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Items 1 to 50 of 165 on page 1 of 4
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Aja (remastered) (B-STOCK)
Aja (remastered) (B-STOCK) (limited gatefold 200 gram clear UHQR vinyl 2xLP box set + booklet + insert in slipcase)
Cat: AUHQR 001445. Rel: 01 Jan 90
 
Rock
Black Cow (5:03)
Aja (7:54)
Deacon Blues (7:28)
Peg (3:55)
Home At Last (5:35)
I Got The News (4:58)
Josie (4:31)
Review: ***B-STOCK: Box slightly torn and creased, but content in perfect condition***


Steely Dan are the kind of band where everyone has their favourite album, with a fanbase who might well get a little heated debating which phase of the band is superior. But when it comes down to it, everyone will agree Aja is their masterpiece, where that exacting studio process and the elevated songwriting hit some magical sweet spot that yielded the semi-mythical perfect album. The grooves are so slinky as 'Black Cow' opens the record up, they spring with joy out of 'Peg' and they lock down heavy on 'Josie', and there's so much more in between. This faithful reproduction from Analogue Productions is a limited audiophile edition for a band who were made for audiophiles.
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 in stock $193.53
Korg Nu:Tekt NTS-2 Oscilloscope Kit (no soldering required) Korg Nu:Tekt NTS-2 Oscilloscope Kit (no soldering required) Korg Nu:Tekt NTS-2 Oscilloscope Kit (no soldering required) Korg Nu:Tekt NTS-2 Oscilloscope Kit (no soldering required) Korg Nu:Tekt NTS-2 Oscilloscope Kit (no soldering required) Korg Nu:Tekt NTS-2 Oscilloscope Kit (no soldering required) Korg Nu:Tekt NTS-2 Oscilloscope Kit (no soldering required)
Cat: 958192 Rel: 17 Jul 23 • View all Synthesisers
 
4-channel oscilloscope.
Notes: Easy self-assembly for Korg's intuitive oscilloscope, part of the Nu:Tekt range. Surprisingly useful as a tool for visualising sounds, dialling in synth patches and understanding how sound works.

Supplier's Notes:
The ultimate toolkit for the modern musician

The Nu:Tekt NTS-2 oscilloscope kit is a DIY multifunctional tool for musicians. Building on a 4-channel oscilloscope - monitoring control voltage (CV) and audio signals alike - NTS-2 also packs a flexible waveform generator, a spectrum analyser, and tuner functionality into a
build-it-yourself device which fits in the palm of your hand!

The NTS-2 kit is compact and easy to assemble with no soldering required, but don't let its size fool you - it packs a real punch!

It's an oscilloscope, tuner, FFT, and spectrum analyser that is accurate, intuitive, and incredibly useful. But that's not all - using its dual stereo IN, dual stereo THRU/OUT, and two separate OUTPUTs, you can wire it into your synth rig and use its dual waveform generators to give yourself an extra pair of oscillators or LFOs!

4 channel oscilloscope
FFT/Spectrum Analyser
Duel Waveform Generator
Tuner
Powerful connectivity

4 channel oscilloscope

With dual stereo inputs, you can visualise up to four signals at once, comparing and overlapping them with ease. A variety of display modes let you choose how you see your data, while the user interface is clear and quick, thanks to its dedicated menu buttons and clickable encoder knob, and 240 x 320 pixel 2.8" colour LCD screen. NTS-2 even has a powerful "Lissajous" mode - opening the door to creativity and making it possible to visualise widely available oscilloscope art, for extra fun with your device.

Dual Waveform Generator

A flexible Wave Generator mode provides 2 oscillators with dedicated outputs. Each oscillator can create a variety of waveforms - sine, square, triangle, sawtooth, pulse, and noise - whose shape and phase can be adjusted to suit many applications. These sounds can be used in the audio range or as control voltage sources, and they can be set to cycle continuously or act as one-shot impulses; that means you can turn them into LFOs, envelopes, triggers, and control voltage generators, as well as sound sources. Attaching the NTS-2 to any patchable synthesizer instantly expands its power.

FFT/Spectrum Analyser

NTS-2 also comes with a dedicated FFT (Fast Fourier Transform) mode with a real-time spectrum analyser.

Tuner

This multi-functional utility kit wouldn't be complete without a precise and easy-to-use tuner with multiple display modes.

Powerful connectivity

The NTS-2 offers many ways to connect to your rig. Alongside its 4-channel input and dual waveform output features, its dual stereo THRU/OUT ports enable you to keep it wired into your system, rather than constantly plugging and unplugging cables. NTS-2 lets you maintain your signal flow at all times - even when powered off. NTS-2 maximizes portability and flexibility by using either batteries or a USB-C power supply.

Specifications

Dimensions: 12.9 x 7.8x 3.9 cm
Weight: 130g (not including batteries)
Power: USB type-C (2.0, 500mA max) or 2x AAA batteries (approx 2 hours running time)
Inputs: 2 x 3.5mm Stereo, +/-10V max
Outputs: 2 x Through Output: 3.5mm Stereo, 2 x Output: 3.5mm Mono, +/-5V max

Oscilloscope

Display modes: Single, Stereo (Input1L-INPUT1R, Input1L - Input2L, Input2L - Input2R), 4ch XY(Lissajous, 2ch)
Vertical: 10mV~5V/div, AC/DC MODE switchable
Horizontal: 50us~1s/div
Trigger: Auto, Rise, Fall, Single(rise), Single(fall)

FFT (Spectrum Analyser)
Input: mono (1L, 1R, 2L, 2R)
Frequency: 20Hz~20kHz

Waveform Generator
Wave type: sine, square, triangle, saw, noise, pulse, envelope
Frequency: 1Hz~10kHz, Hz/NOTE mode switchable, [1ms~10s,sec/BPM switchable(pulse, envelope mode)]
Output level: 10Vpp max, V/dB mode switchable

Tuner
Display mode: Needle, Meter
Input: Mono, Stereo (Input1L-Input1R, Input1L-Input2L)
Calibration: 410-480Hz
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 5 in stock $156.73
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quote 958192
Blue
Blue (limited numbered 180 gram audiophile SuperVinyl 2xLP + booklet)
Cat: MOFI 20501. Rel: 19 Feb 24
 
Folk/Americana
All I Want (3:33)
My Old Man (3:28)
Little Green (3:25)
Carey (3:03)
Blue (2:49)
California (3:39)
This Flight Tonight (2:50)
River (3:46)
A Case Of You (4:19)
The Last Time I Saw Richad (4:07)
Review: The 1971 classic album by Canadian singer-songwriter Joni Mitchell, Blue is widely thought by many music lovers to be one of the best albums of all time. Already well into her career by the time of its release - it's her fourth album - it was certainly Mitchell's best yet, reflecting a period in her life where she took a break from touring and live performing to focus on creation. Its confessional and poetic lyrics, not to mention the distinctively groggy yet idyllic guitar and piano playing on songs like 'All I Want', 'River', 'A Case Of You', heard Mitchell encapsulate the various milestones, Renaissances and turning points of the contemporary rock landscape of the 1970s, into a singular LP.
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 in stock $167.23
ALM Axon-2 CV Expander & Controller Module For Squid Salmple/MFX/Pamela's Pro Workout ALM Axon-2 CV Expander & Controller Module For Squid Salmple/MFX/Pamela's Pro Workout
Cat: 941547 Rel: 04 May 23 • View all Synth modules
 
An expander and controller module for the Squid Salmple, MFX and Pamela’s PRO Workout in 8HP.
Notes: AXON-2 is an 8HP expander module for the SQUID SALMPLE, MFX and Pamela's PRO Workout that like the AXON-1 provides 4 additional freely assignable CV inputs but additionally adds manual offset controls and 2 additional 'performance' buttons.

The addition of AXON-2 increases the Squid, MFX or Pam PRO's total number of CV inputs by 4, greatly increasing the possibilities for vast modular manipulation. Each of the CV inputs includes an offset for hands on control over parameters assigned to CV. Per assignment digital attenuation and offset via the host module is also available for fine tuning the modulation or control over parameters.

The AXON-2's large buttons are great for controlling select functions in a live performance environment or adding convenient quick navigation shortcuts when making edits. The buttons functionality and assignability are dependent on the host module. See respective manuals for details.

NOTE: AXON-2 support requires the latest firmware be installed for Pam Pro (120 or newer), Squid (187 or newer) and MFX (105 or newer).

Features
4 Additional freely assignable CV inputs for the SQUID SALMPLE, MFX or Pamela's PRO Workout
Manual offset knob controls
Two Assignable performance buttons for mutes, tap tempo, navigation, etc (dependant on module)
Powered directly from the module, no additional power header required
Made in England
Skiff friendly
Technical Specifications
Power: Additional approx 10mA on +12V

Size: 8HP

Depth: 38mm
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 1 in stock $166.18
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quote 941547
Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal
Cat: 972476 Rel: 12 Oct 23 • View all Effects pedals
 
Digital delay effects pedal.
Notes: Expanded Freeze in a lowball-sized package!

Meeting between the original Freeze and Superego pedals is the Pico Deep Freeze Sound Retainer. With the ability to freeze a moment in sound, the Deep Freeze can act as a sustain pedal for holding chords and notes as backing for your playing or as a platform to manipulate your tone into new sounds impossible with a normal guitar. In addition to the original Freeze's abilities, the Deep Freeze features layering, adjustable attack/decay speeds, glissando, dedicated volume controls, and 3 modes: Latch, Moment, and Auto, making it powerful pedal punching well above its weight.

The Deep Freeze allows for instant sound freezing in three modes of operation. Latch freezes sound each time the footswitch is pressed until the effect is bypassed, while Moment mode freezes sound only while the footswitch is held down. Auto mode captured sound automatically each time it senses signal above its threshold for virtually foot-free freezes. These three modes make it easy to operate the Deep Freeze in a way that fits any playing style.

Controls on the Deep Freeze let you further tailor the operation of the effect. Separate DRY and EFFECT volume controls let you blend signals from subtle backing to 100% effect experimentation. GLISS adjusts the morph time between freeze sounds creating otherworldly soundscapes. The SPEED/LAYER knob adjusts either the attack/decay time of the effect in Moment and Auto modes, or the amount of layering possible in Latch mode which makes playing impossible chords possible!

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
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MRP:$206.16 SAVE 17%
 1 in stock $170.38
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quote 972476
Zoom R4 MultiTrak Handheld 4-Track Recorder With 32-Bit Float Audio Zoom R4 MultiTrak Handheld 4-Track Recorder With 32-Bit Float Audio Zoom R4 MultiTrak Handheld 4-Track Recorder With 32-Bit Float Audio Zoom R4 MultiTrak Handheld 4-Track Recorder With 32-Bit Float Audio
Cat: 976400 Rel: 13 Feb 24 • View all Multitrack Recorders
 
Handheld 4-track recorder with 32-bit float audio
Notes: Portable recording made with musicians in mind, the R4 records up to four tracks in 32-bit float resolution, with on-board EQ and effects, amp simulation and the option to bounce recordings down then overdub.

Supplier's Notes:
The Little Recorder For Big Ideas

Introducing the Zoom R4 MultiTrak

Designed By Musicians

All of our engineers are musicians and they designed the R4 to empower musicians to explore big ideas. With a unique dedicated 'bounce track' and 32-bit float recording, the R4 is perfect for capturing your most ambitious compositions.

Record. Bounce. Repeat.

With the R4, you can record up to four tracks, mix and then bounce them to the dedicated 'bounce track.' This lets you free up additional tracks to keep adding layers.

You can choose to do a 'quick' bounce or mix and bounce in real time.

The R4 also allows you to 'undo' your last bounce, if you're not satisfied with the results.

32-Bit Float Recording

The R4 captures perfect audio with every take, without the need to set gain.

Combo Inputs

The R4 has 2 XLR/TS combo inputs with legendary Zoom preamps. You can plug in microphones, instruments, keyboards, and more.

Track Effects

Each track features a 3-band EQ, pan, echo, and reverb to refine your mix.

Input Effects

Apply effects to input A such as amp simulations, delays, distortions and more.

Built-In Microphone

The R4 features a high-quality built-in microphone, perfect for acoustic guitars, vocals, or capturing a quick reference recording.

Much More Than A Metronome

The R4 has a rhythm section preloaded with over 80 different drum patterns to play along with featuring genres such as rock, hip hop, funk, heavy metal, and more.

Every Take Is Saved

Tracks that you record are automatically saved individually, even after they have been bounced.

32-Bit Float Audio Interface

The R4 is also a powerful 2-in/ 2-out USB audio interface with 32-bit float technology. Connect it to either your computer or smartphone.

Control and Create

With a fader for each track and dedicated hardware buttons for the most used functions, you won't need to menu dive to record your music.

Powered For Your Ideas

The R4 can be powered by 4 AA Batteries, or through its USB-C port.

Specs

Inputs/outputs
Inputs: Built-in mic (mono): 1
XLR/TS inputs (mono): 2
Output: Headphones: 1

Inputs
XLR/TRS inputs:
Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT)
Input gain: No adjustment required (dual A/D converter circuit used)
Input impedance XLR: 2.3 kO; TS: 1 MO
Maximum input level: XLR: +4 dBu, TS: +10 dBu
Phantom power: +48 V (switchable separately for INPUTS A and B)
Equivalent input noise: XLR: -120 dBu or less (IHF-A); TS: -107 dBu or less (IHF-A)
Frequency response: XLR: -0.5 /+0.0 dB : 20 Hz - 20 kHz; TS: -0.2 /+0.0 dB : 20 Hz - 20 kHz

Built-in mic input
Directionality: Omnidirectional
Input gain: No adjustment required (dual A/D converter circuit used)
Maximum sound pressure input:
115 dB SPL
Output

Headphone

Connector: 1 stereo 3.5mm mini jack
Output impedance: 10 O
Maximum output level: 20 mW + 20 mW (into 32O load)

Recorder

Maximum simultaneous recording tracks: 2
Recording format: WAV: 48kHz, 32-bit float, mono
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB; Cards compatible with microSDXC specifications 64 GB - 1 TB

Display: 2" full-colour LCD (240 × 320)

USB

Connector: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Audio interface function
Class: USB 2.0 High Speed
Sampling frequency: 48 kHz
Bit rate: 24-bit/32-bit float
Input / output channels: 2 in/2 out
Mass storage function: USB2.0 High Speed

Power supply

Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)
* USB bus power is supported.
Estimated continuous operation time using batteries

Alkaline batteries: about 7 hours
NiMH batteries (1900 mAh): about 6 hours
Lithium batteries: about 14 hours
* Use conditions: Recording 1 track, playing 1 track, phantom power off, headphones into 32O load, power saving on
* The above values are approximate. * Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

Power consumption: 5 W
External dimensions: 74 mm (W) × 138 mm (D) × 36 mm (H)
Weight (including batteries): 287 g
Note: 0 dBu = 0.775 Vrms
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 3 in stock $196.69
After Later Audio Cloaks 4-Channel Voltage Controlled Amplifier Module
Cat: 943138 Rel: 04 May 23 • View all Synth modules
 
A hardware replica of the Mutable Instruments Veils 2020 module in 10HP.
Notes: This is an exact hardware replica of the Mutable Instruments Veils 2020 module. After Later used the "hard-to-find" OPA1679 opamps, but we did switch the package from TSSOP to SOIC, to keep costs down. It is the same part/specs, just a different package.

Based on open source designs by emilie gillet under Creative Commons (CC-BY-SA) license.

Width: 10hp
12V: 50mA
-12V: 50mA
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Tags: VCA module
 1 in stock $166.18
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quote 943138
Arturia KeyLab Essential 3 49-Key USB MIDI Keyboard Controller (black) Arturia KeyLab Essential 3 49-Key USB MIDI Keyboard Controller (black) Arturia KeyLab Essential 3 49-Key USB MIDI Keyboard Controller (black) Arturia KeyLab Essential 3 49-Key USB MIDI Keyboard Controller (black)
Cat: 946018 Rel: 22 Jun 23 • View all MIDI keyboards
 
A 49-key USB MIDI keyboard controller.
Notes: Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

Features

Premium Keybed quality
49 note velocity-sensitive keyboard with hybrid synth-piano feel

Pads & controls
1 clickable encoder
9 rotary encoders
9 x 30mm faders
8 transport switches
4 command switches
1 modulation wheel & bend wheel
8 touch & pressure-sensitive pads

Display control
2.5" LCD display with contextual buttons
Real-time feedback on tweaks and controls
Smart features

Multi-mode arpeggiator
Chord mode
Scale mode
Hold function
Semitone transpose

Software integration
Seamless integration with Analog Lab V: select sounds, browse presets, smart-assigned controls
Custom DAW scripts for FL Studio, Logic Pro, Ableton Live, Cubase, Bitwig Studio
Also compatible with MCU/HUI control
Up to 6 user presets for a totally customizable experience

Included Software titles & services
Analog Lab V software with 2000+ sounds
Ableton Live Lite
Native Instruments' The Gentleman
UVI Model D
2-month Loopcloud subscription
Melodics subscription for 40 lessons

Connectivity
USB-C connects to computers and MIDI Control Center
MIDI 5-pin DIN output for connection to external instruments, gear
Control input for pedal: sustain, expression, or footswitch
USB-C powered

Platform specifications

Windows
Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Apple
Mac OS 10.13+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU
Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

What's in the box

Box content:
KeyLab Essential Unit
USB-A to USB-C cable
Registration card

Dimensions for 49 keys
Size : 31.1 x 9.45 x 2.76 inches (790 x 240 x 70mm)
Weight : 6.1 lbs. (2.76 Kg)
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MRP:$198.80 SAVE 11%
 2 in stock $176.70
Somethin' Else
Somethin' Else (limited numbered 180 gram audiophile vinyl 2xLP box set + insert)
Cat: 821797 202220. Rel: 29 Dec 23
 
Jazz
Autumn Leaves (10:57)
Love For Sale (7:04)
Somethin' Else (8:06)
One For Daddy-O (8:24)
Dancing In The Dark (4:06)
Alison’s Uncle (AKA Bangoon) (5:07)
Review: Made and released way back in 1958, Somethin' Else is a classic jazz album by the American alto saxophonist Cannonball Adderley, notably his only ever album for the esteemed Blue Note label. It famously hears Adderley enlist the help of trumpeter Miles Davis as one of its sidemen, and this was an ongoing relationship that later paved the way for popular jazz as a whole; without Somethin' Else, we wouldn't have Kind Of Blue, for which Adderley would contribute his sax playing just a year later. Though it is a testament to the unity of two great core musicians, we also hear the piano stylings of Hank Jones, bassist Sam Jones and drummer Art Blakey.
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 in stock $157.24
ALM Mega Milton Compact Utilities Module
ALM Mega Milton Compact Utilities Module (utility/attenuator/external/mixer/multiple/noise/sample & hold/slew limiter module)
Cat: 993662 Rel: 19 Jan 24 • View all Synth modules
 
Smorgasbord of handy all analogue utilities module - 8HP
Notes: The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm
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 3 in stock $166.18
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quote 993662
ESI Aktiv 10s Powered Studio Monitoring Subwoofer ESI Aktiv 10s Powered Studio Monitoring Subwoofer
 
Powered studio monitoring subwoofer
Notes: Many monitoring setups contain a subwoofer as an essential ingredient. Although many studio monitors such as the aktiv 05, uniK 04 or uniK 05+ for example, provide sufficient bass frequency response for many applications, adding a aktiv 10s subwoofer will help you to provide a much better picture of the low frequencies in your mix. Whether you are producing classical 2.1 sound or 5.1 / 7.1 surround sound productions, aktiv 10s will easily and quickly become an important part of your monitoring setup. It's compact size with a stylish design, yet powerful output will easily convince you.

Features/specifications

10" bass reflex powered subwoofer
Amplifier power: 150W@100Hz, 4 Ohm, 0.1% THD
Subwoofer crossover frequency: 50Hz - 180Hz (adjustable)
Separate satellite output crossover frequency: @100Hz and flat (adjustable)
Phase control
Input level control
Power mode: standby and on
Inputs: balanced XLR, unbalanced 1/4" TRS
Outputs: balanced XLR
Input impedance: 20kOhm balanced, 10kOhm unbalanced
Foot switch input as mute control
Dimensions: 340mm(H) x 340mm(W) x 340mm(D)
Weight: 14 kg
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 1 in stock $191.96
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quote 895990
From Elvis In Memphis (remastered)
From Elvis In Memphis (remastered) (limited numbered 180 gram audiophile translucent black vinyl 2xLP box set + insert + photo print)
Cat: MFSL45UD1S 017. Rel: 03 May 23
 
50s/60s
Wearin' That Loved On Look
Only The Strong Survive
I'll Hold You In My Heart (Till I Can Hold You In My Arms)
Long Black Limousine
It Keeps Right On A-Hurtin'
I'm Movin' On
Power Of My Love
Gentle On My Mind
After Loving You
True Love Travels On A Gravel Road
Any Day Now
In The Ghetto
Suspicious Minds (bonus track)
 in stock $150.40
Arturia KeyLab Essential 3 49-Key USB MIDI Keyboard Controller (white) Arturia KeyLab Essential 3 49-Key USB MIDI Keyboard Controller (white) Arturia KeyLab Essential 3 49-Key USB MIDI Keyboard Controller (white) Arturia KeyLab Essential 3 49-Key USB MIDI Keyboard Controller (white)
Cat: 946019 Rel: 23 May 23 • View all MIDI keyboards
 
A 49-key USB MIDI keyboard controller.
Notes: Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

New Features:
New creative features: Scale Mode, Chord Mode, and Arpeggiator, making composition, songwriting, and beat-making more intuitive than ever.
Custom DAW integration: KeyLab Essential 3 features custom scripts for deeper control over DAWs, including Ableton Live Logic Pro X, FL Studio, and more.
More versatile presets: The 2000 presets included with Analog Lab V are no longer limited to vintage sounds; users can enjoy unique hybrids, modern synths, orchestral sounds, and more.
Easier controls & interface: RGB-backlit pads with velocity and pressure sensitivity, contextual button, and a bright new 2.5" LCD screen for real-time feedback.
Expanded software package for beginners & pros: Now includes Analog Lab V, 2 pianos (UVI Model D, NI's The Gentleman), plus subscriptions to Loopcloud and Melodics.
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MRP:$198.80 SAVE 14%
 3 in stock $170.93
Aeon Flux (Soundtrack)
Aeon Flux (Soundtrack) (180 gram coloured vinyl 6xLP box set + booklet + slipmat in slip-case)
Cat: WW 130. Rel: 24 Apr 23
 
Soundtracks
Aeon Flux Open 1991
Aeon Flux First Episode 1991
Rooms Of Blood
Ultimate AF
Elevator Episode
The End
Gravity
Errors Of The Night
Alien Leisure
Fluxy Bolero (Tide)
Heroes (War)
Paradise (Utopia Or Deuteranopia)
Tragedy Of Flight (Isthmus Crypticus)
Phobia Suite (Thanatophobia)
Clones (A Last Time For Everything)
Demigods (Demiurge)
Memory Lapse (Reraizure)
Chronos Multiverse (Chronophasia)
Underwater Suite (Ether Drift Theory)
Choice (The Purge)
Time Pretzel Paradox (End Sinister)
Aeon Declassified (MTV Promo)
Aeon Flux Title 1995
Aeon Flux Credits 1995
Monican Jam
 in stock $165.13
Goldring E4 Hi-Fi Moving-Magnet Cartridge With Nude Elliptical Stylus
Cat: 956912 Rel: 05 Jul 23 • View all Hi-Fi Cartridges | Phono Cartridges
 
Hi-Fi moving-magnet cartridge with nude elliptical stylus
Notes: Representing the pinnacle of E Series engineering and performance, the E4 is the ultimate upgrade for every turntable enthusiast.

World-famous analogue audio specialist Goldring introduces its new flagship E Series moving magnet cartridge: E4. Designed as the ultimate upgrade for any modern budget or midrange turntable, E4 represents the pinnacle of E Series engineering and performance.

E4 is designed to be compatible with all medium-to-high-mass tonearms of the type found on the majority of budget to midrange turntables. And because it's constructed using the same high-quality core as the other E Series cartridges in the range, E4 is ideal both for those who wish to upgrade an obsolete cartridge in its entirety or those who want to boost the performance of their existing E Series cartridge by replacing the stylus.

New super-elliptical nude diamond stylus

The E4 features a 'nude' super-elliptical stylus of just 7.6 x 18 microns (0.3 x 0.7 mil), cut and polished from a single homogeneous piece of diamond. This makes for a lower effective tip mass of improved rigidity, which in turn means its ability to retrieve high-frequency detail is dramatically improved when compared to the 'bonded' elliptical stylus alternative. It's far less likely to 'mis-track' or overshoot when tracing high-frequency groove modulations, and because of its finely polished 7.6-micron profile it can more effectively fit into closely packed inner grooves. Lower distortion, improved transient response and a flat frequency response all contribute to superior fidelity when compared to any price-comparable alternative.

Hollow aluminium cantilever

To complement its low tip-mass stylus, the E4 features a hollow aluminium cantilever tube. The light weight and superior stiffness of the material allows the stylus to trace medium-to-high frequencies with greater accuracy, while simultaneously reducing distortion and mis-tracking.

Magnetic Duplex Technology

Stereo information is contained in a single 'V'-shaped groove that has perpendicular sidewalls angled at 45 degrees. Conventional cartridges, which use a single large magnet interacting with two vertically mounted coils (one for left-channel information, one for right) to extract a stereo signal from the groove, can permit high levels of crosstalk - and consequently only a modest amount of left- and right-channel separation. E4 uses Goldring's Magnetic Duplex Technology that positions two low-mass magnets at the same angles as the coils - so each magnet interacts only with its partnering coil. This allows the E4 to transcribe the information in the groove more accurately, and results in greater stereo separation and a more accurate soundstage.

Expert adjustment facility

'Azimuth' describes the angle that the vertical centre line of the stylus makes with the record's surface - it must be exactly perpendicular to the groove. Owners of budget and midrange turntables usually have no facility to adjust the azimuth, so it's vital the cartridge has been precisely adjusted before it's fitted to the turntable's tonearm - badly adjusted azimuth can cause increased crosstalk and uneven channel balance. E4 is designed to allow micro-adjustments to be made during the production process, ensuring each cartridge leaves the Goldring factory needing no further azimuth adjustment.

Technical Specifications

Frequency Range: 20 Hz - 20 kHz
Channel Balance: < 1.5 dB @ 1 kHz
Channel Separation: > 20 dB @ 1 kHz
Sensitivity: 3.5 mV (1 kHz @ 5 cm/s)
Static Compliance: 20 mm/N
Vertical Tracking Angle: 20-
Stylus Radius: 7.6 micron (0.3 x 0.7 mil)
Stylus Type Nude: elliptical
Load Resistance: 47 kO
Load Capacitance: 100- 200 pF
Internal Inductance: 400 mH
Internal Resistance: 410 O
Cartridge Mass: 6.9 g
Fixing Centre: 12.7 mm (0.5 in)
Playing Weight: 1.5 - 2.5 g (1.75 g recommended)
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quote 956912
ALM BXx2 Dual Channel Preamp/EQ/Mixer Module ALM BXx2 Dual Channel Preamp/EQ/Mixer Module
ALM BXx2 Dual Channel Preamp/EQ/Mixer Module (equalizer/mixer/preamp synth module)
Cat: 956425 Rel: 07 Jul 23 • View all Synth modules
 
Dual channel preamp, EQ and mixer based on the classic Boss BX series mixers - 8HP.
Notes: The BXx2 is a dual channel preamp, EQ and mixer based on the classic Boss BX series mixers. With the inclusion of both input gain and level controls, each channel can be overdriven, producing the signature saturated and lively sound the BX mixers are known for. The EQ controls provide the channels with simple but great sounding high and low shelf EQs for emphasising and shaping sounds and an additional 'Aux' input allows another mixer or extra sound source to be chained in.

Input gain controls

Sets the input gain of the channel preamp. Higher settings will cause source to overdrive the channel.

Inputs

In 1 - Input to channel 1 of the mixer.

In 2 - Input to channel 2 of the mixer.

Aux - Auxillary mix input for chaining with another mixer or extra source.

Fixed gain (-6dB).

EQ High

Sets the gain of the fixed high shelf EQ. Boosts high frequencies when set above 12 o'clock and cuts when set below.

EQ Low

Sets the gain of the fixed low shelf EQ. Boosts low frequencies when set above 12 o'clock and cuts when set below.

Level

Sets the channel level in the mix. Use level controls to trim back volume when overdriving the preamp.

Output

Audio output producing the mix of the 3 inputs.

Technical specifications

Power: +12V 10mA / -12V 10mA
Size: 8HP
Depth: 32mm

The BXx2 was designed in collaboration with Feedback Modules and is based on their single channel 'PRE BX' module.
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 3 in stock $166.18
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Fusion
Fusion (autographed coloured vinyl 8xLP box set + MP3 download code)
Cat: FIGURELP 10. Rel: 20 Sep 23
 
Techno
Yantra
Tor 8
Temple
Black Jack
Astra
Gamma (alternative mix)
Sexuality (My Reality)
Space Cowboys I
Raum 422
Friedrichshain Funk
Solar
Hymn (In The Name Of Fantasy)
Gamma (The Other Side)
Don't Be Stupid Day (extended album mix)
Space Cowboys II
Waver
It's Time (To Move Your Body)
Shri Yantra
Make Me Scream
Liyah
Halide (part 1)
Voices
Halide (part 2)
 in stock $164.62
Van Halen
Van Halen (limited numbered 180 gram SuperVinyl 2xLP box set + booklet (plays at 45RPM))
Cat: MFSL45UD1S 032. Rel: 29 Dec 23
 
Rock
Runnin' With The Devil (3:33)
Eruption (1:35)
You Really Got Me (2:35)
Ain't Talkin' 'Bout Love (3:49)
I'm The One (3:48)
Jamie's Cryin' (3:26)
Atomic Punk (3:02)
Feel Your Love Tonight (3:43)
Little Dreamer (3:22)
Ice Cream Man (3:20)
On Fire (2:58)
 in stock $151.45
Jazzman Pro Large 7" Vinyl Record Box Flightcase 150 (dark walnut) Jazzman Pro Large 7" Vinyl Record Box Flightcase 150 (dark walnut)
 
Introducing Jazzman's own exclusive range of brand new 7" hard-wearing wooden record cases, in equal measure stylish and functional, solving the age-old problem of storing, transporting & displaying your precious 45s once and for all
Notes: Introducing Jazzman's own exclusive range of brand new 7" hard-wearing wooden record cases, in equal measure stylish and functional, solving the age-old problem of storing, transporting & displaying your precious 45s once and for all!

The PRO Large holds 150 x 7" records, and is available in your choice of 2 finishes: Dark Walnut or Graphite Grey.

This new updated design is again custom made to an exact specification in limited numbers. They don't just look the business, they've been built for professional use and will last for many years to come.

Ugly, bulky industrial cheap n' nasty mass-produced flight cases they are not! No flimsy plastic, chipboard, MDF or cheap cardboard either! These cases are hand-crafted from ethically-sourced & hard-wearing wood, the ultimate 7" record cases for all serious record collectors & professional DJs.

Each case has been hand-made in the EU from wood that has been sourced from managed and sustainable forests. They have been custom built to Jazzman's exact specifications before being stained and lacquered for a durable finish:

The lid is fully removable via detachable metal hinges so you have unfettered access to your records
Interior lined with soft & durable black felt to add both extra cushioning and a luxurious feel. Each interior is also embossed once with Jazzman's shiny 45CASE logo
All corners made with extra strong interlocking dovetail joints
Dual metal catches on the front are lockable with padlocks (not included) to keep your records secure from unwanted attention
Strong metal brackets feature on all corners to further protect against knocks & damage
Wood sourced from managed and sustainable forests
The base has 4 sturdy rubber feet to protect the bottom of the case when standing
Each cases has dual compartments, securely holding up to 150 of your prized 7" records. The interior dimensions will also accommodate double-bagged 45s.

Important note: due to the innate variability of wood grain, each box is unique and will differ slightly to the image shown. Records are for illustration purposes only and are not included!

Details:

Exterior size: 420 x 220 x 220mm
Weight when empty: 3.2kg (7lb)
Weight with 150 records: 11kg (24lb)

"I'm really impressed with this box, nobody's made them like this for years, a nice new home for my best stuff" - Mark 'Butch' Dobson (World #1 Northern Soul DJ)

"Jazzman are already known for making great records, well done to them for making the nicest record boxes I've seen in years" - Norman Jay MBE

"Sturdy and with a classic design, this is the best 7" box I have come across" - Eddie Pillar (Acid Jazz)

"Northern, Funk, Rockabilly, Garage - these are the boxes to keep 'em in, f*** marvellous!" - The Legendary Keb Darge
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 1 in stock $196.69
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Keeley Electronics Muse Driver Andy Timmons Full Range Overdrive Effects Pedal Keeley Electronics Muse Driver Andy Timmons Full Range Overdrive Effects Pedal Keeley Electronics Muse Driver Andy Timmons Full Range Overdrive Effects Pedal Keeley Electronics Muse Driver Andy Timmons Full Range Overdrive Effects Pedal Keeley Electronics Muse Driver Andy Timmons Full Range Overdrive Effects Pedal Keeley Electronics Muse Driver Andy Timmons Full Range Overdrive Effects Pedal Keeley Electronics Muse Driver Andy Timmons Full Range Overdrive Effects Pedal
Cat: 992141 Rel: 23 Jan 24 • View all Effects pedals
 
Andy Timmons full range overdrive effects pedal
Notes: The MUSE DRIVER - Andy Timmons Full Range Overdrive is an overdrive workstation that allows you to orchestrate everything from a clean boost to a treble supercharger, a chimey tube-amp overdrive to a square-wave, germanium fuzz generator and more.

This Pedal combines a three-control blues driver circuit with two switches for the voicing of Drive and Tone characteristics. Robert and Andy developed these switches to give players a broad range of drive tones. The Drive toggle engages two germanium diodes for a smoother, slightly compressed drive. Switch to Andy's clipping style for a brighter and more articulate attack.

Every part of the circuit has been optimized for tone and the demanding needs of a recording and touring artist such as Andy Timmons. Simply adding the MUSE DRIVER to your pedalboard will make your rig sound better. This professional grade overdrive can be switched between true-bypass and buffered bypass at any time.

Andy Timmons - Tone Switch

This drive pedal gives you two tone control circuits to choose from. When the Tone Switch is up and in the AT Position the tone control features Andy's preferred voicing and low-end response. Each note in a chord is clear and articulate. If the Tone Switch is down and in the RK Position that features the legendary Phat Boost providing more low-end frequency response, perfect for pushing up vintage or single coil pickups.

Full Range Overdrive - Germanium Toggle Switch

The MUSE DRIVER combines JFET saturation, diode clipping, and op-amp clipping in order to create its harmonically rich tone. Drive Switch UP for AT Clipping - this mode features asymmetrical LED and silicon diode clipping and is Andy's Super AT Mod sound. Drive Switch Down for RK Clipping - now the circuit features two germanium diodes for clipping. This mode can sound a bit like a vintage fuzz pedal with a softer, smoother feel.

Muse Driver - Buffered Bypass or True Bypass

The pedal features our industry leading buffer for noise-free switching. Keeley Electronics have developed a buffer which not only makes your rig sound better, it gives you silent switching with no tone loss. Switch between true-bypass and buffered on the fly. Simply press and hold the foot switch for two seconds and the pedal will switch between true-bypass and buffered bypass! You decide what works best in your rig.

Made In The USA

Keeley Electronics design, engineer, and manufacture the Keeley Electronics/Andy Timmons MUSE DRIVER in Oklahoma City. Everything about the MUSE DRIVER is geared towards the professional musician and their quest for an inspiring tone when performance demands it. From the meticulously built circuit boards to the newly fabricated aluminium enclosure; we make guitar effect pedals like finely crafted musical instruments.
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 2 in stock $199.84
Boss RE-2 Space Echo Effects Pedal Boss RE-2 Space Echo Effects Pedal Boss RE-2 Space Echo Effects Pedal
Cat: 996050 Rel: 19 Feb 24 • View all Effects pedals
 
Space echo effects pedal
Notes: Introduced in 1974 and produced for over 14 years, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units in music history. Known for its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks, this tape-based classic continues to inspire musicians, producers, and audio mixers over four decades on.

With the RE-2, the authentic sound and behaviour of the Space Echo is now available in the famous BOSS compact series for the first time. Backed by intensive R&D and our latest innovations, the RE-2 delivers the coveted magic of the RE-201 in a pedalboard-friendly footprint-realized in flawless detail by the company that designed the original.

When tape-based echoes were standard in the music world, the RE-201 was a leader in its class. Equipped with three evenly spaced tape heads and a spring reverb tank, it could produce everything from clean, single delays to dense, rhythmic echoes and ambient washes. The RE-201's appealing sound was influenced by many factors, from the warm compression of magnetic tape saturation to the evolving modulation produced by motor speed fluctuations, friction, and other elements. Last but not least, analogue preamp circuitry was a key ingredient in the Space Echo's rich sonic recipe.

In developing the RE-2 and its big brother, the RE-202, BOSS engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. We carefully analysed several vintage RE-201s, including a pristine original unit from the BOSS and Roland factory archive. Everything that influences the sound has been recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, spring reverb character, and more.

The RE-2 squeezes the complete sonic character of the RE-201 into the classic BOSS compact pedal format. The 11-position mode selector lets you dial in different virtual tape heads with or without spring reverb, and you can balance the echo/reverb blend with independent level knobs. Every behaviour is accurately replicated, such as the gradual pitch change that occurs with Repeat Rate tweaks and the runaway feedback that happens when maxing the Intensity knob. And with the expressive Wow & Flutter control, you can conjure all the natural modulation characteristics that are essential to the Space Echo sound.

The RE-2 takes the Space Echo experience further with versatile features for today's music. Delay time has been doubled and tap tempo control is supported, and there's a cool Twist function for creating evocative special effects as you perform. For the dry sound, you can choose between the warm and fat RE-201 preamp tone or a clean signal with zero processing. Full stereo I/O is available, and it's possible to mute the dry signal for parallel effect setups and studio use. The RE-2 also supports expanded control via external footswitches or an expression pedal, including continuous pedal control of multiple panel functions at once.

Specifications

Modes: 11 modes
Nominal Input Level: INPUT A(MONO), INPUT B: -20 dBu
Maximum Input Level: INPUT A(MONO), INPUT B: +7 dBu
Input Impedance: INPUT A(MONO), INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A(MONO), OUTPUT B: -20 dBu
Maximum Output Level: OUTPUT A(MONO), OUTPUT B: +7 dBu
Output Impedance: OUTPUT A(MONO), OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A(MONO), OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass

Controls: MODE knob, REPEAT RATE knob, WOW & FLUTTER knob, INTENSITY knob, TONE knob, ECHO knob, REVERB knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT A(MONO) jack, INTPUT B jack, OUTPUT A(MONO) jack, OUTPUT B jack: 1/4-inch phone type
CTL/EXP jack: 1/4-inch TRS phone type
DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)
Current Draw: 75 mA

Expected battery life under continuous use: Alkaline: Approx. 4.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: (including battery)450 g / 1 lb
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MRP:$233.51 SAVE 22%
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Boss Dual Cube LX 10W Guitar Amplifier Boss Dual Cube LX 10W Guitar Amplifier Boss Dual Cube LX 10W Guitar Amplifier Boss Dual Cube LX 10W Guitar Amplifier
 
Guitar amplifier
Notes: The Classic CUBE, Evolved for Maximum Flexibility

For over four decades, CUBE amplifiers have brought exceptional value to musicians everywhere, offering great sound and versatile features in portable, go-everywhere designs. The DUAL CUBE LX Guitar Amplifier carries on this long tradition, evolved with the latest BOSS advancements for unmatched flexibility. This desktop powerhouse is the ultimate guitar amp for home practice and jamming with friends. And with a generous array of connectivity options, its range extends to performing, recording, and many other applications.

Meet the Moment

With its compact size and authentic BOSS tones, the DUAL CUBE LX delivers instant gratification for everyday playing at home. And its ultra-flexible design lets you go much further when you want, providing advanced features that reach well beyond the capabilities of other desktop amps.

Practice and Jam Anywhere

Indoors and out, enjoy big, immersive sound with custom-designed stereo speakers and versatile power with the included AC adaptor or eight AA batteries.

Perform On Stage

Use the stereo Line Out jacks to directly connect to a PA system and perform with pro BOSS amp sounds, complete with mic'd cab emulation and expansive stereo effects.

Record to Your Favourite DAW

Use the DUAL CUBE LX to capture mix-ready sounds in music software on a computer or mobile device via USB or i-CUBE-Link.

Elevate Your Livestreams

With the Phones/Rec jack and mic volume control, you can capture your voice with a headphones mic and send it to the USB and i-CUBE Link outputs along with your guitar sounds.

Play Along with Backing Music

The DUAL CUBE LX offers many ways to play along with backing music from a mobile device or computer, including a stereo aux input, USB and i-CUBE Link Loopback, and an optional Bluetoothr adaptor.

Authentic Amp Tones

With its finely tuned stereo speaker system, the DUAL CUBE LX produces full, punchy guitar tones that belie the amp's small footprint. Choose from eight versatile amp types, all with natural feel and organic response honed with decades of BOSS amp development. Whatever your style or skill level, you'll find expressive sounds to build techniques and deliver inspired performances. There's also a dedicated mic preamp type, allowing you to use the amp as a portable vocal PA system.

Onboard BOSS Effects

The DUAL CUBE LX includes a variety of BOSS stereo and mono effects to enhance your sound. Out of the box, you can spice up tones with four mod effect types or Heavy Octave and add ambience with delay or two types of reverb. If you want to go even deeper, it's possible to change out effects and adjust settings via the DUAL CUBE LX Editor.

Deep Sound Customization

The intuitive panel controls on the DUAL CUBE LX make it easy to craft compelling sounds in the moment. Each amp type includes three user memories, allowing you to store all the knob settings for quick recall. And with the DUAL CUBE LX Editor, there's a world of additional creative power to explore. Select different amp and effect variations, adjust detailed parameters, and more from your Mac or Windows computer.

Stereo In for Modelers and Pedalboards

The DUAL CUBE LX features a special Stereo In amp type for connecting stereo devices, complete with advanced spatial processing that makes it sound like you're playing through a much larger cabinet. By default, it provides rich, full-range sound for an amp/effects processor such as the GT-1000, GT-1000CORE, GX-100, GT-1, or IR-200. With the DUAL CUBE LX Editor, you can alternately choose a neutral guitar amp tone inspired by the famous Roland JC-120, giving you an ideal platform for exploring the stereo capabilities of pedals like the BOSS 500 and 200 series.

Expand Your Possibilities

With optional FS-series footswitches, you can operate the onboard looper and switch memories while performing.


Specifications

Rated Power Output: 10 W (5 W+5 W)
Nominal Input Level: GUITAR/STEREO IN L, R: -10 dBu (1 M ohm), i-CUBE LINK/AUX IN: -20 dBu (15 k ohm)
Nominal Output Level: LINE OUT L/MONO, R: -10 dBu
Speakers: 10 cm (4 inches) x 2
Controls: POWER switch, AMP TYPE knob (ACOUSTIC SIM, JC CLEAN, US COMBO, BRIT COMBO, HI-GAIN STACK, METAL STACK, EXTREME, MIC, STEREO IN), MEMORY button, GAIN knob, VOLUME knob, BASS knob, MIDDLE knob, TREBLE knob, EFFECTS knob (CHORUS, FLANGER, PHASER, TREMOLO, HEAVY OCTAVE), DELAY/REVERB knob (DELAY, REVERB, SPRING), TAP button, MIC VOL knob, MASTER knob, LOOPBACK switch (i-CUBE LINK/AUX IN), LOOPBACK switch (USB)
Indicators: POWER, MEMORY, TAP, REC, PLAY, DUB

Connectors: GUITAR jack/STEREO IN L, R jacks: 1/4-inch phone type, i-CUBE LINK/AUX IN jack: Stereo Miniature phone type (Stereo, CTIA), FOOT SW jack: 1/4-inch TRS phone type, Bluetooth ADAPTOR connector: Dedicated connector, USB port: USB B type,, DC IN jack

PHONES/REC OUT jack: Stereo, Miniature phone type (Stereo, CTIA), LINE OUT L/MONO, R jacks: 1/4-inch phone type

Power Supply: AC adapter (DC 9 V), Alkaline battery (AA, LR6) x 8
Rechargeable Ni-MH battery (AA, HR6) x 8
Current Draw360 mA

Expected battery life under continuous use
Alkaline battery: Approximately 8 hours
Rechargeable Ni-MH battery: Approximately 10 hours (*1)

*1 When using batteries having a capacity of 2,500 mAh.
* These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.
Accessories: Owner's Manual, Leaflet USING THE UNIT SAFELY, AC adaptor, Power cord, Mini cable (4-pole miniature phone type)
Options (sold separately)
Footswitch: FS-5U, FS-6, FS-7
Bluetoothr Audio MIDI Dual Adaptor (MODEL BT-DUAL)
Wireless MIDI Expression Pedal: EV-1-WL
Size & weight

Width: 341 mm / 13-7/16 inches
Depth: 162 mm / 6-7/16 inches
Height: 215 mm / 8-1/2 inches
Weight (excluding AC adaptor): 3.3 kg / 7 lbs 5 oz
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MRP:$190.38 SAVE 15%
 1 in stock $161.98
Elephant (remastered)
Elephant (remastered) (limited gatefold 200 gram clear UHQR vinyl 2xLP box set + booklets in slipcase)
Cat: AUHQR 001945. Rel: 20 Oct 23
 
Indie/Alternative
Seven Nation Army (3:53)
Black Math (3:38)
There's No Home For You Here (3:05)
I Just Don't Know What To Do With Myself (2:46)
In The Cold, Cold Night (2:58)
I Want To Be The Boy To Warm Your Mother's Heart (3:19)
You've Got Her In Your Pocket (3:41)
Ball & Biscuit (7:19)
The Hardest Button To Button (3:33)
Little Acorns (4:09)
Hypnotize (1:49)
The Air Near My Fingers (3:38)
Girl, You Have No Faith In Medicine (3:22)
It's True That We Love One Another (2:36)
Review: Who doesn't love the White Stripes? One can quite predictably measure a band's impact on commercial music history by way of just how many full-blown reissues they've released, many of which aim to repackage and represent albums to their fullest, most honest effect. By that metric, this ubiquitous duo are more than certainly going down in history; Elephant, the Stripes' fourth album, is lent the sonic perfection and signature packaging it deserves, with Analogue Productions and Third Man Records teaming up for the ultimate reissue edition here. They present in UHQR format on Clarity Vinyl this modern rock cornerstone, limited to 10,000 copies. It comes with gold foil numbered jackets, housed in a premium slipcase with a wooden dowel spine.
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 in stock $199.84
A Love Supreme (remastered)
A Love Supreme (remastered) (limited gatefold 200 gram clear UHQR vinyl 2xLP box set + booklet in slipcase)
Cat: AUHQR 000745. Rel: 10 Nov 23
 
Jazz
Acknowledgement (part I) (7:43)
Resolution (part II) (7:20)
Persuance (part III) (10:43)
Psalm (part IV) (7:06)
Review: Here it is: the all-time great album that popularised jazz for the masses, and which carries the genre's torch to this day. Most works by Coltrane serve as good introductions to jazz’s endemic practice of through-composition, but A Love Supreme (1964, Impulse!) is arguably among his best works to come in four suites; to quarter a technically singular piece. Widely recognised as the moment at which John all-aboarded the Soul ‘Trane, the album marked the apogee of a wave of popular analyses of US jazz records as holding special spiritual significance. This early vaunting may have fed into its popularity into the present day; but we cannot gloss over the fact that such elevations in status do not tend to come without supreme merit, and more level-headed takes on the LP simply interpret it as one of the most impeccably performed, precisely timed jazz records of its day. Remastered for the esteemed Analogue Productions series, its everlasting flame is rekindled.
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! low stock $198.78
In Utero (30th Anniversary Super Deluxe Edition) (remastered)
In Utero (30th Anniversary Super Deluxe Edition) (remastered) (5xCD + tour poster lithograph + angel acrylic panel + hardcover book + fanzine + gig flyers + angel mobile + ticket stubs + all access tour laminate + backstage cloth sticky passes in die-cut spot-varnished slip-case)
Cat: 551785 0. Rel: 02 Nov 23
 
Indie/Alternative
Serve The Servants (CD1: In Utero)
Scentless Apprentice
Heart-Shaped Box
Rape Me
Frances Farmer Will Have Her Revenge On Seattle
Dumb
Very Ape
Milk It
Pennyroyal Tea
Radio Friendly Unit Shifter
Tourette's
All Apologies
Gallons Of Rubbing Alcohol Flow Through The Strip (bonus tracks & B-sides)
Marigold
Sappy
Moist Vagina
I Hate Myself & Want To Die
Radio Friendly Unit Shifter (CD2: live In Los Angeles - Great Western Forum December 30, 1993)
Drain You
Breed
Serve The Servants
Come As You Are
Smells Like Teen Spirit
Sliver
Dumb
In Bloom
About A Girl
Lithium
Pennyroyal Tea
School (CD3: live In Los Angeles - Great Western Forum - December 30, 1993)
Polly
Frances Farmer Will Have Her Revenge On Seattle
Rape Me
Territorial Pissings
Jesus Doesn't Want Me For A Sunbeam
The Man Who Sold The World
All Apologies
On A Plain
Heart-Shaped Box
Blew
Feedback Jam
Radio Friendly Unit Shifter (CD4: live In Seattle - Seattle Center Arena - January 7, 1994)
Drain You
Breed
Serve The Servants
Come As You Are
Smells Like Teen Spirit
Sliver
Dumb
In Bloom
About A Girl
Lithium
Pennyroyal Tea
School (CD5: live In Seattle - Seattle Center Arena - January 7, 1994)
Polly
Frances Farmer Will Have Her Revenge On Seattle
Milk It
Rape Me
Territorial Pissings
Jesus Doesn't Want Me For A Sunbeam
The Man Who Sold The World
All Apologies
On A Plain
Scentless Apprentice
Heart-Shaped Box
Blew
Serve The Servants (live In Rome - bonus live 1993/1994)
Scentless Apprentice (live In Rome)
Heart-Shaped Box (live In Rome)
Very Ape (live In Rome)
Milk It (live In Springfield)
Tourette's (live In New York)
 in stock $187.75
Delta Machine: The 12" Singles
Delta Machine: The 12" Singles (limited numbered 6x12" box set + poster + MP3 download code in slipcase)
Cat: 196587 65361. Rel: 06 Oct 23
 
Coldwave/Synth
Heaven (Blawan dub) (7:12)
Heaven (Owlle remix) (4:48)
Heaven (Steps To Heaven Voxdub) (6:10)
Heaven (Matthew Dear vs Audion instrumental mix) (5:58)
Heaven (Blawan remix) (5:35)
Heaven (Steps To Heaven remix) (6:10)
Heaven (Matthew Dear vs Audion vocal mix) (5:49)
Heaven (live Studio Session) (3:54)
Soothe My Soul (Steve Angello vs Jacques Lu Cont remix) (7:01)
Soothe My Soul (Matador remix) (8:10)
Soothe My Soul (Destructo remix) (6:03)
Soothe My Soul (Gregor Tresher remix) (7:05)
Soothe My Soul (Tom Furse - The Horrors remix) (4:48)
Soothe My Soul (Billy F Gibbons & Joe Hardy remix) (5:17)
Soothe My Soul (Joris Delacroix remix) (6:53)
Soothe My Soul (Black Asteroid remix) (5:34)
Soothe My Soul (Gregor Tresher Soothed remix) (5:52)
Goodbye (Gesaffelstein remix) (3:47)
Should Be Higher (Truss remix) (6:19)
Should Be Higher (MPIA3 Definition) (5:51)
Should Be Higher (Koem Groenveveld Massive remix) (6:39)
Should Be Higher (Pangaea dub remix) (4:12)
Should Be Higher (Uberzone remix) (4:59)
Should Be Higher (DJMREX remix) (6:22)
Should Be Higher (Jim Sclavunos From Grinderman remix) (4:10)
Should Be Higher (Little Vampire remix) (5:29)
Should Be Higher (MAPS remix) (5:42)
Should Be Higher (Jim Jones Revue remix) (5:04)
Should Be Higher (radio mix) (3:29)
 in stock $151.99
SoMa Laboratory Metaconformer Modular MIDI Processor SoMa Laboratory Metaconformer Modular MIDI Processor SoMa Laboratory Metaconformer Modular MIDI Processor SoMa Laboratory Metaconformer Modular MIDI Processor SoMa Laboratory Metaconformer Modular MIDI Processor SoMa Laboratory Metaconformer Modular MIDI Processor SoMa Laboratory Metaconformer Modular MIDI Processor
Cat: 990844 Rel: 09 Jan 24 • View all MIDI converters & accessories
 
Smart MIDI router & thru box
Notes: Another typically creative offering from the good people at Soma, the Metaconformer is a MIDI router and thru box with some nice touches, including Combiner mode to join monophonic instruments into one big polyphonic patch.

Supplier's Notes:
METACONFORMER is a smart MIDI router and thru box.

The METACONFORMER has 2 independent MIDI inputs and 4 MIDI outputs. One of the outputs can be configured as a sync signal source.

Today METACONFORMER supports 3 modes of processing MIDI messages:

Splitter mode allows you to split the keyboard of one MIDI channel into several zones. Notes from each zone are sent to only one instrument. This allows you to simultaneously play several instruments at once, listen to the interaction of timbres without having to switch the MIDI channel.

Combiner mode allows you to combine several monophonic instruments into one multitimbral polyphonic instrument. This works the same way as a polyphonic synthesizer's algorithm when it activates its voices. Only instead of voices with the same dynamics and parameters, you can play completely different timbres, which greatly expands the possibilities for creating interesting harmonies and rhythms.

Translator mode allows you to play the sound core parameter by pressing notes. Each received note is translated into a CC message corresponding to the desired parameter. This mode allows you to play with sound parameters, rather than simply enter them by rotating the knob. This mode works great with granular delays, resonant filters and paraphonic oscillators.

Power supply: DC +5V via USB
Current consumption: 20 ma max
Dimensions: 148 x 50 x 20 mm
Weight: 0.15 kg
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Erica Synths DJ VCF Stereo Analogue DJ-Style Filter Module
Cat: 989863 Rel: 08 Jan 24 • View all Synth modules
 
Analogue stereo DJ filter module - 8HP
Notes: Stereo version of Erica's DJ-style filter module designed with drums in mind. Simple three-knob interface gives control over joint low-pass/high-pass resonant filter with CV input.

Supplier's Notes:
As its name suggests, the Erica Synths DJ VCF STEREO module provides sound treatment functionality typically found on DJ decks - it is fully open when the cutoff knob is at 12:00. When turned counter-clockwise, lowpass filtering is applied and when turned clockwise, highpass filtering is initiated. Additionally, there is a nice-sounding, adjustable resonance parameter. This provides hands-on control over the sound during performances as well as unconventional timbre modulations that are hard to achieve with conventional state variable filters.

Features

Fully analogue stereo DJ-style VCF
Manual cutoff and resonance control
Two cutoff CV inputs, one with an attenuverter
Technical specifications:

Audio level: 10Vptp
CV level: -10V - +10V
Filter slope: 24dB/oct
Power consumption: +109mA, -101mA
Module width: 8HP
Module depth: 35mm
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 1 in stock $189.32
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After Later Audio Barback Mixer Expander Module For Bartender
After Later Audio Barback Mixer Expander Module For Bartender (mixer/dual/stereo/panning/VCA/expander module)
Cat: 1004405 Rel: 11 Mar 24 • View all Synth modules
 
Mixer expander module for Bartender
Notes: Two channel expander for Bartender

Mixer section

Each channel has the following:

Stereo or mono - Each channel can be treated as a stereo channel or a mono channel with two summed inputs.

CV inputs for both panning and level control

Two send buses - You can route each channel to one of two send buses. Each send bus is stereo. You can choose if you want the send to come before or after the level/panning controls.

Mute - The mute has both latching mute (up) and a momentary mute (down). The mute uses a capacitor to slow the turn off and on of the mute action. So it is mostly click-less, but you may find an occasional pop.

Cue bus - You can route each channel to the cue bus.

Expandable Mixer Series

Bartenders can be cascaded to create 8ch, 12ch, or 16ch mixer. The main level is what is sent the main level control can act as a group control.

Barbacks can be added to add 2ch to your mix. Barbacks can also be cascaded enabling up to a 16ch mixer configuration.

Send-VCA can be added for CV control of the level of the send.

DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 10hp
12V: 125mA
-12V: 100mA
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Blood Sweat & Tears (remastered)
Blood Sweat & Tears (remastered) (limited numbered 180 gram vinyl 2xLP box set + booklet + inserts)
Cat: UD1S 2016. Rel: 01 Jan 90
 
Rock
Variations On A Theme By Erik Satie (1st & 2nd Movements) (Adapted From "Trois Gymnopedies") (2:36)
Smiling Phases (5:12)
Sometimes In Winter (3:10)
More & More (3:05)
And When I Die (4:05)
God Bless The Child (5:56)
Spinning Wheel (4:06)
You've Made Me So Very Happy (4:14)
Blues (part II) (1:57)
Variations On A Theme By Erik Satie (1st Movement) (Adapted From "Trois Gymnopedies") (11:03)
 in stock $170.93
Zoom G3Xn Multi-Effects Processor Pedal With Expression Pedal Zoom G3Xn Multi-Effects Processor Pedal With Expression Pedal Zoom G3Xn Multi-Effects Processor Pedal With Expression Pedal
Cat: 630205 Rel: 07 Feb 24 • View all Effects pedals
 
Multi-effects processor pedal with expression pedal
Notes: If guitar is your passion, you need freedom and flexibility to explore all of its sound possibilities. The Zoom G3n Multi-Effects processor removes any creative barriers in your way.

The G3n is a versatile multi-effects processor that lets you defy genre with the most realistic stompbox, cabinet, and amplifier emulations Zoom has ever created. Its high-quality sound, portable design, 80 second Looper, and intuitive interface make it the perfect addition to your pedalboard. To put it simply, the G3n offers all the sounds and tools you need to improve your tone and sound greater than ever.

Boutique Pedals, Legendary Amps, and Superior Effects:

The G3n is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators Zoom have ever created. Zoom have loaded the G3n with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included.

Create Complex Signal Chains:

Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device.

Accurate, Realistic Amp and Cabinet Emulation:

Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing - and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120 - available now with more being released every month.

75 Custom-Crafted Patches and Counting:
Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new.

Fast and Intuitive Editing:

The G3n's switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches.

Practice and Perform:

There are 68 built-in rhythm patterns included with the G3n, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.

Inputs and Outputs:

The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On).

ZOOM Guitar Lab Software:

The free ZOOM Guitar Lab Mac/Windows software enables you to manage your patches and download new effects and amp/cabinet emulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over re-naming or re-ordering your custom patches.
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 1 in stock $156.71
Gemini XGA-3000 Professional PA System & DJ Rig Amplifier Gemini XGA-3000 Professional PA System & DJ Rig Amplifier
Notes: Pro quality PA/DJ amp at a reasonable price. 3000w of power and under 10kg weight make the XGA-3000 reliable and effective.

Supplier's Notes:
Light and extremely powerful, always a low price.

Clean, reliable power in a durable 18lb enclosure. If you demand professional amplification performance, the XGA-3000 is perfect for delivering pure, consistent wattage night after night, year in and year out! This system brings 3,000 watts of Instant Peak Power making it ideal for PA systems and DJ rigs. Gemini have designed this with patented front to rear airflow technology powered by a variable speed thermal stabilizer to guarantee seamless, reliable performance every single night! The XGA-3000 offers clean, dependable power in a lightweight body at an unmatched value.
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 1 in stock $187.22
1970s (Japanese Edition)
1970s (Japanese Edition) (12xCD in slip-case with obi-strip)
Cat: CDSOL 71402. Rel: 11 Apr 23
 
Indie/Alternative
Live At The Witch Trials (CD1)
Dragnet (CD2)
Bingo Master's Break-Out - Single/It's The New Thing - Single/Rowche Rumble - Single/Peel Session - 15 6 1978/Peel Session - 06 12 1978 (CD3)
It's The New Thing - Extended B Side/Dresden Dolls - Bootleg Single/Short Circuit - Live At The Electric Circus/Rowche Recording Session (CD4)
North West Arts Manchester 23 5 1977 (CD5)
Manchester Musicians Collective - Band On The Wall - 13 11 1977 (CD6)
Stretford Civic Theatre Manchester - 23 12 1977 (CD7)
Mr Pickwick's Liverpool - 22 08 78 (CD8)
Carlton Club Warrington - 13 11 1978 (CD9)
Institute Of Technology Bolton - 04 12 1978 (CD10)
Prince Of Wales Conference Centre YMCA Building London - 15 09 1979 (CD11)
JB's Dudley - 3 11 1979 (CD12)
 in stock $161.98
Erica Synths Stereo Compressor Module With Sidechain
Cat: 936456 Rel: 14 Apr 23 • View all Synth modules
 
Stereo compressor module with sidechain - 10HP
Notes: Everything sounds better with compression - whether you need a bit of extra pressure for your drum sounds or just that extra touch to make your modular mix more nimble and tight, the Erica Synths Stereo Compressor will make your live performances a joy. The module is optimized for percussion sounds and will be a great addition to any Erica Synths Drum module rig. The Stereo sidechain can be used to animate melodic layers on the beat and to truly bring your Basslines to life.

Features

THAT chip-based stereo compressor
DC coupled sidechain
Gain, Threshold and Compression Amount (Ratio) settings
Stereo Link for level detectors
Bypass switch
8 segment output level VU meter

Specs

Audio input level -5...+5V
Threshold -40dB to +10dB
Makeup gain -12dB to +12dB
Ratio 1:1 to 8
Power consumption +60mA, -22mA
Module width 10HP
Module depth 35mm

INPUT LVL; Adjust the input signal level to your taste
GAIN; This knob adjusts the makeup gain of the compressor
THRESHOLD; Set the compressor threshold
COMP. AMT;This knob adjusts the compression ratio
STEREO LINK; Sending hard-panned or significantly different audio levels on the left and right channels into the audio inputs may result in undesired left-right panning on the output of the compressor, because the level detectors on each channel will ensure a different amount of compression. With the STEREO LINK switch on, the level detectors on both channels are merged and the min/max function is engaged. This ensures equal compression on both channels.
PROCESS; The bypass switch allows for turning off the compressor instantly
8 SEGMENT VU METER; 8 segment VU meter gives a visual reference of the output signal
IN L / IN R; These are the L and R audio inputs
OUT L / OUT R; These are the L and R outputs of the module
SIDE IN L / SIDE IN R; These are L and R sidechain inputs. You can process each channel individually
SIDE OUT L / SIDEOUT R; These are the sidechain signal outputs - they are buffered copies of the sidechain inputs
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Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories Rode RODECaster Pro II Backpack For RODECaster Pro II/Microphones/Boom Arms/16" Laptop/Accessories
Cat: 942708 Rel: 16 Aug 23 • View all Recording Studio Accessories
 
The Backpack is made from high-quality materials, including a soft, durable Alcantarar handle, ballistic nylon straps and water-resistant exterior, it is rugged and hard-wearing.
Notes: The Backpack is made from high-quality materials, including a soft, durable Alcantarar handle, ballistic nylon straps and water-resistant exterior, it is rugged and hard-wearing.

It can accommodate a RODECaster Pro II, plus microphones, studio arms and other accessories, as well as laptops up to 16 inches. Ergonomic adjustable shoulder straps with back and chest support ensure absolute comfort, with exterior pockets and compartments providing additional storage.

RODE BACKPACK Features:

Designed to exact specifications of the RODECaster Pro II
Lightweight and highly durable
Accommodates microphones and accessories
Laptop compartment (16")
Water resistant
Interior dimensions: 495 x 304mm
18L internal capacity
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 1 in stock $166.18
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Erica Synths Black EG2 Exponential ADSR Envelope Generator Module
Cat: 944209 Rel: 15 May 23 • View all Synth modules
 
Re-triggerable, looping envelope generator module - 8HP.
Notes: The Erica Synths Envelope Generator 2 is a re-triggerable, looping envelope generator with some unconventional features that are very useful for experimental setups. What sets the Black EG2 apart from other envelope generators is its optional GATE LENGTH setting, which allows for generating full ADSR envelopes even if a short trigger is used at the input. Likewise, in LOOP mode, the module outputs a full ADSR envelope instead of a classical AD envelope. The gate length is both manual and CV controlled, which allows for using this envelope generator in compact modular setups controlled by trigger sequencers only.

SPECS:

Gate input level 3...10V
Envelope amplitude 0...10V
Attack time 0...7,4"
Decay time 0...19"
Sustain level 0...10V
Release time 0...17"
Gate length 0...3,7"
Panel width 8HP
Module depth 25mm
Power consumption 29mA@+12V, 33mA@-12V

LOOP/SINGLE

Select between SINGLE SHOT or LOOP modes. When the internal gate is o , the rise and fall times are set via the A and R knobs. When the internal gate is on, all knobs have an e ect on the envelope shape.

The LED gives visual feedback on the envelope state.
GATE ON
Engage the internal gate and you have a full ADSR envelope in loop mode and with a trigger applied to the trigger input in single mode.

G. LENGTH

Set the internal gate length manually

LENGTH CV

This is the internal gate length CV input.

The CV is added to the gate length potentiometer setting

GATE

This is the GATE input

A / D / S / R

These knobs adjust envelope stage times and sustain level

TRIGGER

This is the TRIGGER input. You can retrigger the envelope and start the attack stage again, even if the gate is still high (see Figure 1).

If you wish to use the envelope generator with an internal gate, patch the incoming trigger signal here. The internal gate is linked to the trigger input, not the gate input.

EG OUT

This is the envelope generator output.
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Erica Synths Black DADSR EG Re-Triggerable Exponential DADSR Envelope Generator Module
Cat: 944211 Rel: 15 May 23 • View all Synth modules
 
Analogue envelope generator module - 10HP
Notes: The Erica Synths Black DADSR (Delay-Attack-Decay-Sustain-Release) is a fully analogue envelope generator that gives you extended control over events in your modular synth. It's a looping exponential envelope generator that has voltage control over each stage of the envelope. An independent Gate Delay section adds extra functionality to design advanced soundscapes, like delayed modulation e ects, wave morphing, etc.

SPECS:
Attack time (with max CV) 0...2,5" (4,4")
Decay time (with max CV) 0...5" (12")
Sustain level 0...10V
Release time (with max CV) 0...4,5" (10")
Gate delay time 0,7"
CV level (full sweep) -5V - +5V
Panel width 10HP
Module depth 30mm
Power consumption 42mA@+12V, 58mA@-12V


ATTACK
Set the attack time of the envelope

GATE
Patch the gate signal here to start the envelope. If nothing is patched here, the gate input is normalled to the gate

DELAY OUT
CV ATTENUATORS
These are CV attenuators for attack, sustain and release stages

SUSTAIN
Set the sustain level of the envelope

GATE DEL
Set the gate delay time

TRIGG
You can retrigger the envelope at any stage by applying trigger signal here. The trigger alone initiates an AD envelope instead of ADSR

DELAY OUT
This is the gate delay output. The gate delay section can be used independently to control other modules in your modular setup

D GATE
If you wish to use gate delay functionality, patch the gate signal here

BP OUT
This is the bipolar output - the CV here is centered against 0V and this output serves as an LFO

EG OUT
This is the envelope generator output

M. GATE
This is the manual gate button. A built in LED gives a visual reference of the output voltage

RELEASE
Set the release time of the envelope

DECAY
Set the decay time of the envelope

LOOP
This is a LOOP switch. When it's ON, the envelope generator outputs a signal for which the rise time is defined by the Attack setting and the fall time is defined by the Release knob setting.
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ADDAC System ADDAC713 Stereo Discreet Mixer Module (B-STOCK)
ADDAC System ADDAC713 Stereo Discreet Mixer Module (B-STOCK) (distortion/dual/stereo/mixer/panning synth module)
Cat: 944637 Rel: 01 Jan 90 • View all Synth modules
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Inspired by the legendary Moog CP3 mixer, the 713 tweaks the old-school discrete circuits into three stereo inputs and one mono channel, summing to stereo with adjustable feedback and clipping to add character.

Supplier's Notes:
ADDAC713 is the stereo version of ADDAC System's 703 Discrete Mixer.

Inspired by Moog's CP3 mixer, this is a fully discrete analogue mixer and it's not, by any means, your standard breakfast mixer, although it can behave like one.

This is a wolf in sheep's clothing. Despite its harmless looks there's a dark snarly soul behind that panel that wants to take your sounds into a realm of gritty gnarly growls.

This new version was initially thought of as a percussion mixer, with mono inputs and panning, to allow placing percussive voices in the stereo field, while keeping channel 4 in mono for low end sources like a kick drum or Bass. In the development process ADDAC System slightly changed this initial idea, adding stereo inputs for the first 3 channels, but still kept the 4th channel in mono.

All four [GAIN] controls go to extreme levels, the first 3channels also feature [PAN] controls. Feedback is used to overdrive the whole mix. As the control is turned clockwise the sound will be clipped harder until it goes completely off, this happens as feedback is increased the audio bias reference also moves up, at extreme levels it offsets the whole signal upwards until it completely goes above the top rail clipping the whole signal hence the resulting gate effect.

The [MASTER OUTPUT] sets the overall output gain of the mixer, the two leds monitor the audio output signal. The Soft clipping switch engages an anti-click circuit which adds a low pass before the output, the switch allows 3 states: Soft low pass / Off / Hard low pass.

Features:

Three channels with stereo inputs, gain and pan knob
One channel with mono input and gainknob
Feedback/gate knob
Master output volume knob
Soft clipping switch
Two Led Monitors for Left and Right channels

Tech Specs:

8HP
4cm deep
80mA +12V
80mA -12V
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 2 in stock $193.41
Doepfer A-147-4 Dual VCLFO Dual Voltage Controlled Low Frequency Oscillator Module (silver)
Cat: 945415 Rel: 13 Jun 23 • View all Synth modules
 
A dual voltage controlled LFO (Low Frequency Oscillator) module in 8HP.
Notes: Module A-147-4 is a dual voltage controlled LFO (Low Frequency Oscillator). Each LFO has the five waveforms triangle, sine, rising and falling sawtooth, as well as rectangle available. The rectangle output features manually adjustable pulsewidth and pulsewidth modulation by means of an external control voltage. The core waveform is triangle. The other waveforms are derived from triangle by means of waveform converters. The frequency of each LFO can be adjusted manually and modulated by means of an external control voltage with associated attenuator and polarity switch. By means of a jumper the basic frequency range of each LFO can selected: about 0.02 Hz (~ 50 seconds) ... 2.5kHz or about 0.0017 Hz(~ 600 seconds) ... 220Hz. That way each LFO can be used also as a VCO with a max. frequency of about 2.5kHz. Each LFO features a reset input which can be used to reset the triangle signal.

The module has these controls and in/outputs available:

Control F : manual control of the frequency, for each LFO the frequency range can be selected by means of a jumper from two values (see technical notes)

frequency coverage of control F in the high frequency range: about 0.075 Hz (~ 13 seconds) ... 1,4kHz

frequency coverage of control F in the low frequency range: about 0.007 Hz (~ 140 seconds) ... 125Hz

Control CV: attenuator for the signal applied to the CV socket, by means of a jumper a small positive voltage can be applied to the switching contact of the /CV/ socket, as long as no patch cable is connected to /CV/ socket the CV control then works as fine control for the frequency

Switch CV Pol.: polarity switch for the signal applied to the socket /CV/

Control PW/PM: combined control for manual and CV control of the rectangle pulsewidth:

when no patch cable is connected to socket /P/ the control is used to adjust the pulsewidth (PW) manually

when a patch cable is connected to socket /P/ the control works as attenuator for the external CV signal with a basic pulsewidth of 50:50.

Socket /CV/: frequency control voltage input, in the factory the module is adjusted so that the sensitivity of this input is exactly 1V/octave when the CV control is fully CW.

Socket /R/: reset input, according to the associated jumper the reset input is edge triggered or level controlled (see technical notes for details)

Socket /P/: pulsewidth control voltage input

Sockets with waveform symbol: output of the waveform in question (triangle, sine, rising and falling sawtooth, rectangle)

The output voltage ranges are about -5V ... +5V (10Vpp), except the rectangle output

For the rectangle output one can choose by means of a jumper if the range is about -5V ... +5V or 0...+10V.

LED: visual control of the LFO (triangle)

The inputs of the module are labelled with white characters on black background (in the text included into two slashes). The outputs are labelled with black characters.
Technical notes and special features:

The basic frequency range of each LFO can be selected by means of a jumper. The settings correspond to two different capacitor values for the VCO circuit. The relation between the two ranges is about 1:11. When the upper range is selected frequencies from about 0.02 Hz up to 2.5kHz can be generated. For the lower range the values are about 0.0017 Hz ... 220Hz. To obtain these full frequency ranges external control voltages are required. With the frequency control F only the frequencies mentioned above are possible.

Apart from that the range for the manual control F can be reduced to obtain a finer resolutuion. For this a jumper has to be removed. The range of control F is then reduced to about 1:4.5 only.

In the factory the starting voltage of the triangle output after a reset is adjusted to 0V, i.e. the triangle starts from 0V with the rising slope after a reset. By means of a trimming potentiometer the starting voltage can be adjusted to another value (e.g. to -5V).

Another jumper is used to set the reset behaviour to edge triggered or level controlled. When set to edge triggered the rising edge of reset signal is used for the reset (independent of the duration of the "high" state of the reset signal). When set to level controlled the triangle output remains at the starting voltage as long as the reset signal is "high". Only when the reset signal turns "low" the triangle starts.

Dimensions
8 HP
45 mm deep

Current Draw
80 mA +12V
70 mA -12V
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Tags: LFO module
 1 in stock $163.03
Xaoc Devices Deva 1970 Feedback Loop Commander Module
Xaoc Devices Deva 1970 Feedback Loop Commander Module (dual/stereo/expander/filter/VCA synth module)
Cat: 945644 Rel: 05 Jul 23 • View all Synth modules
 
An expander module for Xaoc Devices Timiszoara multi-fx in 8HP.
Notes: Add external feedback loops, tilt filters and more to the Timiszoara effects module with this versatile expander. A must-have for Timiszoara owners.

Supplier's Notes:
Deva is an expander for Xaoc Devices' Timiszoara multi-fx module designed for creative exploration of the dirty/nasty side of signal processing. Deva opens up the Timiszoara programs you've come to love with some unexpected twists and turns along the way. The analog side features two external feedback loops (for the left and right channel) with tilt filters adjustable via sliders with two additional switches for choosing positive or negative feedback (for each channel). The third slider controls the DAC clock - from overclocking by a factor of two down to 16-times slower, so you can go from chipmunk to hardcore teeth gnashing of underclocked goodness. A switch allows for turning the clock control off for normal/regular operation. All features have inputs for external CV.

Technical details

Eurorack synth compatible
8hp, skiff friendly
Power drawn from Timiszoara: +60mA/ -50mA
Reverse power protection

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 5 in stock $163.03
Joranalogue Route 4 Latching Signal Router Module Joranalogue Route 4 Latching Signal Router Module
Cat: 945834 Rel: 13 Sep 23 • View all Synth modules
 
A latching signal router module in 8HP.
Notes: Flexible Eurorack signal paths under gate or trigger control: that is the basic principle behind Route 4. Consisting of a pair of complementary routing sections, it grants access to a new level of signal routing options.

The module's top section is a 4-to-1 router. Any of the four signal inputs may be selected to be mixed into the section's output, as determined by the control inputs.

Control can either be gate or latch driveniin the latter case, the signal inputs are toggled on and off by received trigger pulses. Meanwhile, the solo/multi switch determines whether the inputs are exclusive, or if multiple may be active at the same time.

With each input socket biased by a +1 V precision voltage source when left unused, gate or trigger controlled transposition of pitch sequences becomes a breeze.

On the bottom, the 1-to-4 router provides the same feature set, with a single input being routed to up to four outputs and normalisation between the sections adding some patching convenience.

All signal paths are designed for use with any Eurorack signals, whether they be control voltages, audio or gate streams. Visual feedback is provided by 10 responsive LEDs, continually displaying the status of the routers.

With Route 4, an 8 HP super-flexible analogue mixing and routing powerhouse has arrived to fuel your patching imagination. The ability to redirect signals within a modular system on the fly, with an unparalleled level of control, is sure to excite even the most seasoned patcher.

8 HP | +12: 35 mA, -12: 20 mA
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 1 in stock $171.44
Jolin Singoli Combining Transient Detector Module
Jolin Singoli Combining Transient Detector Module (attenuator/envelope generator/expander/mixer synth module)
Cat: 946010 Rel: 06 Jul 23 • View all Synth modules
 
A 7-channel DC coupled active combiner module in 6HP.
Notes: SINGOLI is a 7 channels DC coupled active combiner with an analogue transient detector output.

All the inputs I are equipped with LED meters and a dedicated attenuating potentiometer.

O will give you the combined mixed output.

T is an additional transient detector out that will fire only when a certain threshold is detected from the sum of all the inputs.

The toggle switch activates or deactivate the internal connection to Tutto&Sempre when the two modules are paired together thanks to the included JST cable.

Features

DC coupled mixer with 7 inputs and individual attenuators.
Intensity sensitive LED meters on all the inputs.
Analogue transient detector output.
Toggle switch to activate / deactivate its normalization to Tutto&Sempre.
"Whatever" power connector a.k.a. don't mind the polarity.

Technical Specs

Width: 6HP
Depth: 25mm
15mA +12V
10mA -12V
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 1 in stock $184.07
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Molten Modular Motion MTR 1U CV & Audio Utility/Real Time Visualiser Module Molten Modular Motion MTR 1U CV & Audio Utility/Real Time Visualiser Module
Molten Modular Motion MTR 1U CV & Audio Utility/Real Time Visualiser Module (mixer/attenuator/polarizer/utility synth module)
Cat: 946024 Rel: 02 Jun 23 • View all Synth modules
 
1U version of Molten Modular's MTR
Notes: This 1u version will be functioning as its 3u counterpart but with four channels.

More info to follow.
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 1 in stock $151.20
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Morphor Mixer 5-Channel Amplifier Module Morphor Mixer 5-Channel Amplifier Module Morphor Mixer 5-Channel Amplifier Module
Morphor Mixer 5-Channel Amplifier Module (mixer/utility synth mdoule)
Cat: 946952 Rel: 19 Oct 23 • View all Synth modules
 
5 channel mixer module with optimal playability in 8HP.
Notes: The Morphor Mixer - 5 Channel Amplifier is a flexible analogue mixer module that can find a home in every type of Eurorack setup.

Each of the five channels feature an attenuator knob and mute switch to allow for instant playability, for example in live settings.

Input signals can be AC or DC-coupled depending on your preferred setting.

The output stage also features an extra attenuation/gain stage that allows you to double the mixed signal. An additional master mute switch, clipping LED are nice-to-haves that complete this intuitive mixer module.

Weight: 102 g
Dimensions: 128.5 × 40.3 × 30 mm
Width: 8 HP
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 1 in stock $163.04
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Morphor VCF Multimode Analogue Filter Module Morphor VCF Multimode Analogue Filter Module Morphor VCF Multimode Analogue Filter Module Morphor VCF Multimode Analogue Filter Module
Morphor VCF Multimode Analogue Filter Module (dual/stereo/filter synth module)
Cat: 947102 Rel: 19 Oct 23 • View all Synth modules
 
Multimode VCF module with dual filter core and pole selection in 8HP.
Notes: The Morphor VCF Multimode is an intuitive, no nonsense 8HP fully analogue filter module. Featuring a dedicated lowpass and highpass filter core.

To shape the sound exactly the way you want, both filter sections have a cutoff frequency control over the whole audible frequency range through a knob and bipolar CV jack. Additionally, resonance control and a switchable pole selection are available.

The second output acts as both a bandpass and highpass output, depending on the position of the BP/HP mixing knob. Combining all these features results in an easy-to-use but flexible module to perform your unique filter needs.

Weight: 110 g
Dimensions: 128.5 × 40.6 × 40 mm
Width: 8 HP
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 1 in stock $173.55
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TipTop Audio Control Path Voice Dynamics Module
TipTop Audio Control Path Voice Dynamics Module (dynamics/envelope generator/VCA module)
Cat: 947138 Rel: 04 Mar 24 • View all Synth modules
 
Voice dynamics module - 8HP
Notes: CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 50mA / -12V 55mA
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 1 in stock $158.57
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Otis Forever: The Albums & Singles 1968-1970
Cat: ATL 659230. Rel: 12 Jun 23
 
Soul
(Sittin' On) The Dock Of The Bay (LP1: The Dock Of The Bay) (2:41)
I Love You More Than Words Can Say (2:54)
Let Me Come On Home (2:52)
Open The Door (2:19)
Don't Mess With Cupid (2:29)
The Glory Of Love (2:56)
I'm Coming Home (3:02)
Tramp (2:59)
The Huckle-Buck (3:02)
Nobody Knows You (When You're Down And Out) (3:07)
Ole Man Trouble (2:37)
I've Got Dreams To Remember (LP1: The Immortal) (3:13)
You Made A Man Out Of Me (2:08)
Nobody's Fault But Mine (2:24)
Hard To Handle (2:18)
Thousand Miles Away (2:09)
The Happy Song (Dum-Dum-De-De-De-Dum-Dum) (2:41)
Think About It (3:01)
A Waste Of Time (3:18)
Champagne & Wine (2:58)
A Fool For You (2:56)
Amen (3:05)
I'm A Changed Man (LP3: Love Man) (2:16)
(Your Love Has Lifted Me) Higher & Higher (3:02)
That's A Good Idea (2:17)
I'll Let Nothing Separate Us (2:51)
Direct Me (2:18)
Love Man (2:18)
Groovin' Time (2:47)
Your Feeling Is Mine (2:19)
Got To Get Myself Together (2:22)
Free Me (3:07)
A Lover's Question (2:53)
Look At That Girl (2:36)
Demonstration (LP4: Tell The Truth) (2:22)
Tell The Truth (3:07)
Out Of Sight (2:15)
Give Away None Of My Love (2:47)
Wholesale Love (2:26)
I Got The Will (2:49)
Johnny's Heartbreak (2:25)
Snatch A Little Piece (2:08)
Slippin' & Slidin' (1:55)
The Match Game (2:52)
A Little Time (2:19)
Swingin' On A String (2:45)
(Sittin' On) The Dock Of The Bay (LP5: The singles 1968-1970) (2:37)
Sweet Lorene (2:28)
The Happy Song (Dum-Dum) (2:41)
Open The Door (2:24)
Hard To Handle (2:30)
Amen (2:58)
I've Got Dreams To Remember (3:15)
Nobody's Fault But Mine (2:24)
White Christmas (3:03)
Merry Christmas, Baby (2:26)
Papa's Got A Brand New Bag (2:30)
Direct Me (2:19)
A Lover's Question (LP6: The singles 1968-1970) (2:36)
You Made A Man Out Of Me (2:08)
Love Man (2:19)
Can't Turn You Loose (3:33)
Free Me (3:08)
(Your Love Has Lifted Me) Higher & Higher (3:04)
Look At The Girl (2:37)
That's A Good Idea (2:18)
Demonstration (2:24)
Johnny's Heartbreak (2:28)
Give Away None Of My Love (2:51)
Snatch A Little Piece (2:11)
 in stock $153.31
Eowave Ricochet Quad Chained Analogue Decay & VCA Module
Eowave Ricochet Quad Chained Analogue Decay & VCA Module (drum/dynamics/envelope generator/quad/sequencer/VCA module)
Cat: 947808 Rel: 15 Dec 23 • View all Synth modules
 
Quad chained analogue decays & VCAs module - 14HP
Notes: Great value from this versatile percussion module, built around a noise generator and four linked envelope generators, each with its own VCA. Generate hi-hats, envelopes, shape drums or create modulation sequences.

Supplier's Notes:
Ricochet is a compact, fully analogue module featuring four interconnected decay envelopes, each with its own VCA and an integrated noise generator.

The module's design is inspired by the way skipping stones bounce on the water, creating a versatile tool for crafting percussive sounds.

The exponential envelopes are specifically designed to generate dynamic percussive tones. The unique linking function connects the end of one envelope's decay to the trigger of the next, enabling the subsequent envelope to activate once the previous one ends. This innovative feature allows you to create ratcheted envelope.

A front-panel trimmer lets you adjust the threshold for triggering subsequent envelopes, while a rear header enables connecting two Ricochet modules together, or linking the last envelope to the first. This feature transform the Ricochet to a weird sequencer where the steps length depend of the decay times.

Since Ricochet is fully analogic, trig inputs are velocity-sensitive, responding to a standard gates but also allowing attenuation to modify the envelope's velocity (you can play with the dynamic of your sound by attenuating the trigg input. Ricochet is also perfect to play with drum pads).

Each VCA features a gain control that can be pushed to achieve subtle saturation.

All envelopes and VCAs have separate outputs, but there are also mixed audio and envelope outputs. When an individual output is connected, it is removed from the mix. The decay modulation inputs are normalized between each other.

Last but not least, an analogue noise generator is normalised to the first input, so you can use ricochet on it's own to create hi hat kind of sounds

Main features:

- Fully analogue design so everything is responsive to the amplitude
- Unique linked envelopes feature
- Compact 4 envelopes 4 VCAs module
- Linkable to a second ricochet or looping back the last envelope to the first one

Some applications:

- Envelope generator
- Drum shaper
- Hi-hat
- Clap envelope shaper( with short ratcheted envelopes)
- Envelope sequencer
- Trigg delay
- Burst generator

Technical details:

- Fully Analogue design
- 14hp
- Skiff friendly
- Reverse power protection
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 7 in stock $196.69
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Tucker & Bloom DJ Sidekick 45 7" Vinyl Record DJ Bag 100 (navy ballistic) Tucker & Bloom DJ Sidekick 45 7" Vinyl Record DJ Bag 100 (navy ballistic) Tucker & Bloom DJ Sidekick 45 7" Vinyl Record DJ Bag 100 (navy ballistic) Tucker & Bloom DJ Sidekick 45 7" Vinyl Record DJ Bag 100 (navy ballistic) Tucker & Bloom DJ Sidekick 45 7" Vinyl Record DJ Bag 100 (navy ballistic) Tucker & Bloom DJ Sidekick 45 7" Vinyl Record DJ Bag 100 (navy ballistic)
Cat: 948888 Rel: 07 Jul 23 • View all Record bags
 
7" vinyl record DJ bag.
Notes: Tucker & Bloom created the Sidekick 45 Bag for the working DJ. This functional, long-lasting bag houses everything you need without any of the clutter. Enough records for a long set and enough pockets for the doo dads.
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 1 in stock $198.78
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EarthQuaker Devices Disaster Transport Delay Modulation Machine Effects Pedal (limited edition) EarthQuaker Devices Disaster Transport Delay Modulation Machine Effects Pedal (limited edition) EarthQuaker Devices Disaster Transport Delay Modulation Machine Effects Pedal (limited edition) EarthQuaker Devices Disaster Transport Delay Modulation Machine Effects Pedal (limited edition) EarthQuaker Devices Disaster Transport Delay Modulation Machine Effects Pedal (limited edition) EarthQuaker Devices Disaster Transport Delay Modulation Machine Effects Pedal (limited edition)
Cat: 944530 Rel: 05 Jun 23 • View all Effects pedals
 
An analogue voiced digital delay effects pedal.
Notes: Limited-edition reissue of EarthQuaker's excellent Disaster Transport, lightly updated for 2023. Modulated delay now with reduced noise floor, analogue-style filtering and switchable modulation modes.

Supplier's Notes:
Disaster Transport

Legacy Reissue

The Original Delay Modulation Machine

Limited to 3,500 units worldwide. Behold! The newest incarnation of one of Earthquaker Devices' most beloved pedals ever, the Disaster Transport. For those of you well versed in the pedal's celebrated history, you might notice some differences on this beautifully sparkly box. A new Mod Mode switch allows you to bend or stretch the modulation wave. The new Mod Speed switch offers three rates of modulation, from bizarrely animated gradual climbs and steep drop offs to rapid chorus and intense vibrato.

The delay line has been redesigned to reduce the noise floor and improve the quality of the delay. Plus, it's now filtered to sound more like an analogue delay than any of the previous versions. With knobs to control the Speed, Intensity, Mix, Repeats, and Time; this analogue-voiced digital delay sits perfectly in the background with an evolved ambiance, but can also be dialled in for the dramatic effect of your choosing.

EQD initially set out to recreate the original Disaster Transport pedal in its earliest form, but the OG of EQD, Jamie Stillman, couldn't resist tinkering and improving the whole thing, so you just got upgraded, my friend. In doing so, EQD redesigned the delay line to reduce the noise floor and improve the quality of the delay. The output was boosted with a cleaner mixing section; it's now filtered to sound more like an analogue delay than any of the previous versions.

EQD added a Mod Mode switch that allows you to choose between bending and stretching the modulation wave. The Bend setting offers a subtler vibe closer to a traditional chorus sound, while the new Stretch option gives you loads of pitch-stretching modulation to run wild with.

The other difference you probably spotted with your eagle eye is the Mod Speed three-position toggle switch. The Slow setting is excruciatingly slow and can produce bizarrely animated gradual climbs and steep drop offs. The Fast setting can go from a rapid chorus to an intense vibrato, while the Medium setting is the most traditional rate similar to the classic Memory Man circuit with a nice range to it.

The newly designed enclosure features knobs to control the Speed, Intensity, Mix, Repeats, and Time, with Modulate and Activate switches, making this a highly customizable pedal to get the delay sound of your dreams. Thanks to the ramp modulation circuitry, you can turn the delay time down and start to use feedback and modulation at a higher setting to harness a bizarre modulator and achieve subtle to wild chorus-type effects. Or set your delay time how you want to set it and use your modulation rates to set your tempo, so you can strum or pluck to the climbs and drop offs to match your riffs. The possibilities are endless.

Controls

1. Speed: Controls the speed of the modulation. The Speed operates in three ranges (Slow/Fast/Medium) selected by the Mod Speed toggle switch. The Disaster Transport uses a Ramp wave for the modulation. You'll find this to be much more intense than most modulated delays. Think of it as a traditional Triangle wave that falls off a cliff in mid-cycle, creating a drastic pitch bend in its wake. Or don't and just think about whatever you want.

2. Intensity: Controls how much the LFO modulates the delay time. More subtle chorus type effects are achieved with less intensity and more intensity will yield wild pitch stretching and bending. The overall modulation style can be made more or less subtle by using the Mod Mode toggle switch to select Bend or Stretch.

3. Mix: Sets the volume level for the delay signal. Hear more of what you just played 30-600ms ago by turning this up.

4. Repeats: Controls the intensity of delay feedback from no repeats at zero to self-oscillation at max. Let the past pile up on you until it implodes.

5. Time: Sets the delay time from around 30ms at zero to 600ms at max. Everyone needs more time; you are offered about 600ms worth.

6. Mod Speed: Three position toggle switch that sets the range in which the Speed operates.

7. Mod Mode: Two position toggle switch to choose the modulation style. Bend is more of a traditional chorus type modulation and Stretch is a wilder pitch stretching modulation.

8. Modulate: This foot-operated switch features Flexi-Switchr Technology and turns the modulation on and off.

9. Activate: This foot-operated switch features Flexi-Switchr Technology and turns the effect on and off.

Tech Specs

Dimensions: 3.65 x 4.65 x 2.25 in. (93 x 118 x 57 mm) with knobs
Current Draw: 35 mA
Input Impedance: 1 MO
Output Impedance: 1 kO

Flexi-Switch Technology

This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power

This device takes a standard 9 volt DC power supply with a 2.1mm negative centre barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

*** Do not run at higher voltages! ***
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