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Review: Born on the French Island of Martinique, Louis Xavier later settled in France where he discovered the freedom of jazz, and an idea to mix his influences into a global melting pot of sound. He formed his band (Synchro Rhythmic Eclectic Language) in Paris in the early '70s, making music that was both spiritual and eclectic for its time. Both tracks are jazz in essence but with instrumental funky rhythms infused with intricate percussion and electric keys.
… Read more in stock $7.52
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Review: This tasty 7" single brings together two stalwarts of the thriving Finnish jazz scene, namely saxophonist Timo Lassy and drummer Teppo Makynen. It's A-side "Calling James" that hits home hardest, as Lassy adds a snaking, alluring sax solo - all parping blasts and fluid fills - to a bustling, percussively rich Makynen drum track. Despite the fact that there's no other instrumentation, it's a genuinely heavy dancefloor workout. On the flip you'll find the looser and slightly more experimental "Yanki", where Lassy provides some free-jazz style soloing over a distinctively left-of-centre Makynen drum workout.
… Read more in stock $7.52
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Cat: ATA 007. Rel: 08 Jun 23
Jazz
Review: The Sorcerers have been a mainstay of the ATA Records imprint since it was founded in their home city of Leeds back in 2015. Here, the Yorkshire combo, whose primary influences have always been Ethopian "Ethio-jazz" and obscure European horror soundtracks, return to action with a heavyweight dancefloor workout. In truth "In Search of Sha Hulud" is a far more funk-fuelled affair than you might expect, with exoitic Middle Eastern melodies and fluttering flute solos rising above killer drum breaks and a seriously heavy bassline. Turn to the flipside for "The Anderson Spectrum", a pitched-down, 1960s style library funk jam credited to The Yorkshire Film and Television Orchestra, which appears to be another project helmed by leading members of the Sorcerers.
… Read more in stock $7.52
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Review: It could not get much more late-1960s into early-1970s folk rock if it tried. Band name: Rainbird. Album title: Maiden Flight. General vibe: somewhere between a psychedelic ultraworld, late night blues basement and trip to a remote island to join an off-grid community. Painting quite a vivid picture there, admittedly, this 1971 rarity proves exactly why contemporary musicians can try to emulate this era but will never truly recreate it. Simply put, it's impossible to commit in the same way today. Rant and questionable point aside, Rainbird's uncovered gem is an epic masterpiece in no uncertain terms. From the wistful croonerdom of 'Stormdance (Part 1)' and its Wurlitzer powered chaotic seizure follow up l ('Stormdance (Part 2)'), to the lead guitar solo mastery of 'Man On the Mountain' and the quiet, reflective journeyman stuff on 'Sailboat', it manages to include every totem of this scene, without sounding cliched.
… Read more in stock $7.52
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Review: Gail Laughton's Harps of the Ancient Temples was originally released in 1969 and now gets a proper reissue job courtesy of Pleasure For Music. It is a stunning piece of work from the American jazz harpist who has scored many films and cartoons during his time working in Hollywood. the record was produced by the sound engineer Paul Beaver who is said to be the dude who introduced the Moog to Stevie Wonder and Frank Zappa. Alway, the sound here manages to be both classical and space age, retro yet futuristic, with the shimmering, ethereal quality of the harp impossible to ignore.
… Read more in stock $7.52
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Review: We Jazz Records welcomes a label debutant here for a tasty little 7". Gothenburg-based Finnish pianist Joona Toivanen is the man and he offers up a fresh take on Terry Riley's 'Keyboard Study' with trusty help from Tapani Toivanen on bass and Olavi Louhivuori of Superposition on drums, both of whom complete his trio. It is a heady, minimalistic piece with a deeply introspective mood. On the a-side is an edit of his future album cut 'Except For' which is another complex, moody piece of inward-looking jazz minimalism with gorgeously mellifluous
… Read morePlayed by: Jane Fitz, Juno Recommends Jazz
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Cat: CMT 10031. Rel: 25 Feb 20
Soundtracks
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Cat: BIS 007U. Rel: 22 Mar 18
Jazz
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Review: This is an exclusive for independent stores only this Record Store Day and a fine one it is too from the one and only welder turned reggae kingpin that is Bob Marley and his Wailers. This is a vital one for the collection that has been pressed in limited quantities and is a non-album 45rpm that he recorded for legendary producer Bunny Lee at Randy's in Jamaica. This 7" single has a Custom Gorgon label and features the happy-go-lucky dub of 'Mr Chatter Box' with Bob's smoky but smooth vocals and a version on the flip.
… Read more in stock $7.78
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Review: Following eight years spent releasing all manner of albums, Californian combo Throttle Elevator Music - an open-minded, jazz collective helmed by Gregory Howe and Matt Montogomery, with star turns from Kamasi Washington and trumpeter Erik Jacobson - have reached the end of the row. Final Floor, their last album, sees them bow out in fine style, offering up 11 tracks that fuse ear-catching contemporary jazz sounds and arrangements with elements of post-punk and gravelly alt rock. The results are uniformly excellent, with Washington and Jacobson's effortlessly energetic and mind-mangling solos offering a firm jazz focus throughout, despite the near constant low-slung bass guitar, sweaty drums and fuzz-toned electric guitars sitting beneath.
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Review: Limited edition 7" comes in just 500 copies and features the American soul-jazz band from San Diego, California, known as The Greyboy Allstars. Memners Karl Denson, Elgin Park, Aaron Redfield, Chris Stillwell and Robert Walter have released six albums to date and originally formed as a backing band for rare groove star DJ Greyboy. Here though is the title track of their 'A Town Called Earth' long player from 1997 and it is one that is sure to appeal to jazz and funk heads who enjoy Pharaoh Sanders and Thembi. The band played seven live-streams during the pandemic and proved they still very much have it.
… Read morein stock $7.98
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Played by: Mukatsuku Records Chart, Dynamite Cuts
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Review: Despite not releasing all that much in 2018, Canadian nu-jazz combo BADBADNOTGOOD's reputation continued to rise. That was in no small part due to their eye-catching collaboration with Little Dragon, which resulted in the digital release of "Tried" back in September. Now the track has been given a deserved seven-inch single release by Ninja Tune. With LD lead vocalist Yukimi Nagano doing her best to channel the spirit of Minnie Riperton, "Tried" has a similarly languid, jazz/folk/soul fusion feel as some of the best works by Rotary Connection. BADBADNOTGOOD's admiration of the Charles Stepney-produced band comes through loud and clear through the choice of instruments and arrangements. For further proof, check the accompanying flipside instrumental mix.
… Read morePlayed by: Juno Recommends Broken Beat Nu Jazz, Vito lalinga
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Review: Laufey's Bewitched: The Goddess Edition continues her commitment to blending jazz and classical music with impeccable style. From the Chordettes-style harmonies of 'Dreamer' to the stripped-back intimacy of 'Second Best,' the album is a showcase of lush strings and swooning tales of love. While tracks like 'From The Start' and "Promise" offer playful bossa nova vibes and nods to Debussy and St Vincent, respectively, the album maintains a cohesive sound throughout. Laufey's crystalline voice and effortless charisma shine on every track, elevating the album into a gorgeous display of her unique talent. While some may yearn for more of the inventiveness seen on her debut, Bewitched remains an, erm, bewitching journey through Laufey's musical world, inviting listeners to bask in its beauty and elegance.
… Read morePre-orders at Juno
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Review: Ezra Collective has described their hotly anticipated second album, 'Where I'm Meant To Be', as "a thumping celebration of life". As with their previous work, it's rooted in the band's love of on-stage improvisation - call-and-response instrument solos abound throughout - and peppered with contributions from guest vocalists including Sampa The Great, Emeli Sande and Nao. Musically, it's undoubtedly joyous, blurring the boundaries between contemporary UK jazz, afrobeat, hip-hop, dub, Latin rhythms and soft-touch electronics. The plentiful highlights include steppers-powered dub-jazz workout 'Ego Killah', sparkling opener 'Life Goes On' and the Afro-Cuban brilliance of 'Victory Dance'.
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Review: Long-serving Tortoise guitarist Jeff Parker has made some magical solo albums in recent times, combining his particular take on jazz guitar with chopped-up instrumentation, dusty samples, post hip-hop beats and a large dollop of experimental intent. On Forfolks, his latest missive on Chicagoan imprint International Anthem, Parker flips the script, delivering an octet of solo guitar works that's as varied as it is jaw-droppingly good. Beginning with a piece of layered, cyclical minimalism reminiscent of Reich and Pat Metheny's 'Electric Counterpoint', Parker flits between jazzy interpretations of classic guitar pieces, droning and effects-laden soundscapes, lilting soundscapes, melancholic masterpieces and meditations on a theme.
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Cat: FP 18012. Rel: 11 Mar 22
Indie/Alternative
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