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This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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FORTHCOMING
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Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $46.96
(No payment required now - pay when released)
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Review: Azimuth, a collaboration between John Taylor, Norma Winstone, and Kenny Wheeler, presented an enchanting blend of jazz mastery when it was released in 1977 and it still resonates to this day. The album showcases the trio's seamless interplay and innovative approach to improvisation with Taylor's delicate piano, Winstone's ethereal vocals and Wheeler's evocative trumpet creating a mesmerizing tapestry of sound. From the introspective ballads to the spirited compositions, Azimuth captivates with its emotive depth and musical sophistication. This timeless LP remains a testament to the brilliance of three exceptional musicians pushing the boundaries of contemporary jazz.
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Review: The Blue Land is Matthieu Bordenave's follow-up to his ECM trio debut and sees the addition of British drummer James Maddren, enhancing the ensemble's airy textural canvas with a more urgent, animated feel. Pianist Florian Weber's improvisations set the tone, displaying inventive tension and release. Bordenave's saxophone weaves a lyrical narrative, punctuated by bassist Moret and Maddren's perceptively timed contributions. The album strikes a delicate balance between tonal and abstract elements, as heard on the ominous title track and the meditative 'Cyrus.' With nods to Coltrane's 'Compassion"'and Jarrett-like piano, the ensemble delivers an intriguing and collectively expressive set of chamber ensemble pieces.
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Review: Norwegian trumpeter Arve Henriksen and Dutch pianist Harmen Fraanje strike a fine balance on their latest collaborative jazz record Touch Of Time. Warm and tender throughout, this is a back-alleyed melanchole, with its stark counterpoints between piano and trumpet somehow eliciting the audio-sensation of more instrumentation than there is - a gestalt of ghosts. Gradients of emotion wax and wane like the strange blue lights that are often visible when one's eyes are closed. Produced by Manfred Eicher at the Auditorio Stelio Molo in Lugano, this is fine recording indeed.
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Cat: 582247 7. Rel: 28 Mar 24
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Review: The welcome reissue of Jan Garbarek Quartet's Afric Pepperbird brings forth a timeless fusion of jazz and world music that was originally released in 1970. Garbarek's evocative saxophone leads the ensemble through a mesmerising exploration of African rhythms and Scandinavian jazz sensibilities. With hypnotic grooves, intricate melodies and soulful improvisations, each composition paints a vivid picture that often leads to transcendent musical experiences. The quartet's synergy is palpable throughout as they weave together elements of traditional and avant garde jazz with effortless grace. As such, Afric Pepperbird remains a seminal work in Garbarek's discography that shows both his mastery as a composer and instrumentalist while celebrating the rich diversity of global musical traditions.
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Review: Wolfgang Muthspiel - and his trio with Scott Colley on bass and Brian Blade on drums - reaches a new creative peak on Dance of the Elders, the group's follow-up up to the much lauded Angular Blues. Here Wolfgang's successful stride continues, with his unique compositional signature on the one hand and the particularly vibrant interchanges with his trio colleagues on the other. The guitarist's writing and approach to jazz is heavily folk-induced but equally inspired by classical music - both aspects are presented clearly throughout the album. Brian's floating percussive injections and Scott's nimble counterpoint on bass complement Wolfgang's acoustic and electric playing in fluid interplay over intricate polyrhythms and adventurous harmonic landscapes.
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Review: Pianist-composer Vijay Iyer follows his 2021 ECM disc Uneasy - the first to showcase his trio featuring bassist Linda May Han Oh and drummer Tyshawn Sorey - with Compassion, another album in league with these two gifted partners. Compassion, Iyer's eighth release as a leader for ECM, continues his drive to explore fresh territory while also referencing his forebears along the way, two of them long associated with the label. The album includes a powerful interpretation of Stevie Wonder's 'Overjoyed', which Iyer selected as an indirect homage to the late Chick Corea. Another tip of the hat comes with 'Nonaah', a whirlwind of a piece by avant-garde sage Roscoe Mitchell, a key mentor for the pianist. Then there are Iyer's own melodically alluring, rhythmically invigorating compositions, ranging from the pensive title track to the hook-laced highlights 'Tempest' and 'Ghostrumental'.
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Review: Like many veteran jazz artists, American pianist Keith Jarrett has amassed a vast discography. The 92 solo and collaborative albums he's notched up since 1968 cover many styles of jazz, making it tricky for newcomers to know where to start. We'd suggest beginning with this 1999 album, which is as pure as you'll get. Made up entirely of solo piano pieces - mostly covers, with a sprinkling of Jarrett's own compositions - "The Melody At Night With You" not only offers a brilliant introduction to Jarrett's trademark playing style, but also the breadth of material he's covered. More importantly, the whole collection is hugely entertaining and enjoyable, with Jarrett putting his own twist on everything from Duke Ellington classics and Oscar Hammerstein show tunes, to Gershwin ballads and traditional favourites.
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Review: Old & New Dreams was a jazz group active from 1976 to 1987 - a four-piece bound together by their shared history as sidemen for free jazz pioneer Ornette Coleman. The line-up was Don Cherry on trumpet, Dewey Redman on tenor sax, Charlie Haden on bass and Ed Blackwell on drums, and between them they played renditions of Coleman's compositions as well as writing their own material. Having previously limited the restraints other musicians placed on them in past work, the assembled members of Old & New Dreams celebrated coming together and being able to push themselves further out, and the results on this seminal album speak for themselves. Remastered and reissued with the ever-present attention to detail of an ECM pressing, this is essential listening for anyone serious about jazz of all stripes, free or otherwise.
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New York Days (B-STOCK) (gatefold heavyweight audiophile vinyl 2xLP)
Cat: 179734 0 (B-STOCK). Rel: 17 Nov 14
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Review: The latest album on Manfred Eicher's mighty ECM Records imprint comes from Jakob Bro, a Danish jazz guitarist who has been releasing a mixture of beautiful, inspired and thought-provoking music since 2005. On "Bay of Rainbows", he's joined by double bassist Thomas Morgan and drummer Joey Baron, though it's his layered electric guitar work - part Pat Metheny, part Jonny Nash - that catches the ear. As with many ECM releases, the material on offer here is not standard "jazz", instead twisting the form into new shapes equally inspired by ambient and experimental electronica (see the backwards solos and freestyle drumming of "Dug"). While the album is evocative and entertaining throughout, the focal point is undoubtedly closing cut "Mild (Variation)", an 11-minute ambient jazz epic that's breathtakingly beautiful.
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