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Review: Munich's mighty Ilian Tape is the next label on which Laksa impresses with this new Voices 12". First out of the blocks is the sound system bothering 'Tech Steppas' with its wobbly low end and percolating dark drum funk. 'LEO' brings a more brutal broken beat with elastic bass that makes you move in many different directions at once while 'The Art Of Slip' is a pounding mix of thudding kicks, tripped-out vocal loops and moody synth menace that never lets up. Last but not least is 'Enjoyment' which rides on a thrilling and airy half-speed percussive rhythm that has plenty of height to it. Another inventive EP from the Ilian crew.
… Read more in stock $14.27
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Review: Seclusion debuts with its first vinyl release here and it decides to use the opportunity to showcase four remixes from three different techno titans. UK favourite Ben Sims goes first with his turbocharged take on Elyas/Anta's 'Real 13130 G's' and then Elyas offers the first two remixes. His version of Geto Mark and DJ Deeon's 'In This House' is seriously heavy, with rock solid kicks and muted acid spraying about them, then he remixes Player's 'Player Three' into a funked up and loopy house banger for the peak time. Mark Broom is the last to remix and goes for a fusion of smeared Detroit-style synth soul over hefty techno drums.
… Read morePlayed by: Carlos Nilmmns
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Review: Everyone's favourite low-res poly-rendered rave organism DJ Plant Texture returns to their fave label Ilian Tape for their least forgiving, least fluffy and most wayside-thrown techno EP yet. Contrasting to their earlier lo-fi MPC workouts and electro freak-shows, the best of which were also released on the Amsterdam imprint, Plant Texture here switches things up, offering up four jackbooted 4x4 techno bits so menacing that they verge on a dastard take on the Brummy school. An obsession with rhythm and percussive texture rears its head; A-siders 'DDrumz' and 'Mechanical Bongos' are truly intrigued by the drum, revelling in pure, circular samply bongo and timbalero repetition; the theme continues on B-sider 'Dubbish', which only does so much as add a scopeout dub chord stab to the mix, yet still sounds sick; 'Let The Machine Speak (Jazz Mix)', finally, seems to hold the work of fellow techy rhythmusoidal geek Machinedrum firmly in mind, seeming to cleverly parody the artist's Ninja Tune/Vapor City IDM era with a jeering nu-footwork-jazz half-smile.
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Review: ***B-STOCK: Slight surface marks ***
Vade Mecum welcomes Soft Traffic for a debut release here and it is one that suggests the producer has a soft spot for the warm, deep and heady end of the dubbed out techno spectrum. Those are certainly all the words you would use to describe the quiet brilliance of opener 'Find Ya' (feat Prince Morella) which is icy cool and hypnotic. On the flipside, 'Night Drive' is another sublimely soft focus and supple techno roller with infinite horizons and milky pads that dissolve your soul. A superb debut.
… Read moreVade Mecum welcomes Soft Traffic for a debut release here and it is one that suggests the producer has a soft spot for the warm, deep and heady end of the dubbed out techno spectrum. Those are certainly all the words you would use to describe the quiet brilliance of opener 'Find Ya' (feat Prince Morella) which is icy cool and hypnotic. On the flipside, 'Night Drive' is another sublimely soft focus and supple techno roller with infinite horizons and milky pads that dissolve your soul. A superb debut.
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Played by: Wes Baggaley, Philippe Petit
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Review: The fourth of a series of reissues from Network 23 - which focuses on classic tracks by and adjacent to R-ZAC (Crystal Distortion and 69db) of Spiral Tribe, and which made up the bulk of the OG rave collective's live sets - the 'NET23 04' EP is a mesmerising sauna of tekno entrainments and mental sonic mares. Starting with a subtle mind-melter from Crystal Distortion, 'ESV', we move into increasingly propagandistic vibes from R-Zac - whose 'LSP23' sounds like a numbers station stuck on loop and set to a technoization - and then followed by 69db and Meltdown Mickey's 'Drivin', which returns things to their initial minimal but maddening state.
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Review: 'Moon Chords' aren't just any old chords; they're the diatonic delights singularly emitted through the mitts of none other than the Portuguese producer Vil. The artist's latest EP plays back in the fashion of something not unlike a four-track lunar probe; opener 'Summer Loop' pairs hard industrial techno grooves with a stylistic smidgen of hip house and electro, while the title track follows up with a deeply hypnotic hyperventilation, with every sound sci-fi'd and tuned in key. Fireground's version of the A1 is nothing less than horrifying, while closer 'The Rtm Is Burning' warns us of the ends of techno, with its tuplet kicks (not 4x4) signallng the imminent crashing and burning of our trusty lunar spacecraft.
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Review: Fresh from a surprise - but no less surprisingly sublime - appearance on Timedance, Ploy returns home to the Deaf Test imprint he set up as a vehicle for his productions back in 2022. As usual, what's on offer is a fresh-but-nostalgic set of cuts full of audible nods to heavyweight dancefloor styles of the 90s. The A-side boasts two top-notch takes on 'Vortex': the bleep-and-breaks style sub-heavy shuffle of the 'Stripped Mix' and the early 90s UK techno heaviness of the more expansive 'Busy Mix'. Over on side B, trippy and energy-packed throb-job 'In Your Head' is followed by the moody bass propelled breakbeat house of 'Eyes On You' and the early Orbital-esque excellence of 'Sending'.
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Review: The Veiltail EP by 747 features two heavyweight songs: 'Veiltail', which is a driving, heavy cascading melodic track with bubbling acid flourishes and a touch of soaring trance influence, and 'Stairway', which is a more electro-slanted track that's nevertheless just as pulsating and dramatic as its predecessor, perhaps a touch of Rephlex-style aural radioactivity. The Canadian label Aquaregia continues to be a trendsetter in the very competitive genre.
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Review: D Dan is fast becoming a fan favorite in the techno scene, with multiple releases on the high profile Lobster Theremin label. This is the third release on his own label, Summerpup, and the second from himself. 'Rising' is a white knuckle ride of hard techno reminiscent of Ben Sims, Surgeon and Bryan Zentz, while 'Freak' and 'Hide & Seek' are demented storytellers in the science fiction genre. Think Jeff Mills and Axis. For the second side, 'Organic Mechanism' is a percussive and eerie workout for the headstrong. Fans of Tresor, Johannes Heil, Regis, Oliver Ho and the like should feel right at home with these uptempo loops and late 90s sounds.
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Review: Analogue is the Greek label which takes no prisoners in its pursuit of pure techno perfection and that's abundantly clear on this latest Various Artists drop, as Dax J kicks into gear with the searing, pummelling intensity of 'Ares'. It's a proper fist-shaker which sets you up for the hi-octane rumble of Kaiser's 'Kal' and ANFS' industrial jackhammer 'Amete'. That leaves Jerm to clean up with another weapons grade sheller driving ever-downwards in the ultimate ticket to peak time submission. This is techno in the toughest sense of the word - a very specific sound executed perfectly.
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Review: Amsterdam-based techno purist Keith Carnal has established his own SEC ND- imprint with plenty of fine and no-frills outings before now. Here he returns to the label and drops his Verbal Response EP which is packed with energetic cuts. 'Cynicism' is a tunnelling groove with train-like drum loops and pulsing synths that bring the edge up top. There is a lo-fi greyscale atmosphere to the techno tension of 'Exorcism' with its smeared chords and 'Altruism' then gets more upright and bouncy with hammering hits and brushed metal drums all making you march. 'Heroism' is last up and brings the most intense sound of the lot thanks to a manic lead.
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Cat: BARREP 04. Rel: 28 Feb 24
Techno
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Review: We are always excited to see a new release by S.O.N., as you can be sure to expect some quality techno. This new release is jam-packed with beautiful late night ambient techno. 'Distance Problems' is the title track for the EP and definitely stands out. The deep ambient acid that gives way for a brisk dancefloor knockout is pure sublime producing. 'Fade To Green' is a stunning atmospheric jam that verges on a beautiful acid trance sunset. On Side-2, 'Vanessa' is a floaty ambient techno track that you we just can't get enough of listening here at HQ. Just when we thought we couldn't be any happier, Romanian producer adds his Midas touch to the remix. If you like spacey techno, then suit up.
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Review: Kaiserdisco bring some big room techno energy to the one label in the world that is most synonymous with that sound - Adam Beyer's Drumcode. Opener 'In The Music' is a dark and driving cut with an acid tinged bassline over hard, hammering, flat footed drums. Add in a dark vocal hook and you have a real monster. 'Error In The System' on the flip is another moody techno pumper for the main room with hefty drums, eerie siren sounds and of plenty squelchy designs. It's a real headwrecker to close out a big 12".
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Review: Casino Classix is one of several aliases for legendary minimal man Baby Ford. Here it is also the name of a four-track EP that finds the long time UK underground operative working alongside fellow British techno luminary Mark Broom on a quartet of devastating cuts. 'Ringer' opens up with some dark and nimble baselines darting about beneath a dense layer of percussion and FX. 'Hoppa' is then a more precise and minimalist cut with wonky bass snaking down low beneath the icy hi-hats and jumbled toms. There is a warm dub depth to 'Hot Pot' to kick off the flip and 'Beach Club' shuts down with a restless mix of synth daubs and deft percussion over an ice cold groove.
… Read morePlayed by: Juno Recommends Techno, Juno Recommends Minimal Tech
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Review: The big room techno don that is Adam Beyer is back with more potent techno weaponry on his own Drumcode label, this time with part two of the 12th volume of his A-Sides series. His 'Take Me There' is first up in remix form and Carl Cox flips it into a surging peak time roller. Matt Guy's 'Give Me What I Want' is an emotive banger with big synth energy and reverberating vocals while ADHS's '2STEP' hits hard with its flaming drums and trance-y synths. Kaiserdisco then brings dark, stomping warehouse energy to their raved-ready 'Get On The Dancefloor.'
… Read morePlayed by: Juno Recommends Techno
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Review: Befitting of the label's name, Drumsauw aka. Joseph Sutherland keeps to the Code with a fresh three-tracker of megatechno heaters. Starting things off with the entraining but no less driving dreamer 'Focus', we're met with riveting sixteenthy knocks and dour breakdowns, a formula devoutly followed throughout; the B offers up two further alarmist pummellings of the third kind, with 'Set Back' repeatedly jabbing the podiatric floor with pressurised weight-kicks and offhand "push it" voxxes, and 'Escape' continuing to sound said alarm while insisting that we "escape" the laboratory, now quarantined to sift out those hesitant to dance.
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Review: Wallis' label Jell is back with a second release to follow up the fine first outing and this one comes from Argentinean Manu Calmet. He has a background as a drummer and draws on that while layering up his own fresh sounds, here alongside Sassyggirl and DJ Sustancia under their project name Stripclab.'Te Toko Me Toka' has intense vocal loops and distorted bass over hard techno kicks that never let up. 'Enero' has a little more funk to the beats as it hurries along with a real sense of urgency and 'Pium Pium' is all about flashy synths that dart about the mix like fireworks. 'From Bed To Living' closes out with cosmic hard techno and hints of Latin rhythm.
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Review: Mega eerie techno from Germany's own Michael Melchner, proving techno can indeed be done differently, not least when its groceries are in season. Active since 2008, springboarding his career with the label and masters of German uniformity and drab, Cargo Edition, Melchner has since flown the nest into further-afield aerations with Paragram, Bloop Recordings and now, Different Times. 'New World Supermarket' truly sounds to be a grim sort, with the title track, together with the ensuing 'The Voyeur', 'Anatomicouture', and 'Kolonne Null', painting a rather anxious, suspenseful and brutalist picture of future grocery shopping. The closing track is something of a cathartic let-up compared to the first three, its pace relatively downtempo and its choice of samples roomy and sci-fi, though the creep factor still ever-so-slightly remains.
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Review: It's no wonder Dopplereffekt named their latest EP 'Inifinite Tetraspace'. For starters, a tetrahedron is a 3D triangular pyramid of equal lengths per side. A sine wave, meanwhile, is in auditory form considered the purest, most basic sound - it is also the graph produced by plotting all the ratio points between two sides of a triangle. The logical conclusion is this: infinite tetraspace might be considered the ultimate form of repetitive sound, carrying on forever, triangulating constantly in all directions, never ceasing. For all its vivid imaginings, Dopplereffekt's dualistic, stereo-effected sound carries on in full force on their latest EP for Curtis Electronix, tetra-scribing four icy, unsettling entities that may only be encountered in this special extra-conscious zone.
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Review: Unstoppable Munich label Ilian Tape has another entry in its fine ITX Series here and this one is called 'Biospore Farmers' from Fields of Mist, describing it as "Sunrise Beams Through Orbital Mist." In less abstract terms, it is a gorgeously hazy and lo-fi electro-exploration. The first two cuts are slow, doleful and reflective with grainy pads and deep space ambiance swirling around nice rough-edged broken beats. The B-side picks up the pace with the brilliantly kinetic bounce of 'Astral Projection Spores' and then the skittish and celestial trip that is 'Orbital Mist'. A high-class EP once again.
… Read morePlayed by: Marco Gallerani
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Review: Man of many aliases Ron Wells is undoubtedly an under-appreciated British dance music hero - a producer who delivered a string of innovative jungle-techno releases in the early 90s and has been serving up killer cuts in a variety of styles ever since. Here he dons the Jack Smooth alias (a moniker he debuted way back in 1991) for a collaborative four-tracker alongside fellow storied veteran Anthony Wilson AKA Chicago Loop. They begin in sensational fashion via the bleep-sporting analogue acid house of 'Waverider', before opting for warehouse-ready early UK techno sounds on the gnarled and nasty 'Innervision'. 'Blunderbuss' adds warped hardcore rave sounds to a sweat-soaked jackin' house beat, while 'Under The Influence' sounds like a long lost, loved-up tech-house blueprint from 1994. Stellar stuff all told.
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Review: Valerie Ace - great name - returns to Intrepid Skin with her latest EP, Strass & Stress, following a series of well-received releases. Blending hard dance and techno, the Berlin-based producer showcases her signature style on four powerful tracks. With a background in DIY rave culture and a dedication to community-led electronic music, Valerie's sound is a contemporary fusion of genres. 'Taking a Risk' sets the tone with hard kicks and distorted leads, while 'Slay' delivers acid-infused energy. 'Anxious not Afraid' explores a hazier psytrance vibe, and 'How To Fit In' concludes with industrial-inspired chaos. 'Strass & Stress' is a final relentless display of Valerie's artistry.
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Review: Strap in for another rollercoaster ride through the Drumcode tech-scape as we get an authoritative workout from four essential new talents. First up is Mha Iri, whose 'Bel' centres around a catchy vocal hook and darkly seductive synth snarls, before Marco Faraone nods back to some classic Wildchild and locks it to a steely pulse. Balthazar & JackRock offer up something epic on the B-side with the towering electro house synth touches of 'Andromeda', and LO'99 links up with Ray Foxx to round the record out with the playful vocal hiccups and undulating big room groove of 'Skydance'.
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Review: Adam Beyer's notable techno label Drumcode seems to be as busy as ever of late. The label here rolls out a fourth part of its ongoing A Sides series, which is now up to volume 12. Though the Swede himself doesn't feature, some of his trusty sidemen do starting with Chris Avantgarde who brings big room, hard techno energy to 'The Last Time'. Bry Ortega keeps it just as intense with the machine-gun like synth fire of 'Discover 9', Massano brings some brighter synth loops to the stomping 'Betraya' and Spektre shut down with a mix of hardcore, trance and techno potency on 'Too Far Gone.' Some great DJ weaponry here, for sure.
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Review: Rush Plus's Apollo EP is a sonic journey into the depths of techno. The title track, with its eerie synths and cavernous soundscapes, sets an ominous tone. The Amor Satyr remix adds an aggressive rhythm and dub step elements, creating a more wicked and tribal atmosphere. Side 2 offers a different soundscape. 'Flexibility/ is a mesmerizing, mid-tempo techno track with soundtrack-like qualities. 'Orange Turbo,' featuring Bordon, combines techy grooves, sci-fi sounds, and a mysterious melody. Overall, Apollo showcases Rush Plus's versatility shows the producer reaching farther into interstellar space for inspiration.
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Review: Jeff Mills continues to gift us some utterly astounding house-tempered work from the Millsart project on this latest 12". Neo Tantric Parts draws from the deep well of Millsart archives, with 'Tear Drop Nebula' especially benefitting from a new mix as it shuffles percussion and vibraphone chimes around microtonal cascades which give the music a particularly giddy quality. 'The Phonetic World' has a punchy presence without losing that lighter style Mills adopts under this alias, while 'Neptunian Landing' heads into spookier territory with some faithful 909 hats for guidance. Watch out for 'Unidentified' though, a truly tweaked-out slice of space lounge gear for watching the walls of you mind melt after one too many solar flares.
… Read morePlayed by: ISOUL8 (Volcov)
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Review: ''Seconds To Forever' is one of the most beloved tracks in the Echospace arsenal. Originally released in 2010, this reissue is being pressed on transparent blue vinyl. Fans of Stephen Hitchell will be excited to see these rumoured reissues finally seeing daylight. 'Beyond the Clouds' is on the B-side as well which makes this perhaps, the most desirable EP in this history of the label. We are just glad to see Stephen Hitchell back releasing physical music - and these are still classics of the dub techno genre.
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