Review: Exclusive 7" single in conjunction with Mount Alalog Los Angeles presenting Crimes Of The Future label bosses Scott Fraser and Timothy J. Fairplay with 2 exclusive cuts of leftfield house and electro psychedelia... very limited copies!
Review: Next in store for the prestigious Icelandic label AE Recordings is a collaboration between well-known Icelandic & Russian artists. The Moscow legend Anton Kubikov delivers a beautiful & haunting minimal techno track, bound to encapsulate the essence of Russian winter - while SCSI-9 offers a dubby and a hypnotic techno anthem. The Icelandic regulars of the label bring their goods to the table. The ever-intriguing collaboration of Ohm & Octal Industries never ceases to disappoint - and their contribution is an intriguing atmospheric deep house track, ideal for home-listening as well for the late-night rooms. The Thule Records label boss Thor offers a musical equivalent of a megafauna with his track - heavy hitting dub chords, mindbending delays & that little extra magic that we all love from the Icelandic god of thunder. Essential for the record bag!
Review: Lock up your 303s, Roy Of The Ravers is back with a brand spanking new album and it's quite possibly his strongest and wrongest to date! Following a limited run cassette version of the album, Who Are Ya lands on gatefold vinyl and spans 10 tracks and nearly 60 minutes of top quality turns, which sees our star player's BPM rising up into tougher, more hardcore-esque territory (Supremacy Acid, Roy Shat Over Ref) Who Are Ya also takes in some seriously smoked-out, slow-mo squelchers (Phaelon Acid 4, The Box) essentially making it a game of 2 halves (no mid tempo tracks allowed - ok??!) Through-out all of the album's giddy twists and turns however, it's Roy's trademark 303 constantly on the boil that crowns him man of the match, as he dribbles it skilfully from in and out of the mix, making him top of the league for acid once again. Hoorar!!
Review: Distant Worlds HQ has tasked 4 sonic scientists, spaced intermittently throughout the earth, to each intercept a transmission on behalf of the electronic music community. Tagwell Woods steps up first with a mournful, melancholic but beautiful interpretation of hardware-based electronica. Castel unearths a track from the mid 90s telling of a progressive approach to acoustics. Flip over for a downtempo trip into the future past courtesy of label fave, Mihail P and HOLOVR tops this release off with an acidic excursion into an expanded state of consciousness.
Review: The newly-formed Icelandic record label LAHAR brings you a long-awaited 12" by Den Nard Husher, a collaboration of two stalwarts within the Icelandic techno scene - Octal Industries & Vector. After a commemorative EP on Stobelight Network in 2016, Den Nard Husher strikes back with their first release since a 20-year production hiatus. It is enthralling to see how their fast-paced bustling techno renditions morph with time yet still encapsulate our body and imagination in that same meteoric signature. Den Nard Husher sounds fresh, blistering in a seemingly never-ending post-Y2K aesthetics.
Review: In the early nineties, directly influenced by the Summer of Love of 1988, Florentine Riccardo Falsini began his project I Believe-a miscellaneous collection of records, compilations, and collaborations-released through his label Interactive Test (co-run with brother Franco Falsini).
These sounds would eventually reach Vancouver-based producer AVR (Avery La Rochelle) in the summer of 2018. Compelled by Riccardo's legacy as a producer and a deejay, Avery reached out to the Italian producer.
A friendship formed that would see them collaborate on various dance events in Vancouver, as well as their Outside Of Time EP, a reverie of hallucinatory trance music. Over the past year, the duo recorded these tracks with the free spirit of early rave culture in mind.
Outside Of Time is certified dance floor therapy that inspires the listener to believe in the power of love and music.
Review: Or:la's newly founded Cead imprint is back for its second outing with an EP from the enigmatic Blu Terra, due out in October.
Coming out of Warsaw and with a couple of aliases already under his belt, Blu Terra delivers three tracks spanning aquatic soundscapes and unexpected rave elements.
The A1, Person Sans, mobilises moving pads and punchy synths. 20,000 is a detailed acid exercise with animalistic overtones. Lastly, Western/Eastern is a hard hitting incendiary track which patiently builds to a raving crescendo.
Review: We're proud to present these four tracks of pure electronica on a Ferox debut EP from Macedonian maestro Mihail P. Despite his young age, it's easy to hear the influence of 90's UK techno in this release with a slight hint of Terrace and Dan Curtin. With five quality releases under his belt, Mihail is already fast becoming a favourite on the underground electronic scene and obviously injects his own techno soul into his productions. Available on 180g vinyl only.
Review: After taking time out to search for the right blend of carefully curated tracks, Bristol-based dancefloor futurists Innate return with a third multi-artist EP - shot through with melody, warmth and soul.
A quartet of timeless-sounding tracks full of stargazing sounds, undulating acid lines, far-sighted electronics and crackling beats, the A side kicks off with Perseus Traxx's "Drifting In Space": a loose-limbed exercise in analogue house deepness that wraps slowly shifting pads, meandering melodies and pulsating TB-303 motifs around broken house drums.
Welcoming Australian scene stalwart Ewan Jansen to the fray with "Sinders", he effortlessly blurs the boundaries between far-sighted, Motor City style techno and the kind of head-in-the-clouds analogue sounds that have always been his forte.
On the flip, Reedale Rise adds his touch with "Coral". In keeping with the brilliance of his 2018 debut album "Luminous Air", he drops a colourful, picturesque voyage into deep electro territory rich in ear-catching melodies, engaging chord sequences and crunchy machine percussion. To round, label co-founder Owain K returns with "Teifi", another ultra-deep treat: an enveloping, dancefloor excursion rich in fluttering lead lines, slowly expanding chords, vintage bass and punchy drums. A fitting conclusion to Innate's latest immaculate, eyes-closed voyage."
Review: Birmingham experimental dub terrorist Mick Harris inaugurates new Madrid imprint Trauma Collective here as Monrella, with four brand new executions of sheer naked aggression. It was under this moniker that Harris (aka Fret/Lull) released half a dozen EPs for Karl O'Connor's ZET label between 1996 - 2002 - a strong departure from his previous involvement in seminal grindcore outfit Naplalm Death, and the experimental Scorn project (with fellow band member Nik Bullen). Fierce, functional and direct impact grooves that lunge straight for the jugular, the cuts featured on the Build Time EP recapture the zeitgeist of legendary local club night House Of God - an institution responsible for unleashing fellow legends such as Regis and Surgeon back in the day. Although somewhat overlooked, Harris' sound under this alias has most definitely evolved, and follows through with enough dancefloor dynamics to blend with other modern techno sounds.
Review: DUNGEON MEAT are back with the 2nd instalment of their Weapons Of Ass Destruction series featuring another 3 killer club cuts ready to detonate any dance floor . Featuring Honey Dijon's sleazy house jam sounding like the love child of Terry Francis and Derrick Carter while Desert Sound Colony comes in hard with a futuristic speaker freaker that will heavily wobble the bassbins and people's chins with it's killer bass line .... Then to round off the EP we have Slapfunk's Danielle Temperilli dropping a sleazy UK Garage stepper that pushes the sound further into the future and is sure to get those gun fingers firing all over the dance floor and a few rewinds here and there . Once again Dungeon Meat give the DJ's plenty of beef for their bag and deliver another chunky selection that will surely do the damage .
Review: The incredible Mesak returns to the label with more wonderful electronic delights. If you know your electronics then you'll know Mesak and his out put, if you don't then you really should take the time and get to know his unique and very special sounds
Review: Emerging out of the mist once more to impart their mystical twists on the dance music tradition, the elusive entities behind UntilMyHeartStops keep things consistently ambiguous as they present hitherto unknown producer Okand Konstnar. Wherever this sonic traveler originates from, their sound flings far and wide, not least on the insistent ethnic percussion stomp of opening track "Price Tags". "Soft Stomp" places greater emphasis on cyclical swirls of melody, before "Blue Ink Inverted" plots a course for intricate patterns reminiscent of label boss Leif. "Sundialist" closes the record on a hazy, transcendental tip that seals the deal on this wonderful, pointedly mysterious release.
Review: Hot on the heels of his inaugural release in January, Braiden introduces Slewis, a new producer on his emerging Off Out label. After years of honing his craft in the studio and playing in experimental bands, London born Slewis makes his mark on his debut with two equally bold dancefloor cuts. Group V opens with an extended twisting cacophony of synthesizers before breaking down into metallic driving machine funk. On the flip, Despot delves deeper down the rabbit hole as EBM influenced sounds and syncopated claps dance around a bed of paranoia, leading to a tense breakdown populated by a flurry of spasmodic drums.