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Weedgrown Rocks (Space Rainbows In 7256 A.D. Ver.)
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Sacrilegious Mass
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St Barnabas
The Red Pig
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Sacrilegious Mass
Burn Your Child
St Barnabas
The Red Pig
Pre-orders at Juno
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We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $29.55
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Pre-orders at Juno
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We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $21.76
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Pre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $12.43
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Review: Following a series of self released albums over the past three years which saw them expand on hip hop classics with an auspicious level of jazz virtuosity, Canadian jazz trio Badbadnotgood grace the Innovative Leisure imprint with this enlightening collection III. Consisting of Matthew Tavares on keys, Chester Hansen on bass, and Alex Sowinski on drums, it's not hard to see why Badbadnotgood have been getting the usually hushed toned Gilles Peterson all exciting after a few listens of the nine tracks here. If you dug those cover versions you will love this album.
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Review: Single LP Editrion: While their 50 Weapons imprint may be winding up, Modeselektor's Monkeytown imprint is still in full swing, releasing all sorts of interesting electronic music lately from producers as diverse as Robot Koch, Omar Souleyman and Howling. This time label head honchos Bronsert and Szary team up with good mate Sascha Ring aka Apparat for another session as well.. Moderat, of course! Highlights include the bittersweet and bass heavy pop inflections of "Bad Kingdom" featuring Ring's powerful vocals, the epically future beats of "Let In The Light" or "Ilona" and the upbeat dusty deep house of "Milk". Superb production on display throughout the album and don't forget to check out the killer remixes by Skee Mask and Benjamin Damage (amongst others) available soon as well.
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Review: Gatefold 2LP ediiton: While their 50 Weapons imprint may be winding up, Modeselektor's Monkeytown imprint is still in full swing, releasing all sorts of interesting electronic music lately from producers as diverse as Robot Koch, Omar Souleyman and Howling. This time label head honchos Bronsert and Szary team up with good mate Sascha Ring aka Apparat for another session as well.. Moderat, of course! Highlights include the bittersweet and bass heavy pop inflections of "Bad Kingdom" featuring Ring's powerful vocals, the epically future beats of "Let In The Light" or "Ilona" and the upbeat dusty deep house of "Milk". Superb production on display throughout the album and don't forget to check out the killer remixes by Skee Mask and Benjamin Damage (amongst others) available soon as well.
… Read morePlayed by: Juno Recommends Downtempo, Soul Intent
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Review: Dusty Kid's particular brand of techno has always been enveloping. While rooted in the dubwise rhythms of dub techno and the sparse pulse of minimal, his tracks tend to be densely layered and expertly textured, resulting in a sound that's rich and intoxicating, with just the right amount of hypnotic, repetitive melodies. This trademark sound is much in evidence on III, his third full-length but first for Isolade. From start to finish, the Italian delivers music to get lost in, from the calming and sweet "Sandalyon" (like Isolee doing deep techno) and dubby "Doom", to the tougher dancefloor styles of acid-techno assault "Flames" and predictably murky "Darkroom".
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Review: Five years after the second life of Death was started with the release of their revelatory 1976 album, "For The Whole World To See", "III" slams the door on the vault with a powerful set of songs that bring equal amounts of rock and ethereal soul-searching, in high-fidelity, rich bottomed, studio-grade sound. Alongside songs from 1975, 1976 and 1980, "III" contains two songs from 1992, as the Hackney brothers reconvened nearly a decade after they'd stopped playing together. The album serves as a companion piece of sorts to the "A Band Called Death" documentary, tracking the band's movement from spiritual young rockers to older and wiser, bruised-but-undefeated brothers, in pure musical terms. David Hackney's visual representation of Death was a triangle, where "spiritual", "mental" and "physical" formed the three angles. With this in mind, "For The Whole World To See" is clearly the physical corner, with its undeniable proto-punk power; "Spiritual-Mental-Physical" explores the mental axis, with Death working through some of their influences including The Beatles, Jimi Hendrix, The Who and even ELO in their practice space. "III" is the spiritual end of the portrait, bookended by the dreamlike rock visions of David Hackney that created and propelled the band called Death.
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Review: What began two years ago with I is now completed with III, the final part in the Shock's trilogy of 12" releases for the ESP Institute label and apparently the prelude to a full length album due out later this summer! Much like the previous Shocks releases from Wanmhope, the three tracks here perfectly represent the Italian's talent for meticulously folding layers of sound over hypnotic beats and provide compelling evidence that this mysterious producer has few peers when it comes to music flushed with warped melancholy. Lead track "White Mountain" sets the tone, vague strains of guitar feedback pushed to the depths as the swooping choral voices vie for your attention with a notably crunchy beat. The more adventurous Balearic DJs will levitate towards the flip and the atmospheric delights of "Ancient Creature" and the ocean deep "N'Grip".
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III (limited clear vinyl LP + MP3 download code)
Cat: SBR 128LPC2. Rel: 13 Jul 15
Post Rock/Experimental
Review: These Chilean psychonauts have already made a considerable name for themselves on the psych circuit, largely owing to their Dusseldorf-derived love for the three 'R's (repetition, repetition, repetition). On 'III', however, they take a sharp left turn into a style that's arguably even more bewitching, and serves to set them apart from their contemporaries. The shortest song here is nine minutes long, and the mesmerising pulses of these travelogues owe as much to the ruthless geometry of techno as they do krautrock motorik or desert ambience. One for fans of Nissenenmondai and Elektro Guzzi as well as Moon Duo or The Cosmic Dead, 'III' is a frontier-walking mantric masterstroke.
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Review: These Chilean psychonauts have already made a considerable name for themselves on the psych circuit, largely owing to their Dusseldorf-derived love for the three 'R's (repetition, repetition, repetition). On "III", however, they take a sharp left turn into a style that's arguably even more bewitching, and serves to set them apart from their contemporaries. The shortest song here is nine minutes long, and the mesmerising pulses of these extrapolations owe as much to the ruthless geometry of techno as they do krautrock motorik or desert ambience. One for fans of Nissenenmondai and Elektro Guzzi as well as Moon Duo or The Cosmic Dead, "III" is a frontier-walking mantric masterstroke.
… Read morePlayed by: Juno Recommends Rock/Indie
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Review: While their 50 Weapons imprint may be winding up, Modeselektor's Monkeytown imprint is still in full swing, releasing all sorts of interesting electronic music lately from producers as diverse as Robot Koch, Omar Souleyman and Howling. This time label head honchos Bronsert and Szary team up with good mate Sascha Ring aka Apparat for another session as well.. Moderat, of course! Highlights include the bittersweet and bass heavy pop inflections of "Bad Kingdom" featuring Ring's powerful vocals, the epically future beats of "Let In The Light" or "Ilona" and the upbeat dusty deep house of "Milk". Superb production on display throughout the album and don't forget to check out the killer remixes by Skee Mask and Benjamin Damage (amongst others) available soon as well.
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Review: We Are Not Brothers are an electronic music band from the post-industrial, anarchist and revolutionary town of Alcoi, Pais Valencia - formed in 2006. Comprised of Blai Antoni Vano, Damia Llorens Pico, Francisco Sancho Blanquer and Rafeta, this is (like the name suggests) their third full length release. They borrow respectfully from fellow Spanish legends like Geometrico Esplendor (who they've supported live: as heard on opening cut "La Conoci En Un Concierto De Esplendor Geometrico" while sounding like contemporaries such as The Horrorist or Vatican Shadow. It's a fairly fierce and abrasive affair, featuring layers of contorted and textured greyscale electronics, plus violent vocal styles. Just check some of the titles - "Europe Is Dead" a pummeling riot ready anthem featuring Spanish scene heroine Ana Curra) or the seething "121 Xemeneies" (feat Hugo Mas).
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