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Review: On this latest drop on EPM, the steadfast UK techno label welcomes steadfast UK techno titan Mark Broom for a collaboration with Australian in Berlin Patrik Carrera. The result is four slices of no-nonsense jackhammers from two experts in the field, leading in with the edgy loops and bludgeoning kicks of 'Kos' and neatly stepping over to the shoulder-shaking pressure of 'ZZZZ'. 'Track 4' features one of those deadly chord stabs which just lands squarely between the eyes, while 'F9' rides the cymbals mercilessly and keeps an abundance of funk in the low end - pure dancefloor dynamite in action from two well-versed detonators.
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Review: O! Kult was a post-punk and industrial band from Yugoslavia that was active in the 1980s. Like many of their peers at the time, they were censored by the communist party that was in charge but that didn't stop them from making music and gaining a cult following. Their cut 'Zvestoba' has been found in old Radio student archives and brought back to life here and then remixed by modern luminaries Silent Servant, Christian Kroupa (who is one half of Black Dot) and 198319831983. They add weighty tech, EBM and moody electro vibes to make for a strong package.
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Review: TAFKAMP is the alias of the Dutch producer and DJ formerly known as Minister President. A prominent figure in the Rotterdam scene, he's primarily known for his rough hardware jammy cuts, a trend which continues on this very latest EP 'Zonegrens'. Rotterdam Electronix label don DJ Overdose sees to a seleccy of five pieces straight from the cutting room floor, delivering nothing short of gritty toothcuttery. Two downtown city hubbubers helm up the A-side, before we are thrown aside by 'Bad Dream Tuesday, which hears a sudden foray into tundric dream-techno.
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Review: M Parent's penchant for texture is laid bare on this searing and arresting new EP for Zement. It opens with 'Gravel Pit' which sounds like an audio diary from a car-wrecking plant. Twisted metal, fizzing battery acid, and crushed glass all feature over a distorted baseline and broken rhythm. Those same scuzzy sounds define the rest of the EP from the acid-laced 'Ideal Future' to the coruscated funk of 'Acid Thirst' via the caustic intensity of closer Climb These Walls'. An impressively unique offering that very much has its own singularly sound palette.
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INSIDER presents SPACE BARONS
Zillion (Soundtrack) (1-sided etched 12")
Cat: TDMV 001. Rel: 26 Oct 22
Techno
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Review: Modular techno maestro and Freerotation big cheese Steevio is on fine form on "Zephyr", his first EP of 2019. He kicks things off with "Brawd", where undulating electronic motifs and faintly foreboding snatches of melody wind their way around a rolling techno groove, before offering up a swinging, off-kilter take on tropical techno rich in darting minor key melodies and jazzy sub-bass. Turn to the flip and you'll encounter two more chunks of modular dancefloor hypnotism: the slowly shifting, head-in-the-clouds throb of "Cysuron" and the melodious but off-kilter tech-jazz flex of hard-to-pigeonhole EP highlight "Rhyddid".
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Cat: DCX 004. Rel: 24 Jan 23
Techno
Review: Here's a big old belter on that biggest of techno fortresses, Drumcode. On this two-track slammer, Adam Beyer and Bart Skils' monster track 'Your Mind' gets revisited by New York up and comer Charles D. After releases on Say What? and Pryda, D is able to show off his skills twice over, on the A-side living up to the billing of the 'Epic mix' of 'Your Mind' by bringing in the big, swelling pads that can fill a stadium and get hands raised aloft. On the flip, the 'Acid Line' version unsurprisingly brings a little 303 action into the mix, and makes sure the undercarriage is a thunderous juggernaut of supersized techno.
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Review: The seemingly ever-present underground stalwart that is Ellen Allien's Bpitch Control welcomes Berlin-based artist ASEC for a new EP that is inspired by "the indecision, the fear and the finality of making difficult choices. Heavy stuff for sure, and opener 'Crossing The Rubicon' sure is a dark and moody piece but also utterly danceable. The title track has a blunt, powerful kick and whirring machine percussion then 'Our Light In Momentary Troubles' gets a little more dubby, with fat bass and chunky drums. Last of all is 'Bleep Test (Tool Mix)' which is a brain-boggling and loopy techno cut with fizzing synth textures.
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Review: Midland has been smart about his arc as a producer, taking his time rather than churning out releases for the sake of it. As such, when we do get something new from the lad, it always feels like an occasion, and of course the music invariably matches the mood. 'You Never Take Me Dancing' is in fact the B-side opener on this new four-track record, but it plays out like the lead role on an EP bursting with fresh ideas. 'Strangers On The Train' toys with more experimental synthesis and a stripped back mix down that takes its cues from footwork, while 'Drift Into The Algorithm' plays out as the slinkier, shimmering house he's perhaps been better known for of late. The class and consideration just spills out of this record - more than worth waiting for.
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Review: Following the summer hits 'Feel It' and 'Radiance', Amelie Lens returns to Exhale and ends the year with the pulsating hymn 'You and Me'. Rounding off her 'You and Me' EP, the title track stands as a testament to Amelie's ongoing journey in the electronic music universe. With 'You and Me', Amelie dives even deeper into the uncharted depths of her musical soul, delivering an audacious composition marked by trance-infused bass, captivating acid tones, irresistibly dynamic drums and an epic energetic surge. Her distinctive and enveloping voice takes center stage during the break, crafting a hypnotic and compelling ambiance. With 'You and Me', Amelie not only unveils another sonic masterpiece but also signs off on an extraordinary year of releases, underscoring her stature as a reigning force in the techno landscape, leaving us yearning for more.
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Review: It is impossible to pin down Roman Flugel. The German innovator has had more different sounds and aliases than most of us have had disco pellets. Here he is back under his own name on Berlin mainstay Rekids with four to-the-point yet still characterful techno cuts. 'Yes People' with both amp up the energy in the club but also trip out all those who hear it thanks to its caustic drums and mind-melting synths. 'Play Simple' is a double time weapon with spoken words morphing before your ears next to an insistent rhythm and sleek pads. 'Jam' is a wonky one with detuned chords tumbling about the mix over old school techno directness and 'Mysterious Delight' again cuts loose at the afters. This may be his best work in some time.
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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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Review: Londoner Otik has been about for a long while now, but his Aus Music debut signals some serious tack-change when it comes to putting true respect on the name of an artist who deserves it. 'Xoul Trap' not only references a Skyrim game mechanic, but delivers four Uk-funky-ish dream-heaters to either quench or ignite the soul, depending on one's inclinations in the dance. The haunting vocal chops and thunderous kicks of the title track, the shuffling chords and speaker-rattling subs of 'Temptress', the washed-out synthesis and pumping 4/4 of 'Inertia,' and the shimmering UK Funky inspo of 'Unorthodox' render this a solid top-up to the rep of UK dance music on the international stage.
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Review: While NPM's first release, which dropped earlier this year, was a classical-tinged drone EP courtesy of Giulio Aldinucci, this follow-up from Brighton-based Mause explores a simultaneously melodious, skittish, picturesque and acid-fired sound that sits somewhere between ambient techno, IDM and Rephlex-style "braindance". He first opts for a deep and beautiful sound on the thoughtful 'LocriLogAcid Seq', before ratcheting up the tempo (and minor key melodies) on the sprightly 'SeqtuningMLogAcid'. Over on side B, 'Strimsang (Beacon 4)' bustles, bubbles and spits impressively to avoid easy categoriziation, while 'Sunday Multi Acid Seq20d' is high-grade IDM/ambient techno fusion that reminded us a little of Holovr's similarly 90s-inspired works.
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Review: Matt Edwards aka Radio Slave's Rekids label is back with something a bit different here: it is a debut release from Serbian duo XL Traxx who show off their fierce and jacked-up analogue sounds across three bangers. 'M-Bomb' is the early standout with a classic Chicago house vocal over raw, hard-hitting drums surely made with some proper outboard gear. 'E-Dancer' then offers the sort of loopy synth energy you would expect from a tune with such a name and then the bouncy house and catchy finger clicks of 'D-Edge' have slightly deeper vibes.
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Review: Southern Italian DJ/producer Uncrat follows up great releases on Moral Standards, Subsist and his own Proper Line label with this riveting new effort which signals that he's really hit the big time now - it's for Ellen Allien's mighty Bpitch Control. 'Xilo' is an adventurous main room workout that sets the scene perfectly before the direct execution of 'Efien' a slamming tribal techno tool mixed with gnarly acid squelch. Over on the flip, the dystopian electro beats of 'Gemini Leaks' mix it up a bit more, and closing it out is the strobe lit frenzy of 'SIT' with its Detroit style chord progression that will have you reaching for the lasers.
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