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Cat: EDSL 0147. Rel: 07 Jul 23
Indie/Alternative
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Review: J-Felix's latest project The Mint Experiment (Volume 1 and 2) finds him drawing on the many different genres that have inspired this hip-hop beat making over the years. His signature funk laced sound is detailed with elements of soul and jazz here as he mixes up analogue synthesis, live instrumentation, and experimentation with tape cassettes. There are no samples used on this one and instead the artist works with a diverse group of musicians and producers to cook up a fresh and modern sound that is well informed by the classics. It's an effortlessly cool and feel good album.
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Cat: CAP 811. Rel: 03 Sep 09
50s/60s
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FORTHCOMING
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Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 19 Apr 24 $15.03
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Review: Formative disco five-piece who've been sampled and re-edited to the max over the last 20 years, here we find The Joneses in their original form. And they still sound as relevant and timelessly funky now as they did when this arrived in 1981. The original is a tight Chic-style guitar and bass groove that's accentuated by occasional falsetto vocal hits and flurries of disco bubbles and street sounds. Flip for "Summer Groove (Moving On)" where the blistering tight bassline and guitar licks are complemented with a tiny bit more vocal majesty. Instant seasonal sounds, have you kept up with The Joneses recently?
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Review: · Hot on the heels of acclaim from Pitchfork,
Stereogum and various other dot-com entities,
Toronto two-piece Memoryhouse make their Sub
Pop debut with ‘The Years’, a mini album
containing their 2010 digital-only, self-released EP
fully re-recorded, remixed and remastered, plus
the new tracks ‘Modern, Normal’ and ‘Quiet
America’. The five tracks form a cohesive set of
gorgeous, ethereal synth-pop songs, all of which
are seeing their first release on CD or LP.
· ‘The Years’ was re-recorded and mixed by Evan
Abeele with the help of Daniel Gray in Toronto.
· Memoryhouse will also be releasing a new fulllength
in 2012.
Tracklisting
Sleep Patterns
Lately
Modern, Normal
To The Lighthouse
Quiet America
… Read moreStereogum and various other dot-com entities,
Toronto two-piece Memoryhouse make their Sub
Pop debut with ‘The Years’, a mini album
containing their 2010 digital-only, self-released EP
fully re-recorded, remixed and remastered, plus
the new tracks ‘Modern, Normal’ and ‘Quiet
America’. The five tracks form a cohesive set of
gorgeous, ethereal synth-pop songs, all of which
are seeing their first release on CD or LP.
· ‘The Years’ was re-recorded and mixed by Evan
Abeele with the help of Daniel Gray in Toronto.
· Memoryhouse will also be releasing a new fulllength
in 2012.
Tracklisting
Sleep Patterns
Lately
Modern, Normal
To The Lighthouse
Quiet America
in stock $15.03
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Review: ** Camera's ready. Prepare for the Repress ** Curtis Jones is never one to rest on his laurels, as his staggering back catalogues as Green Velvet and Cajmere can attest but such is the force of his personality that a new release still feels like an event. "Bigger Than Prince" capitalises on Jones' knack for a vocal that lambasts the less earnest quirks of the dance music industry, while creating the hook to make the track a bomb in the same instance. Production-wise, there's a measured strut to the track with some choice growling bass synths and an underlying disco flavour that suits Jones just fine. On the remix front, Circus turn to The Martinez Brothers to hammer out a rolling, percussion focused version perfect for big room mixing, while Hot Since 82 turn out a similar line in boompty peak time damage.
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Review: Yes! Gerard Hanson returns to Frustrated Funk for more worthy Event Related Potential output! The celebrated rooftop alligator wrestler from Texas operates under numerous aliases - Convexation, Syne Language and Time Light Curve among them - but ERP is our favourite at Juno HQ, more so when it arrives via the superb Frustrated Funk label. Renowned for his emotive strings, Hanson brandishes them in abundance on Pith with lead track "Luctu" all about his compositional skills, as he orchestrates various melodic arrangements without losing sight of the funk. On the flip "Tuga" plays out like a charming ode to electro's classicisms as rasping 808s combine sublimely with the deviant analogue bass as Hanson works his string laden magic. It's left to the final title track for Hanson to adopt a pensive, more contemplative tone which contrasts nicely with the music that preceded it.
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Cat: KRANK 015CD. Rel: 15 Apr 13
Industrial/Noise
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Review: Musically it's cinematic rock funk with a bit of old testament too. One for the collection.
… Read morePlayed by: ARSENII, SPASIBO RECORDS
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Review: Quite how this 12" on FXHE from the unheralded Tom Bugs came about isn't clear, though we'd like to think Omar S got chatting to the Bristol based producer and builder of Modular synths over a pint of Guinness in a Stokes Croft pub before a gig. Whilst few people would fancy the unenviable task of following up the huge recent LP from Omar S, Bugs shows enough ingenuity on this Living Leaving 12" to make him a perfect fit for FXHE. Nestling in at the dubby end of the FXHE spectrum, like a sleepy eyed Luke Hess, both parts of "Living Leaving" demonstrate that Bugs mastery of obvious modular synths is also blessed with an innate understanding of lo-fi melodics. Indeed there's a freeform sense to how they unfurl which hints that Bugs committed these straight to tape. Another fine FXHE transmission!
… Read morePlayed by: Ekoplekz, Bantam Lions
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Played by: Juno Recommends Reggae
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Review: Ever the champion of brains and brawn in equal measure, Maceo Plex makes his debut appearance on Drumcode with this punchy beast of a single. "Conjure Dreams" features plenty of Plex signifiers, from the rounded and rowdy bassline pump to the haunting tone of the synth lines, neatly packaged in a chunky framework of big room drums. "Conjure Floyd" meanwhile burrows into more minimal territory where the tones are amelodic and the percussion takes the lead, calling to mind the restraint and tension of classic M_nus productions where so much could be said with so little.
… Read more! low stock $15.03
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Played by: Skudge
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Vintage Vinyl 3 (hand-stamped heavyweight vinyl 12")
Cat: SCHATVV 03. Rel: 15 Jan 16
Minimal/Tech House
in stock $15.03
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Ballads (remastered) (limited gatefold 180 gram audiophile vinyl LP)
Cat: P 9152253. Rel: 01 Jan 90
Jazz
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Review: In amidst a veritable deluge of seven inch-shaped sharpness from Japan's crucial Soul Garden label this week comes this absolute must grip 45 session from Q.A.S.B. The nine-piece Tokyo funkateers have been holding it down since 2005 and this seven picks out a horn heavy highlight from last year's Q.A.S.B. III LP in the shape of "Good Guy." Throwing down a similar vibe to the Quantic Soul Orchestra, this track is all about the lead vocal from Amy A and those warm, tooting horns. Face down and QASB engage flipmode, slowing the tempo down and cranking the sass up on "Bad Boy". If seven inches were vegetables this would be one hot pepper!
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Cat: JGML 60079. Rel: 09 Jan 18
Reggae Classics/Ska
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Played by: Kito Jempere
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Cat: TR 11:11. Rel: 21 Apr 23
Minimal/Tech House
Review: REPRESS ALERT!: Trelik returns with a repackaged edition of one of the catalogue's most treasured releases. "Overcome" and "Lady Science (NYC Sunrise)" need little introduction, and now come sporting the new TR11:11 matrix number. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule, these tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999. On the A Side "Overcome" is stripped back and energetic, driven by rolling and shuffling garage style beats, tight bubbling bass and atmospheric synth pads. The intermittent vocal samples and the release's signature organ set you up for the flip, "Lady Science (NYC Sunrise)". Possibly one of house music's most emotive pieces, the track builds slowly with the introduction of each part building a story of soulful optimism based around a sparse palette of deep synths, uplifting keys and warm analogue bass. The understated beauty of the main vocal riff never seems to grow old or tired with the track lending itself perfectly to either main room, peak-time play or after-hours sessions alike. Remastered by Rashad at D & M.
… Read morePlayed by: Ian Blevins, Reece Johnson, BLM, Burnski, Miles Simpson, Robot 84, Catz 'n Dogz (Pets Recordings), Ikpathua, TrueSelf, Costelloe, FOLD, Corbi, Eamon Harkin, Mister Saturday Night, Piers Harrison, The7notes, Ezio Spoldi, RedSoul, Goshawk/Rhythm Plate, Billy Johnston, Thatmanmonkz (Shadeleaf Music), St. Bernard, Kayne Cross, Mark Graham (Contrast-Wax), James Ornate, Brothers' Vibe, DJ Bone, Satore (Hizou Deep Rooted Music), Marcelo Tavares(Deep Space Podcast), Autoreply Music, Juno Recommends Minimal Tech, Carl (Thug Records), Jorge Caiado / Conversion, Nicholas, KevinTsuba, Chamboche, Astral T (Astral Love Affair), OLDERIC, Michael McLardy, NICOLA CONTE, ManooZ, Cleymoore (Pluie/Noir), Jamie Trench, Cem G, OCH, TIJN, Melbourne Deepcast, Timmy P, Don Crisp, Fulbert, Samann (Traxx Underground), Askell (BORG LTD), Juno Best Sellers 2016, ACID MONDAYS, Spittal (Craigie Knowes), DUB STRIKER, Liam Geddes, Swink Music Records, Mike Sharon, Contrast-Wax, Nicola Brusegan, REbEL, Russ gabriel, Huerta, Ocu, AWOL, Rhythm&Soul, Fauvrelle, Mak & Pasteman, SY, Homework, The Organ Grinder, Aphrohead, Honey Soundsystem, Laidlaw
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Review: Toolroom welcomes exciting new prospect Max Chapman to their flagship label. He burst onto the scene three years ago with great releases on Elrow, Snatch, Viva and Lost. He teams up with up and coming maestro George Smeddles here for two quality jams on this great EP. "Zulu" on the A side is the kind of rolling and funky tech house that just reeks of White Isle hedonism and will appeal to fans of Lost, Material Series or Knee Deep in Sound. On the flip "Charger" will absolutely blow the doors off any venue with its pounding groove and wall of bass which you could imagine Marco Carola or Paco Osuna playing at peak time in the main room.
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Review: Spanish imprint Suara are a force to reckoned with at the moment and continue to bring the heat with his fine collection of remixes by US electronica icon Moby. Brazilian Victor Ruiz kicks off proceedings with his rendition of "Go" and he sure had his work cut our for him, trying his deft hand at such a defining rave classic: it's pretty good and gives a fresh perspective while staying true to the original. Also on the A side we've got French hero Oxia who stays on the same vibe as the original with his deep and emotive rendition of "Why Does My Heart Feel So Bad". On the flip, the m_nus affiliated Julian Juweil delivers an absolutely stomping peak time weapon with his version of "Porcelain" which blows the bloody doors off as always. Reinier Zonneveld's homage to "Natural Blues" goes for some sunny uplifting deep house: Kater Blau style.
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Review: Osaka's Koshiro "YPY" Hino built his reputation on a series of fearlessly experimental cassette releases, before breaking cover to deliver a 12" of frazzled techno on Nous last year. Zurhyrethm marks his long-form vinyl debut, and contains eight suitably experimental tracks stretched across two slabs of wax. While there are clear tropical influences, a humid feel and nods towards the visceral pleasures of ambient, Hino's greatest strength is his eccentric drum programming. Zurhyrethm's dense - but often subtly mixed - percussive backing dominates throughout, with nods to African and South American rhythms, Sweet Exorcist's C.C.CD-era "clonk techno" (look it up), and the metallic clanking of classic industrial music.
… Read morePlayed by: RIZZOLO DJ
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Review: We all know electro as a genre is themed implicitly around the idea of a robot apocalypse, but what happens when the humans rebel? Human Rebellion's latest 12" 'Alien Radio' goes some way to describing this imagined sonic insurgency, titularly from the POV of an alien onlooker who may or may not be orchestrating the entire thing as a proxy war. Opening with the whammy explosions of 'The 4th Industrial Revolution' and continuing the mad-maxxed charge with 'Human Mistake', it's clear that this is a rebellion in which the humans, too, have mastered the machine. Are we talking OG mortals or cyborgs here? Then comes 'Final Wave' and 'Alien Radio', narrating the head-on charging, terrasonic war tactics of our fleshly friends - their would-be coup de grace - before handing back to our extraterrestrial sponsor for a brief intermission of 4x4 airwaved freq-outs, followed by a final slipperer remix from long-timers The Exaltics.
… Read morePre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $15.03
(No payment required now - pay when released)
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Review: Digwah keeps it tough on this next drop on their own self-titled label. It's a ninth outing and in the time it has taken for those to come out, increasing numbers of people have been catching on to the label's work and making it a 'must check' in their mental lists. This one opens up with 'Couldnt Hate You' which has some Ian Brown vocals samples stitched into a glitchy and menacing beat. 'Open Ended' is just as twitchy and anxious with steely drums and brain frying synths all working hard to fire every synapse in your brain. Effective stuff.
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