My Love Is For Real (feat Haddaway - live At The Cathedral) (5:42)
Review: We've long thought that Austrian artist Wolfram Eckert is destined for greatness - or, to be more specific, crossover success - but to date his authentically produced but often tongue-in-cheek take on Euro-pop has yet to catch on with the public. "Amadeus", his long awaited second album, has all the ingredients to be a massive hit. Rich in bold synthesizer motifs, knowing nods to classic new wave and Euro-disco hits, atmospheric electronics, on-point grooves (we can hear nods to Italo-disco, Hi-NRG, acid house and the Pet Shop Boys) and high profile collaborations (Egyptian Lover, Haddaway, Peaches and, bizarrely, Pamela Anderson all appear), it's an album that brilliantly combines a mature synthesizer sound with the catchy hooks and giddy rush of the best pop music.
Review: Hyperdub and Tectonic regular Walton finds himself on vital Munich label Ilian Tape for his next EP. The rhythmic innovator takes cues from the label's love of breakbeats in one track here. Opener "Before The Storm" is a suspensory bit of ambient with sustained pads and distant hits, crashes and pops speaking of alien life forms. "Rolla", a dusty and shadowy cut that skates along with a sense of uneasy menace. Last of all, "Depth Charge" is as it sounds: fathom deep bass lurches to and fro with machine gun like snares firing across the face of the track. It's boombing body music to make you move.
The Sixteen Steps - "Tales From The Old Country" (5:47)
Neud Photo - "Plagued By Consciousness" (6:08)
Review: As was the case with its predecessors, the third volume in VEYL's ongoing "Previously Undisclosed Rituals" series is packed to the rafters with angry, lo-fi club cuts, paranoid pagan techno and wild, mind-altering dancefloor throb-jobs. It's all of a high standard, of course, but we're particularly enjoying the drowsy late night hypnotism of Terrence Fixmer's "Always Through", the pitch-black electronic body music of The Sixteen Steps' "Tales From The Old Country", the foreboding late night creepiness of Neud Photo's decidedly trippy "Plagued By Consciousness" and the rip-snorting techno stomp of VTSS's nails-hard opener "Toxic Bleach". In a word: intense.
Security Cameras & Perimeter Walls As High As 18 Feet Topped With Barbed Wire (9:29)
Bin Laden's Corpse (11:28)
Regis - "See You Again Always" (feat Vatican Shadow) (5:29)
USS Carl Vinson Night Tide Funeral (10:31)
Supplying The Compound With Food & Medicine (4:06)
He Ambled Down The Dirt Road For Visits To A Market (5:05)
Peace Be Unto You (8:52)
Review: Dominick Fernow has always been open to reissuing some of his harder-to-find, limited edition releases, so it's little surprise that he's bowed to pressure from fans and finally offered up a vinyl edition of his previously cassette-only 2011 release "Washington Buries Al Qaeda Leader At Sea". Like much of his politically charged work in that period, the album's eight, mostly lengthy tracks tiptoe the fine line between anger and melancholy, wrapping bittersweet chords and resigned melodic motifs around a variety of bustling drum machine rhythms, ricocheting percussion hits and throbbing analogue basslines. It's all very strong, though we're particularly enjoying Regis collaboration "See You Again Always" and the dubbed-out, pitched down ambient warmth of "He Ambled Down The Dirt Road For Visits To A Market".
Felix Da Housecat - "Temptation" (Color mix) (5:54)
China White - "Theme From The Underground" (5:53)
The Operator - "The Mind Strike" (7:18)
Steve Poindexter - "Body Jam" (14:19)
Mike Dearborn - "Deviant Behaviour" (instrumental mix) (5:39)
DJ Skull - "Don't Stop The Beat" (6:04)
Review: In case you didn't know, leading Dutch crew Dekmantel have taken it upon themselves to shine a light on the vital work of the Djax Up label. It was one that joined the dots between US and European scenes back in the nineties and this second volume features eight cult 90s cuts from some foundational names. Highlights are plentiful throughout, but our picks have got to be Glenn Underground's "Real Space"; a jacking Chicago jam with cosmic bass that still bangs and DJ Skull's hi-tek soul on "Don't Stop The Beat" that well and truly defies its age amongst a release that is full of golden oldies.
Review: Russia's Gost Zvuk label has long been a firm favourite here in the Juno office. Their glitchy, mysterious, futuristic music always makes for intriguing listening and now they celebrate five fantastic years with a compilation featuring a host of closely associated talents old and new. The bumper triple vinyl collection features paranoid experimental ambient that draws to mind covert spying operations, mangled machine music like INFX's "Damaged +dn", haunting modulated synth soundscapes from OL and skeletal techno rhythms that rewire your brain like Erofeev's "11bng". It all makes for a genuinely fresh and original collection of hugely provocative music.
Review: Having previously appeared on Nyame and Something Happening, Somewhere, Amsterdam-based producer Vand now brings his delicate, dubby take on techno to Alpengluhen. Nodding to the atmospheric moods of Claro Intelecto and the like, he draws you in with the icy refrains of "Altarf-unn" before upping the emotion with the heart-wrenching pads of "Concord". "Kodama" has a more pronounced impact which is tempered by liberal delay and reverb, and "Paraztul" keeps things spacious and fractured for a more electronica-tinged trip outside the 4/4 slipstream.
Review: A new enigmatic duo from London named Two Shell present Livity Sounds' next installment. Their debut "Access EP" draws influence from the South London underground of the late '90s and early 00's, with a nod to more contemporary Bristol sounds across these four wicked tracks. From the off-kilter stepper that is "Heart Piece', through to the glacial and deconstructed dub techno of "Contactless" and the rolling bass-driven entrancer "SYNC-2020" - they have forged an EP of warm but stripped-down, deft UK style grooves to mark an anthemic debut. More groundbreaking future sounds from the ever reliable Bristol label.
Review: Tribe Of Colin have done a good job of keeping their identity unknown despite plenty of well received releases. Honest Jon's gets a fourth album from the enigmatic artist(s) that deals in sludgy techno, dubby steppers and pulsing electronic music that harks back to the streets of Detroit as much as hinting at a future London landscape long after humans have long gone. Twisted synths, shimmering percussion, dark chords and complex rhythms are interwoven with gritty textures and field recordings from around the world to make it a spellbinding listen. Fans of Actress and Andy Stott will love.
Review: Long-serving electro project Transparent Sound come back full throttle with this expansive album of masterful machine music. Opening track "Pretend Like You Care" is a startling opener that feels like a wormhole back to the Cologne laboratories of the kosmische movement. The beats kick in proper from that point, and in consummate noirish fashion, with "No Call From New York", and proceed to trip through all manner of nocturnal dreamscapes lit in sleazy neon strip lighting. It's a lurid, evocative sound world the veteran duo concoct, and one you'll find yourself returning to again and again.
Review: Young Marco's admirable Safe Trip label continues to explore the archives of Antwerp-based Van Elsen brothers, offering up more early '90s gems from their wonderful - and previously under-appreciated - ambient techno project Trans-4M. Both tracks here are alternative versions of cuts from the duo's brilliant "Sublunar Oracles" album. On the A-side you'll find a previously unreleased remix of "Arrival" that wraps jaunty, sunrise-ready synth stabs, psychedelic electronics and chiming lead lines around a chunky, floor-friendly groove and thickset bassline. It's superb, as is flipside "Amma (Moon Mix)" - a 1993 12" B-side that adds a little humid, dancing-all-night-under-a-blanket-of-stars vibe to an already impressive ambient techno classic (think boisterous beats, starry ambient motifs, dreamy chords and subtle tribal influences).
Review: Perpetual Rhythms continue to offer up fresh variations on the deep house formula with this classy new drop from Taelue. Crooked electro experiment "The 4th Dimension" opens the record up to any number of possibilities, before the forthright pump of "Twin Flame" locks things into a haunting workout. "Rage Against Oppression" takes things in an angrier direction, all ragged and snarling production values with an acid-techno leaning. "A Bleak Moment" provides more space for exploration away from the floor, and then "The Sunken Place" sinks into sinister soundwaves driven by a nervy arpeggio. "Reflections" finishes the EP off with a trip into slow, spaced-out, acidic ambience.
Review: While Steffi and Virginia have been working together on and off for the best part of a decade, "Work A Change" is undoubtedly their most significant collaborative work to date (both in terms of its expansive nature and the quality of music on show). With Virginia handling singing duties throughout, "Work A Change" rides on waves of tasty electro grooves and hazy synth-pop motifs and futuristic electronics. It's a blueprint that guarantees goodness throughout, from the quietly euphoric shuffle of opener "Be True To Me" and the pulsating dancefloor fizz of "Help Me Understand" (one of two cuts showcased in both vocal and instrumental forms), to the high-tempo thrust of "Until You're Begging", the bass-heavy, future dancehall wonkiness of "Internal Bleeding" and triumphantly intergalactic title track.
Review: Under the Special Request alias, Paul Woolford has released some stellar music this year. Astonishingly, "Offworld" is his third album of 2019; it could well be the best, too. It explores different sonic territory too, drawing heavily on electro, futurist Detroit techno, Boards of Canada style IDM and the slick 1980s productions of Jam and Lewis. The result is a stunningly beautiful, spacey and far-sighted set that contains some of Woolford's most emotion-rich work to date - and that's saying something. It also finishes in stunning style with an impeccable remix/re-make of the Grid's "Floatation" that sounds like the best early 90s Orb remix you've never heard.