Review: Brawther's Negentropy label has already carried gold star material from Ron Obvious and the man himself, and now it's the turn of debutant producer Zweizig to show off his wares. This assured 12" leads in with the ambient intro "Gewissen" before the crisp minimal funk of "Rhythm Tension" kicks in with its shimmering and shuddering sound design pinging around the dexterous beat. "Zephyr" is a smoky affair with a snappy broken beat and lots of subtle organic matter writhing in the middle distance. "Rehash Repeat" takes things deep and dubby to complete the set, all mellow hiccupping rhythm accents and hazy melodic phrases.
Review: Having previously impressed with two suitably atmospheric EPs on Propersound, Zug has decided to launch his own imprint. This label debut is naturally rather delicious, with the producer offering up a quartet of analogue-rich cuts that effortlessly combine the sci-fi sounding futurism of Detroit with the comforting melodiousness of Larry Heard. Such is the quality throughout that picking highlights is tough, though we're particularly enjoying the gentle grooves and alien melodies of "Constancia" and the suitably dubby, intergalactic pulse of EP opener "Alegria". Elsewhere, "Bienestar" combines bleeping melodies, dreamy chords and shuffling, tech-house style beats, while "Celebracion" sees him wrap far-sighted electronics around a bustling, two-step influenced rhythm track.
Review: Noiztank co-founder Zosima has been surprisingly quiet of late, with his last release of note - the suitably intense and dystopian "Apropos Of The Wet Snow" - dropping back in 2017. As the title suggests "Live Cuts I" is made up of fuzzy, lo-fi workouts that were recorded to tape during live shows in Madrid, Berlin and Vienna. All four are suitably atmospheric and spontaneous in feel, in keeping with the producer's sweaty, hardware-driven performances. What you get is full-throttle industrial techno full of head-mangling distorted drums, rhythmic white noise and - on the clandestine "LC3" and paranoid "LC1" - a sliver of wild-eyed melodic intent. Not for the faint hearted, but well worth your attention if you like your grooves raw, ragged and full-throttle.
Review: It's double trouble again from ever reliable Bavarian brethren: Dario and Marco Zenker. The Ilian Tape head honchos seem to look for inspiration from the West Midlands techno scene circa the mid '90s. The splintered, full-throttle machinations of A side cut "Sorting Peanuts" call to mind Force + Form era Surgeon with its stuttered and jarring pace - making equal room for tension and suspense. On the flip, the greyscale factory floor stomp of "Sample Predator" will please fans of the Downwards back catalogue - British Murder Boys and Female in particular.
Review: Somewhat surprisingly, this tasty 12" marks Years Of Denial's first solo release since 2016's "Blood Debts" LP, an intoxicating, otherworldly fusion of industrial, EBM, experimental electronica and mind-bending rhythmic noise. The Italian artist hits the ground running with "Crow", where drowsy, stylized spoken word vocals echo above tight acid flashes, moody bass, doom-laden chords and bustling drum machine beats, before rushing towards throbbing EBM territory on "Body Map". Over on the flipside the Mascara-clad fun continues on the clanking industrial-meets-electro warp of "Love Comes And Goes" and the guitar-laden moodiness of closing cut "Cold Blooded Hands".
Review: Despite an impressive discography and a well-deserved reputation for crafting high quality techno and electro, Lee Xhin's releases have been few and far between in recent years. In fact, this wonderful four-tracker is the sometime Token, Stroboscopic Artefacts and Semantica artist's first release for two years. It sees him exploring the potential of dancefloor futurism by flitting between melodious, piano-sporting electro/techno fusion (the surprisingly melancholic "Everythingremains"), punchy but spacey peak-time electro ("Vision Electrified"), angular and mind-altering modular experimentation (twisted, beat-free closing cut "Dust") and moody, off-kilter breakbeat techno (electro influenced roller "IKNx2", where strummed shoegaze guitar motifs rise above claustrophobic chords and pummeling drums).
Review: On celebrating 22 years of Josh Wink's cult acid classic "Sixth Sense" on his legendary Ovum imprint, they've invited one half of Masters At Work, Louie Vega, and Israeli techno hero Shlomi Aber for a set of remarkable updates. Vega looks after the A side with a couple of sweltering reworks: from the bouncy, bass-driven groove attitude of the main remix which retains industry veteran Ursula Rucker's powerful vocal performance, to the handy dub version up next. On the flip, Aber certainly has come a long way since the days of Chicago Days/Detroit Nights - it's about spending all weekend at Berlin's Berghain these days - getting on some proper tunnel vision with his steely and austere rework.
Review: The mysterious Wilson Phoenix returns with another batch of muscular techno joints that'll wipe the floor with any half-hearted 4/4 pretenders. Considering how sought after his earlier releases are, don't expect this to hang around for long. The beastly 909 kicks on "Dorphin" would slot in perfectly with Head Front Panel's own blown out take on peak time rabble rousing techno, while the kick-clap sync on "Dexed" will get fists a-shaking. It's not all blunt drums though - there's plenty of peppy colour splashed all over this record to make it stand out from the crowd. This ain't no monochrome chugging business!
Review: A four-track acid EP by veteran producer Warlock, out on Kalbata's Brush & Broom label. Ex-amount of jaw-grind action from the London underground legend. "Violent Rays" and "Swearings" are both straight-up warehouse workouts, comfortably placed next to reflective after-hour gushers "Run DC" and "Cave Tone". Once again, Warlock demonstrates stunning crisp production, touched by old-school heritage, dating back to pre-94 legislation times. Essential.
Review: Hyperdub and Tectonic regular Walton finds himself on vital Munich label Ilian Tape for his next EP. The rhythmic innovator takes cues from the label's love of breakbeats in one track here. Opener "Before The Storm" is a suspensory bit of ambient with sustained pads and distant hits, crashes and pops speaking of alien life forms. "Rolla", a dusty and shadowy cut that skates along with a sense of uneasy menace. Last of all, "Depth Charge" is as it sounds: fathom deep bass lurches to and fro with machine gun like snares firing across the face of the track. It's boombing body music to make you move.