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Items 1 to 50 of 862 on page 1 of 18
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Xaoc Devices Tirana 2 Utility Micro Sequencer Module
Cat: 657758 Rel: 21 Jul 17
 
Compact step sequencer & modulation source module - 6HP
Notes: Tirana is a super-compact step sequencer and modulation source, serving as the utility module for supporting other sequencing devices, but due to a suite of smart features, the module shines on its own terms. Tirana sports unipolar and bipolar voltages, mutable step triggering, transposition, and direction change controlled externally via CV. The step repeat function and virtually infinite expandability make it even more powerful.
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 2 in stock $174.19
Xaoc Devices Tallin 1956 Dual Discrete Core VC Amp Module
Cat: 671740 Rel: 04 Dec 17
 
Dual voltage control amplifier & overdrive - 6HP
Notes: Tallin is a dual voltage controlled amplifier (VCA) with overdrive, offering some unusual control features and a range of attractive tonal characteristics. Each of the two identical channels offers two simultaneously available inputs for voltage control over signal attenuation or gain, with linear and exponential response to CV. Volume control knobs offer manual gain settings ranging from fully closed (-80dB) up to +18dB. A colour LED indicator displays output signal levels. A soft-clip circuit avoids harsh clipping distortion, while a switchable overdrive circuit offers two carefully crafted distortion responses, simulating the sound of classic tube amplifiers.

Since both CV inputs are simultaneously active, they can be jointly exploited within patches featuring more complex volume control that otherwise would require using two traditional VCAs in series. As the signal path is DC-coupled, Tallin can also be used for handling the control voltages.
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 4 in stock $145.51
Xaoc Devices Sewastopol 2 Audio Port & Voltage Extractor Module
Cat: 676518 Rel: 15 Feb 18
 
Multi-function Eurorack module - 10HP
Notes: Sewastopol is a multifunction Eurorack module designed for easy interfacing of external gear to your modular environment. It can export line and professional level audio, import audio from instruments and electroacoustic transducers, and analyse the incoming audio to generate voltages and triggers to control your modular system.

This is a second, vastly improved revision to the original 2014 Sewastopol, featuring a completely redesigned preamplifier circuit, better ergonomics and various other improvements.
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 1 in stock $234.72
Xaoc Devices Samara 2 Utility Waveform Processor Module Xaoc Devices Samara 2 Utility Waveform Processor Module Xaoc Devices Samara 2 Utility Waveform Processor Module
Cat: 633371 Rel: 14 Feb 17
 
Multi-tool synth module for audio signals & control voltages
Notes: Samara is a "Swiss Army Knife" type of module, intended to serve the most common voltage and audio signal processing purposes such as attenuation, offsetting, mixing, inverting, and even basic waveshaping. Samara features four channels, each with two inputs and an attenuator, additional switchable offset generators, four voltage level and polarity indicators, two adders with switchable scale, and a precision four-channel processor that selects minimum and maximum voltage.
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 1 in stock $167.81
Xaoc Devices Praga Voltage Controlled Stereo Mixing Console Module
Cat: 655355 Rel: 29 Jun 17
 
Voltage controlled four channel stereo mixer module
Notes: The module is built around high quality VCA chips from THAT Corp, as well as low noise opamps. It offers clickless muting and equal loudness panning. The distinct feature is that voltage control is dynamically compressed should it yield clipping when pushed too hard. Also, in both modes the attenuators offer full closing of the corresponding channel, regardless of being controlled by the CV, or not. The VCAs fully open (0dB gain) at CV=8V in Env mode and CV=5V in LFO mode. All the input and output signal levels are Eurorack levels.

Multiple Praga units can be chained thanks to dedicated headers on the back. The mixed stereo sum of each unit in the chain is added to the mixing bus of all units downstream.

A dedicated Hrad expander will offer master volume control, gate inputs for channels muting/unmuting, headphone amplifier, and voltage control over aux sends.
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 3 in stock $422.71
Xaoc Devices Poti Batumi Breakout Expander Module Xaoc Devices Poti Batumi Breakout Expander Module Xaoc Devices Poti Batumi Breakout Expander Module
Cat: 621355 Rel: 28 Nov 16
 
Breakout expander for the Batumi quadruple LFO module
Notes: Poti is a simple but very useful breakout expander for the Batumi quadruple LFO module by Xaoc Devices. Its panel provides an immediate access to the Batumi functions originally selected by the cluster of jumpers on the back of the module: Reset/Sync mode option and selection of the assignable waveform.
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 5 in stock $51.36
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Xaoc Devices Nin Zadar Expander Module Xaoc Devices Nin Zadar Expander Module Xaoc Devices Nin Zadar Expander Module
Cat: 718920 Rel: 23 Apr 19
 
Expansion module for Zadar - 3HP
Notes: An expander for Zadar, adding one more assignable input for each Zadar channel and manual triggers.
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 3 in stock $56.29
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Xaoc Devices Jena Binary Transfunctioner Module
Cat: 758859 Rel: 16 Dec 19
 
Digital waveshaper that transforms your oscillators into 8-bit sounds
Notes: Bonkers digital processing business from Xaoc. Crunchy 8-bit waveshaping, additive Walsh synthesis, freaky modulation. Wild stuff.

Supplier notes:
The new component of the Leibniz Subsystem which operates on signals and voltages through manipulating binary 8-bit numbers. Jena connects to the Drezno module in a loopback. A binary transfunctioner maps input functions (e.g. waveshapes) to some other functions through the classic table look-up mechanism. Input 8-bit values are treated as indices to an internal memory map. The value read from successive locations of the memory are passed to the output.

A simple VCO sawtooth or a triangle wave may be transformed to a plethora of waveshapes from any of the shape banks, with additional, deep through-zero phase modulation. Individual bit outputs may be used to produce interesting signals as well. There is a dedicated bank of Walsh functions - with these signals you can perform additive Walsh synthesis, not very common in Eurorack, but a quite powerful technique.

Transforming slow waveforms to sequences of binary signals is a great way to create rhythmic drum patterns. Jena comes with a special bank that has plenty of such patterns - just connect up to 8 drum voices to individual bit outputs on Jena. The rhythms can be selected or morphed on the fly through external CV input.

Obviously, being limited to 8 bits both in phase and signal value, Jena will not deliver crystal clear timbres you may know from many wavetable oscillators. Instead, it offers buzzy, jittery and gritty sounds as well as jerky and skippy rhythms, just like vintage computers, that were sometimes unreliable and unpredictable.
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 1 in stock $234.72
Xaoc Devices Hel Polyphonic Voice Control Expansion Module For Odessa
Cat: 756224 Rel: 22 Nov 19
 
Expander for Odessa or other XAOC Devices polyphonic oscillators
Notes: Hel is a universal expander for polyphonic oscillator modules from Xaoc Devices, such as the Odessa. The module makes it possible to freely control up to five voices of polyphony via individual volt/octave inputs.
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 3 in stock $72.21
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WMD/SSF Ultrafold Module
WMD/SSF Ultrafold Module (synth module)
Cat: 588817 Rel: 02 Oct 15
 
Voltage controlled wave folder synthesiser module - 6HP wide
Notes: ULTRAFOLD is a powerful voltage controlled wave folder.

The input drive and wave fold controls make up the heart of the design, providing warm saturation and additive harmonics to the input signal.

The wave shift control offsets the input signal to allow for asymmetrical folding - unveiling the subtleties in the distribution of spectral content.

The novel bipolar feedback control takes wave folding to a new level by returning the folded output to the input, thereby skewing the wave shapes for dramatic changes to the upper harmonics.

An auxiliary feedback input is provided to allow for insane folded FM sounds when another oscillator drives this input.

Power Draw: +30mA, -30mA. 6HP width. 25mm Depth.
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MRP:$215.39 SAVE 17%
 1 in stock $178.42
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WMD/SSF Tool Box Module
WMD/SSF Tool Box Module (synth module)
Cat: 588821 Rel: 02 Oct 15
 
Collection of six useful synthesiser utilities in one module - 6HP wide
Notes: TOOL-BOX is a collection of six useful synthesizer utilities.

This module includes a two input voltage summing section, a signal rectifier, bipolar comparator, analog OR (maximum), an inverter and a voltage controlled toggle switch.

TOOL-BOX provides the tools required for spicing up your patches as well as some of the typically overlooked utilities missing from most modular systems.

Power Draw: +20mA, -20mA. 6HP width. 25mm Depth.
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MRP:$170.78 SAVE 23%
 1 in stock $131.69
WMD/SSF Spectrum Smart Control Precision Analogue VCO Module
Cat: 588816 Rel: 02 Oct 15
 
Saw-core voltage controlled oscillator (VCO) synthesiser module - 10HP wide
Notes: SPECTRUM is a precision, saw-core VCO with eight possible waveforms (six simultaneous outputs), an eight octave switch, LFO mode and FM mode select with attenuation.

In addition to the standard waveforms; sine, pulse, triangle and saw, SPECTRUM features two selectable saw/pulse hybrid waveforms and two selectable sub-octave waveforms with variable range.

Additional features include pulse width modulation with CV and attenuation, hard sync and panel accessible 1V/OCT calibration.

Power Draw: +80mA, -55mA. 10HP width. 25mm Depth.
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MRP:$299.51 SAVE 24%
 2 in stock $227.28
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WMD/SSF Quad Attenuator Module
Cat: 588813 Rel: 02 Oct 15
 
Passive quad attenuator synthesiser module - 4HP wide
Notes: QUAD ATTEN is a passive quad attenuator in a small 4hp profile.

Although quite basic, attenuators are extremely powerful in a modular system.

They are especially useful for adjusting the depth of control voltages going into modules that lack CV attenuators.

Power Draw: +0mA, -0mA (Passive). 6HP width. 25mm Depth.
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MRP:$82.84 SAVE 21%
 5 in stock $65.84
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WMD/SSF Modbox Modulation Tools Module
Cat: 640973 Rel: 27 Feb 17
 
Tempo-syncable modulation source module - 6HP
Notes: The Modbox is a tempo syncable modulation source with a three-phase LFO, CV Skewable LFO, Sample and Hold, and White Noise generator.

LFO 1 is a three-phase LFO with independent outputs for each phase which are set at 0, 120, and 240 degrees. Shape can be switched between Sine, Triangle, and Saw with a push of a button.

LFO 2 is a Skewable LFO with three shapes. The LFO shape can be smoothly changed from a Ramp through Triangle to Saw wave shapes. The skew shape can be changed with the Skew knob or with CV

The Sample and Hold circuit's clock is normalled to the 2nd LFO but can be clocked externally as well. The sample and hold samples voltage from and internal white noise source. There is also an input for an external sample source. White noise has its own output as well for use with other modules and applications.

Both LFOs can be sync'd to an external clock source by holding the wave shape button for different lengths of time. As they are independent of each other, one can be sync'd while the other runs free like a gazelle on an African plain.

Tempo sync calculates the time between incoming clocks and reacts instantly to each new clock pulse. Each rate knob becomes a multiplier/divider when sync is engaged.
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MRP:$235.78 SAVE 23%
 1 in stock $182.67
WMD/SSF DPLR VC Delay & Chorus Module
Cat: 588826 Rel: 02 Oct 15
 
Delay synthesiser module - 4HP wide
Notes: DPLR is a delay module with two interactive delay lines, each with 750mS of delay time.

One input is split to two delays which share overall delay time (DELAY) and regeneration (REGEN). Side B has control over its delay offset (SPREAD) from side A.

Delay, Spread and Regen are all voltage controllable. Regen at max will echo indefinitely, and can create interesting noise swashes.

The pushbutton at the top taps through seven different crosstalk configurations (Regen isolated through ping-pong). Push and hold to change through four different Regen Filter settings from very bright to dark.
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MRP:$216.67 SAVE 29%
 2 in stock $154.00
WMD Voltera Voltage Expander For Metron Module
Cat: 742232 Rel: 16 Dec 19
 
4HP voltage expander module for the METRON trigger & gate sequencer
Notes: Expander for WMD's Metron, a 16-channel trigger and gate sequencer module. Adds four tracks of voltage sequencing per module, turning the Metron into an even more powerful sequencer

Supplier notes:
Voltera is a voltage expander module for the METRON trigger and gate sequencer and adds 4 bipolar voltage tracks in 4hp. Up to 16 Volteras can be added to a single METRON giving you up to 64 CV Sequencing lanes for your Eurorack modular system!

With independent voltage ranges and quantize settings per track, Voltera allows for real time control over 4 different parameters at once, allowing you to dial that track to the parameter you are sequencing.

Sequence melodies, modulate parameters, and more with ease by adding Voltera to your METRON set up.
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MRP:$235.78 SAVE 26%
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WMD Triad Arpitecht Companion Module (black faceplate)
Cat: 760485 Rel: 06 Jan 20
 
Polyphonic CV source expander for WMD Arpitecht
Notes: A companion module to the Arpitecht,Triad sends out three static voltages to be used with three oscillators in order to create chords underneath your Arpeggios. Triad connects to the back of the Arpitecht via included ribbon cable and will adhere to the scale and transpose information set by it's master.

Triad knob and CV input set different combinations so your chord can be completely unique, while still in key with your arpeggio. Inversion switch and CV input allow you to select three different chord voicings easily.

Controls:

- Triad Knob: Selects the 3-note combination sent via CV. Becomes an offset with CV.
- Inversion Switch: Selects which inversion of the chord the Triad will play. Set at 0 for use with CV as it will "take over".

Jacks:

- Note 1,2,3: CV outputs for use with 1V/Oct inputs on 3 oscillators
- New: This output sends a trigger each time a new chord is made/selected
- Inv: CV input for the inversion selection. Accepts 0V to +5V
- Thresholds for 1st and 2nd inversions are 1.25V and 2.5V respectively
- Triad: CV input for Triad selection. Accepts 0V to +5V.

Other:

- Size: 4HP
- Connector: 20 pin ribbon cable
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MRP:$121.08 SAVE 32%
 2 in stock $81.78
WMD Time Warp Dual Channel Gated Slew Module (black faceplate)
Cat: 771732 Rel: 20 Apr 20
 
slew module
Notes: Compact dual slew module adds slide/glide to sequences in a compact format. Includes some nice added features allowing it to work as an envelope or envelope follower.

Supplier notes:
The acid style pitch slew effect has made it to Eurorack in a small easy to use package. You no longer need to dedicate more complicated modules patched in wacky ways to achieve this classic sound. Finally, a dual slew, with the right interface, at the perfect size. Add some slide and smoothness to your patches on your own accord with Time Warp.

TIME WARP is a dual channel, gated slew module with some extra features that make a powerful and versatile addition to any Eurorack Modular Synthesizer System.

Its unique, Gated Slew function allows users to add slew to any voltage signal at designated times by sending it a gate signal from a sequencer or similar source. Switch it up with Invert Logic on the gate input, or use the switch as a real time performance tool for hands-on control over when the slew will take place.
With two modes of symmetry and a full wave rectifier on the input, Time Warp can function as 2 independent Slews, two A/R Envelopes with tied controls, or even as an envelope follower, taking audio and turning it into a useful envelope signal. CV control over the Rate of slew! Time warp puts all of that in a compact, 4hp package.

Size: 4hp (20.32mm)
Depth: 30mm(with cables)
Power: 50mA +12V, 50mA -12V

Gate Inputs:
100k ohm impedance
2V threshold Schmitt Trigger
Patching into the Gate input disables the Full Wave Rectifier

CV Outputs:
470 ohm impedance, zero-impedance compensating buffer
1V/Octave no drop
22Vpp range
Gain error: 0.1% maximum. 0.025% typical.
Offset error: 1.5mV maximum. 0.5mV typical.

Regulatory:
RoHS, CE, & WEEE Compliant
Made with Lead Free solder and processes
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MRP:$202.65 SAVE 17%
 6 in stock $167.80
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WMD SSM Sequential Switch Matrix Module
Cat: 580285 Rel: 03 Aug 15
 
4 input / 4 output routing synth module - 16HP wide
Notes: Introducing the WMD Sequential Switch Matrix: Our take on an essential module.

Four inputs can be routed with individual buttons to four outputs. Those routing settings are stored in an array of matrices that can be sequenced or controlled with CV. Preset routing, feedback loops, chop sequences, trigger blasts (with expander), four-bit-wavetable-synthesis, and dramatic controllable mayhem are all possible.

The Sequential Switch Matrix (SSM) is a four input, four output signal routing system. The digitally controlled analog signal paths allow for a variety of routing control options. The open architecture allows for many uses beyond simple signal routing and unity mixing.

The Sequential Switch Matrix (SSM) is a four input, four output signal routing system. The digitally controlled analog signal paths allow for a variety of routing control options. The open architecture allows for many uses beyond simple signal routing and unity mixing.

The signal path uses 0.1% resistors and will pass precision pitch or other CV signals with minimal gain and offset errors.
Inputs 1 - 4: These inputs accept bipolar +-10V signals before clipping. Signal level will illuminate the adjacent LED; green for positive voltages, red for negative.

Outputs 1 - 4: These outputs (along the bottom) contain the signals from the inputs (summed together) if the routing LED is lit.

Comparator: The Compare In input voltage is compared to each output voltage. If the output is higher than the Compare In voltage, the Comp output will be high (10V gate) for that channel. The blue LED will also be illuminated.

DAC 1:2 Out: This output is generated from the status of the first two columns. It is a weighted Digital to Analog conversion. 1-1 is the most significant bit, carrying a weight of 2.5 volts. 2-1 is exactly half that weight (1.25V). 4-2 is the least significant bit (0.020V). The two columns provide an 8 bit voltage output that is always present.
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MRP:$388.72 SAVE 26%
 1 in stock $286.76
WMD SSM Sequential Switch Matrix Expand Module
Cat: 580286 Rel: 29 Jul 15
 
Synth module unit for extended functionality of the SSM module
Notes: The SSM Expand 8 HP module provides extended functionality of the SSM.

Gate/Trig: Gate (Green LED lit) provides 10V outputs for each routing button. It mirrors the routing shown by the SSM LEDs. Trig mode (Red LED lit) will output a trigger when a step (CV, Step/Gate or Reset) is taken. Pushing a routing button will not change the output thus providing synchronized triggers.

Trigger Length: CV and knob provide adjustable trigger length.

Retrig on Step: When on, gates and triggers will retrigger quickly when a step is taken.

Invert Behavior: When on, routings that are OFF will produce ON triggers or Gates.

DAC3/4: Two 4 bit DAC outputs that output a weighted 4 bit voltage between 0 and 5 volts. From routing columns 3 and 4.

Step: Outputs a trigger for each step, reset or CV change that is made to the SSM.

Installation: Connect the 20 pin ribbon cable to the GTExp header on the SSM, and the ToSSM connector on the Expand. Red Stripe Down.

Specs: 8 HP. 25mm Depth. 10V Gate Outputs. Current consumption is +40mA, -3mA. 12 month warranty.
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MRP:$177.16 SAVE 29%
 2 in stock $125.32
WMD SL3KT Three Channel Switch Module (black faceplate)
Cat: 765963 Rel: 24 Feb 20
 
three-channel switch module
Notes: SL3KT (pronounced "Select") is a simple three-channel switch module for Eurorack Modular Synthesizers.
Three independent, two-way switches allow for users two select between different sources or destinations of both CV and Audio Signals. Useful for many tasks in a Eurorack system such as sequence selecting, CV selecting, boolean logic operations, group switching, group routing, gating, waveform mixing, and so much more!
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MRP:$164.41 SAVE 31%
 7 in stock $113.37
WMD SCLPL Stereo 5-Band Digital EQ & Morphing Filter Module WMD SCLPL Stereo 5-Band Digital EQ & Morphing Filter Module WMD SCLPL Stereo 5-Band Digital EQ & Morphing Filter Module WMD SCLPL Stereo 5-Band Digital EQ & Morphing Filter Module
Cat: 776823 Rel: 23 Sep 20
 
filter module
Notes: Proper surgical EQ in Eurorack format, with five parametric bands of filters for shaping sound. As usual for WMD, there's a lot of thought gone into making it versatile, doubling up as a morphing filter for mono, dual mono or stereo signals.

Supplier's Notes:
SCLPL (pronounced SCALPEL) is a Stereo 5-Band Digital EQ / Morphing Filter module for eurorack modular synthesizers. Use it to cut out problem frequencies on voices in your mix or to add pleasing enhancements to your stereo field.

Dual Mono and Stereo Control Schemes make it an excellent addition to any WMD Performance Mixer Setup. Add 4 SCLPL for 8 channels of EQ in 16HP. Put a 5th on the Master Bus and you have the ultimate eurorack mixing setup!

A simple user interface makes it a powerful tool for many use cases. It features 9 user-programmable preset slots that can then be "morphed" between seamlessly with CV or the Level knob in Morph Mode.

Each frequency band is set independently with the Level, Q, and Frequency knobs, and a helpful LED display aids in knowing exactly what's going on at all times.

Frequency bands include a Low Shelf, 3 Mid-Range Peaking Bands, and a High Shelf.
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 5 in stock $242.14
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WMD Pro Output Module
WMD Pro Output Module (synth module)
Cat: 580282 Rel: 30 Jul 15
 
Pro Output synth module with Low Distortion / Low Noise & High Headroom - 6HP wide
Notes: The WMD Pro Output is a simple and purpose built module to get your modular signal interfaced with professional and consumer audio gear. It also includes a very high quality headphone driver.

Rail to rail opamps at the input stage allow for headroom above the typical eurorack levels of 20Vpp. The Pro Output can handle 23Vpp before clipping. Signals are attenuated down to the proper levels allowing for simple adjustment free connection to any type of device, professional or consumer.

The Pro Output is DC coupled through the entire signal path, including the headphone driver. This design eliminates coupling capacitors and the distortion they can cause.

Controls and I/O:

Input - The inputs are designed to accept any normal modular level. 10Vpp is the nominal operation level. The left input is normaled to the right side for mono operation. Inputs will clip at 23Vpp, giving enough headroom for any eurorack signal.

Phones/Line - The headphone driver connects to a 3.5mm stereo jack, and a 1/4" jack for whatever type of headphones you use. It can drive both simultaneously.

The headphone output level is internally limited to protect against accidental knob turns. Connect a couple of jumpers to the rear of the module to disable this limiting. This will allow the headphone amp to drive headphones extremely loudly, but still without distortion. Output quality remains the same regardless of the jumper settings.

With the limiting enabled (jumpers off), the maximum output is around -10dBV. With limiting disabled (jumpers on), the maximum output increases to pro level, about +4dBu.

Stereo - The Stereo (-10dBV) output is designed to interface directly with consumer level gear. Hook directly to sound cards, portable recorders, and speakers. It can be used as a second headphone output but will be loud.

+4dBu Bal - These two outputs (left and right) are high quality low impedance balanced line drivers. They are designed to drive long cables and to drive balanced transformer or transformerless inputs. Use these to connect directly to mixing consoles, mic preamps, or any other piece of professional outboard gear.
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MRP:$235.78 SAVE 26%
 2 in stock $175.24
WMD Overseer Stereo DJ Inspired Filter Module
Cat: 640977 Rel: 30 May 17
 
Stereo filter module in 6HP with high pass & low pass circuits
Notes: The WMD Overseer is a stereo filter inspired by those commonly found on DJ mixers and DJ software. It features two filters on one knob, stereo ins and outs, bypass switch, and a fun stereo "Tilt" function which offsets the filter cut-off frequency across the stereo field creating some dizzying stereo effects.

Controls:

- Bypass Switch: Turns the filter on and off. LED will be red when the filter is engaged. Toggles on button release.
- Filter Cut-off Knob (the big one): Turn Left for Low-Pass filtering and Right for High-Pass filtering. No filtering in the middle. Becomes offset with CV.
- Filter Cut-off Switch: Switched to the left limits both filters to audible frequencies so you cannot accidentally filter out all signal. Switched to the right disables the limit allowing you to filter the signal into oblivion.
- Resonance knob: Controls the amount of frequency boost at the cut-off point. Will not self-oscillate. Knob becomes offset with CV.
- Tilt Knob: In the middle applies no tilt. Rotate left or right to off set the offset to the filter cut-off on each side. Knob becomes offset with CV.
- Tilt Switch: Allows you to apply the Tilt function to either or both HP and LP. Left for LP, right for HP, centre for both.
- HP - LP Knobs: Attenuverters for incoming CV over the filters.
- HP - LP Switch: Switch to the right sends 5V to the HP - LP knobs and turns them into independent controls for the cut-off frequency of both filters, allowing you to control both filters at the same time with these independent knobs.

Jacks:

- HP: CV input for the High-Pass filter
- LP: CV input for the Low-Pass Filter
- Tilt: CV input for the Stereo Tilt function
- Res: CV input for the Resonance of both filters
- Master: CV Input over both filters, accepts -5V to +5V

Other:

- Input Impedance: 40k
- Output Impedance: 220 ohms
- Frequency Response: 20Hz to 20kHz +-1dB
- LPF Cut-off Range (-3dB Fc)
- Limited LPF: 22Hz to 32kHz
- Unlimited LPF: 1Hz to 32kHz
- HPF Cut-off Range (-3dB Fc)
- Limited HPF: 3Hz to 12kHz
- Unlimited HPF: 3Hz to 38kHz
- Signal Path: AC Coupled at all times
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MRP:$318.63 SAVE 27%
 1 in stock $231.54
WMD MSCL Stereo Compressor Module
Cat: 640972 Rel: 27 Feb 17
 
Stereo compressor in 4 HP
Notes: MSCL is a stereo compressor in 4 HP designed for your master bus to help "glue" your mix together. Inspired by the DBX "Over Easy" style compressor, it features independent attack and release knobs, output gain, and an all-in-one knob function for compression which decreases threshold, increases gain and ratio all with one turn. Limit Switch allows the MSCL to act more like a peak limiter. The threshold switch lets you compress signals of different amplitudes. It also features a side chain input for classic ducking sounds on stereo tracks.

Controls:

- Comp knob: Adjusts makeup gain, threshold, ratio simultaneously
- Attack Knob: Controls how fast the compressor will react to incoming transients
- Release Knob: Controls the speed in which the compressor will release
- Gain Knob: Adds up to +-35dB on the output
- Threshold Switch: Changes the threshold range
- Limit Switch: Limits the comp knob's makeup gain. Makes the MSCL operate more as a peak limiter

Other:

- Size: 4HP
- Input Impedance: 20k
- Side Chain Impedance 100k
- Output Impedance: 220 ohms
- RMS and Adaptive Detector Response
- Green/Red indicator for Gain/Reduction
- AC Coupled signal pass
- DC coupled bypass
- AC coupled Sidechain
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MRP:$299.51 SAVE 21%
 2 in stock $236.84
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WMD Javelin Envelope Module WMD Javelin Envelope Module WMD Javelin Envelope Module
Cat: 784089 Rel: 15 Jul 20
 
Envlopemodule
Notes: WMD raid their back catalogue to create an ADSR envelope generator with built-in VCA. Accent features and choke options make it a versatile little module. Best Eurorack envelope ever? WMD think so.

Supplier's Notes:

Javelin is the envelope WMD have always needed to make. The best parts were taken from Multimode Envelope and combined them with the simplicity and convenience of an ADSR with integrated VCA. The tricks learned from live performance, and use of other awesome synthesizers, were put all together to create the ultimate Eurorack envelope.

Javelin starts out as a simple ADSR envelope. 3 level ranges have been added, giving you control over the envelope's overall amplitude. Next, 3 time ranges allow for quick switching of the feel of the envelope. These ranges were carefully designed to work with each other, making the switch a fun and playable part of the interface. Short and snappy, long and drawn out (max 88 minutes per stage with 5V in a stage's CV input), the Javelin will suit any style of music or playing style.

Expression is key. The addition of Accent and Choke inputs make for very interesting sequences that are just a couple gates away.

The Accent behavior is incredibly unique. Multiple consecutive gates while the Accent input is high cause the envelope to climb a bit higher with each gate, causing whatever you are controlling to accent a bit harder on each next gate. When controlling a filter, this creates a sound that can be personified with breathing, laughing, screaming, or crying, and is the key to the perfect, funky, acid style bass line. This behavior can also be disabled if you prefer a static Accent level.

As if that's not enough, the Accent input is actually a CV input which lets you use CV to effect the amount of accent with intention. 3 different accent ranges let you choose the maximum amount that the envelope will accent to. Complete control!

Reset lets you stop the envelope in it's tracks with a gate signal. This is great for using long envelope times for some steps and cutting them off for others without the need for another CV channel. However, Attack and Release also have CV inputs can can be sequenced externally. Release CV can even be routed to control Decay and Release simultaneously, a common control scheme in vintage style synthesizer envelopes.

Combining all of these methods of control on Javelin let you pinpoint the sound you are after. An absolute joy to work with.

Specs:
Size: 6hp
Depth: 38mm (with cables)
Power: +93mA, -65mA
VCA:
100k ohm input/CV impedance
1k ohm output impedance
Linear curve. 0V = off, 5V = unity
22Vpp range
Envelope: Digitally controlled analog core
Gate/Reset: 100k ohm impedance.
2V Schmitt Trigger
15us Latency (entirely imperceptible)
Attack/Release CV: 68k ohm impedance
Accent CV: 100k ohm impedance. 0-5V
Envelope Levels: 3V, 5V, 7V
Accent Levels: +32%, +42%, +48%
Max Level + Max Accent: 6V, 9.8V, 11.7V (clipped)
1k ohm output impedance
Segment Ranges (Linear)
Fast: 350us to 1.15s
Medium: 700us to 5.5s
Slow: 1ms to 23s
Slow with 5V CV: 240ms to 88 min
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quote 784089
WMD Geiger Counter Module
Cat: 580269 Rel: 30 Jul 15
 
Geiger Counter synth module - 10HP wide
Notes: The WMD Geiger Counter is now available in the popular Eurorack Modular format and has voltage control of many features.

The Controls - The Geiger Counter may seem overwhelming, but once broken down, the controls are quite logical.

Gain - Low settings provide clean tones with no distortion at all, while high settings will brickwall your signal for great sustain. Use the Gain control as a coarse setting for getting the desired tone from the selected wave table.

Tone - The Geiger Counter's tone control blends muffled low-mids with chimey and clear upper mids and highs providing a very large range of sounds in junction with the Gain. All the way down and the sound is muffled and grungy with little upper harmonic content. The middle range is smooth and full bodied. The top range cuts the lows completely for only upper harmonic content. Use the Tone to fine tune the sound of the wave table.

Tone Enable/Disable - This switch removes the tone control from the preamp circuit. The tone control sucks some volume from the gain, and this allows the pure ultra hot signal to go directly into the Wave Table. If a very clean tone is desired, set to Disable and adjust the gain to get the right amount of breakup. For most wave tables, disabling the Tone will produce completely different sounds by brickwalling to the extremes of the tables faster.

Direct In/Level - The direct input allows a signal to be injected directly to the Geiger Counter's digital heart and bypassing the preamps coloration.

Sample Rate - Controls the length of the samples your signal is converted into. Full up and the Geiger Counter samples faster than a CD. Dial it down a little and you'll lower the fidelity and frequency response, adding overtones and difference frequencies. Down a little produces some very nice chimey clean tones. Down more and higher notes disappear into difference frequencies, all the way down to 280Hz. The sample rate is sort of like a flange whammy.

When the LED is Red, the Sample Rate is in fine mode where the range is limited to the upper end.

The CV input and attenuator are only active when a cable is plugged into the CV jack. When CV controlled, the Sample Rate knob selects the center frequency about which the CV signal moves. When the LED is Green, the Sample Rate knob is logically ANDed with the CV signal, producing some interesting sounds as the CV changes.

Bit Depth - This controls the finer details of the signal. All up and your signal is represented by the full 8 bits. Each step down cuts the resolution in half, adding quantization error distortion, all the way down to 1 bit making a nasty square wave from a once clean tone. This produces a lo-fi gated distortion sound.

The LED when Green engages Mask mode where your signal is logically ANDed to the 8 bit number produced by the Bit Depth knob. This produces uneven gaps in your signal for some interesting distortion sounds.

The Bit Depth CV and level control is only active when a cable is plugged into the Bit Depth CV input. The Bit Depth knob then controls the center frequency. However, unlike the Sample Rate control, the bit depth can wrap around the edges of the control if the CV signal is larger than the range allows for.

Wave Table - This knob and display select the wave table to run your signal through. The wave table stage takes your signal and destroys it with math. This produces some incredible sounds. The wave tables are organized so that a more extreme version is typically found one up from the current one. There are 252 wave tables in all, each with different harmonic content.

The display is in HEX, displaying the numbers 0-9 and the letters A-F. Don't be alarmed, it actually makes remembering your desired wave table easier! The wave table is remembered when the pedal is turned off.

The Wave Table CV input is similar to the Bit Depth's. The CV signal is only active when a cable is plugged in. The Wave Table will wrap around the end points 00 and FB. The center is set by the WaveTable knob.
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 2 in stock $252.77
WMD DVCA Digital VCA Module
Cat: 696393 Rel: 06 Aug 18
 
Dual channel digitally controlled VCA - 4HP
Notes: The DVCA is a redux of the classic WMD Digital VCA module, giving it more features while reducing its size and power consumption.

Channel A is now unipolar/bipolar switchable, allowing for use as a bipolar VCA.

With control parameters for bias and CV, users can create classic ring modulation and attenuversion effects. Channel B still has the character and features of the Digital VCA.
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quote 696393
WMD Chimera Percussion Synthesizer Module
Cat: 664480 Rel: 11 Oct 17
 
Percussion module using granular synthesis - 8HP
Notes: The Chimera, pronounced "kai-meer-ah", is WMD's first percussion synthesizer module for Eurorack.

First, they recorded samples of different metallic hits to create the sonic signatures that they call Surfaces. The sources include tambourines, sleigh bells, drill bits, wrenches, shell casings, coins, chains and stomp box enclosures.

Second, they built a proprietary granular synthesis engine around the sonic signatures with the goal of making a module that could sound like a human hitting and shaking a tambourine. With the fundamentals finished, they tweaked the control ranges, built the post-engine effects, and bomb-proofed the hardware.

From there they pushed and polished the engine and user experience, squeezing every juicy drop out of 8HP.

Humanistic shakers, drum machine tambourines, laser guns, minimal techno offbeats, giant-robot movie sound design, etc. It's all yours with the Chimera.
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WMD C4RBN 4/2 Pole State Variable Filter Module WMD C4RBN 4/2 Pole State Variable Filter Module WMD C4RBN 4/2 Pole State Variable Filter Module
Cat: 784084 Rel: 31 Jul 20
 
Pole state variable
Notes: Lovely little multi-mode filter from WMD. Neat features like switchable input saturation with CV control, output wavefolder and temperature-compensated 1V/oct tracking. Small and versatile.

Supplier notes
C4RBN (pronounced "Carbon") is a 4/2-Pole State Variable Filter with input saturation, output wavefolding, and more. It features a wide range of character from nice and clean filter sounds to screaming, squelchy, acidic mayhem.

C4RBN builds on WMD's history with state-variable filters adding interface refinements and improved warm environment stability for live performance and beyond. A novel input saturation circuit plus the output wavefolder from WMD's classic SYNCHRODYNE filter pair together to push the timbral flexibility to the next level. C4RBN is the building block to life in your eurorack.

Specs:
Size: 4hp
PCB height: 112mm
Depth: 38mm (with cables)
Power: +92mA, -82mA
Audio Input: 100k ohm impedance
20Vpp range
V/Oct Input: 82k ohm impedance
Temperature Compensated
CV Inputs: >100k ohm impedance
Filter Outputs: 1k ohm impedance
20Vpp range
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WMD Buffered Mult Three Channel Buffered Multiple Module
Cat: 580265 Rel: 03 Aug 15
 
3 channel buffered multiple module
Notes: WMD's next utility module is a three channel buffered multiple. Each channel has a dual color LED indicating Green for a positive voltage, and Red for a negative voltage.

Each channel is normaled to the next channel for a total of nine outputs from one input.
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WMD 4TTEN Four Channel Attenuator & Offset Generator Module
Cat: 777841 Rel: 04 Jun 20
 
attenuator & generator module
Notes: Simple but effective four-channel module, allowing you to attenuate or offset CV or audio signals. Normalled 5V source on each channel allows you to generate a standalone CV signal without an input.

Supplier notes:
4TTEN (pronounced either ATTEN or FOUR-TEN) is a four channel attenuator and offset generator.
Use 4TTEN to attenuate any CV or audio signal by running through the ins and outs.
A +5V voltage source is normalled to each input, making it a standalone offset when there is no cable patched into an input.
Each channel is completely independent.
Ever-so-useful in live performance, we designed this module with 4 sliders for easy maneuverability, visual feedback, and enjoyable to play interface. Make your eurorack modular synthesizer system more playable with 4TTEN!
*** 4TTEN's PCB is 113mm (4.45") tall and may be a tight fit in some cases ***
Highlights
- 4 independent attenuators for Control Voltage and Audio signals
- Performance friendly sliders
- Can be used as 0 to +5V Offset
- Comfortable fader caps from the Performance Mixer
- Only 4 hp!
SPECS:
Size: 4hp
Depth: 30mm(with cables)
Power: +5mA , -5mA
Virtually no drop on 1V/Oct signals.
VERTICAL PCB LENGTH: 113mm (4.45")
IMPEDANCE = (SOURCE + 100ohm ) / 100kohm
UNBUFFERED
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Winter Modular EME Eloquencer MIDI Expansion Module (silver) Winter Modular EME Eloquencer MIDI Expansion Module (silver)
Cat: 785053 Rel: 27 Jul 20
 
MIDI expansion module
Notes: EME (Eloquencer MIDI Expansion) is the perfect companion for the Eloquencer, adding capabilities to sync with MIDI devices, control most of the eloquencer parameters with MIDI interfaces, generating MIDI voices from the eloquencer tracks, and converting MIDI signals to the eurorack world.

MAIN FEATURES:
IN / OUT: DIN-5 MIDI Input, DIN-5 MIDI Output, USB Host.

BUTTONS:
4 freely assignable buttons. They can be assigned to:

Next/previous pattern
Next/previous part
Direct access to Pattern mode, Play parts, Duplicate, Project, Gate REC, CV Key REC, MIDI key REC, Free Play...
Save current project
Random 1 to 3 layers of selected track
Reset LFO of selected track
On/Off LFO of selected track
Freeze
Revert
Fill A to H or selected track
Mute A to H or selected track
DJ Nudge FWD/BCK fine/coarse
MIDI CLOCK
Eloquencer can receive 24ppqn sync from MIDI device from its DIN-5 MIDI Input, and can send 24ppqn MIDI clock through its DIN-5 MIDI out.
When working as 'internal' it will send the internal clock to the MIDI output.
When working as 'external' will send the eurorack incoming clock to the MIDI output transformed into 24ppqn.

MIDI OUT
The Eloquencer tracks can be independently assigned to:
Voice events (note on/off, velocity, ch pressure) For example Track A can be assigned to Channel 1 Note on/off and Track B can be assigned to Channel 1 Velocity, so track A gates and CV control Channel 1 notes and pitch, and track B controls Channel 1 Velocity.
Control Change (CC)
Program Change (PC)

The gate and CV output will work as usual when a MIDI OUTPUT is assigned, so voices can be doubled using the modular and an external synth.

There's a particular execution order for MIDI out events, so the first to be launched is the Program Change, followed by the CC and then the voice events. This way, we can launch program changes before the note on message is received allowing preset changes for each step.

MIDI IN
Both, the DIN-5 MIDI in and the USB can be used to change eloquencer parameters using controllers or to introduce notes in REC MODE using a keyboard.

There are 3 different groups of controls associated to MIDI channels:
Channel : 8 MIDI channels to control parameters of specific tracks from A to H
Global : 1 MIDI channel to control Global parameters.
Focus: 1 MIDI channel to control the parameters of the currently selected track (track in focus). That means that if Track A is selected and we send CC 38, we will be shifting track A, but if we select track B and we send the same CC 38, we will be shifting track B.

When using the USB host input, the EME can send feedback information in case the controller that is being used has LEDs to be updated.

There is a big amount of eloquencer parameters that can be controlled using an external MIDI interface / controller. For example:

Non-destructive track parameters addition/subtraction (CV, CVP, CVR, GL GLP, R...)
Track length
Step mode / Step mode DIV / Step mode REP
Track shift
LFO on/off / Type / Length / amplitude.
Fill
Mute
Random
CV Gate link
Scale group and root
Tempo
DJ Nudge
Shuffle
Clock out
Play / Stop
Direct access to modes (Pattern, Project, Live REC...)
MIDI INTERFACE

A MIDI Channel can be assigned to an Eloquencer Track, so the gate and CV outputs will stop listening to what is sequenced and start listening all note on/off messages coming from the chosen MIDI channel.
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Winter Modular EME Eloquencer MIDI Expansion Module (black) Winter Modular EME Eloquencer MIDI Expansion Module (black)
Cat: 785050 Rel: 27 Jul 20
 
MIDI expansion module
Notes: EME (Eloquencer MIDI Expansion) is the perfect companion for the Eloquencer, adding capabilities to sync with MIDI devices, control most of the eloquencer parameters with MIDI interfaces, generating MIDI voices from the eloquencer tracks, and converting MIDI signals to the eurorack world.

Description:
MAIN FEATURES
IN / OUT
DIN-5 MIDI Input, DIN-5 MIDI Output, USB Host.

BUTTONS
4 freely assignable buttons. They can be assigned to:

Next/previous pattern
Next/previous part
Direct access to Pattern mode, Play parts, Duplicate, Project, Gate REC, CV Key REC, MIDI key REC, Free Play...
Save current project
Random 1 to 3 layers of selected track
Reset LFO of selected track
On/Off LFO of selected track
Freeze
Revert
Fill A to H or selected track
Mute A to H or selected track
DJ Nudge FWD/BCK fine/coarse

MIDI CLOCK
Eloquencer can receive 24ppqn sync from MIDI device from its DIN-5 MIDI Input, and can send 24ppqn MIDI clock through its DIN-5 MIDI out.
When working as 'internal' it will send the internal clock to the MIDI output.
When working as 'external' will send the eurorack incoming clock to the MIDI output transformed into 24ppqn.

MIDI OUT
The Eloquencer tracks can be independently assigned to:
- Voice events (note on/off, velocity, ch pressure...) For example Track A can be assigned to Channel 1 Note on/off and Track B can be assigned to Channel 1 Velocity, so track A gates and CV control Channel 1 notes and pitch, and track B controls Channel 1 Velocity.
- Control Change (CC)
- Program Change (PC)

The gate and CV output will work as usual when a MIDI OUTPUT is assigned, so voices can be doubled using the modular and an external synth.

There's a particular execution order for MIDI out events, so the first to be launched is the Program Change, followed by the CC and then the voice events. This way, we can launch program changes before the note on message is received allowing preset changes for each step.

MIDI IN
Both, the DIN-5 MIDI in and the USB can be used to change eloquencer parameters using controllers or to introduce notes in REC MODE using a keyboard.

There are 3 different groups of controls associated to MIDI channels:
- Channel : 8 MIDI channels to control parameters of specific tracks from A to H
- Global : 1 MIDI channel to control Global parameters.
- Focus: 1 MIDI channel to control the parameters of the currently selected track (track in focus). That means that if Track A is selected and we send CC 38, we will be shifting track A, but if we select track B and we send the same CC 38, we will be shifting track B.

When using the USB host input, the EME can send feedback information in case the controller that is being used has LEDs to be updated.

There is a big amount of eloquencer parameters that can be controlled using an external MIDI interface / controller. For example:

Non-destructive track parameters addition/subtraction (CV, CVP, CVR, GL GLP, R...)
Track length
Step mode / Step mode DIV / Step mode REP
Track shift
LFO on/off / Type / Length / amplitude.
Fill
Mute
Random
CV Gate link
Scale group and root
Tempo
DJ Nudge
Shuffle
Clock out
Play / Stop
Direct access to modes (Pattern, Project, Live REC...)
MIDI INTERFACE

A MIDI Channel can be assigned to an Eloquencer Track, so the gate and CV outputs will stop listening to what is sequenced and start listening all note on/off messages coming from the chosen MIDI channel.
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Winter Modular Eloquencer Sequencer Module (silver)
Cat: 785047 Rel: 27 Jul 20
 
Sequencer module
Notes: Powerful Eurorack sequencer designed to work just as well in the studio as a live performance tool. Eight tracks of CV and gate based around a 16-step sequencer, with clever randomness features.

Supplier notes:
The Eloquencer is a powerful and versatile eurorack sequencer that can be used both as a performance and a composition tool. It's designed to be intuitive, easy to use, and quick to edit. It has been built around the "controlled chance" concept. This means you can decide when and where there will be randomness and how much this randomness will affect your sequences. It features 8 tracks of CVs and Gates in a 16 step disposition, but with the ability to define larger bar counts or chaining patterns to build multiple song parts of 256 steps each.

INPUTS AND OUTPUTS
8 V/oct CV Output
8 Trigger / Gate Output
Reset Input
External Clock Input (configurable. i.e: can be used as a clock divider / multiplier)
Accent Output (configurable)
Clock Output (configurable. i.e: can be used as a clock divider / multiplier)
2 CV Input (assignable to different parameters)


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Winter Modular Eloquencer Sequencer Module (black)
Cat: 785042 Rel: 27 Jul 20
 
Sequencer module
Notes: Nicely creative sequencer module based around controlled randomness. Build patterns and then morph them in real time. Great for live performance as well as studio use.

Supplier notes:
The Eloquencer is a powerful and versatile eurorack sequencer that can be used both as a performance and a composition tool. It's designed to be intuitive, easy to use, and quick to edit. It has been built around the "controlled chance" concept. This means you can decide when and where there will be randomness and how much this randomness will affect your sequences. It features 8 tracks of CVs and Gates in a 16 step disposition, but with the ability to define larger bar counts or chaining patterns to build multiple song parts of 256 steps each.

INPUTS AND OUTPUTS
8 V/oct CV Output
8 Trigger / Gate Output
Reset Input
External Clock Input (configurable. i.e: can be used as a clock divider / multiplier)
Accent Output (configurable)
Clock Output (configurable. i.e: can be used as a clock divider / multiplier)
2 CV Input (assignable to different parameters)
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 4 in stock $584.14
Waldorf NW1 Wavetable Eurorack Synth Module Waldorf NW1 Wavetable Eurorack Synth Module
Cat: 561577 Rel: 15 Sep 15
 
Wavetable module with 21st century advanced wavetable engine with classic Waldorf wavetables included - 32HP
Notes: nw1 is our debut product for the popular Eurorack format. It includes an advanced wavetable engine with independent control of spectral envelope and noisiness - just like Nave.

Wavetable scanning is cyclic with optional modulation of travel speed, position, spectrum, and more besides. By providing the worshipped Waldorf wavetable set from the classic Microwave and Wave synthesizers, nw1 will enrich your Eurorack modular system as a potently powerful sound source. The nw1 sound engine also allows for onboard creation of user wavetables via time domain multiple foldover analysis. All you need to do is connect any sound source to the nw1 to transfer audio into a wavetable. Or use the integrated speech synthesizer to translate typed text into wavetables.

Wavetable synthesis is an extremely powerful sound source suited to producing all kinds of vivid metallic hues and digital clangorous tones. It can create organic, bell-like timbres, as well as spectacular-sounding scans through various waveforms with truly ear-opening results. It was almost impossible to create these kinds of sharp-edged, digital sounds back before the invention of wavetable synthesis in the late-Seventies.

Starting with the wavetable synthesizers of those days, a whole new sound palette left its imprint on so many hit records. Today, with Waldorf's neatly-sized nw1 Wavetable Module, this sound is readily available for the popular Eurorack standard - sounding just as pure, sharp, and massively destructive as it did back in the golden days of digital!
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Waldorf DVCA1 Dual VCA Eurorack Synth Module Waldorf DVCA1 Dual VCA Eurorack Synth Module
Cat: 599598 Rel: 25 Oct 16
 
Dual voltage controlled amplifier (VCA) synth module
Notes: Built around two VCAs with a wide range of options including the most important one: the ability to musically colour the signal. Starting in dry mode, you get high-precision analogue amplification.

But then when you turn the Colour knob, you add a warmer and more colourful timbre to the signal based on a finely-crafted state variable filtering circuit. But there's more: Simultaneous linear and exponential control as well as specialised AC and DC coupled inputs are provided.

A positive gain control makes the dvca1 a true "amplifier," and flexible link modes let you create modulated panning.
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Waldorf CMP1 Compressor Eurorack Synth Module Waldorf CMP1 Compressor Eurorack Synth Module
Cat: 599599 Rel: 19 Dec 16
 
Compressor synth module with flexible side-chaining & RMS/peak modes
Notes: A true high-end analogue compressor not only adds punch to your signal, but it also can be modulated in intriguing and unconventional ways!

Side-chaining with an adjustable balance control will open a huge set of modular possibilities.

The CMP1 has all the features you expect from a modern compressor including attack and release control, automatic and manual modes, hard and soft knee as well as output gain and bleed amount of the original signal.
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Vermona TwinVCFilter Dual Multimode Filter Module Vermona TwinVCFilter Dual Multimode Filter Module Vermona TwinVCFilter Dual Multimode Filter Module
Cat: 662842 Rel: 18 Sep 17
 
Dual filter module with flexible routing & excellent audio properties - 24HP
Notes: There is almost no modular system without at least one filter-module. You can look at them as the stars within the giant Eurorack-jungle. twinVCFilter is such a star as well. A dual filter module with flexible routing and excellent audio properties. It covers a huge range of different applications without the slightest effort.

Features and Routing:

Each filter section of twinVCFilter works as low- or highpass-filter with a slope of 12 dB/octave or as bandpass-filter with 6 db/octave. Signals can be directed in three ways through the module:

- Serial: The incoming signal passes both filter sections in a row.
- Dual: The filter sections act completely separated of each other. As if they were two individual filter modules.
- Parallel: The incoming signal passes both filters at the same time.

With these routings you can i.e. generate bandpasses or notches with variable slopes and different resonance settings or doubling the filter's slope. These are the more obvious combinations but there is a lot more to discover.

The convenient link-feature allows to couple cutoff- and resonance of both filter sections for straightforward stereo use in dual mode.

Mix section:

The flexible signal-routing is supplemented by the mix-section. Here you can crossfade both filter sections manually or by control voltages. Seamless movements from low- to highpass-filter, is as easy as crossfading from half to doubled slope. Of course you can mix two completely individual signals or toggle between them by using a rectangle-LFO-modulation.

Resonance:

Resonance is a key factor in the context of sound-shaping and sound-generation using a filter. Therefore we carefully trimmed twinVCFilter's resonance to be as musically and stable as possible. You can apply subtle frequency-dependent emphasis to signals and tear them up to self-oscillation. The latter generates a solid sine-wave which is an excellent base for percussive sounds. Possible cross-modulations significantly enhance the sound-generator features. By the way: If you are missing a vibrato-LFO in a patch, twinVCFilter can do the job.

twinVCFilter offers a huge set of features to form impressive soundscapes. It can take subtle influence to signals or massively truncate frequencies. It leaves nothing to be desired. Despite, for those who need additional possibilities we especially designed the tVCF-Extension module.
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Vermona TAI4 Transformer Isolated Audio Interface Module
Cat: 553428 Rel: 30 Jun 16
 
Transformer isolatoed audio interface synth module
Notes: The TAI-4 not only makes it easy to get balanced signals out of or into a modular system, it also does that job with superior audio quality. Above, it galvanically separates the inputs from the outputs by using a total of four high-end audio transformers and thus prevents unwanted noise interferences.

We decided to uses switches instead of potentiometers for adjusting the gain levels. This ensures accurate and equal leveling of stereo signals.

The TAI-4 is an extremely useful module when it comes to integrate external studio processors, or the opposite, connecting the modular system to outboard equipment or DAWs.
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Vermona Sum 42 Mixer Module Vermona Sum 42 Mixer Module Vermona Sum 42 Mixer Module
Cat: 745109 Rel: 06 Sep 19
 
Compact yet flexible mix module - 6HP
Notes: Even with small patches with only a few modules, you usually have to combine individual signals into a single sum: You need one mixer, maybe two, and preferably as small as possible.

With Sum 42, Vermona present a compact yet versatile Eurorack mixer. You can use it as two 4-in-1 or one 8-in-1 mixers. It can process both audio signals and control voltages.

Sum 42 is an indispensable tool with a perfect size/benefit ratio.
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Vermona Random Rhythm Generator Module Vermona Random Rhythm Generator Module Vermona Random Rhythm Generator Module
Cat: 677526 Rel: 13 Feb 18
 
Random-based trigger sequencer - 24 HP
Notes: RandomRHYTHM is a random-based dual-channel trigger sequencer with a very unique concept. What you cannot do with it is manually setting steps or tapping-in a rhythm. Instead you have four sliders per rhythm-section to set the probability for the appearance of quarters, eighths, sixteenths and triplets to form sequences.

Realtime or Dice:

Each of the rhythm-section can work in realtime or dice mode.

Realtime means, that the module is continuously generating new random values for each note value whereas in dice-mode it generates them for a complete 3/4- or 4/4-bar. In both modes, even if a bar has been diced, the sliders still influence the resulting sequence.

Clock central and multiple outputs:

Beside the sequence output of each rhythm-section there are individual outs for the quarters, eighths, sixteenths and triplets. You can use them with or without random. The latter makes RandomRHYTHM a precise tool to generate or multiply clocks.

Apropos clocks, the module can create its own or work with external clocks (per rhythm-section if you like).

Additional fun is guaranteed by the flexible RESET input that lets you mute the outputs or restart your diced bar. As with all parameters, the functionality can be set individually per rhythm-section.

Endless creativeness:

RandomRHYTHM is a creativeness booster. It is easy to create complex rhythms or straight four-to-the-floor beats. Its fool proof user interface lets you play it without thinking about randomness and probabilities, although that's the fundamental concept of the module. You don't need to be a stochastic genius!

It doesn't matter if you use it as sole rhythm-base or as valuable addition to other sequencers. RandomRHYTHM gives you a different view to rhythms and the way to generate them.
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quote 677526
Vermona QuadroPOL Voltage Controlled Polarizer & Ringmodulator Module Vermona QuadroPOL Voltage Controlled Polarizer & Ringmodulator Module Vermona QuadroPOL Voltage Controlled Polarizer & Ringmodulator Module
Cat: 662852 Rel: 18 Sep 17
 
Four-channel voltage controlled polarizer featuring four identical attenuators - 10HP
Notes: You never can have enough modules that influence levels - be it for audio signals or control voltages.

quadroPOL is a four-channel polarizer module. It can attenuate any incoming signal, in-phase or out of phase. One of its most special features is the way each channel's level control works. Instead of having one dedicated zero-point, it has a "dead zone" where the input signal will be completely suppressed. Thus, you will easily find the off-position, even without a centre-click, while, at the same time you'll be able to create extremely sensitive level increases.

Further outstanding features are:

- A channel's output signal will optionally be forwarded to the next one, which allows the use of quadroPOL as a mixer-module. This way you can sum up to four signals.
- The module can be controlled via control voltages. Beside manually setting the level you can use each channel as VCA. You never can have enough VCAs in a modular system, can you?
- quadroPOL's circuits work with a four-quadrant-multiplier. This means the module is a ringmodulator without compromises - sorry - four ringmodulators.

Do you have 10 HP unused rack-space left in your Eurorack-system? You should consider getting a quadroPOL module. It is so versatile that it's hard to live without one, once you've gotten your hands on one of it.
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 2 in stock $234.72
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quote 662852
Vermona qMI 2 Quad MIDI Interface Module
Cat: 617815 Rel: 30 Jun 16
 
Quad MIDI interface synth module
Notes: Format conversion the flexible way:
Our quad MIDI Interface picks up the flexible voice assignment of VERMONA's PERfourMER MKII to provide a fourfold MIDI-to-CV/Gate converter for Eurorack-compatible modular systems. This way, you can play your modular synthesizer in different monophonic modes or even polyphonically using MIDI.

More than just pitch:
Each of the four "output channels" offers a CV-output with 1V/octave-characteristic, a gate-output plus two additional control voltage outputs. These can be easily addressed by MIDI-controllers such as the modulation-wheel or pitch bender. The output channels can freely be combined or be used with independent MIDI-channels. Combined output channels can be used in unison, monophonically with rotating voice assignment or even to create polyphony. qMI 2 also offers four clock-divider-outputs. These convert incoming MIDI-clock signals into analogue gate-voltages. A reset-output allows sequencers with corresponding input to run in sync by MIDI-start/stop commands. A new feature of qMI 2 is the option to switch between both monophonic voice assignment modes using a gate signal.

Easy access to functionality:
An important part of the modular concept is the easy access to every parameter, without using displays or complicated menu structures. qMI 2 will help you to integrate your modular-system into your MIDI-setup straight-forwardly!
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 1 in stock $275.08
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quote 617815
Vermona Melodicer Sequencer Module
Cat: 677524 Rel: 04 May 20
 
sequence module
Notes: The Melodicer from Vermona is a CV/Gate sequencer with an innovative concept; the melody sequencer offers twelve faders for setting the note probability and two dice-(or random) buttons for generating melody and rhythmic structure.
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MRP:$477.94 SAVE 18%
 6 in stock $390.85
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quote 677524
Vermona Amplinuator 3 Attenuator, Amplifier & Mixer Module Vermona Amplinuator 3 Attenuator, Amplifier & Mixer Module Vermona Amplinuator 3 Attenuator, Amplifier & Mixer Module
Cat: 745106 Rel: 06 Sep 19
 
Three attenuator-amplifier combinations with individual & mix outputs - 10HP
Notes: Neat amp/mixer/attenuator utility module from Vermona. Not much more to say about this one. It makes things louder and quieter or blends them together. What more do you want?

Supplier notes:
Regardless of the size of your modular system, the number of modules it contains and its intended use, there is basically only one thing at stake: level adjustments. Often the full level of a signal is too high and needs to be attenuated. Also the reverse case, that it is too low, occurs more often than you think - an amplifier is needed.

Amplinuator 3 cleverly combines both functions. The LEVEL controls attenuate input signals to zero (left stop) or boost them by a factor of two (right stop). In the centre position, the levels remain unchanged. In order to ensure sensitive settings in the centre position range, we deliberately omitted the use of a potentiometer with centre detent. Instead, the knob has a dead zone. This guarantees a reliable finding of the zero position. Each of the three channels has outputs with positive and inverted polarity.

The sum section combines all signals. Amplinuator 3 also works as a 3-in-1 mixer. It likes audio signals and control voltages equally.

Amplinuator 3 is a sophisticated helper in best Vermona quality.
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 1 in stock $133.82
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quote 745106
Verbos Electronics Scan & Pan Module Verbos Electronics Scan & Pan Module Verbos Electronics Scan & Pan Module
Cat: 700724 Rel: 07 Sep 18
 
Scan & Pan Module with 4 channel mixer 14 HP
Notes: Each channel has a mono input and a gain control. The level can be set manually with a fader and modulated by a CV. Furthermore there's a panning function with a manual potentiometer for determinig the channel's panorama position and a CV input for modulating it.

In the dark highlighted, right part of the module we find the L and R outputs as well as the scanning function:
The "Center" parameter is used for selecting a channel, while "width" also selects the adjacent channels. For instance if channel 2 was selected with center control and remain static if is possible to fade in and out chennels 1 and 3 (or even 4).
It can be interesting to use this function with different wave forms of an oscillator but also with totally different signals. It can be even more exciting if the channels have different panorama positions which means the channels which are faded in appear in different stereo field positions.
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 1 in stock $417.40
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quote 700724
Verbos Electronics Noise & Filter Module
Cat: 760206 Rel: 17 Jan 20
 
noise & filter module
Notes: A simple noise generator and 4 band fixed filter bank.

The noise is normalled to the Filterbank input. The cutoff frequencies are matched to the Bark Filter, so that four bands of the Bark Filter correspond to a band on the Noise & Filter.

It is a small and quick noise source and pairs well with Scan & Pan and Amp & Tone.

HP : 4
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MRP:$121.08 SAVE 23%
 5 in stock $93.66
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quote 760206
Verbos Electronics Multiple Module
Cat: 700725 Rel: 28 Aug 18
 
Dual passive 4 way multiple - 3HP
Notes: Not as simple as it may appear, this is a dual passive 4 way multiple. It is important to have the ability to split signals to send them to multiple destinations. Also, because the pulse outputs on Verbos Electronics modules are floating diodes, which allows these mults to be used as boolean ORs for pulse signals within the system.
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 2 in stock $42.22
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