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Review: Italian producer Enrico Sangiuliano may have been serving up dark and intoxicating techno twelves for the best part of a decade, but never before has he turned his hand to the full-length format. Biomorph is not just any old debut album, either, but rather a concept album described by Drumcode as "a journey of evolution". In practice, that means an album that ebbs and flows throughout, opening with a dash of spacey ambient, before charging off on a trip marked out by pulsating techno rhythms (crafted from both straight 4/4 beats and breakbeats), spiraling electronic motifs, booming, elongated basslines, experimental electronic interludes and more future big room techno anthems than the contents of Adam Beyer's USB stick. In other words, if you love Drumcode's particular brand of bombastic techno, you'll love Biomorph.
… Read morePlayed by: Juno Recommends Techno, Juno Records Staff Picks
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Review: Drumcode's first big release of 2019 comes courtesy of Julian Jeweil, a relative newcomer to the Swedish label who originally built his reputation via years of releases on M_Nus, Plus 8 and Cocoon Recordings. "Transmission" is not only his long-awaited debut album, but also a far more spacey and intergalactic proposition than much of Drumcode's output. Of course, the majority of the tracks are still underpinned by relentless techno rhythms and gnarly electronic stabs, with plenty of darkness amongst the stargazing grooves. Intriguingly, there's also a little more variety than you might expect, with the deep and woozy "Planet X", acid-fired heaviness of "Astral" and glassy-eyed early morning ambient of "Final" catching the ear.
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Played by: Juno Recommends Techno
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Review: Some serious peak time weapons for the main room on offer here, from the ever reliable Swedish label Drumcode. Usual heroes of the label such as Luigi Madonna, Sam Paganini and Joseph Capriati step aside for some other equally reliable staples. On the A, side label boss Adam Beyer teams up with Enrico Sangiuliano on the evocative and life affirming "Preset Heaven" which takes its cues from early trance with its amazing chord progression. It is something more typical of the label next, on the pummelling warehouse stomp of "Muzik" by Bulgaria's Timmo. On the flip, there's more trance nostalgia on offer again - this time from legends Pig & Dan on the hypnotic/melodic bliss of "La Bruja" which we could imagine melting the minds of festival crowds well into the new year. Finally they save the best for last with French peak time specialist Julian Jeweil, serving up the furious, tunneling and strobe-lit ultraviolence of "Nasa" which will have your adrenaline going from the first beat. It has been a stellar year for the powerhouse label, with great releases by Moby, Dubfire and newcomer Layton Giordani.
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Review: For his first outing of 2019, Adam Beyer has turned over the parts to his 2014 single "Teach Me" to Belgium's first lady of banging, acid-fuelled techno, Amelie Lens. She subsequently serves up two throbbing, peak-time ready revisions, with the A-side "Main Mix" offering a near perfect blend of booming, kick-drum driven beats, military snare fills, cut-up late night vocal samples and distorted, mind-altering riffs. As the title suggests, the flipside "Acid Remix" sees Lens indulge her love of mind-altering TB-303 acid lines, brilliantly wrapping them around a springier drum track, EBM-influenced melodic motifs and more pulsating, manipulated vocal loops.
… Read morePlayed by: Emika
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Review: Packed with percussive energy, thrusting basslines and mind-altering electronic motifs, this collaboration between long-serving Swede Patrick Seich and rising star Sandra Mosh deserves to be heard by far more than the Drumcode faithful. The pair set their stall out on EP opener 'Rhythmic Reflection', where whispered vocal snippets and psychedelic acid lines rise above breathless techno drums and a throbbing sequenced bassline, before opting for a dark, wayward and more intense techno sound on 'Synchrony'. They intensify their collaborative sound further on 'PPMV1', in the process making great use of twisted electronic riffs and hissing ride cymbals, while closing cut 'Soft Light' brilliantly fuses creepy electronic melodies, trance-inducing TB-303 lines, bouncy drums and clandestine chords.
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Review: Pretty much all Drumcode releases are colossal and anthem-like - it's the imprint's niche, after all - but this two-tracker from Stockholm stalwart Tiger Stripes is particularly sizeable. A-side 'Nocturne', for example, is as driving, mind-altering and breathless as they come, with Hardfloor style acid motifs, twinkling piano breakdowns, trancey riffs and enveloping aural textures rising above a blisteringly tough and intense beat. The pulsating tech-trance vibe is further explored on 'Renegade', a track whose elongated, slowly rising breakdown - which comes complete with glassy-eyed vocal samples, does a brilliant job in stirring the senses and raising the pressure out on the dancefloor.
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Review: Next up from the leading label in the world of so-called Business Techno are a couple of contemporary remixes of some Adam Beyer classics. His Restore My Soul EP was written with DJ Rush and now gets reworked by modern day greats ANNA and HI-LO. The latter, a regular on the likes of Filth on Acid, goes first and flips the title track into a bruising and panel beaten techno roller with coarse drums and peak time intent. Brazilian talent ANNA then offers a more subversive and slow boring take on 'Control' that has twitchy synths and firmly rooted techno drums.
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Review: The always hard-hitting Drumcode kick off a new series here under the name Elevate. It welcomes new school techno tastemakers to serve up their own scintillating main room sounds with Siona label boss and prog house 2.0 figurehead Miss Monique going first. Her serene chords douse you in trance tinged lushness as the deep beats roll on. Chelina Manuhutu's 'Amsterdam Rave' is a more rock solid warehouse roller and Anna Reusch runs with that vibe on her booming, all-consuming techno kicker 'Let Me Take You There'. There is then some flashy acid lines from DJ Dee on her 'Freaking Out'. A fine, all-female fronted EP from Drumcode.
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Review: With a career reaching back some 20 years, Bart Skils has remained committed to the art of the techno 12", with not a single album to his name. Instead, his focus has been on a staggering hit list of legendary labels from Pure Plastic to 100% Pure, Break New Soil, and since 2012, primarily Drumcode. As part of Adam Beyer's core contingent he's played a major part in shaping the sound of the label, and so he continues on this exemplary two-tracker. 'Roll The Dice' is a muscular yet lean workout for the bigger kinds of spaces, playing around with some monotonal vocal threads and laying down the b-line throb you expect from a Drumcode A side. The flip offers something a little different as 'Into The Clouds' takes some looped guitar licks as a vessel for transcendence, atop a steady trucking techno undercarriage, of course.
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Review: .Drumcode's sub series Drumcode Limited hits a 30th release this July as Oscar Escapa steps-up with three booming new cuts. There is no messing about here as the opener will sweep everything in its wake out of the way like a techno tsunami. It has urgent siren sounds and yelping vocals which add to the drama. 'Shake' has more hefty low ends that will rattle both ribs and walls and plenty of FX and percussive iciness adding to the intensity. 'Lights' shits down with a Millsian-style melodic techno mind melter. It's an urgent and arresting cut to close a fine EP. ,
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Review: Bart Skills is a veteran techno producer and Drumcode is a veteran techno label, but neither shows any signs of age here with Weska also joining in for a pair of highly potent and weaponised new cuts. They take up one side each and first is 'Something More' with its sweeping blasts of white noise, factory floor sound effects and unrelenting drums that will demolish any dancefloor. 'Palm Strings' then carries on the party with a more stripped-back sound initially, but eventually, the rising synths take over as the gritty drum loops pound away below. A pair of big room monsters for sure.
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Review: Drumcode don't just do huge-room heaters, you know. 'When The Lights Go Down' is a strong case for the label's darker side, seeing to a generous three-track contribution from Neapolitan producer and DJ Roberto Capuano. The artist eschews an overindulgence in detuned trance saws for reese basses here, preferring to revel in the wealths of space offered by repeated kick drums and large reverberative spaces - as opposed to high-endy, sizzly sounds. The title track is the star, thanks to its riveting vocal line and guard-throwing rhythmic messups, which occur at the same time.
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Review: Drumcode's main brain Adam Beyer hardly needs any introduction, but newcomers to the label might be surprised that his outfit has its sights set on putting out single-sided releases at the minute. 'Legend' is Beyer's kick-off for 2023, following up the completion of his own home studio with an inspired production run. An ascendant fast-build to sublime ecstasy, the track characteristically locks into a deep arpeggiated saw line at its drop; an example of Beyer flaunting his ability to juxtapose massive pre-drop space with post-drop minimality.
… Read morePlayed by: Juno Recommends Techno
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Review: The all powerful Drumcode label still does a fine line in big room techno after countless years and even more releases of the stuff. This third part of the A Sides collection brings together a towering selection of names from that scene including Tiger Stripes with the smooth cruise that is 'Altar'. Veterans Pig & Dan vs Gregor Tresher get more intense with frosty loops and dubby hits building a vibe and Wehbba ups the ante with acid daubs and fizzing drums on 'The Next Step.' Nicole Moudaber's 'Come To My Beat' (feat Romina) then hammer home a hefty techno groove.
… Read morePlayed by: Juno Recommends Techno
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Review: Drunken Kong is a long-serving techno partnership from Dimpy and Kyoko Singh which first came to light with a series of records from Tronic around 2015. Their sound is reliably taut and big-room minded, making it a perfect fit for Adam Beyer's Drumcode family, and they more than step up to the occasion with this big, bold four-tracker. 'It's Then' is a driving anthem peppered with haunting vocal touches and a slamming rhythm section, while 'I Want To See' keeps up the pressure while letting the build ups take their time for the ultimate tension and release. 'That's It' is a nasty, electro-fied workout and 'Need It' keeps the drama turned up to 11 thanks to another spellbinding voice cutting through the mix.
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Review: Alan Fitzpatrick returns to Drumcode, marking his first appearance since late 2016 when he remixed Moby's hit "Porcelain".The release opens with "Brian's Proper Dun One", a track which caused a storm on his Twitter profile when he first started playing it last year. Loaded with sharp and pounding drums, this is a no holds barred, certified main room anthem! "Wait A Second" has been getting a lot of play on Drumcode Radio of late. This rave inspired track takes a raw, stripped back approach and delivers a killer blow. Alan sampled the vocals of MC r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with "Trance, Init?" a homage to Fitzpatrick's days as a raver before he became a DJ. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.
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Review: Up next for Adam Beyer's esteemed Drumcode imprint is Enrico Sangiuliano, a Milan based DJ/producer originally from Reggio Emilia who has been been active on the Italian scene since the early noughties, playing everywhere from clubs to illegal raves. His work of late has been released on sister label Truesoul, Alleanza, Gem Records, Octopus Recordings and Rhythm Converted. On "Moon Rocks", Sangiuliano provides a euphoric, hands in the air anthem with soaring synth leads and seriously humming Reese bassline over a high octane beat. Also on the A side is the mad diva vocal breakdown on "Ghettoblaster" which soon gives way to a dark and tunnelling epic. Finally on the flip, we have two versions of "Dutch Kiss" but for our money it's all about the sombre and emotive IDM vibe of the Inner remix.
… Read morePlayed by: Resident Advisor
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Review: Adam Beyer's ever reliable Drumcode imprint returns with the eleventh edition in its trusty A Side series. On this one, we've got Aussie Juliet Fox with some pure peak time energy on "Evolution Of Thinking" followed on the A side by Thomas Hoffknecht's "Break Free" - an absolutely euphoric main room affair featuring classic trance motifs. Over on the flip, the reins are handed over to Timmo who wastes no time getting down to business on the steely heads-down number "Community Tool", followed by the pummelling warehouse techno epic by Andres Campo - "Cyclops". Serious!
… Read morePlayed by: Juno Recommends Techno
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Review: Ever the champion of brains and brawn in equal measure, Maceo Plex makes his debut appearance on Drumcode with this punchy beast of a single. "Conjure Dreams" features plenty of Plex signifiers, from the rounded and rowdy bassline pump to the haunting tone of the synth lines, neatly packaged in a chunky framework of big room drums. "Conjure Floyd" meanwhile burrows into more minimal territory where the tones are amelodic and the percussion takes the lead, calling to mind the restraint and tension of classic M_nus productions where so much could be said with so little.
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Review: The Dutch techno veteran Bart Skils is back with another impressive release on the mighty Drumcode. 'Horsepower' is a relentless peak-time techno track that is sure to captivate dance floors and have the crowd moving with its chugging energy. It builds steadily, leading to an epic breakdown before unleashing the full power of its steely groove, making it perfect for those heads-down moments in the main room. On the B-side, 'Sunshine In The Dust' takes a more straightforward and functional approach with its variety of female vocal parts, catchy bongo drums, and a sexy horn sound. It's a groove-driven track that is both sultry and infectious.
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Review: Main room techno doesn't come any more authentic and impactful than when served up by Drumcode, which is a label that has long been dealing in exactly that. For this new dancefloor weapon, label boss Adam Beyer has called upon Oscar L for two of his finest. First up is the fizzing, texturally rich and overwhelming sound of 'Again' which is always on the rise and powered by slamming great big kicks. 'Driving Into Techno' is another purely physical and functional workout with some nice saw tooth synths bringing a little funk.
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Review: Adam Beyer's Drumcode label is very nearly at its 300th release, which is a fine achievement by anyone's standards. Here he taps up Veerus for more of the Swedish imprints signature main room techno tackle and he doesn't fall short. 'Cycle' is full of the sort of drama you expect from this label - flat, driving drums, synths fired from a machine gun, strobe lit pads and frazzled textures to make for exciting and impactful experiences. 'It's Funky' on the flip is another big one with thunderous clasp and drums all sweeping dancers off their feet.
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Review: HI LO has had some huge collabs with Filth On Acid boss Reinier Zonneveld and now makes a step up to Adam Beyer's mighty Drumcode with more of his maximal techno sounds. 'Crescendo' is a raw slammer with hard edge and raw drums hitting hard beneath incendiary hi-hats and flashes of bright synth and twisted acid. It's a main room weapon of the highest order. 'Open Your Mind' is more ragged and unhinged, it's stark hits and bulky broken techno drums beneath a raucous mix of percussion and saw-tooth synths. No messing with these two.
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Review: You have to respect Adam Beyer for still being a real techno overlord these days. He has been on the scene almost since day one, as has his trusty Drumcode label, and they are both still winning over new generations of fans with their direct to dancefloor style. This latest missive is another monster starting with the hard and heavy drums of 'Robotic Arms' which comes with just enough detail from the sic-fi vocals and synths to get you locked, then the anthemic 'No Hate' is sure to become a big one for Beyer with its rolling drum funk and repeatable vocals. A Trippy Mix is a more wild and frankly better version.
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Review: Returning to Drumcode for the umpteenth time comes Marco Faraone, offering up two tracks, 'Dangerous' and 'Pressure', both of which evoke gargantuan factory rooms and processing plants. The first track is a clean and pulsatory loomer, with essences of tech house and big room sprinkled in, as we're continually reminded that whatever awaits us round the corner, "it's dangerous". 'Pressure', meanwhile, is a surreal judderer, with giant metallic girders sounding to grind against each other as a ghostly voice speaks of diversity, of "different kinds of people", coming together as one.
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Review: 'Don't Stop' is not only the title of this new EP from Charles D, but so too something of a mantra Drumcode label head Adam Beyer seems to live by. Its output has never really slowed despite 20 odd years of business and still it is up there with the best of the best when it comes to potent main room techno. This latest trio of tricks kick off with 'Don't Stop' which is a hard edged banger with buzzing and serrated synths. 'No Escape' is another raw cacophony of sound with dark vocals lost in the synth storms and 'Choir's Palace' sets down with some slightly trance-like energy that will get hands in the air.
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Review: Following a standout contribution to the 'Elevate' compilation, Mha Iri steps up for her Drumcode EP debut. Continuing Scotland's grand techno tradition, the Edinburgh-based DJ/producer is one of 2023 breakout artists; her debut EP on the label is a tantalising prospect, with 'The Unexpected' playing with trademark light-and-dark motifs, mixing up sharp percussive elements with ethereal melodies, before a ripping bass drop takes the energy up a notch. 'Let The Good Times Roll', meanwhile, is a slick accompaniment, as atmospheric techno gets supercharged via a punchy rap vocal and laser-kissed chords.
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Review: It is a testament to Adam Beyer's enduring love for techno that he continues to serve up choice cuts from his long-running and influential Drumcode label on vinyl. He looks to the talents of Victor Ruiz and Modea for this new two-track 12". Firstly the pair hook up for 'Bloom', a cavernous techno sound that sweeps dancefloors off its feet and floats them amongst subtly uplifting chords while the drums toll on. There are epic melodic overtones to the flip side track 'Contrast,' too. This one will get heads held high, hands in the air and crowds fully taken in with its celebratory atmosphere - until the monstrous drums and acid arrive, that is.
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Review: Adam Beyer seems to be in a superb run of late and this is his second vinyl outing in as many months. Desert Queen is pure Beyer, and pure Drumocde - drum-led techno for the main room with sweeping synths and grand vocals that are designed to impact crowds of thousands. The A-side actually brings a touch of trance energy and hard techno funk with its slamming, flat-footed drums, coarse synths and brightly lit arrangements. 'Soulful' then flips the script with a more funky groove that rocks back and forth and has funky basslines and a pitched up r&b vocal that works strangely well in the unusual context.
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Review: For big-room techno, there are few finer labels out there right now - or ever - than Adam Beyer's monstrous Drumcode. The boss himself dropped a huge EP not so long ago and now turns to Space 92 for the latest aural assault. The artist serves up just two tracks but both are hugely weaponised affairs, starting with 'Time.' It is lacerated by gurgling synth lines that fire across its face like lasers, while the rolling beats and edgy stabs all build the tension. On the flip is 'Voyager' which is an acid-laced pumper with non-stop drum funk and flat-footed kicks to make huge club rooms march as one.
… Read morePlayed by: Juno Recommends Techno
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