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Mutable Instruments Beads Texture Synthesiser Module
Cat: 814133 Rel: 18 Feb 21
 
Delay/digital/dual & stereo/effect/random/reverb eurorack module
Notes: Beads is a reinvention of Mutable Instruments' Clouds.

The concept is the same, live granular processing of an incoming audio signal, and the labels on the panel remain familiar.

The similarities stop here. The hardware and software have been redesigned from the ground up, with several goals in mind: a crisper and broader sound palette, more control, better playability, and direct access to exciting new features.

Beads' vastly improved specifications allow a higher audio quality, a longer buffer, the use of better interpolation and anti-aliasing algorithms, and key DSP blocks to run at a faster rate. Granular processing can now go to new territories, such as formants, wavetables, hard-sync-like sounds, or crispy noise.

The range of parameters, their response to the turn of a knob or a CV modulation have all been refined, for new possibilities such as reverse playback or percussive envelopes.

Control. To trigger or schedule grains, Beads provides new features to divide or randomize an external clock or trigger stream, spray bursts of grains in response to a gate, or get the grain rate to track a V/O CV or the frequency of an external oscillator.

Chaos. Each key parameter of a grain comes with its own attenurandomizer, which allows direct CV control, CV control of the randomization (spread) of this parameter, or internal randomization using some of Marbles' algorithms.

Character. Beads provides four audio quality settings, which go well beyond buffer sample rate and bit-depth: they affect the clock of the converters, the amplitude limiting and saturation of the signal path, the tone of the reverb, and additional media-emulation effects. From a pristine digital device to a dirty cassette, through a mode reproducing some of Clouds' characteristics.

Beads can operate as a delay without the need to switch to a different mode: just ask it to play a never-ending grain. Its DENSITY, TIME and SEED controls are repurposed to allow various features such as tap-tempo, beat slicing, time-stretching, or comb-filtering at rates tracking V/O.

Without any audio input, Beads will granularize 8 internal banks of wavetables.

All parameters have a dedicated knob.

14HP
25mm
+12V:100mA
-12V:10mA

Audio acquisition
Stereo I/O with automatic level detection.
Manual override of the level detection.
Automatic mono/stereo switching through patch cable detection.
Recording time: 4s (48kHz 16-bit, stereo) to 32s (24kHz u-law, mono).
Four quality modes, with different tone and reverb characters:
48kHz 16-bit
32kHz 12-bit with Clouds emulation
24kHz 12-bit with a hi-fi dry signal path
24kHz u-law with cassette emulation
The FREEZE button and the gate input freezes the content of the recording buffer, allowing you to dive into its sonic details.
Auto-saving of the FREEZE buffer.

Granular synthesis
Three grain generation modes:
Latched (continuous), with a periodic or randomized rate, tracking V/O.
Gated, with bursts of grains triggered by the press of the SEED button or an external gate.
Clocked, with randomization or division of an external clock or trigger signal.

Four grain parameters:
TIME. Temporal position within the buffer.
SIZE. Grain duration from 0.03 to 4 seconds, forward or backward playback.
SHAPE. Morphing between four key shapes of the grain envelope: solid rectangular, snappy decay, smooth bell, or reversed.
PITCH. With V/O tracking.

Attenurandomizers
Available for each of the four parameters of a grain, sampled each time a grain is started:
Direct CV control.
CV control of the amount of gaussian randomization.
Internal randomization with an independent, uniform or peaky, random source.

Delay
Control of both the base delay clock rate (DENSITY), and its multiplication (TIME), with optional random taps.
Tap tempo with the SEED button or an external signal.
Enveloping of delay repeats, with the SHAPE setting.
Pitch shifting of the delayed signal, controlled by PITCH.

Signal flow
Feedback path delay: 1 sample.
Independent knobs for feedback, dry/wet amount, and reverb amount.
CV input assignable to each of these three parameters, or to variable combinations of them.
When unpatched, the R output is summed to the L output.
Optional generation of a gate signal on the R output.

Specifications
All inputs: 100k impedance.
Audio codec: 24kHz, 32kHz or 48kHz, 24-bit.
16-bit CV capture.
Processing rate: audio-rate for the SEED and FREEZE inputs, 4kHz for the CV inputs.
Latency: 0.25ms.
CV input range: +/- 8V for grain parameters, +/- 5V for density (with V/O tracking) and assignable CV.
Internal processing: 32-bit floating point.
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MRP:$360.07 SAVE 22%
 More than 10 in stock $279.44
ALM Pamela's New Workout Programmable Clocked Modulation Source Module
Cat: 648928 Rel: 25 May 17
 
Compact programmable clocked modulation source in Eurorack format - 8HP
Notes: Updated version of the Pamela's Workout clock source module from one of the best Eurorack brands around. Now functions as a modulation source as well as clock, providing eight outputs of CV. Essential.

Supplier's notes:
'Pamela's NEW Workout' is a compact programmable clocked modulation source for your Eurorack modular synthesiser system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Building on the original 'Pamela's Workout', this new evolved model maintains the original's form factor and intuitive workflow but greatly improves on and adds many new features with upgraded hardware, a new OLED display and rewritten software.

Each output is now able to provide not just clocked triggers but also rhythmic waveforms with many parameters controllable directly and via assigning to external CV control. Pamela has grown beyond a clever clock and now provides almost limitless synced modulation possibilities.

Improvements have been made to overall clock stability and integration with external clocks and devices. Also new are dedicated MIDI and Din Sync clock outputs available via optional expander modules.
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 More than 10 in stock $261.12
Doepfer A-124 Wasp Filter SE Module (special edition black & yellow version)
Cat: 671564 Rel: 29 Nov 17
 
12dB multi-mode filter with unique classic circuitry, based on the filter from the 70s EDP Wasp synth
Notes: Module A-124 is a special 12dB multimode filter using the "strange" filter circuit of the "EDP Wasp" (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company "Electronic Dream Plant" with Chris Huggett und Adrian Wagner). This design "abuses" digital inverters as analog operational amplifiers leading to distortions and other "dirty" effects that generate the specific sound of this filter. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

Inputs: Audio In, CV In (2x)
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio and CV attenuator, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the module SEM VCF A-106-5. But the sound of both filters is very different! The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer).

- 3U Eurorack module, 8HP wide, 45mm deep
- Current draw 30mA
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Acid Rain Technology Junction Eurorack Module
Cat: 846080 Rel: 11 Oct 21
 
A compact, 4 channel attenuverter, cascading mixer and multiple designed to fine tune the control voltages in your rack to the perfect range for their destinations.
Notes: Junction requires a +12V / -12v power supply with a 2x5 pin ribbon cable (included). The red line of the ribbon cable must be aligned with the -12V marking next to the module's power header and on your case's power distribution board. Junction draws 23mA from the +12 rail and 20mA from the -12 rail. Please ensure you have
enough power available before installing.

About Junction

Junction is a compact, 4 channel attenuverter, cascading mixer and multiple designed to fine tune the control voltages in your rack to the perfect range for their destinations. Junction can be used as a source of fixed voltage, offset another voltage, or mix multiple voltages together to create complex and dynamic modulation.

Features

Each channel on Junction has a knob (1) that acts as a manual control for the attenuverter. Center position (12 o clock) is 0V. The first channel input (2) is normalized to +5V when no cable is plugged into it.

A buffered copy of the input signal of the first channel is present on all of the other inputs from from the first (2) to the last (8). This duplication is "cascading" as shown by the arrow graphics on the panel - if a cable is patched into any input, it "breaks" the cascading multiple - all unpatched inputs carry the signal present at the uppermost patched input (or +5V if no inputs are patched). For example, if a signal is patched into the second channel's input (4) the third (6) and fourth (8) channel inputs would carry a copy of the second channel's input instead of the first channel input.

Junction's channels are mixed on the outputs. The output mixer is also "cascading" - when a cable is patched into an output, it carries a mix of it's own output and all unpatched channel outputs above it. For example, if only the last channel output (9) is patched, this output will carry a mix of all of the outputs. Patching the first channel output (3) would remove it from this mix.

Even though Junction's inputs cascade and outputs mix, Junction's output will clip at the Eurorack power rail voltages of +12 and -12V. It is not possible to output a voltage outside of this range, regardless of the signals patched into Junction.

23mA +12 / 20mA -12 4 HP / 25mm
Deep Reverse Power Protection
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MRP:$130.56 SAVE 17%
 4 in stock $108.80
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Intellijel Quadratt 1U Quad Attenuator Attenuverter Mixer & DC Voltage Source Module
Cat: 602205 Rel: 04 Apr 16
 
Quad attenuator, attenuverter, mixer and DC voltage source - 28HP wide
Notes: The shorter and wider brother to the popular Triatt module!

The four handy knobs can act as active attenuators (unipolar) or attenuverters (bipolar) depending on the setting of the two-position switches above each one.

Each input is normalled to a precision +5V DC voltage source. With nothing plugged into the jacks, each knob controls a voltage range of 0 to +5 v or -5 to +5 v depending on the position of the mode switch.

- 2 modes for each channel
- 5v normalled to each input
- With external signals it acts as active/buffered attenuator/attenuverter/mixer
- Each output normalled to mix into the adjacent channel on the right making it possible to do sub mixes in groups of 2, 3 or all four channels.
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 2 in stock $85.89
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Tiptop Audio uZeus 4HP PSU With Flying Bus Board (black)
Cat: 595826 Rel: 19 Jan 16
 
4HP power supply module for Eurorack format systems
Notes: The microZEUS is a 4HP power supply module for Eurorack format synthesizers. It is the smallest and most powerful power supply available for its size.

uZEUS with flying bus boards: this version features two ribbon bus boards. All you have to do is plug in your modules and play.

The uZEUS mixes linear and switching power technology to produce 1000mA at +12V, 500mA at -12V, and 170mA at +5V and uses a standard +15VDC non-regulated wall adapter for power.
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 2 in stock $84.74
ALM Tyso Daiko Eurorack Module ALM Tyso Daiko Eurorack Module ALM Tyso Daiko Eurorack Module
ALM Tyso Daiko Eurorack Module (eurorack dual & stereo/drum module)
Cat: 848748 Rel: 06 Oct 21
 
A dual 12-bit digital wavetable drum voice with full voltage control and an analog EQ output path.
Notes: The successor to Dinky's Taiko, Tyso Daiko is a 12-bit dual digital drum voice, with built-in analogue tilt EQ and wavefolder, plus extensive CV control. Intuitive, powerful and versatile.

Supplier's Notes:
The 'Tyso Daiko' is a dual 12-bit digital wavetable drum voice with full voltage control and an analogue EQ output path.

The twin voices are independently triggered and output, but share pitch, envelope and other parameters of a swept wavetable oscillator. One voice is output through a voltage controlled analogue tilt EQ emphasising upper or lower frequencies.

The other voice is output through a digital wavefolder which adds increasing timbral complexity (to noise).

Both voices respond independently to an accent input and the first voice is able to be 'choked' . A surface control allows for fine control of additional transients from a click to a slow attack. Full voltage control including a V/Oct pitch input makes the Daiko an expressive and wide ranging drum module with extremely wide pallet of sounds with lots of modulation possibilities.

The Daiko succeeds the original Dinky with the same spirit but much improved control, new features and new wavetables.

Technical Specifications

Supply: +12V 70mA Max / -12v 35mA
Size: 14 HP
Depth: 32mm
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Mutable Instruments Rings Resonator Eurorack Module
Cat: 596644 Rel: 18 Dec 15
 
Physical modelling synthesis Eurorack synth module - 14HP wide
Notes: Rings brings physical modelling synthesis to your Eurorack system, from a more modular angle than Braids' models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.

Three families of vibrating structures are simulated by the module, with CV control over their parameters:

- Strings, membranes and tubes as modelled by Elements' resonator section (modal synthesis).
- Strings coupled together and vibrating in sympathy, with controllable intervals between them.
- Strings with a variable amount of inharmonicity.

Rings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords.

*For audio demo, please visit - http://mutable-instruments.net/modules/rings
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Cosmotronic Cosmix Aural Enhancing Stereo Mixer Module
Cosmotronic Cosmix Aural Enhancing Stereo Mixer Module (distortion/dual & stereo/mixer/dynamics/effect/panning eurorack module)
Cat: 803497 Rel: 23 Jun 21
 
Distortion/dual & stereo/mixer/dynamics/effect/panning synth module
Notes: Eight-channel stereo summing gets a sexy upgrade with the addition of analogue overdrive and dual-band maximising in this smart little mixer module. Great value for a unique performance tool.

Supplier's Notes:
Cosmix is an 8-channel stereo mixer with a built in analog stereo dual band maximizer.

It has four mono channels and two stereo channels, the left inputs 5 and 7 are normalised to the right inputs 6 and 8 respectively.

The four mono channels have panning- and aux send controls.

All channels are accommodated with a dedicated mute switch for live performance.

The aux output can be routed to an external effect and the four small switches below the volume faders set whether the signal that is routed to the aux bus is pre or post fader.

The master bus can optionally be fed into the stereo Drive circuit.

This circuit is true stereo, and improves almost any sound source, with full bass and amazing spatial resolution.

It works like a dual band maximizer, with separate faders for high and low frequencies.

The analog overdrive circuit can be bypassed but we don't recommend it as it sounds great and really glues the whole mix together nicely.

The overall volume can be set with the main volume knob.

The output of the compressor feeds into a diode clipping circuit, to to create a warm saturated distortion.

By playing with the levels of each channel different clipping characteristics can be achieved.

However if you prefer to keep the output signal clean, the bypass switch allows you to bypass the circuit.

The white lines indicate the non-distorted 0dB point for each channel, when the drive circuit is active and the sliders are set to zero.

Driving a channel above the white line pushes it into more overdrive and distortion, assuming 10vpp Eurorack level.

Different tones can be created by playing around with the gain staging!

Main output is eurorack level (10vpp)
Input impedance: 100k
Output impedance: 1k

70 mA +12V
70 mA -12V
0 mA 5V
20 mm deep
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MRP:$373.81 SAVE 27%
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Intellijel Quad VCA Voltage Controlled Amplifier & Cascaded Mixer Module
Cat: 643379 Rel: 13 Sep 17
 
Quad voltage controlled amplifier & cascaded mixer - 12HP wide
Notes: The Quad VCA is a compact and feature packed module that is sure to find its way it almost all of your patches. In addition to being used for standard VCA duties it can also be used as a mixer and signal booster.

Features:

- Manual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.
- Dedicated CV attenuators with dual colour LEDs for monitoring bipolar CV signals.
- Continuously adjustable response from linear to exponential per VCA.
- Each CV input is normalled to the adjacent one for cascaded control.
- Each output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.
- Each VCA has a boost switch that increases the output level by approximately +6dB (double).
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MRP:$232.26 SAVE 17%
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Make Noise Maths Dual Function Generator Module
Cat: 557488 Rel: 19 Dec 14
 
Analog computer synth module designed for musical purposes
Notes: MATHS is an analog computer designed for musical purposes. Amongst other things, it will allow you to:

- Generate a variety of linear, logarithmic, or exponential triggered or continuous functions
- Integrate an incoming signal
- With no signal applied, generate a variety of linear, logarithmic, or exponential functions
- Add, subtract and OR up to 4 signals
- Generate analog signals from digital information (Gate / Clock)
- Generate digital information (Gate / Clock) from analog signals
- Delay digital (Gate / Clock) information
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MRP:$344.95 SAVE 12%
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Doepfer A-138s Mini Stereo Mixer Module
Cat: 671589 Rel: 29 Nov 17
 
Four-channel stereo mixer - 8HP
Notes: A-138s is a simple but useful 4-in-2 mixing tool. It has four inputs available. Each input is equipped with an attenuator (Level) and a panning control that is used to distribute the signal to the left and right output. Beyond stereo mixing it is equally suited to create variable parallel routings. For example: Any of the four inputs may be routed in variable intensity to feed two filters.

You may regard the A-138s as a smaller version of the A-138m Matrix Mixer.

Inputs and outputs are DC coupled, i.e. the module can be used for the mixing of control signals too.

- 3U Eurorack module, 8 HP wide, 30 mm in depth
- Power consumption: 10 mA at +12 V and 10 mA at -12 V
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MRP:$89.33 SAVE 26%
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Doepfer A-138sv Mini Stereo Mixer Module (vintage edition)
Cat: 684443 Rel: 30 Apr 18
 
Four-channel stereo mixer - 8HP
Notes: A-138s is a simple but useful 4-in-2 mixing tool. It has four inputs available. Each input is equipped with an attenuator (Level) and a panning control that is used to distribute the signal to the left and right output. Beyond stereo mixing it is equally suited to create variable parallel routings. For example: Any of the four inputs may be routed in variable intensity to feed two filters.

You may regard the A-138s as a smaller version of the A-138m Matrix Mixer.

Inputs and outputs are DC coupled, i.e. the module can be used for the mixing of control signals too.

- 3U Eurorack module, 8 HP wide, 30 mm in depth
- Power consumption: 10 mA at +12 V and 10 mA at -12 V
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MRP:$100.32 SAVE 26%
 6 in stock $74.43
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Doepfer A-138n Narrow Mixer Module
Cat: 731947 Rel: 10 Jun 19
 
Compact 4-channel mixer - 4HP
Notes: Module A-138n is a simple four channel mixer, which can be used with either control voltages or audio signals. Each of the four inputs has an attenuator available. The output is twice available (two sockets, hard-wired like a multiple).

The module is the slim version of module A-138a and offers nearly the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-138a. The module is primarily planned for applications where only limited space is available. The only functional difference compared to the A-138a is the missing attenuator for the (dual) output.
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MRP:$59.09 SAVE 22%
 7 in stock $45.81
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Koma Elektronik Field Kit Electro Acoustic Workstation (assembled)
Cat: 663389 Rel: 26 Oct 17
 
Fully assembled field kit for experimenting with electro acoustic sound
Notes: Brilliant experimental box inspired by electroacoustic musicians including John Cage. Signal processing, mixing, sound generation and the ability to send voltages to physical devices like motors and buzzers. Super creative.

Supplier's notes:
The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!

Let's get more detailed...

The Field Kit boasts 7 separate functional blocks all focussed on receiving or generating all types of signals. They are designed to operate together as a coherent electroacoustic workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.

The Four Channel Mixer is the beating heart of the Field Kit, providing a fully functional mixer with individual Gain, Mix Level and Tone control over each channel and individual Master- and Aux sub-mixes.

The level of the Master and Aux Channels can be set with the Master Volume and Aux Volume controls and the channels being sent to the Aux sub-mix can be set with dedicated Aux Select-buttons. The Aux sub-mix is pre-fader.

The CV Radio is a CV-controllable radio receiver capable of receiving radio frequencies on AM/FM and SW bands. Additionally it provides the ability to catch electromagnetic waves for further processing inside the Field Kit. The frequency of the radio can be set with a dedicated multifunctional Search-control which acts both as a manual CV-source and as an input attenuator for a CV-signal.

The Envelope Follower in the Field Kit applies two functions to the waveform you send to the input: full-wave rectification (mirroring of negative portions of the waveform) and low-pass filtering (averaging). It can also be used for frequency doubling of a signal, which is a great tool to have in the electroacoustic domain.

The Low Frequency Oscillator generates periodically varying voltages to be used as control signals. The output waveform can be set with a three-position Waveform-control and gives out either a Square-, Triangle- or a mix of Square and Triangle waveforms.

A very cool function of the Field Kit is the DC Interface. You can use its output voltages to run little motors, fans, solenoids, buzzers and control them with control voltage signals. You can pick up the vibrations and electromagnetic waves with the contact microphones and electromagnetic pickup.

The Signal Interface is a nifty toolset to transform the raw signals of a wide variety of sensors and switches into signals that can be used with the Field Kit or other gear. This means you can trigger or control sound by light, heat, humidity, distance, speed, acceleration, proximity, pressure, force, level, all depending on what type of switch or sensor you are using! Ideal for sound installations!
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 5 in stock $221.03
After Later Audio Mult Buffered Multiple Module
Cat: 805154 Rel: 14 Jan 21
 
Buffered/active multiple module
Notes: This is a buffered/active mult with LED indicator. You get two channels of 1 to 3 multiples within a 2HP module. The output of channel 1 is normalled to channel 2 so it can also be treated as a 1 to 6 multiple as well.

Active vs Passive mults:

With a passive mult you are effectively just plugging multiple things into the same jacks. This will often cause some voltage drop in each of the signals. With an active (or buffered) mult you will not get any voltage drop from the original signal.

Comes with a black and gold panel, power cable and one year warranty.

Usage note:

The red stripe of the power ribbon cable goes towards the top of this module.
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Happy Nerding FX AID XL Multiple Audio Effects Module (black faceplate)
Cat: 792162 Rel: 05 Oct 20
 
Multiple audio effects module
Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Separate modulation inputs for all three effect parameters plus Sample Rate Reducer (SRR) input - changes internal clock. Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to SRR input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz via SRR input.

80 mA +12V
30 mA -12V
45 mm deep
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System80 860 MK2 Module System80 860 MK2 Module System80 860 MK2 Module System80 860 MK2 Module
Cat: 816840 Rel: 07 Sep 21
 
Eurorack filter/mixer module
Notes: Legendary Roland filter sound in spades with this update of System80's JOVE module, based on the multi-mode filter from the Jupiter-6. Features dual inputs and CV control of cutoff and resonance. Classy stuff.

Supplier's Notes:
The System80 860MK2 is a 10 HP updated version of the popular JOVE filter. It is a Eurorack interpretation of the multi-mode filter found in the Roland Jupiter-6, a 1980s analogue polysynth.

The 860 MK2 replaces both the 14 HP JOVE and the 8 HP 860 MK1. It has been updated and improved in several ways, including memory recall of the filter mode, a quad OTA filter core, internal voltage references, a fully attenuated 2 input audio mixer, and a steel back cover.

40 mA +12V
30 mA -12V
0 mA 5V
32 mm deep
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MRP:$309.22 SAVE 12%
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Mutable Instruments Links Multiples & Mixing Utilities Eurorack Module
Cat: 569591 Rel: 10 Apr 15
 
Multiples and mixing utilities synth module, 4HP size
Notes: Links provides 3 utility functions focused on signal distribution and mixing.

1:3 is a 3-output buffered multiple, with an offset error < 0.1%. It is useful for distributing the voltage from a CV output with a large protection resistor to several modules - particularly VCOs.

2:2 is a 2-input summer with unity gains. The sum of the two input channels is distributed to 2 outputs.

3:1 is a 3-input mixer with a gain of 1/3 for each channel (averager). It is particularly suitable for rapidly mixing audio sources such as oscillators, for which a unity gain mixer would have caused clipping.

A 2-color output monitoring LED is available for each of these functions.
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MRP:$98.95 SAVE 38%
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Befaco Output V3 Eurorack Module
Cat: 689670 Rel: 14 Jun 18
 
Output interface & headphone amp - 4HP
Notes: Befaco's new Output Module is designed to be the master output for your modular system, providing an extra Cue Input to monitor any signal.

Left IN is routed to both channels when no Right signal is present. Both Outputs are TRS balanced.

A Headphones out is available. You can route Headphone OUT to the main out or an independent signal with CUE switch. Like this you can either pre-listen your sounds with the CUE Input or listen to your main out without disturbing your neighbours!

Level LEDs are available to monitor levels of each signal on the module.
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MRP:$185.53 SAVE 19%
 5 in stock $151.17
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Koma Elektronik Field Kit Expansion Pack
Koma Elektronik Field Kit Expansion Pack (expansion/accessory pack)
Cat: 663392 Rel: 26 Oct 17
 
Expansion pack for the Koma Elektronik Electro Acoustic Workstation
Notes: It's all about the things you connect to the The Field Kit! To get you started, Koma Elektronik have decided to offer an Expansion Pack with a bunch of different sources that you can use and connect to create your own signature sounds.

The Expansion Pack contains:

- 2 x Contact Microphones: Use these contact microphones to pick up vibration or sound, they are an amazing versatile input source
- 1 x Electro-Magnetic Pickup: This guy is good at picking up changes in magnetic fields, you can use it to amplify a string like a guitar pickup or amplify a spinning motor
- 1 x Solenoid push-pull motor: Use the solenoid to hit things, together with the DC Interface the solenoid can make anything rhythmical and percussive
- 1 x DC motor: The Motor can be used to rotate things or as a noisy oscillator together with the Electro-Magnetic Pickup
- 1 x small speaker: Use the speaker to listen to the main mix or as a sound source and to feedback sounds
- 3 x patch cables Always handy to have around to patch up different parts of your Field Kit... and a bunch of little objects to play with (little springs, marbles)

The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!
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Happy Nerding 3x MIA 6-Channel Attenuverting Mixer Offset Scale Polarizer Module (silver faceplate)
Cat: 777880 Rel: 22 Jul 20
 
Attenuverting mixer/offset/scale/polarizer
Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
6 HP wide
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MRP:$127.81 SAVE 19%
 9 in stock $103.07
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Klavis Quadigy Quad Envelope Generator Module
Cat: 767380 Rel: 16 Apr 20
 
envelope generator module
Notes: Clever dual-mode envelope generator, designed to combine studio functionality with a safety net for live performance. Dial in a patch then switch to live mode for tweaking without losing control.

Supplier's notes:
The Quadigy is a complex envelope generator focused on live play. The goal is to allow the user setting up rich, interactive and dynamically evolving envelopes without the risk of breaking up a subtle and intricate patch once on stage. This is achieved by offering two main modes, one where full control is available and a Live mode where only the settings that are sensible using on stage are accessible.
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MRP:$353.20 SAVE 32%
 4 in stock $239.36
Dreadbox Hysteria Performance VCO Module
Cat: 809389 Rel: 20 Jan 21
 
Clock generator/oscillator/quantizer eurorack module
Notes: Incredible sounding VCO module that helps you get incredibly rich signals out of your synthesizer. The Dreadbox Hysteria VCO features a huge frequency range of 16hZ to 32kHz. This gives you a lot of functional pitch to work with, allowing you to explore the sounds capable from this module.

The sounds themselves rest on a variable waveform selector - meaning you can scroll through the waveforms and blend them together. This can even be CV controlled, so you can obtain an evolving sound that changes over time. The modules in the Chromatic series give you a great starting point in the world of modular synths and are a must-have for beginners and professionals alike.

Power Consumption: 114mA @ +12V , 46mA @ -12V
10HP
35 mm deep
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MRP:$171.79 SAVE 41%
 2 in stock $101.93
Doepfer A-180-2 Multiples Module
Cat: 577779 Rel: 14 Jun 19
 
Passive multi-port distributor - 2HP
Notes: 2HP narrow version of the A-180 multiples module. It is a passive signal splitter suitable for audio or CVs. Two sets of four jacks are interconnected, by placing a solder bridge you can connect all eight jacks.
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MRP:$42.60 SAVE 18%
 5 in stock $34.93
Doepfer A-140-2v Dual Micro ADSR Module (vintage edition)
Cat: 734880 Rel: 10 Jul 19
 
Envelope module with two ADSR voltage controlled enevelope generators - 8HP
Notes: The module contains two ADSR type voltage controlled envelope generators with exponential curve shapes (charge/discharge curves of a capacitor) behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V (10V = attack peak).

The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR.
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MRP:$178.66 SAVE 21%
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Make Noise Richter Wogglebug Random Voltage Generator Module
Cat: 557451 Rel: 19 Dec 14
 
Random voltage generator synth module
Notes: The "WoggleBug" is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the "smooth" and "stepped" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 "Source of Uncertainty," expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges).

The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!
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MRP:$295.47 SAVE 15%
 1 in stock $250.81
Xaoc Devices Minsk 1949 Stereo Image Processor Eurorack Module
Xaoc Devices Minsk 1949 Stereo Image Processor Eurorack Module (eurorack digital/dual & stereo/effect/panning module)
Cat: 846592 Rel: 20 Oct 21
 
A hybrid tool that combines digital and analog processing to facilitate advanced mid/side (M/S) manipulation of a stereo signal pair.
Notes: User-friendly mid/side processing module. Tweak the stereo image or split a stereo signal into mid and side elements then route out to other modules for further processing before summing back together. Powerful.

Supplier's Notes:
Minsk is a stereo image processor. It is a hybrid tool that combines digital and analog processing to facilitate advanced mid/side (M/S) manipulation of a stereo signal pair. It allows for separate treatment of the mid and side components, which affects the depth and width of the auditory scene. Minsk offers both manual and voltage control of the stereo width, as well as two dimension effects for enhancing the existing stereo image or creating a faux stereo image based on the stereo or mono input source. Minsk is especially handy during the preparation of a vinyl release or before a club concert, because it can eliminate out-of-phase low-end frequencies (high pass filter at 300Hz with the filter slope 12dB/oct, 50Hz with the filter slope 24dB/oct).

Dimensions:
6 HP

Current Draw:
140 mA +12V
40 mA -12V
0 mA 5V
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MRP:$222.64 SAVE 17%
 More than 10 in stock $185.53
WMD Kraken Eurorack Module WMD Kraken Eurorack Module WMD Kraken Eurorack Module WMD Kraken Eurorack Module
WMD Kraken Eurorack Module (eurorack snare drum module)
Cat: 841371 Rel: 25 Aug 21
 
A physical modeling snare drum module for eurorack modular synthesizers.
Notes: WMD turn their hand to snare drums with this unusual physical modelling module. No samples, just 100% pure digital synthesis. Properly versatile stuff, from realistic drum sounds to creative weirdness.

Supplier's Notes:
Kraken is a physical modeling snare drum module for eurorack modular synthesizers.

No samples, 100% digital synthesis with the ability to make realistic snare drums of all sizes, shapes, materials, and colors. Similar to Crucible, Kraken uses a network of classic synthesis blocks like delay, digital filters, and noise to create a very unique resonator.

"Crack-in" to the snare drum sound you're into most by adjusting parameters that corelate to physical drum properties such as shell type and size, head tightness, amount of overtone, and how tight and bright the snares sound.

You like snare samples? Great! Although Kraken does not use any recordings to generate sound, you can get a perfectly repeatable snare sound, similar to a sampler by using digital noise to generate the sound of the "snares". Dial in the decay to cut the sound short, and use different gate lengths to mimic "gate" mode style sounds in samplers.

Want your snare to sound more realistic? Switch to analog noise to imitate the subtle difference of a drummer hitting the snare slightly different on each hit.

Perfect Pitch... kind-of. Optional pitch shifter on the output widens the sonic palette as well as the frequency range, while imparting a unique character of it's own, reminiscent of old school samplers and pitch shifter pedals. Pitch knob and CV input take control of the pitch shifter when in this mode.

Wreck the ship with the Wreck switch and CV input. 3 different distortion characters push the envelope that much further with an analog style gained up hard clipping, wavefolding, and bit depth reduction.

At some shell settings, gain gets loud and fedback like running a snare mic through a distortion pedal. The wavefolder sounds like over-the-top compression with lots of high frequency content. The bit depth reduction setting let's you dial in a desired amount of "vintage" digital artifacts. Moving the switch to these different modes is only a preview.

Use the Wreck CV input for the most control over your sound.

Kraken is begging to be sequenced. Use the Head, Rim, and Accent gate inputs to start your basic rhythm of hits, sidesticks, rimshots and accented sounds. Sequence the Velocity input with a variable CV source to bring the pattern to life and put the drummer behind the kit.

Pair with Crater, Fracture, Chimera, and Crucible for a completely unique set of drums for your Eurorack Modular Synthesizer.

Highlights:
- No samples, 100% digital synthesis
- 3 built-in distortion types
- Digital and analog noise source
- Pitch shifter
- Wide range of sounds
- Two trigger inputs - Hit both simultaneously for a realistic "rimshot" sound.

Specs:
Size: 8hp Depth: 30mm (with cables)
Power: +61mA, -17mA All CV
Inputs: 100k ohm impedance
CV inputs sum with knobs.
Full sweep is 5V
Gate Inputs: 100k ohm impedance 2V threshold Schmitt Trigger
Audio Output: 470 ohm impedance
22Vpp range
4.0ms latency max
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Koma Elektronik Field Kit FX Modular Multi Effects Processor (assembled boxed version)
Cat: 689031 Rel: 19 Jun 18
 
Electroacoustic workstation - boxed version
Notes: This new device is a powerful new CV controlled effects unit for your electronic music setup and pairs extremely well with the KOMA Field Kit.

- Looper
- Frequency Shifter
- Sample Rate Reducer/Bitcrusher
- Digital Delay
- Analogue Spring Reverb
- 4 Channel VCA Mixer
- 4 Step Mini Sequencer
- Envelope Generator

All of this, combined with the new 4 Channel CV Interface which allows you to route four CV signals throughout the device, means an incredible control over sound and timbre and a great addition to your mobile performance rig.

The Field Kit FX is built up from 7 separate functional blocks all focused on mangling and changing incoming audio and CV signals. They are designed to operate together as a coherent addition to our Field Kit Electroacoustic Workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.
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Endorphin.es Milky Way Stereo FX Module
Cat: 734890 Rel: 15 Oct 19
 
Multi effects module - 6HP
Notes: Milky Way is a multi effects module with stereo signal flow. Its algorithms are already known from the Blck_Noir and the Grand Terminal.

- Simple and effective 6hp stereo* FX module
- Comes with "T.F.D" firmware installed: 16 types of effects are available, sorted in two banks
- Meta CV effects scanning
- Volume control with VCA

*depending on the effect type
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MRP:$235.01 SAVE 23%
 2 in stock $180.95
After Later Audio Bleep Bloop 2000 Eurorack Module
Cat: 846042 Rel: 20 Sep 21
 
A four-voice oscillator or a quirky CV-source.
Notes: Bleep Bloop 2000, or BB2k is a collaboration between Tim Held of Podular Modcast and After Later Audio. What started as a joke-module made by Tim's friend Jenny has now actualized into real-life. What is it? Why is it? These are all questions we are still asking ourselves.

Overview

BB2k can be used as a four-voice oscillator or a quirky CV-source. It was designed to inspire experimentation and creative patching. While it appears simple at face-value, it is actually quite versatile. BB2k is able to get into glitchy rhythm generation, haunting drones and outrageous control voltage over any parameter the user wishes. Just power it on and start exploring!

The module can be divided into 4 different sections: 4 Oscillators, Splarf 1 and 2 Switch, a Crossfader and a VCA.

Oscillators

There are 4 oscillators that all come out of the module's only output. Each is independently controllable via a pitch knob or via CV, and all 4 range from LFO to audible frequencies. Depending on the module's settings, the 4 oscillators are either a Sine, Triangle or Square wave. These oscillators DO NOT track 1 v/o.

Splarf

The Splarf Switch selects between 2 banks of waveforms. In the Splarf 1 position all Oscillators will either be a Sine or Triangle wave, and in Splarf 2 Oscillators A and B are Sine waves while C and D are Triangle, or all 4 are Square waves (depending on the Crossfader position).

Crossfader

The crossfader blends the different waveforms of each Splarf section together. If the module is set to Splarf 1 and the Crossfader is completely counter-clockwise, then the output will be 4 Triangle waves, and when completely clockwise 4 Sine waves. When the Splarf is set to 2 then completely CCW will have an output of 4 Square waves and completely CW 2 Triangle and 2 Sine waves. There is also a CV input to control the crossfade.

VCA

The VCA accepts gates and envelopes to control the module's output.
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Squarp Instruments Rample Wave System 4 Voice Sample Player & Audio Processor Module
Cat: 783294 Rel: 09 Sep 20
 
Sample player & audio processor module
Notes: Nicely thought out four-voice sample playback module from Parisian innovators Squarp. Load up a microSD card with samples (up to 2600 kits), then trigger and process. Neat.

Supplier's Notes:

Rample waves system

Eurorack 4-voice sample player & audio processor

Versatile sample machine

From percussive drum-machine kits to synth samples, breakbeats to sound FX, backing tracks to hour-long audio music, Rample can play up to 4 .wav files on independent audio outputs :

These samples are stored inside the provided SD card, and organized as kits, from A00 to Z99... allowing up to 2600 banks of 4 voices, with on-the-fly loading! The SD card is preloaded with tons of samples, and we made it very easy to import your own kits.

Thanks to the DC coupled audio outputs, it's also possible to play CV waveforms.

Effects rack

Each voice has its own "rack" of effects, and all audio effects can be enabled at the same time, allowing you to manipulate your samples in real time, from a gentle lowpass to massive destruction!

pitch - a great sounding pitch engine, based on a 6-pole interpolator, which ranges from -1 octave to +1 octave.

bits - two different bitcrushing algorithms, based on sample rate and resolution reduction. It produces distortion and warms the audio signal.

filter - a low resonance filter, DJ-style, cutting off the high frequencies or the low frequencies.

freeze - sample and loop a fraction of the played waveform, creating a glitching effect.

levels - decrease the gain or drive the signal.

It's also possible to edit 'advanced parameters' like the start point, sample length, attack/decay and run mode, and create mute groups without breaking a sweat.

Finally, thanks to the 4 CV inputs, any of the effects (or advanced parameters) can be assigned to create amazing modulations!

Multi-layer sampling

One of the key feature is the ability to "multi-sample" your kits, multiplying Rample's potential. Each voice supports up to 12 samples, can be played randomly or in a controlled fashion. It's a great way to add complexity and variations, to create organic/acoustic sounding drums, or simply to increase the number of samples per kit (up to 48).

As an example, Squarp are providing a multi-layered drum kit, with 12 different recordings of a kick, 12 different recordings of a snare, etc. Sequencing them randomly leads to a more natural drum playing.

Another kind of multi-layered acoustic drum kit is also provided, where each drum is recorded with 12 levels of velocity. Controlling the layer to be played leads to intricate, convoluted drums programming.

Of course, it's very easy to create your own multi-layered kit, and you can use this method to perform multiple synth chords, sound glitches, voices, breakbeats, ...

CV/Gate and Midi interface

Rample is designed to be the perfect rhythmic companion of your eurorack system thanks to its Gate (trig samples) and CV (modulate samples) connectivity.

You can also use it as a standalone midi machine, without using the CV/Gate connectivity: the midi in port allows you to trig & control all samples parameters + effects values at the same time. Each Rample comes with a 'stereo jack to midi DIN' and 'stereo jack to jack' adapters, easing the chaining of multiple modules in order to create an 8-voice, 12-voice, 16-voice (or more) midi drum machine!

SD card preloaded with 200+ kits from artists and sound designers, covering a large range of audio samples
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MRP:$366.94 SAVE 24%
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Doepfer A-145-4v Quad LFO Low Frequency Oscillator Module (vintage edition)
Notes: Module A-145-4 is a simple quad LFO (Low Frequency Oscillator). Not a very "exciting" module, just a bread-and-butter device and a simple demon for work. Virtually in every modular system several LFOs are required for modulation purposes. The module contains four simple LFOs with the waveforms triangle and rectangle. A dual colour LED (red = positive / yellow = negative output voltage) indicates the triangle output of each LFO. The frequency range can be chosen for each LFO individually by means of a jumper between about 50 Hz ... 0.04 Hz (about 20 seconds, jumper removed) and about 2Hz ... 0.002 (about 8 minutes, jumper installed).

The module can be treated as a slimmed version of the quad LFO A-143-3 as it has similar features available. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is less than one third of the A-143-3. The module is primarily planned for applications where only limited space is available. The functional difference compared to the A-143-3 are the missing sawtooth outputs and frequency range switches.
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MRP:$109.94 SAVE 18%
 2 in stock $90.47
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Doepfer A-130-2 Dual Linear & Exponential VCA Module
Cat: 731940 Rel: 11 Jun 19
 
Compact two-channel VCA - 4HP
Notes: Module A-130-2 is the slim version of module A-132-3 and offers essentially the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-132-3. The module is primarily planned for applications where only limited space is available.

The module is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control (also named Initial Gain) and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. for voltage control of the level of LFO or envelope signals). The signal input has no attenuator available but is capable to process up to 16Vpp signals (i.e. -8V...+8V) without distortion. For the processing of higher levels an external attenuator (e.g. A-183-1) is recommended.

The amplification range is 0...1. Even with a higher external control voltage the amplification remains at 1 (kind of "amplification clipping" at 1).

Controls (for each of both units):

- Gain: manual gain control (Initial Gain) in the range 0...1
- CV: attenuator for the CV input
- Lin/Exp: switches the VCA characteristic to linear or exponential, in center position the VCA is off (mute function)

Inputs and outputs (for each of both units):

- CV: control voltage input, min. +5V required for max. amplification (1) with CV control fully CW and Gain fully CCW
- In: signal input, max. 16Vpp (+8V...-8V) without distortion
- Out: signal output
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MRP:$97.58 SAVE 23%
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Doepfer A-180-9 Multicore Module
Cat: 671561 Rel: 18 Dec 17
 
Pair of multicore signal connectors
Notes: A-180-9 is another simple but useful tool. It can be used to connect up to 14 signals between different cases by means of standard network cables (RJ45). These cables are available all over world smoothly in different lengths and colours. From the factory two black network cables with 0.5 m length are enclosed.

The upper network connector is wired to the eight sockets 1-8, the lower to the six sockets A-F. That way it's possible to pre-patch different cases and connect signals, that are required in all cases (e.g. clock, start/stop, master CV) by means of one or two cables only instead of 14 individual patch cables. When only eight signals are required only the upper network connector is required and the sockets 1-8 are used. When more than eight signals have to be patched both network connectors have to be used. It's also possible to wire the upper and lower network to different cases (i.e. signals 1-8 to external case #1 and signals A-F to external case#2).

The module is fully passive (no power supply required) and simply wires the 14 sockets to 14 pins of the network connectors.

The A-180-9 comes in pairs for combining two modular systems.
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MRP:$131.93 SAVE 14%
 2 in stock $113.37
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Doepfer A-119 External Input Envelope Follower Module
Cat: 577771 Rel: 29 Nov 17
 
Envelope follower & pre-amplifier for microphone/line-signals - 8HP
Notes: Module A-119 (External Input / Envelope Follower) is designed to allow external audio signals to be integrated into the System A-100. It comprises a pre-amp, envelope follower, and comparator.

The pre-amp has two inputs: an unbalanced input for line level signals, with a gain factor of from 0 to 20, and a balanced input with a gain factor of from 0 to 500, for insertion of low level signals, for instance from a microphone or electric guitar.

The Envelope Follower reads the signal level of the input, and puts out a proportional voltage as an envelope at its own output.

The comparator generates a gate signal whenever the input goes above an adjustable trigger threshold.

Three LED's help you keep track of overload, the envelope, and the gate signal.
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Doepfer A-145-4 Quad LFO Low Frequency Oscillator Module
Cat: 731949 Rel: 10 Jun 19
 
Quad low frequency oscillator - 4HP
Notes: Module A-145-4 is a simple quad LFO (Low Frequency Oscillator). Not a very "exciting" module, just a bread-and-butter device and a simple demon for work. Virtually in every modular system several LFOs are required for modulation purposes. The module contains four simple LFOs with the waveforms triangle and rectangle. A dual colour LED (red = positive / yellow = negative output voltage) indicates the triangle output of each LFO. The frequency range can be chosen for each LFO individually by means of a jumper between about 50 Hz ... 0.04 Hz (about 20 seconds, jumper removed) and about 2Hz ... 0.002 (about 8 minutes, jumper installed).

The module can be treated as a slimmed version of the quad LFO A-143-3 as it has similar features available. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is less than one third of the A-143-3. The module is primarily planned for applications where only limited space is available. The functional difference compared to the A-143-3 are the missing sawtooth outputs and frequency range switches.
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MRP:$94.83 SAVE 20%
 6 in stock $75.57
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Intellijel MIDI 1U Compact MIDI To CV Conversion Module
Intellijel MIDI 1U Compact MIDI To CV Conversion Module (MIDI/clock modulator/CV modulation synth module)
Cat: 785361 Rel: 21 Oct 20
 
MIDI voice and clock interface
Notes: Small and efficient MIDI to CV courtesy of Intellijel's 1U series. Works in conjunction with an Intellijel case or the MIDI IN Jacks 1U module to give you Pitch, Velocity, Mod, CC, Gate, Trig, Clock and Reset.

Supplier's Notes:
The MIDI 1U system provides all the essentials to control and sync your Eurorack modular from your computer, mobile, or hardware MIDI device with a minimum of fuss. Several of the module's most important features can be changed using the two front panel buttons, with full configuration capabilities offered via the Intellijel Config app, which is available for both Mac and Windows. The connectivity, feature set, expandability, and compact size make the MIDI 1U system ideal for integrating your modular gear with the rest of your rig.

Intellijel's MIDI 1U system comprises several elements, which work together to provide flexible, programmable MIDI-to-CV conversion to your Eurorack modules: The system comprises two mandatory components, and one optional component:

MIDI 1U module - This 14HP 1U module receives MIDI from an attached, external MIDI input connector (7U case, Palette case, or MIDI IN Jacks 1U module), and extracts (by default) Pitch, Velocity, Mod, CC, Gate, Trig, Clock and Reset messages i sending the proportional voltages to individual 3.5mm jacks for patching.If desired, the CC and MOD jacks may be configured to respond to either Channel Aftertouch or High Resolution CC, and the Reset jacks can be configured as a Run jack, instead. Additionally, MIDI 1U features an alternate Dual Mode, which maintains the Clock & Reset functionality, but uses the other six jacks to transmit Pitch, Velocity and Gate messages derived from two separate MIDI channels.
MIDI input connector - the MIDI 1U module does not have its own MIDI input jack. This enables you to use the MIDI/USB inputs built-in to your Intellijel 7U Performance Case or Palette Case. If you don't own one of these cases, you can purchase the MIDI IN Jacks 1U module to connect an external MIDI device.
MIDI Expander 1U module - This optional 14HP 1U module connects to the MIDI 1U module and adds an additional eight 3.5mm CV outputs. These outputs are fully programmable using the Intellijel Config app, and greatly expand MIDI 1U's ability to control your entire Eurorack system.

Width: 14HP
Depth: 14mm
Power: 34mA @ +12V
2mA @ -12V
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MRP:$237.75 SAVE 19%
 6 in stock $192.40
Intellijel Buff Mult Eurorack Module
Cat: 563563 Rel: 10 Mar 15
 
Buffered multiple synth module, 2HP wide
Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult
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ALM SBG Guitar Effects Adapter Module
Cat: 584253 Rel: 15 Apr 16
 
Compact utility synthesiser module for interfacing guitar effects with eurorack modular system - 4HP wide
Notes: The 'S.B.G' is a compact utility module intended for the interfacing of guitar effect pedals with your eurorack modular system.

It provides both attenuation and amplification of audio signals for level matching together with a crossfade control to conveniently adjust the wet/dry mix of a processed signal. The module also offers regulation of outgoing CV signals for safer use of pedal expression inputs.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~30ma
Size: 4 HP
Depth: 22mm (including power header)
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Mutable Instruments Stages Segment Generator Module
Cat: 686269 Rel: 27 Apr 18
 
Universal, patch-programmable modulation source - 14HP
Notes: Mutable's segment generator is a one-size-fits-all approach to LFOs, envelopes and modulation. A surprisingly creative module with potential way beyond the basics.

Supplier's notes:
ASR envelope, complex 6-stage envelope, LFO, 4-step sequence or switched LFO: Stages can be any kind of modulation.

Not because all these behaviours have been pre-programmed in the module, but because it allows you to describe your own modulations in terms of basic operations: ramp from one voltage to another, hold a voltage at a set level, wait for a trigger and slew. With or without looping.

Whether you need one complex envelope, or several simpler modulations, Stages reconfigures itself according to which of its gate inputs are patched. There is always a role for it in your patch.

That's it. Really, there isn't more to the story.

Self-generating chiptunes? Very weird LFO shapes? Random gate delay? Stages probably does strange and wonderful things when patched in a certain way.

Flexible input/output layout:

The module detects the presence of jacks on its gate inputs to group its segments: whether it is configured as a complex 6-stage envelope, or 6 individual envelopes, or 3+3, 2+4... depends simply on how you patch it. Dummy patch cables might come handy!

When used as a multi-segment envelope, a segment activation signal is produced on all secondary outputs - for example to trigger an external event when an ADSR envelope enters its decay, sustain or release stages.

In case more than 6 segments are required, up to six modules can be chained together thanks to a connector at the back of the module.

Three segment types:

- Ramp segments go from one voltage to another, in a CV-controlled amount of time, with an adjustable curve (accelerating, uniform, decelerating). They are the building block used for the attack, decay or release segments in envelopes... or for LFOs.
- Hold segments stay at a constant (but CV-controllable) voltage for a programmable amount of time. They serve as the sustain or hold segments in envelopes.
- Step segments glide to a target (CV-controllable) voltage, then stay at this voltage for a certain amount of time until a trigger is received. They are the main ingredient for step sequences, but also for building sequential switches or a sample-and-hold.

Looping:

A segment, or a group of segments, can loop on itself: if the last segment of the envelope is included in the loop, the loop lasts forever. Otherwise, the loop remains active while the gate is high, then continues past the last segment of the loop. These two behaviours allow the creation of self-looping envelopes (LFOs), or the sustain stage of a good old ADSR envelope!

Single segment processing:

Even when they aren't part of any group and don't receive any gate or trigger signals, individual segments can perform interesting functions: Ramp can loop on itself and turn into an LFO, Hold can delay a CV and Step can slew it.

Now patch a trigger signal: the self-looping Ramp turns into a tempo-synced LFO, the Hold segment becomes a pulse generator, the Step segment a sample-and-hold.
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ALM PEXP-1 Pamela's New Workout Expander Module
Cat: 648930 Rel: 25 May 17
 
Expander module for Pamela's New Workout - 4HP
Notes: Pexp-1 is an expander module for Pamela's NEW Workout offering additional dedicated fixed clocked outputs.

Extend Pam as a master to clock external gear with a super solid MIDI & Din Sync dedicated clock outputs.

Use extra fixed jack clocked gate outputs to free up Pamela outputs for more exotic modulation duties.

Connects to, and powered by, expander header on rear of Pamela's NEW Workout. Only a single expander is supported at any time.
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 1 in stock $119.65
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4ms Row Power 45 Power Solution Module For Eurorack Systems (black) 4ms Row Power 45 Power Solution Module For Eurorack Systems (black) 4ms Row Power 45 Power Solution Module For Eurorack Systems (black) 4ms Row Power 45 Power Solution Module For Eurorack Systems (black) 4ms Row Power 45 Power Solution Module For Eurorack Systems (black)
Cat: 785962 Rel: 12 Aug 20
 
Power solution module
Notes: Row Power is a clean, regulated, and protected power solution for Eurorack systems. Row Power 45 provides enough power for two to three typical Eurorack rows (typically up to about 312HP):
+12V @ 2.0A maximum, 1.5A recommended
-12V @ 1.4A maximum, 1.2A recommended
+5V @ 1.5A maximum, 1.2A recommended

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying bus cables or the Bus Stick. For custom power systems, the Row Power 45 has a set of easily soldered holes for using large gauge wire or MTA156 connectors to connect to distribution bus boards.

Multiple Row Power modules can be powered from a single power brick by daisy-chaining with an inexpensive barrel cable. The Row Power 45 can also be daisy-chained to 4ms Company's Pod enclosures. Each power supply is independently regulated and protected for ultra-low cross-talk between rows/pods.

The Row Power 45 is compatible with the 4ms Row Power Shield. This device (sold separately) attaches to the back of the Row Power 45 and monitors the amount of current being drawn, as well as the voltages of the power rails. The information is sent over Bluetooth to be displayed on a phone or tablet.

Electrical and Mechanical Specifications

Module Size:
4 HP Eurorack format module

Power Output:
Maximum average load under normal conditions: +12V @ 2.0A, -12V @ 1.4A, +5V @ 1.5A
Maximum average load under any condition: +12V @ 1.5A, -12V @ 1.2A, +5V @ 1.2A
Powered by laptop-style DC power supply: 2.1mm barrel, positive center, 15V-20V.

Included with the Row Power 45:
16-to-16 pin power cable
2 M3 Knurlie screws
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MRP:$208.89 SAVE 21%
 5 in stock $166.06
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quote 785962
Erica Synths Sample Drum Drum Series Module
Erica Synths Sample Drum Drum Series Module (drum/sampling eurorack module)
Cat: 690936 Rel: 18 Apr 19
 
Dual-channel drum sample module - 14HP
Notes: Performance oriented Sample Drum brings you two independent drum sounds or loops with plenty of manual and CV controlled parameters. Samples are stored on the microSD card, and OLED screen makes working with samples instant and easy.

Sample Drum allows you to slice up loops directly in your modular system and rearrange them to taste. For processing, there are tuning functions (including 1 v/octave pitch tracking) and virtual VCAs plus AD envelopes. Thanks to the module's dual-channel concept, two loops can be combined. It is also possible to load one-shot samples instead of entire rhythms, of course. A total of six CV inputs guarantees lively results.

Sample Drum is composed of two identical audio players. WAV files (including cue points) are fed to the module via a micro SD card. Loops can be cut into several sections using the Data, Start and End potentiometers. The resulting slices may be played back in any order imaginable. A tune control allows real-time pitch changes. Additionally, there is a virtual VCA plus AD envelope per slice. - But that's not all! There are three CV inputs per channel, which can be routed to any parameters. It is even possible to play sounds according to the 1 v / octave standard. Results are emitted via one output per player.
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MRP:$430.16 SAVE 21%
 3 in stock $341.28
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quote 690936
Xaoc Devices Zadar 1973 Quadruple Envelope Generator Module
Cat: 689804 Rel: 03 Sep 18
 
Innovative quad envelope - 10HP
Notes: Zadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesising a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. These starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms.

Operating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.
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MRP:$391.68 SAVE 19%
 9 in stock $318.38
Noise Engineering Viol Ruina Filter Module (black faceplate)
Cat: 737544 Rel: 26 Jun 19
 
All-analogue distortion & lowpass filter - 4HP
Notes: Viol Ruina is an all-analogue distortion and lowpass filter with an internal envelope follower and self-modulating cutoff. The four-pole design is reminiscent of the classic filters we all know but with a completely new and slightly ridiculous twist. The independently addressable distortion circuit takes VR into overdriven paradise with a shocking amount of drive. Built-in envelope following makes an easy way to create dynamic patches with the flick of a switch, and feedback FM takes VR to a whole new realm of filthiness. Run a sound through VR, you'll get something cool out of it.
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MRP:$169.04 SAVE 16%
 1 in stock $142.01
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Noise Engineering Ruina Versio Stereo Distortion Module (silver faceplate)
Noise Engineering Ruina Versio Stereo Distortion Module (silver faceplate) (eurorack digital/distortion/dual & stereo/effect module)
Cat: 816757 Rel: 12 Apr 21
 
Eurorack distortion module
Notes: Ruina Versio is the latest in the Versio platform line. It answers the age-old question: how many different types of distortion can Noise Engineering fit on a single module? The answer is a lot, as it turns out. Need a wavefolder? It's got a wavefolder. Want some multiband distortion? Of course you do! And there's even a DOOM parameter!

Noise Engineering also decided that Smoosh was a parameter we needed in our lives: press it and add 128dB of drive. Yes, you read that right: 128dB. Why have SOME drive when you can have ALL the drive? Ruina Versio: when a little distortion just won't cut it.
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MRP:$409.54 SAVE 16%
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After Later Audio Typhoon 16HP Clouds Redesign Module
Cat: 805536 Rel: 14 Jan 21
 
Analogue texture synthesiser/rebuild of Mutable Instruments Clouds
Notes: This is where Storm and Monsoon meet to create the latest improvements on the original Clouds design. With Typhoon you get all of the features of Storm combined with sliders and layout of Monsoon in 16hp. Typhoon runs the SuperParasites firmware, so no more having to swap between Parasites and Kammerl firmware options. Some of the notable features are:

Dedicated blend controls for Feedback, Panning, Mix, and Reverb (similar to Monsoon)

All eight modes from Parasites and Kammerl

Stereo VCAs

input/output mutes

Exponential and linear pitch controls

Universal CV routing and random CV signals

Comes with an exclusive black and gold panel, power cable and one year warranty.
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MRP:$316.09 SAVE 17%
 2 in stock $262.26
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Happy Nerding 4xSTEREO MIX Quad Stereo Mixer Module (black faceplate)
Cat: 819285 Rel: 08 Apr 21
 
Eurorack mixer module
Notes: 4xSt.Mixer is 4 HP quad stereo mixer.

Right inputs are normalled to Left inputs for easy mono operation

Several 4xSt.Mixers can be chained together or with other HN stereo modules via sockets on the back side

65 mA +12V
50 mA -12V
35 mm deep
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MRP:$153.92 SAVE 17%
 9 in stock $128.26
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