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Review: Jordan GCZ is having a hell of a year. He's already delivered two sublime albums (his debut solo set and one created in collaboration with Detroit legend Terrence Dixon) and here drops another must-check EP, his first for Rawax. 'Making Me Dizzy' sees the Amsterdam-based producer add gorgeously ambient lead lines, lilting TB-303 motifs and funky bass to a classic Motor City techno groove, with the accompanying 'Dub Mix providing a heavier, sweatier and more intoxicating alternative version. 'Tongue Twister' is jazzier and even more intergalactic, sitting somewhere between blissed-out Move D deep house and melodious techno. The dub that accompanies it is pleasingly deep, out there and effects-laden, escorting us even further into deep space. Tip!
… Read morein stock $7.30
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Review: The mysterious Jase inaugurates new label Off The Map with some quirked-up and glitched-out microhouse on the Out There EP. On side A, you can properly get weird at the afterhours with the cheeky blip, blurp, bleep of 'You Wanna Get Real', while over on the flip you've got another reductive jam reminiscent of mid-noughties mnml on 'Whispers' - all atonal sounds and clipped rhythm programming to keep the paranoid dancefloor vibes going well into Monday morning. Tip!
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Played by: Neu Verboten
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Dont Be Anybody Else (Orlando Voorn mix) (180 gram vinyl 12" limited to 300 copies)
Cat: SUSMIG 003. Rel: 21 Mar 22
Techno
Review: Oliver Hess made his first appearance way back in 2006, producing alongside Harada on Pearldiver Records. We didn't hear any more from him for a fair while, but then in 2018 he resurfaced with some quality tech house gear via the Musik Is Egall label out of Cologne. Now Hess is back for a third instalment with 'Don't Be Anybody Else', a mid-tempo chugger with an acidic bite just crying out for a dark n' dirty basement. On the flip, the tempo ramps up considerably as Orlando Voorn takes the reins for a remix bristling with Detroit techno intensity.
… Read morePlayed by: DJ Mau Mau
in stock $6.24
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Porn Wax 12 (limited hand-stamped & numbered pink marbled vinyl 10")
Cat: PW 12. Rel: 15 Aug 16
Techno
Review: 400, 10" marbled pink, hand stamped, individually numbered records, single press only.
… Read morePlayed by: Jane Fitz, Juno Recommends Techno, AIMES (Wonder Stories), DJ ROCCA, J. Haller, Gardens of God
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Review: ***B-STOCK: Sleeve damaged, but otherwise in excellent condition***
Scott Hallam has been an acid devotee since the early days, and he's largely put out his music on his own Axia label. While most of that is digital-only, now Cartulis have picked up on the considerable talents of this hardware lifer and presented five of his finest works on wax. The vibe veers tremendously, touching on dark and sinewy dungeon acid, boxy electro workouts, strangely psychedelic hardcore and plenty more besides. Hallam's style feels betrothed to the outboard approach - it's all synths and drum machines to these ears, and its immediacy is a big part of the charm. That, and the playful personality he works into those wigged out acid lines and pinging FX.
… Read moreScott Hallam has been an acid devotee since the early days, and he's largely put out his music on his own Axia label. While most of that is digital-only, now Cartulis have picked up on the considerable talents of this hardware lifer and presented five of his finest works on wax. The vibe veers tremendously, touching on dark and sinewy dungeon acid, boxy electro workouts, strangely psychedelic hardcore and plenty more besides. Hallam's style feels betrothed to the outboard approach - it's all synths and drum machines to these ears, and its immediacy is a big part of the charm. That, and the playful personality he works into those wigged out acid lines and pinging FX.
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Review: The second salvo on Further Electronix's Shakesphere sub-label comes courtesy of Charles Green, a producer of underground techno and electro previously best known for his releases on Four Triangles and Hardgroove. His trademark style - forthright, energetic and often intense - comes to the fore on EP opener 'Edit Generation', a slamming slab of warehouse-ready techno-pump rich in beefy kickdrums, creepy sounds and loopy late-night riffs, and can also be heard on 'Mind Restore', which sounds like a wholehearted tribute to rave-era techno (all fizzing melodic riffs, deep bass and sweaty drums). Over on side B, 'Resolve Jam' is a more sci-fi flavoured techno joint, while 'Solus' is a gorgeous fusion of echoing dub techno motifs, broken techno drums and glassy-eyed electronics.
… Read morePlayed by: Jerome Hill
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Singing Wire (7" + MP3 download code in die-cut spot-varnished sleeve)
Cat: MACROM 66E. Rel: 24 Feb 22
Techno
in stock $6.02
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Review: Having been dormant for over three years, New York label Satamile returns to continue spreading the gospel of proper electro music with a six-track EP from The Ghost That Walks. Drexciya enthusiasts will be all over this record; the rubbery melody of "The Angriest Angel" recalls the Detroit duo at their most playful but with a simmering undercurrent of tension that is very much the producer's own signature style. Similarly great are the searing analogue synth buzz of "Seven Deadly Sons", the tribal 303 stomp of "Urban Jungle" and the 808 rattle and Belgian rave tones of "Resident Evil". Those who were lost without the label's presence should rest easy - Angry Angels is easily among their extensive catalogue's best releases.
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Review: Trauma Collective returns to shock your system on their fifth release, which comes courtesy of Spain's Rafael M. Espinosa aka Geistform. The Barcelona-based artist, also known for his exploits under the Univac alias, has crafted a singular style that exists at the interzone of IDM, digital noise and electro and having earned him releases on Pi Electronics, Femur and Hands Productions in recent years.
Espinosa executes four programs in sonic warfare on the Antena EP, all sounding akin to complex bitstream amplification. A multi-level barrage of frequencies play offense on opening cut "Proxima B", which sets the theme for more widescreen pulsations that gash the senses, as heard on the syntax error of "Note Repeat" and building up to a climax on the monochromatic soundstage of "Norc" - a jagged and angular exploration in bass artefacts and static redux.
Since unleashing the austere techno of Birmingham legend Mick Harris (as Monrella) and hometown hero Kwartz on unsuspecting ears, the Madrid-based collective has now ventured into more experimental spheres, as heard on the off-kilter mentalism of ASC's Loop Research and the brooding atmosphere of Makunaimadama's limited cassette release last year. Antena is the logical progression for the label's next chapter, where it continues to push the threshold of electronic music's outer limits.
… Read moreEspinosa executes four programs in sonic warfare on the Antena EP, all sounding akin to complex bitstream amplification. A multi-level barrage of frequencies play offense on opening cut "Proxima B", which sets the theme for more widescreen pulsations that gash the senses, as heard on the syntax error of "Note Repeat" and building up to a climax on the monochromatic soundstage of "Norc" - a jagged and angular exploration in bass artefacts and static redux.
Since unleashing the austere techno of Birmingham legend Mick Harris (as Monrella) and hometown hero Kwartz on unsuspecting ears, the Madrid-based collective has now ventured into more experimental spheres, as heard on the off-kilter mentalism of ASC's Loop Research and the brooding atmosphere of Makunaimadama's limited cassette release last year. Antena is the logical progression for the label's next chapter, where it continues to push the threshold of electronic music's outer limits.
Played by: Juno Recommends Techno
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Live In Ravolution (clear red marbled vinyl 12" limited to 100 copies)
Cat: GTHR 003. Rel: 11 May 20
Techno
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Cat: F 055. Rel: 15 Aug 16
Techno
Review: There's been much debate over the years about whose version of this seminal track was in fact the best. Laurent Garnier's 1997 classic "Crispy Bacon" gets a vinyl re-issue and it still stands the test of time. You can just imagine how innovative and futuristic this adrenalised peak time weapon sounded like in the mid-nineties. On the flip, the equally legendary Jeff Mills delivers his take on the track, keeping in mind that this is one of only a handful he's ever done. There's relentless and punishing cyclicality on offer here; the sharply resonating loops, that brutally overdriven 808 kick.. it's one of those secret weapons that never leaves the bag of the best techno DJs. Choose your side, but either way it's a definitely a classic!
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Review: Aubrey's Don Gardon alias was a one-shot decoy deployed in 1997 with the now highly sought-after "Textures" 12" on Aubrey's own Textures label. While the provenance of these new tracks is a little foggy at this stage, what you can be sure of is the grade of techno we're dealing with here. Aubrey's illustrious career speaks for itself, and so do these tracks in the first Textures release since 2001. "The Phase" is an effervescent, funk laced race to the stars, while "Vari Tube" takes a more intimate route through dusty house that wouldn't sound out of place in the Workshop stratosphere. "Slam Dunk" is a cheeky, jazzy affair while "Dons Slide" gets a little more freaky and far out in the finest tradition of B2 tracks.
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Review: Freek Fabricius is at the buttons for the next one on Utrecht's vital Something Happening Somewhere. He is a school teacher, dedicated DJ, label boss and party organiser who also makes cyber rave tunes of the sort found on this EP, which makes his first full release. It's fill with glistening video-game electronics, metallic electro beats and edgy soundscapes that are so bright they almost make you wince. 'Melancholia (Future Is Cancelledit)' is a mix of bristling synths and more plaintive chords while 'Bai Bai Babi' is broken beat body music from a tribe on another planet.
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Review: Berlin techno stalwart Fiedel serves up some more reissues of effective DJ tools on Fiedeltwo. This time around we have a 2021 Remaster of 'Doors To Manual' which was featured originally on Berghain (where he's resident) compilation Funf back in 2010. It's a typically wonky and off-kilter cut by him that showcases a truly singular approach to techno. Over on the flip, Kyiv's Espen Lauritzen contributed 'F/T/S' to Fiedel's very own mix for the esteemed Berlin club's mix series, the eighth to be precise, and it too gets a 2021 remaster. A pounding warehouse techno workout in the vein of classic Djax Up Beats, this one's serious.
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Review: It's been a while since something new from Dave Ellesmere surfaced, but the multifaceted artist has been tasked by the ever on-point Brothers' Vibe to lay down a few serious slabs of club tackle for Mixx Records. "Caught In A Moment" heads straight into tripped out techno territory, all urgent cyclical rhythm and head-teasing FX, but the mood is drastically different on the chord led 909 thumper "Universal Vibe". "From Now On Only Good Things Will Happen" once again channels the edgy Robert Hood style to great effect before Brothers' Vibe takes over for a deliciously dusty, meandering remix of "Universal Vibe".
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Review: Tony Rodriguez has many strings to his bow already as Brothers' Vibe and the head of Mixx Records, and now he's embarking on a new venture in the shape of the Toad Red label. Focused on a harder-edged sound than the deep house he's normally associated with, Rodriguez has invited Esther Duijn and youANDme to join in the fun with some finely crafted techno for open-minded dancefloors. Meanwhile there's an original BV jam in the shape of "Dee's Drama", while Rodriguez also unveils a new modular-focused alias named Silent Rodgerz. It's a new chapter for the New Jersey mainstay, and it promises exciting things to come in the future.
… Read morePlayed by: Brothers' Vibe, Esther Duijn
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