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Cat: 738495 Rel: 08 Jul 19
 
Quad multimode oscillator with a vast array of sonic options
Notes: The Synthesis Technology E370 is a 4-channel DSP-based VCO, 54HP wide module that incorporates features from the E340 Cloud Generator and the E350 Morphing Terrarium (both are discontinued), while adding additional modes from the E352 Cloud Terrarium. It uses 105ma of +12V and 32ma of -12V.

VCO Architecture:

Each VCO is independent in the E370, but the 'pooled CV buss' (see description below) allows sharing of CV and mixing of audio outputs if desired.
The VCO is based upon a unique implementation of wavetable synthesis using 256 fixed-sample-length tables of 16-bit values. Each bank in memory consists of 64 wavetables, in an 8x8 array (like a chessboard). Our proprietary DSP algorithms then allow either smooth or 'glitched' morphing between the wavetables in various ways. The E370 comes with 3 factory banks (192 total waves) and internal FLASH memory to hold 26 user-defined banks. This allows over 1,650 individual wavetables to be accessible. The free, cross-platform WaveEdit program is used to generate and import WAV files to user Banks.

Colour LCD/Navigation:

Everyone hates 'menu-diving', us included. That's why we focused on making the most 'shallow' menu system possible. Everything is just 1 or 2 clicks away. No endless screens and pages to remember. The encoder is a mil-spec Grayhill optical encoder with a 25yr typical life. And if it ever needs replacing, it's on a easy to access cable assembly.

Sharing CV Resources:

The factory default state of the E370 is each VCO has 2 PARMs called X and Y. VCO1 has X1 and Y1, VCO2 has X2 and Y2, and so on. However, these are not 'hard' assignments, just the default ones. You can share ANY of the 8 PARMs across 1-4 VCOs. For example, PARM Y3 can be assigned to all 4 VCOs at once, so turning the PARM Y3 knob and the external MOD Y3 CV is fed to every VCO. This voltage can then modulate each VCO in a different way, depending on where you assign it.

User Wavetables and Patch Storage:

Loading and storing your own wavetables is via the uSD card interface. The uSD card is NOT REQUIRED to run the E370. It is also used for firmware updates. The free application WaveEdit is used to format the wave data and bank data into the proper format used inside the E370.

Audio Output Mixer:

The default state of the Mixer is each VCO is full volume and only appears at its own output jack. Using the Mixer screen, each VCO output can be mixed with all the others. This is useful for the Morph + Phase mode, and also during live performance where only 2 audio outs are commonly used. The mixing levels are fixed in log steps: there is no 'CV-controlled mixing' function.

VCO Modes:

Although the E370 excels at smooth morphing between wavetables (first introduced in the E350 Morphing Terrarium in 2010), traditional VCO waves such as saws, pure sines, and filtered noise (using a 4-pole resonant lowpass ladder filter) can be selected. Thru-zero, linear FM (in 3 ranges) can be used on not just triangle waves (as in an analog VCO) but with ANY waveshape or any wavetable. Here are all the different modes you can place each VCO in, and remember each VCO can be a different mode.
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 1 in stock $1,040.70
Cat: 732132 Rel: 27 Jan 20
 
Synthesiser voice module with unique sound palette - 48HP
Notes: Monster voice module, straight out of Pennsylvania. Two oscillators, two function generators, two dynamics controllers and an analogue delay, all inspired by the behaviours and systems of the natural world.

Supplier's notes:
The Lifeforms Voltage Lab module is a completely different type of analogue synthesizer, where every function of the instrument has been influenced by the behaviours and systems of the natural world. Wildly experimental and extremely deep, the Lifeforms Voltage Lab module is a sonic playground created to explore the natural systems and lesser known fringes of analogue synthesis. The Voltage Lab module is more than a simple collection of tools and functions, it is a unique modular synthesizer designed to reward deep experimentation and encourage the creation of unique sonic systems.

Generation:
The unique sound palette of the Lifeforms Voltage Lab originates with a complex oscillator pair that utilizes a wide range of shaping and manipulation options to move away from basic geometric shapes to more harmonically rich tones. A custom wave folder with enhanced waveform warping, linear FM, amplitude modulation, ring modulation, waveform cycling, hard sync, and more are available for extreme sonic research.

Manipulation:
A set of multi-function generators work as interactive voltage processing systems to create and modify complex control voltages. The function generators act as voltage controllable envelopes, LFOs, slew generators, and more to produce evolving control signals.

Interaction:
Twin dynamics controllers pull everything together. A unique circuit expanding on the classic low pass gate, the dynamics controller with variable response adds an organic depth to the sound of the Lifeforms Voltage Lab by simulating the natural behaviour of sound. The multi-mode signal processor features a 12db resonant filter, VCA, and percussive low pass gate modes.

Dimensional:
Sound interacts with the world around it. The Voltage Lab uses analogue delay to simulate this interaction and create an artificial sense of time and space. Manipulation of delay time and feedback add depth and warmth through reverb, chorus, flanging, Doppler, slap back, and echo type effects.

Unstable Systems:
Chaos is everywhere. Random gates and control voltages spark uncontrolled reactions, disrupt systems, and generate ideas. The Voltage Lab utilizes noise, stepped random CV, a pseudo-random sequence generator, pitched random CV, pitched random sequences, and random gates to add multiple levels of unpredictability to any patch.

MIDI/Arpeggiator:
Midi to CV converter with assignable CC/Modulation output and variable pitch bend paired with a multi-mode arpeggiator. The arpeggiator offers as played, hold, transpose, multiple octave, random, and 16-step sequencing with rest and note repeat modes. Octave up and down buttons shift the frequency of the oscillator(s) +/- 2 octaves. The arpeggiator can be clocked using the internal tap tempo, external midi clock, or external gate signal.

Primary Oscillator & Secondary Oscillator:

A pair of temperature stabilized, analog saw core oscillators create the foundation of the complex waveforms generator. The seed wave of the primary oscillator is switchable between sine, triangle, saw, and square. However, because the initial waveform passes through multiple wave shapers before reaching the output, the name of the seed wave should be thought of as more of a rough estimate of the actual wave shape. An alternate version of each waveform is available using the warp function. Warp mode changes the shape of a waveform without modifying the harmonic content creating previously impossible timbres when combined with the wave folder. The asymmetry and axis knobs control how the wave folder interprets the initial waveform while timbre modifies the overall intensity of folding. Combining these voltage controlled wave shapers together produces a wide range of unique and complicated waveforms. The primary oscillator also utilizes linear frequency modulation, seed wave cycling, amplitude modulation, and ring modulation to enhance an already deep sonic palette.

The functionality of the secondary oscillator is more focused. The oscillator core creates a fully sweepable frequency range from LFO to high audio utilizing linear FM for pitch modulation effects. MIDI pitch tracking can be disabled for independent frequency control and hard sync is available for frequency tethering to the primary oscillatory. Output of the secondary oscillator is switchable between sine, alpha wave, or both. The voltage controlled alpha wave shifts from a triangle wave with less harmonic content to a square wave with more harmonic content.
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MRP:$1,082.58 SAVE 17%
 1 in stock $902.15
Cat: 676299 Rel: 12 Apr 18
 
CV/Gate-controllable sampler - 28HP
Notes: ***Now featuring Assimil8or Software Version 2.0! Available to download here: http://www.rossum-electro.com/products/assimil8or/

The ASSIMIL8OR is a CV/Gate-controllable sampler with eight independent channels. Each channel is not only its own voice, but also has a separate audio output and a gate/trigger and three CV inputs. Given ever get two sample inputs and main outputs. Thus, Stereo Sampling and playback is possible. Mixed operation of stereo or mono is possible and is limited only by the maximum number of eight channels or parts.

The ASSIMIL8OR works with high-quality 24-bit AD and DA converters. Internally, however, sample and bit rate for lo-fi sound can be lowered, the latter is even CV-controllable. The samples can also be otherwise manipulated in many ways. Thus, the phase of a sample via CV or a different sample can be modulated. Likewise, the loop points can be controlled and the sample can be traversed with CV control (scrubbing), whereby wavetable similar effects could be achieved. The following parameters can be addressed via the gate / trigger and CV inputs:

- Pitch
- Level
- Bit Depth
- Phase Modulation
- Pan
- Scrub
- Sample Start
- Sample Length
- Loop Start
- Loop Length
- Release Decay

Samples and presets are stored on an SD card, which is easily accessible plugged into the module front.
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 3 in stock $820.04
Cat: 690905 Rel: 17 Dec 18
 
Flagship oscillator featuring ten individual waveform outputs - 26HP
Notes: We are proud to present our newest workpiece: The ACL Multifunction Discrete VCO combines a massive single saw tooth core with a strong sub oscillator - each of them with its individual wave shaper. As usual, we didn't spare any effort to bring you the best quality - from the inside right to the outside.

The module comes with saw, inverted saw, PW rectangle, triangle and sine - all important waveforms of a proper modular unit are featured. We constructed all signal paths in fully discrete design up to the outputs - but it is much more to it than just a clone of a classical VCO:

If you play with the linear detune, it is possible to create awesome "beating effects" between two or more VCOs. The direct relation between the linear detune and VCO response makes it possible to use the same frequency at every pitch - for an atmospheric, rich and alive sound.

If you play the VCO in LFO mode, the module enables to control the speed in the same way as in VCO mode. If you leave V/Oct CV, you can generate very long lasting sweeps.

Another strong feature are the big syncing capabilities: Adjust the sync amount manually or via CV between the range of sync and no sync - and surf through variable degrees from soft to hard sync.

The core should sync to all repeatable waveforms - approximately exceeding 1 V pp - but in case sync wave is important for some applications, it is possible to choose between falling and rising edge sync in order to hold the proper phase relation between the syncing and the synced wave.

The Gate Input gives you the option to reset the VCO core at the beginning of every note. This feature is highly recommended for the creation of bass and percussion patches if every attack should sound equal and systematic at each time the notes are played. The Gate Input can be used as hard-sync input as well, even in the same time with the Sync input.

You are free to modulate both the oscillator and sub oscillator rectangle wave pulse widths through their separate PWM Ins and PW pots.

On top of this, you also have the possibility to choose between different PWM "carrier" waves to change the PWM-behaviour: Rising and Falling Sawtooth will create an unsymmetrical PWM, while Triangle will create a very musical sounding symmetrical PWM.
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 1 in stock $781.03
Cat: 700730 Rel: 03 Jul 19
 
Eurorack visual generator module
Notes: STRUCTURE is a visual generator module that is based internally on an OpenGL GLSL node based platform. It uses the concept of node structures to push visuals through the system.

STRUCTURE contains a video input system that you can select between two formats, Composite video or LZX 1V RGB (with sync applied to rear of module). The Composite input does full colour decoding. Input video can be mixed through effects, with other generators, effected with audio, etc. Input video can be NTSC or PAL, 480i. STRUCTURE auto detects and converts video inputs.

STRUCTURE contains two mirrored video outputs, both composite, selectable to NTSC or PAL 480i.

Two audio rate CV inputs can be used with audio nodes to generate audio based visuals, effects moved by audio waveform, XY plotting of audio inputs, or just used at low frequency CV inputs when not using audio nodes.

Three CV rate inputs can be used to modulate a variety of controls on each node.

All CV can be set independently to 1V or 5V expected input. Each CV has a scale control and a positive offset control for fine tuning incoming CV voltages.

A joystick can be used to modulate controls in real time, or used to record motion information that is played back in a loop. In addition, the joystick has a metal hat for nice weighted movement.

STRUCTURE can also generate 3D graphics, animate properties of the 3D objects, and allow you to map and node type to the texture of the 3D objects (like video).

Three gate inputs, usable by local buttons as well.

Three macro knobs on the top right, allow for global changes to the output node which are user configurable.

STRUCTURE has a USB input, which you can attach MIDI interfaces, MIDI keyboards, controllers, etc, or even a standard PC keyboard or numeric keypad. You can assign actions or state changes to trigger from any of these input sources.

SDCARD on front and back. Backside SDCARD stores system, front side stores user presets, images, configurations, objects, custom shaders, etc.

STRUCTURE has a full colour 320×240 preview screen which also provides lots of feedback when using.
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 3 in stock $778.99
Cat: 731214 Rel: 15 Oct 19
 
4-channel sequencer - 36HP
Notes: USTA is a 4×4 tracks sequencer for voltages and gates with variable stage duration, designed to quickly see and edit multiple voltage relationships in real time.

Variable stage duration means that every single stage duration can be individually set in relation to the clock, instead of being constrained to a one-to-one ratio (i.e. one stage per every clock impulse).

4×4 tracks means that every stage can store and generate up to four separate voltages (two CVs and two gates), and that up to four independent stage sequences can be arranged into as many different tracks.

Its architecture is based on an array of 16 'Stages' which form a 'Pattern'; 16 patterns form a 'Track', and four tracks form a 'Project'. Within each track, each stage can provide two gates and two CVs, and a wide set of options is available to define and modify the value of each output ('Layers') and the way it is played ('Colours').

Every Stage is related to a dedicated stepped encoder for quick and intuitive editing, and all the 16 encoders are arranged in an oval layout with a circular playhead. Every encoder is surrounded by a ring of 16 LEDs and a RGB led, to provide a visual feedback of the current setting of that step basing on the layer you are working on (like raw CV, quantized CV, length, gate...) and the way it should play depending on the RGB colour.
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 1 in stock $675.32
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Cat: 714522 Rel: 22 Jan 19
 
Dual voltage controlled oscillator (VCO) synth module - 30HP
Notes: The Furthrrrr Generator has a main oscillator (carrier) with an extensive and fully voltage controllable wave multiplier and a modulation oscillator (modulator) that can cross-modulate the carrier. Each oscillator has hard and soft sync and also features an integrated tuner: if both LEDs are lit the VCO is at note A. Left LED is lit at note Ab and right LED at A#. Frequency potentiometers are ten-turn models and thus allow for easy tuning. Frequency range of the VCOs is 10Hz-10kHz (and much lower in modulator's LFO mode). Both VCOs feature 2 frequency CV inputs (1x with bipolar attenuator, 1x with 1V/octave), one FM input (jumper selectable between linear and exponential FM) as well as separate input for hard and soft sync. The voltage characteristic can be selected between 1V/octave and 1.2V/octave (Buchla norm).

The main oscillator (carrier) outputs the waveforms sine, saw, square and white noise. The two outputs marked with the magic eye are outputs of the "harmonic section" that generates very complex sounds by the wave multiplier and its parameters symmetry, order and Furthrrrr in the module's right-hand section. Symmetry lowers the level of even harmonics and amplifies the odd harmonics (this affects the pulse wave's width as well). Order adds saturation to the high order harmonics and resembles a low pass filter. Furthrrrr alters the level of harmonics set by the other parameters and produces very interesting, partly brute sounds with lots of harmonics by clipping and folding the wave. All three parameters can be voltage controlled. The carrier oscillator also has inputs for hard and soft sync, the sync-switch can synch directly to the modulator.

The modulation oscillator (modulator) has three wave forms with direct outputs: sine, saw and square. Using the internal modulation via the "mood section" the waveform is selected with a button; an additional staircase wave form is available here, but it can be overridden by inserting a signal into the external input socket. A switch activates the LFO mode.

The Mood section is responsible for the internal modulation of the carrier by the modulator. Switches determine the modulation destination(s) that can be activated simultaneously. These are the Furthrrrr parameter of the harmonic section, the amplitude and the frequency of the carrier oscillator. The "balanced" switch activates the ring modulation between both VCOs. intensity of modulation is controlled by the "mood index" potentiometer and the according CV input with bipolar attenuator.
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 2 in stock $654.79
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Cat: 620692 Rel: 10 Aug 16
 
Stereo rhythmic delay & stereo comb resonator synth module in Eurorack format - 36 HP wide
Notes: The Intellijel/Cylonix RAINMAKER eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.

The stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#'s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.

The stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce "Karplus-Strong" types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v/oct input voltage.

The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.
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 1 in stock $613.74
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Cat: 686594 Rel: 27 Oct 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A Digital Delay Line with an Analog Soul:

The Euro DDL features 10 seconds of pristine delay at a 192 kHz sample rate and a unique design that strictly limits the amount of digital circuitry to the bare minimum. Soft saturation clipping, low pass filter, feedback, insert loop, relay bypass, and +20 dB boost are all analog. Delay time can be varied smoothly either manually or by connecting an LFO to the remote input allowing short delays to be used for comb filter and flanging effects.

The Euro DDL is also capable of extremely long delays (up to 160 seconds at a 16 kHz sample rate) allowing long passages to be captured for looping.

From short delays for double tracking, to ridiculously long delays for whatever reason, to creating swept delay and tape echo class effects, the Euro DDL brings it all to your Eurorack rig.
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 1 in stock $597.81
Cat: 579172 Rel: 07 Aug 15
 
Dual voltage controlled oscillator (VCO) synth module - 30HP
Notes: The Furthrrrr Generator has a main oscillator (carrier) with an extensive and fully voltage controllable wave multiplier and a modulation oscillator (modulator) that can cross-modulate the carrier. Each oscillator has hard and soft sync and also features an integrated tuner: if both LEDs are lit the VCO is at note A. Left LED is lit at note Ab and right LED at A#. Frequency potentiometers are ten-turn models and thus allow for easy tuning. Frequency range of the VCOs is 10Hz-10kHz (and much lower in modulator's LFO mode). Both VCOs feature 2 frequency CV inputs (1x with bipolar attenuator, 1x with 1V/octave), one FM input (jumper selectable between linear and exponential FM) as well as separate input for hard and soft sync. The voltage characteristic can be selected between 1V/octave and 1.2V/octave (Buchla norm).

The main oscillator (carrier) outputs the waveforms sine, saw, square and white noise. The two outputs marked with the magic eye are outputs of the "harmonic section" that generates very complex sounds by the wave multiplier and its parameters symmetry, order and Furthrrrr in the module's right-hand section. Symmetry lowers the level of even harmonics and amplifies the odd harmonics (this affects the pulse wave's width as well). Order adds saturation to the high order harmonics and resembles a low pass filter. Furthrrrr alters the level of harmonics set by the other parameters and produces very interesting, partly brute sounds with lots of harmonics by clipping and folding the wave. All three parameters can be voltage controlled. The carrier oscillator also has inputs for hard and soft sync, the sync-switch can synch directly to the modulator.

The modulation oscillator (modulator) has three wave forms with direct outputs: sine, saw and square. Using the internal modulation via the "mood section" the waveform is selected with a button; an additional staircase wave form is available here, but it can be overridden by inserting a signal into the external input socket. A switch activates the LFO mode.

The Mood section is responsible for the internal modulation of the carrier by the modulator. Switches determine the modulation destination(s) that can be activated simultaneously. These are the Furthrrrr parameter of the harmonic section, the amplitude and the frequency of the carrier oscillator. The "balanced" switch activates the ring modulation between both VCOs. intensity of modulation is controlled by the "mood index" potentiometer and the according CV input with bipolar attenuator.
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 1 in stock $597.31
Cat: 690935 Rel: 15 Jun 18
 
Advanced drum sequencer with 16 trigger outs - 42HP
Notes: X0X-style beat creation for modular systems - Erica's drum sequencer is based on the concepts of classic Roland TR rhythm composers. The module offers 16 trigger channels, twelve of which also feature accent outputs. Additionally, there is a CV and a gate track, meaning you can also notate a bass line or melody. The maximum pattern length is 64 steps. Extensive playback and random functions plus two LFOs help you with creating lively results. Large buttons provide a fantastic feel while programming patterns.
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 3 in stock $582.95
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Cat: 690788 Rel: 05 Jun 18
 
Analogue filter bank with integrated modulation sequencer - 31HP
Notes: Flame Curves is an analogue moving resonance filter bank. It includes a twelve-channel analogue filterbank and a pattern player which can be programmed with a software editor. You can use a freeware "Curves editor software" (Win/Mac) for setup and user pattern editing. The module needs a clock to run in pattern-mode. It also features a reset input to set the sequence back to the first step. The memory in the module can save up to 99 patterns. The active pattern can be seen on the display and selected thanks to two buttons.

If Curves is in sequencer mode, the Envelope potentiometer controls the AR envelope, the Variation knob adds random velocity and release, and the Fill potentiometer controls the level of all the channels.

In manual mode, when the sequencer is off, you can select different filter-types with the Variation potentiometer: allpass, lowpass, bandpass 1-3 and highpass. Thanks to the Fill knob it is possible to sweep through the twelve filter bands. The Envelope knob smooths the sweep by activating a second band next to the selected filter band. Thus, the change from one band to another is not so abrupt.

It is also possible to play the twelve filters via MIDI like a drum module, thanks to the supplied MIDI to minijack cable. It even reacts to velocity.

The twelve bands are subdivided in odd and even bands, which you can feed or tap out separately thanks to the various inputs and outputs. Try patching the odd outputs on one side and even outputs on the other side and you will get an amazing stereo effect! ALL output features a Dry/Wet and a Level potentiometer.

Additionally, the module features also a direct audio output and direct VCA input of each filter channel. Thus, it is possible to feed gate, triggers or envelopes to the VCA of various filterbands and play them independently.

Furthermore, there are several CV inputs for controlling Envelope, Variation and Fill parameters as well as the pattern number.
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MRP:$794.38 SAVE 29%
 1 in stock $564.48
Cat: 690806 Rel: 25 Jun 18
 
Voltage controlled 8 tap digital delay - 28HP
Notes: The Multi-Delay Processor is a creatively usable echo effect with eight taps. The module's sound may remind you of classic bucket-brigade devices. - It even generates distinctive pitch effects when altering the delay time. An input mixer gives audio material a crisp, analogue character. Thanks to feedback channels with pitch shifter and reverb processor, shimmering echoes and other atmospheric effects can be achieved. A total of nine envelope followers and 14 audio outputs invite you to do extensive feedback patches and other edgy experiments.

The Multi-Delay Processor isn't just a high-quality echo effect but was designed to be a fundamental ingredient of patches. Its core is a bank of eight digital delays, which are wired in series. Together, the circuits form a multi-tap echo. The volume of each signal repetition as well as the raw material can be adjusted via faders. Furthermore, there are individual audio and envelope follower CV outputs for the dry signal and all taps. An analogue clock is used to control the echo circuits. The delay time can be set manually via a potentiometer plus there are two CV inputs with bipolar attenuators. Altering the delay time parameter during operation leads to pitch effects. At this point at latest, you'll realize the superiority of the serial memory design used by Mark Verbos over average effect chips. Despite its digital core, the Multi-Delay Processor offers charming sound reminiscent of a classic bucket-brigade device. - Only cleaner and more transparent.

A three-channel mixer with dedicated level potentiometers adds analogue character to signals before they are fed to the delay circuits. Without patch cables plucked into the second and / or third input, you can use these channels as feedback paths with additional effects. In detail, a pitch shifter calibrated to +1 octave (channel 2) and a reverb (channel 3) are available. - A perfect setup for creating shimmering echoes and other atmospheric effects. High feedback values make the module self-oscillate. In contrast to the multi-tap delay, which consists of individual components, an FV-1 chip is used for pitch shifting and reverberation. This processor is well-known, as it is the main component of multi-effects modules like the Erica Black Hole DSP and numerous guitar pedals. Here, the FV-1 is "just" a creative addition to the main effect.

In addition to the manual mix output, which emits the mixture of raw and effect material dialled in via the faders, there are four other audio outs. Two of these connectors provide signals derived from summing up all even respectively odd taps. The other sockets emit preset mixes with increasing or decreasing level. - Very cool for quickly creating special effects.
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 1 in stock $564.48
Cat: 557458 Rel: 19 Dec 14
 
Dual voltage controlled oscillator (VCO) for generating complex waveforms
Notes: A dual Voltage Controlled Oscillator designed for generating complex waveforms.

Expanding on the classic arrangement of Primary and Modulator Oscillators, the DPO has both of the VCOs operable as complex signal sources. It is in essence a Dual Primary Oscillator.
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 2 in stock $563.46
Cat: 700726 Rel: 28 Aug 18
 
Random sampler featuring two channels of variously shifting random control voltage - 18HP
Notes: Rooted in the California modular tradition, the Random Sampling is a selection of random voltage sources to add an element of uncertainty to both audio and control paths. Some of them classics and some new twists. Included are 2 fluctuating randoms capable of slowly varying voltage or sweepable audio noise, each with an uncorrelated random gate output. A two output, up to 6 bit digital stored random voltage source. White, pink and metallic (TR- 808 cymbal type) audio noise. A 4 stage analog shift register where each sample & hold can be broken out of the chain to be used separately.
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 2 in stock $548.05
Cat: 717588 Rel: 18 Jan 19
 
Playable sequencer featuring 3 channels of 16 steps & real-time touch pads - Eurorack module edition
Notes: Generator is a highly versatile multi-channel analogue step sequencer. It provides a fun and intuitive, yet powerful way to create rhythms and melodies with your modular and CV synths.

Generator is a very compact and high-quality step sequencer. It's USP is that it is a playable sequencer. You don't just set up a sequence and leave it looping. The UI is designed in such a way as to make it easy, fun and intuitive to alter the rhythm and to get alternative sequences playing using the real time touch pads.

Generator has plenty of scope for re-patching the signals using CV leads, or via the pre-configured switches.

Generator is super easy to hook up to your analogue synthesisers, Eurorack, and other analogue gear.

Sync to DAW is very easy and solid, using MIDI note 60. Play that note and the sequencer will step.

No menus of multi-button pressed. WYSIWYG front panel control.

We have given this sequencer a large and diverse number of controls, that alongside the patch sockets, will give even the best and experienced electronic musician endless possibilities.

We have presented the controls in a user friendly and familiar sequencer layout that, together with this manual and other resources, enable even the new guy to get great patterns quickly.

No compromise has been made with the construction of Generator. Cheaper parts have not been used!
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 1 in stock $542.93
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FORTHCOMING
Frap Tools Brenso VCO Module
Cat: 765932
MRP:$651.52 SAVE 17%
coming soon $542.93
Cat: 718648 Rel: 20 May 19
 
Triple oscillator module with various modulation possibilities - 30HP
Notes: The latest brainchild of synth pioneer Dave Rossum, TRIDENT is a 100% analogue, triple oscillator module that opens up a universe of dynamic timbral textures.

At its most basic level, TRIDENT is three precision audio VCOs, each sporting a unique variety of control voltage inputs.

The main or "Carrier" oscillator provides its three waveforms simultaneously. The two Modulation Oscillators each have a single output and a waveform selector. The Modulation Oscillators also have a voltage controlled Symmetry parameter which varies the duty cycle of the triangle wave output from sawtooth to triangle back to time reversed sawtooth, and also varies the sawtooth output to have an upward or downward kink in the middle, as well as controlling pulse width when the pulse waveform is selected.

And while each oscillator can be used independently if desired, it's when they're combined into a synchronous ensemble that the real sonic magic happens.

That magic is what we call "Zing" modulation. Each of the Modulation Oscillators can modulate each of the Carrier outputs in an amount controlled by the Zing parameter. Zing modulation is mathematically akin to ring modulation, but due to the synchronization of the oscillators (when an oscillator's Sync button on), the harmonic sum and difference sidetones of ring modulation transform into complex but purely harmonic overtone spectra, which vary dynamically and dramatically with the frequency and waveshape modulations of the modulation oscillators. Each change in the Modulation Oscillator parameters - Frequency, Symmetry, Waveshape, Zing, and (in the case of Modulation Oscillator 2) Phase - will have a different effect on the timbre of each of the three Carrier waveshape outputs.

When the modulation oscillators are set to track the carrier oscillator, the waveshape will remain constant as the carrier frequency changes. In this case the overtone structure is determined by the settings and CV modulations of the modulation oscillators. If instead the modulation oscillators do not track the carrier, some of the overtone structure will vary relative to the carrier frequency.

What all this means is that whether musicians take advantage of TRIDENT's unique synchronous modulation capabilities (which they, of course, should), or just treat it as three superb, wide-range analogue oscillators, TRIDENT offers a vast variety of dramatic sonic textures.
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 1 in stock $541.90
Cat: 563664 Rel: 10 Mar 15
 
Complex multi stage pitch and gate sequencer synth module, 34HP wide
Notes: The Metropolis is a unique and powerful musical sequencer inspired by the Ryk M-185 (a Roland System 100m format sequencer.) but with many additional enhancements and functions.

The Metropolis comprises eight "STAGES", each with its own assignable gate mode, pulse count and pitch value. Each stage can also have a special slide or skip function activated too. The slide functionality is a constant time portamento very similar to the Roland TB303 (unlike most synths/sequencers that use constant rate portamento) which produces a very musical and interesting result.

In addition to the base sequencer settings set with the sliders and switches there is a full menu of controls and auxiliary modifiers that allows the user to control and manipulate the sequence in many powerful ways including sequencer direction modes, pitch quantization and scale manipulators, clock dividers, shuffle and much more
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 3 in stock $537.79
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Cat: 631136 Rel: 11 Nov 16
 
Sampler & looper module with 24-bit audio path & clock/MIDI inputs
Notes: Creative sampler in a Eurorack-friendly format. Touchscreen interface with tons of modulation options plus MIDI and CV control, WAV file support via microSD card and the ability to export to Ableton Live. Powerful.

Supplier's notes:
Bitbox delivers recording, clip launching, and looping in a musically intelligent way. With a 24-bit audio path, you can capture and play samples with impeccable audio quality. With clock and MIDI inputs, you can create loops pre-cut to bars or beats and launch clips with similar synchronization. Bitbox has a capacitive touch screen that makes easy work of tweaking, browsing, and loading sounds from microSD card.
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 3 in stock $537.79
Cat: 725425 Rel: 23 May 19
 
wavetable oscillator synth voice module
Notes: Cursus Iteritas Percido is the second module in the Percido line of powerful synth voices. Similar to its predecessor the Loquelic Iteritas Percido, CIP takes the original Cursus Iteritas and adds the same musical envelope from LIP with attenuverter-controlled routing to every knob. With the inclusion of the performance-oriented Master Blaster and CV outputs, CIP is a powerhouse of incredibly versatile synthesis.
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MRP:$678.61 SAVE 22%
 1 in stock $531.64
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Cat: 663847 Rel: 12 Oct 17
 
4 note polyphonic synthesiser
Notes: Synthbox is a 4 note polyphonic synthesizer for your Eurorack system. Connect your favourite MIDI controller to synthbox and start jamming with built in presets. Use the touchscreen to choose and shape the waveforms and to apply the built in sound effects. Modulate the waves and the effects using a combination of on screen controls of envelopes, low frequency oscillators, and sequencers together with hard wired CV inputs to tweak the sound to meet your creative vision.

Series 1 Module Firmware Switching:

Because synthbox is a Series 1 module, you can swap out the synthbox firmware for other series 1 module firmware quickly and easily. This means you can switch to bitbox or fxbox firmware simply by signing up at forum.1010music.com, downloading the new firmware and following the instructions on the forum. You can also download the latest synthbox firmware to get new features and updates. It's like getting three modules in 1 with available upgrades!
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 1 in stock $527.53
Cat: 648377 Rel: 29 Apr 19
 
Six-channel synthesiser module - 26HP
Notes: The Spherical Wavetable Navigator (SWN) is a six-channel synthesiser that makes it easy to create slowly morphing drones, polyphonic melodies, evolving sequences, and rich textures.

The SWN features six wavetable oscillators with independent pitch, level, and waveform controls. Six LFOs (Low Frequency Oscillators) can be used as modulation sources and/or envelopes, making it easy to add dynamic motion to your patch. Each channel is a full voice and can be "played" using the top row of buttons, the internal LFOs, or note-change detection on the 1V/oct jacks. The SWN ships with 12 three-dimensional (spherical) wavetables and an easy interface which allows you to record and edit custom wavetables from live audio. Open-source software for Mac, Windows, and Linux called SphereEdit can be freely downloaded and allows you computer to create, edit, and convert .wav files into Spherical wavetables to transfer into the SWN with an audio cable.

New firmware available which adds extra features, visit https://4mscompany.com/p.php?p=820&c=5 for details.
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 3 in stock $520.35
Cat: 557456 Rel: 19 Dec 14
 
Reverb synth module with size ranges from "coffin" to "the heavens"
Notes: The Erbe-Verb is more than a collection of reverb algorithms or presets, it is a unique, modeless, continuously variable reverb algorithm with complete voltage control.

Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The continuously variable algorithm allows for hybrid and unreal spaces to be found.

Traveling between spaces is possible by modulating the algorithm or manually sweeping parameters. More than an end-of-chain effects unit, it's a whole new building block for modular synthesis. Like the Echophon, it's coded by Tom Erbe of soundhack.
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 2 in stock $512.14
Cat: 638949 Rel: 31 Jul 17
 
Experimental sampler module - record, slice & rearrange audio material
Notes: The Morphagene is a next generation tape and microsound music module that uses Reels, Splices and Genes to create new sounds from those that already exist. Search between the notes to find the unfound sounds.

A few of the Morphagene's most basic uses: Splice recorded audio and jumble it using ORGANIZE. Manipulate playback speed and direction with Vari-Speed. Granularize with Gene-Size and Slide. Layer or Stagger Genes using MORPH. Undertake iterative music processes by recording manipulations and overdubs into new Splices, like having two machines (one for Playback and modulations, one for Record). Process sound in real time using Time Lag Accumulation. Utilize envelope following CV OUT and EOSG Trigger to engage Morphagene in conversation with the rest of your modular system. Stretch and squash sound with Clock input.

Width: 20hp
Max Depth: 30mm
Power: 165mA @ +12V, 20mA @ -12V

***MG137 Firmware Update:

Change Log

1. Improves Vari-Speed response for slow modulation rates.

2. Improves SD Card file format for more compatibility with software .wav file formats.

3. Doubles total record time per Reel.

Upgraded memory performance offers an increase from 1.45 minutes to 2.9 minutes of record time.

If you are using Splices that are over 1 minute long the SLIDE parameter will be scanning across a massive amount of material and therefore the longer the Splice the longer it will take to get to where you are Sliding toward. Imagine a tape machine shuttling forward or backward to get to your desired destination. No we cannot change this, the MG is scanning as fast as possible. This new double record time firmware will make this even more of a factor.

The new options mcr1, mcr2, and mcr3 allow user-definable Morph Chord Ratios (detuning of 2nd through 4th Genes with Morph at its highest settings).

The Auto-level procedure has been replaced with an improved input gain staging, accessed with a 4-step gain selection.

Playback gain is reverted to pre-mg157 level to improve TLA and Record-Into-New-Splice functions.

Internal processing improved to work with (2) and (3) to significantly improve signal-to-noise ratio on input and playback.

And more!
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 6 in stock $512.14
Cat: 669645 Rel: 20 Dec 17
 
Touchscreen based sequencer & function generator, designed to drive signal patterns to your other modules - 26 HP
Notes: Toolbox is a musically intelligent control module capable of driving a rack full of gear. It features both MIDI and Control Voltage connections for interfacing with all kinds of different hardware. Toolbox takes full advantage of the integrated 3.5" touch screen to give immediate access to sequences, parameters, and events. The screen provides a full overview of all the active notes and events. It even offers touch based scrolling and zooming, just like a smart phone, to make editing easy and fun. Toolbox is a great way to be creative on your terms.
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 2 in stock $512.14
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Cat: 740064 Rel: 09 Aug 19
 
Dual oscillator Eurorack module with patented wave-slicing design - 26HP
Notes: Proper freaky digital Eurorack business. Based on the synth plugin of the same name, Waverazor is a bonkers aggro waveshaping oscillator. Ideal for filthy bass sounds and nasty leads.

Supplier notes:
The Waverazor Dual Oscillator is a result of a special collaboration between 1010music and MOK. It is the first hardware module to bring MOK's patented wave-slicing? oscillator design to Eurorack format. Waverazor's novel approach to synthesis splices waveforms into twisted and aggressive new timbres. Featuring fresh sound generation techniques like Multi-Sync and Mutant AM, the Waverazor oscillator is perfect for biting leads, glitched-out basses, cinematic drones and everything in between.

One Waverazor Eurorack oscillator can contain up to 8 wave slices, creating a multi-segment "Frankenstein" waveform that produces extended harmonic content beyond any single wave shape. Each individual slice has independent control over wave pitch, volume, phase and DC offset, allowing a single oscillator to contain a multitude of timbral colours. Even the "Razor" itself can be adjusted, with parameters for its own slice frequency, step size multiplier and duty cycle.

The Waverazor Dual Oscillator module provides a central waveform display that allows you to visualize the output. There's an audio input for slicing up any sound you like. Four endless knobs make it possible to morph multiple parameters at once, while the touch screen enables X/Y performance controllers that allow you to manipulate the sound with the swipe of your finger. Top it all off with 20 modulation CV inputs for complete sonic insanity!

What is included:

- Waverazor Dual Oscillator Eurorack module
- MicroSD card with Waverazor firmware and patch data loaded on it
- Eurorack power cable
- Waverazor Dual Oscillator Quick Start guide
- MIDI Adapter
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 2 in stock $512.14
Cat: 745480 Rel: 19 Sep 19
 
Polivoks-inspired module for Eurorack format - 46HP
Notes: The idea of the Polivoks Mini analogue synthesiser came into mind in 1990, as the junior version of its older brother well known Polivoks full synth. The aim was to develop a way simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flaws of the Polivoks full synth. As the result of this research a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality.

The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.
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 1 in stock $512.14
Cat: 728570 Rel: 16 Jul 19
 
26HP Eurorack spectral re-synthesiser module
Notes: Rossum Electro-Music Software Architect Bob Bliss (who also, as it happens, fathered E-mu's famed "EOS" Emulator Operating System) has created Panharmonium, a unique music and sound design tool that analyses the spectral content of any audio signal and uses that analysis to drive a bank of from 1 to 33 oscillators. Depending on various control settings, Panharmonium can accurately reproduce the input spectrum in real time or modify it in a multitude of wildly creative ways. All with an interface whose immediacy encourages performance and interaction.

Panharmonium input can be anything from a single oscillator to an entire mix (including vocals). From dense, swirling pads and drones that evolve with the input's changing spectrum, to clock-syncable spectral arpeggiation, to as-yet unnamed harmonic effects, Panharmonium opens up an entirely new world of sonic possibilities.

Additionally, Panharmonium can take a snapshot of an instantaneous spectrum and use that as a complex harmonic oscillator, which can then be modified and modulated by all of Panharmonium's other controls.

Panharmonium accomplishes its magic though a combination of functional submodules:

Spectral Analyser:

The Spectral Analyser provides tools for defining the analysis process.

- The Slice parameter sets the rate at which the incoming audio is transformed to spectral data. It can be set by the Slice and Multiplier controls, the Tap button, or by an external clock signal. Very short slice times result in real-time spectral data, while longer times can create rhythmic spectral patterns.
- The Centre Freq and Bandwidth controls (and associated CV inputs and attenuverters) control the range of frequencies to be analysed. The Bandwidth control allows the selection of narrow to wide pass bands on the left side of the pot and narrow to wide notches on the right side of the pot. The ability to sweep the frequency and modify the bandwidth under CV control opens up a wide range of sonic effects.
- The Freeze button lets you freeze the spectral integrator, sustaining the currently analysed spectrum.

Spectral Modifiers:

These controls allow you to creatively modify the analysed spectra.

- The Voice parameter lets you select from 1 to 33 oscillators to resynthesise the spectrum.
- The Blur parameter (and associated CV input) is a spectral lag processor that controls how quickly the spectrum can change.
- The Feedback control (and associated CV input) lets you route the re-synthesised audio back into the entire processing chain for subtle or dramatic feedback effects. At its max, the output becomes self-sustaining, even if the input is removed.

Oscillator Bank:

The Oscillator Bank resynthesises the analysed spectra.

- The Waveform parameter selects the oscillators' waveform. In addition to the usual sine, triangle, sawtooth and pulse waveforms, two special crossfading sine and sawtooth waveforms are included.
- The Freq control lets you tune the oscillators over a +/-7 semitone range. The frequency is further controlled by the 1V/Oct input and the FM input and attenuverter.
- The Octave control, not surprisingly, shifts the pitch of the output by octaves.
- The Glide parameter sets the amount of polyphonic glide (i.e., each oscillator has its own glide circuit).
- The Mix control (and associated CV input) sets the balance between the original input audio and the resynthesised audio.

Optional Functions:

A number of optional functions can be selected by using the Output Mode and Tap buttons.

- Holding the Output Mode button and adjusting the Slice control enables Drums Mode, which optimizes the spectral analysis for drums and other percussive inputs.
- Holding the Output Mode button and adjusting the Centre Freq control allows you to instead set the lower frequency of the analysis range.
- Holding the Output Mode button and adjusting the Freq control enables Spectral Warping. In contrast to conventional frequency adjustment, where the harmonic relationships between the spectral elements are preserved, Spectral Warping shifts the harmonic elements individually, producing a variety of clangourous, swarming textures.
- Holding the Tap button and adjusting the Freq control quantizes the resulting frequency adjustments to semitones.

Spectra Memories and Presets:

Panharmonium provides 12 user Spectra memories and 12 user Presets (in addition to 12 each factory memories).

- The Spectra memories let you store up to 12 frozen slices. When selected, a spectrum (up to 33 oscillators wide!) replaces any live input and can have its pitch controlled by the 1V/Oct input and FM controls.
- A Preset is a snapshot of all of the module settings, along with the value of any CVs present at the moment the preset is saved.

Panharmonium is 26HP wide and 25mm deep.
Power requirements (max): 140mA +12V, 30mA -12V. Reverse polarity protected.
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 4 in stock $490.58
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Cat: 657487 Rel: 08 Aug 17
 
20HP drum synth voice module
Notes: Loquelic Iteritas Percido is an extension of the original Loquelic Iteritas. Like Loquelic Iteritas, it is a digital VCO with interpretations of three classic synthesis algorithms involving dual pitch control parameterized by four tone controls. LIP adds an envelope that can be shaped, modulated, and routed to pitches and tone controls, making it into a stand-alone voice.
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MRP:$634.27 SAVE 23%
 2 in stock $490.58
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Cat: 703388 Rel: 15 Oct 18
 
World's first and only 3D Cartesian Sequencer for music synthesisers - 34HP
Notes: The Rene music synthesizer module is a powerful three-dimensional prism of composition. It is the world's only 3D Cartesian Music Sequencer. Named for the French philosopher & mathematician Rene Descartes, it uses the Cartesian coordinate system to unlock the analogue step sequencer from the shackles of linearity. The original Rene was a one-channel, two-dimensional Cartesian sequencer with limited memory, this new Rene is a three-channel, three-dimensional Cartesian sequencer with memory for up to 64 complete States. Considering the multiple channels and FUN programming options per multiple axis, Rene has become an n-dimensional matrix or tesseract of synthesizer sequencing.
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 8 in stock $480.32
Cat: 563566 Rel: 10 Mar 15
 
Dual complex morphable wavetable VCO eurorack synth module
Notes: Cylonix and Intellijel have collaborated to bring you a very sophisticated and deeply complex Wavetable VCO. At the core of this module is very powerful FPGA board that he has pushed to the absolute max of its capabilities and crammed full of features. We wanted to create a module that really worked well in the modular context so there are a lot of modulation and control possibilities.

CHORDS
Oscillator 1 can be operated in a CHORD mode, which runs 8 copies of the oscillator in parallel with adjustable detuning, leading to very fat, rich waveforms. The oscillators have extensive modulation capabilities including audio rate (98KHz) Frequency and Phase Modulation (FM and PM) via external sources. Nonlinear combination processes allow the outputs of the two oscillators to interact to generate complex timbres and sonic textures.
There are 64 user selectable chords.

WAVEFOLDER
The SHAPESHIFTER module also includes the analog wave folder circuitry from
module to add analog warmth and metallic rasps to the digital oscillator output.
External signals can also be patched in.

PRESETS
The module includes a sophisticated preset mode where panel settings can be stored. There are 12 user-programmable preset slots and another 52 volatile slots that can be used as a scratchpad. These scratchpad slots are initialized to interesting presets on module powerup. The capabilities of the preset mode is not limited to mere passive storage of settings, however. In this mode the user can also step through, or sequence, the settings, either in order or randomly in response to pulses input to the external sync input. This gives the user the ability to generate complex sequences of sounds. The preset mode also allows the user to morph between the current panel settings and a preset providing a very powerful real-time performance tool.

SYNC
8 Different sync modes: HARD, SOFT, REV, HOLD, BUMP, 2=1, 1=2, OFF
with the ability to internally sync to a sub oscillator

PULSE
User selectable modes for the PULSE output: OR, AND, XOR, GLCH, +OSC1, EOC, +OSC2, -OSC2

MOD A modes: (audio rate modulation)
COMBO IN, SHAPE IN, PHASEMOD, VOCODER

MOD B options (all with CV control)

-Combo modes for OSC1 and OSC2:
NORMAL, RING, MIN, PONG, INLV, AND, XOR, GLCH
-Waveform TILT
-Chord mode overdrive
-Delay depth and FB
-Percussive mode decay time
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 1 in stock $470.06
Cat: 635347 Rel: 05 Jan 17
 
Production sequencer synth module in Eurorack format
Notes: Sequencer 1 is a top-of-the-line x0x-flavored Eurorack sequencer, for controlling up to four voices at once.

With Micro SD card storage and software updates, backing up and updating are as easy as dragging and dropping. Four banks of 16 patterns (each up to 64 steps) plus follow actions for pattern chaining make live performance a breeze. Front-panel one-push access to all commonly-used features means no menu diving, no rote memorization of hex codes, and no confusion. 1V/Oct, Hz/V and gate/inverse gate/S-Trig outputs mean it'll drive both modern Eurorack and vintage analog synths. The three tempo-synced LFOs with 30+ waveshapes are worth the price of admission alone.

In short, Sequencer 1 is, we feel, an incredibly useful production sequencer, in both the studio and on stage, and the feature list will only get longer, with a clear roadmap of updates and additions, and all the programming knowledge and experience that Audio Damage can bring to bear on this, our flagship product.
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 1 in stock $460.83
Cat: 676890 Rel: 26 Apr 19
 
Analogue synthesiser voice with expressive sound - 26HP
Notes: MANTHER GROWL is a full featured, Eurorack monophonic synth voice with an analogue signal path, and like the Manther Tabletop, it includes a coveted CEM3340 VCO IC chip. The analogue filter is based on an SSM2044 chip. Square, Saw and Triangle waveforms have their own individual level controls (manual control as well as CV jack inputs), as well as their own individual outputs. Wavefold control can be set to Tri or ALL (folds all waveforms and external input post-filter). Dial the independent LFO level controls to modulate pitch, pulsewidth and filter cutoff. Also includes manual controls over both VCA and filter ADSR and both the VCA and filter have individual gate inputs.
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 2 in stock $460.83
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Cat: 725952 Rel: 25 Mar 19
 
Two flexible mixers & function generator in one module - 18HP
Notes: The Control Voltage Processor from Verbos Electronics GmbH is a suite of control voltage processing possibilities divided into 3 sections in a slim 18HP package. The lower 2 sections are DC coupled mixers that allow mixing, inverting, offsetting, scaling, multiplying, dividing, crossfading or a combination of these functions. The top section is a voltage controlled slewing processor with independent control of Positive and Negative slew rate, with some unique tricks. The Positive and Negative slew, or Rise and Fall rates if you like, have reversing attenuators. The slopes can be blended from linear to RC curves (starting all slides fast and ending slow, like a proper "East Coast" Portamento) without a change in speed. It can be triggered like an AD envelope and has a Gate out that goes high when the CV out is below 100mV. Of course it can loop by patching the Gate out to the Trigger in. The Bounce control adds a unique flare of overshoot to CV changes, a bit like the effect of stopping a tape reel from turning and then letting it go. The combination of multiple voltage processors offers the user the functions of analogue computer.
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 2 in stock $460.83
Cat: 655881 Rel: 08 Aug 17
 
Self-contained synth voice module inspired by the ARP 2600
Notes: TONESTAR 8106, an ARP 2600-inspired complete synth voice, infuses Tim Caswell's "Jupiter to Juno" filter alchemy - a 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module - into our Tonestar 2600 platform; this chirpy yet full-bodied 8106 model is also fully #OutsToOuts modular featuring 27 pots - one more that the 2600 model for the high-pass filter, 6 switches - one less, sacrificing resonance modulation for that high-pass filtering, and 21 jacks. If the Tonestar 8106 thins somewhat with resonance excess, route the triangle wave 'round the VCF with the "NO VCF" switch setting, and keep this juicy reimagining of the Roland IR3109 module boomin' and gloomin'.

27 Knobbed and "Shafted" Potentiometers:
VCO: RANGE, PM MAN, LFO, PORTA, MOD (ENV), TRIANGLE, SAW, SQUARE, SUB, TUNE; Noise: LEVEL; VCF: FREQ, RES, KBYD, DRIVE, HPF, ENV, MOD (LFO); LFO: AMNT (OSC), RATE; ENVs: (ADSR) ATTACK, DECAY, SUSTAIN, RELEASE, (AR) ATTACK, RELEASE; VCA: FEEDBACK (filter/VCA), VOLUME

6 Switches:
VCO: OCT (up/null/down); FREQ/PW (frequency/null/pulse width); NO VCF (VCF/null/no VCF); VCF: TRIANGLE/SQUARE (triangle/null/square); ENVs: HOLD, MSTR (hold/null/master); VCA: IN/MIX

21 Jacks:
VCO: TRIANGLE, SAWTOOTH, SQUARE, MIX, 1V/O, MOD IN; NOISE: NOISE (white); LFO: DEPTH, TRIANGLE, SQUARE, SPEED; VCF: EXT IN, FIL OUT, MOD IN; ENVs: MOD IN, ADSR OUT, AR OUT, GATE IN; VCA: IN/MIX, VCA IN, OUTPUT

- PCB Mounting Scheme: Through-hole
- Filter: A 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module, which is a 4 pole, 24 db/oct voltage controlled lowpass filter with voltage controlled resonance. 3 dual OTAs with similar topology to the BA662 used in the Jupiter 8 (and the IR3109 module) were employed, 1 amp for the hi-pass filter, 4 (with added buffers) for the low-pass, and 1 for the resonance. This filter takes a wide range of input signals, and tracks control voltage extremely well. Tap points are available for 6db, 12db, and 18db/oct. Although the topology is similar to the 4072, the tonality, especially when over driven, is distinct.
- Size: 32hp
- Depth: 35mm including connectors
- Power Usage: 130mA, 80mA (+12 / -12)
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 1 in stock $459.79
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Cat: 658753 Rel: 11 Sep 17
 
Premium 14-pole stereo digital filter module
Notes: With our MORPHEUS digital filter module, we're finally able to unleash the full power of the 14-pole Z-Plane Filters that Dave invented for the E-mu Morpheus synthesizer.

The MORPHEUS Eurorack module includes over 280 filter configurations, what we call Cubes. Each Cube is composed of up to 8 complex filters that you can picture as being at the corners of a three dimensional cube (hence the name). Morpheus gives you the ability to smoothly interpolate between those 8 filters within the cube's three dimensional space.

Due to processor limitations back in the day, the original Morpheus was capable of real-time morphing in one dimension, but interpolation in the frequency and transform dimensions were set at note-on and remained static for the remainder of the note. But even with that limitation, Morpheus offered sonic capabilities that are unmatched to this day.

With the MORPHEUS filter module, you now have simultaneous real-time CV control of all three dimensions, for dynamic timbral effects unlike anything you've ever heard before. In stereo.
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! low stock $449.53
Cat: 655355 Rel: 29 Jun 17
 
Voltage controlled four channel stereo mixer module
Notes: The module is built around high quality VCA chips from THAT Corp, as well as low noise opamps. It offers clickless muting and equal loudness panning. The distinct feature is that voltage control is dynamically compressed should it yield clipping when pushed too hard. Also, in both modes the attenuators offer full closing of the corresponding channel, regardless of being controlled by the CV, or not. The VCAs fully open (0dB gain) at CV=8V in Env mode and CV=5V in LFO mode. All the input and output signal levels are Eurorack levels.

Multiple Praga units can be chained thanks to dedicated headers on the back. The mixed stereo sum of each unit in the chain is added to the mixing bus of all units downstream.

A dedicated Hrad expander will offer master volume control, gate inputs for channels muting/unmuting, headphone amplifier, and voltage control over aux sends.
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 1 in stock $449.52
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Cat: 688859 Rel: 10 Sep 18
 
Modular drum synthesiser with seven voices 30 HP
Notes: It's black, it's loud, it's dark.

BLCK_Noir is an amazing 30 HP modular drum synth with a very flexible sound-engine inspired by the Roland CR-78 CompuRhythm. Unlike other modules from Endorphin.es, this one is black, thus the name: Blck_Noir.

It includes seven drum voices: bass drum, snare, tambourine, closed and open hi-hat, cymbal and metal beat. It uses hybrid sound generation: digital noise with spectrum animation, injected into analogue circuits. The analogue generation part is fully discrete, using inductor coils instead of op-amps, giving a raw and powerful sound. Thanks to this special design Black_Noir will sound good in every setting.

Several CV inputs will let you control various parameters for lively drum sounds.

On top of that, the module has an on-board effect processor with eight effects: hall, shimmer, room, plate, spring reverb types, tap and tape delay types as well as a new freezer effect with additional auxiliary input and firmware update over audio.

With this module you will be able to create drums that have character! It will fit all styles of music, from Darkwave to Techno.
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 1 in stock $449.52
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Cat: 679877 Rel: 31 Jul 18
 
Dual morphing wavetable oscillator with waveshaping audio inputs & unison detune - 17HP
Notes: The Piston Honda Mark III is a dual morphing wavetable oscillator with waveshaping audio inputs and unison detune. The three sliders create a waveform for each oscillator to play from the internal "cube" of 16-bit waveforms (8 waveforms across each axis for a total of 512), morphed at full resolution in all three dimensions with full CV control of each dimension (positive and negative voltages accepted). Each of the oscillators may play a different morphed waveform, with selectable response to the slider controls and CV inputs. The voltage-controlled preset manager stores 8 presets to be recalled at any time, under manual or CV control. The preset manager has a morphing mode that smoothly fades from one preset to another, selectable for "just" the waveform settings, or all knobs on the panel. An orange 128x32 OLED display shows the current waveform for the selected oscillator in realtime, its frequency, and the current preset and wave selection. It also provides menu editing for less frequently used parameters with the nearby rotary encoder.

The infamous aggressive character of the Piston Honda is fully present. Both oscillators boast full user controls for frequency and modulation. The second oscillator's frequency controls can be slaved to the first (and an output mix is provided for the largest sounds possible with the fewest patch cords). Each oscillator also has its own slaved unison detune oscillator. Each oscillator can alternatively run as a nonlinear waveshaper, processing a dedicated audio input through the selected wavetable with voltage-controlled drive. When running in its normal oscillator mode, this audio input instead provides thru-zero frequency modulation. Waveforms are selected from the internal memory of 8 collections: additive harmonic structures, harsh LFSR progressions, and restored waveforms inspired by classic synthesizers. You can load user wave data (16-bit WAV format) using the front-panel microSD card slot, compatible with files created by the Synthesis Technology WaveEdit program.
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 4 in stock $448.51
Notes: Incredibly powerful two-channel filter module capable of much more than just filtering. State-variable digital filters with built-in VCAs designed to overdrive beautifully. Sounds great.

Supplier's notes:
BIONIC LESTER MARK III is a 2-channel 2-pole state-variable digital filter with an unusual amount of good sonic character. The filter mode is continuously variable under manual or CV control, smoothly fading from lowpass to bandpass to highpass to notch to allpass with a single motion. The resonance stops just short of self-oscillation. A digital VCA controls the amplitude and the distortion of the input signal pre-filter. The filters have independent inputs and outputs, and an additional Mix output with balance control. The filter design was initially inspired by the best of late-1990s "virtual analog" filters and has gone far beyond.

The audio input controls have dual behavior. When the control (or CV input) is turned from zero position to the center, it operates as a simple gain control for that input. When turned past the center position towards the maximum, the signal will begin to soft-clip, adding hard clipping as the maximum is approached. This smooth and subtle distortion adds violence to otherwise unremarkable input material, generating additional harmonic content for the filter to process. The digital VCA that controls the gain and distortion functions is aware of the input signal's zero crossing, eliminating "clicking" noises when the gain is modulated.

Each filter section has three CV inputs. The first is a high-speed input hardwired to the filter's cutoff frequency, appropriate for snappy envelopes and slow moving voltages alike. The other two inputs (one with attenuverter control) are freely assignable to any of the filter parameters (cutoff, resonance, mode, gain), storable in a preset. The Mark III preset system stores eight fully programmed panel setups, instantly recalling everything under the harshest demands of performance. The Morph mode allows smooth fading between all of these presets.

Activate Filter B's LINK control for patch-free routing of the filter's control or audio signal. You can achieve dual-peak resonance, cable-free series routing, cascaded 4-pole filtering (with two stages of distortion), and full stereo using only one set of filter controls. The input normalization, LINK settings, and parallel mix output further reduce cable clutter while rapidly patching an elaborate signal flow.

The controls are arranged for maximum tweakability and minimum cable interference, with metal-shaft potentiometers attached to the panel on the large knobs. The Mark III OLED display displays the cutoff frequency in Hertz, resonance amount, and filter type morph. The CV inputs process all input voltages between -10 to +10 volts. Panel size is 15HP.
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 1 in stock $445.43
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Cat: 590408 Rel: 19 Jan 16
 
Trigger sequencer
Notes: From a conceptual view, the Trigger Riot generates 16 clock streams consisting of multiple time manipulation functions (division, offsets, etc) that interact to create the trigger output, and direct access to each parameter via individual knobs allows for quick manipulation. The 8 outputs are the sum of those manipulated streams per row. The outputs of the module are arranged as either a 4x4 matrix, where each of the 16 knobs affects both row and column, or as a set of independent outputs for each row or column. This allows forming 8 complex musical interactions in a 'Matrix' mode or 8 independent streams in 'Independent' mode and is switchable from one to the other on press of a button for some unexpected results.

Since each of the 16 knobs represents a real time tweakable trigger generator/modifier the Trigger Riot is extremely playable and can result very complex patterns with only few knob turns; patterns that would otherwise take much longer and in some instances be almost impossible to produce using grid based step sequencing. Patterns can have unique time signatures that can repeat or be randomized through probability, time shifted and phased, divided, multiplied and counted, it's unbelievable how complex this module can get with minimal input.
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 1 in stock $443.36
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Cat: 708095 Rel: 25 Jan 19
 
14 band inductor based fixed filter bank - black, 30HP
Notes: This 30HP wide module features twelve fixed frequency, inductor based bandpass filters, set at half octave interval spacing and covering from 125 Hz through to 5.8kHz. It also features low pass and high pass shelf filters, again they are fixed frequency and both are active inductor based circuits. It has a vintage pedigree that harks back to the original and highly sought after 914 Fixed Filter bank from the 1960's Moog 900 series modular synthesiser system, however we have brought this design up to date and made it compact enough to fit into skiff friendly Eurorack cases by using gyrator based active inductors, and have added some other very useful features too - the bands are split alternatively to left and right channels, each having their own individual output, and there is also an inbuilt Voltage Controlled cross-fader that allows panning between the left and right banks, with a mix of all bands available in the central position.

In addition, we have a second cross fader that can mix between the dry incoming signal, or an external signal fed into input 2, and this is cross-faded against the wet MIX Output - this allows Voltage Controlled crossfading from wet to dry signals, or between wet and external signals - and the level of each can be adjusted using the Input 1 and Input 2 level controls.

A further addition is the feedback control, this is similar in design to the resonance control on a regular VCF, but because of the multiple fixed filters topology it is rather different in operation - it would normally be added in small amounts to thicken up the sound, however we have allowed the feedback to traverse to quite extreme settings for howling feedback and even soft clipped self-oscillation, especially for the noise merchants out there...

Using L/C inductor topology bandpass circuits rather than the usual Sallen Key R/C active bandpass filters does give a slightly different sound and this is part of the magic of the original 914 filterbank, as the LC based circuit exhibits less phase shift against frequency that the more common Sallen Key R/C based bandpass filters that are used in many Modular synths.

Many people often wrongly assume that a fixed filter bank is exactly the same as a graphic equaliser - however this is certainly not the case, if all of the controls of a graphic EQ are set to centre then a flat frequency response is expected and the output will sound very similar, or identical to the input - this does not happen with a fixed filter bank, the frequency response rises and falls as it passes between each stage (but to a lesser extent than if the filters are all set to maximum output), so it acts as a soft slope comb filter, and the resulting output sounds very different from the input signal. Also, with all of the individual filters turned to zero there will be no output at all.
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MRP:$572.69 SAVE 24%
 1 in stock $436.20
Cat: 739126 Rel: 16 Jul 19
 
Expanded take on Mutable Instruments' famous Clouds granular texture synthesiser - black faceplate, 34HP
Notes: Clouds, the granular synthesis module from Mutable Instruments, was discontinued in 2017. Supercell brings back Clouds in a more accessible 34 hp form factor, offering an improved user interface and several additional features:

- Each of the Blend parameters (Feedback, Panning, Mix, and Space) have dedicated knobs with their own CV inputs and inverting attenuators (attenuverters).

- The inputs and outputs now have mute switches, stereo VCAs, and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- A stereo output gain control has been added, providing an additional +6 dB of gain to compensate for low output levels when using certain parameter combinations.

- The complex process of changing the sampling time and managing presets has been simplified with dedicated switches and status LEDs.

- Extensive modulation options for all parameters including direct patching of external CV, distribution of one CV to all parameters via the AUX input, or an internal smooth random CV that is normalized to any unpatched inputs when AUX is also unpatched. The attenuverters control the modulation depth in all three cases. As of firmware v1.01 the internal modulation rate can be adjusted within a range of 1 to 100 Hz.

- The inputs and outputs now include stereo VCAs and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- Pitch is now controlled by two separate inputs: the V/Oct input is exponential and the Pitch input is linear. When both inputs are used, their voltages are summed.

- A manual Trig switch (for capturing individual grains) has been added, in addition to the Trig input that was present on Clouds.

All other features of the original Clouds remain intact, including access to the alternate modes. Thanks to Olivier Gillet for making the original Clouds hardware and firmware available under open-source licenses. Third-party firmware such as Parasites (by Matthias Puech) and Beat Repeat (by Julius Kammerl) will be supported in future firmware updates after the initial release of the module.
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MRP:$529.59 SAVE 18%
 1 in stock $434.13
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Cat: 670606 Rel: 11 Jan 18
 
6-channel performance mixer with three band EQ, mute & pan - 28HP
Notes: Hexmix System is a six channel performance mixer specially designed for Eurorack.

The system has two separate modules, the core of the mixer: Hexmix that has six channels with three band EQ, mute, pan and EQ section on the master, and Hexpander that add three auxiliar sends per channel, PFL, individual outs and balanced output.

The mixer has a strong inspiration in classical DJ mixers, providing sharp EQ's for enhanced performance, auxilliar send for effects and individual outputs to record your performance per channel.

The unique Mute Section is a powerful tool for performances, providing a momentary mute function controlled by vactrols and adding a smooth release to the signal decay.

The system is designed to be placed in 6U, instead of the traditional 3U paradigm in Eurorack. So we will have every feature for each channel vertically as a conventional tabletop mixing deck.

This is a six channels mixer with three band EQ, vactrol mutes, pan and volume control per channel.

Inputs for every channel are located at left side of Hexmix. Each jack is normalized to a VCA Expander connection in the back, so if you have a Hexmix VCA, you will have the output of each VCA to every input. connecting a jack in any input will disconnect whatever is coming from VCA.

Each Channel Strip is divided in four basic sections, that will go in the following order: Gain, Mute, EQ and Pan.

Gain is set to unity, so it will act as an attenuator of the input signal. Mutes are clickless, as they are vactrol based. This circuit provide some decay on the mutes, rather than a sharp cut.

Switches have latch position and momentary ones to unmute the channel, providing some really nice performative capabilities.

EQs are quite sharp (12dB) inspired in classic DJ mixers to aggressively cut selected frequencies.

Master section has its own EQ and volume control for the mix of all channels. Master EQ is software than individual channel's (6dB) and it's meant to provide control over the final mix.

It's possible to change output level from line to synth with a switch located in the back.

This will be pretty useful when used in combination with Hexpander, that provides a balanced out at line level. Like this it's possible to have a mix at synth level to re-route the master signal while having an output to PA.
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MRP:$528.36 SAVE 18%
 8 in stock $431.06
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Cat: 731216 Rel: 18 Jun 19
 
4 variable waveshape operators for linear FM synthesis - 30HP
Notes: Implementing frequency modulation synthesis completely from scratch in firmware, the Quad Operator is able to provide a modern take on frequency modulation synthesis.

- One knob per function design for true ease of use
- Any FM algorithm is possible via modulation matrix
- The Algo expander provides algorithm save/recall and crossfading capabilities
- Independent output per operator
- Virtual VCA per operator for both animating modulation and output volume control
- Includes a dedicated "AR FM" input with its own modulation sends, designed to bring an audio rate signal in from your rack for use as a modulator. Try processing a phase locked operator, and feeding it back in!
- Each operator can also be unlocked then tuned and patched independently, making the module a great general purpose oscillator bank
- Convincing digital emulation of classic analogue waveshapes - sine, triangle, square, and saw
- An LFO mode, enabled the generation of phase locked, complex modulation signals
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 2 in stock $425.92
Cat: 569524 Rel: 30 Jun 15
 
Modal synthesis voice module comprising a noisy and impulsive excitation signal generator, and 64-partial modal resonator
Notes: Elements is a full-blown synthesis voice based on modal synthesis - an under-appreciated flavour of physical modelling synthesis with a strange and abstract feel.

Elements combines an exciter synthesis section generating raw, noisy sounds characteristic of bowing (filtered friction noise), blowing (pitch-controlled granular noise), or striking (stick, mallet, hammer or brush sample playback... or bursts of synthetic impulsions). These sources, or external audio signals, are processed by a modal filter bank - an ensemble of 64 tuned band-pass filters simulating the response of various resonant structures (plates, strings, tubes...) with adjustable brightness and damping. A stereo ambience reverberator adds depth and presence to the sound.

All parameters have a very meaningful and well-delimited impact on the sound. When designing Elements, great care has been taken in selecting parameter ranges and control curves, producing a large palette of sounds - often beyond physical realism - but always well controlled and stable. The "dark spots" of noise and feedback are reached gradually, and they do still react to controls. The module is deliberately menu- and switch-free - what you dial/patch is what you hear!

*For audio demos, please visit - http://mutable-instruments.net/modules/elements/demos
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 1 in stock $421.81
Cat: 771798 Rel: 01 Nov 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Incredibly powerful two-channel filter module capable of much more than just filtering. State-variable digital filters with built-in VCAs designed to overdrive beautifully. Sounds great.

Supplier's notes:
BIONIC LESTER MARK III is a 2-channel 2-pole state-variable digital filter with an unusual amount of good sonic character. The filter mode is continuously variable under manual or CV control, smoothly fading from lowpass to bandpass to highpass to notch to allpass with a single motion. The resonance stops just short of self-oscillation. A digital VCA controls the amplitude and the distortion of the input signal pre-filter. The filters have independent inputs and outputs, and an additional Mix output with balance control. The filter design was initially inspired by the best of late-1990s "virtual analog" filters and has gone far beyond.

The audio input controls have dual behavior. When the control (or CV input) is turned from zero position to the center, it operates as a simple gain control for that input. When turned past the center position towards the maximum, the signal will begin to soft-clip, adding hard clipping as the maximum is approached. This smooth and subtle distortion adds violence to otherwise unremarkable input material, generating additional harmonic content for the filter to process. The digital VCA that controls the gain and distortion functions is aware of the input signal's zero crossing, eliminating "clicking" noises when the gain is modulated.

Each filter section has three CV inputs. The first is a high-speed input hardwired to the filter's cutoff frequency, appropriate for snappy envelopes and slow moving voltages alike. The other two inputs (one with attenuverter control) are freely assignable to any of the filter parameters (cutoff, resonance, mode, gain), storable in a preset. The Mark III preset system stores eight fully programmed panel setups, instantly recalling everything under the harshest demands of performance. The Morph mode allows smooth fading between all of these presets.

Activate Filter B's LINK control for patch-free routing of the filter's control or audio signal. You can achieve dual-peak resonance, cable-free series routing, cascaded 4-pole filtering (with two stages of distortion), and full stereo using only one set of filter controls. The input normalization, LINK settings, and parallel mix output further reduce cable clutter while rapidly patching an elaborate signal flow.

The controls are arranged for maximum tweakability and minimum cable interference, with metal-shaft potentiometers attached to the panel on the large knobs. The Mark III OLED display displays the cutoff frequency in Hertz, resonance amount, and filter type morph. The CV inputs process all input voltages between -10 to +10 volts. Panel size is 15HP.
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 1 in stock $420.70
Cat: 589505 Rel: 10 Dec 15
 
Innovative resonant filter synthesiser module - 26HP
Notes: The Spectral Multiband Resonator from 4ms Company is an innovative resonant filter which can process audio like a classic filter bank, ring like a marimba when plucked/struck, vocode, re-mix tracks, harmonize, output spectral data, quantize audio to scales, and much more...
A gorgeous ring of colored lights displays the frequency of each filter, as well as the levels and current scale selection(s).

At a glance, the SMR works like a normal six-band graphic EQ: six frequency band-pass filters are mixed together using sliders. Resonance/Q is variable, which changes the "ringy-ness" or width of the bands.

But here's where comparison stops. The frequency of each channel is treated like a note in a scale, and the six bands form a chord. Spin the Rotate knob and the "notes" circle around the scale, rotating back to the bottom once they've reached the top. Adjust Spread and the distance (interval) between each note changes. Triggers for up/down motion, CV inputs for sequencing and scale selection allow for flexible control with external modules. Morph, which automatically cross-fades between frequencies, together with variable Slew allows rhythmic clocks drive the SMR as a variable-speed evolving resonant filter.

At maximum Resonance/Q, the SMR can be struck like a gong or marimba by inputting clocks or triggers. The frequency of each channel is quantized to a scale: beautiful chords, ethereal tones and eerie ambiance flows easily. With lower resonance, the SMR can pull out particular frequency bands, and sweep these across the spectrum.

Two 1V/octave Frequency jacks allow for tracking even and/or odd bands and creating floating melodies over evolving chord bases, or complex percussive membrane sounds.

Save your settings into one of six storage banks, and recall on the fly. On startup, the SMR instantly jumps to the last saved settings. The color scheme of the lights can be adjusted, so if you prefer all white lights on your modular, you can have that (or all red, or rainbows, pastels, etc..)!

Advanced features:
- Program your own scale. The frequency of each of the 20 notes can be assigned by setting the octave, the semi-tone, and coarse and fine micro-tone. Up to 11 scales can be saved permanently in the user bank
- Adjust color scheme of the LEDs. Pick a pre-programmed color scheme or create your own using the sliders to set Red/Green/Blue values. Custom color schemes can be saved permanently
- Save your settings in one of six parameter banks. Note position, scale and bank selection, Q value, Lock settings and color scheme can be saved and recalled on the fly. On startup, the SMR loads settings from the last saved bank.
- Optional alternative filter type for a more exponential decay when plucked and different timbral qualities. Freq jacks no longer track 1V/oct in this mode.
- Slider LEDs can be assigned to display level for each channel (combination of slider position and CV on the jack), or clipping for each channel.
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MRP:$535.75 SAVE 22%
 2 in stock $416.69
Cat: 717598 Rel: 25 Jan 19
 
8-track sequencer & interface for your Eurorack system - 26HP
Notes: Really impressive sequencing module with a few clever tricks up its sleeve. Eight tracks of CV/gate with built-in effects (quantise, swing, arpeggiator, etc) for processing MIDI or CV inputs. Real-time recording, step sequencing, looping and much more.

Supplier notes:
Hermod brings together a powerful step sequencer, a CV looper, a real-time effect processor, LFO generators and a complete bi-directional MIDI-USB-CV input/output interface.

Record a performance at any time thanks to the CV inputs, the USB HOST, the USB DEVICE and the MIDI input. Create and edit your tracks with the STEP mode and its piano roll and automation view. Generate crazy patterns with the randomization tool.

Hermod is polymetric, it means that each track can have a different length, from 1 step to 64 steps. Moreover, you can zoom in to increase the resolution of the step sequencer (up to 512 steps).

Polymorphic tracks:

Thanks to Hermod architecture, a track can be a simple mono CV/GATE voice, but can be easily configured as a polyphonic track (up to 8 voices), a CV/GATE + velocity + aftertouch track, a modulation + clock track... in order to perfectly fit your Eurorack system!

Sequences and Projects:

The 8 tracks are grouped into one of Hermod's 8 sequences. Every sequence is totally independent and contains a new set of tracks to be played with, for a total of 64 tracks in a single project.

Dynamic effects:

All the fun in Hermod resides in its effect system, allowing you to transform input signals, whether it's MIDI or CV. You can stack on each track up to 8 real-time effects: Quantize, Swing, Arpeggiator, Ratchet, Random, Euclid, Glide, Harmonizer, Delay, Chance, Scale, LFO... Experiment with the effects position and parameters to generate eccentric melodies!

MIDI-USB-CV interface:

Full connectivity: control Hermod with plug-and-play midi USB devices, midi keyboards, computers or other Eurorack CV systems.

Hermod is also a great midi hub, allowing you to sequence midi synthesizers/drum machines and computer's virtual instruments. Of course, Hermod can be perfectly paired with Pyramid or other hardware and software sequencer, in order to benefit from its CV/GATE outputs.

With Hermod's rock-solid clock, this module becomes a great synchronization tool for all your setup! Thanks to its powerful CPU, even when synced/slaved, Hermod allows an ultra-low latency to make the perfect link between the digital world and the analog world.

The package includes:

- Hermod "Modular Brain" Black Edition
- 1GB micro SD card + SD adapter
- Power ribbon cable
- User guide (English)
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 3 in stock $413.61
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