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Review: Stroboscopic Artefacts chief Lucy teams up with Rrose (Eaux) as The Lotus Eaters, which sees the two visionary techno artists collaborate for the first time. Although they had previously remixed each other's work, the idea of working together became inevitable. Several intense sessions in Lucy's Berlin studio, using mainly analogue hardware, resulted in a new project starting with two EPs released on their respective imprints. Desatura features a diverse array of powerful and innovative sonic perspectives: the highly engineered tunnelling techno that you've come to expect from either artist is finely displayed on tracks like "Decanter" or "A Third Man", between moments of slow motion hypnotism ("Eat Eat Eat") and droning/textural soundscapes like "The Idea Of North" and "Under The Benches".

Review: Since opting to release more music under his given name, DeepChord man Rod Modell has largely stuck to dubbed-out ambience and heady drone soundscapes. His latest full-length is a little different, though, offering up club-focused cuts that mix his usual fuzzy aural textures and dub-fired motifs with up-tempo techno rhythms. By his standards, it's a very forthright set, with highlights including the noise-soaked stomp of "Reiki", the thrusting heaviness of "ITO", the hypnotic slam of "Jade" - where breezy, early morning electronics flutter away above tough drums and a mind-altering bassline - and the boisterous peak-time techno anthem "Scrawler".

Review: Specter remains a steadfast pillar among the select artists on Theo Parrish's esteemed Sound Signature label. His latest album, Brutus, reaffirms the trust placed in him, delivering a distinct blend of house sounds. In this CD version, Specter masterfully fuses synthetic and organic elements, echoing the signature style of Parrish. Much like Parrish's own compositions, the house sounds on Brutus exhibit a harmonious blend of weathered, rustic tones and vibrant, futuristic visions. Specter injects profound meaning into his melodies, and the drums, whether subtle and elusive or bold and confrontational, consistently captivate, locking listeners into the rich tapestry of his grooves.

Review: Can a duo be a supergroup? You could certainly argue that Belief ticks that box, given that it's a collaboration between two titans of the experimental electronic music scene: LEX Records stalwart Bryan Hollon (Boom Bip, Neon Neon) and Warpaint drummer (and frequent sticks-woman for hire) Stella Mozgawa. Interestingly, they've chosen not to explore the challenging end of their output, but rather deliver a set of "improvisational techno" that draws inspiration from the early '90s work of 808 State, LFO and the like. That means wiggly TB-303 acid lines aplenty, alternately dreamy, dubbed-out and futuristic melodic motifs, sci-fi sounds aplenty, and beats that veer from throbbing four-to-the-floor energy to sweaty breakbeats and off-kilter post-electro grooves. The results are uniformly imaginative, impressive and entertaining.

Review: Given that Four Tet's recent 0181 LP was comprised of material from Kieran Hebden's archives, and last year's Pink was largely compiled of tracks from the previous 18 months of 12" releases, it seems fair to say that Beautiful Rewind is his first proper album since 2010's There Is Love In You, and as such, it arrives with some degree of expectation. The past few years have seen the producer engage increasingly with the dancefloor, and these rhythms are most definitely present across the LP, particularly in the jungle breaks of "Kool FM", pirate radio-influenced techno of "Buchla" and hesitant dubstep style rhythms of "Parallel Jalebi". For the most part however Beautiful Rewind is as varied as the likes of Rounds and There Is Love In You, with the minimalist kosmische of "Ba Teaches Yoga", analogue gurgles of "Crush" and dawn chorus sounds of closer "Your Body Feels" all as beautiful as his most enduring tracks.

Review: LILA has got five or six albums of artful ambient dropping all in quick succession and this is a third from Ludvig Cimbrelius, who has dropped one under his Eternell alias, one as Abraco de Vapor, and one under this, his oldest moniker, Purl. He also works as Illuvia and with all his projects he has mastered the art of sonic daydreaming and musical journeying. Ancient Skies is a record packed with a more intense, textural, heavy style of ambient that builds tensions and in some places has subtle implied rhythms. It makes for an involving listen that is much more than simple background music.

Review: Subset makes a welcome return to Greyscale with his second full-length album after the success that was This Quiet Earth. The follow-up, Ambient Particles, is another widescreen work of great cinematic details that again showcase Sunset's studio skills. The track titles give an insight into his thinking behind the music with the likes of 'Sandstorm on Mars' swirl of textured pads over baron landscapes of undulating bass and 'Cocooned Under the Stars' feels adrift in the endless darkness of space with only distant twinkling pads for company. Elsewhere 'Chains In The Wind' is a spacious and dubby ambient techno trip and 'Ambient Particles' brings a little more movement with its rolling drums. A sophisticated and soothing album once more from Subset.

Review: Phonica Records toasts 20 years in style with this three-disc exploration of the house and techno they're best known for. It's no surprise they were able to pull in a heavyweight cast of characters for this collection, but they've made sure to leave enough room for the stars of tomorrow, too. Familiar names include Daniel Bell, Shy One, Willow, Peggy Gou, Midland, Will Saul and Ron Basejam, but there's also surprise inclusions like Tim Reaper and Comfort Zone teaming up for a signature jungle excursion. This is a heavyweight reflection of everything Phonica has represented for the past two decades, but equally a sign towards where they're heading in the future and it couldn't sound rosier.