Review: Somewhat surprisingly, this tasty 12" marks Years Of Denial's first solo release since 2016's "Blood Debts" LP, an intoxicating, otherworldly fusion of industrial, EBM, experimental electronica and mind-bending rhythmic noise. The Italian artist hits the ground running with "Crow", where drowsy, stylized spoken word vocals echo above tight acid flashes, moody bass, doom-laden chords and bustling drum machine beats, before rushing towards throbbing EBM territory on "Body Map". Over on the flipside the Mascara-clad fun continues on the clanking industrial-meets-electro warp of "Love Comes And Goes" and the guitar-laden moodiness of closing cut "Cold Blooded Hands".
My Love Is For Real (feat Haddaway - live At The Cathedral) (5:42)
Review: We've long thought that Austrian artist Wolfram Eckert is destined for greatness - or, to be more specific, crossover success - but to date his authentically produced but often tongue-in-cheek take on Euro-pop has yet to catch on with the public. "Amadeus", his long awaited second album, has all the ingredients to be a massive hit. Rich in bold synthesizer motifs, knowing nods to classic new wave and Euro-disco hits, atmospheric electronics, on-point grooves (we can hear nods to Italo-disco, Hi-NRG, acid house and the Pet Shop Boys) and high profile collaborations (Egyptian Lover, Haddaway, Peaches and, bizarrely, Pamela Anderson all appear), it's an album that brilliantly combines a mature synthesizer sound with the catchy hooks and giddy rush of the best pop music.
The Sixteen Steps - "Tales From The Old Country" (5:47)
Neud Photo - "Plagued By Consciousness" (6:08)
Review: As was the case with its predecessors, the third volume in VEYL's ongoing "Previously Undisclosed Rituals" series is packed to the rafters with angry, lo-fi club cuts, paranoid pagan techno and wild, mind-altering dancefloor throb-jobs. It's all of a high standard, of course, but we're particularly enjoying the drowsy late night hypnotism of Terrence Fixmer's "Always Through", the pitch-black electronic body music of The Sixteen Steps' "Tales From The Old Country", the foreboding late night creepiness of Neud Photo's decidedly trippy "Plagued By Consciousness" and the rip-snorting techno stomp of VTSS's nails-hard opener "Toxic Bleach". In a word: intense.
Albert Luxus - "In Den Arm Bitte!" (Julian Stetter mix)
Tom Demac - "Serenade"
Jurgen Paape - "Abstrusia"
Reinhard Voigt - "Der Amnn, Der Nie Nach Deutz Kam"
Rex The Dog - "Vortex"
Justus Kohncke - "Mindless Sex Track"
Voigt & Voigt - "Der Schwarm"
Anii - "Ride The Tiger"
Clarian - "Early Life"
Extrawelt - "Pink Panzer"
DJ Balduin - "EWBA"
Anna - "Remembrance" (main mix)
Fahrland - "Yesterday" (Night version)
Patrice Baumel - "Grace"
La Fleur - "Tears"
John Monkman & James Monro - "Pesto Punk"
Blackrachas - "Rotary"
Raxon - "Dark Light"
Yotam Avni - "Track For Agoria"
Jonathan Kaspar - "Renard"
Gui Boratto - "618" (Kolsch mix)
Review: Cologne powerhouse Kompakt may not be talked about as much as it once was, but the label continues to put out high quality electronic music with its own distinctive vibe. For proof, check the 19th annual edition of their now legendary compilation series, "Total". There's much to set the pulse racing amongst the 25 tracks scattered across two CDs, from the shoegaze-influenced haziness of Weval's "Are You Even Real" and the picturesque, piano-sporting dancefloor deepness of Tom Demac's "Serenade", to the neo-trance throb of Rex The Dog, the twisted techno intensity of Voigt & Voigt, and the intergalactic electro/rave fusion of Raxon's strobe lit "Raxon".
Felix Da Housecat - "Temptation" (Color mix) (5:54)
China White - "Theme From The Underground" (5:53)
The Operator - "The Mind Strike" (7:18)
Steve Poindexter - "Body Jam" (14:19)
Mike Dearborn - "Deviant Behaviour" (instrumental mix) (5:39)
DJ Skull - "Don't Stop The Beat" (6:04)
Review: In case you didn't know, leading Dutch crew Dekmantel have taken it upon themselves to shine a light on the vital work of the Djax Up label. It was one that joined the dots between US and European scenes back in the nineties and this second volume features eight cult 90s cuts from some foundational names. Highlights are plentiful throughout, but our picks have got to be Glenn Underground's "Real Space"; a jacking Chicago jam with cosmic bass that still bangs and DJ Skull's hi-tek soul on "Don't Stop The Beat" that well and truly defies its age amongst a release that is full of golden oldies.
Review: Russia's Gost Zvuk label has long been a firm favourite here in the Juno office. Their glitchy, mysterious, futuristic music always makes for intriguing listening and now they celebrate five fantastic years with a compilation featuring a host of closely associated talents old and new. The bumper triple vinyl collection features paranoid experimental ambient that draws to mind covert spying operations, mangled machine music like INFX's "Damaged +dn", haunting modulated synth soundscapes from OL and skeletal techno rhythms that rewire your brain like Erofeev's "11bng". It all makes for a genuinely fresh and original collection of hugely provocative music.
Review: Having previously appeared on Nyame and Something Happening, Somewhere, Amsterdam-based producer Vand now brings his delicate, dubby take on techno to Alpengluhen. Nodding to the atmospheric moods of Claro Intelecto and the like, he draws you in with the icy refrains of "Altarf-unn" before upping the emotion with the heart-wrenching pads of "Concord". "Kodama" has a more pronounced impact which is tempered by liberal delay and reverb, and "Paraztul" keeps things spacious and fractured for a more electronica-tinged trip outside the 4/4 slipstream.
Review: A new enigmatic duo from London named Two Shell present Livity Sounds' next installment. Their debut "Access EP" draws influence from the South London underground of the late '90s and early 00's, with a nod to more contemporary Bristol sounds across these four wicked tracks. From the off-kilter stepper that is "Heart Piece', through to the glacial and deconstructed dub techno of "Contactless" and the rolling bass-driven entrancer "SYNC-2020" - they have forged an EP of warm but stripped-down, deft UK style grooves to mark an anthemic debut. More groundbreaking future sounds from the ever reliable Bristol label.
Review: James Ruskin's Blueprint label might be more than 50 releases deep, but it is still turning out vital techno. Famous beer lover Truncate is behind this latest no nonsense three tracker and first up he races out of the blocks with the wall rattling kicks and brilliantly linear grooves of "The Bell" which indeed has some eerie bell sounds bringing mystery to proceedings. "Initials" is for the messier late night hours, with loose synths unfolding in unpredictable patterns and melting your mind. "Timbre" is then the atmospheric closer that takes you inwards. Timeless stuff.
Review: Tribe Of Colin have done a good job of keeping their identity unknown despite plenty of well received releases. Honest Jon's gets a fourth album from the enigmatic artist(s) that deals in sludgy techno, dubby steppers and pulsing electronic music that harks back to the streets of Detroit as much as hinting at a future London landscape long after humans have long gone. Twisted synths, shimmering percussion, dark chords and complex rhythms are interwoven with gritty textures and field recordings from around the world to make it a spellbinding listen. Fans of Actress and Andy Stott will love.
Review: Long-serving electro project Transparent Sound come back full throttle with this expansive album of masterful machine music. Opening track "Pretend Like You Care" is a startling opener that feels like a wormhole back to the Cologne laboratories of the kosmische movement. The beats kick in proper from that point, and in consummate noirish fashion, with "No Call From New York", and proceed to trip through all manner of nocturnal dreamscapes lit in sleazy neon strip lighting. It's a lurid, evocative sound world the veteran duo concoct, and one you'll find yourself returning to again and again.
Review: Young Marco's admirable Safe Trip label continues to explore the archives of Antwerp-based Van Elsen brothers, offering up more early '90s gems from their wonderful - and previously under-appreciated - ambient techno project Trans-4M. Both tracks here are alternative versions of cuts from the duo's brilliant "Sublunar Oracles" album. On the A-side you'll find a previously unreleased remix of "Arrival" that wraps jaunty, sunrise-ready synth stabs, psychedelic electronics and chiming lead lines around a chunky, floor-friendly groove and thickset bassline. It's superb, as is flipside "Amma (Moon Mix)" - a 1993 12" B-side that adds a little humid, dancing-all-night-under-a-blanket-of-stars vibe to an already impressive ambient techno classic (think boisterous beats, starry ambient motifs, dreamy chords and subtle tribal influences).