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Notes: The Organelle has grown from a 'device' to a full-fledged instrument and can keep up with your new musical ideas anywhere you go and anywhere they take you.

New features liberate the Organelle so it's ready to go at any time - just turn it on and play in impromptu music environments. It offers an immediate, full-spectrum music-making experience - be playful or intentional in the studio or wherever you find inspiration. You're now free to make music in an easier way.

Four new features to the Organelle:

- Built-in Speaker
- Built-in Microphone
- Battery Power
- MIDI Jacks

The Organelle has also been upgraded with a faster processor, twice as much RAM, and an improved web interface for patch management and link sessions.

In other words, with its new onboard mic, speaker and 'AA' battery power:

- Making music with the Organelle is more direct and adaptable to situation/user (less gear needed)
- The Organelle is portable and autonomous
- The Organelle is a more powerful instrument that also affords more spontaneous/silly opportunities

Notes: Although a keyboard and mouse are tried-and-true DAW-control devices, they're far more effective when used in tandem with the FaderPort 16's precise tactile control over mix and automation functions. A superior solution for anyone who mixes in the box, only the FaderPort 16 provides 16 100 mm touch-sensitive, motorized faders and 89 buttons covering 104 different functions, all in a compact chassis that easily sits on any desk. Quickly zoom in on audio files for editing, modify plug-in parameters, manage aux mixes - and, of course, control track levels with the touch of a finger. With the FaderPort 16, you'll enjoy the fastest, most efficient workflow you've ever experienced.

Work faster and smarter:
Rather than forcing you to revise your mixing method, the FaderPort 16 augments the way you currently mix. You still use your faithful keyboard and mouse for things they do well, and the FaderPort 16 handles what you really want to get your fingers on: your mix. Having the ability to control the levels of 16 channels at once makes creating the perfect mix easier than ever before. And the FaderPort 16 allows you to view just the information you need to access. Sixteen digital scribble strips provide visual feedback. Quickly navigate between tracks and buses. Need to automate your virtual instruments? The FaderPort 16 lets you view just those tracks, making switching automation tasks a breeze. This is DAW control the way you always hoped it could be!

One-button access to key functions:
The FaderPort 16's unique Session Navigator provides easy access to eight mission-critical functions for maximum flexibility. Use the large encoder button and companion buttons to edit and mix with greater efficiency and speed. Scroll through your timeline, using the encoder, or work measure by measure with the arrow buttons; zoom in and out on the timeline with the encoder and make your tracks larger or smaller with the arrow buttons; navigate and drop markers; and maintain constant control of your main level. Once you start using the Session Navigator, you'll wonder how you mixed without it.

Universal compatibility and tight Studio One integration:
FaderPort 16's streamlined workflow and support for the Mackie Control and HUI protocols make it fast and easy to control virtually any DAW. No driver installation is necessary; just plug the control surface into a USB port and take command of your mix and plug-ins.

But the FaderPort 16 is downright magical when used with PreSonus Studio One. (Studio One Artist is included.) You'll be amazed how much faster you can work.

An amazingly fast, efficient studio workflow awaits you:
With the compact, easy-to-use FaderPort 16, you'll enjoy the fastest, most efficient workflow and the most session control you've ever experienced. But don't just take our word for it; visit your favorite PreSonus dealer and try the FaderPort 16 for yourself!

Notes: MX12 as successor of the UC44 is a universal controller for all kinds of MIDI controllable hardware and software.

You can combine NEW MODULE devices to a large system. The connections are on the right side to allow a back to back placing of two or more devices. Connect two NEW MODULES by a special extension port.

Furthermore, there are 4 MIDI-ports and one USB-port with various routing possibilities.

It is packed in a metal case with the same dimensions like the famous ELEKTRON devices so it's a great extension for these devices. But you can use the mix controller also with your DAW like a classical 12-track-mixer.

The device has 24 standard pots, 12 Faders and 24 buttons in a 12-track-layout, various kinds of MIDI commands like control change, note on/off, pitchbend, aftertouch and program change are possible. You can program every MIDI command for every separate control on the device very fast and easily.

Of course you can assign the pots and keys to any of these commands by learning incoming MIDI commands, which is the same procedure you know from your software/DAW. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instrument, effect and DAW. Use the internal 30 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

Some special setups are preconfigured for use with ELEKTRON RYTM and ABLETON LIVE.

Check out this amazing power box and you will get a reliable mate...

Notes: Latest version of Squarp's excellent Pyramid sequencer. Proper creative business to break away from computers and get the most out of your synths and modules. Definitely one of our favourite sequencers on the market.

Supplier's notes:
Modern, easy-to-use & versatile hardware sequencer.

Pyramid provides you with a radical new workflow and almost unlimited possibilities.

It will become your ultimate studio centerpiece.

Pyramid is designed to be the perfect brain for your musical setup, from studio to stage. It brings together a powerful sequencer, a looper, a rhythm generator, a real-time effect processor, a midi controller and an input+output interface.

Pyramid does not produce sounds. Instead, we have focused our energies on creating an innovative and complete sequencing solution full of creative tools.

Pyramid is an instant source of inspiration to start, finish & perform your song!

With Pyramid's high precision clock, the sequencer becomes a great synchronisation tool for both vintage and recent devices. Your instruments will always keep in time: Pyramid is the heartbeat of your studio.

You can also use Pyramid sequencer as a rock-solid interface box for your MIDI, USB MIDI & CV/GATE setup:

filter note/clock/start stop/cc/pitch/aftertouch messages

route MIDI in to USB MIDI out

convert MIDI in to CV/GATE output and add effects

convert CV/GATE in to MIDI out

convert MIDI IN clock to DIN SYNC

Even if you use a DAW as your primary sequencer, Pyramid will become an indispensable Swiss knife!

Record a performance at any time with the built-in keyboard, the smartpads (generates chords, scales or repeats), the touchpad, the 5 encoders or an external controller... with true polyphony and high precision!

You can even use the midi looper mode, in the style of audio looper pedals. Live improvisation recording has never been so easy!

Create and arrange complex rhythms and melodies with the full realtime step sequencer, or edit your live recording.

The piano roll view clarifies notes and drums programming. Change the pitch, the velocity, the width and the offset of each note, in a flash. Zoom in (up to 1600%) to surgically edit the track. As Pyramid is fully polyphonic, a step can contain an unlimited number of notes!

Create CC or FX automation with the touchpad or with the 16 pads.

Create an infinite number of automation per track! Slide the touchpad to draw the automation, or use the 16 pads to edit or add step-lock parameters.

Pyramid offers one algorithmic euclidean sequencer engine per track, auto generating uncommon and rich rhythmic patterns. Almost all traditional rhythms from across the world can be generated with this tool.

Change the number of total steps, the number of filled steps, the step width, rotate the pattern, all of this on the fly. The displayed euclidean circle helps you to visualize the pattern.

Once your tracks are created, Pyramid offers several ways to play with your sequences: mute/unmute your 64 tracks on the fly, launch sequences (group of tracks), or chain sequences to create a complete, structured song.

You can choose to perform your tracks and sequences in sync (1 bar, 2 bars, ...) or not. It's even possible to play in sync with one beat resolution, a new way to improvise with sequences!

Pyramid includes 5 clickable encoders and a wide touchpad.

You can easily assign any of these controls to an effect parameter or a midi CC message by pressing the "assign" button, and recording the automation. Even the two CV analog inputs can be assigned - it's up to your imagination!

Notes: The FUMANA is an all analog dual filter bank with various control to access dynamically these bands. Each filter bank is composed of an array of 16 independent 48dB/oct bandpass filters. Having two identical filter arrays, allows you to use one of those for spectral analysis (of a modulator signal) and the other for spectral re-synthesis (of the main signal). Each array is sub-grouped in odd and even bands (numbering these increasingly from 1 to 16 from left to right). It is possible to apply different signal to odd and even bands, both for main and/or modulator arrays. This, together with the 16 envelope followers connected to each band of the modulator filterbank, and the 16 VCA connected to each band of the main filterbank, allows the FUMANA to perform a single 16 bands or a dual 8 bands analog spectral transfer.

While the upper section provide access to each main filter's direct output, the lower section has 4 voltage controllable parameters to manage two independent functions for further spectral editing: tilt and parametric scan.

The tilt, as the name suggest, tilts the spectrum, adding and subtracting amplitude to the 16 bands, emphasizing lower or high bands, and attenuating high or lower bands: this is managed only with the green potentiometer.

The parametric scan, instead, works with three parameters: peak/notch, band selector and width. Like in a parametric equalizer, where is possible to set peak/notch gain, frequency and slope, the FUMANA uses three parameters to set which is the centre band to perform this manipulation, then if that band should be emphasized or attenuated, and how this action is extended to nearby bands.

In addition to the 16 bandpass outputs, there are other 4 outputs provided: the all bands output, the all envelope followers output, the odd bands and the even bands output. These two have the options to be inverted in phase with two switches, in order to obtain even more combination when summed together, maybe/also with the "all bands output", using, for example the 333 module.

Since a spectral transfer tool may be used as a "vocoder-like-effect", the FUMANA provides an input for an external noise which may be used for unvoiced (fricative/sibilants) sounds as words containing or starting with s, f, z, ch and other fricative sounds.

Notes: The CS-8 VCF1E is a very versatile, fully analogue, programmable and voltage-controlled filter (VCF). It is capable of processing all sorts of audio signals. It is designed for mounting into a 3U Eurorack with an internal +/- 12V power supply.

Basically, two modes are possible. The classical filter mode with 12 selectable different functions (low-, high-, band-passes) and the phaser mode also with 12 phaser-sounding combining modes (4x phaser-, 2x low-, 2x high,- 4x band-passes).

For the classic filter mode, 3 different resonance modes are available - these generate different sound impressions for each filter function. So, there is no rule how to sound a certain selected resonance mode. It depends on the selected function.

With a further 4-pos. rotary switch the resonance emphasize is dialable, which provides further sound nuances. This is also equipollent to the amplitude of the self-oscillation. An illuminated tactile switch allows to add a unique 2nd harmonic distortion to the resonance sound.

The frequency range (cutoff) goes from 2 Hz to 40 kHz. A gain controller allows input-to-output gains from -20 db to 0 db. A clip LED light up just before output clipping.

Design and implementation meet highest technical standards concerning usability, sound quality, and signal-to-noise ratio. The front panel is made from powdered and printed piece of aluminium sheet metal of 2 mm gauge. The entire design and production work was done in Germany.

Notes: DFAM is the first addition to the Mother-32 family of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions.

Activated by an easy-to-use analogue sequencer, DFAM's emotive sound begins with a white noise generator and two wide-range analogue oscillators - effortlessly transitioning between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM's distinctive voice is then shaped by a classic Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangorous accentuations.

DFAM behaves much like a living organism, reacting in different ways to different individuals. 3 dedicated analogue envelopes work dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and cacophonous chaos can be spawned or subdued at the turn of a knob.Each DFAM ships with a package of Moog patch cables that unlock access to the 24-point modular patchbay. Use it to create new sounds or bizarre behaviours, synchronize an unlimited number of DFAM and Mother-32 units together, or fully integrate your analogue instrument into a modular Eurorack production environment.

Through exploration and experimentation, the vast potential of this expressive analogue instrument is realised.

Specifications

Sound engine: Analogue
Analogue sequencer: 8-Steps With Pitch and Velocity Per-Step
Sequencer panel controls: Tempo, Run/Stop, Trigger, Advance
Sound sources: 2 Oscillators With Square and Triangle Waveforms, 1 White Noise Generator, 1 External Audio Input
Frequency control: +/- 5 Octaves (10 Octave Range)
Mixer: Level controls for Oscillator 1, Oscillator 2 and White Noise/External Audio Input
Filter: 20Hz-20KHz Switchable Low Pass / High Pass 4-Pole Transistor Ladder Filter

Notes: ***Now featuring Assimil8or Software Version 2.0! Available to download here: http://www.rossum-electro.com/products/assimil8or/

The ASSIMIL8OR is a CV/Gate-controllable sampler with eight independent channels. Each channel is not only its own voice, but also has a separate audio output and a gate/trigger and three CV inputs. Given ever get two sample inputs and main outputs. Thus, Stereo Sampling and playback is possible. Mixed operation of stereo or mono is possible and is limited only by the maximum number of eight channels or parts.

The ASSIMIL8OR works with high-quality 24-bit AD and DA converters. Internally, however, sample and bit rate for lo-fi sound can be lowered, the latter is even CV-controllable. The samples can also be otherwise manipulated in many ways. Thus, the phase of a sample via CV or a different sample can be modulated. Likewise, the loop points can be controlled and the sample can be traversed with CV control (scrubbing), whereby wavetable similar effects could be achieved. The following parameters can be addressed via the gate / trigger and CV inputs:

- Pitch
- Level
- Bit Depth
- Phase Modulation
- Pan
- Scrub
- Sample Start
- Sample Length
- Loop Start
- Loop Length
- Release Decay

Samples and presets are stored on an SD card, which is easily accessible plugged into the module front.

Notes: MANTHER is a full featured, tabletop monosynth with an analogue signal path, an advanced 64-step digital sequencer and onboard delay. The heart of this beast is a coveted CEM 3340 based VCO IC chip. The analogue filter is based on an ssm2044 chip. The Source Mixer allows for total control over the Square, Triangle, Saw, Tri Shape, Noise and Sub levels and waveforms also include individual outputs. Dial everything from heavy basslines to screaming leads to stomping kicks. Manther growls like no other.

Each step of the sequencer can be automated across all main features and all automation saved within a total of 64 presets. This allows for recall of intricate sound sculpting and numerous animated creations. Easily build songs by simply selecting presets to play in any order. Program notes quickly using the keyboard. Utilize the Repeat and Probability functions per step for a unique and inspiring approach to gate pattern formation. Even route the LFO to modulate the Delay time.

The intuitive menu offers additional control and setup of the more complex features: Sub Semitones, ADSR envelope (linear or exponential), Sequence direction (FWD, REVERSE, PENDULUM and RANDOM), Sequence division and multiplication, LFO phase, additional Delay features, Clock settings and more.

INS and OUTS include: CV, MIDI, CLOCK, GATE and LFO and pairs brilliantly with Eurorack.

PLEASE NOTE: SUPPLIED WITH EU 2-PIN POWER SUPPLY ONLY.

Notes: This standard bearer of the Shape series features two passive radiators, woofers equipped with a new Flax cone, and the latest "M"-shaped Aluminium/Magnesium inverted dome tweeter. Perfect weapon of mass production for professionals.

Shape Twin is made in France, just like Shape 40, 50 and 65. Designed to meet the needs of nearfield monitoring, these monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms. Shape Twin stands out through its excellent rendering over the whole audio spectrum, its broad frequency response in the low end, and its high SPL considering its size. The compact design makes it easy to integrate even into the most cramped of rooms. Finally, its 2.5-way design gives it a real advantage when it comes to controlling the bass and lower mid-range registers which are the hardest to control in small rooms.

Shape Twin's five innovations present a remarkable tonal balance, with very wide and precise stereo imaging. The low frequencies are well defined as well as controlled. The low-mid and mid ranges provide a true neutral sound.

Notes: Loquelic Iteritas Percido is an extension of the original Loquelic Iteritas. Like Loquelic Iteritas, it is a digital VCO with interpretations of three classic synthesis algorithms involving dual pitch control parameterized by four tone controls. LIP adds an envelope that can be shaped, modulated, and routed to pitches and tone controls, making it into a stand-alone voice.

Notes: CONTROL FORGE's core functionality is drawn from the E-mu Morpheus's insanely powerful (but hard to program on a two-line display) Function Generators. But now expanded into a supremely flexible modulation source encompassing elaborate one-shot contours, evolving cyclical patterns and sequences of arbitrary length and complexity.

- At its most basic, it's an 8-segment function generator with variable time and target voltage level for each segment.
- Each segment's level can be defined either absolutely or relative to the ending level of the previous stage and can optionally be quantized to the nearest 1/12 volt.
- Each segment's level may have a user defined range of randomness of either linear or gaussian distribution.
- A new 'Tempo Mode' lets you specify each segment's length in musical note values relative to a tempo set in BPM.
- The time scale may be modulated under CV control or manually via the encoder during runtime.
There are 67 different transition shapes between segments (indicated graphically on the display during selection), from linear and exponential shapes to various flavours of random, chaotic, and many more that don't lend themselves to one-word descriptions, including the ability to pass CVs directly through to the output for individual segments.
- Also included are 'DC' shapes that allow the module to be used as a sequencer with all of the module's available programmability. When combined with the Preset Sequencer described below, sequences can be hundreds of steps long and modified in real time manually or by CVs.
- Each segment may optionally have a conditional jump mode that results in a jump to another selected stage if a particular condition is met. E.g., a CV being above or below the selected conditional value, the presence or lack of a gate or logic high at their respective inputs, rising or falling edges at the inputs, etc. So, in addition to one-shot shapes, extremely elaborate cyclical patterns can be programmed that evolve based on the various conditional inputs.
- Control Forge's AutoChain functionality allows the creation of two very specific kinds of multi-preset patterns: A multi-preset retriggerable pattern (like a long syncable LFO), and a multi-preset 'envelope-like' pattern with retriggerability, an optional sustain section, and a 'release' section that's jumped to on gate fall.
- Two independent triggers can be programmed to fire in response to a variety of events and can be used to affect either CONTROL FORGE itself or external modules.
- 500 presets can be saved and recalled
- A preset sequencer allows stepping through up to 200 user-defined series of presets under trigger, clock or manual control. This allows contours and sequences of almost unlimited length and complexity.
- All presets and sequences can be transferred to any number of Satellite modules, which can then operate as stand-alone modulation sources, completely independent of the Control Forge.
- Like all Rossum Electro-Music digital modules, all parameters are available for adjustment with a single button press. No menu diving.

Notes: With our MORPHEUS digital filter module, we're finally able to unleash the full power of the 14-pole Z-Plane Filters that Dave invented for the E-mu Morpheus synthesizer.

The MORPHEUS Eurorack module includes over 280 filter configurations, what we call Cubes. Each Cube is composed of up to 8 complex filters that you can picture as being at the corners of a three dimensional cube (hence the name). Morpheus gives you the ability to smoothly interpolate between those 8 filters within the cube's three dimensional space.

Due to processor limitations back in the day, the original Morpheus was capable of real-time morphing in one dimension, but interpolation in the frequency and transform dimensions were set at note-on and remained static for the remainder of the note. But even with that limitation, Morpheus offered sonic capabilities that are unmatched to this day.

With the MORPHEUS filter module, you now have simultaneous real-time CV control of all three dimensions, for dynamic timbral effects unlike anything you've ever heard before. In stereo.

Notes: Four CV/gate tracks directly control your collection of oscillators and percussion. Seven pages of parameters determine your musical performance, edited in realtime with a bank of 16 sliders. A series of hotkeys immediately generate or modify sequences or individualized parameters across all four tracks, with no menu diving whatsoever. Two CV inputs and large manual controls mutate any number of sequence parameters, with programmable modulation amount per step. 32 preset slots are provided for your storage of sequencer data. The keypad, rotary encoder, CV modifiers, LED feedback (on all buttons, sliders, and numerical display) and slider bank work in harmony to allow astonishingly fast music creation across all four tracks, in an ergonomically valid user interface uncommon in modular synthesis. It is possible to quickly generate and meaningfully manipulate a full 4-track sequence with minimal slider interaction.

Notes: The EHX 95000 Performance Loop Laboratory is the company's most advanced looper to date, featuring six mono tracks and one stereo mixdown track per loop. It will record up to 375 minutes and 100 loops with a 16GB Micro SD card and switching between loops is quick and easy.

The 95000 is housed in a rugged, aluminum chassis with a control layout that has been optimized for use as both a foot pedal and tabletop unit. This design ensures that the player can take maximum advantage of the looper's powerful performance capabilities.

The 95000 also features a robust I/O including two audio inputs, each capable of handling a microphone (phantom power is included), instrument or unbalanced line input so the unit can readily connect to all sound sources. Left / right outputs, a Monitor out and a Headphone Out are included.

Download free drum loops for the 95000.

Import / export .WAV files to MAC or PC via the built-in USB port
TAP Button allows you to set loop BPM
Quantize or non-quantize (free running) recording modes
Speed adjust over a 2-octave range
Overdub or punch in / out recording
Reverse playback and recording
Loop progress may be displayed in Bar/Beat format
Expression pedal control over loop volume
Left/right outputs, Monitor Out, Headphone Output
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Buffered Bypass
Audio
Stereo
Power Supply
9.6VDC-500mA power adapter included
Dimensions (in)
12.75 x 6 x 2.75
Current Draw
320mA
Year Released
2018

Notes: The TransX two channel microphone preamplifier features a new low noise discrete transformer coupled high performance preamplification circuit. Building upon the quality and success of great sounding products like the Pro MPA II and the Pro VLA II, ART engineers set out to develop the next generation of professional microphone preamplifier to complement our tube-based preamps. The TransX sets a new standard for quality and value. Professional features and spectacular tone are what make the TransX a world-class microphone preamplifier.

Notes: The MIDAS M32 completely redefined what is possible from a digital mixer - and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR18 rack-mountable mixer, which will forever change the way you record and the way you play live music.

A Mixer Whose Time has Come:

Over the past few years, the world of recording and performance audio has experienced a major paradigm shift, one that requires musicians and performers alike to take advantage of emerging technologies that offer flexibility and ease of use. The MR18 is an 18-input/8-bus portable mixer housed in a sturdy stage box design for use with iPad and Android tablets. It is ideally suited for both live and studio applications thanks to 16 award-winning MIDAS PRO mic preamps, integrated Wifi module for wireless control, MIDI I/O - and a multi-channel, bidirectional USB Audio Interface. Free iOS, Android and PC apps enable you to move about the venue or the tracking room and manipulate all the parameters of your mix, and the performers have the same freedom to dial-in their personal monitor mixes. Advanced engineering and meticulous design combine to deliver professional-grade performance and impressive affordability - the MR18.

16 MIDAS PRO Mic Preamps:

The MIDAS PRO mic amp was developed for the PRO Series mixing consoles and is also found in the M32 - and has been recognised by leading live sound and recording engineers as the very essence of the famous MIDAS sound. It is here in the MR18 that more than 40 years of design excellence has come together with premium grade components to provide unparalleled warmth and depth, subtle ambience, and immaculate spatial positioning - for more precise imaging than competing models. The award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide. MR18 comes equipped with 16 MIDAS PRO preamps, all of which are literally ready for your input via the Neutrik combo connectors with locking latches.

Built-In Tri-Mode Wifi Router:

Designed for the ultimate in mobility, the MR18 comes with an integrated Wifi module for direct control of your mixer's functions - without the need to setup and configure an external router. The MR18 gives you the freedom to focus on your mix, while allowing you to move about the venue to experience what every part of the audience is hearing. Plus you can adjust live monitor wedges from the artist's perspective - or better yet, let them mix their own IEMs and floor monitors via their own tablets.

1. Access Point is the easiest way to connect up to 4 clients directly and concurrently (i.e., iPad, Android smartphone/tablet or laptop). This mode should have your remote control up and running in less than a minute.
2. Wifi Client allows you to add your mixer to the existing wireless network where the controlling apps and devices are connected.
3. Alternately, wired connections can be made directly to your PC, to a local area network (LAN), or when connecting to a dedicated Wifi router, e.g., for extended range or 5 GHz applications.

Recording Simplified:

The incredibly fast and comprehensive 18 x 18 channel, bi-directional USB interface makes the MR18 an amazingly powerful digital mixing solution for recording directly to your iPad or PC. Dial in the perfect monitoring mix with effects and zero-latency, while sending up to 16 source signals - and the keyboard player's MIDI notes to your DAW for recording and editing.

Whether you are making rock history in the studio, or you want to capture intimate live performances - it has never been easier to record stunning tracks with exceptional clarity.

Notes: It's black, it's loud, it's dark.

BLCK_Noir is an amazing 30 HP modular drum synth with a very flexible sound-engine inspired by the Roland CR-78 CompuRhythm. Unlike other modules from Endorphin.es, this one is black, thus the name: Blck_Noir.

It includes seven drum voices: bass drum, snare, tambourine, closed and open hi-hat, cymbal and metal beat. It uses hybrid sound generation: digital noise with spectrum animation, injected into analogue circuits. The analogue generation part is fully discrete, using inductor coils instead of op-amps, giving a raw and powerful sound. Thanks to this special design Black_Noir will sound good in every setting.

Several CV inputs will let you control various parameters for lively drum sounds.

On top of that, the module has an on-board effect processor with eight effects: hall, shimmer, room, plate, spring reverb types, tap and tape delay types as well as a new freezer effect with additional auxiliary input and firmware update over audio.

With this module you will be able to create drums that have character! It will fit all styles of music, from Darkwave to Techno.

Notes: The Multifunction Discrete VCO rips up the rulebook to deliver a unique and powerful sound. Its completely new multi-waveform and syncable sub-oscillator design provides super-phat layered sounds and de-tuned voices.
Width 26 HP

We are proud to present one of our most original modules yet. Designing a module can be like starting a track - you might have something specific in mind, but before you know it you have made something entirely new, with no connection to the original idea.

And that's pretty much how we came up with the Multifunction Discrete VCO: we set out to emulate a classic VCO, began experimenting, followed our noses, and ended up making something completely different.

And, we think, better!

No substitute

At its core, the Multifunction Discrete VCO combines a massive single sawtooth core with a strong sub oscillator, both with individual waveshapers. This sub oscillator is, to the best of our knowledge, unique, as it's not a separate oscillator, but rather a frequency divider (always one octave down).

This approach has a few excellent consequences. First, it means the sub oscillator is always in phase. Next, it means that it can supply all the same waveforms as the regular oscillator, not just the simple pulse you are used to in a conventional sub oscillator. Finally, it can be modulated in exactly the same way as the main waveform (not separately, of course, although the sub oscillators can be processed individually).

Mix and match 10 simultaneous waveforms

There's much more to it than that, though: separate outputs provide simultaneous access to all the resulting waveforms - saw, inverted saw, PW rectangle, triangle, and sine - for both the oscillator and sub oscillator. So you can mix and match any combination, or all of them, simultaneously!

Naturally, we spared no effort or expense to bring you the finest quality components, from the inside to the outside, with the rugged build you'd expect from a tank... or an ACL module! All signal paths are fully discrete, right up to the outputs.

But as we claimed from the outset, this is much more than a mere classic VCO.

Beating and detuning and syncing... oh my!

For example, if you play with the linear detune, it's possible to create awesome 'beating' effects when layering two or more VCOs. In conventional designs, the beating will speed up or slow down according to pitch, but in our design the beating remains the same, even when playing the sound across many octaves.

In other words, this direct relation between the linear detune and VCO response makes it possible to have the same beating frequency at every pitch, for a uniquely atmospheric, rich, and alive sound.

Moreover, if you play the VCO in LFO mode, the module enables control of the speed in the same way as in VCO mode, even allowing very long lasting sweeps.

Another strong feature is the huge range of syncing capabilities: adjust the sync amount manually, or use CV to glide from no sync to sync, surfing through variable degrees of soft to hard sync.

The core can sync to all repeatable waveforms that approximately exceed 1 VPP, and you can choose between falling and rising edge sync, to hold the proper phase relationship between the syncing and the synced wave or generate phase offset of 180 degrees.

For more percussive and bass patches, the Gate input can be used to reset the VCO core at the beginning of every note, ensuring every attack sounds equal and systematic at each time the notes are played. The Gate input can also be used as hard-sync input as well, even at the same time as the Sync input.

There are also powerful sound-shaping modulation options. For example, you can also modulate both the oscillator and sub oscillator rectangle wave pulse widths through their separate PWM inputs and controls. On top of this, you also have the possibility to choose between different PWM "carrier" waves to change the PWM-behaviour: Rising and Falling Sawtooth will create a heavily detuned unsymmetrical PWM sound, while Triangle will create a very musical sounding symmetrical PWM.

Built by experimenting, for experimenting.

We've just scratched the surface of this imaginative module. We followed our instincts when designing it, and that's exactly what you will do when using it too. Sounds speak louder than words, so we invite you to try it out for yourself or check out the demo below.

3U Eurorack module, 26 HP wide, compatible with Skiff cases.

Current Draw:

98 mA +12V
104 mA -12V
0 mA 5V
Installation depth:

22 mm deep

Notes: IThe Drum Sequencer is easy to use, classical X0X style live performance oriented sequencer module that provides the ultimate control over your system. Erica Synths Drum Sequencer might be the last modular sequencer for drums and basslines you will ever have to buy!

Features:
16x trigger outputs
12x accent outs
1x CV track with scales
1x Gate track
2x LFO with independent or synced to the BPM frequency
LFO attenuation per out
Max pattern length = 64 steps
Time signature per Track
Direction per track/pattern
Pattern length per Track
Shuffle per track
Probability per step
Retrigger per step
Time shift per step
Instant pattern switching
Solo/Mute tracks
Step/Tap record modes
8 Banks of 16 Patterns
Quick Copy/Paste per tracks & patterns
Pattern linking
Song mode
MIDI sync in with Start/Stop
External 4PPQ clock in
Firmware upgrade via MIDI SysEx??
Specifications and appearance are subject to change without notice for improvement.

Technical specifications:
Trigger amplitude: 5V
Panel Width: 42 HP
Module depth: 30mm
Power consumption: 152mA@+12V, 56mA@-12V

Notes: The Thump 15BST provides you with chest-thumping low frequencies due to the Dynamic Bass Response technology and comes in a new sleek enclosure that is built like a tank, looks professional and features four carry handles for ease of transport while symmetrical dual monitoring angles make the speaker ideal for any kind of stage use.

A fully integrated 3-channel digital mixer that uses Vita+ pre-amps can be found on the rear of the Thump 15BST and also features a volume control and 3-band EQ per channel as well as application specific speaker modes which optimise the performance of the speaker so you can get just the sound you want. The ability to link the speakers together wirelessly allows you to create a simple, high-output playback solution, in addition, you can also connect your phone via Bluetooth so you can play music off of your smart phone or use your phone to control the speaker's volumes using the Thump Connect app.

The Thump Boosted range has been completely redesigned from the ground up and aims to provide you with versatility, flexibility and the class-leading performance features you need to boost your performances. The Thump 15BST is perfect for club/bar venues, mobile DJs and entertainers, live events and anywhere that requires a high performing PA speaker.

Notes: *** NO POWER SUPPLY INCLUDED - USES GENERIC 12VAC ADAPTER ***

Basically, the Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb - this makes for happy-fun-time finger-modulation of the reverb on whatever audio that's going through it. On top of this there's an analog multimode filter that can be used to attenuate or exaggerate certain frequencies in the sound, this is real handy while playing the springs as you can - for instance - cut all the highs and just make thunderous doomy sounds or do the opposite; cut all the lows and make that ear piercing high frequency special love. Also, it incorporates an LFO that's internally routable to the filter and that also has some external routing-stuff. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back for even more hillarious moments. The Moisturizer is a mono unit.

The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more.

The Ekdahl Moisturizer contains exactly:
Preamp (up to 10 times gain)
Reverb
Reverb / Preamp wet/dry crossfader (Knob & CV/EP controllable)
State variable filter with
Lowpass/Bandpass/Highpass seamless crossover (Knob, CV/EP & LFO controllable)
Cutoff (Knob, CV/EP & LFO controllable)
Resonance (WITHOUT resonance limiter)
LFO with
Speed control (Knob & CV/EP controllable)
Square / Triangle crossover
External output with output amplitude knob
Filter / No filter wet/dry crossfader (Knob & CV/EP controllable)

The preamp section is designed for a max of 10 times gain, this to accomodate for low level output instruments such as guitars etc. The reverb tank has normal reverb signal gain on it, meaning that if you hit the springs hard they'll distort like crap which is real nice, if you hit them softly the sound won't be distorted.

The filter in the Ekdahl Moisturizer is abrasive, the fact that it doesn't have any resonance limiting makes it possible to get the filter to sound *really* bubbly & metallic (way more then any filter i've ever heard), but it's also of course capable of sounding completely "normal" - it all depends on the amount of resonance and/or gain. The fact that you can seamlessly fade inbetween lowpass, bandpass or highpass filter (or lowpass+bandpass and highpass+bandpass) makes the unit pretty damn versatile and by using the wet/dry filter/no filter crossfader there's some neat shit that can be done too. Now it should be said that due to the fact that there's no resonance limiter, if using very high gain, with high resonance and turning the cutoff frequency very high the filter might cut out - not to worry, just turn the cutoff back a bit and the filter pops in again. This happens because the filter gets overloaded and can be avoided with a resonance limiter, however if i had one of those all the super-awesome bounce would be gone and it'd sound like all the other filter out there.

The Ekdahl moisturizer has six CV/Expression pedal related jacks on the back, one of them is a LFO output so you can control other shit with The Moisturizer's LFO. All the other jacks are inputs and takes either CV or Expression pedal, they are: Reverb Mixture, VCF Cutoff, VCF Filter Mode (LP/BP/HP), Filter Mixture and LFO Speed.

Notes: KRK Systems V Series 8 nearfield studio monitors are specifically designed for audio production applications where accurate reproduction is critical. KRK worked with hundreds of pro engineers/producers/mixers to develop these ground-breaking monitors. Recording and broadcast studios as well as sound design and audio production houses will benefit from adding the V Series 8 as the go to monitor of choice.

V-Series 8 includes 49 user selectable EQ settings to ensure proper setup for room acoustics and placement anomalies as well as taste and individual preference. The KRK design team has painstakingly modelled and analysed hundreds of monitor placement and room acoustic situations to ensure that KRK delivers the most useful tools with minimal adjustments.

Notes: Numark recognizes your need for a professional turntable that capitalizes on the resurgent popularity of vinyl for DJ gigs. But we're mindful that you need for both versatility and value. The NTX1000 gives you everything you're looking for. It's a no-compromise direct-drive turntable that has all the features and performance demanded by you - the professional DJ.

It has incredible start-up torque (4.0 kg), an S-shaped tonearm with height adjustment, damped cueing and anti-skate controls that ensure accurate tracking and precise song selection. You can customize your performance with an adjustable start/stop control. The variable pitch range of i 8, 16, and 50% enables you to create the perfect effect. Plus, the NTX1000's special isolation design easily resists feedback and external vibrations, even in the loud, bass-heavy environment where you perform, every night.

Notes: KRK Systems V Series 6 nearfield studio monitors are specifically designed for audio production applications where accurate reproduction is critical. KRK worked with hundreds of pro engineers/producers/mixers to develop these ground-breaking monitors. Recording and broadcast studios as well as sound design and audio production houses will benefit from adding the V Series 4 as the go to monitor of choice.

V-Series 6 includes 49 user selectable EQ settings to ensure proper setup for room acoustics and placement anomalies as well as taste and individual preference. The KRK design team has painstakingly modelled and analysed hundreds of monitor placement and room acoustic situations to ensure that KRK delivers the most useful tools with minimal adjustments.

Notes: The Mackie Thump Boosted Series Thump12BST Active PA Loudspeaker inherits the outstanding performance of the Thump Series of speakers, and adds advanced features that make it something truly special. With the ability to: pair a Bluetooth enabled device to the speaker; wirelessly link a pair of speakers simultaneously; digitally control channel input levels with 3-band EQ via the Thump Connect app; and quickly adapt to different applications at the touch of a button, the Thump12BST is the stuff of dreams.

Unbeatable performance:

The team at Mackie know a thing or two about building professional-grade gear that is durable, robust, and most of all, ensures that your audio is delivered in pristine fashion. The Thump12BST is equipped with a 12-inch high-output woofer that delivers a powerful 1000W of low-end energy, whilst the 1.4-inch titanium dome compression driver pumps out a healthy 300W high-frequency output thanks to the ultra-efficient Class-D amp. Mackie's next generation system protection prevents unwanted thermal overheating, and built-in active compression provides a line of defence for the drivers.

Ultra-flexibility:

The Thump12BST boasts a 3-channel digital mixer with a high-resolution full-colour screen that displays levels, metering, channel EQ, and so much more. A pair of digitally controlled Vita+ preamps with Wide-Z technology handle mic, line, and instrument signals dutifully, whilst the XLR-thru allows you to connect additional speakers with ease.

Wireless connectivity:

Using the Thump Connect control app for iOS and Android, you can easily make adjustments on-the-fly from the comfort of your smartphone or tablet. Powerful digital signal processing allows you to sculpt the output of each channel, which you can then save for recalling later - perfecting sound checking and loading up later. You can wirelessly link two Thump Boosted speakers, which you can then stream music to - useful for keeping the audience entertained between sets.

Lightweight and portable:

As noted above, the Mackie Thump Boosted Series 12BST Active PA Speaker is lightweight with a 4-handle design that makes it easy to carry. The enclosure is built for heavy duty use, so you can be safe in the knowledge that it is well up to handling life on the road. The Thump Boosted speakers don't just benefit from pole- and tripod-mounts, but they even have hard-wearing fly points for permanent installation.

Notes: The EUROLIVE B15X active loudspeaker is exactly what you've come to expect from BEHRINGER - more power, more features and absolutely more affordable! Our engineers have created a powered loudspeaker that merges 1000-Watt Class-D power amp technology, a 3-channel digital mixer with gain setting recall that is "wireless ready" for our ULM Series digital microphones (available separately), integrated DSP - and exceptional portability. Then we loaded the B15X with our best 12" long-excursion driver for incredibly deep bass, and a state-of-the-art 1'' phenolic-diaphragm compression driver for exceptional high-frequency reproduction. Built-in Bluetooth connectivity allows you to stream music from your smart-phone, tablet or other Bluetooth-equipped device - and you can even control the system via our free iOS/Android mobile apps. The B15X professional active loudspeaker is destined to become a legend in its own right, alongside the other EUROLIVE models that have made BEHRINGER the world leader in active loudspeakers.

Built-in Digital Mixer - Comprehensive Remote Control:

The B15X features a fully addressable onboard digital mixer with two combo jack/XLR connectors that accept balanced and unbalanced connections for dynamic mics and line-level instruments. The simple and intuitive user interface consists of a single rotary push-encoder with Process, Setup, Exit and Enter function buttons. A beautifully-backlit LCD display controls DSP functions including mixer parameters, 3 band EQ and presets. All settings can be controlled locally, or via the free downloadable iOS/Android mobile apps - and locked down to prevent unauthorised access.

Own the Stage with Digital Wireless:

Get wireless-ready with the built-in, dedicated connectivity of our ULTRALINK ULM Series wireless microphone system. Wireless gives you maximum freedom and mobility without the need to run cables. The highest-quality sound is provided thanks to the ULM's digital, license-free 2.4 GHz frequency spectrum.

The ULM wireless system combines professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Just plug in the ULM receiver "dongle," and instantly you have an exceptional wireless mic system. Freeing you from cables is the simply easy way to own the stage.

Big on Bluetooth:

We know your music lives on your phone, computer or tablet, so we've made it easy to access and play through the B15X. With a simple swipe of your finger, you can instantly stream all of your favourite music from any Bluetooth-equipped device, such as your computer, smart phone or tablet. Streaming music via Bluetooth Technology opens up a tremendous amount of available content, such as a virtually limitless array of online radio-channels, multimedia providers and much more. Imagine that you have the whole PA at your fingertips; control the party from the dance floor or the background music comfortably from your chair. Simple, easy and amazing!

KLARK TEKNIK - Inspired Technology:

KLARK TEKNIK is recognised worldwide as one of the most prestigious British audio companies, with a 40-year pedigree and even a TEC Lifetime Achievement Award to back it up. The Company has designed and manufactured products for world-class artists, and their legendary DN780 reverb processor is considered by leading audio engineers around the world as the industry standard. Check out their website to learn more about KLARK TEKNIK's legendary heritage.

BEHRINGER is proud to incorporate custom-engineered KLARK TEKNIK Class-D amplifier and DSP technologies into their products.

Notes: Designed by the same team that produced the best-selling Mackie SRM450v2, the Mackie Thump TH-15A delivers deep low-end and real power in a lightweight design that is extremely portable. Class-D Fast Recovery; amplification pushes 400-watts of power to the high-frequency compression driver and bass-pounding 15? woofer. Plus, Mackie Active electronics, including a precision crossover and driver time-alignment provides total optimization for maximum system efficiency. Versatile by design, the TH-15A features a user-adjustable 3-band EQ for tone control and, since it can be pole-mounted or used as a wedge, the TH-15A represents the best value available for a complete stage solution.

Notes: Designed in conjunction with the expertise of mixer Chris Lord Alge, the CLA10 studio monitors are the faithful modern reproduction of the most iconic studio monitor of the last 30 years. Mix with the studio monitors that truly define "the sound of hits".

CLA10 is Avantone Pro's keenly reworked take on the classic Yamaha NS10M design known from recording studios around the world. The speaker's role is to highlight shortcomings from any mix to appropriate the sound for consumer listening devices such as TVs, radios and in-ear headphones.

The CLA10s are not the easiest of speakers to listen to. They provide a mid-heavy, almost fatiguing sound with limited bass shelving and can, at times, sound clinical to the point of chilliness. However, the benefits of mixing with CLA10s for engineers who stick with them are bountiful, such that if a mix can be made to sound pleasing on this speaker it is almost guaranteed to translate well whatever system the track is played on thereafter.

Avantone Pro took every measure in the design of the CLA10 to physically and sonically match the frequency response, resonance and power of the classic NS10M. The tweeter dome uses the same phenolic resin doping technique to match the original performance curve, whereas the woofer is composed of the same original pulp - sourced from the same original manufacturer. Crossover network capacitors are also set at the same value, and the MDF chassis matches the resonance of the original NS10 exactly.

To ensure uniformity across each new CLA10, Avantone opted for a machine-pressed technique for the AV10LHF woofer (in place of the lapped seam design). Also, whilst the capacitors have been carefully matched, higher quality components for the crossover have been selected for increased life. The speaker's banana plugs have also been upgraded to ensure extra stability and longer-term guarantee.

Notes: Generator is a highly versatile multi-channel analogue step sequencer. It provides a fun and intuitive, yet powerful way to create rhythms and melodies with your modular and CV synths.

Why do I need this sequencer? What's so special?

Generator is a very compact and high-quality step sequencer. It's USP is that it is a playable sequencer. You don't just set up a sequence and leave it looping. The UI is designed in such a way as to make it easy, fun and intuitive to alter the rhythm and to get alternative sequences playing using the real time touch pads.

Generator has plenty of scope for re-patching the signals using CV leads, or via the pre-configured switches.

Generator is super easy to hook up to your analogue synthesisers, Eurorack, and other analogue gear.

Sync to DAW is very easy and solid, using MIDI note 60. Play that note and the sequencer will step.

No menus of multi-button pressed. WYSIWYG front panel control.

Generator can be as complex or as simple as you want it to be:

Analogue Solutions have given this sequencer a large and diverse number of controls, that along side the patch sockets, will give even the best and experienced electronic musician endless possibilities.

The controls are presented in a user friendly and familiar sequencer layout that, together with this manual and other resources, enable even the new guy to get great patterns quickly.

No compromise has been made with the construction of Generator. Cheaper parts have not been used!

Feature Overview:

Analogue Sequencer:
Three channels of 16 steps, each providing true analogue CV outputs. These run in parallel. Total pattern length can be changed, or the pattern reset.

Gate Outs:
Gate output, with an inverted 'flipped' output (positive voltage, but the 'state' is inverted. So this output does the opposite of the main Gate output).

Voltage Generator:
Six 'note' interval voltage generator keyboard. Use to transpose the sequence, reset, start and other things too! Can be clocked by the End Pulse creating a mini-sequence that changes once per bar. Can be used independently as a mini keyboard!

Voltage Controlled Internal Clock:
The internal clock is analogue using an analogue LFO. Speed can be changed using CV. The sequencer can also be clocked using a MIDI note or even using an external clock signal from a modular.

Versatile Control:
Many controls, switches, and jacks to allow you to alter the way the sequencer steps or behaves.

Intuitive Real Time Gate Control:
Or, IReTiGaC (patent pending). Alter the rhythm in real time using just 4 rotary knobs.

Jack Sockets:
So many jacks sockets!

Compact:
Slim form factor.

Notes: A Digital Delay with an Analogue Soul for Eurorack:

Designed for performance, the EuroDDL features external control of every feature and function. It also has been designed to sound less digital than the average delay. Eventide's old school design strictly limits the amount of digital circuitry to only what's required for delay. Soft saturation clipping, low pass filter, feedback, insert loop, and +20 dB boost are all analogue. Once you hear it, you'll know why this is the ultimate, most musical, Eurorack delay. To be a true performance instrument, all the controls of the Eurorack module must be remote controllable. The EuroDDL does just that with jacks to accept control voltages and triggers. It's designed to be played as an instrument. And, it's designed to 'play nice' in the rack with Return/Send and Clock In/Clock Out.

Built on History from the Originators:

This Eurorack delay is well steeped in history. Its ancestry dates back to 1971 when we created the world's first 1745 Digital Delay Line. Back then, everything in audio was analogue except delay, which is why our original delay line was used to synch the audio feeds to the speaker towers at the legendary 1973 Watkins Glen concert. Now that history has been updated to breathe life into your Eurorack. It's the perfect companion for synthesis and any other instrument.

Notes: Rooted in the California modular tradition, the Random Sampling is a selection of random voltage sources to add an element of uncertainty to both audio and control paths. Some of them classics and some new twists. Included are 2 fluctuating randoms capable of slowly varying voltage or sweepable audio noise, each with an uncorrelated random gate output. A two output, up to 6 bit digital stored random voltage source. White, pink and metallic (TR- 808 cymbal type) audio noise. A 4 stage analog shift register where each sample & hold can be broken out of the chain to be used separately.

Notes: STRUCTURE is a visual generator module that is based internally on an OpenGL GLSL node based platform. It uses the concept of node structures to push visuals through the system.

STRUCTURE contains a video input system that you can select between two formats, Composite video or LZX 1V RGB (with sync applied to rear of module). The Composite input does full colour decoding. Input video can be mixed through effects, with other generators, effected with audio, etc. Input video can be NTSC or PAL, 480i. STRUCTURE auto detects and converts video inputs.

STRUCTURE contains two mirrored video outputs, both composite, selectable to NTSC or PAL 480i.

Two audio rate CV inputs can be used with audio nodes to generate audio based visuals, effects moved by audio waveform, XY plotting of audio inputs, or just used at low frequency CV inputs when not using audio nodes.

Three CV rate inputs can be used to modulate a variety of controls on each node.

All CV can be set independently to 1V or 5V expected input. Each CV has a scale control and a positive offset control for fine tuning incoming CV voltages.

A joystick can be used to modulate controls in real time, or used to record motion information that is played back in a loop. In addition, the joystick has a metal hat for nice weighted movement.

STRUCTURE can also generate 3D graphics, animate properties of the 3D objects, and allow you to map and node type to the texture of the 3D objects (like video).

Three gate inputs, usable by local buttons as well.

Three macro knobs on the top right, allow for global changes to the output node which are user configurable.

STRUCTURE has a USB input, which you can attach MIDI interfaces, MIDI keyboards, controllers, etc, or even a standard PC keyboard or numeric keypad. You can assign actions or state changes to trigger from any of these input sources.

SDCARD on front and back. Backside SDCARD stores system, front side stores user presets, images, configurations, objects, custom shaders, etc.

STRUCTURE has a full colour 320×240 preview screen which also provides lots of feedback when using.

Notes: In the great tradition of West Coast synthesis, the Verbos Electronics Touchplate Keyboard is a gold plated controller with 3 independent sections for sending control voltage signals. First is a 32 key volt/oct trimmed piano arrangement with 3 octave selects. It has an output for pitch CV, pressure (actually a measurement of the surface area of the finger touching the key), gate and 10ms trigger. Second is a pressure sensitive up/down bender that can be used to bend the VCO or anything that needs bending. Finally, an 8 key tuneable keyboard with CV pressure and gate outputs. The Keyboard can be powered from normal Euro power or an external 9-15 volt positive tip DC supply, for use with un-power skiffs.

Notes: Insanely powerful spiritual successor to the old cassette-based Portastudios. Analogue mixer with built-in digital recorder and audio interface. Super versatile and killer value.

Supplier's notes:
TASCAM has continuously been providing industry-leading recording solutions for decades, such as the TASCAM 38 Open Reel 8-track, the DA-88 Digital 8-track and the legendary Portastudio Cassette and Digital Multitrack recorders. TASCAM now builds on this legacy to deliver a new classic: The Model 24 Multitrack Recorder/Mixer/Interface.

Whether used for rehearsal, live shows or studio production, this triple-function recording console perfectly meets the needs of today's working and recording musician.

Simple, Intuitive Design:

One glance is all you need. The TASCAM Model 24 was developed for easy and immediate operation, with everything you need placed right at your fingertips. 100mm faders allow for precise control over volume. A full set of familiar EQ and Auxiliary knobs remove the need to menu diving, and all input/output connections are all on the surface for quick and easy access.

The Model 24 is truly a modern take on a classic design.

TASCAM's Revolutionary Recording Technology:

Featuring 16 high-grade TASCAM mic preamps in addition to multiple sets of stereo line inputs, the Model 24 delivers studio quality audio performance right from the start. When it's time to record The TASCAM Model 24 allows musicians and engineers to capture up to 24 tracks simultaneously (at 24bit/48kHz resolution) directly to the SD card, with the ability to support punch in/out 8 tracks at the same time. And once the take is done, the Model 24 can easily playback any or all of the recorded tracks through the console for immediate mixdown.

Flexible Connectivity:

In addition to the studio quality mic preamps and powerful EQ and routing options the Model 24 features a dedicated stereo channel 1/8", dual RCA Bluetooth connectivity. This allows users to easily integrate mobiles devices into the mix for rehearsal playback, walk-in music and more. Finally, the TASCAM Model 24 can also act as a powerful audio interface and will connect directly to your PC or Mac for easy integration with your DAW of choice.

Durability and Reliability:

Designed to be both lightweight and rugged, the Model 24 can easily be carried from studio to stage with the confidence that TASCAM's legendary reliability will keep the music going.

Notes: ***NOW COMPATIBLE WITH SERATO DJ PRO***

In close collaboration with Serato and Algoriddim, Reloop proudly presents the first hybrid performance controller that fuses the two acclaimed DJ softwares with a multi-platform concept.

Plug 'n' play for Serato DJ & djay PRO:
- With MIXON 4 the choice is yours. Empower your DJ set with the world's leading DJ software, Serato DJ (Mac/PC) and explore new innovative mixing tools and the latest expansion packs.
- With Algoriddim djay PRO (iOS/MacOS), the music is at your fingertips thanks to its integration with popular streaming service Spotify, giving you instant access to more than 30 million tracks in a powerful and award-winning app.
mixon4

Mix on anything:
- As well as PC/Mac and Android compatibility via USB/OTG, MIXON 4 is able to connect iOS* devices with a Lightning connection, while simultaneously charging your device. For the first time it is possible to place an iPad PRO (12.9'') into the docking station and experience the raw performance on up to four decks.

Colour-coded pad performance section incl. pitch play:
- With the 16 RGB, velocity-sensitive drum pads you can trigger powerful modes as Hot Cue, Loop Roll, Sampler, Slicer, Flip and Cue & Slicer Loop modes.
- Improve your finger drumming skills in the touch-sensitive Sampler mode, which determines the volume by how hard you trigger a pad.
- The multi-coloured, backlit LED pads give you instant feedback about the active mode and reflect the colour-coded cue points in the software.
- The all-new Pitch Play mode allows for playful and creative live remixing of cue points at different tones and pitches.

Slip & Loop:
- With SLIP mode activated, the playing track can be manipulated with loops or scratches without interrupting the flow of the music. The track position continues in the background, jumping to its current position once the manipulation is over. You can also set perfect auto loops with the push of a button in the dedicated LOOP section. The new LOOP length LED bar conveniently shows the current beat length which can be easily selected via an encoder.

Macro FX - dynamic effect combinations control:
- With the unparalleled Macro FX function it is possible to creatively combine classic filters with an additionally assignable effect per channel, allowing you to create dramatic build-ups, smooth breaks or effect-loaded transitions using only one control knob.

Harmonic Mixing - Music is the key:
- With the new Harmonic Mixing function, you can now synchronize the key of different tracks at the push of a button. MIXON 4 also offers extensive controls to adjust key & pitch in real time.

Large aluminium jogs with led feedback:
- MIXON 4's large jog wheels have a touch-sensitive aluminium surface for tactile control, while the virtual needle illumination informs you about the playhead position and remaining track length.

A tidy mixer for a tidy mix:
- The sturdy 4-channel mixer gives you high-quality audio processing and an intuitive club-ready layout with individual signal meters on each channel allowing for comfortable gain mixing. The linefaders are precise and the assignable crossfader was optimized for fast cuts. The metal shafts for effects, filter, EQ and gain are tightly bolted for confident and stable mixing sessions.

Power interface & multiple connectivity options:
- The internal, low latency and low-noise USB 2.0 audio interface gives you powerful club sound on all platforms. Along with two master outputs for professional PAs, MIXON 4 comes with booth outputs as well as a mic and two headphone connections.

Notes: The Spherical Wavetable Navigator (SWN) is a six-channel synthesiser that makes it easy to create slowly morphing drones, polyphonic melodies, evolving sequences, and rich textures.

The SWN features six wavetable oscillators with independent pitch, level, and waveform controls. Six LFOs (Low Frequency Oscillators) can be used as modulation sources and/or envelopes, making it easy to add dynamic motion to your patch. Each channel is a full voice and can be "played" using the top row of buttons, the internal LFOs, or note-change detection on the 1V/oct jacks. The SWN ships with 12 three-dimensional (spherical) wavetables and an easy interface which allows you to record and edit custom wavetables from live audio. Open-source software for Mac, Windows, and Linux called SphereEdit can be freely downloaded and allows you computer to create, edit, and convert .wav files into Spherical wavetables to transfer into the SWN with an audio cable.

New firmware available which adds extra features, visit https://4mscompany.com/p.php?p=820&c=5 for details.

Notes: Rossum Electro-Music Software Architect Bob Bliss (who also, as it happens, fathered E-mu's famed "EOS" Emulator Operating System) has created Panharmonium, a unique music and sound design tool that analyses the spectral content of any audio signal and uses that analysis to drive a bank of from 1 to 33 oscillators. Depending on various control settings, Panharmonium can accurately reproduce the input spectrum in real time or modify it in a multitude of wildly creative ways. All with an interface whose immediacy encourages performance and interaction.

Panharmonium input can be anything from a single oscillator to an entire mix (including vocals). From dense, swirling pads and drones that evolve with the input's changing spectrum, to clock-syncable spectral arpeggiation, to as-yet unnamed harmonic effects, Panharmonium opens up an entirely new world of sonic possibilities.

Additionally, Panharmonium can take a snapshot of an instantaneous spectrum and use that as a complex harmonic oscillator, which can then be modified and modulated by all of Panharmonium's other controls.

Panharmonium accomplishes its magic though a combination of functional submodules:

Spectral Analyser:

The Spectral Analyser provides tools for defining the analysis process.

- The Slice parameter sets the rate at which the incoming audio is transformed to spectral data. It can be set by the Slice and Multiplier controls, the Tap button, or by an external clock signal. Very short slice times result in real-time spectral data, while longer times can create rhythmic spectral patterns.
- The Centre Freq and Bandwidth controls (and associated CV inputs and attenuverters) control the range of frequencies to be analysed. The Bandwidth control allows the selection of narrow to wide pass bands on the left side of the pot and narrow to wide notches on the right side of the pot. The ability to sweep the frequency and modify the bandwidth under CV control opens up a wide range of sonic effects.
- The Freeze button lets you freeze the spectral integrator, sustaining the currently analysed spectrum.

Spectral Modifiers:

These controls allow you to creatively modify the analysed spectra.

- The Voice parameter lets you select from 1 to 33 oscillators to resynthesise the spectrum.
- The Blur parameter (and associated CV input) is a spectral lag processor that controls how quickly the spectrum can change.
- The Feedback control (and associated CV input) lets you route the re-synthesised audio back into the entire processing chain for subtle or dramatic feedback effects. At its max, the output becomes self-sustaining, even if the input is removed.

Oscillator Bank:

The Oscillator Bank resynthesises the analysed spectra.

- The Waveform parameter selects the oscillators' waveform. In addition to the usual sine, triangle, sawtooth and pulse waveforms, two special crossfading sine and sawtooth waveforms are included.
- The Freq control lets you tune the oscillators over a +/-7 semitone range. The frequency is further controlled by the 1V/Oct input and the FM input and attenuverter.
- The Octave control, not surprisingly, shifts the pitch of the output by octaves.
- The Glide parameter sets the amount of polyphonic glide (i.e., each oscillator has its own glide circuit).
- The Mix control (and associated CV input) sets the balance between the original input audio and the resynthesised audio.

Optional Functions:

A number of optional functions can be selected by using the Output Mode and Tap buttons.

- Holding the Output Mode button and adjusting the Slice control enables Drums Mode, which optimizes the spectral analysis for drums and other percussive inputs.
- Holding the Output Mode button and adjusting the Centre Freq control allows you to instead set the lower frequency of the analysis range.
- Holding the Output Mode button and adjusting the Freq control enables Spectral Warping. In contrast to conventional frequency adjustment, where the harmonic relationships between the spectral elements are preserved, Spectral Warping shifts the harmonic elements individually, producing a variety of clangourous, swarming textures.
- Holding the Tap button and adjusting the Freq control quantizes the resulting frequency adjustments to semitones.

Spectra Memories and Presets:

Panharmonium provides 12 user Spectra memories and 12 user Presets (in addition to 12 each factory memories).

- The Spectra memories let you store up to 12 frozen slices. When selected, a spectrum (up to 33 oscillators wide!) replaces any live input and can have its pitch controlled by the 1V/Oct input and FM controls.
- A Preset is a snapshot of all of the module settings, along with the value of any CVs present at the moment the preset is saved.

Panharmonium is 26HP wide and 25mm deep.
Power requirements (max): 140mA +12V, 30mA -12V. Reverse polarity protected.

Notes: Unlock limitless creativity with the SQUID multitrack sequencer. Part of our TORAIZ series of musical instruments and production equipment, this inspiration tool will be the heartbeat of your studio and live setups. The SQUID will control your workflow and give you the chance to develop new styles of music as you create unique sequence patterns and phrases at the touch of a button. Connect, sync and simultaneously control up to 16 instruments via its multiple input/outputs. The terminals are compatible with various equipment, from your DAW and hardware instruments to modular synths, vintage synthesizers and drum machines.

Perfect for on-the-fly music production, the layout and controls are effortless to navigate so your ideas will come to life the moment inspiration strikes. This production tool enables you to randomize sounds, sequences, and drums - all in key. Access endless polyrhythmic-looping options and instantly change the playback direction and speeds. With the world-first Groove Bend feature, you'll really feel the groove as you generate original rhythms in real time. And by controlling everything in one place, you can focus on developing phrases.

Intuitive workflow:

Have fun creating phrases by tapping the 16 multicoloured LED rubber pads in the Step Edit section. Set step parameters and play live as if the pads were keys on a keyboard. Combine various sequence functions such as Interpolation and Harmonizer to help build your sounds.

Arrange phrases in real time:

Rearrange phrases you've created in the Step Edit section to craft your ideas the instant they spring to mind. Enhance your sounds with performance features, such as Running Direction, Speed Modulation, and Groove Bend.

Save your 'happy accidents':

The SQUID records performance information in the background so you'll never lose phrases you create accidentally. When you're experimenting and hear something you love, use the Time Warp feature to recall and save it as a sequence pattern for your next track.

Connect various instruments:

The SQUID has a USB B terminal, MIDI terminals, 2 sets of CV/Gate outputs, and Clock and DIN Sync input/output terminals. This means you can combine the power of your DAW with modern, modular and vintage synths, as well as drum machines. Signals are converted automatically.

Import and export fast:

Quickly transfer sequence patterns, projects and Midi clips between the SQUID and your PC or Mac with the SQUID Manager function. Easily import a sequence pattern created on your DAW to the SQUID, instinctively arrange it using the sequencer's features, and return it to your DAW.

Notes: USTA is a 4×4 tracks sequencer for voltages and gates with variable stage duration, designed to quickly see and edit multiple voltage relationships in real time.

Variable stage duration means that every single stage duration can be individually set in relation to the clock, instead of being constrained to a one-to-one ratio (i.e. one stage per every clock impulse).

4×4 tracks means that every stage can store and generate up to four separate voltages (two CVs and two gates), and that up to four independent stage sequences can be arranged into as many different tracks.

Its architecture is based on an array of 16 'Stages' which form a 'Pattern'; 16 patterns form a 'Track', and four tracks form a 'Project'. Within each track, each stage can provide two gates and two CVs, and a wide set of options is available to define and modify the value of each output ('Layers') and the way it is played ('Colours').

Every Stage is related to a dedicated stepped encoder for quick and intuitive editing, and all the 16 encoders are arranged in an oval layout with a circular playhead. Every encoder is surrounded by a ring of 16 LEDs and a RGB led, to provide a visual feedback of the current setting of that step basing on the layer you are working on (like raw CV, quantized CV, length, gate...) and the way it should play depending on the RGB colour.

Notes: The Zoom F6 is the first professional field recorder to feature both 32-bit float recording and dual AD converters, providing an unprecedented amount of dynamic range. With 6 inputs, Zoom's solid time code, multiple power options and wireless control, the F6 is poised to be your new secret weapon.

32-Bit Float Recording:
In the field, fluctuating dynamics can prove challenging. Loud sounds can cause clipping and quiet sounds can get lost in the noise. The F6 uses 32-bit float recording with dual A/D converters to capture both explosive and subtle sounds at full audio quality - without ever adjusting gain!

For Those Hard to Reach Places:
Rugged enough to withstand the most demanding scenarios and small enough to fit into the tightest spaces, the F6 will become your go-to recorder.

Mic Preamps:
The F6 is equipped with six professional-grade preamps. Featuring a super-low noise floor (-127 dBu EIN), high gain (up to 75 dB), and selectable mic/line levels for each input, the F6 is built for location sound.

Precision Time Code:
Keep your tracks perfectly synced even when you power down for lunch. On or off, the F6's Temperature Compensated Crystal Oscillator (TCXO) generates time code at 0.2 ppm accuracy.

Advanced Look-Ahead Hybrid Limiters:
When recording in 24-bit, the F6 uses advanced look-ahead hybrid limiters to provide overload protection. By adding a 1-millisecond delay, the limiters "look ahead" anticipating clipping before it's recorded.

Zoom AutoMix:
Zoom AutoMix lets you keep your eyes on the action by automatically adjusting the levels of your mix to reduce ambient sound.

What's included with the F6:

- F6 Field Recorder
- Camera mount adapter
- AA batteries (x4)
- Cubase LE and WaveLab LE download codes
- Quick Start Guide

Notes: A unique graphical take on an oscillator design, E-RM's brand-new polygonal synthesis approach is unlike anything else we've seen. Stereo oscillator capable of a huge range of timbres. Innovative stuff.

Supplier's notes:
The polygonal synthesis is a kind of graphical complex amplitude shaping method. With the help of the built-in modulation sources, polygonal synthesis in polygogo opens up a wide range of sonic possibilities from clicky pinged sequences to unique dark thunderstorms, bass lines, leads and colored noise.

This mighty stereo oscillator impressed the audience with its wide range of possible timbres. The idea of sculpting a shape on the screen of the module that then translates into sound works really well and invites the user to interact with the module.

Notes: The ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED-12FX is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it.

USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS
1) To Stereo 3 channel

MUSIQ
ZED-12FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED-12FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

Based on the proven pre-amps from the hugely successful PA series, ZED-12FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a
higher input impedance.

Notes: One of our favourite small live/studio mixers, shown here in 16-channel form with built-in digital effects. Clean sound, decent three-band semi-parametric EQ and built-in audio interface. Very impressive.

Supplier notes:
The ZED-16FX is ideal for groups who need to travel light. It gives musicians, venues and hire companies access to 10 full mono channels, 3 stereo channels and a high quality effects unit in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on the ZED is super-flexible and super-easy: No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your Zed, select the USB routing on the mixer and the device on your computer and that's it. CD quality audio to and from your PC or Mac.

The ZED-16FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ, with optimised slope (or Q factor) for equalising individual instruments.

Based on the proven pre-amps from the hugely successful PA series, the ZED-16FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge, 69dB of range to be exact, and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

The ZED-16FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Allen & Heath's DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point, this quality and integration is only available from the ZED-FX. The ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing, in fact, it's just as easy as using effects pedals. To alter effects parameters, the Tap button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on Plate Reverb, or the depth on Chorus.

Based on the proven pre-amps from the hugely successful PA series, ZED-16FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

Notes: Live or in the studio, the ZED60-14FX is a compact, portable mixer that is ideal for small bands.

This mixer is a guitarist's dream. Two of the 8 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards.

The ZED60-14FX comes with a configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is also equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs and 16 stunning FX.

Most important of all, the ZED60-14FX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS:
1) Main Mix Left + Right (Post master Level)

2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)

3) Record Bus Left + Right (Separate stereo bus to Main Mix)

RETURN OPTIONS:
1) To Playback input (through jack socket break contacts)

2) To Stereo 2 channel (through jack socket break contacts)

ZED60-14FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED60-14FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

ZED60-14FX's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 7 & 8 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain "Boost" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character.

Notes: Sequencer, performance control system and USB interface:
Ever since the K4815 Pattern Generator module was released to great praise in 2010 we have been planning a follow-up product that would take the Pattern Generator concept to a whole new level. After five years of planning and exploration we are proud to present: CARBON
CARBON offers several distinct and powerful functions that will change the way you compose and perform.

Sequencer:
CARBON is primarily designed as a pattern-based sequencer. It has six tracks which can each hold 64 steps. Steps can be generated randomly, edited interactively, or recorded from a MIDI keyboard one step at a time, or in real-time while the sequencer is running. Polyphony and CC recording is supported so each step can contain chords or other performance data. The fun begins once you've got some notes playing back on a track. Choose a region to play back, say, the first 8 steps. The track will play those same 8 steps over and over. Now move to another track and record a new sequence. This sequence can be a different length, or play back at a different speed. It can even play backwards while the other sequence plays forwards.

Remix with Patterns and Scenes:
The real power of CARBON is how variations of sequences can be made. By simply turning the PATTERN control, different steps in the sequence can be enabled and disabled. The patterns will surprise and inspire you by creating new rhythms and motifs with a simple twist of a knob. These are all based on your original sequence and can be changed at any time. Adding in the concept of scenes lets you quickly switch between different parts of a song or different variations. Scenes can store the range of steps to play, the pattern, track mute state and a number of other parameters. Switching back and forth between scenes offers endless performance potential without ever missing a beat. The best part of the CARBON sequencer is that all the recording and editing can be done in real-time without ever stopping the sequencer.

Performance Powerhouse:
Do you fire up your DAW software in the studio to simply route MIDI signals from your keyboard controller to various instruments? Creating a session just to route MIDI is clunky and slow, and on stage requiring a computer can be a liability. The LIVE button allows live playing to any combination of outputs.

MIDI Switching / Routing System:
CARBON is a complete performance switching system allowing you to easily send your keyboard signal to MIDI and analog instruments. Two built-in MIDI outputs enable separate routing of clock and channel signals from each track. The analog section supports four CV/gate outputs plus reset and clock signals. Both monophonic and duo/polyphonic output types are supported. You can even send to multiple MIDI and analog instruments at the same time!

Keyboard Split:
Does your favourite keyboard controller lack a keyboard split function? It's never been easier to send MIDI where you want it. Send your left hand to one instrument and your right to another, or two others if you want. Quickly switch back to a single instrument across the entire keyboard at the touch of a button.

Arpeggiator:
A good arpeggiator has been the holy grail for electronic performers for decades. CARBON has a powerful internal arpeggiator which supports all the standard arp types plus loads more. Each of the six tracks in CARBON has a separate arp so you can make serious harmonic madness!
When the sequence is running the arp automatically syncs to the sequencer. When it's stopped the arp starts as soon as you press a key. Intelligent reload arp programming allows you time to change chords without losing a step.

USB MIDI Host:
Want to use a USB controller that lacks MIDI output ports? No problem! CARBON has a built-in USB host interface that will power your class-compliant MIDI device and allow you to use it to control CARBON or send MIDI or CV/gate signals to any device. You no longer need a computer or other dedicated box to use your favourite USB MIDI controller.

USB to MIDI and CV Interface:
Need to use your computer for bigger compositions? Don't worry, you don't have to disconnect CARBON. When plugged into a PC or Mac, CARBON becomes a powerful MIDI and CV interface. Use the control surface to run your DAW software. The display can also be controlled via MIDI. (open spec - future software / plugins required). All your instruments connected to the MIDI and analog CV ports can be used directly from your DAW software. The analog clock and reset outputs can also be used to drive analog clock-based gear from your DAW.

Notes: The Intellijel/Cylonix RAINMAKER eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.

The stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#'s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.

The stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce "Karplus-Strong" types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v/oct input voltage.

The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.

Notes: A compact powerhouse, the all-new SRM350 delivers the unparalleled ease-of-use, professional sound quality and indestructible portability that made the original a live sound legend. Now, packed with 1000W of power, truly useful sound-enhancing DSP and setup-friendly audio tools, the SRM350 is the most compact, high-output SRM ever designed.

The SRM350 features modern tools like application-specific speaker modes and an automatic feedback destroyer each with a single-button interface that gets you optimized performance in just seconds. And with the integrated 2-channel mixer, you can easily mix multiple sources.

Only the Mackie SRM350 delivers proven performance, huge power and unmatched sound quality in such an indestructibly portable design.