Review: DUNGEON MEAT are back with the 2nd instalment of their Weapons Of Ass Destruction series featuring another 3 killer club cuts ready to detonate any dance floor . Featuring Honey Dijon's sleazy house jam sounding like the love child of Terry Francis and Derrick Carter while Desert Sound Colony comes in hard with a futuristic speaker freaker that will heavily wobble the bassbins and people's chins with it's killer bass line .... Then to round off the EP we have Slapfunk's Danielle Temperilli dropping a sleazy UK Garage stepper that pushes the sound further into the future and is sure to get those gun fingers firing all over the dance floor and a few rewinds here and there . Once again Dungeon Meat give the DJ's plenty of beef for their bag and deliver another chunky selection that will surely do the damage .
Review: The Newcastle born, London based label Jaunt serves ups a second part of its remixes series to mark ten years in action. After Inland, Jonas Kopp, Jasper Wolff & Maarten Mittendorff and Gian appeared on the first instalment, now come Tripeo, Aubrey, BNJMN and Markus Suckut with a versatile pack of techno quality.
Review: Default Records has returned with its second release after compiling a roster of artists who are committed to establishing presence in the scene by pushing boundaries and pursuing excellence. Camelia starts us off on the A side with *Transferring*, which presents itself in a light and airy atmosphere. Its playful percussive notes are juxtaposed against its hypnotic groove making for a warm and easy listen. Macarie follows with *Flu*, a vibrant and dance-inducing sludge of gritty, piercing elements that seamlessly blooms into an emotional melody that is driven by its tantalizing rhythm. Label boss Exander shows the heavier side of his creative spectrum on the B side with *Odyssey*. The fullness of this cut accompanied by its intriguing and directive vocal is only enhanced by its delicate features and attention to detail. Closing out the compilation is Lulla's *Distort Time* which reveals all its insides with a symphony of glitchy bleeps and blops all reinforced by a cadence of drums and groove that stirs it into an electric soup.
Review: we are pleased to welcome the New Jersey native , Joey Anderson to The Uzuri Recordings roster after his excellent remix for the maestro - Larry Heard back in 2018 . All of Joey's usual trademarks are here- acid swirls , melody , cinematic textures - music by a dancer for dancers .
Review: Following a well received string of releases on 'Analogical Force', 'Furthur Electronix' and 'Feel My Bicep' James Shinra makes his debut release on 20/20 Vision. Shinra displays his musical dexterity and diverse influences across this 4 track EP delving deeper into the realms of electro and technoA
'Route 909' serves up emotive melodies rooted down with a heavy kick before working the keys hard to maximum effect. 'Flyby' is a beautiful moment of electronic bliss reminiscent of the great Aphex Twin, while the acid soaked '1111' is a certified dance floor bomb. Shinra isn't adverse to switching tempos and beats and can also deliver flawless techno. The cleverly structured and melodically complex 'On & On' rounds up the wax with a track that makes you want to drift away on the dance-floor, prepare to be transported to a future world where machines have emotions.A
Review: Roya is project of Sohrab Karimi (Ahu) and Rasul Gafarov (Lenta) presenting the live recordings the two made as they met in studio during two different summers. All tracks are extracts from long jam sessions in which they played previsouly released & unreleased material live and with no rehearsal at all. In fact, Siah Mashq itself means rehearsal or practice.
Review: A1 Starting off the Ep with D'Funks track Follow me with Jazzy Chords and his signature 909 Drums and humming bass.
A2 Adam Collins from Omni A.M. and Mark Ambrose found this one from the Vaults .A grooving bassline with Adam on the vocal effects with funky drums and with a tripped out sound from a Roland Jupiter 6.
B1 D'Funk takes it back the to the sound of the early 90's when House was moving into Drum and Bass. Great chords with his signature 909 programming over a break beat and a deep baseline.
B2 Mark Ambrose's Machine Man track is the faster and darker track on the Ep. A track that can be played slowed down as well. A old school bassline , heavy drums and tripped out effects.
Review: Russ Gabriel founder of Ferox Records and the house music label - Soul On Wax Communications is one of the U.K.'s most respected producers, having recorded nearly one hundred EPs and several albums since 1991.
His recent debut release The Controller on the respected Firescope Records continued his record of outstanding releases. He now arrives on Subconscious Algorithms with 4 slices of deep classic motor city techno. From the opening track "16 hours" with lush pads and electronic funk and "Dromedary" with deep grooves and dose of acid to "Photoa" we are in Detroit territory. The closing track "End of Doubt" adds something extra, with a more European electro feel and hints of a darker sound and rounds of the record perfectly.
Review: EYA Records is back with their first double 12.Music provided by Belgian producer Innershades,Uruguayans finest Two Phase U,Berlin based Otis and Arma resident Zots.An eclectic selections of tracks that reflect the label vision.Limited copies.
Review: Joe Lucas creates music under a few monikers most often as Causa and notably has appeared on Tusk Wax, Boogie Box and Birdie. The Causa sound elegantly touches on deep house grooves and melodic techno but with contemporary style and is an obvious choice for the Verdant family. The Locks EP is released as Sixtyone leaning towards Detroit flavours with intricate percussion layered with warm soulful keys. Previous releases have attracted high profile remixes from Kuniyuki, Luv Jam and Young Marco and that trend continues. On the flip of The Locks Stojche provides a burly, peak time reshape of Zelo upping the Detroit vibes. Hiver's reshape of the delicate Tregnanton original adds a firm kick, swinging bassline and heady 303 sparkle with dazzling effectiveness.