Review: The hardest-working man in West London is back! By now we've become accustomed to Kaidi Tatham offering up regular doses of soul and jazz-funk-fired dancefloor goodness, but even by his high standards "You Find That I Got It" is something special. Warm, woozy, groovy and full of intricate musical details - brief synth solos, subtle orchestration and so on - the A-side title track is a wonderfully sunny slice of instrumental boogie-soul. Tatham's world-renowned keys playing comes to the fore on the organic broken beat/jazz-funk fusion of "Mjuvi", a flipside cut that's almost as good as the exceptional title track.
Review: Emotional Rescue turn their attention to Rare Silk and their sublime cult classic "Storm". It's one of those rare tracks with a wonderful otherworldly quality that manages to be smooth and accessible, and somehow not like anything you've ever heard before. It must be somewhere in the mix, between the dreamy harmonized vocals, lush instrumentation and curious sense of space. The original on the A side is a treat enough, but then throw in a mercurial dubbed out version by Arp on the flip and you've got yourself a 12 inch portal to a most delightful dimension.
Review: You'd probably have to take out a loan to buy an original, second-hand copy of Master Force's sole single, 1979's "Hey Girl", so this dinky reissue is more than welcome. The title track is a dewy-eyed slice of two-step soul sweetness rich in Curtis Mayfield style lead vocals, glistening guitars and trumpet solos that sound like they've been lifted from an early Herb Alpert recording. Arguably better for dancefloor plays is "Don't Fight The Feeling", a Clavinet-heavy disco-funk affair that boasts some brilliant group backing vocals and heaps of authentic New York flavour.
Instant Funk - "I Got My Mind Made Up" (Late Nite Tuff Guy remix) (7:21)
Orlando Riva Sound - "Body To Body Boogie" (Late Nite Tuff Guy edit) (5:30)
The Salsoul Orchestra - "Ooh I Love It (Love Break)" (Late Nite Tuff Guy Muscle edit) (6:42)
Review: Salsoul has always been good at getting contemporary producers to reinterpret classics from its bulging catalogue, with recent years bringing fresh edits and reworks by The Reflex, Moplen, DJ Pope, Dimitri From Paris and Late Nite Tuff Guy. Here the latter returns with a second helping of tastefully tooled-up revisions. The Australian producer kicks things off with a warm and woozy hybrid disco/house take on Instant Funk's "I Got My Mind Made Up" that's quite a departure from the original mix. Over on side B, he turns in a languid and groovy, mid-tempo house version of Orlando Riva Sound's overlooked "Body To Body Boogie" before successfully revising Salsoul Orchestra's much-loved "Ooh, I Love It (Love Break)" whilst retaining most of the original vocals and instrumentation.
Review: Glaswegian disco overlord Al Kent is particularly fond of dusty, hard-to-find records that combine great grooves with the kind of sugary, flowing orchestration that marks out some of the greatest late-'70s dancefloor records. It's these records that he tends to re-edit. He's at it again here on a surprise two-track GAMM outing. Check first A-side "The Light Of You", a peak-time ready Stevie cover version disco cut that adds a myriad of instrumental solos to a heavily orchestrated backing track originally recorded by latin disco soul outfit LaSo. It's rather good, all told, as is the wild flipside Latin jazz-funk workout "Sing A Song". It's pretty sweaty and even boasts some serious eyes-closed guitar solo action (along with tons of authentic South American percussion).
I Can't Get Along Without You (instrumental) (6:36)
Review: Kalita has already served up some seriously good reissues, but their latest may well be the most essential yet. It's the first licensed reissue of Vance and Suzzanne's sole single from 1980, "I Can't Get Along Without You" - a Larry Levan favourite that was only ever pressed in small quantities first time around. In it's A-side vocal form, the track is a deliciously warm and loved-up duet that mixes rich, mid-tempo New York disco grooves with some of the heady, glassy-eyed musicality of Philadelphia soul. It's genuinely magical - a super-sweet cut that sounds like end-of-night gold. Like the original 1980 private pressing on Vanton Records, the Kalita edition is backed by the similarly sweet, atmospheric Instrumental Mix, but this time we're also treated to a never-before-seen press photo, and extensive interview-based liner notes.
Jamie Jones & Darius Syrossian - "Rushing" (extended mix) (5:43)
Jamie Jones & Darius Syrossian - "Rushing" (Afterparty Basement mix) (5:36)
Darius Syrossian - "Come On Come On" (extended mix) (6:33)
Darius Syrossian - "Kouka" (Warehouse Basement mix) (6:17)
Review: Jamie Jones and Darius Syrossian are both house heavyweights, but with very different vibes. It's fascinating that they have come together on this EP then, with their collaborative "Rushing" opening the EP in steamy fashion. It features a well worn vocal repackaged on bulky, bass driven house drums that are designed to get the crowd pumping their fists. The "Afterparty Basement Mix" is even harder hitting with some chords layered in for extra fun, then Darius goes solo on the flip for "Come On Come On", which fits in with his rolling, well sampled house style and is a sure fire crowd pleaser. The more stripped back and hypotonic "Kouka" is perfect for big spaces and bringing crowds together to march to a beat.
Review: Alphonse has already dropped a pair of 12"s on Especial in the past, but he's on especially excellent form this time around. A veteran of the halcyon rave days of the 90s, he's got a lot to draw on to conjure his particular kind of machine jams. "Moan Up" is a truly dazzling track, all twinkling synth lines interweaving around a crisp old school groove. As well as the loved up peaks of the original, there's also a beatless mix of the track that lets the melodies shine on their own. "White Pepper" takes things moodier and lets some sultry sax wail over the top, while retaining some of that boxy drum machine energy. There's even space for some tasteful guitar wailing - excellent.
Review: In 1996, Dreamscape's Ed Marshall donned a new alias, Aplomb, and delivered the first fruits of his new project to New Age House Records. Only one track was ever released on a limited label promo, "Wondering". World Building's Ari Goldman, who previously put out a compilation of Marshall's work as Dreamscape, is a fan and has decided to rescue it from obscurity via this single-sided 12". The track itself is hard to accurately pigeonhole, combining as it does dense, carnival style drums, female scat vocals, warm bass, dreamy deep house chords and synthesizer flourishes reminiscent of early '80s jazz-funk. Either way, it's a sunny and groovy chunk of obscure house positivity that's well worth a place in your collection.
Review: Jamie Jones has been busy in the studio after another busy summer lighting up Ibiza, because this is one of two new offerings this month. It finds the agenda-setting Welshman on his own Hot Creations and in collaboration with The Martinez Brothers. Between them this celebrated collective lay down "Bappi", all drilling bass and razor sharp hi hats that are deep but driving. Flip over for a "Warehouse Mix" which recalls old school Windy City basslines and pixelated chords lighting up the bare bones grooves.