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Notes: The New Standard in Octave Pedals

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

OC-5 Octave Sound Tryout

Get interactive with our custom TonePedia player and explore hundreds of sound variations. Select your instrument, tweak and choose pedal settings.

High-Octane Octave Performance

Powered by the latest real-time processing technologies from BOSS, the OC-5 provides exceptional sound and playability for the most expressive octave experience ever. A key feature is the newly developed tracking engine, which delivers clean, accurate performance with no latency. The OC-5 also offers wider range and greater polyphonic capabilities than previous OC models, covering all your octave needs in one high-performance pedal.

Classic Tones with Vintage Mode

Introduced in 1982, the OC-2 was the world's first modern octave pedal for guitar and bass. Still loved by players everywhere, the stomp's warm-yet-present tone sits perfectly in a mix, and its characteristic voice can be heard in many famous songs. The OC-5's Vintage mode brings you the OC-2's iconic mono sound, coupled with improved response thanks to the new tracking engine. Dedicated level controls are provided for -1 and -2 octave effects and the direct sound, giving you quick access to an endless variety of sub-octave colours.

Enhanced Poly Mode

The OC-5 also features an evolved version of the smart Poly mode first introduced with the OC-3 Super Octave, letting you play full chords with octave effects. The variable Range knob restricts the effect to the lower notes on your instrument, perfect for playing octave bass lines alongside normal chords and melodies in the higher registers. And with the new tracking refinements, it's even possible to isolate the octave effect to the bottom note in a chord-just turn the Range knob to the "Lowest" setting.

Extended Range with Octave Up

Another cool OC-5 enhancement is the new octave-up effect, which is available in both Vintage and Poly modes. Simply twist the dedicated +1 OCT knob to bring in the desired effect level. Use the octave-up effect on its own for faux 12-string sounds and unique solo tones, or blend it with the octave-down effects for extended chord voicings and super-fat leads.

Guitar/Bass Switch and Direct Out

The OC-5 lets you instantly optimize the performance of its tracking engine for either guitar or bass via a dedicated switch on the body of the pedal. And with the Direct Out jack, it's easy to route dry and effect sounds to different destinations, such as two stage amps or discrete channels on a mixer or audio interface.

Specifications

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls:
Pedal switch, GUITAR/BASS switch, VINTAGE/POLY switch, DIRECT LEVEL knob, +1OCT knob, -1OCT knob, -2OCT/RANGE knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DIRECT OUT jack: 1/4-inch phone type
DC IN jack

Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22), AC adaptor (PSA series: sold separately)

Current Draw: 60 mA

Expected battery life under continuous use: Alkaline: Approx. 5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)
Options (sold separately) AC adaptor: PSA series

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb

Notes: The DigiTech FreqOut Natural Feedback Creator allows you to get sweet, natural feedback at any volume, with or without distortion. The FreqOut is perfect for situations where volume must be controlled like in the studio, with in ear monitors, or low-volume performance and practice. However, the FreqOut can also be used at gig volume to focus out-of-control feedback on a preferred harmonic at any stage position. The FreqOut uses a 9VDC power supply to easily integrate into your existing pedalboard.

General Specifications
ControlsFeedback, Momentary On/Off, Dry On/Off, Gain, Onset, Type, Effect On/Off
Signal to Noise Ratio> -106dB (A weighted); ref = max level, 22 kHz bandwidth
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A Conversion24-bit
Power Consumption2.1 Watts (235 mA typical @ 9 VDC)
Power Requirements9 VDC External Adapter (sold separately)
Power Adapter (Sold Separately)PS0913DC-04 (US, JA, EU, AU, UK)
Power Adapter Output9 VDC 1.3 A
Dimensions
Length4.75"
Width2.875"
Height1.75"
Weight0.8 lbs.
Audio Output
Output Type1/4" Unbalanced TS (Tip-Sleeve)
Max Output Level+10 dBu
Output Impedance1 kO (Effect enabled or effect bypassed w/ Momentary switch on) ; True Bypass (Effect bypassed w/ Momentary switch off)
Audio Input
Input Type1/4" Unbalanced TS (Tip-Sleeve)
Max Input Level+5 dBu
Input Impedance1 MO (Effect enabled or effect bypassed w/ Momentary switch on) ; True Bypass (Effect bypassed w/ Momentary switch off)

Notes: Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision.

Packaged in the same tough-as-nails, tour-ready enclosure as all Walrus pedals, the Tuner features a bright 2.8" TFT LCD display that can be viewed under just about any stage lighting conditions, multiple screen orientations, i0.1 cent accuracy, buffered or true bypass options and more. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Uncompromising Accuracy

Precise and accurate tuning you expect with i0.1 cent accuracy and multiple tuning presets. Tune with confidence, allowing your music to shine with clarity.

A World of Sound at Your Fingertips

With a flat frequency range spanning from 20Hz to 20KHz, the Walrus Audio Tuner is ready to handle tuning for low bass notes to high-strung acoustics. Even bassists needing that low B rumble can tune with confidence.

See the Music Come to Life

The 2.8" TFT LCD display is your window to pitch-perfection. Its crystal-clear quality ensures your tuning is always on point, even under the blazing stage lights or glaring sunlight.

Tailored to Your Preferences

Tailor your tuning experience to your liking with multiple screen orientation options and selectable Strobe or Needle tuning modes. Your preferences, your performance.

Your Aesthetic, Your Way

Match your style with ease. The Walrus Audio Tuner comes with eight colour themes and multiple screen savers including a custom picture mode* allowing you to personalize your tuner to fit your unique aesthetic. *Photos can be uploaded to the tuner via walrusaudio.io.

Tune Faster with Tune Assist

Let Tune Assist guide you swiftly and accurately through your tuning process. Quick and easy tuning has never been so effortless. With Tune Assist, once your note stays in tune longer than a pre-determined threshold, a border outlining the display will flash letting you know that you are in tune and can move to the next string.

Versatile Bypass Options

Enjoy ultimate flexibility with buffered bypass which routes your audio through the clean, low-noise, high headroom audio buffer with a Total Harmonic Distortion ratio of .001%. This buffer offers a high input impedance of 1M Ohms and low output impedance of 400 Ohms to maintain the highest level of single integrity. Other available bypass modes include relay bypass, monitor mode, and pass-thru.

Customize Your Reference Pitch

Adjust the reference pitch from 390Hz to 490Hz to suit your musical needs. Precision tuning for any style of music.

Stay Current with Firmware Updates

Keep your tuner up to date with firmware updates via www.walrusaudio.io. Experience continuous improvement and new features as they become available.

Notes: The Keeley Compressor is the most popular boutique compressor in the world.

The Keeley Compressor Plus is the first true advancement in Keeley's 2 and 4 knob compressor line. The new features are simple and straight forward. Now, there is a simple Release Switch that is tuned for single coils or humbuckers. No more wondering if you have the attack or release set right. Your humbuckers will have all the attack and punch that they should. The Tone Control was also added, which emphasizes the most sensitive harmonics that can be lost in compression. The Compressor Plus now sports a Blend Control that retains the peaks in your playing and, more importantly, the proper phasing of your guitar signal. The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to easily handle any instrument.

The Keeley Compressor Plus is a compressor with an expander/sustainer. Not only does it act as a regular compressor, limiting the peaks in your playing, it adds more and more gain as notes fade out. Now you have sustain. Nothing worse than a note or a bend that has died before its time. The Keeley Compressor Plus adds just the right amount of sustain and expressive bloom to your notes.

The new Release Switch on the Keeley Compressor Plus is designed to make it very easy to transition between single coil and humbucker guitars. Humbuckers have more average energy than single coils which can cause compressors to stay in "compression mode" for a lot longer. When this happens, any series of notes you play will sound dull. With the quick release of the new Compressor Plus, your humbuckers remain true sounding, and each note retains dynamic attack and definition.

The Tone Control is Keeley's own design taken from analog delays and other vintage effects. Those effects used an emphasis circuit to recover treble and highs after they went through the BBD or other analog delay lines. That circuit was then taken and made it into a full fledged tone controll- it is the perfect way to gently add back in those highs lost in the compression process.

The Blend Control is a way of getting the peaks to come through while having sustain at the same time. So if you want sustain more than peak-limiting, this style of Manhattan Compression is for you! Keep all the peaks and transients with the Blend and Tone Controls while adding sustain on the back end. Heaven!

This compressor isn't just for heavy funk or chicken pickin' anymore.The new Compressor Plus is for players wanting a smooth, subtle wash from their guitar. Remove just the right amount of peaks for an ambient layer and then blend in the right amount of treble for a nice shimmer to your guitar. Use with your favorite fuzz to create a wall of tone like you've only heard on records. Looping has never been easier than with this compressor. Consider it an essential tool when creating loops that sound well-balanced. Forget it all and use the Compressor Plus for the best amp boost you've heard. Nothing pushes an amp better than the Keeley Compressor Plus.

Notes: The DigiTechr Mosaic Polyphonic 12-String effect pedal sets you upon the path of creating lush 12-string sounds with either 6-string electric or amplified acoustic guitars. Immediately identifiable 12-string tones are now yours with octave low strings and doubled high strings. Single notes and full chordal strums shine with polyphonic richness and celestial movement that will inspire you. The Mosaic's balanced low-end response with crisp octave shimmer produces a tone that's lush and articulate, just as with a 12-string guitar.

Tailor the Mosaic's sound with the independent Level and Tone controls. Level will control the 12-string effect intensity while Tone shapes the overall brightness of the effect. The Mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. It is true bypass and uses a 9V DC power supply to easily integrate into your existing pedalboard.


General Specifications
SAMPLE RATE

44.1 kHz
FREQUENCY RESPONSE

20 Hz-11 kHz (Effect Enabled)
SIGNAL TO NOISE RATIO

> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD

0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A CONVERSION

24-bit
INPUT

1/4" Unbalanced (Tip-Sleeve)
OUTPUT

1/4" Unbalanced (Tip-Sleeve)
CONTROLS

Level, Tone
TRUE BYPASS

Yes. True bypass circuitry preserves your tone when the pedal is not in use.
Dimensions
LENGTH

4.75" (120mm)
HEIGHT

1.75" (44mm)
WIDTH

2.875" (73mm)
WEIGHT

0.36 lb. (163g)

Notes: Analogue delay with extensive controls and tap tempo all in an affordable package!

The EHX Deluxe Memory Boy Analog Delay's Quality ICs deliver warm and organic analog tones while "tap tempo" allows you to always be in sync with the groove. Choose five note divisions for metronomic variances. Sweet modulations can add lush ambience while the expression pedal input gives you external control. The Deluxe Memory Boy is the most flexible, affordable analog delay ever designed.

Tap Tempo
Tap Divide timing subdivisions
Expression pedal input for flexible control
Triangle and square wave modulation with adjustable rate and depth for superior chorus, vibratos and sweeps
Total analogue bucket brigade design
Built in EFX loop
Total Analog bucket brigade design
Power adapter included

Specifications

Circuit
Analogue: Analogue w/ Digital Control
Bypass: True Bypass
Audio: Mono
Effects Loop: Yes
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 100mA
Year Released: 2010

Notes: The Whammy Ricochet lets you bounce your playing up or down in pitch in controlled or crazy shifts. A momentary switch and customizable independent rise and fall time ballistics, allow you to get the Whammy action you know and love without the use of a treadle. Just hold your foot on the footswitch and let the Ricochet do the rest. Seven pitch selections - 2nd, 4th, 5th, 7th, Octave, Double Octave, and Octave+Dry, as well as a toggle to select up or down for the selected pitch. The Whammy Ricochet also has latching footswitch mode so you can rise or fall to pitch and stay there, and an LED ladder that shows your shift trajectory at all times. All these controls combine to create classic Whammy pitch-shifting as well as new sounds never heard before.

General Specifications
ControlsBallistics Control, Pitch Control, Range Switch, Momentary Switch, Effect On/Off
Sample Rate44.1 kHz in classic mode, 22 kHz in chords mode
Frequency Response20 Hz-16 kHz (classic mode), 20 Hz-11 kHz (chords mode)
Signal to Noise Ratio> -106dB (A weighted); ref = max level, 22 kHz bandwidth
A/D/A Converter24-bit
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
Power Consumption2.1 Watts (235 mA typical @ 9 VDC)
Power Requirements9 VDC External Adapter (sold separately)
Power SupplyPS0913DC-01 (US, JA, EU); PS0913DC-02 (AU, UK)
Power Adapter Output9 VDC 1.3 A
Dimensions
Length4.75"
Width2.875"
Height1.75"
Weight0.8 lbs.
Audio Output
Output1/4" Unbalanced (Tip-Sleeve)
Max Output Level+10 dBu
Output Impedance1 kO (Effect enabled or effect bypassed w/ Momentary switch on) True Bypass (Effect bypassed w/ Momentary switch off)
Audio Input
Input1/4" Unbalanced (Tip-Sleeve)
Max Input Level+5 dBu
Input Impedance1 MO (Effect enabled or effect bypassed w/ Momentary switch on) True Bypass (Effect bypassed w/ Momentary switch off)

Notes: Seductive swells and reverse tape effects push the envelope on any pedalboard!

The original Attack Decay Tape Reverse Simulator is known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes, and bowed instrument effects. In 2019 the digital Attack Decay reissue was released, and now the Pico Attack Decay gives us volume envelope effects in a simplified, compact package.

The Pico Attack Decay allows you to dial in volume swells and decays, both in Mono mode-one volume envelope for all notes you play-and the revolutionary Poly mode where each note to has its own volume envelope creating cascading swell effects and leads with agile attack smoothing. With intuitive functionality and simple controls, the Pico Attack Decay opens up creative avenues for any player interested in pushing the (volume) envelope.

The Pico Attack Decay is both powerful and simple with four knobs and a mode button that let you create a wide variety of effects. The ATTACK knob sets the swell or fade-in speed of the volume envelope while the DECAY knob sets the fade-out speed of the volume envelope. Set the ATTACK higher for languid volume swells. Set the DECAY higher for artificially staccato notes for synth-like punches. SENS adjusts the threshold for triggering the envelope. VOL controls the overall output volume. A hidden BLEND control allows you to blend wet and dry signals for even more flexibility in tone.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: The ODR-1 30th Anniversary Overdrive - Limited Gold Sparkle Edition commemorates three decades since the pedal's introduction in 1993.

Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for 30 years. To celebrate this milestone, Nobels have produced a very special gold sparkle finish edition and added a new versatile and convenient Bass Cut Pot for more even more tonal flexibility.

Limited to 5000 units worldwide, each pedal is numbered and includes a certificate, a sticker, a special plectrum and features the original ODR-1 front cover design.

The top selling ODR-1 pedal has developed its own almost cult following since it was first designed and engineered way back in the eighties. At NAMM 2020, the pedal was upgraded to the now current ODR-1BC model. With the addition of a (much-requested) bass cut switch to help tame low end (if needed for humbuckers etc.) as well as newly developed power circuitry for enhanced headroom, it makes the pedal way more versatile for the modern age.

However, in celebration of three decades of Natural Overdrive, the ODR-1 30th Anniversary Overdrive now features an even more useful and convenient variable Bass Cut Pot, based on feedback from musicians around the world. It also retains all the other upgraded features from the BC model such as higher headroom and Glow-in-the-Dark knobs, as well as Nobels' Spectrum control- one of the most important ingredients of the original pedal's success.

The very special gold sparkle finish makes this edition look as stunning as it sounds and only a limited number of ODR-1 30th Anniversary Overdrive pedals will be released, just 5000 worldwide.

So grab a piece of legendary overdrive history while you can!

Notes: Introducing the DD-8, the most wide-ranging and feature-rich BOSS compact series delay ever. This loaded pedal delivers more of everything-more great sounds, more delay time, more control options, and more connectivity. And it does it all in a standard BOSS pedal that slides easily into any mono or stereo setup. Eleven modes provide delay colours from basic to exotic, plus a looper with unlimited overdub capability and external control support. For maximum versatility in a minimum amount of space, there's no better delay stomp than the DD-8.

Equipped with a diverse selection of delays, the DD-8 packs impressive sonic range into one small pedal. Clean digital delays, vintage analogue and tape types, and modulation echo are available, plus specialty delays like shimmer and reverse. There's a new Warm type for softer echo tones, and a +RV type that blends delay and reverb together. Warp is perfect for dynamic ambient textures, while the new GLT type is great for glitchy rhythmic effects.

Everything sounds bigger and better in stereo, and the DD-8 delivers with full stereo I/O support and your choice of three output modes. The default independent mode provides linked parallel delays on the left and right channels, allowing you to maintain the true balance of stereo input sources in the effect sound. There's also a panning mode for ping-pong delay effects, and a wide stereo mode for enhanced spatial depth.

The DD-8's extensive real-time delay options help bring your music to life. You can tap in tempos with the onboard pedal switch, and control the Warp and GLT modes for unique expressive effects. Adding one or two footswitches unlocks more creative possibilities, like on-demand tap tempo, extended looper control, and a cool Twist effect for soaring echo sounds. Alternately, an expression pedal can be used for continuous control of level, feedback, or delay time-or all of them at once.

Having a looper on your pedalboard is a handy thing-it's great for practice, checking sounds at gigs, and creating on-the-fly backing while performing. The DD-8's looper mode has you covered, so you don't have to take up precious space with a dedicated pedal. All looper functions can be controlled with the onboard switch, providing all-in-one operation. But if you prefer to work with extended controls, just connect one or two footswitches to operate the looper's stop and clear functions externally.

The DD-8's inputs and outputs have smart functionality, allowing you to set the pedal for any application simply by connecting cables in different ways. A variety of mono and stereo connections are supported, including discrete dry and effect outputs for wet/dry setups. It's even possible to defeat the dry signal entirely, perfect for delay-only blending in a parallel effects loop.

Analog-Classic analogue BBD delay sound.
Standard-Clear digital delay.
Tape-Vintage tape-based delay sound.
Warm-Digital delay with a softer sound.
Reverse-Backwards delay for cool psychedelic effects and other unique tones.
+RV-Digital delay with reverb added.
Shimmer-Pitch-shifted delay for lush, shimmering textures.
Mod-Digital delay with modulation added on the repeats.
Warp-Unique delay with expressive pedal control. Holding the pedal switch increases feedback and level, allowing you to create ambient swell effects.
GLT-Newly developed delay mode that creates glitchy machine-gun effects when the pedal switch is pressed. Adjust the Feedback and Time knobs for a wide variety of sounds.
Loop-Loop recorder with overdub capability and up to 40 seconds of recording time with mono input (20 seconds with stereo input).

Specifications

Nominal Input Level: -20 dBu
Input Impedance1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: MODE knob, TIME knob, FEEDBACK knob, E.LEVEL(Effect Level) knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT-A(MONO)/INPUT-B jack: 1/4-inch phone type
OUTPUT-A(MONO)/OUTPUT-B jack: 1/4-inch phone type
TEMPO/EXP jack: TRS 1/4-inch phone type
DC IN jack

Power Supply:
Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)

Current Draw: 100 mA

Expected battery life under continuous use
Alkaline: Approx. 3.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)
AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb

Notes: Pairing an adjustable carrier signal with a revamped distortion circuit, the DOD Gonkulator essentially brings two effects into one chassis with controls for ring, frequency, gain and distortion. Capable of all the weird modulation goodness of the '90s original with the added ability to cover distorted experimental ground, this pedal pushes boundaries and makes statements with modulating effects limited only by imagination. From bell-like clangs to spastic robotic breakdowns, the Gonk demands attention.

General Specifications
INPUT

1 x 14" instrument
OUTPUT

1 x 14" instrument
CHASSIS MATERIAL

All Metal
POWER SUPPLY

9V Alkaline Dry Battery or Optional Power Supply
Dimensions
HEIGHT

2.25" (5.71 cm)
WIDTH

2.63" (6.68 cm)
LENGTH

4.68" (11.88 cm)
WEIGHT

0.62 lbs. (0.281 kg.)

Notes: For the Fundamental Series, Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three faders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in OKC, OK.

Because vast ambient sounds shouldn't just be for larger pedals with vast price points, the Fundamental Ambient brings expansive pillowy reverb to the Fundamental Series with three atmospheric modes in a compact size. The Fundamental Ambient offers a great entry point into ambient exploration with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. With Ambient's three reverb algorithms, you can experiment with deep, dark pad-like sounds to AM Radio-like lo-fi sounds with the flip of a switch.

The Fundamental Ambient provides three different atmospheric reverb algorithms to explore beautifully vast and lush soundscapes with plenty of decay time for pillowy soft pad-like decay.

Modes:

Deep - A dark ambient reverb with an added low octave, perfect for creating murky, cavernous sustain or adding a touch of moody atmosphere.
Lush - A breathy, expansive reverb featuring ultra-long sustain. Perfect for generating silky pads and immersive soundscapes with every note.
Haze - A textured, lo-fi reverb featuring distortion, sample rate reduction, and a resonant bandpass tone control, great for vintage or experimental tones.
Decay: Control the amount of reverb decay time. Left is the minimum and right is the maximum amount of time.
Tone: Shapes the overall tonality of the reverb. On Deep and Lush this controls the cutoff of a synth-style lowpass filter. On Haze this controls the width of a resonant bandpass filter, filtering both high and low end at the right, and allowing more high and low to pass through at the left.
Mix: Control the mix of the effect and the original clean signal. All the way to the left outputs only the fully clean signal, and all the way to the right outputs only the affected Reverb signal.
Slide Switch - The slide switch allows you to change between three distinct Reverb algorithms.

Trails Mode - The Fundamental Ambient Reverb comes with trails mode active by default, to disengage trails mode hold down the bypass stomp switch when applying power to the pedal. Once the LED flashes it indicates that trails mode is turned off. To re-engage trails mode, repeat the process, and wait for the LED to turn dark, indicating that trails mode is back on. With trails mode active, your reverb decay will fade off naturally after turning the pedal off. With trails mode inactive, the decay abruptly cuts off when you turn off the pedal.

Notes: Celebrating the classic, shimmering flanger sounds of Andy Summers, the EHX Walking on the Moon is a tribute to the tones Andy employed while carving his niche in the early days of playing with the Police. Liquid flange effects that hint toward chorus with extra depth and nuance make Andy's sound one of the most coveted in all of the guitar universe.

"This beautiful shimmering which sort of made the sound more bigger and more glamourous - became a sort of characteristic of my guitar sound - A big part of my guitar sound at that time in The Police was the flange sound which we have here today in this great new pedal." - Andy Summers

The Andy Summers Walking on the Moon is an analogue flanger with a simple but powerful control set of RATE, RANGE, and COLOR. RATE sets the speed of modulation which ranges from slow, smooth filter sweeps to jittering vibrato. RANGE controls how narrow or wide the effect sweeps into the bass frequency range. The COLOR control effects the intensity of the flanger effect from subtle chorusing effects to classic jet woosh sounds. These three controls interact to create a wide breath of modulation effects.

Additionally, the Walking on the Moon includes a FILTER MATRIX which disengages the LFO from the flanger circuit, freezing the flanger giving a fixed filter effect, which can add chime or metallic overtones to your sound without the movement of a traditional modulation pedal. A DRY output allows you to split your dry signal from the effected signal.

Special Artist Edition graphics featuring Andy's signature adorn the chassis and a tribute Walking on the Moon poster with art by Laura Josephson is included with each pedal.

Analogue Flanger / Filter Matrix sounds of Andy Summers
RATE sets modulation speed
RANGE adjusts lower limit of flanger sweep
COLOR controls intensity of flanger effect
Dedicated DRY output
Special Artist Edition Graphics
Includes Walking on the Moon poster design by Laura Josephson
True Bypass
9V Power Supply included (optional 9V battery not included)

Specifications
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 40mA
Year Released: 2023

Notes: The Looper X2 is the culmination of over a decade of experience developing easy-to-use standalone and combination pedals. The Looper X2 supercharges practice sessions as well as live performances by empowering the player to start jamming as soon as possible.

The Looper X2 is a dual-footswitch operated looper pedal aimed at providing fast loop creation with no shortage of space to save your favorite tracks and samples. With 11 song banks, each bank featuring 7 save slots, the Looper X2 provides a total of 300 minutes recording time (2.5 mins per slot in bank 1-9, 10 min each in bank 10, 11). Each slot also corresponds to common song structures as to make organizing sections and tracks easier, as indicated on the front of the pedal. Save slots and recorded tracks can also be managed using the specialized editor software that can be downloaded for free, and compatible with Mac and Windows PCs.

Additional features of the Looper X2 include a FADE knob for controlling and toggling the Fade out function for each loop. Users can also toggle an Auto Rec function to start recording a loop every time a guitar signal input is detected by employing the THRESHOLD knob. Additional knobs include separate volume level controls for Recording and Playback, as well as an 11-option knob for scrolling through the song banks. The dual footswitch setup offers familiar Looper controls and for users desiring more control, the Looper X2 also supports an external footswitch that can perform a variety of operations like cycling through different parts of the current selected song bank. See the manual for more information on compatibility.

The Looper X2, like with other X2 devices, includes Stereo I/O and a 14" External Control out for connecting a footswitch as well as True Bypass to stay quiet when not in use.

Specifications:

Input: 2*1/4" mono audio input jack (impedance value 1Mohm)
Output: 2*1/4" mono audio output jack (impedance value 510ohm)
Num. of saving slot: 77
Recording capacity: Approximate 300 minutes (stereo)
Sample rate/sample depth: 44.1kHz/24bit
Import audio file format: MP3/WAV/FLAC/APE
Export audio file format: WAV
Power requirements: 9V 300mA, center negative (Original power supply is recommended, to avoid unexpected noise)
Dimension: 75mm(D) * 115mm(W) * 33mm(H)
Accessories: Power supply, USB-C to USB-A cable, Quick Guide, LOGO Sticker

Notes: With 11 reverb types and a ton of "hidden" functionality, the Electro-Harmonix Oceans 11 reverb pedal could be your new go-to reverb pedal. You can tap into classic tones like hall, plate, and spring reverbs, including a brand-new spring reverb algorithm that sounds gloriously complex and rich - you can even double-tap the footswitch to "crash" the spring reverb. And you'll be able to cover a huge range of modern tones with a variety of modulated reverbs, shimmer reverb, reverse reverb, and more. A mode switch offers access to variations on many of the 11 reverb types. Complete with an infinite reverb mode for freeze-style effects, there is vast creative potential in the Electro-Harmonix Oceans 11 reverb pedal.

Reverb types:

Hall - rich and full sound of a grand concert hall
Spring - brand-new tube spring reverb emulation
Plate - lush and warm plate reverb
Reverse - each note fades in backwards
Echo - recirculates echoes through the plate reverb algorithm
Trem - hall reverb plus tremolo
Mod - modulated reverb
Dyna - swells, gates, and ducks in response to your playing dynamics
Auto-Inf - auto-infinite reverb, triggers a wash of reverb with each new note or strum
Shim - shimmer reverb with an octave-shifted wash that blooms behind your core tone
Poly - polyphonic reverb with two pitch shifts operating on your pre-reverb guitar tone

Notes: Multi Delay and Reverb effect pedal with inside routing and secondary reverb effects. One of the best Delay and Reverb algorithms in a metal box. Special select 3 classic Delays & 3 classic Reverbs . . . and we added a bonus "Shimmer" and "Freeze" effects which let you create a dreamy waterfall shimmer~ especially handy for intros, interludes, and endings. And now, because of NUX's latest Core Image Technology, the new Verdugo Series effect pedals offer pro-level sound enhancement.

Notes: The EHX Bass Mono Synth transforms your bass into eleven great sounding synthesizers... from vintage synth emulations to thick, stacked voices to deep pulsing sounds and more.

Its intuitive layout makes it easy to use and easy to dial in good sounds quickly. DRY controls the volume of your dry bass signal at the Synth Output. SYNTH controls the volume of the Synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how your playing dynamics trigger the synthesizer and allows you to fine tune the way the pedal responds to your bass rig and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides more tweakability for customizing your sound. There’s also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From lush, warm sounds to sharp, percussive stabs, the Bass Mono Synth puts a collection of cool bass synths at your fingertips.

Notes: Produces volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects!

The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it's known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects. The freshly designed EHX Attack Decay reinterprets the classic and keeps its cool factor, but adds some modern features for convenience and enhanced functionality.

It can produce a single volume envelope like the original, or, with Poly engaged, put separate volume envelopes on each note you play. The built-in Harmonix fuzz is now a fully controllable distortion with gain, tone and volume controls. The effects loop allows the musician or sound designer to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give the user total control over their Attack Decay!

Volume envelope manipulation with adjustable Attack and Decay times
Mono mode: one volume envelope at a time, the envelope resets when you play a new note
Poly mode: gives each note you play its own envelope
Built-in, fully adjustable, Harmonix fuzz enhances the volume envelope effect and produces bowed instrument sounds
Built-in effects loop allows for your own pedals to be inserted onto the volume envelope
Expression pedal or CV control over every knob on the Attack Decay
Save and recall up to three presets
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Effects Loop: Yes
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.75 x 4.13 x 2.25
Current Draw: 140mA
Year Released: 2019

Notes: The Switchblade Pro is our deluxe switching box featuring true mechanical bypass, soft switching, high quality and low noise buffers, volume controls for all input signals, high headroom and a multitude of possible configurations for all your signal routing needs. This compact pedal is a versatile and indispensable tool!

Notes: Your quest for an ultra pedalboard-friendly stompbox that includes plate reverb is fulfilled!

The EHX Neo Holy Grail is an update to our wildly popular compact digital reverb, the Holy Grail. It contains three reverb algorithms: SPRING, HALL, and PLATE. All three algorithms were designed and tailored for the electric guitar, but they work equally well on most instruments and voices.

The SPRING algorithm is a re-creation of the classic spring reverbs that are found in many guitar amplifiers. The HALL algorithm simulates the reverberations heard in large spaces such as a concert hall or cathedral. The PLATE algorithm is an emulation of a metal plate reverb commonly found in high end recording studios during the 1960s and '70s. The PLATE reverb is a very smooth, tonally balanced sounding reverb that sounds great on many different instruments, especially vocals. True bypass switching ensures your tone won't be affected when the pedal is bypassed.

Three super reverb styles in one compact pedal
Features Spring, Plate and Hall Reverbs
True Bypass
Compact, rugged chassis
Power adapter included

Specifications

Circuit: Digital
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 75mA
Year Released: 2015

Notes: Capture a frozen moment and turn it into a tonally unique sonic foundation. The Freeze Sound Retainer delivers infinite sustain of any note or chord at the press of a momentary footswitch. Release the footswitch and you are again sample ready.

Three selectable decay rates, including a latch mode, guarantee liquid, smooth tonal transitions.

Hook the Freeze up with your favorite pedals for a sonic collage that will be unlike anything you have ever heard.

It's like adding an extra musician to the band.

*UK230V power adapter included*

Notes: Not a noise gate, and not a noise suppressor -- but a real hum extractor!

Every musician battles hum in their signal chain. The EHX Hum Debugger turns it into dead silence, courtesy of a little Electro-Harmonix magic.

No matter what type of pickups you use or how loud you play, the Hum Debugger will clean up your signal chain so that hum will no longer overtake your guitar signal. Simply connect the Hum Debugger to your guitar like you would any other effects pedal and you are ready to eliminate hum from your sound forever!

True bypass
Absolutely eliminates hum from any audio source
Tough and compact die-cast chassis
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
True Bypass
Audio
Mono
Power Supply
7.5VAC-400mA power adapter included
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
125mA(AC)
Year Released
2007

Notes: Compact all-analog multi-effect pedal featuring the Metal Muff, Neo Clone chorus and Memory Toy delay!

The EHX Tone Tattoo is our first fully-interactive, analog multi-effects pedal. Satisfy your tone jones with a chain that features the Metal Muff Distortion, Neo Clone Chorus and Memory Toy Analog Delay.

Delivers crushing Lead & Rhythm tones. Features full tone sculpting, including two levels of scoop. New Noise Gate for minimal noise. With three critically acclaimed effects, it's like a talisman for great guitar.

All Analog multi-effect: distortion, chorus, delay
Delivers three EHX favorites in one compact pedal
Crushing lead and rhythm tone
Full tone sculpting, including two levels of scoop
New Noise Gate for minimal noise
Power adapter included

Specifications:
Circuit: Analogue
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 75mA
Year Released: 2012

Notes: Get that late 1960's fuzzed out, octave up sound!

The EHX Octavix Octave Fuzz delivers the definitive late 1960's fuzzed out, octave up sound together with modern enhancements that update the classic concept. Housed in EHX's rugged nano package, the Octavix features Volume, Boost and Octave knobs. Volume regulates the output level of the pedal. Boost controls the amount of fuzztone and Octave adjusts the volume of the octave above. A mini-toggle lets the player select between 9 or 24 volt power rails and determines the power supply voltage for the entire circuit. At 9V the pedals behaves like the classic, saggy fuzz box. At 24V the Octavix delivers a tighter sound and a richer octave tone. True bypass ensures maximum signal path integrity.

A period-evocative, psychedelic design and blue LED contribute to the pedal's vintage vibe.

Classic octave up + fuzztone effect pedal
Switchable 9 and 24 volt power rails give a saggy or tight sound
True bypass
Blue LED
9V battery included

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 65mA
Year Released: 2015

Notes: EHX's rich history was marked by many revolutionary pedals but one of our most distinctive lines was a group of analog drum synthesizers that included the Crash Pad.

Like the original from 1980, the new Crash Pad can create an array of drum sounds and other-worldly oscillation sweeps, as well as process external sounds thru its resonant filter. Plus, it's been updated to respond to expression pedal/CV input for external control over the filter in real-time.

Notes: An intuitive looper with 720 seconds (12 minutes) of stereo recording time on 10 independent loops and unlimited overdubbing that's perfect for practice and live performance!

The EHX 720 Stereo Looper is a powerful looping tool with 12 minutes of stereo recording time, 10 loop memory banks, and creative performance functions. Its simple-to-use design makes it an easy and effective to use in both live and practice situations.

The 720 records in high-quality stereo for use with stereo effects or even use with two instruments. A second footswitch can be programmed to stop loop playback or toggle on/off the built-in Reverse and 1/2 Speed playback effects. The programmable Fadeout mode applies an automatic fade when playback is stopped.

-Extra-long 12 minutes of stereo recording time
10 independent loops
Undo-Redo, Reverse and 1/2 Speed Effects at the touch of a button
High-quality, uncompressed audio, 24-bit A/D/A converters plus 44.1kHz sample rate
Stereo in/out for enhanced usability... record two instruments at once
Foot controller input provides a way to use popular 3-button foot controllers to change a bank up or down, and gives access to instant Undo-Redo
Silent footswitches
Loop fadeout (trails) mode
Power adapter included

Specifications
Circuit: Digital
Bypass: Buffered Bypass
Audio: Stereo
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 75mA
Year Released: 2015

Notes: The DigiTechr Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your toes.

General Specifications
Input1/4" Unbalanced (Tip-Sleeve)
Output1/4" Unbalanced (Tip-Sleeve)
ControlsAmount, Momentary On/Off
A/D/A Converter24-bit
Sampling Rate44.1 kHz
Power SupplyPS0913DC-01 (US, JA); PS0913DC-02 (EU, AU, UK)
Drop Tune Range1-7 Semitones Down, Octave Down, Octave Down + Dry
Dimensions
Length4.75"
Width2.875"
Height1.75"
Weight0.36 lbs.

Notes: If guitar is your passion, you need freedom and flexibility to explore all of its sound possibilities. The Zoom G3n Multi-Effects processor removes any creative barriers in your way.

The G3n is a versatile multi-effects processor that lets you defy genre with the most realistic stompbox, cabinet, and amplifier emulations Zoom has ever created. Its high-quality sound, portable design, 80 second Looper, and intuitive interface make it the perfect addition to your pedalboard. To put it simply, the G3n offers all the sounds and tools you need to improve your tone and sound greater than ever.

Boutique Pedals, Legendary Amps, and Superior Effects:

The G3n is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators Zoom have ever created. Zoom have loaded the G3n with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included.

Create Complex Signal Chains:

Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device.

Accurate, Realistic Amp and Cabinet Emulation:

Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing - and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120 - available now with more being released every month.

75 Custom-Crafted Patches and Counting:
Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new.

Fast and Intuitive Editing:

The G3n's switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches.

Practice and Perform:

There are 68 built-in rhythm patterns included with the G3n, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.

Inputs and Outputs:

The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On).

ZOOM Guitar Lab Software:

The free ZOOM Guitar Lab Mac/Windows software enables you to manage your patches and download new effects and amp/cabinet emulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over re-naming or re-ordering your custom patches.

Notes: An advanced, feature laden, stereo overdrive and distortion pedal with a broad range of options and controls. With the Operation Overlord - whether you play keyboards, guitar, bass or pretty much any electronic instrument - dialling in great drive sounds is fast and fool-proof. Active, Treble, Mid and Bass controls, a foot-switchable Boost mode and a dry blend deliver superlative sound shaping. It even features two independent channels for use with stereo setups. Whatever your rig, the Overlord is your indispensable ally.

Notes: EHX has grafted technology found in keyboard and modular synthesizers into a pedal designed for guitarists and bass players. The Blurst modulates an instrument's sound like an envelope filter, but instead of the filter's response being controlled by playing dynamics, it's controlled by an internal oscillator. The Blurst is a must have for the adventurous player who wants to explore new sonic territory!

Introducing the Blurst, a radical modulating filter. It's an effect often used on synthesizers, but we've designed the Blurst especially for guitar players and bassists who want to explore new sonic territory.

It features an analog, low pass filter with adjustable resonance, three modulation waveform shapes, tap tempo with tap divide and EXP control over Range, Rate or Filter. An EHX 9.6DC/200 AC adapter is included.

The Blurst is a must have for the experimental musician and works well with an expression pedal, the EHX 8-Step Program and other control voltage sources. Whether used alone or with other effects, the Blurst's hypnotic effects are spellbinding!

Notes: Kruel is a Fuzz built with mostly vintage components, around 2 Germanium NPN transistors.

The Pedal is pretty versatile with tone correction and a master volume. Thick and voluptuous tones can be achieved, and it can add warmth, sustain, and character to a guitar's tone... Great for power chords and for guitarists looking to add depth and texture to their playing.

NPN Germanium Colored Fuzz
True Bypass
NOS components
Made in France

Notes: The Fundamental Tremolo is a classic optical tremolo, giving you that iconic chewy movement. With three wave shapes to select from, you can get sounds from smooth and soothing to glitchy, wild, and crazy.

Use the Rate slider to set how fast or slow the LFO is oscillating. A lower rate gives a gentle wavering texture, while a higher rate gives a rapid pulsating effect.

The Depth slider controls the strength of the tremolo effect. Move the slider to the left for subtle tremolo or to the right for maximum chop.

The Volume slider sets the overall output volume of the pedal.

The slide switch allows you to change between three distinct oscillator waveforms:

Sine: Gradually adds and decreases volume smoothly for a easy and subtle tremolo.
Square: Much more pronounced than sine, square wave has a more on-off pattern.
Random: Uses sample and hold that picks new random values at an interval set by the rate control.

For the Fundamental Series, the team at Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three sliders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in Oklahoma City, USA.

Notes: Bridging the worlds of overdrive, distortion, and fuzz in a sub-compact pico chassis!

The EHX Pico Triboro Bridge is a tri-mode drive box with a wide range of tonal possibilities. Featuring Overdrive, Distortion, and Fuzz modes, it bridges any gap in your gain. With a powerful EQ, input contouring, and a pico-sized footprint, the Triboro Bridge can be your tonal keystone or a welcome change from the routine drive.

Starting with Overdrive mode, the gain spectrum ranges from low to mid with an open voicing that can be used as a light always on drive or a solo boost. Engage the Triboro's Distortion mode for additional gain-staging for a tone from crunchy rhythms to fully saturated leads. Transform the pedal into something completely different with the Fuzz mode's over-the-top gain, Gate and Low Pass Filter.

The Triboro Bridge controls features Volume and Gain knobs to control the overall output and saturation of the tone. In Overdrive and Distortion modes, the Treble and Bass knobs act as a Baxandall EQ for simple yet effective tone shaping. In Fuzz mode the Treble knob is now the gate more, controlling the Fuzz's noise gate threshold, and the Bass knob controls a Low Pass Filter for extreme tonal variations. Additionally, the Triboro Bridge features an Input Contouring EQ which can be applied to your tone at the input, for a more modern, sculpted tone in all modes.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Vintage tape-style delay smaller than a cassette player!

Tape delay is loved for its warmth and charming imperfections compared to pristine digital delays. Their preamps could be pushed to saturation and, over time, the tape in vintage delay units would degrade causing a signature warble loved by many. These signature elements are captured and packed into Electro-Harmonix's Pico Rerun tape delay. Based off the tape delay algorithm found in the Canyon Delay & Looper, the Rerun gives vintage vibes with modern features.

The Rerun features a simple control set and tap tempo for ease of use in any situation. BLEND sets the wet/dry blend. DELAY adjusts the delay time from 8ms to 3s. SAT adds tape saturation and distortion for added crunch to only the wet signal, keeping your dry signal unaffected by the added distortion. FDBK sets the level of repeats from 1 to infinite for runaway oscillation. You can also press and hold the footswitch to engage infinite repeats in an instant. The FLUTTER mode switch toggles between low, medium, and heavy modulation effects ranging from slight chorusing to seasick thickness.

Tap Tempo is simple and easy to use. Just press and release the footswitch at least two times to set the tempo and the LED will blink to confirm your tap tempo. Additionally, the Rerun also features selectable Tails bypass allowing echoes to continue after putting the pedal into bypass.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Ultra-compact ambience featuring the spacious sounds of Spring, Plate and Hall Reverb!

The EHX Pico Oceans 3-Verb is an ultra-compact reverb pedal packed with the essentials of ambience with plenty of flexibility and control. This Pico-sized reverberator adds the huge sounds of Spring, Plate, and Hall reverb to any pedalboard while using minimal space. Adjustable decay time, pre-delay / spring length, and tone make the Oceans 3-verb able to create a plethora of spacious sounds.

SPRING - pays homage to the classic Fenderr 6G15 tube spring reverb
PLATE - the lush, warm reverb that got its name as it was originally created by a large metal plate
HALL - the rich reverberant sound of a grand concert hall

A comprehensive control set allows for tailored sound to any setup. BLEND adjusts from 100% dry to 100% wet. TIME controls the decay time of the reverb. DELAY/SPRING sets the pre-delay time in PLATE and HALL mode or selects between 3 springs lengths in SPRING mode. The TONE control adjusts the overall brightness of the reverb from bright and airy to warm and smoky.

Additionally, TAILS bypass can be selected so the reverb continues to decay after the pedal is switched to bypass. This allows for a more natural sounding decay when turn the reverb off. Infinite Reverb can be achieved by maxing out the TIME control in both PLATE or HALL mode or by pressing and holding the footswitch. This creates a building ambient soundscape until you release the footswitch.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Flexible digital delay in the world's smallest Canyon!

The EHX Pico Canyon Echo takes the digital delay from the award-winning Canyon Delay and Looper and plates it up as a single serving echo unit. Starting with a crystal clean delay, the Canyon Echo is a sweetly simple delay with 3 seconds of delay time. Don't let the size fool you, this canyon is deep! Add filtering, tap tempo, and a feedback knob capable of infinite repeats and this little echo is up to most time bending tasks.

The Canyon Echo features a BLEND knob to get the perfect wet/dry mix. The DELAY knob sets the delay time from 8ms to 3s. FEEDBACK is adjustable from 1 repeat to infinite repeats for endless delay washes and pads. Turn the FILTER knob past noon and it's a High Pass Filter while below noon it is a Low Pass Filter.

Tap Tempo is simple and easy to use. Just press and release the footswitch at least two times to set the tempo and the LED will blink to confirm your tap tempo. The tempo can then be subdivided from a quarter note to a dotted eight note to an eighth note with the TAP DIV button. Additionally, the Canyon Echo also features selectable Tails bypass so echoes continue after putting the pedal into bypass.

The Canyon Echo also features a new style of Infinite Repeats where a single delay is repeated and the input is taken out of the delay path. This makes the pedal function like a micro tape looper that can be played over without new delays being created. The micro loop can also be manipulated into warped sound effects by adjusting the DELAY knob.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Liftoff with the EHX Spruce Goose Overdrive!

Liftoff with the EHX Spruce Goose Overdrive, an elevated take on a Bluesbreakerr-style OD with a smooth, rich breakup that retains clarity and dynamics. The Spruce Goose soars with a host of new features including a LIFT switch accessing 3 input gain settings, additional output, and expanded EQ to send you tone flying! From meaty boost to smooth singing leads, the Spruce Goose steers your tone into a variety of inspiring and musical directions.

The engine of the Spruce Goose is an overdrive circuit renowned for its natural breakup and amp-like response. This circuit is then elevated to new heights by the LIFT switch which selects between 3 levels of input gain. LIFT effectively works as an input boost, goosing the front end of the drive circuit hitting harder and producing a more compressed, saturated tone while still retaining its dynamic feel and transparent tone. GAIN and VOL knobs adjust for exact drive and output levels. EQ of the pedal consists of a TREBLE knob for taming topping and an active BASS knob to cut or boost bass frequencies. BASS is especially helpful for adding girth to single coil guitars or tightening the low end on warmer humbucker guitars.

The Spruce Goose also features mechanical relay true bypass switching with latching and momentary action. Tap the footswitch for a normal latching toggle or press and hold the footswitch for a momentary blast of gain and boost! Great for stepping out in front of the mix for pulling quick lick or moment of sonic chaos.

All trademarks are the property of their respective owners.

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 20mA
Year Released: 2023

Notes: The Chthonic Fuzz (pronounced: Thawnic) creates fat, corpulent, fudgy, sludgy, fuzz tones that pair perfectly with single-coil, P90, gold-foil, and De-Armond style pickups. It also works great with PAF-style humbuckers, but this fuzz was designed with brighter guitars and amps in mind.

Starting with a beloved a single-knob '70's fuzz circuit, DOD experimented with adding a subtle tone control (Lustre), and then a separate gain control (Fuzz). This yielded a simple yet powerful fuzz with an earthy, dark flavour. Straight-up transistor clipping using a pair of 2N2222 transistors allows guitar volume knob clean-up like other classic fuzzes, but the Chthonic comes from a different dimension. Think of it as a kind of Colorsound Overdriver from an alternate universe.

The Chthonic's Kraken/Cthulhu graphics are courtesy of the same artist that did the Carcosa Fuzz art. The Chthonic is a psychotic dizygotic dark companion to the Carcosa Fuzz.

Darker fuzz designed for brighter guitars and amps
Subtle tone control retains pick attack throughout entire range
Excellent clean-up with guitar volume knob
Lightweight all aluminium chassis
Crisp blue LED
True Bypass
11.88 cm (L) x 6.68 cm (W) x 5.71 cm (H)
0.453 kg.
Power Supply 9V Alkaline Dry Battery orPS200R Power Supply
Manufacturer Warranty: 1 Year

Notes: Zoar is a highly interactive medium-high gain discrete distortion (using only transistors; no opamps or diodes in here!) that has that highly sought after touch sensitive amp-like quality.

It has been finely tuned to create a highly tweakable hi-fi and modern sounding distortion, but with the ghosts of old school circuitry to deliver a grind that is both instantly familiar and delightfully unique.

From defined sparkle and tightness of an overdrive to low-medium gain fuzz that's perfect for drop tuned guitars and basses, Zoar can do it all. Zoar lets you dial in and control every nuance of your tone from jangly on-the-verge of break up to blowing the walls out heavy saturation.

While having its roots in a very familiar past, the passive 3-band EQ has been finely tuned for modern tones. While this style of tone shaping seems simple on the surface, it is deceptively complex and highly interactive - yet surprisingly easy to instantly dial in dozens of mind blowing sounds.

Want to elevate your sonic spirit to a higher level? Try running Zoar at higher voltage! Zoar can handle power up to 18v DC. Higher voltages will yield a different frequency response with more defined dynamics and a faster response. When powered at 18v, the range of clean tones are widened, dirty tones become punchier with better note articulation, low frequencies are tightened, higher frequencies will cover a broader spectrum without becoming harsh and the output volume nearly doubles! The experience is not unlike plugging into a wall of high wattage tube amplifiers!

This meticulously crafted box has six knobs that allow you to truly customize your sound with the Level, Weight, Gain, Bass, Middle, and Treble controls.

The Gain control on Zoar goes from the edge of break up all the way over the cliff into the crunchy, grinding abyss. The character of the distortion is heavily dependent on the setting of the Weight control as well as the pickup type and further fine-tuned by the EQ section.

Zoar's 3-Band EQ and Gain controls give you nearly unlimited options with great focus and sensitive precision, but the real powerhouse of Zoar is the Weight control. This control dictates the amount of low end that is passed into the circuit, thus controlling the entire character of the pedal. Simply dial in the 3-Band EQ to 12 o'clock and adjust the Weight to see how drastically it dictates your sound. From a mere clean boost to a high gain distortion to overdrive to the crispy Hi-Fi fuzz territory, this function gives you everything.

The Level control hits unity around noon, but this is dependent on where the other controls are set. In addition to controlling the output volume, it also plays a small part in controlling the voice of Zoar. By adjusting the Level control with any combination of EQ (boosting the frequency bands and cutting the output volume), you can achieve drastically different curves that have the feel of the more traditional low pass filter type tone control.

Notes: MOOER burst onto the music products scene in 2010 and has been impressing guitarists ever since. However, the company has expanded it's horizons this year with its VP vocal processing pedal series. The MVP2 Harmonier is a powerful example of this - it's a versatile and innovative vocal processor pedal designed to elevate both vocal and guitar performance, offering tonal precision, creativity, and convenience in one compact pedal.

At its core, the pedal offers a versatile pitch harmonizer effect. The 'Key' dial allows users to choose to harmonize their important with any note in the chromatic scale, with the 'Sharp' LED button being used to select sharp notes. Once chosen, the 'Mode' dial facilitates further customization, offering 11 different harmony modes that control the harmony's interval. This includes all classic intervals such as octaves, fifths, and thirds.

The 'Level' dial adjusts the volume of the harmonizer effect, but Harmonier offers even further tonal flexibility thanks to its reverb function. Users can press and hold the 'Sharp' button while rotating the 'Level' dial, which allows them to adjust the volume of the pedal's internal reverb module. The pedal also offers tone modes: flat, warm, and bright. These can be controlled by activating the pedal's unique 'hidden mode' and using the 'sharp' button.

'Hidden mode' is activated by pressing and holding both of the pedal's footswitches, but this is just one example of Harmonier's unique control system. The left footswitch can be held to save effect presets, and pressed to scroll through 7 preset slots. The right footswitch can be pressed to turn on the pedal's effects, pressed again to isolate the reverb, and held to turn off all effects except for the tone setting.

Unlike most of MOOER's pedal offerings, Harmonier supports both XLR and 1/4" inputs and outputs. These can be used in 'mixed mode' by holding the right footswitch whilst plugging in the power supply or repeating this action again to switch to 'individual mode', which isolates the signals to their given ports.

Alongside its fundamental functionalities, the pedal features a gain dial, a 48V phantom power switch designed for internal microphone amplification, a grounding switch, and a DC 9V 500mA power input. Collectively, the MVP2 Harmonier's features guarantee that both vocalists and guitarists have all the necessary tools to augment their instrument's sounds with stunning harmonies, without ever having to worry about the pedal's batteries running low.
12 pitches with 11 different harmony mode
11 harmony modes that provide different harmonic intervals
High-quality internal reverb module with adjustable volume
3 tone modes: flat, warm, and bright
7 preset slots
Dual-functionality LED button
Two multi-functional footswitches
Customizable effect, tone, and reverb isolation
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch for condenser microphones
Line in toggle switch for instruments and dynamic microphone
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input

Notes: Next generation looper pedal with a high-definition colour LCD display, stereo inputs/outputs, and optional MIDI control. Loop Core Stereo allows you to create up to 6 hours of music phrases, save them in one of 99 provided memory slots, and play back as stereo loops or even backing tracks. 50 internal drum patterns can also be selected from for rhythm backing. Signal path can be mono, true stereo, split stereo (loop / drum machine) or direct to mixer (with cabinet simulation). A headphones output completes the package for silent loop practice or personal monitoring. A comprehensive looping machine in a standard compact pedal format.

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Drum, Tap, Save, Settings buttons & rotary Value control
Inputs: L+R 6.3mm mono jack (instrument or line), 3.5mm MIDI jack
Outputs: L+R 6.3mm jack outputs, 3.5mm headphones output
Recording: Up to 6 hours
Sampling format: 44.1kHz, 24-bit
Frequency response: 20Hz - 20kHz
Memories: 99
Noise: -100dBu
Dynamic range: 108dB

Dimensions: 122 x 72 x 48mm
Weight: 264g

In the box

The box for this item contains :

Loop core stereo pedal
Alkaline PP3 battery

Notes: MOOER, one of the world's leading guitar pedal innovators, has never been a stranger to octave pedals. The company has already enjoyed a successful response to its "Pure" and "Purer" Octave pedals, but the company's latest offering, the Tender Octaver X2, aims to take guitar octave capabilities to the next level.

Unlike the Pure and Purer Octave pedals which focus on pitch-shifting by the semitone, the Tender Octaver X2 is designed with a more specialized intention, focussing solely on octave shifts. When using the pedal, users can choose between two different octave shift modes, facilitating the addition of both subjacent and upper frequencies to a guitar signal. Both options have two dedicated rotatable dials, one for determining the volume of the added octave, and one for fine-tuning its tonal colour.

Both of these octave effects can be used independently and can be toggled on or off with their own easy-access footswitches, each paired with its own LED light to indicate its current activation status. Furthermore, both effects can also be used simultaneously, empowering guitarists to experiment with unique tri-octave guitar presets.

However, these subjacent and upper octave effects need not be explicit if the guitarist using the Tender Octaver X2 is looking for a more subtle octave manipulation. Thanks to the octave volume dials and the "Direct" dial for dry signal volume adjustment, anything from an explicit pitch shift to a subtle octave underlay can be achieved within the same pedal.

The pedal also contains 14 preset slots, allowing users to experiment and save their favourite parameter combinations with the "Save" button. In classic MOOER fashion, this has been presented in a minimalistic fashion, with 7 LED lights representing the full range of 14 save slots, lighting up blue or red depending on which half of the slots are being browsed. Each slot can be saved into or browsed through the two "Sub" and "Upper" footswitches, providing a further example of MOOER's dedication to making the most out of a minimalistic interface.

Using the pedal will be as simple as plugging it into the included DC 9V power supply, and plugging in a guitar with a standard 1/4" guitar cable. Overall, the Tender Octave X2 is set to be an exciting new addition to MOOER's octave pedal catalogue, and if paired with the "Pure" or "Purer" Octave products, just about any pitch-shift combination is made possible for guitarists of any style or experience level.

Features:
Precise octave-shifting DSP algorithm
Two octave effect options - subjacent and upper
Two effect volume dials, one for each octave
A 'Direct' dial for adjusting the dry signal volume
14 unique user preset slots
A dual-function 'Save' button for presets
7 dual-color preset LEDs, with red representing one half of presets, and blue representing the other half
Two additional LEDs, indicating the activation status of both octave effects
Two footswitches that function both independently and simultaneously for effect toggling and preset browsing
1/4" mono input and output
DC 9V power supply
Minimalistic and compact casing design

Notes: Ever since MOOER launched onto the guitar pedal scene in 2010, it has been producing pedals that have consistently pushed the boundaries of audio effect processing. 2023 has seen many impressive new entries, but the new Harmony X2 is set to sit at the top of Christmas lists this year. This device is a highly specialized and versatile harmonic shifting pedal, complete with every harmonic capability a guitarist could need for live performance and recording.

First and foremost, users of the Harmony X2 can select between the 12 pitches of the chromatic scale to customize their harmonies, with each pitch facilitating both major and minor scales. Once a root note has been chosen, a further 11 harmony modes enable further customization of harmonic intervals, including classics such as thirds, fifths, sevenths, and octaves.

Interestingly, the Harmony X2 is designed to specifically facilitate independent stereo harmonies. This means that guitarists can choose separate harmonic intervals for the left and right output, both of which can also have their volume adjusted independently by their dedicated dials. This allows the pedal to stand out from other harmonic pedals, facilitating harmonically rich tones that make optimum use of the stereo field.

After experimenting with these versatile parameters, guitarists can finely tune the intensity of the effect with the 'Dry' dial, determining the level of unprocessed guitar signal in the overall mix. Once satisfied, users can then save their favourite harmonic combinations with the 'Save' button, enabling them to return to their favourite preset at any time.

Despite the advanced nature of the Harmony X2 pedal, its use has been designed to be very simple. A dual foot-switch setup is provided to seamlessly toggle harmonic effects independently for both left and right pannings, and a simple and sleek combination of dials and LED indicators help the user clearly visualize their harmonic effects.

The Harmony X2 supports standard 1/4" inputs and outputs, with both containing two ports to facilitate both mono and stereo usage. However, these can interestingly be used in 'mixed' or 'individual' mode, enabling outputs that either correlate or merge the stereo inputs. The pedal is powered by the included DC 9V power supply, ensuring that guitarists never are never limited by the frustrating process of swapping out batteries during a performance or recording session.

Features:
High-quality pitch processing module
12 pitch options with 11 harmonic modes
Two dials for isolated left and right harmonic customization
Two dials for left and right harmony volumes
Dedicated dial for adjusting the level of dry signal
Support for both major and minor scales
LED indicator for harmony mode
Two LED indicators for major or minor mode
Multi-purpose 'Save' button
Dual-footswitch setup for independent harmonic bypassing
Two 1/4" inputs, supporting both mono and stereo
Two 1/4" outputs that support stereo mixed or individual output modes
Powered by included 9V DC power supply

Notes: BOSS's iconic DD-3 Digital Delay has been a pedalboard staple since 1986, loved everywhere for its great sound and simple operation. With the DD-3T, we've updated the classic stomp with enhanced functionality while fully retaining the original's sound and control layout. It's now possible to tap in delay tempos using the onboard switch or an external one, with your choice of three beat subdivisions. And the direct output jack has been moved next to the main output, providing easier connectivity for wet/dry setups.

In continuous production for over three decades, the DD-3 has been the go-to delay stomp for countless players. Based on the DD-2-the world's first digital delay pedal from 1983-the DD-3 is revered for its warm, round delay tone and simple controls that let you dial in sounds fast. The DD-3T's sound circuitry and controls are identical to the DD-3, delivering every drop of that classic vibe you know and love.

A key addition the DD-3T brings is tap tempo, an essential feature for creating the rhythmic delay effects at the heart of many guitar styles. In delay mode, hold the pedal switch for two seconds to toggle between bypass and tap operation. And for on-demand tap control, simply connect an external footswitch. When the DD-3T receives tap input, up to 800 ms of delay time is available, and the Mode knob sets the tap subdivision (quarter-note triplet, dotted-eighth note, or quarter note).

The DD-3T features a direct output jack like the DD-3, but it's been moved next to the main output jack to make connections easier. Plugging a cable into the direct out converts the main out to delay only, allowing you to send wet and dry signals to different amps for wide, immersive sounds. And if your amp or switcher has a parallel effects loop, just connect a dummy plug to the direct out to mute the dry sound for effect-only blending.

The original DD-3 (and DD-2 before) included a forward-thinking Hold function, which allowed you to capture a sound up to 800 ms long, play it continuously, and jam over the top. Many years later, BOSS further developed this creative concept with the successful Loop Station products, which helped spawn the new musical style of live looping. The DD-3T includes the same Hold function as the DD-3, but it's been renamed "Short Loop" to reflect today's common usage.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: MODE knob, TIME knob, FEEDBACK knob, E.LEVEL(Effect Level) knob, Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DIRECT OUT jack: 1/4-inch phone type
TEMPO jack: 1/4-inch phone type
DC IN jack

Power Supply: Alkaline battery (9 V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 70 mA

Expected battery life under continuous use: Alkaline: Approx. 5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")

Alkaline battery (9 V, 6LR61)

Options (sold separately)
AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 420 g / 15 oz

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


An advanced, feature laden, stereo overdrive and distortion pedal with a broad range of options and controls. With the Operation Overlord - whether you play keyboards, guitar, bass or pretty much any electronic instrument - dialling in great drive sounds is fast and fool-proof. Active, Treble, Mid and Bass controls, a foot-switchable Boost mode and a dry blend deliver superlative sound shaping. It even features two independent channels for use with stereo setups. Whatever your rig, the Overlord is your indispensable ally.

Notes: Next-Generation Guitar Compressor for Expressive Players

Powered by BOSS's MDP technology, the CP-1X is a new type of multiband compressor for guitar that preserves the character of your instrument and technique for unlimited musical expression. Intelligent processing analyses your signal in multiple dimensions as you play, providing advanced dynamics control that never colours or muddies your tone like typical stompbox compressors can. The simple, four-knob interface makes it easy to dial in sophisticated results, while the handy gain reduction indicator always shows you how much compression is being applied. Optimized for all types of guitars, the CP-1X offers next-generation performance for every style of music.

Intelligent Processing for Natural Sound

When you first plug into the CP-1X, you're in for a totally new guitar compressor experience. Typical stompbox compressors colour and restrict your sound, and are hard to dial in for various playing styles. The innovative CP-1X eliminates these drawbacks and more, opening up a world of expressive potential. The powerful MDP engine analyses your guitar's many different tonal elements in real time, providing natural compression that intelligently follows and adapts to your playing. With this high-tech approach, your true tone and technique always comes through, even when using aggressive settings for that effected "squish."

Tap Into New Levels of Musical Expression

No matter what kind of guitar or style you play, the CP-1X always delivers rich, musical tone. From mellow phrases and arpeggios to heavy rhythms, fast solos, and beyond, every playing nuance remains detailed and defined. The pedal also provides superior performance for chicken pickin' country licks, funky rhythm grooves, and other standard guitar compressor applications, and works great as a booster thanks to its punchy, transparent sound. On seven- and eight-string guitars, the CP-1X easily controls upper-range dynamics without compromising your powerful low-end tone. And when used with acoustic-electric guitar, the natural, lush overtones are fully preserved as you go from gentle fingerpicking to full-chord strums.

Studio-Level Results with Simple Controls

With the knobs on most pedal compressors, what you see is what you get. Not so with the CP-1X, as the pedal's controls interact with each other at a highly detailed level. When you turn a knob, numerous interlocked parameters are adjusted under the hood at once. This gives you dynamics control and tone shaping ability that far exceeds standard compressor pedals, providing results previously attainable only with high-end studio processing. The good news is that you don't need to be a sound engineer to use the CP-1X-its sophisticated MDP processing has been meticulously fine-tuned by the BOSS engineers to let you dial in ultra-polished tone with familiar stompbox controls.

High-End Features for Pro Performance

The CP-1X features pro-level 18-volt input circuitry that provides ample headroom for the hottest guitar pickups, ensuring exceptional clarity with any instrument. A 16-segment gain reduction indicator clearly displays the compression amount, making it easy to see what the pedal's doing. The CP-1X's noise performance is also extremely low in comparison with other compressors, another huge benefit brought by BOSS technology.

MDP: Advanced Tech, Superior Tone

Leveraging decades of research and development, BOSS's proprietary Multi-Dimensional Processing (MDP) technology offers a fresh approach to achieving exceptional guitar tones. In real time, MDP analyses the various elements that make up the sound, including frequency, overtones, dynamics, pickup response, and more. Various playing characteristics are analysed as well, such as note register, single notes vs. chords, bends, vibrato amount, and others. Each individual element is then processed in unique ways to produce optimized tones as you play. With its ultra-detailed, high-tech approach, MDP delivers tone quality and playability that reaches far beyond the limits of traditional effects processing.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
BypassL Buffered bypass

Controls:
Pedal switch
COMP knob
RATIO knob
ATTACK knob
LEVEL knob

Indicators: CHECK indicator (Serves also as battery check indicator), GAIN REDUCTION indicator
Connectors:
INPUT jack
OUTPUT jack
DC IN jack
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Working Voltage: 18 V
Current Draw90 mA

Expected battery life under continuous use: Alkaline: Approx. 2 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Alkaline battery (9V, 6LR61)
Option (sold separately) AC adaptor (PSA series)

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb

Notes: Modern phasing with tap tempo sync

The BOSS PH-3 Phase Shifter pedal provides a wealth of vintage and modern phasing effects, including new "Rise" and "Fall" modes for unique, unidirectional phasing. Syncing these phasing effects is as simple as tapping the pedal to the desired tempo, while an optional expression pedal provides realtime control of the PH-3's Rate, Filter and Tempo.

"Rise" and "Fall" Effects

In addition to standard up and down cycles, the new PH-3 Infinite Phaser can produce entirely upward or downward moving sounds through its new Rise and Fall effects. There's also 4-, 8-, 10-, and 12-stage phasers, plus a Step effect.

Total Control

Syncing the PH-3's phasing effects can be achieved by simply tapping the pedal to the tempo desired. Or, for maximum control, connect an optional expression pedal to control both rate and filter in real time as you play.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output: Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
STAGE switch
RES(Resonance) knob
DEPTH knob
RATE knob
Pedal switch

Indicator: CHECK indicator (Used for indication of check battery)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
EXP/CTL jack: 1/4-inch stereo phone type
DC IN jack

Power Supply:
Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)

Current Draw: 50 mA
Expected battery life under continuous use: Alkaline: Approx. 6 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)

Options (sold separately):
AC adaptor: PSA series
Expression pedal: EV-30/FV-500L/FV-500H, Roland EV-5
Footswitch(momentary-type): FS-5U/FS-6/FS-7

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 415 g / 15 oz

0 dBu = 0.775 Vrms

Notes: MOOER has been impressing musicians with its unique effect pedals for over a decade, and the new MVP3 Loopation is set to continue this trend. It's a versatile and feature-packed pedal designed to enable musicians to create seamless loops with their voice and instruments and is part of MOOER's recent VP series which provides versatile support for microphone input.

Loopation provides 11 save slots for recorded audio loops, with 8 of these slots featuring 5 minutes of recording time, and the other three having 10 minutes. Slots can be selected with the simple 'song' dial, and once audio has been recorded, the files will automatically save onto the device. The pedal offers two recording modes: real-time, and auto.

Recording in real-time mode is activated when the right footswitch is pressed, in the same style as traditional loop pedals. In contrast, the auto mode enters standby when the right footswitch is pressed and begins recording once signal is detected, stopping recording with another press.

However, the looping functions don't stop there. Pressing the right footswitch commences file playback, and during playback, another right footswitch press will enable dub mode, which will continue until the footswitch is pressed once again. Playback can be halted with two quick presses of the right footswitch, or alternatively by switching to a different save slot.

When playback is stopped, users can delete all recorded layers by holding the right footswitch for 1 second, or by holding the second 'stop' footswitch press. Finally, users can undo their dubs by holding the left footswitch whilst an overdub is playing and can complete this motion again to restore this deleted layer. If the musician wishes to reverse the audio file, this can be achieved through a single left footswitch press.

Loopation provides both XLR and 1/4" inputs, which can be used in either 'mixed' or 'individual' mode. Users can toggle between these modes by holding the right footswitch while plugging in the power supply. In mixed mode, both inputs will be active, which can be balanced using the 'mix' dial, whereas, in individual mode, the input signals will be isolated to their respective outputs. The master dial allows users to adjust the overall volume of both outputs.

Amazingly, Loopation augments these features further with built-in reverb and tonal effects. By holding the 'tone' button whilst rotating the 'master' dial, the reverb volume can be adjusted. The tone button can also be used independently to switch between the pedal's three tone modes: flat, warm, and bright.

Finally, Loopation offers a gain adjustment knob, a 48V phantom power switch tailored for internal microphone amplification, a grounding switch, a line-in switch, and a DC 9V 500mA power input. When combined with the impressive looping features of the pedal, musicians are left with a complete toolkit for full compositional processes, whether this is in the studio, at home, or during a live performance.
11 loop memory slots with up to 70 minutes of recording time
Unlimited overdubs within each memory slot
Features for overdubbing, deleting, undoing, redoing, and reversing recordings
Built-in volume-adjustable reverb module
Dial for adjusting volume balance between XLR and 14" input
Master volume dial
Dual-functionality LED button
Two multi-functional footswitches
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch
Line in toggle switch
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input

Notes: Memphis Vibrato was designed as the "small brother" of Crazy Tube Circuits' Killer V- this was born out of high demand for a true pitch shifting amp-like vibrato pedal, without the drive section.

It features all analogue LFO and true-to-the-original-amp 2-stage pitch shifting circuit powered from an internal voltage multiplier for high headroom and improved dynamic response. A clean period correct preamp with up to 20db boost takes you back to the late 50s / early 60s.

With the intensity and speed knobs you can add a subtle shimmer , or a pronounced 3D acoustic image and musical feel with ear- pleasing vibrato effect for instant classic Lonnie Mack / Robert Ward sounds!

ALL WET - DRY / WET toggle switch selects between 100% modulated signal or places the dry unmodulated signal in parallel with the modulated signal. The latter setup was found in some of the original amps through "stereo" inputs and yields whirling phaser / vibe sounds.