Review: Silas & Snare continue the heat on Madam X's Kaizen with their second single on the label this year. As always there's no letting up in terms of aesthetic, melting pot and energy. All sitting somewhere in the techno/hardcore/dub axis, "Pressure" lives up to its name with a rolling break, and warped grime basses, "Dreamscape" creates intensity with a loopy vocal hook and densely coded sense of tension while "Whistle Blower" brings us home on a deeper, more broken tip where noises aren't all what they seem. Feeling the pressure yet?
Cult Hero (Do You Wanna Touch Me) (album edit) (6:45)
Cult Hero (Do You Wanna Touch Me) (club mix) (5:47)
Cult Hero (Do You Wanna Touch Me) (Slow) (7:29)
Review: House and techno badboys Paranoid London are proceeding the release of their second album with a bunch of singles from it. First up is "Cult Hero" featuring Simon Topping - one of many guest vocalists on the full length. It's a bristling acid house cut with tight, corrugated drums and relentless 303 mania ripping up the groove. Topping's deadpan vocals are layered over the top and bring to mind the more anthemic work of Depeche Mode. "Club Mix" is even more caustic and kinetic, while closer "Slow Mix" strips back everything but for the lunching drums and demonic vocals of Topping.
Review: Given that acid revivalists Paranoid London have yet to put a foot wrong, it's no surprise to find that "(Vi-Vi) Vicious Games" is another absolute belter. It's taken from the duo's forthcoming album and features sometime Posthuman collaborator Josh Caffe channeling his inner Robert Owens and Jamie Principle over a retro-futurist backing track. In its full length, the track brilliantly combines Paranoid London's jacking drums and thrusting acid bass with dreamy chords and just the right amount of glassy-eyed melodic flourishes. It sounds like a classic TRAX release given the Paranoid London treatment, which I'm sure we all agree is a very good thing indeed. If you're in the mood for something even sleazier and more driving, the Bam Bam-inspired Dub has it covered.
Review: Through a series of must-check releases on Nous'klaer Audio, Ruben Uvez AKA Konduku has proved to be one of the more thoughtful and inventive producers to emerge in recent times. While some of his previous releases have strayed away from the dancefloor, his first outing on Idle Hands is a wonderfully basement-bothering affair full of tracks tailor made for hazy, early morning sets. It boasts two suitably dark, dubby and clandestine cuts - the echoing dub techno pulse of "Lila" and the sub-heavy, Livity Sound style flex of "Bolu" - plus two more melodic outings. Of these, we're particularly enjoying "Caduata Di Massi", where deliciously dreamy chords ebb and flow around stabbing analogue bass and crunchy drums.
Review: Sushitech's sub label Pariter has already released timeless records from the likes of Delano Smith, Steve O'Sullivan, Baby Ford and Norm Talley to name a few and this new release of the Romanian group Lisiere Collectif is no exception!
Unknown Credentials is a project of 5 tracks released on 2 single records. A sides on both parts are absolutely massive, acid lines and hypnotic chords peak time tracks that will shake any proper sound system with some serious bass extension! B sides are deeper and have more modern, fresh electroish vibe that we love!
Fans of Ricardo Villalobos & Craig Richards b2b sets are going to find it gold! Don't sleep!!
Review: The likes of Steve O'Sullivan, Baby Ford and Norm Talley have appeared on the somewhat overlooked Sushitech sub-label Pariter since 2006. Its latest release comes from Romanian trio Lisiere Collectif, who bring the techno sound of Bucharest to you on the first installment of Unknown Credentials. Member Andu Simion is well known for his rolling and glacial grooves, and in conjunction with Bogdan Ardeleanu and Dan Gheorghe they serve up two emotive and soulful excursions. The untitled A side offering is a driving, hypnotic and overall evocative journey with an undeniable nod to the Motor City sound that you could imagine Delano Smith pumping out in the AM hours. On the B side it is a more parochial affair, yet well worthy - a bumping and funky groove that's right in line with their hometown's renowned sound.
Review: James Ruskin's Blueprint label might be more than 50 releases deep, but it is still turning out vital techno. Famous beer lover Truncate is behind this latest no nonsense three tracker and first up he races out of the blocks with the wall rattling kicks and brilliantly linear grooves of "The Bell" which indeed has some eerie bell sounds bringing mystery to proceedings. "Initials" is for the messier late night hours, with loose synths unfolding in unpredictable patterns and melting your mind. "Timbre" is then the atmospheric closer that takes you inwards. Timeless stuff.
Review: Originally prolific in the late 90s and back with a renewed sense of vigour in the past few years, Dan Piu's classic, widescreen vision of hardware techno captures the verve of the original Detroit blueprint while bringing a fresh, welcome energy to the genre. This drop on Common Dreams brims with the same head-swirling magic, especially on vividly rendered lead track "Halo City". "Falling Framework" has a more mellow veneer, but there's still so much playful detail bringing the track to life. "Akira 2171" has an old-skool sci fi quality balanced out by its linear sense of progression, and "Ilipsyon" takes things deeper into a wistful jack reminiscent of the spookiest Trax output.
Review: FunkinEven's Apron label rarely, if ever, puts a foot wrong, whether putting out ragged techno, raw hip hop or whatever in between. It is Molinaro who steps up now after first landing on the label back in December 2017. The NTS host has long been a firm part of the London underground and has a lo-fi, frazzled sound that blurs the lines between a number of different genres. Here he offers spaced out and grizzled drum tracks, unsettling machine-made ambience and rough and ready beatdown that Theo Parrish would admire. It's been a long wait since his last release, but this EP was well worth it.
Review: Mark Ambrose brings his years of expertise in the deeper end of the techno spectrum to bear on this latest joint for Crayon, the label he founded way back in the mid 90s. "Destiny Angel" is a stomping, expansive cut with a cinematic lilt to its sound design and melodic progression - one for people to truly travel on. "Bleeps & Bits" is a more rugged workout that digs deep into intricate rhythm programming and FX processing to create a unique future-tribal flavour. "Just Tonight" keeps the beats dynamic and broken, but with a much hookier punch and some choice vocal snippets that should find favour with all kinds of DJs.
Review: Random XS was founded in 1991, when DJ Zero One (Sander Friedeman) joined forces with Arno Peeters to perform live at a small underground party in Utrecht before the latter left three years later and was replaced by Frank de Groodt. After the long awaited re-release of their 1992 Djax-Up-Beats classic "Give Your Body" last year on Delsin, they return with a pair of unreleased jams for fellow Dutch imprint MOS Recordings. Both tracks are said to be recorded in the early '90s, but reworked and remastered for "heavy club impact". On the A side is some proper minimal mentalism on the frantic and tunnel vision "Centrifuge", followed by the sublime 303 wizardry of "Relic Reworked" on the flip, which hails "all aboard the acid express!" better than any other.
Review: Electronic Leatherette continue their trips into the ethereal and seductive world of minimal wave with this new single from label founders Dmitry Distant and Arnaud Lazlaud. "De Ton Absence" is an artfully sculpted synth ballad bathed in reverb and Lazlaud's dreamy vocals - the end result is something both yearning and sinister, like the best minimal wave should be. On the flip, the balladry gets a shot of pure adrenaline as Timothy J Fairplay creates a taut, feisty electro belter out of the raw ingredients for a remix that should find favour with more uptempo dancefloors.
Review: Icelandic label Lahar debuts with this highly impressive release from NonniMal, who was previously spotted dropping the classy "Freyja" 12" on AE Recordings back in 2016. Sound design is the order of the day on "Eitt" as a beautifully rendered set of percussive bell notes chime around a minimal rhythm section - a piece pointedly geared towards transcendence. "Tvo" has an intriguing slant to its groove, as the sharply oscillating synth wobble juts out against the grain of the drums. "Thrju" takes things in a bleak but captivating direction, while "Fjogur" cools the record down in a cloud of blissful, frostbitten ambience.
Review: Swiss producer Alci, also known as Shaolin Fantastic, landed with lauded releases on Robsoul before skipping to other labels like Apollonia and Meander. Following last year's excellent "Diversity" double pack, he lands on his own label Seeingsounds with this pitch perfect slice of dreamy minimal house. "Acid Drip" may be a misleading title - it's more of an unending groove draped in gorgeous, shimmering melodic finery. "Hiragana" takes things in a more twitchy direction, while "Apachi" brings another slant on reduced, oddball funk to get the up all night crowd loose and freaky in all the right ways.
Review: Since signing with Ransom Note Records in 2016, Bawrut has been on a fine run of form. Remarkably, this is the Madrid-based Italian's fifth EP for the imprint and it's every bit as memorable as its four predecessors. Like much of his work, title track "Pronto Arpeggio" is rich in razor-sharp analogue electronics, with high register arpeggio synthesizer lines rising above punchy beats, manic drum fills and mind-altering acid motifs. It's successfully toughened up by KiNK before Bawrut returns with "Shooreee", another boldly percussive and constantly building exercise in analogue electronics manipulation. Ruf Dug's brilliant remix takes the track to another level entirely via even denser drums, rougher acid riffs and more glistening lead lines, while "Atchu" is a chugging chunk of late night acid sleaze.
Review: Ben Sims' Hardgroove label presents a new 12" from emergent Brighton producer Charles Green. Hold on tight for a serious throwdown on opener "Rave No Name", which pits darkside hardcore piano chops against an insistent techno thump. This one aims squarely at the peak time for maximum devastation. "Musikbox" has a bold set of sizzling drums and some head-spinning synth stabs, while "Strange Leader" gets back into that noirish early 90s mood. "Routes" completes the package with a broader, space-minded outlook that hits just as hard as the preceding tracks. Classy stuff indeed.
Review: Smoky techno futurist Redshape dons his famously featureless mask once more, this time for an outing on regular home label, Running Back. Of course, the German's music is anything but feature-less, as this EP confirms once more. Opener "Rise" has scintillating chords draped over busy, shuffling, breaky-drums that find Redshape cooking up some funk, which is rare for him. We dig. A "Bonus Beats" and "Acappella" mix are included for adventurous DJs, while the flip sweeps you off your feet on a breezy, floating techno groove that is riddled with synths that flutter in warm solar winds. A firmly rooted and rolling Motor Mix of "Rise" closes out yet another essential Reshape offering.
Review: Unstoppable electro machine Carl Finlow (aka Silicon Scally) lands on Orson with more of that impeccable robo-funk he's so revered for. "Elastic Collisions" leads the charge with a tough and teasing workout that works around a heavy low end and plenty of sparkling sound design up top. "Octodecillion" keeps things on a dystopian tip, where a bleak future sounds as funky as it does ominous. "Probabilities" heads into a less floor-focused space where thick layers of buffed and polished synth wriggles collide in high-definition. "Mechanomics" completes the set with another taut belter geared towards the heads down section of the party.
Review: The Advent made for a perfect addition to the formidable Thema catalogue, and now he's back with the second volume of his "Dorian Blue" series. There are plentiful loops to get creative with, but the fully-formed tracks have their own cyclical qualities to inspire technically-minded DJs. "Structures" is an urgent, tightly wound piledriver, while "Interactive Loop" and "Digitize" cuts both take a sprightly, Motor City-styled approach to electro. With loops derived from these classy tracks and more besides, there's a lot to get the creative juices flowing as well as bodies popping.
Review: Distant Worlds is a label going from strength to strength as it carries the work of underground deep techno producers celebrating that hopelessly romantic strain of UK machine music that emanated out of labels like B12 and Pure Plastic. Mihail P makes a return to the label after last year's "Multiverse EP", channeling all the right moves for a blissful trip into imagined sci-fi vistas fuelled by the box jam funk of electro and the synapse-tickling soundscapes of Tangerine Dream et al. From the dreamy delights of "Kessel Run" to the downtempo groove of "Sons Of October", this is beautifully executed music that champions electronic music with real heart and soul.
Review: Edanticonf has been a mainstay of Silent Season for many years now, first delivering an album and EP to the Canadian label back in 2012. Since then he's travelled to labels such as M_REC, Wolfskuil, Phorma and Linear Movement, but he's back home to roost with this gorgeous four-tracker that plays on his trademark sound. Rich with melancholic synth work and moving with a purposeful but thoughtful pace, this is exactly the kind of evocative techno that makes Silent Season a buy on sight label. Every track tells its own story, but the starry twinkle of "The Metamorphosis Of Plants" is especially captivating.
Review: Amato brings the kind of nasty electro business that fits right in on Helena Hauff's mighty Return To Disorder stable, and you know it's serious from the opening strains of the VHS noir monster "Escape From Grenoble 2018". "Hydraulic Funk" takes things slower, coming on like a freaky Frak flipside and sounding excellent for it. "Machine Outil" takes things in a more muscular direction that sounds built for bench presses and body jerks - the consummate peak time sledgehammer. Umwelt takes this sturdy starting point and demolishes it into a hailstorm of acid malevolence that'll melt your face clean off.
Review: REPRESS ALERT: Thule are back on the Icelandic techno reissue trip, this time returning to a serious classic from Sanasol (Yagya & Thor) that originally came out in 1997. This particular, highly sought after, gem leads in with the majorly heady house throb of "Seveneleven (Original Mix)" which piles the dubby processing and lush melodics on heavy while still retaining a sense of airiness to uplift the soul. By contrast, the "Closedonsundays Mix" focuses on a tough but crooked beat and that undulating bassline for a completely different flavour. On the flip, the "Sanaramalonger Mix" returns to the mellower flow of the original but with a more submerged finish and some pronounced dub stabs. Then the "Ozzy Mix" finishes the package with a minimal take that prefigures the upsurge of dubby clicks n' cuts laptop beats that would explode in the years to come. Essential tackle for all deep techno explorers.
Review: Perpetual Rhythms continue to offer up fresh variations on the deep house formula with this classy new drop from Taelue. Crooked electro experiment "The 4th Dimension" opens the record up to any number of possibilities, before the forthright pump of "Twin Flame" locks things into a haunting workout. "Rage Against Oppression" takes things in an angrier direction, all ragged and snarling production values with an acid-techno leaning. "A Bleak Moment" provides more space for exploration away from the floor, and then "The Sunken Place" sinks into sinister soundwaves driven by a nervy arpeggio. "Reflections" finishes the EP off with a trip into slow, spaced-out, acidic ambience.
Review: The Well Street family continue to bloom with this assured grip of adventurous steppers from Significant Other. You know you're onto something serious as soon as "Postdrome" fires up in a tangle of break slices, percussive rattles and poised kicks. The sparse drum-focused style continues in a quicker fashion with the tense and twitchy "Delos", while "Brain Fingers" amps up the bass flex to make for a dance-wrecking-ball of a track. "Memory Drum" completes the set with interlocking patterns balanced between organic and electronic and draped in tones of icy dread.
Review: Mick Harris is a master of bludgeoning sound, whether wringing out apocalyptic steppers in his Scorn guise or wrestling D&B into contorted shapes as Quoit. Monrella is one of his aliases that reaches back to the mid 90s and Regis' ZET label. These four new tracks capture the same mood of granite heavy Brummie techno as the original run, wholly compatible with the tougher end of the Downwards oeuvre, sculpted with the masterful ear for sound design that Harris has displayed throughout his accomplished career. Following on from the retrospective compilation on Berceuse Heroique last year, it's a real treat to have some fresh Monrella to chew on for the hardest of techno sessions.
Review: After debuting his Pakzad moniker on Infiltrate last year, Justin Pak makes the leap to Burnski's Constant Sound with this assured set of electro workouts built for the modern age. "Timeless" is a snappy, vibrant cut with a serious amount of techno propulsion to match the crooked funk of the beats. "Clutch" has a more trippy, melodic twist, while "Correlation" hunkers down into a more backroom vibe as detailed as it is freaky. This is seriously executed electro from a fast-rising talent - nab a copy, drop it into a set and watch the bodies writhe.
Review: Helena Hauff returns to her own Return To Disorder label after last year's joyously received "Qualm" album on Ninja Tune. It's the first fully solo record Hauff has released herself, and it more than lives up to expectation. "Catso" is a wonderfully expressive slice of noirish electro draped in vintage synth arps and twinkling leads as enchanting as they are spooky. "Why Look At Animals" has a more low down funk, but once again sports the richly harmonic synth hooks to make this appeal right across the board. "The Brush" ups the tempo, but keeps things sparse and moody, while "Slim Filter" gets a touch more nasty and sounds utterly fantastic with it. Compared to her rabid DJ sets, these productions represent the more measured side of Hauff, but they're no less deadly.
Eternal Blue (Wata Igarashi Crossing remix) (7:36)
Review: REPRESS ALERT: In an age of over-information, it's refreshing to see Aurora Halal take her time with the Mutual Dreaming label, which notches up just its third release since launching in 2014. It's also the New York scene leader's first record in three years, and it's worth the wait. Some elements are familiar - Halal still has a keen instinct for heavy-hearted synth lines shaped out in bold curves, but the level of expression going into these tracks makes each one stand out like a striking painting. From the eerie mood of "Fattal 22" to the crunchy bleep workout "Nasty II", the character just oozes out of Halal's productions. With a remix from Wata Igarashi thrown into the mix as well, this is a record loaded with fresh and powerful takes on techno.
Review: Pretty much anything Call Super has touched in recent years has turned to gold. This new collaboration with Parris is no different: it is a self-released project with a fictional backstory involving an ageing writer called Mortise Koshimitsu who lived in a small apartment. The music itself is uptempo but deep, with shimmering wooden hits gliding on elastic drums as ambient synth beauty bleeds into the spaces left behind. "Majenta" is a more cavernous and dreamier track that is as good for home listening as it does for tasteful dancing.
Review: Released earlier this year to critical acclaim, Krystal Klear's "Euphoric Dreams" was a non-stop rush of neo-trance synthesizer refrains and melodic, life-affirming electronics. Here, Kink turns in his takes on the track, starting with a formidably filthy, bass-heavy take that flits between euphoric, synth-heavy sections and dark, stripped-back grooves. It's neo-trance, Jim, but not as we know it! The veteran producer's flipside "Drums & Bass Mix" removes the giddy and glassy-eyed synth parts, instead layering psychedelic acid lines atop thumping, trance-inducing beats and Belgian hardcore style "Hoover" bass. In other words, it's a properly intense techno throb-job.
(Let Everybody) Join Hands (It Could Be An American mix) (6:33)
Feel The Power (The Music Can Give) (The House Nation mix) (5:03)
Storm (The Doody Dodgy mix) (5:09)
(Let Everybody) Join Hands (The Latin Love Affair mix) (4:19)
Review: For the first time since 1997, Laurent Garnier's earliest studio productions are available on wax. "French Connection" harks back to 1991, a time when Garnier spent a lot of his time travelling between Paris and Manchester. It was in the latter city that he met Mix Master Doody AKA Dream Frequency's Ian Bland, an experienced producer and studio engineer who co-produced the EP's six cuts. Musically, "French Connection" has stood the test of time better than a lot of dancefloor-focused music from the period. There's something wonderfully naive and glassy-eyed about its endearing mixture of heavy techno rhythms, post-Chicago house beats and loved-up, hardcore-era elements (piano riffs, female vocal samples, and so on). Crucially, all six cuts would slip easily into many contemporary house and techno sets.
The Heart Of A Man, The Desire Of A Monster (5:06)
Psajcedelic Power (3:17)
X20000 (Open Source) (6:01)
The Dominance Of Blood Worship (7:24)
Review: Swiss minimal electro pranksters Les Points return with another mysterious release under the alias of Elektronische Sequenz Proleten. We aren't exactly sure which members of the collective are responsible for this one, but you can sure bet it's jam packed with more zany retro shenanigans than you can swing a modular at. Early '90s industrial seems to be in the heart of side A, as heard on the muscular stomp of "The Heart Of A Man, The Desire Of A Monster", while the pounding rhythms and stuttered samples of "Psajcedelic Power" call to mind early acts like Front 242 and Frontline Assembly. On the flip, we have two mental and full throttle acid cuts which are not for the faint-hearted.
Review: It's been six years since Lewis Fautzi debuted on Soma, and since then he's become a real techno powerhouse. His latest shows yet more evolution in his sound across four streamlined and hypnotic "Extinction" cuts. "F01" is alluringly low key as drums roll over a frosty and frozen tundra, then "F02" ups the ante with steel plated kicks and sonar-like pulses that burrow deep. After the warped synths of "F03" comes closer "F04", the most heady of the lot thanks to its MIllsian minimalism and infinite melodic loops.
Review: Following up appearances by veterans such as Josh Wink, Hardfloor and Acid Rain (Milton Bradley), Dame Music takes no prisoners on the third installment of The Melting Pot, delivering another series of unrepentant 303 ultraviolence. Label chief Bloody Mary steps up to deliver the punishing and disorienting psychedelia of "Acetic" awash in gliding resonance from that little silver box plus clattering 909 mayhem. Splice then lunges straight for the jugular on "Tactile", a frantic session where the abrasive overdrive of the kick will have you begging for mercy. Finally, the legend Thomas P. Heckmann returns since his appearance on the series' first episode - he delivers the seething restrained fury of "The Space Between".
Review: Michigan producer John Beltran is a master of atmosphere and emotion. His ambient has been used for countless seminal TV shows, he's been cited as an inspiration to Four Tet and has put out key albums on labels like Delsin and Peacefrog. Here he is in a distinctively club-focussed mood, but the synths still very much speak to your heart. "The Lake" is pure Motor City techno soul, and the ambient reprise allows you to wallow in his pads even more. "Twilight" then bustles with shimmering metal hits while pixelated keys drift about like a million fire flies in a warm night sky. Lush.
Review: A new enigmatic duo from London named Two Shell present Livity Sounds' next installment. Their debut "Access EP" draws influence from the South London underground of the late '90s and early 00's, with a nod to more contemporary Bristol sounds across these four wicked tracks. From the off-kilter stepper that is "Heart Piece', through to the glacial and deconstructed dub techno of "Contactless" and the rolling bass-driven entrancer "SYNC-2020" - they have forged an EP of warm but stripped-down, deft UK style grooves to mark an anthemic debut. More groundbreaking future sounds from the ever reliable Bristol label.
Review: Saucer-eyed rave revivalists Tone Dropout can usually be relied upon to deliver the goods, especially if you're looking for sweaty, energy-packed slabs of warehouse ready techno, acid and electro. The label's latest missive is packed to the rafters with such giddy and forthright fare, to the bleeping, mind-altering insanity of Dawl & Sween's acid-fired throb-job "Laser Guided", to the "Bleep and Breaks" pressure of Samuel Padden's bustling "Quad Damage", to the stripped-back machine techno heaviness of Daif's similarly bleepy "Mysterious Freakin History". Elsewhere, the Ascot/WW track sits somewhere between early breakbeat hardcore and ambient techno, while Skywave Transmission v XOTR's "Warehouse 101" lives up to its name. Serious heat!
Review: When it comes to offering up tough, mind-altering techno, few are quite as capable as Amelie Lens. Further proof arrives via the Belgian's second EP of the year, a four-track collection of dark and intense club cuts on regular home Lenske. Check first the thrusting weightiness of "Helium", where psychedelic lead lines rise above booming bass, trance-inducing drums and intoxicated late night electronics, before admiring the armour-plated stomp of "Man Over Machine", where Lens utters key words over another slamming rhythm track. Elsewhere, "Little Robot" is a mind-altering chunk of spiraling techno-trance, while "Storm" channels the raged intensity of Laurent Garnier's "Crispy Bacon" and re-imagines it for the 21st century.
Review: Via well-regarded releases on Budget Cuts and Eternal Ocean (a label he founded), Robin Lohrey ALA Ronan has quickly established himself as a must-check maker of the kind of alternately dreamy and psychedelic dancefloor fare whose roots lie not in contemporary club culture, but rather early '90s techno, trance, jungle and breakbeat hardcore. His latest 12", for D. Tiffany's Planet Euphorique label, touches on many of these themes, moving from the twisted psychedelic techno/ambient techno madness of "Dream Portal", to the sped-up, acid-fired thump of "Star Fissure" - think Braindance style electro after a few too many doses of narcotics - via the aquatic tribal techno throb of "Crystal Viewer".
Review: Laurent Garnier might be famous for leaving cheery and positive feedback on more promos than any other artist, but he will always be more famous for his techno. At his peak he was an untouchable sonic explorer and this classic EP from 1993 proves that. Opener "Breathless" (produced by Ludovic "St Germain" Navarre) is a wave of shimmering hi hats and squirming synths from another dimension, "Wake Up" is a hard hitting acid jam and "Go To Sleep" is a lush ambient techno track that will bring you down after the rave, only to be picked up again by the Baloo mix of "Wake Up" which is pure energy. This is techno history right here.
Review: Japanese artist Sunao Gonno's idiosyncratic sound has appeared on labels such as Endless Flight, International Feel and Beats In Space over the years, where he's dabbled in shoegaze, kosmische and psychedelia as heard on 2015's breathtaking "Remember The Life Is Beautiful" or on last year's contemporary jazz outing "In Circles" with Kazuhiko Masumura. An accomplished DJ also, he's no stranger to Berlin's Panorama Bar, where Nick Hoppner (Touch From A Distance) has long held a residency. The two artists collaborate for the first time on "Lost", featuring three sublime sonic journeys: go deep into the exotic on "Bangalore" with its world music influence, or chill to the vivid downbeat tones of "Love Lost" until "Start Trying" returns to the program with its neon-lit aesthetic plus breakbeats reminiscent of the rave era.
Review: Since first emerging in the late 1980s, Peter Elmaloglou has been one of the mainstays of the Australian techno scene. Derrick May is a fan and has decided to offer Elmaloglou the opportunity to showcase his wares on Transmat. A-side "Set Me Free" offers up an impressive fusion of soft-touch European tech-house tropes (fluid, delay-laden synthesizer motifs, tactile beats etc.), Chicago style psychedelic acid lines and the kind of rumbling, elongated bass tones that were once a feature of Kevin Saunderson's late '80s/early '90s work as Reese. Over on side B, "Don't Stop" is undulating, hypnotic and minimalist in tone, with percussion that both hisses and clicks, while "Autumn Blues" sees him pepper a squeezable techno groove with heady ambient chords and glassy-eyed electronic lead lines.
Review: Long time electro mainstay Anthony Rother is the third artist to release on Rekids offshoot Stranger in the Night. The Frankfurt talent proves, across a trio of tracks, that he is still a visionary after all these years in the game. "We Are The Future" is an 11 minute epic cut, with reduced minimal drums overlaid with soft focus daubs of synths that slowly but surely seduce you. "Super Future Metropolis" awakens you from your reverie with dehumanised vocals and steel plated drums then "The Message" is dark future music with more robot vocals, twitchy stabs and a shadowy sense of paranoia.
Review: Chicago's Jon Hester spent years as a dancer before he even touched the decks and that shows in his floor facing cuts for Transmat, which follows other high grade outings on taste-making techno labels Dystopian, Deeply Rooted and Rekids. Infectious rhythm is at the core of Hester's work and all the tracks here: "Dimension Seven" is epic techno that surges to the cosmos on warm solar synths and chattery percussion from the Windy City. "Return" is deeper and infused with a warm sense of machine soul then "Onward" has some fantastic drum programming and pinging kick drums that sweep you up and along for a most thrilling ride.
Review: Mancunian legends Graham Massey and Andy Barker reunite for the first 808 State album in 17 years. They recorded the new opus "Transmission Suite" in the Granada studios (where they once performed live on television 30 years ago) and looked to their hometown's club scene as their main source of influence - along with the timeless aesthetic of Detroit which has always influenced their style. Across this collection of "sonic landscapes" (as described by Massey) you'll hear the booming acid electro of first single "Tokyo Tokyo" and "The Ludwig Question", through to off-kilter jams like "Westland", futurist house grooves of "Ujala" and a modern reboot of classic "Angol Argol".
Review: Given the label's soulful roots, it's perhaps a little surprising to find Eglo championing a wild, wonky, machine-made EP full of angular electro, IDM, house and techno fusions from debutant Destiny71z. It's apparently the first of three EPs from the little-known producer, who used modular kit and dusty analogue gear to create his unpredictable but undoubtedly brilliant electronic workouts. We're particularly enjoying the zany Autechre-does-two-step-garage flex of "Softbeta" and the weighty, bass-powered crankiness of the artist's self-titled track ("Destiny71z"), but the jazzy, sun-bright breeziness of "Foodprogramvoltage" is also superb, and arguably more in keeping with Eglo's eclectic-but-soulful ethos. Either way, an eye-opening EP that's well worth checking.
Review: Fresh from remixing Goldie classic "Crystal Clear" for the veteran producer's reissue of 1997 album "Saturnz Return", Djrum (real name Felix Manuel) offers up his first single in nearly two years. "Hard To Say" seemingly surges from the speakers, with ambient style deep space chords, blissful female vocal snippets and tactile aural textures rising above a blisteringly fast techno beat. This high-octane pace continues on "Tournesol", a cheerily positive affair that wraps chiming, new age style melodies and humid tropical flourishes around another sweaty, non-stop beat. Like the A-side, it's impressively ear pleasing but also percussively intense, especially when the Aphex Twin style mind-altering acid lines make an appearance midway through.
Review: Hot on the heels of the release of their first album in 17 years, Underground Resistance affiliates Scan 7 return with one of their funkiest and most accessible EPs to date. Opener "Chuuch" is a riotous and righteous affair that sees main men TrackMasta Lou and Mr Hooper peppering a funky techno beat with killer samples from a wild and celebratory gospel disco classic. It's one of those tracks that will have even the most miserable clubber throwing their hands skywards in celebratory release. The pair continues on a similar vein on the organ-driven gospel techno stomp of "No Enemy No Table", before moving in a deeper and more relaxed direction on the equally as impressive "Here To There".
Review: Seleccion Natural is Oscar Mulero, Exium and Reeko, a techno dream team who have a new album on the way this autumn. Before that they offer up two tracks from it on a tidy 10" that brims with modular synthesisers, samplers and drum machines. "Split Didactics" will rewire your brain with squeaking lines and cantering kicks making for a real techno riot, and "A New Description Of Hell" layers up hammering kicks with howling synths into a rigid and unrelenting groove. Making this extra special is artwork by none other than Silent Servant.