Review: "Abyssopelagic" is the third release on Tresor Berlin resident Marcel Heeses label Finitude Music. This time he teamed up with d_func. aka legendary Berlin producer Alexander Kowalski who has been around for almost 20 years and surely needs no further introduction. The title track is a slow piece of nautical Techno aiming at the bigger floors. As the title suggests the B-Side includes a stripped-down version of "Abyssopelagic" for the deeper moments on the floor.
Review: Tony Rodriguez has many strings to his bow already as Brothers' Vibe and the head of Mixx Records, and now he's embarking on a new venture in the shape of the Toad Red label. Focused on a harder-edged sound than the deep house he's normally associated with, Rodriguez has invited Esther Duijn and youANDme to join in the fun with some finely crafted techno for open-minded dancefloors. Meanwhile there's an original BV jam in the shape of "Dee's Drama", while Rodriguez also unveils a new modular-focused alias named Silent Rodgerz. It's a new chapter for the New Jersey mainstay, and it promises exciting things to come in the future.
Review: Having crept out of the tape undergrowth and respected haunts like Clan Destine and Always Human to earn more civilized recognition on BANK Records NYC and Bliq, Strahinja Arbutina makes the move to Vivod for yet more of that edgy, leftfield techno business that keeps mothers awake at night from worry. The grit, noise and distortion has been faithfully carried through from the cassette-based roots of Arbutina's sound, but these tracks are more than ready to do the damage in the dance (where you're less likely to find a tape deck). Hold on tight as the likes of "Way Ahead" give the sound engineer a fright when they think the system has overloaded.
Review: Having been spotted splurging out guttural techno mischief on Super Rhythm Trax and No Logo, G-23 gets invited to Torn Hawk's Valcron Video label with more of that deviant sonic behaviour to share with the world. There is sludgy bass, strangled acid and clattering percussion aplenty on lead track "Access Code", while "Bleep Shots" throws down hard and raw with an utterly sick mix of grotty drums and gnarled synth blots. There's a Mr Husk "unmix" of "Access Code" which adds some extra melodic strains into the melee, and then "ARS Trip" finishes the EP off with some end of days tone damage for anyone left standing.
Review: De Grey launched last year with a 12" from Webstarr, and now it follows up with the raw, rough and ready sound of Jack Angle. "Week-End" is a lithe, percussive beast of a track that matches bloated kicks with glassy hits for a tracky but distinctive end result. "6PNHHPE" is a looped up, off-kilter affair that sports an industrial techno thread but heads into stranger territory with ease. "Stablilizer" is a more balanced, melodic affair but again those distinctive metallic tones pervade the mix and inject some real character into Angle's music. "Selta" takes this approach and whips it up into the most lively, peak-time minded belter on the whole record, sneakily tucked away on the B2.
Review: Emotional Response reach out to another fine selection of sonic voyagers to take Brain Machine's excellent Peaks LP to task, leading in with the warm discoid undulations of Rollmottle who refigures "To The Stars" as a gentle, groovy warm-up joint. Die Wilde Jagd takes on "Mercury Ripples" and fashion a bombastic breaks jam out of it, and Merrick Adams pushes "Alpha Moon" into a curious but ultimately cosmic space somewhere beyond the titular lunar body. Cass takes the prize with the bittersweet synth tones that course through the two-part remix of "Nexus Vox".
Review: Hong Kong based label Fragrant Harbour has thus far supported work from choice leftfield beat candidates such as General Ludd, Fulbert and Renart, and this time turns its attentions to international outfit LPZ. There's a modernist, UK-leaning style to their brand of mutant techno, focusing on crooked, moody rhythms that sup from the same font as Livity Sound et al. "Triangular" crashes and bangs its drums through blissful pads before "Heliopolis" pushes the kick to the foreground and dives into more meditative depths. "In Flames" rides some dreamy breakbeat tones and "Luminescence" rounds the EP off with another crafty pairing of off-centre beats and soundsystem-ready tones.
Review: Ikeaboy is the intermittent project from Damian Tubbritt, who first debuted the moniker more than ten years ago. It's been a long while since any fresh material from this deep cover curio of oddball techno hit wax, but now Wicked Bass have done the honourable thing and gathered up this excellent trio of tracks. "Shape Memory" plies a funky line in squelchy bass and jangling delay trills, while "Living In The Future" opts for a more mysterious, pad soaked trip into spooked out electro. On the B-side "Dayna" sports some forthright drum machine beats and epic sweeps of synths that only serve to confound any expectations you might have about the sound of Ikeaboy.
Review: SORN002 welcomes another experimental beat maker tot he fold. Asan is likely from another planet. His take on techno is like no other. Expect wild drum patterns, freaky synths and alien grooves. Synth Lord Steve Moore strips things back in a way only he can and creates an arpeggiated synth journey which you'd never tire of, even if it was 45 minutes long!
Review: Hailing from Hong Kong and more commonly found recording as S.Y., this release is the first music the producer has put out as Dopamine Rider, and it's certainly a record that thrives on unpredictable rushes of chemicals to the brain, making it a perfect fit on Discos Capablanca. "$ LFO" sports a techno framework of sorts, but it's really a vessel for strange ripples of FX and one-shot tones, but then "Personal FX" ramps up the freakiness with some atonal machine whirring that sounds like it's been wrenched from an errant modular system. "John Cage Is My Homeboy" is positively delicate in comparison, but it's by no means straight laced, and "Sai Ying Pun" finishes this adventurous EP off with a strange drum track that adds a little spice to the DJ tool format.
Review: Building on the momentum of the strong reissue programme undertaken at Thule Records HQ, Thor returns to the fray with some new productions that add a new chapter to the story of Icelandic techno. This limited run of Decay appropriately comes on marbled grey vinyl. Of course, the unique atmosphere the label carved out in the 90s has been left intact - the dubby processing and icy melodies abound throughout, creating utterly immersive techno and house variations in the process. "Insanity Dub" has a live feel to its drum set which injects a curious disco energy into the mix, while "Rusty Flashback" takes things in a subtle tech house direction. "Garden Of Corrosion" stands apart with its slender sound palette, placing the emphasis on groove and swing, while "Pepper Jones" ramps the dub techno exploration up to 11. If you love the sound of Thule, you're going to love this.
Review: Manni Dee might be best known for his upfront techno tackle on Perc Trax and the like, but he's also been quietly building up a separate identity as Nuances, and it's a world away from his dancefloor output. Following on from some choice album appearances on Bastakiya Tapes, it's up to Tabernacle to give the project its first outing on wax. While Tabernacle can have some range in their sound, this finds the label plunging wholeheartedly into ambient climes. Heavily processed textures and delicate chimes all feed into a truly evocative atmosphere loaded with significance. Ignore the familiar name behind the music - this is an album deserving attention all on its own.
Review: The Cyclist fires up his Tape Throb label for a sixth instalment of grubby, wayward sonics that pivot around a danceable axis while reaching to a higher plain of musical expression. There are plenty of psyched-out overtones bursting out of "Requite", and there's a rugged groove cutting its way through the dense thicket of ferric noise. "Chime" has a more tender approach in some regards, sporting a tropical lilt and sparser arrangement, but there's still plenty of space for artful distortion. "Brave New Wave" is a brilliant mish mash of peppy electro, early synth pop weirdness and that overall Cyclist sound that only he can conjure up. "Mackabee" goes in on that particular quality to finish the EP off in an evocative ambient lick sending out an SOS across a shoreline of grubby, tidal dub washes.
Review: Having previously popped up on ESP Institute, Juan Ramos teams up with Trent to form Greenvision, making their first appearance on the home of freshly squeezed discoid deviance, Cocktail D'Amore. "Surdinia" takes over the A side with a bombastic array of peak time devices in its utility belt, from bubbling acid tweaks to gluttonous monosynth leads and a chunky set of drums. "Meccanica" is no slouch either, laying down thick slabs of synthesized grease in pursuit of a different kind of party track. This is unusual, distinctive club music for those who want the crowd to stop and pay attention.
Review: You may well have come across Miltiades doing sterling work on such excellent labels as Nous and Echovolt, pushing a grubby, blown out kind of hardware house music for freaky warm ups and wayward souls in red lit basements. Stepping out as Outermost, the methodology seems to be the same but with an gutsy electro mission that suits Modal Analysis perfectly. There's a seductive quality to "Surface#1" that makes it the consummate opener to this record, but it's something of a foil for the extreme sonic degradation at work on some of the tones in "Surface#2". There's a more bleak, industrial tone to "Surface #3" while "Surface#4" heads into a slower braindance conundrum before the sludgy slow-mo acid of "Surface#5".
Review: Stephen Laubner never fails to deliver the goods, whether on his own label Something or elsewhere. Having recently popped up on The Untold Stories, this time around he's dropping his uniquely crusty compositions on Synthetic Gold. After a quietly disconcerting ambient opening, the leftfield grind of "The Taphead" pushes an uncompromising agenda of ragged bass and an unrelenting groove. "October Sunrise" by way of contrast is a more intimate, sweet natured affair. "Syntax Error" too taps into the softer side of Laubner's craft in a most mesmerizing of ways, but for the die hard fans fear not, there's also plenty of locked groove loops included to keep you tripping into infinity.
Review: P-Balans continues to shed light on the more unusual underbelly of the Romanian scene, taking a few cues from the dominant minimal scene but adding plenty of analogue weirdness into the mix to provide a genuine alternative for those who like a little more spice in their sauce. On this release Khidja and Delusion Men team up for some off-kilter trips into subversive danceability, starting with the subtle, wavey acid of "Strayed" before cartwheeling into the spooky delights of "Recurrent Weakness". The ghoulish theme gets ramped up to 11 on "Ghost Caravan", where a deathly slow beat carries all kinds of undead synth work, and then Borusiade takes "Recurrent Weakness" to task with a pinging, plunging remix for the end of days.
Review: As part of Mura Oka, Louis Vial has already been spotted on the excellent Latency label as well as delivering a solo EP to Collapsing Market earlier this year. He once again dons his Eszaid cape on this release for the equally fine Meandyou stable, tapping into the labels predilection for obscure variations on the fringes of house and techno. "777,7" is especially captivating in its insistent cyclical minimalism, drilling straight for the subconscious, while "Eyeless Mannekin" sets adrift in aqueous climes for a proper floatation tank dub techno immersion. Using subtlety as a powerful tool, Eszaid ably matches up to the quality that has come before on Meandyou.
Review: Three years in, Blackhall & Bookless' Jaunt label is becoming a serious force for forward thinking, fractured techno exploration. On this split EP with Chad, the duo take the A-side and present two different versions of "Links". The "Battle rework" is a tense and dramatic tumble through dub techno soundscapes, while the "Bleak remix" pares the elements down to a more focused, minimalist thrum. Chad presents a wholly different vibe on the flip, using rich, warm synthesiser tones to draw you in to "Afters", and then Scenery regular ASOK takes up remix duties on the track with an immersive version that borders on breakbeat.
Review: Chris Weeks has been building up the Kingbastard catalogue for a long time now, generally taking a self-reliant approach in the underground electronica scene where CD-r releases reign supreme. He's been a key figure on Ambidextrous since the label launched back in 2008, and now he's committed to wax with a range of crunched up leftfield sonics for the machine-loving crowd. "Anxiety" is a melodic cut with a house-minded structure, but there's a lot of production acrobatics and compositional swerves taking place within this framework. "Scatterbrain" is more overtly out there, tapping up the kind of heavily processed sounds that producers like Paradroid have championed in the past. "Data_Loss" strike a heavy blow somewhere between dubstep and electro, and "Data_Ctrl" ups the tempo for a rabble-rousing exercise in mind-bending machine music.
Review: UK techno stalwart Steve Bicknell's Lost Recordings series must be one of the longest running in dance music; the Lost and Cosmic founder has been putting out previous unheard material from his early '90s heyday on and off since 2004. There are few surprises on this 10th edition, but plenty of slamming, no-holds-barred grooves. The hissing, spacey, cymbal-heavy "Track 3" is particularly trippy, while there's a gnarled, ragged intensity about the pulsating heaviness of "Track 1". Arguably best of all, though - ambient interlude "Track 2" aside - is "Track 4", an eerie techno shuffler built around a wonky, off-key electric piano loop and fizzing percussion.
Review: The revival of Symbolism continues with J.C. & Kastil. J.C. aka Jose Cabera is otherwise known as Spanish house producer Kasper as well as cropping up on Fred P's Boards imprint as J.C. in 2014 while Kastil is widely recognised for his output and stewardship of Soul Notes.
Review: Amid whispers of a new album from Unirhythm boss and Three Chairs stalwart Marcellus Pittman, two tracks from his excellent debut LP Pieces finally get committed to wax. It's a shame Pieces never got a vinyl release, but the chance to grip "Sneak Attack" and "Random Acts Of Insanity" on 12" should not be passed up. This 12" was actually released in 'blink and you'll miss it' white label format in 2014, but finally gets a proper issue! For those that don't have the LP, "Sneak Attack" is a curious concoction, with Syclops style electronics occasionally flowering over deep, dusty, intricately programmed rhythms. "Random Acts Of Insanity" feels a little bolder in approach, though its' rich chords and odd, off-kilter rhythm track are contrasted with some notably bonkers electronic touches.
Review: Having shot into the limelight in 2012 with a 12" on Hessle Audio followed up by an outing on Liberation Technologies, Bandshell has since been on covert operations largely centred around releasing his music himself via Bandcamp. Now he's extended that practice into the B.S.Hell label, providing a physical presence to his wayward experimentation on the fringes of bass music. It's a sound that naturally aligns with the likes of Batu and Laksa, but also defiantly makes its own statement as well. With five tracks of distinctive drum science and textural voodoo to indulge in, this is a welcome return to wax for a thrilling, self-motivated producer.
Review: Jaunt Records' 10 year celebrations are spanning a series of 12"s that feature a broad spectrum of artists searching for the ultimate deep techno fix. The four contenders that occupy this Sea release all have their own agenda, but they sit together perfectly. Hiver weaves illustrious pads in between nimble electro drums and bubbling acid bass, while Artefakt creates eerie, fractured acid meanderings to send a shiver down your spine. Hinode does some deft break choppage to create a dreamy trip for the up all night crew, and then Region rolls the record out on an emotive tip while keeping the rhythm section pumped up for the floor.
Le Syndicat - "Prothesis Pack Xtract 08 (1983)" (3:52)
Le Syndicat - "Maximalist" (Ekman remix) (6:05)
Review: Continuing their uncompromising fusions of artists new and old, Contort Yourself return with a punishing array of industrial thuggery from hardware manipulators you wouldn't take home to your mother. Novacom were last seen on Slumdiscs back in 2014 and here bring a fast and gnarly rhythmic tryst to bear before JK Flesh do their own snagging dance with oppressive synths and drums twirling into a heavyweight whole. French brutalists Le Syndicat then dominate the B-side with their confrontational bastardisation of techno and industrial, making the perfect source material for Ekman to get nasty with on his remix of "Maximalist".
Review: After a bit of a hiatus, Roots Unit return with some deep house hybrids from their bulging vaults. "Learn To Love" is a melodic dub-house / techno infused big sound system warmer that comes from a studio session with former 2 Lone Swordsman Keith Tenniswood and will be familiar to those who tune into Tim Sweeney's Beats In Space show on the regular. "Morning Sequence" is a lovely early morning hypnotic slinky electronic house jam that gets under your skin and into your mind. This latter track is mutated into a heavy floor filler by Mark E in full on peak time mode.
Review: The fourth installment in the Legwork Records saga sees label heads Lance DeSardi & Leopold come together under the artist moniker LEGWORK. For their first outing under the name they start with BUCK SHOT, a techno-soul chugger featuring a remix by the futurist himself, Matrixxman. On the flip, the boys go in for a straight-ahead killer with MEAN 2 ME and a more musical version of the same tune, KEY 2 ME.
Review: "Following up on the excellent 'Stabbed in Konya' EP for Peur Bleue, SORN welcomes Gohan to the fold. Three tracks of dystopian techno for the heads, plus a Boddika-esque remix from newcomers Ikpathua & Paterson. Recommended."
Review: As a staunch representative of Midwest techno since the mid-nineties, Fanon Flowers has always skirted on the periphery of the scene rather than getting placed on the pedestal many of his neighbours do, but this return to UK's Sect Records sees a further widening of his reach, with this particular record embracing his dub techno side with a cavernous chord deployment and plenty of metallic hits. Substance is on deadly form for the remix, trimming said chord down to a fine point and adding some welcome funk into the arrangement to a thoroughly engrossing end.
Review: Finale Sessions is excited about this reease and we are greatfull to bring you Natan H hailing fro the "City Of Angels" Natan has this energy that we at Finale Sessions as of late have not been able to find so as you know we are estatic to get this out to the masses and give you a little taste of what is going on out on the Left Coast and we start with the track "Lignes" with its melodic pads and its wavering synths make for a latenight beauty for sure then we move to track 2 which is " 0 (Phase)"This track is another latnight stomper with moving chords and melodic drum patterns that keep it a smooth sounding pieace, Then last but not least we have the song "Invariant" (Feat.Jordan) This dub techno track is floor filler for sure with its heavy laden pads and synths and its monsterous sounds one of my favorite tracks at the moment . We want to thank you at Finale Sessions for giving us the opportunity to share this music with you and we hope you enjoy it
Review: Naura Records presents the third release of the Bleak series.
'Relics' is a full oriented dance floor track, twisted and static in all directions.
'Black Ice' reveals itself as a cataclysmic and intelligent analog tool with pulsating baselines and profound deepness.
Review: Haunted Doorbell are Timothy J. Fairplay and Matilda Tristram who released 'Xylophone' together last year on Astro Lab Recordings. Picking up where Xylophone left off 'Unconnected thoughts on jacking' is four tracks of naive melodies, rough slamjack drums, and new age atmospheres. 'Starclash' kicks off side A, with its dramatic arpeggios and SID chip crashes, Techno to soundtrack the Saturday night laser show at the planetarium. Following is 'A night of adventure' with its eastern scales and washy broken chorus unit hiss. On side B we have 'Beautiful Sheffield' - an ode to electronic music's (possibly) most important British city and the title track rounds of the EP - house music for listening to while looking out to sea.
Review: Dutch techno luminary Orland Voorn receives the makeover treatment on this latest juggernaut from the blooming Out Er imprint, who have out together quite the line-up on this one! The track in question is "Gain Upwards" and the first to rewire its structure is Detroit techno pioneer Juan Atkins, and the producer is in no mood to fool around thanks to his injection of heavy percussion stabs and molecular sonics - a truly fantastic return to form by the man! Atkins is swiftly followed by Berliner ROD and his moodier, swamped-out reinterpretation; on the flip we have Dial's Efdemin with a chuggy house and bouncy house version, and finally Haiku's cerebral take on the original...a ride into the darkest quarters of techno. What a pack!
Review: After a pair of superb 12"s from Duckett, Untilmyheartstops turn their attentions to across the Atlantic with the label debut of Zachary Lubin. Fans of the Kimochi label will recognise Lubin from the two wonderful 12"s he's committed to the cause over the past three years, and this four-track Future Laboratories record is a fine addition to his small discography. "Flooring Operations" opens proceedings on a dizzying techno tip, a kaleidoscope of sound billowing up around the taut bass drums, whilst "Mediation Garden" will please those who like some sonic grit in the mix. By contrast, the excellently titled "Ambivalent Robot" veers off into insouciant, glistening techno and is quite life-affirming. "Chloroform" rounds out the 12" on a similarly warm tip.
Review: As Until My Heart Stops turns 10, we head back across the Atlantic , this time to Boston and a stunning ep from the still hugely under rated DeViere.DeViere is a music producer and radio disc jockey (Progressive Black, 90.3 FM WZBC Newton) based in Boston, Massachusetts. He first came to our attention with the Transcendental Numbers ep on Jamal Moss' Mathematics label in 2012 and we've waited on each release ever since, including last year's huge Future Shock Disco ep (a collaboration with Jamal himself). Here DeViere presents 3 beautiful examples of his deep, soulful craft and a fitting way for UMHS to hit double figures.
Cage & Aviary - "Lean On Me" (Felix Dickinson Foolish dub)
Posthuman - "Make More Man"
Review: Just as the new football season settles into it's groove, the fourth edition of the highly collectable Rothmans arrives sporting some high profile signings! Leading the way on The Claudio Gentile Release is a Foolish Felix dub of Cage & Aviary's "Lean On Me" whose deranged acid gurglings provide a nice contrast to the thrusting Escape From East London stylings of Posthuman's "Make More Men". On the flip Ali Renault returns for Rothmans duty with the Weatherall worthy "The Black Heart" whilst Iron Blu is loaned from Flight Recorder for the synthy swamp of orchestral drama that is "Oiche Shamhna"
Review: Liverpool's Scenery Records has been making a real splash over the last 18 months, delivering the kind of top notch, analogue-heavy deep house gear that invites comparisons with the best labels from Vancouver, Washington D.C and New York. There's plenty more to cheer on this label debut from Liverpudlian producer Binny, not least the immersive melodiousness, dancing synthesizers and rhythmic hustle of "Retrospective". Chicago Skyway delivers two impeccable rubs of that track, with the second - a new-age techno stomper built around beautiful synthesizer arpeggios and drum machine cowbells - standing out. Flip for the glassy-eyed intelligent techno-meets-deep house thrills of "A Moment In Time", which is also given a pulsating acid techno makeover from Scenery veteran Circular Rhythms.