Review: Since launching last year, Lil Static has offered up new, lightly altered editions of classic tracks from Jeru the Damaja, Kraftwerk, Run-DMC, Nas and the Notorious B.I.G. Here they continue to serve up vital beats for break-digging DJs via classic cuts from Eric B. & Rakim and Mountain. The A side sports an edited version of 1986 cut "Eric B. Is President", a synth-bass propelled NYC hip-hop gem rich in unmistakable rap vocals and tight scratching. Over on side B there's a chance to savour Mountain's late '60s rock cut that provided the Eric B. & Rakim track (and so many others since) with its distinctive drum break, "Long Red". This edited version gives more prominence to the breaks, making it an ideal mixing tool for hip-hop DJs.
Melody Nelson (unreleased instrumental edit) (3:50)
Cargo Culte (unreleased instrumental edit) (3:58)
Review: This rather tidy, limited-edition "45" offers up two previously unheard instrumental edits of stone cold classics from the bulging back catalogue of Chanson hero and sleazy but chic singer Serge Gainsbourg. Side A boasts a superb revision of "Melody Nelson", a sweeping, string-drenched affair underpinned by sweaty drumming that arguably benefits from the removal of Gainsbourg and Jane Birkin's vocals. Over on side B you'll find an equally evocative version of Beck favourite "Cargo Culte". Stripped of the original lead vocals, the track sounds like a lo-fi art-rock instrumental smothered in ghostly choral vocals and creepy, foreboding musical flourishes. Top stuff!
Review: 213 was something of a supergroup formed in America's west coast soul scene. Powerhouses such as Bill Meyers, Guy Thomas and Neil Stubenhaus were all involved in the making of this album from 1981, which never actually saw the light of day at the time, but is now presented for the first time by Norwegian record label Preservation. It's sentimental material for lazy Sunday mornings, with emotive vocals backed by soaring strings and uplifting chords. There are more reflective moments like "Good Friends" next to swaying singings like "Ohio" and together they add up to a smooth listen.
Review: With a reputation forged in fire, brimstone and magic, plus a fierce collective intellect, Killing Joke have long been one of rock's most iconic, influential and contrary outfits. This album captures the passion and brutal violence of Killing Joke's performance, sadly one of the last recorded concerts to feature bass player Paul Raven before his untimely death in 2007. Malicious Damage was filmed and recorded live at the legendary Astoria venue in the heart of London's Soho on 12th October 2003. Includes bone-shaking versions of Total Invasion, Seeing Red, The Fall Of Because, The Death And Resurrection Show, Kings And Queens, Empire Song, The Wait, Whiteout, Frenzy and more...