synth from a consistently innovative German brand. Great sound and extensive programming capabilities for studio and stage.

Supplier's notes:
The Tanzbar 2 is a further development of the successful Tanzbar with a slightly different concept. Here, in addition to the LCD display, emphasis was placed on a hybrid structure, which allows the sounds to be selected more versatile, and the bass voice has also been upgraded to a fully-fledged synthesizer.

The drum machine features 7 analogue percussion instruments, an analogue bass synthesizer, 3 digital sample voices with analogue multifilters and 10 sample instruments, of which 2 instruments share a sample voice. The samples can be exchanged via a free tool offered on our website and allow everyone to have their own personal drum sound. The sample memory contains around 300 seconds for 208 samples.

Also noteworthy is that each instrument has its own LFO (replaces the "Bend function in the predecessor Tanzbar) and thus does not stand in the way of diverse modulations. The sequencer has chase programming and can store 100 patterns. The patterns can be chained via "CHAIN" and have up to 64 steps (A / B / C / D). Furthermore, 16 different Flames can be programmed, multiple triggers are a breeze. The plumb line can be adjusted individually for each instrument, making it easy to realize polymetric grooves. 32th, 16th or 16th / 8th triplet is adjustable as a metric.

There are 4 different Accente available by instrument. The sound parameters can be recorded by step recording. Two tracks appeal to external Midi instruments, practically, no external sequencer needed! The shuffle can be individually or globally regulated in strength. Step programming also sends Midi Out and of course can control other sound sources.

The drum computer can be synchronized via USB or MIDI via Midi Clock. In addition to a master volume, each instrument has its own volume slider (except for four sample voices where this is controlled via the endless dial) and the mute button mutes the individual instruments. There are 12 single outputs (mini jack) and a stereo output (large stereo jack) available.
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Moog DFAM Semi Modular Analogue Percussion Synthesizer (percussion synthesizer/drum machine)
Cat: 675126 Rel: 09 Mar 18 • View all Drum machines
 
Semi-modular analogue drum machine
Notes: The Drummer From Another Mother is Moog's take on a drum machine. Essentially a semi-modular synth with a built-in sequencer, all designed to create unique percussion sounds. Hugely creative

Supplier's notes:
DFAM is the first addition to the Mother ecosystem of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions.

Activated by an easy-to-use analog sequencer, DFAM's emotive sound begins with a white noise generator and two wide-range analog oscillators - effortlessly transitioning between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM's distinctive voice is then shaped by a classic Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangourous accentuations.

DFAM behaves much like a living organism, reacting in different ways to different individuals. 3 dedicated analog envelopes work dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and sonic chaos can be created or subdued at the turn of a knob.

Each DFAM ships with a package of Moog patch cables that unlock access to the 24-point modular patchbay. Use it to create new sounds or bizarre behaviours, synchronize an unlimited number of DFAM and Mother-32 units together, or fully integrate your analog instrument into a modular Eurorack production environment.

Through exploration and experimentation, the vast potential of this expressive analog instrument is realized.
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MRP:$819.23 SAVE 32%
 5 in stock $557.62
Cat: 719647 Rel: 10 Jun 19 • View all Synthesisers
 
Modular synthesiser starter rack
Notes: Complete starter setup of Tangible's AE system, designed as an affordable way into Eurorack modular. Everything you need to get started, including oscillators, filters and much more.

Supplier's notes:
A complete AE modular system in a two-row Rack (32 AE module units in complete); containing the following modules:

- MASTER
- 2OSC/D
- VCO
- NOISE
- 2 x LFO
- FILTER (Wasp type)
- SVFILTER
- 2ENV
- 2VCA
- LOGIC
- SAMPLE&HOLD
- BEATDIVIDER
- TRIQ164
- 2ATT/CV
- MIXER
- DELAY

The case is extendable; via a joint kit (not included) another case of this type can be attached at a free angle; the bus is connected via a short connector cable.

It is shipped complete with power supply unit, MIDI breakout cable, a bunch of patch wires of every type and a quick start guide.
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 5 in stock $553.30
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Cat: 731197 Rel: 24 Jun 19 • View all Samplers
 
Compact sampling studio
Notes: Innovative little sampler groovebox. Works as a standalone unit or as a sequencer for other gear. A nice left-field alternative to the usual MPCs and Electribes.

Supplier's notes:
Blackbox is a portable sampler and groovebox that lets you record, save/load, apply effects and edit one-shot samples and beat-sliced loops. Create sequences with samples by tapping on pads, playing a virtual keyboard, using external MIDI controllers or by drawing-in notes using a standard Piano Roll editor on a fast touchscreen interface. Sequences can be played back to create song sections and entire compositions. Finish your song by mixing it, adding stereo effects and by saving it as a Preset for fast and easy recall.

Perform songs live and trigger samples on the fly. Blackbox makes it easy to create and perform music anywhere thanks to its compact and rock-solid hardware design. Just throw it in a backpack and hit the club.

Record hours of song ideas, jam sessions, and performances thanks to a microSD slot that enables you to expand internal memory.

Blackbox comes with gigabytes of premium samples and loops by SoundTrack Loops and Loopmasters to let you start making beats right out of the box.

Blackbox - your own personal sampler.

What Is Included:

- Blackbox compact sampling studio
- MicroSD card with blackbox firmware, about 60 presets and approximately 900 WAV files
- USB power cable and USB wall wart with 3 international adapters
- 2 MIDI Adapters - Male 3.5mm TRS to Female 5 pin DIN, MIDI Class B standard
- Quick Start guide to get you playing right away
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 More than 10 in stock $571.18
Cat: 775085 Rel: 22 Jun 20 • View all Synth modules
 
sampling module
Notes: Updated version of the excellent Bitbox sampler module offers more powerful sound processing and an improved touch screen. Improved effects and mixing with all the same creative power of the original.

Supplier notes:
Bitbox mk2 delivers powerful sampling and mangling for Eurorack. With this module you can add recording, sample playback, clip launching, slicing, granular sounds and musically intelligent looping capabilities to your Eurorack rig. With a 3.5 inch touchscreen, bitbox mk2 makes easy work of selecting, editing, and tweaking your samples. You can stream large samples of up to 4 GB file size straight from the microSD card. Interact with other musical components via CV and MIDI. Tweak your configurations to get them just right, then save them to multiple presets for future reuse. With the new bitbox mk2 hardware, you can now do more with the new more powerful processor.

Sample Playback
Play up to 24 polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger samples streaming directly from the microSD card
Configure 16 sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Use MIDI for polyphonic playback of samples or slices
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Record Eurorack level audio straight into the module:

Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer
Sample Modes
Find creative ways of using your samples with our 5 sample playback modes:

Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode
Inputs and Outputs
Connect up to 8 CV modulators to control numerous sample parameters
Trigger each of the 16 pads with a dedicated gate input
Record through the dedicated stereo audio input pair
Use CV to keep time through the dedicated clock input
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Route the audio from each pad out to one of 2 stereo audio output pairs or any of the corresponding single channels
Inputs and outputs are DC coupled so you can record and play out CV signals

External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Trigger each pad independently through a dedicated gate input
Use MIDI to trigger pads via a note per pad
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode- no need to look up CC numbers
Module Features
Use the 3.5? diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Fill out your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Select Flipped UI mode to mount the unit with the screen on the bottom and use the screen, knobs, buttons, and CV jacks as you normally would
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 8 in stock $608.00
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Cat: 571031 Rel: 09 Sep 16 • View all Audio & MIDI interfaces
 
Professional quality USB audio interface & fully programmable mixer
Notes: K-Mix is Keith McMillen's newest innovation: an unbreakable, 8-in/10-out audio interface and programmable mixer. K-Mix features 2 ultra-accurate, high-efficiency low noise uPre preamps, and a precision opto-tactile control surface that was designed from the ground up for an unprecedented level of control. Keith McMillen have made super clean audio more accessible, so you can focus on the music. K-Mix is a go-anywhere, fully-programmable, audio multi-tool that can meet all your needs as an artist, whether you're in the studio or on the road. With no moving parts, K-Mix can be transported in a backpack without the fear of snapping off a fader or knob, while still giving you unrivaled audio quality, mixer functionality, and control. K-Mix is a pro-quality USB audio interface with transparent uPre preamps for superb quality audio recording in the studio or on the stage. K-Mix is a fully programmable mixer that features flexible routing, per-channel DSP, and can function without a computer. K-Mix features an unbreakable precision opto-tactile control surface designed from the ground up to command any DAW.

Audio Interface:

- USB Bus Powered
- Ultra-Low Noise uPre Preamps
- High-End AKM Converters
- 32-bit Floating Point Signal Path
- 8-in/10-out Audio

Programmable Mixer:

- Per Channel DSP
- Flexible Routing
- Standalone Quad 5.1, 7.1 and Octo Surround Mixer
- Onboard Preset Storage
- No Computer Required

Control Surface:

- Ultra-Sensitive Precision Rotaries and Faders
- User Assignable MIDI Controls
- Light Weight and Portable
- Rugged Construction, No Moving Parts
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 4 in stock $576.44
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Cat: 624262 Rel: 24 Jan 17 • View all Synthesisers
 
Tabletop analog synth module based on Korg's revived Arp Odyssey synthesiser - white
Notes: Legendary sound that connects the past with the present - reborn again as an analog synthesizer module.

Since its appearance in 1972, the ARP Odyssey has been loved by countless musicians as a classic analog synthesizer. Forty years later, in 2015, with the advisory assistance of David Friend, co-founder of the ARP Instruments company, KORG resurrected the ARP ODYSSEY with a complete reproduction of the ARP Odyssey's original circuitry. The ARP sound, which continues to be envied as an iconic analog synthesizer, was once again back in the hands of today's musicians. Now, KORG has further broadened the reach of the ARP ODYSSEY in today's world by releasing a new model.

The ARP ODYSSEY Module is a keyboard-less ARP ODYSSEY with the very same analog synthesis circuitry that completely reproduces the original. To fit perfectly in today's DAW-centric music production environments, we provide it in a more compact module form. The line-up includes two models, the white Rev1 and the black and orange Rev3, reproducing traditional styling in a cutting-edge tabletop body. The real ARP sound that transcends history is once again available to the world.

An ARP ODYSSEY module that emanates synthesis power from your tabletop:

The ARP ODYSSEY Module is a tabletop analog synth module based on KORG's revived ARP ODYSSEY. In its compact, keyboard-less body, it contains the exact same circuitry as the original, making it even easier for you to obtain that rich analog sound that only a genuine ARP ODYSSEY can produce.

By adding the ARP ODYSSEY Module to their setup, DAW users can enhance their production environment with powerful analog sound that cannot be obtained from any plugin. You can also perform in conjunction with a sequencer such as the KORG SQ-1. If you're a player with a keyboard that you prefer, you can connect the ARP ODYSSEY Module via MIDI to your favourite keyboard and play it to your heart's content. In addition, the ARP ODYSSEY Module newly supports MIDI pitch bend.

Lineup includes the historical Rev1 and Rev3 designs:

The ARP ODYSSEY Module lineup includes the best-known Rev3 design with its characteristic black panel and orange silk-screening, as well as the white-panelled Rev1 design that marks this instrument's historic beginning. The unique shape of the slider grips, their smooth operating feel, and the layout of the switches all perfectly reproduce the layout of the original despite the compact module design.

The body, on the other hand, has been redesigned for its new life in module form, featuring a sturdy steel chassis befitting the weighty sounds produced by this instrument throughout its forty-year history.
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 3 in stock $520.70
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Cat: 620692 Rel: 10 Aug 16 • View all Synth modules
 
Stereo rhythmic delay & stereo comb resonator synth module in Eurorack format - 36 HP wide
Notes: The Intellijel/Cylonix RAINMAKER eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.

The stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#'s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.

The stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce "Karplus-Strong" types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v/oct input voltage.

The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.
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 3 in stock $629.04
Cat: 557456 Rel: 19 Dec 14 • View all Synth modules
 
Reverb synth module with size ranges from "coffin" to "the heavens"
Notes: The Erbe-Verb is more than a collection of reverb algorithms or presets, it is a unique, modeless, continuously variable reverb algorithm with complete voltage control.

Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The continuously variable algorithm allows for hybrid and unreal spaces to be found.

Traveling between spaces is possible by modulating the algorithm or manually sweeping parameters. More than an end-of-chain effects unit, it's a whole new building block for modular synthesis. Like the Echophon, it's coded by Tom Erbe of soundhack.
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 1 in stock $502.81
Cat: 718642 Rel: 18 Mar 20 • View all Audio & MIDI interfaces
 
Next generation audio interface featuring 2 DiscretePRO microphone preamps
Notes: Ultra-versatile interface from Arturia. Small format for desktop use but absolutely packed with connectivity, including MIDI, ADAT expansion, clock, USB hub, and multi-speaker support.

Supplier's notes:
You're making tomorrow's music... so why settle for yesterday's interface? AudioFuse is the revolutionary pro audio interface that sets a new standard in sonic quality, creative production and value. It fuses the superior sound of high-end analogue studio consoles with the flexibility of a solid mobile interface - with all the connectivity you need for any recording or performance.

Whatever sound you need to capture, from the most delicate ambience to the heaviest cacophony, AudioFuse will reveal the beauty in everything.

Pro studio quality was our mantra right from the start with AudioFuse. Now you can transform your desktop, hotel room, concert - whatever, wherever - into a studio with world-class sound.

No compromises, each element of the AudioFuse has been selected to perfectly serve your sound, such as the two proprietary DiscretePRO microphone preamplifiers and the set of top-notch AD/DA converters.

Saving the purity of your sound and the passion it conveys is what AudioFuse is all about.

When creating and recording, you need an interface that lets you focus on the task at hand and keep distractions to a minimum.

With AudioFuse, we didn't want to settle for merely bringing you the sound quality of a pro studio, we wanted to bring you its workflow too. That's why you have detailed metering, talkback for instant communication with talent in the next room, inserts to add professional effects processing to your recording chain, A/B monitor switching, and direct access to the essential features so you can spend more time creating and less time setting up.

Wherever it comes from, whatever it has to travel through, and wherever it needs to go, AudioFuse will guide your sound.

AudioFuse connects with virtually everything: mics, instruments, turntables, studio equipment, Mac, PC, Linux, tablets, even iOS and Android phones. It all happens with a round-trip latency as low as 3 milliseconds so you'll feel right in the groove every time.

When you know your equipment is the best of the best, creativity can take care of itself.

When it is all about giving the best of yourself being able to rely on the best technologies becomes crucial. The lowest harmonic distortion, the most linear frequency response, the highest signal-to-noise ratio and the shortest latency, these technical terms may seem far removed from your creative process, but they are essential to delivering your music in the highest quality possible.

Capture the moment - at home, in the studio, on the road, or wherever creativity strikes.

AudioFuse has a super-solid aluminium chassis you can trust, complete with a hard cover to protect it from damage in your bag - or even just dust on your desktop. The build quality goes far beyond a great-looking exterior, as well. Your unit has to pass rigorous testing before it can be packed and shipped. It even comes with a test specification printout of your exact unit. Meet your new best friend for the studio and stage.
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MRP:$1,033.82 SAVE 19%
 2 in stock $839.42
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Cat: 714522 Rel: 22 Jan 19 • View all Synth modules
 
Dual voltage controlled oscillator (VCO) synth module - 30HP
Notes: The Furthrrrr Generator has a main oscillator (carrier) with an extensive and fully voltage controllable wave multiplier and a modulation oscillator (modulator) that can cross-modulate the carrier. Each oscillator has hard and soft sync and also features an integrated tuner: if both LEDs are lit the VCO is at note A. Left LED is lit at note Ab and right LED at A#. Frequency potentiometers are ten-turn models and thus allow for easy tuning. Frequency range of the VCOs is 10Hz-10kHz (and much lower in modulator's LFO mode). Both VCOs feature 2 frequency CV inputs (1x with bipolar attenuator, 1x with 1V/octave), one FM input (jumper selectable between linear and exponential FM) as well as separate input for hard and soft sync. The voltage characteristic can be selected between 1V/octave and 1.2V/octave (Buchla norm).

The main oscillator (carrier) outputs the waveforms sine, saw, square and white noise. The two outputs marked with the magic eye are outputs of the "harmonic section" that generates very complex sounds by the wave multiplier and its parameters symmetry, order and Furthrrrr in the module's right-hand section. Symmetry lowers the level of even harmonics and amplifies the odd harmonics (this affects the pulse wave's width as well). Order adds saturation to the high order harmonics and resembles a low pass filter. Furthrrrr alters the level of harmonics set by the other parameters and produces very interesting, partly brute sounds with lots of harmonics by clipping and folding the wave. All three parameters can be voltage controlled. The carrier oscillator also has inputs for hard and soft sync, the sync-switch can synch directly to the modulator.

The modulation oscillator (modulator) has three wave forms with direct outputs: sine, saw and square. Using the internal modulation via the "mood section" the waveform is selected with a button; an additional staircase wave form is available here, but it can be overridden by inserting a signal into the external input socket. A switch activates the LFO mode.

The Mood section is responsible for the internal modulation of the carrier by the modulator. Switches determine the modulation destination(s) that can be activated simultaneously. These are the Furthrrrr parameter of the harmonic section, the amplitude and the frequency of the carrier oscillator. The "balanced" switch activates the ring modulation between both VCOs. intensity of modulation is controlled by the "mood index" potentiometer and the according CV input with bipolar attenuator.
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 2 in stock $671.11
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Cat: 728570 Rel: 16 Jul 19 • View all Synth modules
 
26HP Eurorack spectral re-synthesiser module
Notes: Rossum Electro-Music Software Architect Bob Bliss (who also, as it happens, fathered E-mu's famed "EOS" Emulator Operating System) has created Panharmonium, a unique music and sound design tool that analyses the spectral content of any audio signal and uses that analysis to drive a bank of from 1 to 33 oscillators. Depending on various control settings, Panharmonium can accurately reproduce the input spectrum in real time or modify it in a multitude of wildly creative ways. All with an interface whose immediacy encourages performance and interaction.

Panharmonium input can be anything from a single oscillator to an entire mix (including vocals). From dense, swirling pads and drones that evolve with the input's changing spectrum, to clock-syncable spectral arpeggiation, to as-yet unnamed harmonic effects, Panharmonium opens up an entirely new world of sonic possibilities.

Additionally, Panharmonium can take a snapshot of an instantaneous spectrum and use that as a complex harmonic oscillator, which can then be modified and modulated by all of Panharmonium's other controls.

Panharmonium accomplishes its magic though a combination of functional submodules:

Spectral Analyser:

The Spectral Analyser provides tools for defining the analysis process.

- The Slice parameter sets the rate at which the incoming audio is transformed to spectral data. It can be set by the Slice and Multiplier controls, the Tap button, or by an external clock signal. Very short slice times result in real-time spectral data, while longer times can create rhythmic spectral patterns.
- The Centre Freq and Bandwidth controls (and associated CV inputs and attenuverters) control the range of frequencies to be analysed. The Bandwidth control allows the selection of narrow to wide pass bands on the left side of the pot and narrow to wide notches on the right side of the pot. The ability to sweep the frequency and modify the bandwidth under CV control opens up a wide range of sonic effects.
- The Freeze button lets you freeze the spectral integrator, sustaining the currently analysed spectrum.

Spectral Modifiers:

These controls allow you to creatively modify the analysed spectra.

- The Voice parameter lets you select from 1 to 33 oscillators to resynthesise the spectrum.
- The Blur parameter (and associated CV input) is a spectral lag processor that controls how quickly the spectrum can change.
- The Feedback control (and associated CV input) lets you route the re-synthesised audio back into the entire processing chain for subtle or dramatic feedback effects. At its max, the output becomes self-sustaining, even if the input is removed.

Oscillator Bank:

The Oscillator Bank resynthesises the analysed spectra.

- The Waveform parameter selects the oscillators' waveform. In addition to the usual sine, triangle, sawtooth and pulse waveforms, two special crossfading sine and sawtooth waveforms are included.
- The Freq control lets you tune the oscillators over a +/-7 semitone range. The frequency is further controlled by the 1V/Oct input and the FM input and attenuverter.
- The Octave control, not surprisingly, shifts the pitch of the output by octaves.
- The Glide parameter sets the amount of polyphonic glide (i.e., each oscillator has its own glide circuit).
- The Mix control (and associated CV input) sets the balance between the original input audio and the resynthesised audio.

Optional Functions:

A number of optional functions can be selected by using the Output Mode and Tap buttons.

- Holding the Output Mode button and adjusting the Slice control enables Drums Mode, which optimizes the spectral analysis for drums and other percussive inputs.
- Holding the Output Mode button and adjusting the Centre Freq control allows you to instead set the lower frequency of the analysis range.
- Holding the Output Mode button and adjusting the Freq control enables Spectral Warping. In contrast to conventional frequency adjustment, where the harmonic relationships between the spectral elements are preserved, Spectral Warping shifts the harmonic elements individually, producing a variety of clangourous, swarming textures.
- Holding the Tap button and adjusting the Freq control quantizes the resulting frequency adjustments to semitones.

Spectra Memories and Presets:

Panharmonium provides 12 user Spectra memories and 12 user Presets (in addition to 12 each factory memories).

- The Spectra memories let you store up to 12 frozen slices. When selected, a spectrum (up to 33 oscillators wide!) replaces any live input and can have its pitch controlled by the 1V/Oct input and FM controls.
- A Preset is a snapshot of all of the module settings, along with the value of any CVs present at the moment the preset is saved.

Panharmonium is 26HP wide and 25mm deep.
Power requirements (max): 140mA +12V, 30mA -12V. Reverse polarity protected.
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 3 in stock $502.81
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Cat: 777306 Rel: 30 Jun 20 • View all Synth modules
 
analog modular synthesiser
Notes: An all-in-one sound factory, the MODULOR114 eurorack analog modular synthesizer is our first product designed as a complete and powerful unit. A great entry ticket to the modular world for someone, a treasure trove of sounds for others, the MODULOR114 encloses the most sought-after analog textures and the modern additions that renders this product unique.

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MRP:$804.09 SAVE 29%
 2 in stock $570.13
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Cat: 563566 Rel: 10 Mar 15 • View all Synth modules
 
Dual complex morphable wavetable VCO eurorack synth module
Notes: Cylonix and Intellijel have collaborated to bring you a very sophisticated and deeply complex Wavetable VCO. At the core of this module is very powerful FPGA board that he has pushed to the absolute max of its capabilities and crammed full of features. We wanted to create a module that really worked well in the modular context so there are a lot of modulation and control possibilities.

CHORDS
Oscillator 1 can be operated in a CHORD mode, which runs 8 copies of the oscillator in parallel with adjustable detuning, leading to very fat, rich waveforms. The oscillators have extensive modulation capabilities including audio rate (98KHz) Frequency and Phase Modulation (FM and PM) via external sources. Nonlinear combination processes allow the outputs of the two oscillators to interact to generate complex timbres and sonic textures.
There are 64 user selectable chords.

WAVEFOLDER
The SHAPESHIFTER module also includes the analog wave folder circuitry from
module to add analog warmth and metallic rasps to the digital oscillator output.
External signals can also be patched in.

PRESETS
The module includes a sophisticated preset mode where panel settings can be stored. There are 12 user-programmable preset slots and another 52 volatile slots that can be used as a scratchpad. These scratchpad slots are initialized to interesting presets on module powerup. The capabilities of the preset mode is not limited to mere passive storage of settings, however. In this mode the user can also step through, or sequence, the settings, either in order or randomly in response to pulses input to the external sync input. This gives the user the ability to generate complex sequences of sounds. The preset mode also allows the user to morph between the current panel settings and a preset providing a very powerful real-time performance tool.

SYNC
8 Different sync modes: HARD, SOFT, REV, HOLD, BUMP, 2=1, 1=2, OFF
with the ability to internally sync to a sub oscillator

PULSE
User selectable modes for the PULSE output: OR, AND, XOR, GLCH, +OSC1, EOC, +OSC2, -OSC2

MOD A modes: (audio rate modulation)
COMBO IN, SHAPE IN, PHASEMOD, VOCODER

MOD B options (all with CV control)

-Combo modes for OSC1 and OSC2:
NORMAL, RING, MIN, PONG, INLV, AND, XOR, GLCH
-Waveform TILT
-Chord mode overdrive
-Delay depth and FB
-Percussive mode decay time
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 4 in stock $513.34
Cat: 451060 Rel: 02 May 12 • View all DJ effects & samplers
 
3-in-1 system comprising editing software, hardware and VST and AU plug-ins
Notes: The Pioneer RMX1000 remix station takes a totally new direction to effectors and samplers, the RMX-1000 is a 3-in-1 system comprising editing software, innovative performance hardware and VST and AU plug-ins.

Technological innovation is in Pioneer's DNA. So only Pioneer could produce a remix station that not only manipulates the input sound, but also lets DJs produce new beats and sounds and trigger personalised samples on the fly. And, thanks to Pioneer's Quantize function, they'll always be in time with their sets.

The RMX-1000 serves up all the possibilities of studio effects and beatboxes, with the added physicality of pro-DJ equipment. Intuitive performance interfaces from Pioneer's flagship mixers and effectors - such as the DJM-2000's Isolator FX, the DJM-900nexus's X-Pad and the EFX-1000's multiple FX chaining - have been evolved and brought together into one unit.

Simplifying these concepts even further, the RMX-1000 uses intuitive DJ controls to manipulate several parameters in macro. Each effect has been designed to work in a totally unique way with the interface, for results previously only possible with hours of studio automation or robot-like performance skills.

While the unit is incredibly simple to operate, DJs can still create a totally unique sound with Pioneer's remixbox editing software. remixbox allows DJs to completely customise the RMX-1000 hardware to their own performance style and load it up with their own banks of samples.

And, by saving their settings to an SD card, DJs can effectively take their own personalised DJ rig with them wherever they perform. Plus, Pioneer plans to upload internationally renowned DJs' settings and samples to its website so DJs can give themselves a head start. The hardware offers 3 ways to access settings. Default activates Pioneer's intuitive factory settings. And User settings can be stored on the unit, or on an SD card to be taken along to the booth, DJs simply plug their SD card in to get immediate access to their personalised controls. And Pioneer plans to make settings from internationally renowned DJs such as Chuckie, Kissy Sell Out, Kutski, James Zabiela, Doorly and Laidback Luke available for DJs to download.

Using the RMX-1000 as a USB controller for the, included, RMX-1000 VST and AU plug-ins gives DJs the same hands-on feel they get with studio DJ mixes, saving them from hours of editing and breathing new life into studio productions. As the first VST/AU controller dedicated to the DJ industry, the RMX-1000 brings the operability of hardware into the recording studio. By just plugging the unit into a laptop, DJs and producers can use the RMX-1000's dedicated controls to manipulate the VST/AU's exciting features.

The ultimate multi-use unit, the RMX-1000 can be used with mixers, CDJs and laptops in the booth, or with a PC in the studio for recording and producing.

With fully customisable settings, the RMX-1000 offers the kind of flexibility never before seen in hardware. The control parameters can be completely modified using the remixbox software included.

Designed by Pioneer exclusively for the RMX-1000, the remixbox software allows DJs to prepare mind-blowing sets - while the hardware leaves plenty of room for spontaneity on the night.

And DJs can use the software to modify the unit's features and change its parameters for a truly personalised DJing experience. By hovering their mouse over the remixbox's virtual RMX-1000, DJs can edit features, change parameters or adjust effects on the hardware itself.

There's no need to fiddle around with the mouse and keyboard: just hit a button, twist a dial, or turn a knob, the RMX-1000 literally puts every effect right at producers' fingertips.

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 1 in stock $640.62
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Cat: 625701 Rel: 30 Nov 16 • View all DJ mixers
 
2-channel mixer with club standard layout & Magvel Fader
Notes: The mid-range DJM450 offers features from Pioneer's flagship DJ mixers in a more affordable package. Two-channel design with all the Pioneer trademarks like effects and three-band EQ. Great value.

Supplier's notes:
With features and design inherited from the DJM-900NXS2, this 2-channel mixer is ideal to partner with any of our multiplayers or turntables. The Magvel fader combined with smooth EQ and channel fader curves give an assured feel to mixing. Sound Colour FX and Beat FX with parameter control open up new creative possibilities. And thanks to the 64-bit digital signal processer you'll enjoy warm, high-quality audio from both analogue and digital sound sources. The DJM-450 also comes bundled with licence keys for Rekordbox DJ and Rekordbox DVS, so you can DJ with tracks stored on your PC/Mac when using turntables and our control vinyl (available separately).

Professional layout:
- Mixing on the DJM-450 feels instinctive thanks to the layout design, which inherits traits from the DJM-900NXS2 professional mixer.

Smoother mixing:
- The EQ lets you balance the high, mid and low frequencies on every channel. Choose your preferred EQ level or use the isolator to totally eliminate each EQ band for the perfect mix.

Robust faders:
- Our robust Magvel Faders ensure smooth control over long-term use. Two metal shafts support the fader knobs, while the contact-free magnetic system is designed to endure millions of performances.

Professional FX:
- Engage 8 different types of Beat FX - Delay, Echo, Spiral, Reverb, Trans, Flanger, Pitch and Roll - in sync with the bpm. Or trigger 4 studio-quality Sound Colour FX - Dub Echo, Sweep, Noise and Filter - and use the parameter control knob to add more creativity to your mixes.

Rekordbox DJ bundled:
- You get a free Rekordbox DJ licence key bundled with this mixer. Simply activate your licence key for our DJ software, connect to your computer via USB, and start DJing.

Rekordbox DVS bundled:
- You also get a free licence key for Rekordbox DVS included in the box for low-latency scratching with CDJs and XDJs. Or play and scratch with tracks from your Rekordbox library using analogue turntables and the Control Vinyl (sold separately).

High-quality sound:
- Whether you're playing from digital or analogue sound sources, a warm, high-quality sound is created by the 64-bit digital signal processor using dithering technology.

Independent Send/Return:
- Use built-in FX and external FX from mobile apps at the same time. Simply connect your smartphone or tablet via USB to engage instrument and FX apps.

Flexible connectivity:
- The XLR terminal and gold-plated RCAs deliver premium sound quality on all connections. And the signal GND terminal easily attaches ground wires from analogue turntables.

Independent MIC section:
Use a microphone and the AUX input at the same time.
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Cat: 662886 Rel: 18 Sep 17 • View all DJ controllers
 
Professional grade 2 channel DVS-ready DJ controller
Notes: The DDJ-SR2 has dedicated key controls for Serato DJ, allowing you to control the software features with the push of a button. This 2-channel controller takes after our professional DJ gear with multicoloured Performance Pads and a spacious layout. Being compact and 18% lighter than the DDJ-SR, the DDJ-SR2 is easy to transport to any gig.

Enjoy a full package including the latest version of Serato DJ as well as the Pitch 'n Time DJ expansion pack, which lets you get creative with your track's key and BPM, even in extreme tempos.

Serato Pitch 'n Time DJ controls:
A series of dedicated buttons were created to trigger the key-related functions in Serato DJ. Switch between the Key Shift, Key Sync and Key Reset to play with keys without ever changing your tempo.

Multi-coloured Performance Pads:
Use the large, multi-coloured tactile Performance Pads to trigger the Hot Cues, Roll and Sampler features. Hit the pads and watch their colours change as they indicate the selected pad mode and playing status.

Portable design:
Take this controller with you wherever you go thanks to the easy grab handles and lightweight design. For simple plug-and-play connectivity you can choose between USB or AC power.

Multiple connections:
Balanced XLR outputs let you connect to a professional PA system, while a booth and 2 master outs allow you to monitor your mixes. Or use the DDJ-SR2 as a mixer with multiplayers or turntables using the line and phono inputs.

Large jog wheels:
It may be compact, but this controller features large, low-latency jog wheels to give you great scratch response and accuracy.

Integral control of Serato DJ:
Get involved with plug-and-play control of Serato DJ with dedicated buttons for FX and advanced features such as Hot cue, Slip mode, Roll and slicer. Simply connect your PC/Mac and start playing.
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 1 in stock $682.69
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Cat: 777388 Rel: 22 Jun 20 • View all Synthesisers
 
home-build analogue synthesiser
Notes: Top-of-the-range model in Teenage Engineering's kit-build modular synth range. Three oscillators, all the basic synth modules you'd expect, plus built-in sequencer and speaker.

Supplier notes:
POM-400 is a home-build analogue synthesizer with 3 oscillators, noise, random generator, 2 envelopes, 2 VCA's, LFO, filter, mixer, speakerbox, power pack and a 1-16 step sequencer. A Complete kit with powder-coated chassis, 16 modules, 15 patch cables, screwdriver, and an illustrated build guide.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, move on to mount the modules, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm

Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

SPECIFICATIONS
1 x POM-400 chassis
14 x Modules - M-1, M-2, M-3, M-4, 2x M-5, 2x M-6, M-7, M-8, M-9, M-10, M-11, M-12
1 x Battery Pack
1 x Distro
37 x Trim Knob
13 x Value Knob
15 x Audio Cable
14 x Chassis Screw
4 x Rubber Foot
1 x Screwdriver
1 x User's Manual

Added PO-Sync output, which allows for easy patching out and into the PO series. Use this jack to sync modular tempo with any pocket operator.
Speaker volume knob adjusted for intuitive control
Level on sequencer clock out adjusted to 5v from 10v
Output amplitude on white noise adjusted so now it can trigger envelopes
PSU has been improved, it is now more stable and offers a longer battery life
Oscillators have been retrimmed, giving an improved audio range to play with
Increased size of screw holes on powder coated aluminium chassis for easy building

MEET THE MODULES
M-1
square
square oscillator
Rich in odd harmonics, the square wave oscillator is great for hollow basses and screaming leads. The pulse width modulation (pwm) input makes it possible to generate
a faux two oscillator detune sound.

M-2
saw
sawtooth oscillator
Containing both the odd and even harmonics, the sawtooth is great for string types of sound. The linear frequency modulation input (fm) easily brings you into the sci-fi domain.

M-3
sine
sine oscillator
With no overtones the pure sine wave is a jack of all trades. From pure bass to dub sirens, it's the army knife of a modular system. The linear frequency modulation input (fm) easily brings you into the sci-fi domain.

M-4
filter
low pass filter
Shape your sound with the 24db/oct low pass filter. Get lost in space while tweaking the resonance and frequency pots.

M-5
env
envelope
A classic. Attack, decay, sustain and release. Give your sonic creation the contour it deserves. Triggered by any signal that crosses the two volt threshold.

M-6
vca
voltage control amplifier
Automate your volume! Feed it control voltage and your signal will adapt accordingly. Best friends with the envelope for classic configurations, and your oscillator in wired configurations

M-7
mixer
3-channel mixer
A necessity in all modular systems. Three inputs, one output, with volume control over both the individual inputs as well as the master output.

M-8
noise
2 x noise
The white noise contains noise equal over the whole spectrum. The saw output is a perfect companion for the sample and hold.

M-9
rand
Randomise your music with the sample and hold. Any input is sampled and then presented at the outputs. Rate can be controlled both externally and internally, but always needs an external signal to sample. Experiment with both receptive and random sources as the sample input.

M-10
lfo
low frequency oscillator
Generating both square as well as triangle waves, the low frequency oscillator is the perfect tool to spice up your patches. Great in everything from automated filter sweeps to syncing the clocks.

M-11
speaker
amplifier+speaker bellow
Cables goes in, sounds come out. Show off your amazing patch to the rest of the world. Let them hear it.
Warning: never connect headphones directly to the outputs! You can damage your ears and your headphones.

M-12
sequencer
16-step sequencer
Sixteen steps of control. Override the internal clock with the clock input. Send clock out or PO Sync out. Make it go backwards with the arrow input. Jump to the first step, the second, fourth or eight step with the reset and binary.
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 2 in stock $500.70
Cat: 717786 Rel: 05 Jun 19 • View all Effects pedals
 
Multi effects pedal featuring 164 effects, 108 preamp models, and more
Notes: The GE300 from MOOER is the flagship multi-effect instrument processor. By combining the well-received Micro Preamp series, TONE CAPTURE instrument matching technology, tri-voice polyphonic synthesizer module, and a wide-range of guitar effects and tools, the GE300 embellishes every single motive for creation from your mind with nuanced details.

The GE300 contains dual-DSP processors delivering the fastidious detailed characterizes of every delay, reverb, modulation or amp model inside. Thanks to the intuitive and simple UI, controls, and connection ports, the GE300 is an all-in-one working station for musicians whether in a live situation, at home, or in the studio. With the synth module, your instrument will be transformed into an electronic synthesizer without the need for special pickups or instrument modifications, allowing you to spark your creativity with more possibilities.

The SYNTH ENGINE has 3 independent voices with their own parameters for waveform, pitch, attack, level, filter and arpeggiator. The signal path from the instrument input is split and routed directly to the front of each synth voice so they remain completely parallel and independent from one another. The thru dry signal can also be mixed parallel to the entire synth effect block, so you can opt for synth only or mix it with your guitar signal.

TONE CAPTURE is an intelligent learning and comparison engine that can be used to create your very own digital models by sampling real-life equipment. The GE300 is the only MOOER product that features three different TONE CAPTURE modes.

AMP & STOMP MODE can be used to sample your favourite stomp box or amplifier. This can then be applied to an existing amp or drive pedal model within a preset to transform it into your sample.

GUITAR MODE allows you to capture the EQ characteristics of your instrument. Have you ever found yourself searching for a single instrument that has all the different guitar sounds you need? Be it classic country twang, warm ballsy blue tones, the funkadelic "4-position", tight thrashing djent, Piezo acoustic-electric - GUITAR MODE can sample any guitar, provided it has some form of pickup, and create a detailed digital guitar model using MOOER's proprietary non-linear IR technology.

CAB MODE allows you to create your own Impulse Response models of speaker cabinets to use instead of using the CAB effect block already installed on the GE300. GE300 has 108 digital amp models that utilize MOOER's non-linear amp modelling technology.

Each model has been designed based on samples taken directly from real-life tube amplifiers. It is not only the accurate recurrence of the original amps' tone but also the dynamics and feel of a real tube amp. 43 IR based factory speaker cab models with 20 user slots to load in your favourite 3rd party IR files. (Up to 2048 sample pts) 164 high-quality effects that cover all the bases from your favourite stompboxes, plugins and studio rack units. 30 minute capacity loop station with undo/redo, direct dubbing, reverse + 1/2 time effects. Looper sessions can be stored and backed up for import /export of audio files. Recall that new song idea you had any time, or load in your favourite backing tracks to jam along with!

MIDI IN/MIDI OUT/THRU with easy mapping and external ctrl switching to control your other pedals and amps. Direct, low latency USB audio lets GE300 double up as a digital audio interface and become a "one-stop-shop" solution for recording guitar. Apart from that, editor software on computer makes it an all in one working station. Firmware update via USB available.
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 2 in stock $559.62
Cat: 449453 Rel: 07 Mar 12 • View all Theremins
 
Fully assembled theremin in ash cabinet, can also be used as a stand-alone CV controller
Notes: The Etherwave Plus has all the great features and tone of Moog's standard Etherwave theremin.

The Etherwave Plus makes it an ideal controller and performance instrument.

The CV outputs control signals are proportional to the pitch and volume of the Theremin's audio signal. Connect to the pitch and volume CV inputs of a Little Phatty, Voyager or other analog synthesizer for a completely new way to play your synth. These CV signals are not limited to pitch and volume control. Route them to any CV destination and create a new world of expression. Control anything from the cutoff frequency of a Moog Ladder Filter or the LFO Amount on a Moogerfooger Ring Modulator to the stereo panning on a Minimoog Voyager.

http://www.youtube.com/watch?v=IGBBQ1rsy0o
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 1 in stock $542.78
Cat: 711949 Rel: 20 Dec 18 • View all Studio mixers
 
Fully integrated podcast production studio
Notes: The RODECaster Pro is the world's first fully integrated podcast production studio. Whether you are just starting out, or are a seasoned broadcast professional, the RODECaster Pro Podcast Production Studio is all you will ever need.

Connect and record:

The 4 high-quality microphone channels are able to power studio condenser microphones as well as conventional dynamic microphones. You can quickly connect microphones for you and your guests with automatic level setting and one-touch recording to a microSD card. You can literally be recording your first podcast within minutes of taking the RODECaster Pro out of the box.

Sound Effects and Jingles:

The RODECaster Pro comes with eight programmable sound effects pads, for instant triggering of sound effects, music, jingles, applause and ads - perfect for giving your podcast that professional quality. You can record audio direct to the programmable pads from any input, or simply "drag and drop" files from your computer using the supplied software. You can even select your favourite colours for the pad illumination.

Phone calls:

Have a remote guest you want to interview? Simply connect your phone to the RODECaster Pro via Bluetooth or with a TRRS cable. The RODECaster Pro automatically provides "mix-minus" audio to prevent echo being heard by the caller, without the need to purchase dedicated and costly hardware. Telephone interviews with a remote guest never sounded so good!

Class A Servo-biased Preamps:

The RODECaster Pro's pristine preamps and outputs feature Class A circuitry, as found in broadcast consoles that cost hundreds of thousands of dollars. The Class A preamps provide a much cleaner gain structure with lower levels of distortion. The result is an incredibly clean, low-noise signal. The Preamps are also servo-biased, keeping distortion levels low. Your signal is broadcast-pure.

APHEX on board:

Your pristine signal can also be enhanced with the legendary patented audio processors, APHEX Aural Exciter and APHEX Big Bottom. These have been incorporated in the audio processing section of the RODECaster Pro, and your sound will have that rich, warm tone only found in professional studios. The RODECaster Pro also features multistage dynamics, such as compression, limiting, de-essing and noise-gating.

Recording options

The RODECaster Pro operates as a standalone unit straight out of the box, recording direct to a microSD card. You can be up and running in minutes. The RODECaster Pro can also connect to your computer via USB, as it is a USB audio interface. This means you can record your podcast to your favourite recording software.

The RODECaster Pro is also able to seamlessly stream a live show - today's radio!
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MRP:$781.36 SAVE 34%
 1 in stock $512.38
Vermona DSR3 Dual Spring Reverb (spring reverb unit)
Cat: 509590 Rel: 15 Nov 13 • View all Effects units
 
Rackmount spring reverb unit with 3 operational modes
Notes: The DSR-3 - dual spring reverb - is a professional spring reverberation unit for use with stereophonic sound sources. Besides this function, the unit offers additional parallel and serial operational modes for advanced and creative applications

As in our valve based model ReTubeVerb, the classic VSR-3 and the creative Retroverb Lancet, the DSR-3 relies on finest quality reverberation springs manufactured by AccuBell (formerly Accutronics). To assure perfect stereo sound, the springs were carefully selected and hand-matched.

Each channel offers two band equalization with bass and treble control being matched to the specific frequency spectrum of the springs. By this, the effect can easily be adapted to your personal sound preferences.

The DSR-3 offers TS in- and output jacks as well as balanced XLR in- and outputs. Balancing the outputs is carried out by specially designed and manufactured output transformers with excellent sound characteristics. This also qualifies the unit to be used as a first class DI box.

The three operational modes allow both spring reverb channels to be used in interaction or independently:

Stereo for the use with stereophonic sound sources - For perfect channel matching, the first spring reverb channel's physical controls are used to define both channels settings.
Dual mono for use with two independent sound sources - Each DSR-3 channel works as an independent unit.
Serial for experimental reverberation effects - Here, the first spring reverb channel is fed into the second channel. This allows creation of long lasting reverberation tails.

The DSR-3 is carefully assembled by hand in our electro acoustic manufactory in Erlbach, Germany.

The Vermona DSR-3 allows creating full, deep and rich reverberation effects at highest quality breathing the charm of former days.

*For sound samples, please visit - http://vermona.com/index.php/dsr-3-53.html
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MRP:$1,122.18 SAVE 22%
 1 in stock $874.14
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Cat: 502925 Rel: 24 Sep 13 • View all Studio mixers
 
16 channel studio mixer with boutique quality Onyx preamps
Notes: Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

Mackie VLZ mixers are truly built like a tank. From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap around chassis and features like grime resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit inspired controls and high contrast knobs not only optimise your mixer's usability in low light scenarios, it also means your mixer looks as good as it performs.

Mackie's VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra compact 402VLZ4 for desktop applications to the tour friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs
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 1 in stock $532.27
Cat: 669645 Rel: 20 Dec 17 • View all Synth modules
 
Touchscreen based sequencer & function generator, designed to drive signal patterns to your other modules - 26 HP
Notes: Toolbox is a musically intelligent control module capable of driving a rack full of gear. It features both MIDI and Control Voltage connections for interfacing with all kinds of different hardware. Toolbox takes full advantage of the integrated 3.5" touch screen to give immediate access to sequences, parameters, and events. The screen provides a full overview of all the active notes and events. It even offers touch based scrolling and zooming, just like a smart phone, to make editing easy and fun. Toolbox is a great way to be creative on your terms.
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 1 in stock $524.90
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MOTU UltraLite Mk3 Hybrid Audio Interface (USB/Firewire audio interface)
Cat: 405195 Rel: 22 Sep 10 • View all Audio & MIDI interfaces
 
Firewire/USB hybrid interface with 10 inputs/14 outputs, Audiodesk software included
Notes: The Ultralite-mk3 Hybrid is MOTU's most compact and versatile audio interface, featuring hybrid FireWire/USB2 connectivity to your Mac or Windows computer, on-board mixing and effects, superb sound and reliable performance. As the first-ever hybrid audio interface of its kind, the UltraLite-mk3 Hybrid provides flexible and mobile operation via FireWire or Hi-speed USB2 connectivity to a Mac or PC computer, with professional audio quality at samples rates up to 192 kHz and plenty of I/O, including 2 mic/instrument inputs, 6 line-level analog inputs, 10 channels of analog output, stereo S/PDIF and a stereo headphone output.

Housed in a rugged, compact half-rack enclosure you can take anywhere, the UltraLite-mk3 Hybrid is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the UltraLite-mk3 Hybrid provides 10 separate inputs and 14 separate outputs.Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines, effects processors and even MIDI devices. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer i with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.

The included CueMix FX cross-platform mixing software provides attractive graphic mixing, graphic editing of parametric EQ, and a convenient tabbed interface for quick access to all features in one window. Advanced signal analysis tools include a full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis. After programming the on-board mixing in the studio, unplug the UltraLite-mk3 Hybrid from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD. The UltraLite-mk3 Hybrid provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24bit recording/editing and 32-bit mixing/processing/mastering.
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 1 in stock $569.08
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quote 405195
Cat: 564183 Rel: 11 Mar 15 • View all Audio & MIDI interfaces
 
18 x 18 USB / AVB audio interface with DSP mixing, wi-fi control and audio networking
Notes: If you've been looking for a mobile audio interface with excellent audio quality, Wi-Fi control, extensive mixing and exciting new possibilities for expansion and audio networking, your search is over! The latest in MOTU's award-winning UltraLite series, the all-new UltraLite AVB delivers more I/O, more DSP, and best-in-class analog audio quality for on-the-go mobile audio recording.

More I/O:
The UltraLite AVB now provides separate mic and guitar inputs (two each), 8-channel ADAT optical (switchable to stereo TOSLink), 6 x 8 balanced quarter-inch analog I/O and MIDI IN/OUT jacks, all housed in a rugged aluminum alloy half-rack chassis that slides easily into a backpack. That's a total of 18 simultaneous inputs and outputs.

Best-in-class analog audio quality:
The balanced analog outputs achieve a measured dynamic range of 117 dB, rivaling the audio quality of interfaces at much higher price points.

More DSP:
Expanded DSP doubles the available processing power for the redesigned console-style mixer, which provides 48 inputs, 12 stereo busses and 32-bit floating point effects processing, including modeled analog EQ, vintage compression and classic reverb. Matrix routing lets you quickly patch ins to outs, or split inputs to multiple destinations. You can even use the UltraLite AVB as a stand-alone mixer and control everything wirelessly from innovative web app software running on your iPad, iPhone, tablet, smartphone and laptop. Multiple musicians can access their own aux mixes simultaneously from their own Wi-Fi devices.

Class-compliant connectivity:
The UltraLite AVB connects to a computer through AVB Ethernet or audio class compliant hi-speed USB 2.0 (compatible with USB 3.0 and iOS) and records at sample rates up to 192 kHz.

Expansion and networking:
The optical ports let you connect the UltraLite AVB to other interfaces you may own, or future gear purchases as your studio grows. Through AVB Ethernet, you can connect another MOTU AVB interface for more I/O with a standard Ethernet cable - up to 100 meters long! Or, you can connect to an expanded MOTU AVB network with multiple interfaces and computers.
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 2 in stock $571.18
RME
Cat: 420693 Rel: 29 Mar 11 • View all Audio & MIDI interfaces
 
36-channel 192 kHz USB2.0 high speed audio interface
Notes: The compact RME Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core, the Fireface UC audio interface provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS, the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.

Under both operating systems, the available latencies are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance comparable to PCI express interfaces under USB 2.0.



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MRP:$1,128.50 SAVE 26%
 1 in stock $830.69
MFB
Cat: 782125 Rel: 09 Apr 20 • View all Synthesisers
 
B-STOCK: Slight surface marks
Notes: ***B-STOCK: Slight surface marks ***


The SYNTH PRO is the advanced, polyphonic version of the SYNTH II. All oscillators are discretely structured. So here are for the sound base so no highly integrated chips are used, but proven components that even in Synthesizer 40 years ago produced a great analog sound. If required, the VCOs can be switched over to the particularly stable DCO mode, for example if unfavorable environmental conditions have to be overcome. The provided waveforms can be superimposed and additionally modulated by different sources. VCO2 and VCO3 can be synchronized to the first oscillator. For this purpose, VCO1 and VCO2 can be frequency-modulated with VCO3. In the SYNTH PRO, two filters are used per voice, which can be connected in series or in parallel. The low-pass filter works as a cascade filter with a slope of 24 dB / oct. and uses the popular SSI 2144. Multifilter and VCAs are based on OTA's. Both filters and the VCA's can be modulated by different sources. The LFOs and envelopes are calculated per voice by fast processor. There is also a dedicated chip for the effects section. This can produce not only reverb and echo but also chorus and flanging effects. The built-in sequencer works polyphonically and is available in addition to a monophonic arpeggiator.
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 1 in stock $986.36
Cat: 690806 Rel: 25 Jun 18 • View all Synth modules
 
Voltage controlled 8 tap digital delay - 28HP
Notes: The Multi-Delay Processor is a creatively usable echo effect with eight taps. The module's sound may remind you of classic bucket-brigade devices. - It even generates distinctive pitch effects when altering the delay time. An input mixer gives audio material a crisp, analogue character. Thanks to feedback channels with pitch shifter and reverb processor, shimmering echoes and other atmospheric effects can be achieved. A total of nine envelope followers and 14 audio outputs invite you to do extensive feedback patches and other edgy experiments.

The Multi-Delay Processor isn't just a high-quality echo effect but was designed to be a fundamental ingredient of patches. Its core is a bank of eight digital delays, which are wired in series. Together, the circuits form a multi-tap echo. The volume of each signal repetition as well as the raw material can be adjusted via faders. Furthermore, there are individual audio and envelope follower CV outputs for the dry signal and all taps. An analogue clock is used to control the echo circuits. The delay time can be set manually via a potentiometer plus there are two CV inputs with bipolar attenuators. Altering the delay time parameter during operation leads to pitch effects. At this point at latest, you'll realize the superiority of the serial memory design used by Mark Verbos over average effect chips. Despite its digital core, the Multi-Delay Processor offers charming sound reminiscent of a classic bucket-brigade device. - Only cleaner and more transparent.

A three-channel mixer with dedicated level potentiometers adds analogue character to signals before they are fed to the delay circuits. Without patch cables plucked into the second and / or third input, you can use these channels as feedback paths with additional effects. In detail, a pitch shifter calibrated to +1 octave (channel 2) and a reverb (channel 3) are available. - A perfect setup for creating shimmering echoes and other atmospheric effects. High feedback values make the module self-oscillate. In contrast to the multi-tap delay, which consists of individual components, an FV-1 chip is used for pitch shifting and reverberation. This processor is well-known, as it is the main component of multi-effects modules like the Erica Black Hole DSP and numerous guitar pedals. Here, the FV-1 is "just" a creative addition to the main effect.

In addition to the manual mix output, which emits the mixture of raw and effect material dialled in via the faders, there are four other audio outs. Two of these connectors provide signals derived from summing up all even respectively odd taps. The other sockets emit preset mixes with increasing or decreasing level. - Very cool for quickly creating special effects.
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 2 in stock $578.55
Cat: 677576 Rel: 03 Jul 18 • View all Synthesisers
 
Compact, desktop monophonic synthesiser featuring a pre-tuned analogue oscillator
Notes: A Love Letter to the Analogue Monosynth:

A modern, semi-modular synthesiser inspired by the instruments designed by our heroes. The Pittsburgh Modular Microvolt 3900 takes a new approach to building a raw, analogue monosynth with a host of unconventional and inspirational features. Patch cables optional.

Creative Synthesis Design:

With our new temperature stabilized, dual VCA oscillator core, the analogue audio engine of the Microvolt 3900 feeds a set of timbral waveshapers crafted for deep harmonic shaping, enabling a layer of additive synthesis alongside the classic subtractive synthesis waveforms. Waveforms are fed into our binary filter, a custom state variable filter architecture offering near infinite resonance with or without self-oscillation. Sonically this creates a juicy, fluid filter adding depth and energy to the oscillator that can scream if you ask it to.

The heart of the Microvolt 3900's sound is our new dynamic VCA technology. Where a standard VCA works in two dimensions, the Microvolt 3900 dynamic VCA technology adds a third dimension. As the dynamic VCA closes, decreasing the amplitude, harmonics are removed from the source. As the dynamic VCA opens, the harmonics are restored. This mimics the behaviour of sounds in nature. The result is a lively, organic sounding synthesiser full of energy. The design of the dynamic VCA also allows the instrument to be plucked or struck, opening up another set of percussive musical possibilities.

Open Electronic Experimentation:

The Microvolt 3900 is patched internally and does not require patch cables to dial in a wide variety of unique and powerful sounds. For deeper experimentation, the Microvolt 3900 includes a 39-point Eurorack format friendly 1/8" jack patchbay for complete signal routing control over a full complement of audio and modulation options. A four-stage envelope generator, multi-purpose function generator, wide range LFO, chaotic random source, arpeggiator, sequencer, and MIDI to CV control are also available to create dynamic sounds unique to the Microvolt 3900.

Includes:

- 5 Nazca Audio brand patch cables
- MIDI connector cable
- Universal DC power adapter
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MRP:$953.04 SAVE 37%
 1 in stock $604.84
Cat: 725951 Rel: 26 Jun 19 • View all Synthesisers
 
analogue live sequencer
Notes: Create live sequences with in-depth modulation. The Flame Maander Synthesizer & Sequencer is a four voice synthesizer featuring an onboard sequencer and analog filter bank.

The Flame Maander is a highly versatile desktop synth featuring wavetable sound synthesis including 4OX wavetables and individual filter/amp envelopes. This allows you to get in-depth with your sound design. Create real-time patterns and sequences on the fly using the live sequencer and take your performances to the next level.

The Maander Synthesizer also features USB/MIDI connectivity so you can use it in music production in your favourite DAW. You can even morph between filter types for unique sonic results.
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 1 in stock $933.04
Cat: 515446 Rel: 19 Dec 13 • View all Vocal microphones
 
Large diaphragm condenser microphone with shockmount and cardioid polar pattern
Notes: The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.

By utilizing the tried and true transformer-less circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.

Applications:
Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

Polar pattern:
The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern - used in most recording situations - the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

Acoustic features:
The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones. The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.

Electrical features:
With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB (A-weighted). The letters TLM stand for "transformer-less microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

Operational safety:
The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration. Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended.

*Includes an SG 1 metal swivel mount.
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MRP:$1,223.17 SAVE 30%
 1 in stock $851.00
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Cat: 531916 Rel: 02 Sep 14 • View all Filters
 
Powerful analog filtering and distortion unit
Notes: What is the Sherman Filterbank 2?

A powerful analog filtering and distortion unit with a huge frequency range and a killing TUBE overdrive behavior.
Easy and FUN to use, live and in the studio
A small modular system? YES!
Another 303 clone? NO!
Affordable? YES!
Application: processing every sound source, effect mixing, expanding modular systems, etc.

What you get:

Independent low pass, band pass and high pass filters with resonance, frequency and ADSR (positive - negative) controls
These are switchable between parallel or serial
The second filter has a 6 octave switch, and is synchronizable with the first filter
1 ADSR generator for these filters with an external output for use with more filterbanks or modular systems, triggered by the incoming signal, by a second sounds source, or by a gate
1 FM input for the filters, internal or external audio, LFO or CV
1 VCA overdrive with AR generator also
1 ring modulator input, internal or external audio, LFO or CV

The original Sherman Filterbank (Version 1) is no longer being made and is thus now completely being replaced by this new version !

The global look has remained the same, but there have been added several strong functions. To summarize :

There are 5 extra NEW SWITCHES, 1 extra INPUT (for footpedal), 2 extra new LEDs, a NEW COLOR (silver-grey) with an improved (long-lasting) varnish layer.
The inner electronics have also been adapted to achieve an EVEN BETTER SOUND-QUALITY
We also do have new packing-boxes (silver, with photo on upper side), new flashy stickers (silver) and new adaptors (with Sherman-logo).
All this with the famous solid SHERMAN-QUALITY and the well-known thorough & speedy AFTER-SALES service (repairs).

What's new?

There are 5 extra switches and 2 extra LEDs, and on the back panel there's one pedal input jack. A reworked front-panel lay-out and the grey metal color.

The pedal input allows foot control of freq1and bypass/effect switching. You can rewire an old wah (because they have a switch on board) as shown by te diagram in 'extra stuff'.
A 5mm big green LED indicates "Effect on" on the FB 2
A 3-way switch on the input stage allows Hi boost as well Hi cut (both boosting high frequencies at input)
Another 3-way switch allows "Sensitrig" (which makes the triggering twice as sensitive for, e.g. clean string pad filtering) and "Limit", which leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven.
A 3-way switch has 2 general transpose functions : +1 Octave and + Quint which works nice with monophonic signals, and has a specific dirty character.
A 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower, that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as result.

The "revolutionary" aspect of this function is that never before any similar system enhances "on the spot" harmonics and creates new harmonics with fat analog circuits.
An extra white LED indicates when the tracking system is "locked on".
At last there is an 3-way function switch in the LFO section, allowing sawtooth wave shape OR AR retrig : this forces an LFO restart from the AR trig with pumping grooves as unavoidable result. If you want to receive a new brochure, please ask your dealer first.

The Sherman Filterbank is now also midi controlable via kenton control freaks (a small portable hardware console, including sliders)

All the finger-tip MIDI control you need, instantly to hand. Forget your mixer maps and do it all in real-time. An ideal solution for the gigging musician, or the musician who likes to save time & settings. The Kenton Control Freaks are made in the U.K., by Kenton, and are preprogrammed with profiles for the Sherman Filterbank as well. Hundreds of additional profiles are available for download FREE from the Kenton website.

PLEASE NOTE: SUPPLIED WITH EU 2 PIN ADAPTER PLUG ONLY.
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 2 in stock $659.54
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Cat: 649002 Rel: 10 May 17 • View all Filters
 
Analog filtering & distortion unit with high frequency range & tube overdrive behaviour
Notes: Compact version of a modern classic, based around a pair of complex analogue filter circuits with amazing sound and huge hands-on tweaking potential. One of our absolute favourites for studio, live use and even DJ setups.

Supplier's notes:
A classic, but smaller - The Sherman Filterbank is a powerful analog filtering and distortion unit with a huge frequency range and a killing overdrive behaviour. It's easy and FUN to use, live and in the studio processing every sound source, effect mixing, expanding modular systems, etc.

- Independent low pass, band pass and high pass filters with resonance, frequency and ADSR (positive - negative) controls
- These are switchable between parallel or serial
- The second filter has a 6 octave switch, and is synchronizable with the first filter
- 1 ADSR generator for these filters with an external output for use with more filterbanks or modular systems, triggered by the incoming signal, by a second sounds source, or by a gate
- 1 FM input for the filters, internal or external audio, LFO or CV
- 1 VCA overdrive with AR generator also

Connectors:

- MIDI In/Out, 3x Thru
- Main out, out1 (Filter1)
- Trigger AR, AM In, ADSR Out and Trigger In, Link In/Out, FM In, Sig. In, Pedal In
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 1 in stock $656.40
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Cat: 697038 Rel: 22 Oct 18 • View all Sequencers
 
Playable sequencer featuring 3 channels of 16 steps & real-time touch pads
Notes: Generator is a highly versatile multi-channel analogue step sequencer. It provides a fun and intuitive, yet powerful way to create rhythms and melodies with your modular and CV synths.

Why do I need this sequencer? What's so special?

Generator is a very compact and high-quality step sequencer. It's USP is that it is a playable sequencer. You don't just set up a sequence and leave it looping. The UI is designed in such a way as to make it easy, fun and intuitive to alter the rhythm and to get alternative sequences playing using the real time touch pads.

Generator has plenty of scope for re-patching the signals using CV leads, or via the pre-configured switches.

Generator is super easy to hook up to your analogue synthesisers, Eurorack, and other analogue gear.

Sync to DAW is very easy and solid, using MIDI note 60. Play that note and the sequencer will step.

No menus of multi-button pressed. WYSIWYG front panel control.

Generator can be as complex or as simple as you want it to be:

Analogue Solutions have given this sequencer a large and diverse number of controls, that along side the patch sockets, will give even the best and experienced electronic musician endless possibilities.

The controls are presented in a user friendly and familiar sequencer layout that, together with this manual and other resources, enable even the new guy to get great patterns quickly.

No compromise has been made with the construction of Generator. Cheaper parts have not been used!

Feature Overview:

Analogue Sequencer:
Three channels of 16 steps, each providing true analogue CV outputs. These run in parallel. Total pattern length can be changed, or the pattern reset.

Gate Outs:
Gate output, with an inverted 'flipped' output (positive voltage, but the 'state' is inverted. So this output does the opposite of the main Gate output).

Voltage Generator:
Six 'note' interval voltage generator keyboard. Use to transpose the sequence, reset, start and other things too! Can be clocked by the End Pulse creating a mini-sequence that changes once per bar. Can be used independently as a mini keyboard!

Voltage Controlled Internal Clock:
The internal clock is analogue using an analogue LFO. Speed can be changed using CV. The sequencer can also be clocked using a MIDI note or even using an external clock signal from a modular.

Versatile Control:
Many controls, switches, and jacks to allow you to alter the way the sequencer steps or behaves.

Intuitive Real Time Gate Control:
Or, IReTiGaC (patent pending). Alter the rhythm in real time using just 4 rotary knobs.

Jack Sockets:
So many jacks sockets!

Compact:
Slim form factor.
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 1 in stock $629.04
Cat: 301388 Rel: 17 Mar 08 • View all Vinyl cleaning
 
Wet cleaning/vacuum removal device with powered turntable and drainable internal reservoir
Notes: The MKII Moth record cleaning machine is based upon the well proven and accepted record cleaner that has been available from Moth for a number of years. The MKII version of the machine allows for bi-directional operation of the turntable in both the fluid application 'Wash' cycle and in the vacuum 'Drying' phase. The vacuum tube has been modified to allow for the new two way movement and to offer a more efficient vacuum system. A full size dark acrylic lid is fitted to the MKII Moth record cleaning machine. A version of the Moth RCM MKII will be made available in the very popular Kit form, complete in all parts with the exception of the enclosure. Plans are provided for the construction of the housing from 15mm plastic laminated construction board. The Moth Record Cleaning machine will continue to be made available in its original form in both built and in Kit versions. Upgrade kits are available to allow earlier versions of the Moth RCM to be modified to MKII specification. Moth are vinyl enthusiasts and have been importing specialist recordings and Hi-Fi equipment from around the world for some ten years.

As much as we love the LP format we know from experience that it is not without its problems: it was clicks, pops, hiss and static etc. that led us to investigate imported record cleaning machines for our own collections and professional use. The results were stunning. At last the LP format reached it's full potential, freeing itself from the unseen restraints of mould release agents and general grime. Keen to share our success we quickly became the UK's biggest supplier and authority on record cleaning machines. The Moth MKII's striving to improve the specification of other manufacturers designs and lower retail costs of imported products led us to design a machine of our own from the ground up. The Moth record cleaning machine is a wet cleaning/vacuum removal device with powered turntable and drainable internal reservoir. Fluid is applied by hand to a rotating record, scrubbed, and drawn off by a high efficiency vacuum system into a drainable reservoir. The unit is housed in a 16swg. Steel enclosure and finished off by a high quality injection moulded smoked lid. The machine has been designed to be rugged enough for both the professional cleaning service and the domestic private user.

Collections of 1000+ records by enthusiasts are common, and the purchase of second hand records in large batches is increasing, as new records become less obtainable. Record cleaning machines have long been accepted as the most efficient way of cleaning and renovating vinyl LPs singles and 78's and few companies can claim to have a greater knowledge of them than Moth.
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MRP:$751.07 SAVE 18%
 2 in stock $618.51
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Cat: 762338 Rel: 02 Jul 20 • View all Synthesisers
 
Analogue synthesiser
Notes: In the spirit of continuous improvement, Moog Music is transitioning production of the award-winning Sub Phatty analog synthesizer to make way for a new standard: the Subsequent 25. Implementing upgraded sonic modifications and functional improvements, the new Subsequent 25 becomes the standard production model moving forward.

Subsequent 25 builds on the success of its predecessor by implementing the ultra-popular paraphonic functionality of Duo Mode, upgrading to wood side pieces, and featuring the familiar Subsequent series of user-requested performance adjustments.
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MRP:$1,134.81 SAVE 23%
 1 in stock $870.97
Cat: 777374 Rel: 30 Jun 20 • View all Synth modules
 
drum/lightstrip module bundle
Notes: Meet the DS1drumstation, a bundle of our best modules enclosed in a self-powered enclosure with a lot of performance power to offer!

Enclosed in a 42hp panel, you find three of our best-selling modules: the LS1 lightstrip, the DC1drumcomputer and the SDsimpledrum. Together, they form a modular drumming powerhouse with space for patching, live performance and sound deepness.

Four LS1lightstrips perfectly match with the four CV inputs of the DC1drumcomputer allowing you to change the behaviour of the sequencer in realtime with your gestures (or your recorded CV loops!). The DC1 8 outputs can drive the SD1simpledrum instruments and also connect to a potential external eurorack system.

The DS1drumstation is perfectly compatible with eurorack standard modules and it can be re-housed into your case if you need to. Just remove 4 screws and connect the ribbon power cable!
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MRP:$935.36 SAVE 16%
 1 in stock $785.77
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