Review: Balearic titans Chris Coco and DJ Rocca team up on this new slab for Faze Action which celebrates all the finest qualities of these two veteran maestros. 'Discoteca (Heavy Fun Dub)' pours plenty into the mix, from sizzling disco and dreamy dub to slick 80s motifs, and yet it all comes off feeling very chilled indeed. 'Brute' plays around with analogue synths and raw drum machine punch to create a slow but intense cosmic workout, before Faze Action themselves step up to rework 'Discoteca' into a lean and mean club tool. For those who want to skip the breathy vocals, there's also an instrumental mix of 'Discoteca' included on the B2.
Review: Alison Limerick's 'Where Love Lives' is the sound of a generation, a reminder of one of the most vital cultural movements of the last 100 years. It is a perma-hit that unites all ages, colours and creeds, even now, 30 years after it first got hands in the air and tears in the eyes on dance floors of cult clubs around the world. To mark the occasion it gets a special remaster treatment and 12" release for Record Store Day. The Classic Mix - which is still the best - kicks off, followed by a big piano version from Mo Knuckles and a darker, more stripped back Cut To The Bone mix.
Love Somebody Else (Glen Horsborough remix) (6:54)
Review: If anyone has turned out more seminal deep, funky and vocal house classics than Sandy Rivera, we're struggling to think of them. Now the enduring hit maker has done it again, this time with vocalist April Morgan on the Let There Be House label. 'Love Somebody Else' is a timeless tune with lung-emptying choruses from Morgan riding on top of a dense bed of piano stabs and sleek mid-tempo drums. It's the sort of universally accessible tune that could be dropped as an end of night send off in PBar, a floor filler in a commercial club or on some terrace in Ibiza.
Joey Negro Presents The Sunburst Band - "Far Beyond" (6:37)
Review: Following on from the bumper compilation on Z Records of all the label's greatest hist, boss man Joey Negro offers up a third volume of 12"s. He goes first with a nice loose mix of 'Love Hangover' that bumps in all the right places. Opolopo's 'Get On Up' is a dazzling cut with cosmic chords and long legged drums that move you to your core, then Joey is back with a slick dubwise version of the classic TW Funkmasters cut 'Love Money.' Last of all, 'Far Beyond' is a reflective closer with far-sighted chords and a late night glow.
Jensen Interceptor X Assembler Code - "Red Cell" (5:51)
CKFT (Keith Tucker X Carl Finlow) - "Coder" (4:55)
Voigtmann - "Subtopia" (6:07)
Cignol - "51D" (5:13)
Review: 20/20 Vision's electro mission continues unabated with this second compilation drop in the Exit Planet Earth series. The record opens up with Jensen Interceptor working alongside Assemble Code for a darkside workout heavy on the details and rude around the low end. Carl Finlow and Keith Tucker form a mini-supergroup for a new partnership CKFT, displaying their formidable chops with the body-rocking dystopia of 'Coder'. Voigtmann keeps things closer to the 4/4 spectrum on 'Subtopia', but with plenty of machine funk tropes woven into the mix. Cignol completes the set with a widescreen sound that's steeped in emotion and sci-fi noir from a dazzling array of finely tuned synths (including some essential 303, of course).
I Love You More Than You'll Ever Know (Timmy Regisford original version) (5:48)
I Love You More Than You'll Ever Know (Joaquin edit & Overdub version) (7:06)
Review: Second time around for Timmy Regisford's inspired rework of Donny Hathaway's 1972 classic "I Love You More Than You'll Ever Know", an unofficial revision that first slipped out on white label a couple of years ago. Regisford's revision is inspired, with the veteran New York producer layering Hathaway's heartfelt vocals and select instrumental elements from the original mix (guitar, orchestration) over a bed of rolling house beats and layered percussion. It's an emotional, life-affirming affair that re-casts the melancholic original as a stirring house classic. Over on side B, Joaquin 'Joe' Claussell offers an equally fine "Edits and Overdubs" version that adds some brand-new synth solos, spacey electronics and sweat-soaked percussion to Regisford's impressive revision.
Review: Nebraska's Friends & Relations label continues to yield the finest club tackle for those who need the real deal in their DJ sets. 'Deep Tune' casts its net as low as the Mariana Trench while riding a sweet disco loop, setting the scene for a teasing, dramatic drum throwdown with nimble synth flourishes on 'Drum Track 01'. 'Shift' takes things on a more interstellar trajectory with a heady beat elevated by star-strafing lead lines, and then 'Drum Track 02' whips up another killer percussive workout that keeps the organic intensity of the beat intact while still making it totally workable for the floor.
Review: Belarus' Iner launches a new label with a strong cast of international names all pushing a deep and distinguished strain of house music for those who want soul and invention in equal measure. Tilman is up first with 'Sweet Dreamer', a mellow, looped up roller. Sune's 'Flutes' takes a breezier approach shaped out by fluttering jazz funk motifs. Yann Polewka celebrates the sweetest Philly strings and some classic vocal licks for a disco-infused burner you can't help but love. Iner himself keeps things loose and organic on the wonderful 'Respectfull Kind Music', while Scruscru goes for a sleek approach to chopped up funky house. That leaves it to Buzz Compass to get heady and hazy with the bass-leaning cuts coursing through 'That Nighter'.
Review: Expansion is pushing the boat out for Record Store Day 2020. Chief among the label's must-check RSD releases is this 12", which offers up fresh re-edits - courtesy of an un-credited re-editor - of two sought-after cuts by late-'70s and early '80s West Coast fusionists Halo. The headline attraction is undoubtedly the fresh edit of the ultra-rare extended mix of 1981's 'Let Me Do It', a warm and groovy modern soul/boogie jam primarily known for its' familiar "let me do until you're satisfied" vocal refrain. The band's shorter original version is also included in the package, alongside a shorter re-edit of their sparkling, synth-heavy 1988 single "Life". In keeping with the more celebrated A-side, it's an energetic, life-affirming earworm.
Iwishcan William (Nad Tyler dub Strip version) (7:12)
Review: Washington D.C's The 3 Pieces initially put this out on their own private pressing on DL Records in 1982. It is a cosmic-boogie-disco-jazz and rap jam with lashings of funk and a curious spoken-word delivery and guest spot from a school aged vocalist that lends it plenty of character. The synths are glossy and harp-like, the bass grumbles are infectious and the whole thing overflows with feel good factor. The Lexx vocal mix is like an early house track with claps straight from a Peech Boys record and the Nad Tyler dub is even more ready for the dancefloor.
Review: The Blessed Madonna has remixed Dua Lipa's 'Levitating' featuring Missy Elliott and Madonna. This is the first track from 'Club Future Nostalgia', an entirely remixed version of Dua Lipa's global #1 album "Future Nostalgia", created in collaboration with The Blessed Madonna.
Review: There's a fair chance you'll already have heard "Cola", experienced production duo Camelphat's collaboration with vocalist Elderbrook. The original version, with its rumbling bass, atmospheric builds, subtle bassline house influence and "she sips the Coca-Cola" refrain, has become something of an anthem since first appearing on digital download earlier in the year. For this first vinyl release, Defected has packaged the now-familiar original mix with a trio of reworks. The most impressive of these comes from German veteran Mousse T. He brilliantly re-casts the track as a bumpin' chunk of celebratory disco-house complete with thrilling piano riffs and an elastic bassline.
Review: Here's something to get Talking Heads fans salivating: a fresh EP featuring previously buried, unheard alternative versions and outtakes recorded during the sessions for the celebrated New York new wave band's 1979 album Fear of Music. The EP begins with the completely unheard 'Dancing For Money', a typically undulating, off-kilter chunk of post-punk eccentricity that seemingly never went beyond the demo stage, before offering up a riotous alternate mix of the noisy, guitar-laden stomper 'Life During Wartime'. Over on the flip you'll find notably different arrangements and recordings of 'Cities' and 'Mind'; the latter, with its juju style guitar sounds and languid rhythm section, is particularly good.
Review: Mind Fair have been around the block with their strain of disco-infused house music, stopping off at Golf Channel, International Feel and Kinfolk amongst others, so you know they've got you covered for classy edits that are actually useful and interesting. This heavyweight drop for Magic Wand kicks off with the righteous stomp of "Holding On" before dropping into a reworking of uptempo jazz funk classic "Feeling Good" by Francine McGee. "All Night Soca" beefs a classic cover of Lionel Ritchie up for the dance, while "Mastermind" finishes the record off with some cool and deadly funk.
Make It Hot (Pete Herbert & Dicky Trisco remix) (6:56)
Review: JKRIV and The Disco Machine's Make It Hot gets the remix treatment here with mature disco don Ray Mangler's going first. He lays down train-track grooves that never let up and overdubs with shimmering chords and steamy vocals that will work any party into a lather. JKRIV then steps up with a retro-future mix packed with gauzy chords and old school keys before veteran Pete Herbet steps ups with Discky Trisco for the most upbeat, candied and accessible version, and possible the best.
Review: Much loved and always impassioned vocalist and producer Norma Jean Bell is a firm favourite with greats like Moodymann, and for good reason. here she lands on Pandamonium with a new EP that utilises the voice of soul herself, Miss Aretha Franklin. "Got Me A Mann" is a gossip tinged, chord laced house track that will make you shuffle on the spot as you rejoice your sins. "Libre Comme Un Oiseau (Free As A Bird)" is another roller, this time with more free flowing vocals that ring out above the chunky, organic drums and busted bass. Excellent stuff.
Review: Paul Robinson had a rich and varied life in soundsystem music, from working with the Freedom Sounds label in Kingston to forming lovers rock outfit One Blood. Of his few solo releases under his own name, this early 80s treat was geared towards the smooth sound of Brit funk, with a crisp boogie groove down low and a cool mood on top. "Come On Sister" is the perfect easy going party starter, which sports a tasteful dubbing out on the instrumental version that bolsters this Emotional Rescue re-release. Always ones to draft in a choice remixer, the B side here goes to Bruno who teases out the original groove for an extended trip before the vocals kick in.
Review: Following two sterling turns from Dedication feat Danielle Moore and Smith & Mudd feat Quinn Lamont Luke, Adventures In Paradise returns with another effervescent, vocal-led bomb. Soma World team up with Falle for an energising track that fold high life, funk and Kwaito house into a potent blend given voice by the infectious singing of Falle. As well as the original version of 'Want This', we're treated to two remixes by Ray Mang, who dubs the track out into a simmering, bass-rooted groover that captures the moody allure of a picture-perfect sundown moment.
Review: The first release on Kamarads pulls together a solid mix of established tech house figureheads for a classy, versatile set of club tracks. Politics Of Dancing goes up first with 'Ote', a deep and rugged groover geared towards hypnotism and total immersion. Djebali follows up with an equally stealthy roller that will appeal to those who like it stripped back. Terence: Terry takes things in a swirling, trippy direction with the afters-ready 'Eastern Boy' and Stephan Bazbaz finishes up with a gorgeous, lilting deep house lullaby to soothe the weary raver's soul.
Review: When it was initially released three decades ago in the summer of 1990, Slowdive's eponymous debut EP was heralded as an instant shoegaze classic: a drowsy, dreamy collection of hazy wall-of-sound, reverb-drenched songs that put the Reading band right at the heart of a growing musical movement. As this 30th anniversary reissue proves, it remains a fine collection of cuts. While lead cut 'Slowdive', a more orthodox fusion of shoegaze, dream-pop and indie-rock, was the one that chimed with listeners at the time, it's the two-part soundscape 'Avalyn' - and in particular the epic 'Avalyn II' - that resonates loudest in the 21st century. The latter track is so good that it's worth buying the EP just to get your hands on it.
Review: Over the years, we've become accustomed to hearing Bottin push the boundaries of sleazy, analogue-rich nu-disco and revivalist late-night Italo. On this edit outing he successfully switches focus, delivering four re-rubs of a suitably Balearic persuasion. After opening with the huggable grooves, dreamy chords and hushed spoken word vocals of "Manifesto Balearico", the Italian producer brilliantly dubs out some slap-bass-propelled post-disco oddity ("2 Palmy Days"), before reworking a suitably cheeky chunk of Italo-disco/sleazy synth-pop eccentricity (the ace "Got Headphones"). To finish things off, he offers up "OK! Goodnight!", a fine fusion of glassy-eyed female vocal snippets and what sounds like replayed sections from Steve Miller Band's "Abracadabra".
Review: Buckle up for the latest space crusade from Salty Nuts. This one finds Oden & Fatzo at the helm and the trip begins with the slick and seductive tech house perfection of 'Spaceship For Sale' which glides on silky synths to an imagined future. 'Casinomania' bubbles with all the sort of pixelated sounds and hyper real chords that you would get on the gambling floor of a Las Vegas hotel and '69 Party Boys' is another lithe, neon-lit future-tech-funk gem that gets a remix from Fabe. In the popular Brazilian's hands it becomes a little more thrown back thanks to its warm organ bass.
Joey Negro presents The Sunburst Band - "Only Time Will Tell" (feat Angela Johnson) (5:52)
Mid Air - "Ease Out" (The Revenge edit) (7:31)
Joey Negro - "Do What You Feel" (JN Revival mix) (4:49)
Review: If you're looking for some high-grade, tried-and-tested disco and house fare, we'd strongly advise grabbing this second vinyl sampler celebrating 30 years of Dave Lee AKA Joey Negro's popular Z Records imprint. It begins with the insatiably sweaty disco-house hedonism of Doug Willis's down-low 2014 classic "Crystal Lover" - which, surprisingly, has never appeared on vinyl before in this original mix form - and ends with the Revenge's loopy, sort-after, synth-fired re-edit of Mid Air's early '80s disco-boogie classic "Ease Out". In between you'll find Lee's 2015 "JN Revival Mix" of his classic early '90s U.S garage/soulful house jam "Do What You Feel", and the similarly inclined and deliciously sunny "City Connection Mix" of Lee and the Sunburst Band's Angela Johnson-voiced "Only Time Will Tell". As the old cliche goes, this is "all killer, no filler".
Review: Having established himself many moons ago on Alphabet Set, Cignol has gone on to become a firm fixture in the contemporary electro scene with drops on labels like Lunar Disko, Furthur Electronix, Seagrave and many more. Now he appears on 20:20 Vision with an EP that slots perfectly into the electro direction the label has been exploring in the past couple of years. 'Past Futures' pivots around a nagging acid line, a pitched-down vocal hook and an easy tempo, while 'Virtual Array' swerves for the plushest Drexciya-indebted territory. 'Gantm' brings forth more 303 action, matched with all kinds of other playful synth strokes and a tumbling beat. 'Lessened By Lessons' completes the set on a plaintive note, but with a similar palette of expressive synth lines and a keen sense of harmony powering the track.
Review: Originally released back in 2011 on two singles, Shades of Detroit is a journey of six deep and dubby house monsters! The new limited reissue includes both Dark and Light parts, marbled vinyl and a new updated artwork. Essential Detroit house classic!
Review: The mystery of the Botanic Minds Sunset Series continues to unfold with another bout of surreal and sensual club tracks that balance tweaked minimalism with a warm and hazy atmosphere. "Track001A" is packed with intricate rhythmic interplay, but it's the fluttering guitar licks and displaced vocals that give the piece its unique vibe. "Track002A" is a remix credited to Eastenderz regular Lizz, and it's a particularly spellbinding jam shaped out with lingering chords and a wistful mood. "Track001B" hunkers down around a low, throbbing bassline, but there's some sweet keys hovering up top to keep things from getting too dark. Barut is on hand with a remix for "Track002B", where trancey undercurrents meet with expansive piano and ethereal ambient swells, all strapped to a sturdy minimal house groove.
Review: Detroit's Jay Daniel can no longer be referred to as a protegee. The Watusi High boss is very much a talent unto his own after forming a small but superb discography in the last few years. His latest outing is another exquisite mixture of his very real drum playing skills and an ability to coax real feeling out of his lush synths. After the ambiance of 'Muse,' 'Solo' sinks into a late night vibe with glowing pads and wooden hits making for a perfectly reflective mood. 'Dew' cuts more loose into ticketing drum work that is raw and off-grid, but again soften but those gaze-inducing pads, and 'Cherry' closes out with crunchy, dance floor ready grooves.
Review: Having impressed with his drop on Aesthetic earlier this year, rising minimal house talent Nolga returns to the label with another batch of sprightly, springy bumpers to fire up your limbs and feed your brain. 'Motion To Delay' matches cascading melodic threads with a crisp, lightly swung rhythm section, while 'Conspiracy' follows a similar thread of wiggy lead lines and curvy bass. 'Fez' takes the template of the first two tracks and tips the balance towards a sumptuous palette of synth tones flitting around the sharp but snaking groove. If you need some smart but playful club tracks in your bag, look no further.
Review: The latest collection of wayward floor heaters from Nuances De Nuit takes us once more into a colourful headspace where the possibilities are wide open to make house music with personality. Californian shining star Liquid Earth is up first, although he's better known as Urulu. 'X-Form' is a bubbling metropolis of futuristic synth squiggles with starry-eyed wonder in its heart and vintage techno smarts up top. Huerta follows up that sterling start with the enchanting electro incantations of 'Legwork', which build wonderfully on the sound laid out on his recent debut album for Voyage Recordings. On the flip, DJOKO brings a smart shuffle and some shimmering synth work to the forefront for a seriously smart twist on the tech house template, while T. Jacques opts for space age machine funk with a splash of boogie poured in for good measure.
Bobby Moore - "(Call Me Your) Anything Man" (6:14)
Sweet Music - "I Get Lifted" (7:18)
Review: Soul Brother Records' Record Store Day 2020 release offers up re-mastered versions of two hard-to-find early 'disco mixes' of modern soul-era gems. On the A-side you'll find Tom Moulton's scarce, five-minute club version of soul man Bobby Moore's '(Call Me Your) Anything Man', a delightfully orchestrated and super-sweet dancefloor workout built around a Latin-tinged groove reminiscent of Grace Jones' 'La Vie En Rose', which of course Moulton later famously remixed. Over on the flip there's a chance to savour West End Records' boss Mel Cheren's wonderfully over-the-top dancefloor extension of obscure vocal group Sweet Music's soaring cover of K.C & The Sunshine Band favourite 'I Get Lifted'. It's very different to their much-loved take, but every bit as essential.
Review: Highrise continues to pile on the pressure through his breakout year in the buoyant UK garage scene, following up crucial spots on Plastik People and Shuffle 'n' Swing with more of that immaculately rendered 2-step tackle to get you shaking uncontrollably. 'Groovin' is steeped in soul and vibe, while 'Not Because Of You' gets even craftier with its organ chops and vocal slices. 'Teedra' on the B-side follows suit, displaying a razor sharp instinct for the funkiest slithers of sound to get bouncing around that deadly swing. If you need proof there's plenty of fresh garage being made these days, then cop yourself one of these before they're all snapped up.
Review: REPRESS: Rising Sun Psyche aka Berlin's hugely prolific but somehow rather lowkey Steffen Laschinski hits an amazingly bittersweet spot on his latest offering. It combines post-rave ambient, breakbeats, IDM and deep house into a real trip. "The River Experiment II" is a dreamy opener with gorgeous synths while "Back Home" is backlit with a celestial glow of melody and spoken word snippets that add to the reverie. There's gentle minimalism in "The River Experiment I" and followed by punchy and emotive number "Feel What I Feel" amongst many other highlights.
Review: Remarkably, superior re-edit, remix and rework imprint G.A.M.M is approaching its 150th release. We'll hear more about what they have in store in the weeks and months ahead, but first the Swedish stable has decided to offer up something suitably special: a pair of previously unreleased edits from the king of the rusty scalpel rearrangement, Danny Krivit AKA Mr K. If it's percussion you're after, we'd heartily recommend insatiable A-side "Batutastica", a riotous revision of a drum-heavy Brazilian batacuda workout that's little more than densely layered waves of sweaty, carnival-ready percussion. It's an absolute dancefloor beast, as is the similarly hectic, intense and celebratory flipside drum workout, "Jungle". In a word: essential!
Review: Bush is a new project from a wandering musical mind and it all kicks off with a seriously deep and otherworldly house EP that ditches the usual tired tropes and fawning fads, and instead fully submerges listeners in an uncompromisingly serene and seductive world miles below the surface.
Opening up label's account is 'Peckings,' initially a deep and spacious bit of beatless atmospheric sound that eventually turns into a propulsive house jam with icy hi hats, swathes of reverb and oodles of late night mysticism. 'OG18' is another devilishly deep and spiritual bit of house with luxurious amounts of open space in which various pads float and drift about. It's seductive and spaced out stuff before 'Legome' toys with raw claps, swelling chords and undulating drums in louche fashion. There's a restraint and musicality to this track that betrays a real production mastery and, lastly, 'Lockdown' is again a hugely subterranean affair with snaking pads, watery textures and muffled drums all coalescing into a nocturnal dreamscape that gets subtle driven along by rubbery kick drums.
This is seriously deep, classy music that is richly atmospheric and effortlessly cerebral, and the EP overall marks a fine way to inaugurate a new label.
Review: Much loved UK underground stalwart Truly Madly kicks off his new label with a trip to the outer edges of the dancefloor. It's a various artist affair drawing on some of the most interesting producers round right now. It's the much hyped Gene On Earth who kicks off with a cosmic tech workout for mind, body and soul, and Kepler keeps the uplifting vibes alive with his high speed and slick acid cracker. The flip side is taken care of firstly by Jhobei with his deeper, more spacious 'Grande Sultry' which erupts on fanatical sci-fi synths and Noiro cloys out with a gritty head-wrecker.
Review: The ever-prolific Burnski is back on Constant Sound with some upfront bumpers that once again demonstrate his standing as a leading light in the modern tech house movement. 'Process' manages to balance moody, melodic atmospherics with a rock solid rhythm section, while 'Systems' takes things in a decidedly more jacking, tracky direction. 'Long Train' keeps the pressure up with a mean low end and some whipcrack claps to made your head spin. 'Effect' finishes the set off with a sumptuous dub excursion that will appeal to all those who like Basic Channel headspace matched with a sturdy house groove.
Review: Italian duo Rufus and Mass_prod are back once again as Nightdrivers, shoring up to Holic Trax with more of their infectious club-ready material. Beyond the functionality of their drums, where the Nightdrivers excel is in their choice of samples and textures to add a psychoactive twist to their craft. "A Funny Thang" is a delightfully unhinged workout, while "Stressedout" does a fine job of digging into a heads down, RnB inflected groove. "Rising" switches things up with a broken beat groove that loads up sunkissed soul samples to great effect, and then the record rounds out with a dub mix of "A Funny Thang".
Review: Flumo and ANMA Records link forces for this one, a collaborative project between UK-based Contours and Yadava. The music comes from various jam sessions and melds live percussion and floating keys with lush synth arpeggios. Add in drum machine, synthesizers and field recordings and you have a live and dynamic record. The whole thing flows smoothly and takes in beat driven jams that go deep with more scoring, emotionally charged tracks. Elements of the rich UK jazz scene, house, funk and more besides make this a fantastic exercise in musical warmth and soul.
Review: While the label has been operative since 2014, it's only in the last couple of years than Russian imprint Shanti Radio Moscow has finally found its groove. By and large, the label's releases are wonderfully hard to pigeonhole, combining tech-house rhythms with inventive instrumentation and a wide range of stylistic influences. This EP from newcomer Minnado continues that trend, moving between the plucked gypsy guitars, sweet strings and hazy vocal samples of 'In Silence', the picturesque, soft-focus dancefloor shuffle of 'Just For Today', the Eastern European-acoustica-meets-German tech-house stylings of 'Sofia', and the piano-laden sweetness of 'Ori'.
Review: Berlin-based Italian producer Audri has been scattering his smart, fine-tuned machine soul across a handful of labels over the past four years. Picking up the thread from the emotive and inventive end of the 90s techno spectrum, his latest drop on Albion should appeal to all those who can't get enough of that B12-flavoured sound. 'Inner Movement' sports plenty of classic Motor City influences, but given a crisp modern finish. 'Dizzy Freq' has a deeper demeanour that jacks and jives in equal measure, with a nod to the formative sound of bleep techno. Domenica Rosa delivers a fun and freaky twist on the original, before the legendary Titonton Duvante dubs things out nicely on his version of 'Inner Movement'.
Review: Sound the alarm, Borai is back with another essential drop of rough n' tough breakbeat business on his Higher Level label. In the same vein as his celebrated Club Glow work with Denham Audio, these are well-schooled rollers with sonics to make the sternest soundboy shock out. 'Sanctuary' calls to mind the earliest strains of Good Looking Records in its dreamy moments, with ample space afforded for the amens to get gnarly too. 'Carpet Bagger' strikes a deadly blow in the hardcore vein, piling on the darkside synths for a rave-ready showstopper to get synapses tingling and jaws clenching.
Review: French dub techno engineers Berg Audio return with their fourth release in 2020, courtesy of one R.Y. with an A.C. We are not entirely sure who the former is, but the latter stands for Another Channel, a producer from Ausburg in Southern Germany. The acronyms collaborate on the cavernous and glacial groove of 'Move Dub' that is balanced out by its emotive male and female vocals. It comes with two terrific reworks: Mosaic man man Steve O'Sullivan is in fine form as usual, taking the track down a warmer path with a more sensual feel, followed by Roman Poncet aka Traumer's perspective which injects the track with a groovy minimalist stomp.
Review: A right classic for those that know. Originally released back in 1994 on King Street Sounds, ?"Closer" by pioneering production team Mood II Swing (feat. Carol Sylvan) receives a much deserved reissue here featuring all four tracks that appeared on the original release, remastered for your listening pleasure. The timeless and soulful bounce of the "King Street Moody club mix" is a true zeitgeist of early '90s garage, while it wouldn't be a proper Ciafone & Springsteen release without one of their legendary dubs, would it? You can bet there's typically moody one on the B-side, followed by the heady, swing-fuelled and stripped-back shuffle of the "Swing To Mood dub".
Review: French DJ-turned-remixer Young Pulse's popular "Paris Edits" series notches up seven volumes, this time via a three-tracker packed to the rafters with heavyweight disco-funk grooves. Arguably the best of a very strong bunch is "Bobo's Reason", a reverb and delay-laden, slightly beefed-up rearrangement of an excitable, horn-heavy disco-soul tune from the Philadelphia school of orchestrated dancefloor fun. There is of course plenty to set the pulse racing elsewhere across the EP though, with the spacey, synth-laden, percussion-rich disco-boogie of "Beggar's Run" being joined on side two by the high-octane disco-funk weight of "Bisso's Love".
Review: Given the respective reputations of Chicago scene stalwarts DJ Emanuel and Rahaan, you'd expect these collaborative "Remixes From The Dungeon" to be pretty damn good. They are, of course, with the Windy City veterans making merry with a pair of sweaty, leftfield NYC disco classics. As the title suggests, A-side "I'm Love Dancing" sees the duo rearrange Dinosaur's "Is It All Over My Place", smartly emphasizing the track's odder elements, including those drunken horns and spiralling solos, while also giving the bustling groove plenty of time to get hips and feet moving. Flipside "Imma Freak" is even more eccentric, with Emanuel and Rahaan eking every last drop of party-starting madness from a cacophonous, dancefloor-slaying disco oddity.