Search dance music

Review: That title is an eyebrow-raiser, yet still more surprising about this second album are the chances that cocky, controversial 1975 frontman Matt Healey has been prepared to take with the sound that his band rode to enormous success on via their debut. Certainly this album may largely sound custom-designed for radio airplay, yet within this framework Healey has moved from the guitar band swagger of yore to a more emotionally charged reinvention that throws '80s-style hooks, innovative production trickery and his mixture of chutzpah and charm into the fray to create a vibrant and unexpected art-pop melange.

Review: There's certainly plenty to talk about here. British chart-topping and stadium-filling enigmas The 1975 return to prove you really can't predict what the troupe will do next, delivering what would be their most divisive and explorative album if it weren't for the fact they command so much loyalty from fans you could be forgiven for thinking dark forces were at play. 'Notes On A Conditional Form' is easily the furthest we've wandered from the formative years of a band that cut teeth doing teen-punk covers, and it's hard not to notice the subtle theme here. From 'Having No Head', which rides on a sharp house groove, through the garage breaks of 'Yeah I Know', low slung dub of 'Shiny Collarbone' and the shoegaze of 'Streaming', it plays out like a celebration of the breadth and diversity of UK pop culture.