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Items 251 to 300 of 401 on page 6 of 9
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AJH Synth Finaliser REQ Reverb Equalise Enhance Module (black)
Cat: 677411 Rel: 05 Feb 18 • View all Synth modules
 
Four-band equaliser, reverb/delay, maximiser & exciter in Eurorack modular format - black faceplate
Notes: Perfect for adding that final touch to a modular patch, the AJHSynth Finaliser R-EQ module includes seven Mono / Stereo reverb types, along with a four band equaliser and a Sonic Maximiser / Enhancer.

The Reverb, EQ and Maximiser can be used in Mono IN, Mono OUT mode or Mono IN, Stereo OUT modes. The reverb alone can also be used in Stereo IN / Stereo OUT mode too.

The fully analogue four band Equaliser includes three parametric equalisers for Low, Low Mid and High Mid ranges, and the High EQ has switchable shelving of either 2kHz or 5kHz. The Low EQ also includes a shelving mode.

The Maximiser is a fully analogue circuit too, with low and high treatment bands which change the phase and amplitude relationships of the sound to add punch and harmonics and really bring the sound to life in the mix.

The Reverb engine is based on 20 year old DSP technology, harking back to the reverb units which were used extensively on many synth and EDM tracks a couple of decades ago. We have added full control of reverb wet / dry mix, either manually or under CV control.
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MRP:$399.70 SAVE 10%
 1 in stock $360.77
Qu-Bit Nebulae v2 Granular Sampler Module (black)
Qu-Bit Nebulae v2 Granular Sampler Module (black) (sampling/digital/dual/stereo synth module)
Cat: 677587 Rel: 29 May 18 • View all Synth modules
 
Granular sample player/DSP platform - 20HP
Notes: Record. Mangle. Destroy.

Nebulae is a granular sampler and DSP platform. Its phase vocoder audio engine provides elastic audio, which can be time stretched, granularized, and mangled to no end. With independent control over pitch and speed, and granular controls such as overlap, window, and density, finding new sonic territory is only a knob turn away. Nebulae can use live audio input, a recorded buffer, or audio files as the source material for its powerful audio manipulations. The live input buffer can record up to five minutes of stereo audio at 48kHz, 24 bit. In addition, up to 75 MB of stereo audio can be loaded simultaneously through the USB port. No naming convention or special formatting necessary; just plug and play.

Nebulae lives a double life as an open source DSP platform with an extensive library of off the shelf alternate instruments. You can turn the module into a lush reverb, spectral delay, or tape-style looper simply by loading a new file onto the flash drive. Do you want to tweak one aspect of an existing instrument, even the default functionality? No problem. No prior coding knowledge is necessary to tweak and refine existing firmware to your liking or start with one of our templates. Alternate firmware files can be written with Pure Data, Csound, SuperCollider, and even bare-bones C programs.
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MRP:$520.66 SAVE 14%
 1 in stock $450.18
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quote 677587
Korg Electribe Sampler Music Production Station v2 Korg Electribe Sampler Music Production Station v2
Cat: 620853 Rel: 25 Aug 16 • View all Samplers
 
A sample-based production machine that lets you construct beats at maximum speed.
Notes: The fastest and most intuitive way to make beats.

A production machine that lets you create using a gigantic array of samples.

The Electribe sampler is a sample-based production machine that lets you construct beats at maximum speed. You can freely edit and resample using waveforms that you've loaded and preset samples. Modulation and effects can be controlled easily just by turning knobs on the top panel. In addition, a variety of input interfaces optimized for inputting rhythm, bass, or melody allow you to smoothly create sequences as fast as you can think.

The sequences that you create can then undergo additional evolution on stage or in your laptop. You can enjoy intuitive live performances that link various devices with the Electribe sampler, or utilize this capability for full-fledged music production by exporting sequence data to Ableton Live for detailed editing and final mixing.

The latest system version 2 adds a much-requested pattern chain function that will be a great asset for live performances or music production. The lineup has also become more colourful with the new metallic red model. And Korg have also provided bonus patterns that reveal even greater sonic potential.

Making your beat-making ideas rapidly take shape. It's the Electribe sampler; a sampler + sequencer that's thoroughly optimized for speed.

The Electribe sampler continues to evolve

A new metallic red model - a nod to the legacy of electribe

Following the dark black unit, the lineup has been joined by a metallic red model that's reminiscent of the previous model, the ELECTRIBE SX. Complemented by the numerous colourfully illuminated LEDs, this unit will energize your playing.

Many new functions added via system update

Updates make the Electribe sampler evolve daily. System version 2 adds support for the much-requested pattern chain function and undo function, as well as support for original value display. Users who already own an Electribe sampler can update their unit and then enjoy playing.

Download over 200 bonus patterns

Electribe artists, sound designers, and beat makers from around the world have created bonus pattern data packed with new sounds, phrases, and sequences. These 237 different patterns are packed with sample sounds, drum kits, and ideas for a wide range of musical styles. They are provided as reference materials for your beat-making or as foundations to give you new inspiration.

Specifications

Sound System
Type: PCM sound engine + Analog modelling sound engine

Maximum Polyphony
24 voices
* The polyphony of the entire pattern varies depending on the Oscillator, Filter, and Insert Fx type.
* Independent parameters for each voice have been simplified; four voices share the parameters of one conventional voice.
Sample: Type (920), Pitch/Glide, Edit
Sample Types: Analog (16), Audio In (2), Kick (37), Snare (44), Clap (12), HiHat (37), Cymbal (8), Hits (33), Shots (44), Voice (31), SE (7), FX (30), Tom (10), Percussion (31), Phrase (15), Loop (22), PCM (31), User Sample (499)
Filter: Filter (Cutoff), Resonance, EG Int, LPF/HPF/BPF (3)
Modulation: Type (72), Depth, Speed
Amp/Envelope Generator: Level, Pan, Attack, Decay/Release, Amp EG On/Off
Scale Types: 35
Gate Arpeggiator Types: 50
Sampling Frequency: 48 kHz
AD/DA Conversion: 24 bit

Sampler
User Samples: Up to 499 samples
Memory
Total maximum approximately 270 seconds (calculated as monaural)
* Regardless of the capacity of the SD card
* Including presets
Edits: Start/End Point, Loop Start Point, Tune, Time Slice, Level, Direction, Resampling

Effect
Insert Effect:One unit (can be used on each of the 16 parts)
Type (38), Edit, Insert FX On/Off

Master Effect:
One unit
Type (32), Touch Pad, Master FX On/Off, Master FX Hold On/Off
Sequencer
Number of Steps: 16 steps x 4
Number of Parts: 16 parts (one part consists of a sound, steps, insert effect, modulation sequence, etc)
Number of Patterns:
250 patterns (150 Presets / 100 Initial)
(one pattern consists of parts, master effect, key, scale setting, etc)
Motion Sequences: Up to 24 motion sequences can be stored (for each pattern)
Groove Types: 25
Pattern Set: Up to 64 patterns can be stored
Pattern Chain: Up to 250 patterns can be chained
Export: Ableton Live project file format, WAV file format (48 kHz, 16 bit)
Event Recording: Up to 100 files can be saved

Trigger Pads
Number of Pads: 16 pads (Velocity sensitive)
Modes: Trigger, Sequencer, Keyboard, Chord, Step Jump, Pattern Set, Touch Pad
Modes: Gate Arp, Touch Scale, Master FX

Connectors

Audio:
L/Mono, R Output (Standard phone jack)
Headphones (Stereo mini jack)
Audio Input (Stereo mini jack)

MIDI: In, Out (Use an included MIDI adapter cable)
USB: Type micro B
Sync:In, Out (Stereo mini jack)

External Storage Device: SD Card (512 MB -- 2 GB), SDHC Card (Up to 32 GB)

Power

Power Supply: AC adapter (DC 9V) or AA battery x 6 (Alkaline battery or Nickel metal hydride battery)
Battery Life: Approximately 5 hours (Power Saving: ON, with Nickel metal hydride battery)
Current Consumption: Less than 500 mA
Chassis: Zinc die cast

Dimensions (W x D x H): 339 x 189 x 45 mm / 13.35" x 7.44" x 1.77"
Weight: 1.6 kg / 3.53 lbs
Colour Variations: Metallic Red (electribe2s-RD), Black (electribe2s)
Included Items: AC adapter (DC9V), MIDI adapter cable x 2, Ableton Live 9 lite (License card included)
Accessories: Sync Cables SQ-CABLE-6, Gig Bag DJ-GB-1
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 1 in stock $382.52
Vermona twinCussion+ Dual Percussion Voice Module Vermona twinCussion+ Dual Percussion Voice Module Vermona twinCussion+ Dual Percussion Voice Module Vermona twinCussion+ Dual Percussion Voice Module
Vermona twinCussion+ Dual Percussion Voice Module (drum/dual/stereo/envelope generator/noise/oscillator synth module)
Cat: 624960 Rel: 08 Sep 16 • View all Synth modules
 
A duophonic percussion/drum module which offers you two individual, almost identical voices.
Notes: A duophonic percussion/drum module which offers you two individual, almost identical voices. Each of them has an oscillator with selectable waveforms as well as an attack-decay envelope which simultaneously can modulate the pitch and the VCA.

A large number of sockets is available which not only are used for modulating and triggering the drums but also emit any oscillator waveform and envelopes. That is utterly useful!

The first difference between both voices are the available waveforms: voice A offers square, triangle and sine, while voice B has noise, square and sine. For atonal noisy sounds like hi hats and anything cymbal voice B is more suitable.
The wave forms are switch selectable and simultaneosuly available at individual outputs i.e. you can process the audio signals exernally. Using the module's EG CV outputs plus two external VCAs you can re-create or alter the signal flow. Envelope signals and audio sources are available!

For controlling the frequency there's a hi/lo switch alternating between bass and treble, then a tune control and a modulation attenuator which scales either the envelope or a nexternal CV. besides individual inputs (A VCO and B VCO) there's also a common CV input VCO A+B which addresses both voices simultaneosuly. A VCO is normalized to the VC CV input A VCA, analogical for channel B.

The second difference is in the envelopes. Voice A has an attack-decay envelope generator with manually adjustable times. Voice B has a decay envelope with fixes attack time but with voltage control of decay time via EG 2 input and the CV EG2 attenuator.
The envelope generators are able to modulate not only the pitch but simultaneously also the level. For that reason there's an second attenuator which altternately detemines the intensity of an external CV (see above).

Each voice has an individual audio output, although OUT B works as a mix output when no cable is plugged to OUT A.

*essentially two things have changed in the + version:
-the output levels of the MIX outputs have been increased
-the frequency of the filter for noise can now also be controlled via CV

Power consumption: 105mA at +12 V and 70mA at -12 V
Depth: 45mm
HP : 24
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MRP:$409.16 SAVE 19%
 1 in stock $333.40
Vermona Mono Lancet '15 Monophonic Analogue Desktop Synthesiser Vermona Mono Lancet '15 Monophonic Analogue Desktop Synthesiser Vermona Mono Lancet '15 Monophonic Analogue Desktop Synthesiser Vermona Mono Lancet '15 Monophonic Analogue Desktop Synthesiser
Cat: 605114 Rel: 14 Apr 16 • View all Synthesisers
 
classic monophonic synthesiser for lead- bass and effect-sounds - expandable with modular dock
Notes: Mono Lancet '15 might be small-sized device, despite it is a bona fide analogue synthesizer.

Two oscillators and a noise generator are the foundation for its sound. Together with the musical lowpass filter and VCA it's capable of producing warm and precious sounds full of character.

Beside its audio qualities Mono Lancet '15 has a dead simple and intuitive user interface. Each parameter has its own control. We are absolutely convinced that you will quickly learn how to realize your sounds with Mono Lancet '15 without thinking about what you do.

Expandable with Modular Dock:
Mono Lancet '15's functionality can even be enhanced using the optional Modular Dock eurorack module. It offers various in- and out-connections to the individual sections of the synthesizer. With just a few additional modules you can multiply the strong sound base of Mono Lancet '15.

Mono Lancet '15 is manufactured in our Elektroakustischen Manufaktur in historical Vogtland. For us it is not only a piece of high-quality analogue technology but rather a musical instrument, handmade with love and passion.

Ships with UK 3-pin power supply.

For audio demos, please visit - http://www.vermona.com/en/products/synthesizer/product/mono-lancet-15/
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MRP:$519.61 SAVE 11%
 2 in stock $460.69
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Allen & Heath ZEDi-10FX 10-Channel Live & USB Recording Mixer With FX (black) Allen & Heath ZEDi-10FX 10-Channel Live & USB Recording Mixer With FX (black) Allen & Heath ZEDi-10FX 10-Channel Live & USB Recording Mixer With FX (black) Allen & Heath ZEDi-10FX 10-Channel Live & USB Recording Mixer With FX (black) Allen & Heath ZEDi-10FX 10-Channel Live & USB Recording Mixer With FX (black) Allen & Heath ZEDi-10FX 10-Channel Live & USB Recording Mixer With FX (black) Allen & Heath ZEDi-10FX 10-Channel Live & USB Recording Mixer With FX (black)
 
4 in, 4 out USB audio interface (24-bit/96kHz) with built-in FX & Cubase LE software included
Notes: Ten channels, digital effects, USB audio interface plus reliable Allen & Heath build quality. A whole lot of mixer in a compact format.

Supplier's notes:
Hybrid compact mixer / 4×4 USB interface with FX:
ZEDi-10FX combines the robustness and hands-on control of an analogue mixer with a high quality 4 x 4 USB interface and an outstanding multi-model FX unit, making it a perfect all-round choice for musicians, recording artists and venues. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZEDi-10FX is a versatile companion for every step of the creative journey.

The studio quality, 24-bit / 96kHz, 4×4 USB interface makes it easy to capture stunning multitrack recordings direct from the mixer to a Mac or PC without the need for any extra equipment. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. ZEDi-10FX includes a specially created suite of studio quality reverbs, delays and special multi-model FX, crafted by Allen & Heath's acclaimed in-house effects aficionados. Guitarists will be pleased to know that two of ZEDi-10FX's mono channels feature Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.

Mixer + USB interface
ZEDi-10FX offers the best of both worlds, incorporating a studio quality 4 in / 4 out, 24-bit/96kHz USB audio interface for hassle-free multitrack recording and playback to/from a Mac or PC, or to an iOS device using the iOS camera kit. The USB output source can be set up in several different ways to match your workflow.

Cubase LE Music Production Software included:
ZEDi-10FX comes with the acclaimed Cubase LE software. Cubase LE offers powerful yet easy-to-use software tools for audio recording, editing, MIDI sequencing and mixing. Its vast range of proven editing and sequencing tools can be used for a large range of music styles and areas of application. From singers and songwriters recording vocal lines to rock bands jamming in their rehearsal room, Cubase LE is as easy as it gets - with outstanding audio quality as well as time-saving recording and editing functionality.

Cubasis LE Mobile Music Production app:
The mixer also comes bundled with the Cubasis LE app. Cubasis LE is the compact version of Steinberg's streamlined, multitouch sequencer for the iPad, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze.

ZedFX multi model:
ZEDi-10FX boasts a brand new suite of studio quality reverbs and delays, painstakingly crafted to enhance your recordings and performances. Special multi-model effects provide uniquely dynamic combinations of reverbs and delays.

Exceptional audio quality:
ZEDi-10FX features an exceptional new preamp design, created by analogue guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath's analogue range is famous for. For tonal shaping, the precise 3 band MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.

Road tough:
All ZED mixers are designed and built to Allen & Heath's legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

Made for guitars:
ZEDi-10FX comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. That's one less piece of gear to buy, carry and set up.

It's an Allen & Heath:
Allen & Heath has been a trusted name in professional audio since 1969. The ZED technology advances, but the commitment to audio excellence and build quality endures.
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 1 in stock $311.35
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Beyerdynamic DT1990 Professional Open-Back Premium Studio Headphones (black, 250 Ohm) Beyerdynamic DT1990 Professional Open-Back Premium Studio Headphones (black, 250 Ohm) Beyerdynamic DT1990 Professional Open-Back Premium Studio Headphones (black, 250 Ohm) Beyerdynamic DT1990 Professional Open-Back Premium Studio Headphones (black, 250 Ohm)
Cat: 645125 Rel: 27 Mar 17 • View all Studio headphones
 
Open-back studio reference headphones for mixing & mastering
Notes: For decades now, professional users all around the world have placed their trust in Beyerdynamic studio headphones. They remain the number one choice for music producers, sound technicians and broadcast users and are a firmly established piece of equipment in studios worldwide.

The DT 1990 PRO reference headphones combine these decades of expertise in headphone technology with the latest Tesla driver technology in an open-back design.

Thanks to its high-resolution and well-balanced sound the DT 1990 PRO sets new standards, not least in terms of design and workmanship.

Made in Germany:

As with all Beyerdynamic professional studio headphones, the DT 1990 PRO is also handcrafted in Germany. Backed by high-quality materials and meticulous workmanship, this high-end product is a long-term investment.

High-resolution sound:

Power and precision are critical requirements when it comes to sound reproduction. The efficiency of our latest Tesla driver technology is characterised by accurate resolution and high output power. Brilliant highs, a richly detailed midrange and precise bass combine to ensure sublime sound quality that is second to none.
Together with an ingenious open-back design, the high-resolution Tesla drivers ensure a wide, dynamic and extremely natural stereo image. Titanium-coated acoustic fabric and carefully selected precision-woven textiles round off the balanced sound quality.

Maximum wearing comfort:

The perfected design of the DT 1990 PRO combines innovation with decades of expertise in headphone technology. High-tech textiles and memory foam filled ear pads ensure exceptional wearing comfort. Headphones so comfortable you almost forget you are wearing them.

Open back design:

Natural and exceptionally spatial sound is achieved thanks to the open-back circumaural design. The optimised spatial sound reproduction makes the DT 1990 PRO headphones a reliable reference for mixing and mastering applications as well as for critical listening.

Two sound settings:

Choose between a well-balanced sound or analytical sound thanks to replaceable velour ear pads. Both ear pad variants are included to finish off this impeccable studio headphone package.

Durable construction:

The DT 1990 PRO is handcrafted in Germany. From a classy headband through to anodised aluminium yokes, these new studio headphones will impress with their exceptional craftsmanship and careful attention to quality and durability.
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 1 in stock $499.78
Cyclone Analogic TT-78 Beat Bot Drum Machine Cyclone Analogic TT-78 Beat Bot Drum Machine Cyclone Analogic TT-78 Beat Bot Drum Machine Cyclone Analogic TT-78 Beat Bot Drum Machine
Cat: 636540 Rel: 10 Jan 17 • View all Drum machines
 
Drum Machine modelled after the classic Roland CR-78 with 21st century transistor technology
Notes: The TT-78, from Cyclone Analogic, is the next step in their collection of classic reproductions of iconic drum machines. The TT-78 is modelled after the classic CR-78 drum machine from Roland, produced in 1978. The TT-78 contains all the modern upgrades one would expect, while also being housed in a sleek shell, similar to the TT-303 and TT-606. It has the same intuitive sequencing functions as the previous Cyclone Analogic unit, but with a completely different sound palette, using sounds like Bongos, Congas, Maracas, and Guiro. There are seven individual outputs, providing independent jacks for most of the sounds. It also comes complete with MIDI In, Out and Thru, for synchronizing the TT-78 with all one's other gear.

*Supplied with Euro two pin to UK three pin adapter*
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 2 in stock $336.58
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quote 636540
Xaoc Devices Praga 1967 Voltage Controlled Mixing Console Module (silver)
Xaoc Devices Praga 1967 Voltage Controlled Mixing Console Module (silver) (mixer/panning/VCA/dual/stereo/quad synth module)
Cat: 655355 Rel: 29 Jun 17 • View all Synth modules
 
Voltage controlled four channel stereo mixer module
Notes: The module is built around high quality VCA chips from THAT Corp, as well as low noise opamps. It offers clickless muting and equal loudness panning. The distinct feature is that voltage control is dynamically compressed should it yield clipping when pushed too hard. Also, in both modes the attenuators offer full closing of the corresponding channel, regardless of being controlled by the CV, or not. The VCAs fully open (0dB gain) at CV=8V in Env mode and CV=5V in LFO mode. All the input and output signal levels are Eurorack levels.

Multiple Praga units can be chained thanks to dedicated headers on the back. The mixed stereo sum of each unit in the chain is added to the mixing bus of all units downstream.

A dedicated Hrad expander will offer master volume control, gate inputs for channels muting/unmuting, headphone amplifier, and voltage control over aux sends.
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 1 in stock $418.62
4ms Stereo Triggered Sampler Recorder & Playback Module 4ms Stereo Triggered Sampler Recorder & Playback Module 4ms Stereo Triggered Sampler Recorder & Playback Module
4ms Stereo Triggered Sampler Recorder & Playback Module (sampling/digital/dual/stereo/oscillator/synth voice synth module)
Cat: 655465 Rel: 29 Aug 17 • View all Synth modules
 
High fidelity, two-channel stereo sample recorder & playback module
Notes: The Stereo Triggered Sampler can record high quality stereo files, while simultaneously playing two different stereo files. A maximum of 600 samples can be loaded from the removable/swappable microSD card, in a variety of formats up to 96kHz/32-bit/stereo WAV. All sample parameters (1V/oct pitch, sample file selection, length, and start position) are CV controllable.

600 Samples:
A maximum of 600 samples can be loaded at once, arranged into banks of 10 samples each. Samples and banks can be re-arranged on the fly using the simple on-board Edit features. Newly recorded samples can be instantly played back and re-pitched, reversed, chopped up, etc... the result of which can even be bounced down and re-recorded to as a new sample! Sample files are limited to 4GB each, which is over 6 hours at 44k/16b/stereo.

Two Stereo Playback Channels:
Each playback channel has a knob and CV jack for Sample File selection, as well as a Start Position knob and CV jack for controlling where in the sample playback will begin. The Length knob and CV jack determine how much of the sample is played back: from tiny grains, to percussive hits, to longer loops... or just the entire file. These are powerful tools for re-arranging a sample, joining multiple samples, and creating dynamically re-sized loops within a larger sample. Combined with the Play Trigger jack and the 1V/oct jack, the STS can be two complete multi-timbral pitch-tracked stereo voices!
There's also a Reverse button and jack for backwards playback, and an End Out jack for synchronizing loops, or cascading sample playback with other events.

Looping and Sync:
Looping is easy: just hold the PLAY button down for two seconds to toggle loop or one-shot. The loop timing clock will output from the End Out jack. Or, send a clock into the Play Trig jack to sync the loop to external timing.

Stereo Recording:
Whether you patched 47 modules to create the ultimate percussive blast, or you want to capture your four hour ambient performance, recording high-quality .wav files on the STS is simple. Just hit the REC button or fire a trigger and a new stereo .wav file will be created on the SD card. Do as many takes as you need: the STS never deletes your files. Re-ordering or re-arranging samples into banks is easy, even without a computer.
You can even fill a bank with 10 different variations and immediately use them for playback.
By default the STS records at 44.1kHz/16-bit, with an option for 24-bit (a future update may increase the sample rate to 96kHz)

Easy sample loading:
Using a computer is completely optional with the STS, since samples can be recorded directly to the module and placed into the bank of your choosing. But for users with large existing sample banks, the intuitive automatic bank loading features make dragging and dropping your entire sample library a snap. You never have to rename your files again!
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 2 in stock $418.62
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quote 655465
Studio Electronics SE88 CS-80-Toned Voltage Controlled Multi-Mode Filter Module
Cat: 655851 Rel: 14 Jul 20 • View all Synth modules
 
Filter & dual pendulum chaos generator module - 20HP
Notes: Studio Electronics' version of the boxy, Blade Runner-sweet and Boomstar-brash dual mode CS80 filter, initially married to the Omega Series Synths, and then tucked-in the 'Stars, now joins the Modstar Collective. They've twisted and turned the SE88 to unflatten the earth, so to speak; the original CS80 fed a HP filter into a LP filter, but with the SE88 your can select MODE 1's HP or BR to feed MODE 2's LP or BP, or patch it to reverse that pleasant path. The audio signal is completely controllable with input and output levels for each filter. Cherish and respect your filter's input gain stages, for a smooth yet often brassy sound - shed your mercy to strike hard for boiling, snarling bite, even to the blackout/cutout point (see Greg St. Regis, Tim Caswell, and Marc St. Regis' SEM filter commentary for a detailed diatribe on this "feature too far"); then and only then, uniquely blend mode settings for the filter family values you revere.

To get things merrily modulating, each filter employs attenuverters for frequency and resonance experimentation and decimation. While the SE88 does not self oscillate (Yamaha's creation didn't either), we did amp up the resonance level for full-throttle squelching. An additional master FM (frequency modulation) attenuverter-controlled level can feed both filters (when hungry enough) simultaneously, and tracking switches allow for individual keyboard response for each of the contrasting and complimentary filter modes.

Potentiometer Potential:
Five attenuverter and eight attenuation pots control the FREQUENCY MODE 1, FM IN, FREQUENCY MODE 2, RESONANCE, M1 FM, RESONANCE, M1 RES CV 1, M2 RES CV, INPUT, M2 FM, OUTPUT, LEVEL (M1 OUT), and LEVEL (M2 OUT).

Switch it Up:
2/3 - 1/3 TRACK (M1), FULL - HALF TRACK (M2), HP - BR, LP - BP.

Patch it Up:
Ten patch points: 1 V/O, FM IN, M1 FM, M2 FM, M1 RES CV, M2 RES CV, M1 IN, M1 OUT,
M2 IN, M2 OUT.

All Controls and Patch Points:
FREQUENCY MODE 1 - Adjusts the frequency, or cutoff of Mode 1.
2/3 - 1/3 TRACK - Toggles tracking options for Mode 1.
FM IN - Adjusts the master frequency modulation input.
FULL - HALF TRACK - Toggles tracking options for Mode 2.
FREQUENCY MODE 2 - Adjusts the frequency, or cutoff of Mode 2.
RESONANCE - Adjusts the resonance of Mode 1's filter.
M1 FM - Adjusts Mode 1's frequency modulation.
RESONANCE - Adjusts the resonance of the Mode 2's filter.
HP / BR - Toggles the High-Pass and Band-Reject option.
M1 RES CV - Adjusts Mode 1's resonance control voltage.
M2 RES CV - Adjusts Mode 2's resonance control voltage.
INPUT - Adjusts the master audio input.
M2 FM - Adjusts Mode 2's frequency modulation.
OUTPUT - Adjust the audio output.
1 V/O - One volt per octave control voltage input.
FM IN - Master frequency modulation input.
M1 FM - Mode 1 frequency modulation input.
M2 FM - Mode 2 frequency modulation input.
M1 RES CV - Mode 1 resonance control voltage input.
M2 RES CV - Mode 2 resonance control voltage input.
M1 IN - Mode 1 input.
LEVEL - Level control for Mode 1.
M1 OUT - Mode 1 output.
M2 IN - Mode 2 input.
LEVEL - Level control for Mode 2.
M2 OUT - Mode 2 output.

- Size: 20hp
- Depth: 39.7mm with ribbon cable attached
- Power Usage: 42mA (+12 / -12)
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MRP:$499.62 SAVE 27%
 1 in stock $365.20
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quote 655851
Make Noise XPO Stereo Prismatic Oscillator Module
Cat: 895142 Rel: 18 Oct 22 • View all Synth modules
 
Voltage controlled analogue oscillator module - 18HP
Notes: The XPO or Stereo Prismatic Oscillator music synthesizer module is a Voltage Controlled Analog Oscillator designed for generating Sine waves, Triangle waves, Sawtooth and Spike waves, Sub-Octaves, Stereo Timbre Modulations (including Pulse Width Modulation and Wavefolding), Oscillator SYNC, Linear FM and more in the analog domain.

The XPO is designed to be the Stereo VCO complement to our Stereo Filter, the QPAS. The two modules share the core idea of complex circuits being controlled in multiple dimensions in the stereo field by a few powerful parameters. The Stereo Prismatic »

Features:

Stereo Analog VCO with eleven simultaneous outputs (five mono outs and three stereo pairs)
Modulate Timbre via Stereo Pulse-Width Modulation, Stereo Vari-Timbre, and Stereo Wavefolding
Sine, Triangle, Sawtooth, Spike, and SUB mono outs
Unique Mono versions of all Stereo Waveforms via Left output normalizations
Modulate Left and Right channels together or separately thanks to normalization and attenuverters
Center parameter adds additional timbre control to both sides of Vari-Timbre and Wavefolded outputs
Linear FM Bus features voltage-control over FM depth and a normalization of SUB to FM input for easy GROWL
Hard SYNC circuit
Two 1v/oct inputs for transposition, melody stacking, or richest FM
Expo FM input with attenuverter
Designed to pair well with QPAS, Mimeophon, and X-PAN

Specifications:

Width: 18hp
Max Depth
(incl. power cable): 45mm
Power:
145mA @ +12V
135mA @ -12V
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 2 in stock $418.63
Noise Engineering Polydactyl Versio Multi-Band Dynamics Processor Module (black)
Noise Engineering Polydactyl Versio Multi-Band Dynamics Processor Module (black) (digital/distortion/dual/stereo/dynamics/effect/equaliser/expander synth module)
Cat: 895399 Rel: 30 Aug 22 • View all Synth modules
 
Polydactyl Versio: Multi-band Dynamics Processor
Notes: Polydactyl Versio is Noise Engineering's take on a multiband dynamics processor. Polydactyl Versio is equally at home on single-instrument timbral processing and on end-of-chain gloss. Taking inspiration from Noise Engineering's Librae Legio, Polydactyl Versio applies a unique and transparent algorithm across three bands for maximal dynamic impact. Add in a multiband saturation knob and noise gate, throw in a limiter, and you have a processor that gives ultimate control of color and dynamics.

Polydactyl Versio is part of the Versio family: this platform module can be transformed into a completely different effect by loading a growing number of alternate firmwares, completely free! Plus, with open-source support and documentation at LibDaisy, you can write your own firmware. Grab a Polydactyl Versio and process your signal into submission or total rebellion with three separate bands, saturation, limiting, and noise gating.

Size and power:
10 HP
+12v: 125ma
-12v: 10ma
+5v: 0ma
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 2 in stock $384.96
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PITP x 3six (Test Box)
PITP x 3six (Test Box) (6xLP test pressing box set + hand-numbered autographed art print limited to 36 copies)
Cat: PITPBOX 01TB. Rel: 21 Sep 22
 
Ambient/Drone
Signal (LP1: Hypersona) (1:31)
2249 (2:48)
Inside (6:48)
Intercept (3:43)
The Box (1:15)
Nephyr (5:26)
Beacon (3:02)
Hypersona (5:42)
Juliet (3:02)
Dream Window (1:58)
Forever (4:29)
Track 12 (0:53)
Another World (LP2: Orphans) (2:26)
Movarian Fields (2:58)
Two Doors (4:24)
Vision (2:45)
Point Of No Return (2:34)
Sine Orphan (5:14)
Fressa Fa (Slow version) (6:12)
Hollow (LP3 & 4: Hollow) (4:03)
Find Me (1:51)
Home (4:54)
Tunnel (4:28)
Geiga (5:57)
Ghostfields (3:42)
Fiona's Room (1:29)
Siren (4:38)
Darkroom Distortion (2:48)
Equassa (3:44)
Freefall Peak (1:31)
Arc (7:55)
Lightout (2:40)
Clear (LP5 & 6: Lithea) (0:44)
Cocoon (5:47)
Susurrus (7:48)
Lithea (2:32)
Deluge (4:07)
Radio (0:56)
Reunion (5:27)
1983 (3:28)
One (5:09)
World After April (0:41)
Seance (5:48)
Dreamscape (1:34)
Dayasan (5:20)
Broken Toy (1:43)
Leviatha (4:39)
Levitate (5:34)
Saphron (3:21)
Another World (10:55)
 in stock $315.54
Tonar Wash & Dry Vinyl Record Cleaning Machine (220v, EU plug adapter included) Tonar Wash & Dry Vinyl Record Cleaning Machine (220v, EU plug adapter included) Tonar Wash & Dry Vinyl Record Cleaning Machine (220v, EU plug adapter included)
Cat: 897335 Rel: 15 Sep 22 • View all Vinyl cleaning
 
An extremely silent yet powerful vacuum system, all-in-one vacuum arm: ready for any 7" / 10" / 12", one single control button: very easy to use, bi-directional motor action.
Notes: Professional vinyl cleaning solution, suitable for 12-inch and 7-inch records. Washes and dries records using specialist cleaning fluid (included), stainless steel clamp and precision vacuum tube.

Supplier's Notes:
Keeping your vinyl records clean is as important as having good equipment when you want to enjoy an optimal sound.

The Tonar Wash & Dry vinyl washing machine offers a helping hand to make your records shiny and bright again.

With this compact and easy-to-use device, you're ready to wash your complete record collection - including 7", 10" and 12" records - and quickly dry them with an extremely silent, yet powerful vacuum system.

The importance of cleaning your vinyl records

Many people associate vinyl records with hearing "pops" and "clicks". In part, this is the charm of the medium but it should not get over the top of course. Unless your vinyl has scratches, these pops and clicks are caused by dust and dirt that has been collected in the grooves. Also, contamination by air pollution from the traffic outside, cooking fat, grease and tobacco smoke can cause a tough film to form on the surface of the record. Sometimes even moulds and fungi are present if the records have been stored for a prolonged period of time in a humid environment. If you play a dirty record, the stylus will scrape part of this dirt off the groove and this causes a thick build-up of grime on the stylus. Ultimately, this will result in complete miss tracking or groove skipping with permanent damage to your costly stylus and precious records.

All-in-one vinyl Wash & Dry system

The Tonar Wash & Dry is an all-in-one solution to clean your records in the most easy way. The set includes a high quality goat hair brush, concentrate for one litre of cleaning fluid, a special stainless steel record clamp with rubber rings to protect the label during washing, and a dust-cover. With just one single button, you can control the direction of the rotation of the platter (clockwise or counter clockwise), and activate the vacuum arm. Instead of having to change vacuum arms for different record formats, the Tonar Wash & Dry uses only one arm with a switch button to change between 7", 10" and 12" records. The vacuum system of the Tonar Wash & Dry is extremely silent, yet very powerful. The vacuum will collect all the liquid in a reservoir inside of the device.

The wastewater level can be read-off on right hand side of the machine, and can be easily emptied with the hose.

Did you know that it's important to clean brand new records?
What most people don't realise, is that brand new records actually benefit from a quick clean before you take them for a spin. But why would you need to clean something you've literally just purchased? Nearly every new vinyl record is positively charged with static electricity. The static charge attracts dust and particles in the immediate proximity, including tiny paper fibers from the sleeve. This will lead to hearing unwanted crackles and clicks while playing the record.

Also, during the production process, oils and other gummy release agents are used for the pressing of the records. This will leave a sticky residue on the record surface, which can, in turn, contaminate your stylus and ultimately diminish the sound quality. Cleaning your newly purchased records with the Tonar Wash & Dry Vinyl Washing Machine will contribute to a better listening experience and long lasting preservation of your records.

The Tonar Wash & Dry offers a complete ready-to-use vinyl cleaning set, including:

0.50 ml bottle with Tonar record
Cleaning fluid concentrate
Tonar Plastigoat goat hair cleaning
Brush
Power cord
Stainless steel record clamp
Black aluminium adapter disc for
Singles
Label-cover
Extra 7 inch platter
All-in-one vacuum-arm 7"-10"-12"
Dust cover
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MRP:$520.66 SAVE 13%
 1 in stock $452.28
Alto Professional TS410 10" 2000W Active PA Speaker (black, single) Alto Professional TS410 10" 2000W Active PA Speaker (black, single) Alto Professional TS410 10" 2000W Active PA Speaker (black, single) Alto Professional TS410 10" 2000W Active PA Speaker (black, single) Alto Professional TS410 10" 2000W Active PA Speaker (black, single) Alto Professional TS410 10" 2000W Active PA Speaker (black, single) Alto Professional TS410 10" 2000W Active PA Speaker (black, single) Alto Professional TS410 10" 2000W Active PA Speaker (black, single)
Cat: 898996 Rel: 27 Sep 22 • View all PA Speakers | PA Speaker Systems
 
2000-watt 10-inch 2-way powered loudspeaker with Bluetooth, DSP & app control
Notes: Huge power in a compact package with this upgraded 10-inch design from Alto's TrueSonic 4 range. Bluetooth connectivity and DSP give added control via the Alto app.

Supplier's Notes:
2000-watt 10-inch 2-way powered loudspeaker with Bluetooth, DSP & app control

TrueSonic TS4 from Alto Professional

Louder. Clearer. Smarter.

Where TS3 exceeded expectations, TS4 redefines them completely.

Building on the legacy of the best-selling TrueSonic speakers, the TS4 Series delivers increased power, clearer sound, and advanced Bluetooth functions including streaming, speaker linking, and App control.

Compact, lightweight, and designed for reliability, the new TS4 Series makes it simple to get great live sound at every event.

True Sonic Power

Whether you need a powerful vocal PA or club-shaking bass performance for a DJ set, TS4 speakers deliver loud, clear, room-filling sound for any application. With a 10-inch woofer, and a 1.4-inch compression driver, TS410 delivers 2000W of class-leading power and clarity in equal measure.

Free Alto App for remote configuration and control

Available free for both Android and iOS, the Alto App gives hands-on remote control over Bluetooth levels, Speaker Use Modes, Custom EQ and Sub Size selection. Further, True Wireless Stereo linking can be configured remotely via the app to save time during setup.

Built-In 3-channel mixer

Every TS4 features an integrated 3-channel mixer, with two Mic/Line input channels and a dedicated Bluetooth channel. The Mic/Line channels feature XLR/TRS combo jacks and can be used with microphones, instruments, and line-level signals without the need for additional hardware or adjustment. Just plug straight into the rear panel and you're up and running.

Simple Bluetooth Streaming & Speaker Linking

The ideal high-powered streaming solution, TS4's built-in Bluetooth connectivity makes it easy to pair your laptop, phone or tablet and get the music pumping in no time at all. With the True Wireless Stereo function you can stream Bluetooth audio to two TS4 speakers in perfect stereo without the need for any cables.

DSP Modes for the best sound in every application

TS4's three preset "Speaker Use" modes let you optimize the speaker for any application, so you'll get great sound every time at the touch of a button. For even more control over your sound, you can configure a Custom EQ within the Alto App and remote adjust the settings from any listening point in the venue. You can even save your favourite Custom EQ setting direct to the TS4 for easy recall whenever you need it.


Versatile and Reliable

From the high-quality drivers to the fanless class D amplifiers, every aspect of the TS4 Series has been designed for superb reliability, whether used for mobile gigs and performances or fixed installation.

Each speaker features a lightweight, sleek, black box design that can be used as the application demands - freestanding, as a wedge monitor, pole-mounted or suspended via the integrated suspension points.

Level up your live sound. Choose Alto Professional's TS4 Series.

Applications

Solo performers
Musicians and Bands
Mobile DJs
Gymnasiums, fitness centers, and dance studios
Houses of worship
Theatres
Bars, restaurants, clubs
Special events, presentations, and wedding

Specifications

Output Power: 2000W
Drivers Low-Frequency: 10.0" driver, 2.0" (50 mm) high-temperature voice coil. 1 x 650 W RMS @ 2 ?.
High Frequency: 1.0" exit ceramic driver with 1.4" (35 mm) coil. 1 x 350 W @ 4 ?.
Crossover Frequency: 2 kHz
Maximum SPL: 130 dB (peak), 127 dB (continuous) (dB-SPL @ 1 m)
Frequency Response: 57 Hz - 20 kHz (+/-3 dB)
Frequency Range: 48 Hz - 20 kHz (-10 dB)
Horn Coverage: 90- horizontal x 60- vertical (nominal)
Connectors: (2) XLR+1/4" (6.35 mm) TRS combo inputs (Balanced) (1) XLR output (Link) (1) IEC power cable input
Input Impedance Line: 10 K? balanced, 20 K? unbalanced, Mic: 1.2K
Line Gain/Volume Control Range: -? to 0 dB, +4 dBu nominal, +10 dBu for max output
Mic/Inst. Gain/Volume Control Range: -? to +50 dB
USB Charging Port: 5V 2.1A
Controls: Power switch, (2) gain control knobs (1 per input), (2) Mic/Line switches, Bluetooth volume control encoder, Pairing button, Stereo Link button, Sub Size button, Speaker Use button
Indicators: (1) Input Channel Signal/Limit/Clip LED (Green = Ch1/2 Signal) (Yellow = Ch1/2 Limiter) (Red = Ch1/2 Output Clipped), (1) Bluetooth LED (Blue), (1) Link LED (Orange), (4) DSP Presets LED (Green), (3) HPF LED (Green)
Power Connection: IEC
Voltage: 100-120V, 50/60Hz; 220-240V, 50-60Hz
Consumption: 900W
Fuse: 100-120V T10AL AC250V; 220-240V T5AL AC250V
Protection: Electronic clip, thermal, and transducer overdrive protection
Enclosure: Injected Moulded Enclosure and Perforated Metal Grill
Mounting/Installation: Standard 36 mm pole socket, flown application with integral M10 suspension points, or in a wedge monitor position
Operating Temperature: -10-C to 45-C (14-F to 113-F)
Dimensions (height x width x depth): 21.1" x 12.6" x 12.5" / 536 x 320 x 317 mm
Weight: 26.0 lbs. / 11.8 kg
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 2 in stock $343.95
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Alto Professional TS412 12" 2500W Active PA Speaker (single) Alto Professional TS412 12" 2500W Active PA Speaker (single) Alto Professional TS412 12" 2500W Active PA Speaker (single) Alto Professional TS412 12" 2500W Active PA Speaker (single) Alto Professional TS412 12" 2500W Active PA Speaker (single) Alto Professional TS412 12" 2500W Active PA Speaker (single) Alto Professional TS412 12" 2500W Active PA Speaker (single) Alto Professional TS412 12" 2500W Active PA Speaker (single)
Cat: 898999 Rel: 27 Sep 22 • View all PA Speakers | PA Speaker Systems
 
2500-watt 12-inch 2-way powered loudspeaker with Bluetooth, DSP & app control
Notes: TrueSonic TS4 from Alto Professional

Louder. Clearer. Smarter.

Where TS3 exceeded expectations, TS4 redefines them completely.

Building on the legacy of the best-selling TrueSonic speakers, the TS4 Series delivers increased power, clearer sound, and advanced Bluetooth functions including streaming, speaker linking, and App control.

Compact, lightweight, and designed for reliability, the new TS4 Series makes it simple to get great live sound at every event.

True Sonic Power

Whether you need a powerful vocal PA or club-shaking bass performance for a DJ set, TS4 speakers deliver loud, clear, room-filling sound for any application.

With a 12-inch woofer, and a 1.4-inch compression driver, TS412 delivers 2500W of class-leading power and clarity in equal measure.

Free Alto App for remote configuration and control

Available free for both Android and iOS, the Alto App gives hands-on remote control over Bluetooth levels, Speaker Use Modes, Custom EQ and Sub Size selection. Further, True Wireless Stereo linking can be configured remotely via the app to save time during setup.

Built-In 3-channel mixer

Every TS4 features an integrated 3-channel mixer, with two Mic/Line input channels and a dedicated Bluetooth channel. The Mic/Line channels feature XLR/TRS combo jacks and can be used with microphones, instruments, and line-level signals without the need for additional hardware or adjustment. Just plug straight into the rear panel and you're up and running.

Simple Bluetooth Streaming & Speaker Linking

The ideal high-powered streaming solution, TS4's built-in Bluetooth connectivity makes it easy to pair your laptop, phone or tablet and get the music pumping in no time at all.

With the True Wireless Stereo function you can stream Bluetooth audio to two TS4 speakers in perfect stereo without the need for any cables.

DSP Modes for the best sound in every application

TS4's three preset "Speaker Use" modes let you optimize the speaker for any application, so you'll get great sound every time at the touch of a button. For even more control over your sound, you can configure a Custom EQ within the Alto App and remote adjust the settings from any listening point in the venue. You can even save your favourite Custom EQ setting direct to the TS4 for easy recall whenever you need it.

Versatile and Reliable

From the high-quality drivers to the fanless class D amplifiers, every aspect of the TS4 Series has been designed for superb reliability, whether used for mobile gigs and performances or fixed installation.

Each speaker features a lightweight, sleek, black box design that can be used as the application demands - freestanding, as a wedge monitor, pole-mounted or suspended via the integrated suspension points
Level up your live sound. Choose Alto Professional's TS4 Series.

Applications

Solo performers
Musicians and Bands
Mobile DJs
Gymnasiums, fitness centers, and dance studios
Houses of worship
Theatres
Bars, restaurants, clubs
Special events, presentations, and weddings

Technical Specifications:

Output Power: 2500W
Drivers Low-Frequency: 12.0" driver, 2.5" (63 mm) high-temperature voice coil. 1 x 800 W RMS @ 2 O
High-Frequency: 1.0" exit ceramic driver with 1.4" (35 mm) coil. 1 x 450 W @ 4 O
Crossover Frequency: 2 kHz
Frequency Response: 53 Hz - 20 kHz (+/-3 dB)
Frequency range: 44 Hz - 20 kHz (-10 dB)

Horn Coverage: 90- horizontal x 60- vertical (nominal)
Connectors: (2) XLR+1/4" (6.35 mm) TRS combo inputs (Balanced), (1) XLR output (Link), (1) IEC power cable input
Input Impedance Line: 10 KO balanced, 20 KO unbalanced, Mic: 1.2K
Line Gain/Volume Control Range: -8 to 0 dB, +4 dBu nominal, +10 dBu for max output
Mic/Inst. Gain/VolumeControl Range: -8 to +50 dB
USB Charging Port: 5V 2.1A
Controls: Power switch, (2) gain control knobs (1 per input), (2) Mic/Line switches, Bluetooth volume control encoder, Pairing button, Stereo Link button, Sub Size
button, Speaker Use button
Indicators: (1) Input Channel Signal/Limit/Clip LED (Green = Ch1/2 Signal) (Yellow = Ch1/2
Limiter) (Red = Ch1/2 Output Clipped), (1) Bluetooth LED (Blue), (1) Link LED (Orange), (4) DSP Presets LED (Green), (3) HPF LED (Green)

Voltage: 100-120V, 50/60Hz; 220-240V, 50-60Hz
Consumption: 1100W
Fuse: 100-120V T15AL AC250V; 220-240V T6.3AL AC250V
Protection: Electronic clip, thermal, and transducer overdrive protection
Enclosure: Injected Moulded Enclosure and Perforated Metal Grille
Mounting/Installation: Standard 36 mm pole socket, flown application with integral M10 suspension points, or in a wedge monitor position
Operating Temperature: -10-C to 45-C (14-F to 113-F)
Dimensions (height x width x depth): 23.9" x 13.9" x 13.8" / 606.5 x 353.5 x 350.5 mm
Weight: 33 lbs. / 15 kg
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 3 in stock $367.09
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Alto Professional TS415 15" 2500W Active PA Speaker (single) Alto Professional TS415 15" 2500W Active PA Speaker (single) Alto Professional TS415 15" 2500W Active PA Speaker (single) Alto Professional TS415 15" 2500W Active PA Speaker (single) Alto Professional TS415 15" 2500W Active PA Speaker (single) Alto Professional TS415 15" 2500W Active PA Speaker (single) Alto Professional TS415 15" 2500W Active PA Speaker (single) Alto Professional TS415 15" 2500W Active PA Speaker (single)
Cat: 899009 Rel: 08 Sep 22 • View all PA Speakers | PA Speaker Systems
 
2500-watt 15-inch 2-way powered loudspeaker with Bluetooth, DSP & app control
Notes: Large 15-inch version of Alto's fourth-gen TrueSonic PA speaker, featuring more power and better sound quality than the older TS3 model, plus advanced Bluetooth integration for streaming and remote control.

Supplier's Notes:
2500-watt 15-inch 2-way powered loudspeaker with Bluetooth, DSP & app control

TrueSonic TS4 from Alto Professional

Louder. Clearer. Smarter.

Where TS3 exceeded expectations, TS4 redefines them completely.

Building on the legacy of the best-selling TrueSonic speakers, the TS4 Series delivers increased power, clearer sound, and advanced Bluetooth functions including streaming, speaker linking, and App control.

Compact, lightweight, and designed for reliability, the new TS4 Series makes it simple to get great live sound at every event.

True Sonic Power

Whether you need a powerful vocal PA or club-shaking bass performance for a DJ set, TS4 speakers deliver loud, clear, room-filling sound for any application.

With a 15-inch woofer, and a 1.4-inch compression driver, TS415 delivers 2500W of class-leading power and clarity in equal measure.

Free Alto App for remote configuration and control

Available free for both Android and iOS, the Alto App gives hands-on remote control over Bluetooth levels, Speaker Use Modes, Custom EQ and Sub Size selection. Further, True Wireless Stereo linking can be configured remotely via the app to save time during setup.

Built-In 3-channel mixer

Every TS4 features an integrated 3-channel mixer, with two Mic/Line input channels and a dedicated Bluetooth channel. The Mic/Line channels feature XLR/TRS combo jacks and can be used with microphones, instruments, and line-level signals without the need for additional hardware or adjustment. Just plug straight into the rear panel and you're up and running.

Simple Bluetooth Streaming & Speaker Linking

The ideal high-powered streaming solution, TS4's built-in Bluetooth connectivity makes it easy to pair your laptop, phone or tablet and get the music pumping in no time at all.

With the True Wireless Stereo function you can stream Bluetooth audio to two TS4 speakers in perfect stereo without the need for any cables.

DSP Modes for the best sound in every application

TS4's three preset "Speaker Use" modes let you optimize the speaker for any application, so you'll get great sound every time at the touch of a button. For even more control over your sound, you can configure a Custom EQ within the Alto App and remote adjust the settings from any listening point in the venue. You can even save your favourite Custom EQ setting direct to the TS4 for easy recall whenever you need it.

Versatile and Reliable

From the high-quality drivers to the fanless class D amplifiers, every aspect of the TS4 Series has been designed for superb reliability, whether used for mobile gigs and performances or fixed installation.

Each speaker features a lightweight, sleek, black box design that can be used as the application demands - freestanding, as a wedge monitor, pole-mounted or suspended via the integrated suspension points

Applications

Solo performers
Musicians and Bands
Mobile DJs
Gymnasiums, fitness centers, and dance studios
Houses of worship
Theatres
Bars, restaurants, clubs
Special events, presentations, and weddings

Technical Specifications

Output Power: 2500W
Drivers Low-Frequency: 15.0" driver, 2.5" (63 mm) high-temperature voice coil. 1 x 800 W RMS @ 2 O.
High-Frequency: 1.0" exit ceramic driver with 1.4" (35 mm) coil. 1 x 450 W @ 4 O.
Crossover Frequency: 2 kHz
Maximum SPL: 135 dB (peak), 132 dB (continuous) (dB-SPL @ 1 m)

Frequency Response: 44 Hz - 20 kHz (+/- 3 dB)
Frequency Range: 33 Hz - 20 kHz (-10 dB)
Horn Coverage: 90- horizontal x 60- vertical (nominal)
Connectors:(2) XLR+1/4" (6.35 mm) TRS combo inputs (Balanced), (1) XLR output (Link), (1) IEC power cable input
Input Impedance Line: 10 KO balanced, 20 KO unbalanced, Mic: 1.2K
Line Gain/Volume Control Range: -8 to 0 dB, +4 dBu nominal, +10 dBu for max output
Mic/Inst. Gain/Volume Control Range: -8 to +50 dB
USB Charging Port: 5V 2.1A
Controls: Power switch, (2) gain control knobs (1 per input), (2) Mic/Line switches, Bluetooth volume control encoder, Pairing button, Stereo Link button, Sub Size button, Speaker Use button
Indicators: (1) Input Channel Signal/Limit/Clip LED (Green = Ch1/2 Signal) (Yellow = Ch1/2 Limiter) (Red = Ch1/2 Output Clipped), (1) Bluetooth LED (Blue), (1) Link LED (Orange), (4) DSP Presets LED (Green), (3) HPF LED (Green)
Power Connection: IEC
Voltage: 100-120V, 50/60Hz; 220-240V, 50-60Hz
Consumption: 1100W
Fuse: 100-120V T15AL AC250V; 220-240V T6.3AL AC250V
Protection: Electronic clip, thermal, and transducer overdrive protection
Enclosure: Injected Moulded Enclosure and Perforated Metal Grille
Mounting/Installation: Standard 36 mm pole socket, flown application with integral M10 suspension points, or in a wedge monitor position
Operating Temperature: 10-C to 45-C (14-F to 113-F)
Dimensions (height x width x depth): 25.3" x 16.4" x 15.8" / 643 x 417.5 x 402 mm
Weight: 38.0 lbs. / 17.2 kg
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 1 in stock $398.64
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quote 899009
AMP Electronics Touch Tones Touch Activated Autoharmony Synthesiser (green) AMP Electronics Touch Tones Touch Activated Autoharmony Synthesiser (green) AMP Electronics Touch Tones Touch Activated Autoharmony Synthesiser (green)
Cat: 908749 Rel: 14 Nov 22 • View all Synthesisers
 
Touch synth with automatic harmony, two bandpass filters - Green
Notes: Unique touch-activated instrument with built-in speaker, allowing you to trigger notes with one hand and modulate the timbre via touch pads. Unorthodox tones, unorthodox interface. Lots of fun.

Supplier's Notes:
Touch Tones is a touch activated auto harmonic synthesizer, with a 3 octave tuning range, XOR logic modulator, Harmonicon auto harmony generator, and two onboard bandpass filters. The left side of the Touch Tones holds three capacitive touch pads for playing notes, while the right side contains a set of 7 touch pads to modulate the different parameters sequencing the synthesizer.

Three octave range plus XOR modulator.
Harmonicon automatic harmony keys play a perfect 5th of each tuned ROOT note.
Dual Luma filters for active timbral shaping via light control.
Wear the Touch Tones for Function or Fashion with the included chain lanyard.
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 1 in stock $339.75
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quote 908749
MOTU M6 6-In/4-Out USB-C Audio Interface MOTU M6 6-In/4-Out USB-C Audio Interface MOTU M6 6-In/4-Out USB-C Audio Interface MOTU M6 6-In/4-Out USB-C Audio Interface MOTU M6 6-In/4-Out USB-C Audio Interface
Cat: 909462 Rel: 08 Nov 22 • View all Audio interfaces
 
6-in/4-out USB-C Audio Interface
Notes: Professional-standard 6-in/4-out interface from the trusted team at MOTU. Pristine sound courtesy of the high-end ESS Sabre32 Ultra DAC, with the versatility of MIDI in/out, dual headphone outputs and A/B monitor control.

Supplier's Notes:
Introducing the M6; Four mic inputs with best in class audio quality, speed, and metering

Audio Quality

Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M6 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone outputs, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.
ESS Sabre32 Ultra DAC Technology for superb analog sound

The same converter technology used in audio interfaces costing thousands

Measured 120 dB dynamic range on outputs

Measured -129 dBu EIN on mic inputs

ESS-driven headphone outputs

Speed

The M6 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

Metering

When recording and mixing, nothing is more critical than achieving optimum levels. The M6 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

Loopback

The M6 driver

provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with up to four mics (and/or guitars) from the M6 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

A/B Monitor Switch

The M6 is the only audio interface in its class to offer A/B monitor switching. Connect two pairs of monitors and quickly check your mixes on each pair with the push of a button.

Stand-alone operation

With the included multi-blade international DC power adapter connected, you can power the M6 when the computer is turned off (or completely disconnected from the M6). This allows you to monitor any live inputs you may have (mics, guitars, keyboards, etc.) without a host computer or iOS device needed.

A tradition of engineering excellence

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Workstation software, virtual instruments and loops to get you making music right away

Connect the M6 to your Mac or PC and start laying down tracks with the included Performer Lite or Live Lite production software, plus hundreds of loops, one-shots and sounds from industry leaders Big Fish Audio, Lucidsamples and Loopmasters.

Technical Specifications

Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
Mic/line/guitar: 4 x XLR/TRS "combo jack" mic/line/Hi-Z guitar inputs Independent preamp gain, 48V phantom power and monitor switch for each input
Analogue inputs: 2 x 1/4" line in
Analogue outputs: 4 x 1/4" TRS line out (balanced, DC coupled) 2 x 1/4" TRS stereo headphone with independent volume
Computer I/O: 1 x USB-C 2.0 audio class compliant Compatible with USB Type A host (*see power below) USB C-to-C and C-to-A cables included
MIDI I/O 1 x MIDI IN 1 x MIDI OUT 16 MIDI channels to/from computer host
Headphones: 2 x 1/4" TRS stereo headphone with independent volume 1 x 3-4 switch for optional monitoring of Line Out 3-4
Phantom power: 4 x individual +48V
Front panel: 2 x 1/4" TRS headphone output 1 x potentiometer - monitor vol 2 x potentiometer - phone vol 1 x potentiometer - input monitor mix 4 x potentiometer - mic/line/guitar input gain 11 x switches - (4) 48V, (5) MON, (1) A/B and (1) 3-4 160 x 120 pixel full-colored LCD with input and output level meters
Power: Bus-powered through USB* Optional multi-blade international 15V DC power adapter (included) *USB bus power available with USB-C hosts only. For other hosts, use the included DC power adapter. For iOS devices with a Lightning port, an Apple Lightning to USB3 Camera Adapter is required (sold separately).
Dimensions and weight (width x depth x height, enclosure only) 9.21 x 4.75 x 1.8 inches 23.4 x 12.0 x 4.57 cm 2.15 lbs / 0.975 kg


System Requirements

Mac System Requirements
Intel Core i3 Mac or faster (including Apple silicon Macs) 4 GB RAM; 8 GB or more recommended macOS version 10.11 or later (Optional driver requires 10.13 or later) Available USB port A large hard drive (at least 500 GB for recording)

Windows System Requirements:
1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 10 or later (x64 only) Available USB port A large hard drive (at least 500 GB for recording)

Class-Compliant Support:
USB audio class compliant for plug-and-play operation on Mac or iOS (no driver required)

Included Software:
MOTU Performer Lite Ableton Live Lite 11 6 GB of loops and sounds from Big Fish Audio, LucidSamples, Loopmasters and MOTU

Line output:

Connector type: 1/4" TRS, balanced, tip hot, Dynamic range (A-weighted): 120 dB, THD+N (unweighted): -110 dB, Max level: +16 dBu

Line Input:
Connector type: 1/4" TRS, bal/unbal, tip hot, Dynamic range (A-weighted): 115 dB, THD+N (unweighted): -110 dB, Max level: +16 dBu

Mic input:
Connector type: XLR, balanced, pin 2 hot, Dynamic range (A-weighted): 115 dB, THD+N (unweighted): 129 dBu EIN, Max level: +10 dBu (at minimum gain)

Phones
Connector type: 1/4", TRS stereo, Dynamic range (A-weighted): 115 dB, THD+N (unweighted): -110 dB, Max level: +12.5 dBu
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quote 909462
EarthQuaker Devices Sunn O))) Life Pedal v3 Distortion Effects Pedal EarthQuaker Devices Sunn O))) Life Pedal v3 Distortion Effects Pedal EarthQuaker Devices Sunn O))) Life Pedal v3 Distortion Effects Pedal EarthQuaker Devices Sunn O))) Life Pedal v3 Distortion Effects Pedal EarthQuaker Devices Sunn O))) Life Pedal v3 Distortion Effects Pedal EarthQuaker Devices Sunn O))) Life Pedal v3 Distortion Effects Pedal EarthQuaker Devices Sunn O))) Life Pedal v3 Distortion Effects Pedal
Cat: 905411 Rel: 07 Nov 22 • View all Effects pedals
 
Distortion with blendable analog Octave Up and Booster effects pedal.
Notes: Sunn O))) and EarthQuaker Devices are pleased to bring you the Life Pedal Volume III. The Life Pedal V3 circuit has been meticulously tweaked from the original to squeeze every last drop of heavy crushing tone available. The octave section has been fine tuned to make it more pronounced without losing the bottom end and we added a third footswitch, utilizing Flexi Switch Technology, for the octave to allow an additional method of quick and radical tone shaping. We are excited to have this back in permanent production, it is a true labour of love.

Life Pedal V3 is a distortion with a blendable analogue octave up and a booster combined in one compact package. The "Amplitude" side is faithfully modelled after the classic "White Face" distortion unit, using modern, reliable components to last a lifetime. The only modifications made to the original circuit are in the clipping section. The traditional circuit uses a single pair of silicon diodes for a tight, compressed crunch.

As with version 2, Life Pedal V3 offers two additional clipping options to better adapt to different rigs. The first position is no diodes to allow for full, grinding Op Amp assault at maximum volume. The second position utilizes two silicon diodes and one LED in an asymmetrical clipping configuration. This delivers a slightly compressed and smooth crunch, similar to a valve amplifier.

The last position is the stock double silicon diode configuration which provides that classic tone you know and love. The Octave in Life Pedal is an all-discrete, analogue full-wave rectifier base on a classic vintage design. Located at the input of the circuit, the Octave control slowly blends in the octave effects as you turn it clockwise. This feature can also be used via expression control allowing for wild, hands-free octave swells mid-riff or using the footswitch for immediate octave fuzz destruction.

Because this is an analogue octave effect, it is monophonic and works best playing single notes above the twelfth fret while using the neck pickup. Playing chords with the analogue octave will sound clanging and chaotic.

Using the bridge pickup and playing below the twelfth fret will produce a very subtle octave effect. Going full Octave transforms Life Pedal from a simple distortion device into a swelling, raging fuzz similar to the classic Super Fuzz!

The "Magnitude" section of Life Pedal is a simple all-discrete MOSFET booster designed to blast your preamp tubes and drive them wild. It is a 100% clean, no-nonsense, high impedance booster that adds very little colour to your tone. It does not add distortion on its own but has plenty of output to push your amp into saturation.

The signal path goes Octave>Distortion>Boost. The octave distortion and booster can be used independently with their own respective foot switches. The Petrine Cross is the octave distortion and the Christian Cross is the booster.
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 1 in stock $347.09
Empress Effects Para EQ MkII Deluxe Equalizer Effects Pedal
Cat: 910093 Rel: 07 Dec 22 • View all Effects pedals
 
Empress Effects brought back the most sought-after Parametric EQ pedal, with groundbreaking upgrades.
Notes: The #1 EQ pedal returns - better than ever

Empress Effects brought back the most sought-after Parametric EQ pedal, with groundbreaking upgrades.

Everything people loved about the original ParaEq was kept, and more fidelity and control have been added.

More Control

Whether you're trying to cut through a mix or fix a feedback issue, you need precision! The ParaEq MKII offers the most control of any pedal EQ on the market.

More Sweetness

Effortlessly sweeten your tone with beautiful sounding, super smooth Baxandall filters for broad high and low frequency shelving adjustments on the Deluxe.

More Power

The ParaEq MKII pedals operates internally at 27V, providing clean headroom without unwanted clipping.

More Purity

This pedal is able to offer the most control without degradation to the tone due to minimal circuit topology00-the opposite of graphic EQs.

Why Choose Parametric EQ over Graphic EQ?
Parametric VS Graphic EQ Graph
Graphic equalizers provide a convenient visual sense of the EQ curve. However, there is a tradeoff in transparency and precision.

The graph here shows the ParaEq MKII Deluxe (cyan) and a 7-band graphic EQ pedal (magenta) both providing a +4dB boost at around 2 kHz. As can be seen, the ParaEq is much more precise in the changes it can make, whereas the graphic EQ affects nearly the entire frequency spectrum. Furthermore, at around 10kHz the ParaEq is providing unity gain, whereas the graphic EQ is attenuating the signal by nearly 6dB. This makes the ParaEq a more transparent circuit than the graphic EQ.

This combination of transparency and precision is why recording studio control rooms are dominated by parametric equalizers, and why they're a great choice for creative and corrective EQ on your pedalboard.

Which ParaEq Do You Need?

The original ParaEq has been loved and trusted by musicians on a variety of instruments for over a decade. Both the ParaEq MKII and the ParaEq MKII Deluxe feature a low-noise, transparent signal path that is extremely versatile.

With three fully parametric bands, you can simultaneously achieve broad tonal shaping and precise fine-tuning to sculpt your perfect sound.

The ParaEQ MKII Deluxe will appeal to players who:

Need high-pass and low-pass filters for precision work at the frequency extremes
Want the glorious sound of Bandaxall filters for sparkling high end or extra weight in the low end
Want to be prepared for any EQ situation

Specifications

Input Impedance: 1MO
Output Impedance: 100O
Frequency Response (-3dB): 22Hz - 25kHz
Total Harmonic Distortion: < 0.05%
Noise: > 107dB
Headroom: +30dBu
Input Voltage: 9VDC Centre-Negative
Required Current: 300mA
Power Input Connector: 2.1mm Barrel Connector
Height (Enclosure Only): 1.5"
Height (Including Controls): 2.5"
Length: 3.5"
Width: 4.5"
Weight: 1lb
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Tags: EQ pedal
 1 in stock $410.20
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quote 910093
After Later Audio Razor Blades Redesigned Module
After Later Audio Razor Blades Redesigned Module (distortion/filter/waveshaper synth module)
Cat: 910116 Rel: 21 Nov 22 • View all Synth modules
 
This is an exact hardware replica of the Mutable Instruments Blades module.
Notes: This is an exact hardware replica of the Mutable Instruments Blades module.

This model uses the original "hard-to-find" opamps, but After Later have substituted V2164M with AS2164D. All of After Later's products use AS2164D and there should be no measurable change in behaviour.
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MRP:$373.40 SAVE 10%
 2 in stock $336.58
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quote 910116
Dreadbox Erebus Reissue Semi-Modular Analogue Desktop Synthesiser Dreadbox Erebus Reissue Semi-Modular Analogue Desktop Synthesiser Dreadbox Erebus Reissue Semi-Modular Analogue Desktop Synthesiser
Cat: 911260 Rel: 14 Dec 22 • View all Synthesisers
 
All Analog Paraphonic Synthesizer, Faithful Reproduction of the Erebus V1.
Notes: Reissued version of one of Dreadbox's back catalogue synths, the Erebus is a paraphonic design with two VCOs, a characterful low-pass filter, built-in delay and updated snappy envelopes.

Supplier's Notes:
Dreadbox's most unique sounding analogue synthesizer is finally back, warmer and snappier than ever!

All you synth lovers, the time has come to dive into the Erebus...

All Analogue Paraphonic Synthesizer
Faithful Reproduction of the Erebus V1
2 Oscillators with 2 Waveforms each
Separate Glide controls and Hard Sync function
2-pole Low Pass pre-fed Filter
1 ADSR envelope and a AR Amp Envelope
Snappier than the V1

OTA VCA
Lo-Fi Delay effect
Wide Range LFO
15 patch points for an astonishing and spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)

Ethereal & Dreamy

Warm sounding Oscillators
Classic Dreadbox Filter
Snappy Envelope Generators
Lo-Fi Delay effect to expand your sound
CV outputs: Envelope, LFO, Mod Wheel, Gate, CV1, CV2
CV inputs: Osc1, Osc2, Echo, Cutoff, CV, Gate, LFO Rate, PW, VCA

Specifications & Connections

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out

Dimensions: 21.5 x 13 x 6.5 cm
Weight: 1 kg

Requirements:

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones

Included in the box:

Erebus Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter
1x Ribbon cable
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 1 in stock $434.40
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quote 911260
The Rolling Stones In Mono
The Rolling Stones In Mono (limited coloured vinyl 16xLP box set)
Cat: 712081 1. Rel: 19 Jan 23
 
Rock
The Rolling Stones (LP1)
12 X 5 (LP2)
The Rolling Stones No 2 (LP3)
The Rolling Stones, Now! (LP4)
Out Of Our Heads (US) (LP5)
Out Of Our Heads (UK) (LP6)
December´s Children (& Everybody´s) (LP7)
Aftermath (UK) (LP8)
Aftermath (US) (LP9)
Between The Buttons (UK) (LP10)
Flowers (LP11)
Their Satanic Majesties Request (LP12)
Beggars Banquet (LP13)
Let It Bleed (LP14)
Stray Cats (LP15)
Stray Cats (LP16)
Review: The Rolling Stones In Mono was first released in 2016 as a box-set charting the megagroup's entire roster of British and American studio albums. Deferring to the original mono playback format for which their music was originally recorded (and thus sounds best with) this monster compilation is a comprehensive look back at the Stones' 1960s heyday - plus their 2016 additional exclusives and rarities album, Stray Cats.
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 in stock $335.53
Landscape Stereo Field Quad Modular Touch Plate Feedback Atonal Synthesiser Landscape Stereo Field Quad Modular Touch Plate Feedback Atonal Synthesiser Landscape Stereo Field Quad Modular Touch Plate Feedback Atonal Synthesiser Landscape Stereo Field Quad Modular Touch Plate Feedback Atonal Synthesiser
Cat: 642532 Rel: 21 Sep 17 • View all Synthesisers
 
A stereo/quad modular touch plate feedback atonal synthesizer, a stereo/quad audio processor and a pressure sensitive chaotic CV "controller"
Notes: Stereo Field is one instrument with three uses. It is simultaneously a stereo/quad modular touch plate feedback atonal synthesizer, a stereo/quad audio processor and a pressure sensitive chaotic CV "controller". All three uses are available separately as well as simultaneously and in conversation with each other.

The Stereo Field allows its user to manipulate and patch two analogue stereo preamp circuits via touch plates. By utilizing skin conductivity as new paths for current to follow you are creating "new circuits" and new sounds in relation to where your fingers are patching. The individual touch plates are directly connected to nearly every connection point of every component in its circuitry (located directly under each corresponding touch plate).

When touched with multiple fingers it will create atonal analogue feedback with either of the two mirrored circuits represented by interlocking touch-plate circles. The resulting feedback can go beyond the abilities of human hearing (take caution!) and down to the very slow clicks of a saw waveform and both can often be happening simultaneously. These parallel mirrored circuits can be finger patched separately or together yielding vastly different chaotic results in regards to texture, timbre and stereo imaging. This instrument has the ability to create atonal synth tones in stereo (and quad) as well as process incoming stereo audio (and quad) sources via 1/4" and 3.5mm ins and outs. Incoming audio sources can be "patched" or rewoven into any area of either or both of the circuits via skin contact.

The two stereo input volume knobs (centre) shape and effect distortion, drive amounts, internal feedback pitch, and modulation rates depending on how your fingers are patching. The quad inputs and outputs via the 3.5mm jacks have small touch plates leading to and from allowing for touch access of each of the 4 inputs and 4 outputs. If multiple audio signals are traveling into the Stereo Field these audio sources can be intermingled and can modulate one another, again depending upon where your fingers are patching.

Sending CV signals into the 3.5mm input jacks will open up many more possibilities both in terms of synthesized sounds and audio processing. Since the two stereo circuits are mirror images of one another the 3.5mm ins and outs can also be thought of as (L/R,R/L) and when your hands get involved this imaging will be further confused and jumbled as your skin can intermingle all of these paths.

The Stereo Field can also be used as a controlled chaos source when using the 3.5mm outputs to send the feedback your hands create as CV to your modular system. Due to the nature of feedback and finger patching the 4 available CV signals have the ability to get incredibly complex, organic and textured in nature (see audio examples below in use with a euro-rack system). Because of the open nature of Stereo Field it can both send and receive CV modulation simultaneously. In addition, this can all be happening while your finger patching is changing and altering the incoming and outgoing CV while also processing incoming audio. These ins and outs can also be patched together with cables for sustained tones with the pitch/rhythm/volume/"cutoff" being affected by adjusting the incoming and outgoing volume knobs in various settings. Inter-patching in this way will also allow for sustained pulse beats and filter-esque sound shaping in addition to bringing new results to finger patching via the touch plates.

Most importantly, processed audio and synthesized audio are available simultaneously with the ability to influence and modulate each other. This will often blur the lines between the two; who is manipulating who, who comes out on top as audio and who is modulation? This can be a constantly evolving cycle based upon where the performers fingers are placed and highly sensitive skin contact pressure changes.
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quote 642532
Moog Minimoog Model D Ballistic Cordura Soft Case Moog Minimoog Model D Ballistic Cordura Soft Case Moog Minimoog Model D Ballistic Cordura Soft Case Moog Minimoog Model D Ballistic Cordura Soft Case
Cat: 912331 Rel: 09 Dec 22 • View all Keyboard Covers | Keyboard Bags
 
Protect your Minimoog Model D while on the go.
Notes: Protect Your Minimoog Model D

The Minimoog Model D SR Series Case features generous padding around a semi-rigid ABS shell, a rugged Ballistic Cordura outer that resists tears and abrasions, and laminated water-resistant zippers to offer on-the-go protection and safe storage for your instrument. Multiple strap and handle configurations keep your commute comfortable, and multifunction pockets ensure you're organized on arrival.

Developed with Artists for Artists

Musicians report the most important performance a case can offer are protection from impact and protection from water... in that order. With that in mind, Moog SR Series Cases have been developed to be the first line of defense for your synthesizer.

Complete Protection, Comfort, and Convenience

Multiple strap and handle configurations keep your commute comfortable, and multifunction pockets ensure you're organized on arrival.
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 1 in stock $345.00
Serge Precision VCO (PCO) Voltage Controlled Oscillator Module Serge Precision VCO (PCO) Voltage Controlled Oscillator Module
Cat: 912984 Rel: 01 Dec 22 • View all Synth modules
 
Oscillator module - 18HP
Notes: The Precision VCO (PCO) is Serge's legendary oscillator. It combines raw vintage sound with astonishing precison.

The PCO is a versatile, voltage controlled oscillator now offering four high quality waveform outputs (sine, triangle, pulse and sawtooth) and both linear and exponential frequency modulation capabilities . A front panel switch conveniently extends the range of the PCO from the audio range (16 to 16,000 Hz) to a sub-audio range (.1 to 200 Hz) for use as a Low Frequency Oscillator.

EXCELLENT RESPONSE, TRACKING AND STABILITY: Featuring the identical exponential response, exceptional tracking characteristics, and perfect temperature stability as the NTO, the PCO is especially suited for use with the NTO or another PCO as a modulation source for dyanamic depth linear FM.

Two calibrated one volt per octave inputs as well as a variable processing input are provided for complex frequency control. FM depth can be varied with the front panel adjustment. A Sync input is also available for locking the PCO to another oscillator's fundamental, harmonic, or sub-harmonic frequency.

The Serge PCO is the only authorized version of Serge's classic design.

Some details of the Serge PCO eurorack module:

Authentic Serge design
Now with PULSE OUT
Variable oven temperature
Manufactured in Germany
Eurorack (3U) format, 18 hp
Power consumption: 75mA @ +12V, 60mA @ -12V
Skiff-friedly, Module depth: < 30mm
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Sonicware SmplTrek Portable Production Sampler Sonicware SmplTrek Portable Production Sampler
Cat: 913149 Rel: 16 Dec 22 • View all Samplers
 
Portable Production Sampler
Notes: *** Version 1.3 features enhancesd drum tracks. ***

Portable hand-held sampler with serious power, originally launched on Kickstarter and now in production. One-touch sampling via a range of inputs, internal sequencer, built-in effects and resampling.

Supplier's Notes:
Easy Sampling

You can easily sample any sounds with the built-in microphone, your microphone or electric guitar connected to the input, or even a USB-connected smartphone or PC/Mac.

You can even sample applying an insert effect. For example, your electric guitar can be added to Distortion or your vocal to Compressor.

Sampled sounds can be quickly assigned to pads with auto-slicing, and can also be edited manually in detail by viewing the waveform display.

Sampled sounds can also be easily matched to the tempo and key of your song.

You can also resample a sequenced phrase of sampled sounds including applied effects.

Flexible Song-making

Each song project has 16 sequential parts called "Scenes". Each Scene has 10 sequencer tracks which can behave in different ways, as described below:

- Loop Track: Sequencer for a looping sample
- Shots Track: Sequencer for a single one-shot sample
- Drum Track: Step sequencer for drums
- Instrument Track: Piano roll type sequencer for musical instruments
- MIDI Track: Piano roll type sequencer for external MIDI equipment

Three additional Global Audio Tracks are available for longer recordings like vocals and external instruments. These tracks can record multiple takes which can be spliced into a final perfect version. Traditional "punch-in" style recording is also supported.

Easily structure a full song by sequencing scenes and setting how many times they repeat before moving to the next scene. You can set the order of scenes via a copy function.

A song can be mixed down through a mastering effect, and be exported to a single audio file or individual audio files (stem files) for each track.

Effortless Music Streaming

You can stream your music in perfect quality with a single USB cable, without any driver installation or troublesome menu settings.

You can livestream your voice and performance in real time while playing along with your song. And they can be controlled with crossfading and mixing with effects.

Massive Sample Libraries

More than 500 high-quality sample sounds are available (for download), so you can start creating a songs right away, even if it's your first time.

Samples you record are stored to the SD card. In Crad Reader mode you can download your recordings, or import new samples from your PC/Mac.

36 types of internal DSP effects can be used as the insert, send, and master effects.

Versatile Connectivity

The SmplTrek can connect to a wide range of audio sources such as, dynamic microphones, electric guitars/bass, synthesizers, and even USB audio sources from PC/MACs or smartphones.

The SmplTrek can output audio via two analog outputs, or digitally via USB for live streaming and direct DAW recording.

It can also synchronize its tempo with other devices using MIDI or audio sync.

Maximum Polyphony:
35 voices
+ LOOP track + SHOT track + DRUM track + INST track: 30 voices
+ GLOBAL audio track: 3 voices (3 mono tracks)
+ USB audio track: 1 voice
+ External source: 1 voice
(DRUM track and INST track have a maximum of 8 voices each track. MIDI track can also output up to 8 notes each track.)

Sampling/Recording:
48kHz-16bit linear
Sampling Time: Maximum sampling time (size) for a single sample is approximately 180 minutes in stereo (2 GB).
Recordable Data: Depend on SD card *SD card sold separately
Data Format: WAV
Resampling, auto-slicing, time-stretching, pitch-changing functions
*SmplITrek requires an SD card for sampling. Supported SD cards are SDHC cards up to 32 GB. (SDXC cards are not supported.)

Sequencer:
Each song project has 16 scenes
1 scene contains 10 sequencer tracks and 3 additional audio tracks
Track Type
Loop Track: Sequencer for a looping sample (Max 10 tracks/project)
Shots Track: Sequencer for a single one-shot sample (Max 10 tracks/project)
Drum Track: Step sequencer for drums (Max 1 track/project)
Instrument Track: Piano roll style sequencer for musical instruments (Max 3 tracks/project)
MIDI Track: Piano roll style sequencer for external MIDI equipment. (Max
10 tracks/project)
Max. number of bars: 128 bars in Scene
Note Length: 1/1~1/32
Various copy functions
Transpose function
Real-time and non-real-time recording
Metronome, pre-count function

Effects: 36 types (Insert, Send, Master Effects)
Pads: 15 velocity-sensitive pads with RGB LEDs
Controllers: Control knob x 5, Directional pad with 2 button controls
Display: 1.5 inch OLED display
Built-in Mic: Mono x 1 (Omni-directional, 94dBSPL)
Built-in Speaker: Mono x 1 (1.5W 4 O)

Connectors:

INPUT L / Guitar (Switchable 10kQ and 1MQ impedance) / Dynamic Mic
[LINE Gain] PAD: -20dB
[Hi-Z Gain] LOW: 0dB, NORMAL: +10dB, HI: +20dB
[MIC Gain] LOW: 0dB, NORMAL: +10dB
INPUT R / Dynamic Microphone
[LINE Gain] PAD: -20dB
[MIC Gain] LOW: 0dB, NORMAL: +28.8dB, HI: +50dB
STEREO LINE OUTPUTS (Max +6.5dBV)
*The above jacks are all balanced 1/4" TRS Jack Connectors
PHONES jack (stereo 3.5mm mini jack type)
USB port (micro USB Type-B)
[USB Audio] USB 2.0 Full Speed, 48kHz-16bit
Input: 2 channels, Output: 2 channels
[USB MIDI]
[Mass Storage Class] USB2.0 High Speed
*For iPhone, Apple Lightning to USB Camera Adapter required separately
MIDI IN connector (5-Pin DIN type)
MIDI OUT connector (5-Pin DIN type)
AUDIO SYNC IN jack (mono 3.5mm mini jack type)
AUDIO SYNC OUT jack (mono 3.5mm mini jack type)
SD card slot
DC IN connector

Power Supply:
DC12V output AC adapter (500mA, Inner Diameter: 2.1mm, Outer Diameter: 5.5mm, Polarity: Centre +)
Ni-MH AA SIZE Rechargeable Battery or Alkaline AA SIZE Dry Battery x 6
(Alkaline dry batteries life: approx. 4 hours)
*Batteries sold separately

Accessories:
AC Adaptor
Warranty
*SD card, USB cable and the other connection cables sold separately

Size and weight

Width: 147mm | approx. 5.8 inch
Depth: 175mm | approx. 7.8 inch
Height: 46mm | approx. 1.8 inch
Weight: 550g | approx.1 lbs 3.5 oz
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 2 in stock $458.29
4ms Shaped Dual EnvVCA 2-Channel Analogue Envelope Generator Module 4ms Shaped Dual EnvVCA 2-Channel Analogue Envelope Generator Module 4ms Shaped Dual EnvVCA 2-Channel Analogue Envelope Generator Module
4ms Shaped Dual EnvVCA 2-Channel Analogue Envelope Generator Module (dual/stereo/envelope generator/function generator/VCA/waveshaper synth module)
Cat: 913168 Rel: 08 Dec 22 • View all Synth modules
 
A two-channel analogue envelope generator with waveshapers and a stereo linear VCA.
Notes: The Shaped Dual EnvVCA is a two-channel analogue envelope generator with waveshapers and a stereo linear VCA. Unlike conventional analogue envelope modules, the waveform of each envelope can be controlled with a slider or CV without changing the envelope timing. With a wide time range from an hour to 2.5kHz, and a plethora of CV inputs and attenuverters, it can be used as an LFO, audio-rate oscillator, slew limiter, waveshaper, ASR/ADSR/complex EG, independent audio/CV VCA, envelope follower, sidechain processor, and general utility module. Each channel has dedicated linear outputs plus attenuverters and offset controls for the variable waveshape outputs, making it an ideal modulation source and stereo VCA.

100% analogue

Shaped Dual EnvVCA

20HP Eurorack format module
0.95" (24mm) maximum depth (includes power cable)
10-pin Eurorack power header

Power consumption
+12V: 255mA
-12V: 230mA

Audio/VCA
100k input impedance, 1k output impedance, DC-coupled
VCA gain range: -90dB to +2.0dB, linear response to CV from 0V to 5V
VCA unity gain: 4.4V CV
DC to 20kHz, +/-0.1dB

Envelope Times
Minimum rise or fall time: ~200us per segment (2.5kHz max frequency)
Maximum rise time: >20 minutes (typically > 40 minutes)
Maximum fall time: >12 minutes (typically > 20 minutes)

Jacks:
Env jack: Min = -10.2V, Max = +10.1V, maximum amplitude 9.3Vpp
Trigger jack: rising edge threshold = 1.25V
Follow jack: active range = 0V to +5V

EO* jacks:
EOR (channel A): <80mV low to >4.50V high gate output
EOF (channel B): <80mV low to >4.95V high gate output
Minimum stable pulse width: 1ms. Shorter than this may produce extra 50us pulses
Audio In/Out jacks: -10V to +10V maximum range without clipping
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MRP:$356.57 SAVE 12%
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quote 913168
Der Mann Mit Der Maschine Droid M4 Motor Fader Controller Module
Cat: 913511 Rel: 07 Dec 22 • View all Synth modules
 
DROID M4 motor fader controller with 4 faders
Notes: This module provides you with four motorised faders (aka flying faders) to be attached to your DROID master. You can attach up to 16 of these units (or any other DROID controllers) to one master, so the maximum number of faders on a DROID is 64. Below each fader is a touch button and an LED.

You can use the faders, the buttons and the LEDs in very flexible ways to control all parameters in your DROID patches, like steps of a sequence, volumes of channels of a digital mixer (controlled via MIDI with the X7), parameters of a large bank of envelopes, CV values that are organized in presets and much more.

The special thing about the motorized faders is that each fader can be assigned several functions or presets. When you switch the function, the fader moves to the exact position that corresponds to the current value. The usual Eurorack "picking up" of potentiometers or faders, where you never know exactly which value is currently set, is now a thing of the past.

Another unique feature is the "haptic feedback". If a fader is used, for example, in a sequencer to select a note from a scale, you can feel each individual note like an artificial notch. The fader intelligently creates these virtual grooves with its motor. This is very useful and very intuitive whenever you use the fader to select one out of several discrete values. Other examples are clock divider settings, the number of a preset, a waveform, a clock offset and much more. Due to the haptic feedback you don't need any display for seeing what you are doing. You can concentrate on making music and play very intuitively.

Another kind of haptic feedback is a kind of "pitch bend wheel", where the fader always pushes back to the center position by itself. Here the motor creates an artifcial spring. When setting analog values such as a volume or a filter cutoff, the fader then runs freely, of course.

Applications

The DROID plus the faders can be used for various applications - and due to the possibility of switching even at the same time! Here are some example:

A multi track performance sequencer
Use a MIDI controllable digital audio interface as mixer
Control a bank of four envelopes with A, D, S, R each with just four faders
Use the faders for CV presets
Use the faders and their haptic feedback for live performing with pitch bends, ratcheting and all other crazy stuff
Power
Motor faders need much energy. Theoretically one single fader can draw up to 800 mA when at full power. That seems to be the main reason why nobody dared in bringing motorised faders into Eurorack so far.

Der Mann Mit Der Maschine have solved that challenge by making use of the fact that the fader need their power always just for a very short time. The M4 unit comes with four big power tanks (called super caps) that are loaded with a low current but provide the full power when the faders need them. That way the maximum current of one M4 unit is limited. With jumpers on the back you can choose between a peak current of 350, 450, 500 or 600 mA.

Dimensions
14 HP
42 mm deep

Current Draw
350 mA +12V
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 1 in stock $476.47
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TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black) TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black) TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black) TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black) TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black) TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black) TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black)
TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black) (delay/digital/distortion/dual/stereo/effect/filter/pitch shifter/reverb synth module)
Cat: 914087 Rel: 12 Dec 22 • View all Synth modules
 
A cartridge-based open source digital sound processing and effects generating platform for your modular synthesizer.
Notes: Tiptop Audio's Z-DSP is a cartridge-based open source digital sound processing and effects generating platform for your modular synthesizer. Lush audio processing, greater stereo depth and a unique set of digital synthesis is what the Z-DSP is all about.

The Z-DSP has a stereo digital sound processor with 24-bit sampling, 15kHz of bandwidth, voltage-controlled parameters of stereo feedback, program switching, DSP parameters, equal power crossfading dry/wet mixing, as well as sequential program control switching and a clear display - all in Eurorack format. A dedicated clocking input for the DSP chip does wonders to passing sound by bending the algorithms in an unexpected way, a hardware technique computer plugins can't do and is unique to the Z-DSP.

In a recent update, the Z-DSP (NS) got an all new design of its analogue circuitry, contributing to a lower noise signal path, clearer sound of the entire frequency range, lower distortion and better immunity to noise emitted by other modules sharing the same power supply. A new analogue dry/wet circuit has been implemented to remove the 3db gain drop when the mix knob passes through the centre of the dial making the use of this function more practical in a live application. A reverse polarity protection has been added as well. The new front-panel matches Tiptop's colourful design, and a single printed circuit board and surface mount technology improve reliability during production and use. The powerful Z-DSP engine remains the same as the original Z-DSP module and all cards are compatible across both versions.
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MRP:$468.07 SAVE 17%
 1 in stock $387.07
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Softube Console 1 Fader Mixer Controller (black) (B-STOCK) Softube Console 1 Fader Mixer Controller (black) (B-STOCK) Softube Console 1 Fader Mixer Controller (black) (B-STOCK) Softube Console 1 Fader Mixer Controller (black) (B-STOCK) Softube Console 1 Fader Mixer Controller (black) (B-STOCK) Softube Console 1 Fader Mixer Controller (black) (B-STOCK) Softube Console 1 Fader Mixer Controller (black) (B-STOCK) Softube Console 1 Fader Mixer Controller (black) (B-STOCK) Softube Console 1 Fader Mixer Controller (black) (B-STOCK) Softube Console 1 Fader Mixer Controller (black) (B-STOCK) Softube Console 1 Fader Mixer Controller (black) (B-STOCK) Softube Console 1 Fader Mixer Controller (black) (B-STOCK) Softube Console 1 Fader Mixer Controller (black) (B-STOCK) Softube Console 1 Fader Mixer Controller (black) (B-STOCK)
Cat: 914138 Rel: 24 Oct 19 • View all MIDI controllers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Improving feel and workflow, and making the best of hardware and software available in one place, Console 1 Fader allows you to raise the sound quality bar to new heights. Mixing a masterpiece isn't easy, but with Console 1 Fader there's no limit to what you can do. Now's the time.

Ten touch-sensitive 100 mm Alps motorized faders give premium professional feel and feedback, while the weighty powder-coated steel chassis means durability and substance in a sleek Scandinavian design.

Fader includes two console emulations (Tube and Discrete). Way more than a simple controller, Fader enriches the sound of your tracks in the same ways as a true analog console.

Riding faders is muscle memory for many mix engineers. For those of us who play the desk like an instrument, Console 1 Fader gives quick and intuitive control over volume, saturation, filtering, and much more.

The Console 1 mixing ecosystem is so much more than a simple DAW/plug-in controller. It's an efficient, elegant, and amazing-sounding modern mixing solution, combining hardware and software to give you the best of both worlds: the versatility, affordability, and usability of in-the-box mixing, alongside the workflow, feel, and focus dedicated hardware can bring.

Console 1 Fader can be used alone, or in combination with the original Console 1 channel strip controller for a tight 'complete desk' experience. You can even use multiple Console 1 Fader units to build the ideal workflow for your specific studio.

There are many ways to mix a masterpiece, but riding faders is a matter of muscle memory for a lot of us. And for good reason - reaching out and grabbing five or ten different sounds or groups at once, and quickly adjusting, listening, adjusting, listening, balancing... it's a full-body discipline, and software alone can't come close.

Tapping into the same purpose-designed software environment as the original Console 1 channel strip controller, Fader brings new levels of control over the wider world of your mix. You can ride up to ten channels at once, working volume, high-and-low-cut filter values, drive and drive character (modeled desk saturation), and more. Then page up for ten more channels. And ten more, until you have easy access to your whole mix, even when tracks number into the hundreds.

Expandable with world-class sounds
Because all the audio signal processing happens in our award-winning component-modeled software, you can switch out the 'circuitry' of your console instantaneously for a different desk sound across your whole project, or even channel by channel.

In addition to the two analog console sounds Fader ships with, you can purchase any of our Console 1 channel strips and use those classic desk sounds with Fader.

Selected features

Fader modes
Fader allows you to quickly and intuitively control track volume, drive level, drive character, input gain, low cut, high cut, and up to three send levels, all from the same high quality motorized faders.

Transport controls
The three assignable buttons work by default as basic transport controls for the major DAWs, but each can be assigned to a keycommand of your choice (e.g. CTRL+Z), for whatever use you can imagine.

Encoder
Mounted on a high-grade all-metal potentiometer, Console 1 Fader's single encoder offers control of pan per track, but also unlocks a powerful stereo spatialization tool, to widen or consolidate your individual tracks, situating each sound perfectly in your mix.

Layer mode
With our innovative new 'Layer Mode' you can create layers of tracks, putting many levels of mixing at your fingertips. Low cut all your guitars at once, or saturate your groups early on for a top-down effect in seconds.

In short
A 10-fader approach to Console 1, our hybrid hardware/software mixing ecosystem
High quality hardware, designed and built for both feel and function
Take fast and intuitive control of volume, saturation, filtering, and more
Two awesome-sounding component-modeled console emulations included
Expand your sonic options with Console 1 expansion channel strips (sold separately)
'Layer Mode' allows you to organise and affect your mix in powerful new ways
Spatializer tool offers fast per-channel control of stereo width
Works with all major DAWs straight out of the box - no MIDI-mapping required
Use alone, or in combination with the original Console 1 channel strip controller
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 1 in stock $487.58
Benidub Phase 12-Stage Analogue Optical Stereo Phaser Effects Unit Benidub Phase 12-Stage Analogue Optical Stereo Phaser Effects Unit Benidub Phase 12-Stage Analogue Optical Stereo Phaser Effects Unit Benidub Phase 12-Stage Analogue Optical Stereo Phaser Effects Unit Benidub Phase 12-Stage Analogue Optical Stereo Phaser Effects Unit Benidub Phase 12-Stage Analogue Optical Stereo Phaser Effects Unit Benidub Phase 12-Stage Analogue Optical Stereo Phaser Effects Unit
Cat: 916838 Rel: 19 Dec 22 • View all Effects units
 
12-Stage all-analog optical stereo phaser
Notes: Beautiful combo of vintage tech and modern features from Benidub's boutique analogue phaser unit. Six-stage stereo processing with real-time switching to 12-stage mono mode. Excellent playability with large controls.

Supplier's Notes:
Old school mojo with a modern twist on versatility and sound quality
PHASE is an analogue optical phaser, featuring 12-stage in mono and 6-stage when used in stereo. You can switch between the two modes with the "Mode Select" control any time. We made it completely clickless, allowing you to flawlessly switch mode during your set! This unique control provides even more playability and a wide range of phaser tones.

100% analogue audio path for subtle-to-extreme true phasing colours and tones

Unlike many other phasers in the market, designed after guitar-frequencies needs, Benidub's PHASE has been built with a "studio" oriented design in mind, making it the best phaser for either producers and musician. From studio-standard headroom to balanced connections, everything is designed to improve sound quality while granting a smooth and precise excursion along a wide frequency spectrum.

Features

100% Analogue
As any other BENIDUB device, Phase is precisely built with high quality components for a complex and organic sound. The optical-based design not only ensures the best signal/noise ratio for a phaser circuit but also provides the iconic old-school timbre we all love.

Versatile Routing
PHASE can be used as a 12-stage mono or a 6-stage stereo phaser. We designed it as a playable feature, allowing you to switch between the two modes with the Mode Select, clickless control. Not just a "setting", but a tool to build new phasing effect possibilities.

Performance Oriented Design In A Sturdy Case
While designing PHASE we kept our easy-to-use, performance oriented philosophy. PHASE comes in a tank-built enclosures with every control you'll ever need on board, making it an extremely playful stompbox.

Specifications
1. Input L:

1/4" Balanced or Unbalanced jack. The "main" mono input of the unit.

2. Bypass:

Turns off the out of phase signal, thereby stopping the phaser effect.

3.LFO Depth:

Sets the amount of modulation.

4.Input:

In INSERT mode, you got the usual 50/50 dry signal. In AUX mode, you got the full wet signal.

5. Mode Select:

On MONO you get 12 stages. On STEREO you get 6-stages per channel. The stereo mode can be used with a mono input to generate a mono-to-stereo output.


6. Power Input:

12VDC, 500mA, center positive, 2.1mm*5.5mm barrel connector.

7.LFO Mode:

In LINEAR mode, all the 12 (6+6) stages will receive the same modulation. In MIRRORED mode, the first batch of stages modulation will be inverted.

8. LFO Rate:

Sets the modulation speed.

9. Centre frequency:

Sets the frequency that the phaser will revolve around. The Centre Frequency determines where the middle of the comb-filter will be on the spectrum.

10. Feedback:

The feedback knob controls the amount of phase-shifted signal that gets fed back to the phase-shifting circuit.
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 2 in stock $332.94
New Systems Instruments Triphase Oscillator Sawtooth Oscillator Module
Cat: 939687 Rel: 03 May 23 • View all Synth modules
 
A sawtooth oscillator module with three independent phases and a bipolar mixer in 18HP.
Notes: A clever approach to VCOs here. Three unevenly phased sawtooth signals are blended to create phase cancellations and unorthodox harmonics. Simple but deep.

Supplier's Notes:
Explore the sonic space of phase cancellation! Phase cancellation shapes the characteristics of all acoustic instruments. It forms the basis of chorus and phaser effects. It gives vibrancy to detuned oscillators. The vibrant sound of pulse width modulation or the roaring sound of animated supersaws are a small part of a much larger sonic space that the Triphase Oscillator is built to discover.

The Triphase Oscillator produces three different sawtooth waves at the exact same pitch but with independent phase control. These are blended in a bipolar CP3-type mixer, giving a rich waveform at the output. By blending in a wave with a positive polarity, you reinforce in-phase harmonics; by blending a wave with a negative polarity, you reduce in-phase harmonics. The phase differences between the waves distribute the harmonics from in-phase to out-of-phase. The result is a comb-filter effect, like the effect produced by an acoustic reflection, with notches and peaks spaced evenly throughout the frequency range. Conventional pulse width modulation can be obtained by blending two sawtooth waves with equal but opposite polarity. Supersaw-like behavior can be obtained by using phase CV with the same polarity for all three waves. But many other interesting spaces can be reached. For example, by setting the phases correctly you can cancel out the first harmonic and get a saw an octave higher, or cancel both the first and the second harmonic, giving you a saw an octave and a fifth above the fundamental frequency. Modulation then brings back these canceled harmonics.

The Triphase Oscillator is completely analog, built around a sawtooth core that is functionally stable and accurate but sonically alive. It has linear FM on all three waves, and an excellent hard sync that can create shredding harmonic sweeps. The CP3 type mixer gives good distortion at higher levels, allowing you to blend three 5-volt-peak waves without worrying about headroom. All CV functions at audio rate. With an LFO driving the phases, it can easily replace the classic analog three oscillator setup, and in this configuration it's one of the fattest things you have ever heard. But the Triphase oscillator is much more than a thickener, and can just as easily produce thin reedy sounds or subtly shifting harmonic drones.

Specs

Size - 18HP
Depth - 25mm
Power Consumption
+12V 50mA
-12V 50mA

Tuning Range
1.2Hz-61kHz

Tuning Accuracy
~8 octaves

Output Range (Individual)
-5V-+5V peak

Output Range (Mix)
-8V-+8V peak
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Working Our Way Back To You: The Ultimate Collection
Cat: SMABX 1132. Rel: 01 Jun 23
 
50s/60s
Working Our Way Back To You: The Ultimate Collection (CD1-44)
The Genuine Initation Life Gazette (mono - bonus LP)
 in stock $332.89
Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder Korg microKORG Crystal 37-Key Analogue Synthesiser & Vocoder
Cat: 944880 Rel: 20 Dec 23 • View all Synthesisers
 
The special edition microKORG Crystal offers a unique and stunningly stylish take on this beloved synth - now a classic in its own right.
Notes: Two decades in the game and the mighty MicroKorg remains a classic. Crystal version celebrates the anniversary with a fresh new look and the same punchy sound.

Supplier's Notes:
A shining homage to two decades of microKORG legacy

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio.

The instruments that musicians recognise as "classics" are those that are loved and always in use, regardless of times and trends. The word "classic" symbolises musical instruments that are revolutionary in their field. There may be imitations of a classic, but the distinct character of the original shines more brilliantly and is only enhanced by time.

Two decades ago, the portable, battery powered microKORG was born with a radical new micro-keybed, a powerful Vocoder and ready-to-use sounds ideal for contemporary genres delivering countless hit performances, and instantly revolutionising the way musicians played. This compact sound monster introduced synthesis to a vast number of non-keyboard playing musicians and created a way of making music we now take for granted: a small keyboard resting unassumingly atop a larger one onstage, made for use by hobbyists and pros alike and finding itself front and centre of studios worldwide from the smallest bedroom to the largest pro recording facility.

To celebrate the 20th anniversary of its release, the special edition microKORG Crystal offers a unique and stunningly stylish take on this beloved synth - now a classic in its own right.

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio. microKORG Crystal is the ultimate reincarnation of this iconic synth.

"Skeleton" type semi-translucent chassis, with matching knobs and controls

Previously unchanged, the microKORG Crystal features a new take on the structure of the microKORG, with a semi-translucent chassis that lets you see the electronics and internals. Even the controllers are semi-transparent, including the knobs, dials and wheels. As a commemorative model, the microKORG Crystal is great fun to look at from any angle, and as its name suggests, it "crystalizes" the energy and feelings of the KORG team behind its birth.

A panel with a beautiful sheen

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Aluminium side panels for a sturdy feel

The original microKORG featured wooden side panels that suggested a retro feel, serving as an elegant accent to the analogue modelled synth engine. This new special microKORG features sleek aluminium side panels for a clean and depurated look.

Dedicated transparent carry bag

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Specifications

Sound generation:
Analogue Modelling Synthesis System

Synthesizer program:
Multi Timbral: 2 (max, Split/Dual Mode)

Voices: 4 voices

Sound source:
2 Oscillator + Noise Generator
Multi Mode Filter (-24dB/octLPF,-12dB/oct LPF/BPF/HPF)
EG×2
LFO×2
Virtual Patch×4

Voices: 4 voices

Vocoder program

Voices: 4 voices

Sound source:
1 Oscillator +Noise Generator
EG×1
LFO×2 8
Channels vocoder
Level and pan of each channel can be edited
Formant Shift function

Programs: 128
Effects: Modulation effects (3 types), Delay (3 types), Equalizer
Arpeggiator: 6 types

Controllers
Real-Time control knob X 4 (3 level Selection),
Arpeggio ON/OFF

Keyboard: 37 Keys (mini-keyboard, keyboard has velocity)
Inputs: AUDIO IN 1,2, Level switch LINE/MIC, [AUDIO IN 1, 2 (LINE) ], [AUDIO IN 2 (MIC)]
Outputs: L/MONO, R, Headphones
MIDI : IN, OUT, THRU
Display : 3 characters×1 line with 8 segment LED
Power supply: DC 9V (AC adapter)
Power: 6.4w Max
Dimensions: 524 x 232 x 70mm
Weight: 2.4 kg (instrument only, without batteries or microphone)
Included items: AC adapter, condenser microphone, dedicated transparent carry bag
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MRP:$598.49 SAVE 19%
 1 in stock $482.88
Dreadbox Hades Analogue Bass Desktop Synthesiser (B-STOCK) Dreadbox Hades Analogue Bass Desktop Synthesiser (B-STOCK) Dreadbox Hades Analogue Bass Desktop Synthesiser (B-STOCK)
Cat: 945431 Rel: 01 Jan 90 • View all Synthesisers
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Dreadbox go back to their roots with this reissued analogue beast. Simple but effective single-oscillator monophonic design with a three-pole resonant filter and analogue distortion.

Supplier's Notes:
Dreadbox's highly anticipated Bass Synthesizer is finally back.

Its Deep and Dark sound is here to haunt you ...

All Analogue Bass Synthesizer
Faithful Reproduction of the 2016 Hades
1 Oscillators with 2 Sub Octaves and 2 Waveforms with PW control
3-pole Resonating Low Pass Filter
1 AD/RS envelope and a AR Amp Envelope

OTA VCA
OTA Distortion
Wide Range Triangle LFO
11 patch points for an astonishing spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)

Monophonic Epicness
Super Fat Oscillator
2x Sub Octaves for extra headroom
Special Internal Bass Boost Circuit
Warm Filter
Drive effect for aggressive sounds
CV outputs: Envelope, LFO, Mod Wheel, 1v/oct
CV inputs: PW, Cutoff, VCA, CV, Gate

Specifications & Connections

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out

Dimensions: 21.5 x 13 x 6.5 cm
Weight: 0.9 kg

Requirements

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones

Included in the box

Hades Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter (specs as found at midi.org)
1x Ribbon cable
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 1 in stock $310.29
Noise Engineering Roucha Legio Stereo Resonant Multi-Mode Filter Module (black)
Noise Engineering Roucha Legio Stereo Resonant Multi-Mode Filter Module (black) (digital/distortion/dual/stereo/filter synth module)
Cat: 943534 Rel: 15 May 23 • View all Synth modules
 
Stereo resonant multimode filter module with wavefolding, 1v/8va tracking and gateable bypass in 6HP.
Notes: Roucha Legio is a 12 dB /octave state-variable stereo multimode filter available on the Legio DSP+oscillator platform.

Noise Engineering received tons of requests for NE filters over the years, and Roucha Legio is their first dedicated release. The filter features lowpass, bandpass, and highpass settings and tracks frequency via the dedicated encoder and extremely accurate 1v/8va CV input. Roucha Legio's CV-controlled resonance parameter can go from clean to acidy-squelchy for bassline joy. Add CV for filter sweeps that will knock your socks off. Of course, because it's a Noise Engineering module, there's a Fold knob. Add wavefolding to the signal chain before, after, or both before and after the filter.

Noise Engineering have made it easy to carry out dramatic buildups and cuts with Roucha Legio. Just tap the encoder to bypass; tap again to turn the filter on again. Want to automate it? Send a gate into the Bypass input. The filter will remain bypassed as long as a high gate is present.

Roucha Legio is also a DSP and oscillator platform: users can change the firmware on any Legio module, 100% free, to any other firmware in the Legio series.

Dimensions
6 HP
38 mm deep

Current Draw
140 mA +12V
22 mA -12V
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 2 in stock $302.93
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Noise Engineering Roucha Legio Stereo Resonant Multi-Mode Filter Module (silver)
Cat: 943541 Rel: 15 May 23 • View all Synth modules
 
Stereo resonant multimode filter module with wavefolding, 1v/8va tracking and gateable bypass in 6HP.
Notes: Roucha Legio is a 12 dB /octave state-variable stereo multimode filter available on the Legio DSP+oscillator platform.

Noise Engineering received tons of requests for NE filters over the years, and Roucha Legio is their first dedicated release. The filter features lowpass, bandpass, and highpass settings and tracks frequency via the dedicated encoder and extremely accurate 1v/8va CV input. Roucha Legio's CV-controlled resonance parameter can go from clean to acidy-squelchy for bassline joy. Add CV for filter sweeps that will knock your socks off. Of course, because it's a Noise Engineering module, there's a Fold knob. Add wavefolding to the signal chain before, after, or both before and after the filter.

Noise Engineering have made it easy to carry out dramatic buildups and cuts with Roucha Legio. Just tap the encoder to bypass; tap again to turn the filter on again. Want to automate it? Send a gate into the Bypass input. The filter will remain bypassed as long as a high gate is present.

Roucha Legio is also a DSP and oscillator platform: users can change the firmware on any Legio module, 100% free, to any other firmware in the Legio series.

Dimensions
6 HP
38 mm deep

Current Draw
140 mA +12V
22 mA -12V
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 1 in stock $303.98
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quote 943541
Befaco FX Boy GameBoy Cartridge-Based Multi-Effects Module Befaco FX Boy GameBoy Cartridge-Based Multi-Effects Module
Befaco FX Boy GameBoy Cartridge-Based Multi-Effects Module (effect/distortion/filter/fuzz/waveshaper synth module)
Cat: 946023 Rel: 19 Oct 23 • View all Synth modules
 
A GameBoy cartridge-based effects unit module in 12HP.
Notes: Befaco's unique GameBoy-based effects module allows you to change effects by swapping cartridges, all with CV control over key parameters. Effects include Skuara's harsh fuzz, Instruo's micro phaser and much more.

Supplier's Notes:
A crazy idea with the support of a bunch of crazy people.

A Multi FX module based on game carts!

FxBoy is a multi-FX module designed in collaboration with several talented manufacturers.

This is an effect unit with CV control over the parameters and Dry/wet control, with a Built-in CV controllable four bands EQ.

Each effect is physically hosted in a hot-swappable game cart and designed by a different manufacturer: Touell Skouarn with Skuara a harsh fuzz with overdrive, Instruo with micro Phaser, a two-flavoured Phaser, Feedback modules with a vintage Flanger, XOR with FX-Girl, a digital double effect module: Delay + Granularizer, Making sound machines with an analogue Wave folder, Tesseract with a bit crusher and Befaco Trash distortion!

What have these crazy people put in their cartridges?

Trash

Trash is a harmonic distortion that combines both clipping and folding flavours. Modes A and B will select between aggressive and more aggressive flavours!

Flanger

Analogue Wavefolder

Eskuara

AVMA
AVMA by Tesseract Modular is a bipolar VCA with one switchable wavefolder stage followed by an analogue frequency reducer. The VCA gain is x2, it can be used with i5V oscillator signals at the CV input for ring modulation effect.
Micro Phaser

Three cascaded all-pass filters, a built-in LFO and a saturator in the feedback path.

The purpose for this cartridge is to completely f&%k your phase up!

Instruo - We make sounds with the things that we make to make sounds with.

Technical Specifications

CV control over all parameters and Dry/wet
CV controllable four-band EQ, routable post or pre-effect.
Hot swap for all carts.
Selector for two different flavours of each cart.
Open specifications to design your own carts

Specs

Current needs: +12V: 125mA, -12V: 100mA, 5v: 0mA
Width: 12 HP
Depth: 35 mm (including power connector)
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.
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 4 in stock $376.55
TipTop Audio Octopus USB/MIDI To ART Interface & Voice Manager Module
Cat: 947146 Rel: 04 Mar 24 • View all Synth modules
 
USB/MIDI to ART interface & voice manager module - 18HP
Notes: OCTOPUS is a powerhouse ART controller that takes MIDI in via the USB or DIN connector and outputs 8 ART channels with 8 velocity CV plus 8 drum triggers. Together with the ART oscillators the OCTOPUS provide unprecedented simplicity connecting the modular to your computer sequencers, hardware midi sequencers and keyboards. Each ART channel can play polyphonic notes, monophonic notes or create multi-channel polyphony using an internal voice manager. All together OCTOPUS can play more voices and notes from a single controller than ever was possible in modular. Using ART high speed control signals OCTOPUS can maintain low jitter for tight timing.

Please note, OCTOPUS is not a 1V/Oct midi to CV and should not be confused as one.

Size: 18HP - Depth: 40mm / 1.5"
Power: +12V 140mA / -12V 100mA
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 1 in stock $343.94
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Animal Factory Module Orobas 2 Dual Tube Amplifier Module (B-STOCK) Animal Factory Module Orobas 2 Dual Tube Amplifier Module (B-STOCK) Animal Factory Module Orobas 2 Dual Tube Amplifier Module (B-STOCK)
Animal Factory Module Orobas 2 Dual Tube Amplifier Module (B-STOCK) (distortion/mixer/VCA/waveshaper synth module)
Cat: 930859 Rel: 01 Jan 90 • View all Synth modules
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Orobas is a dual tube amplifier that is composed of two identical units.

Each channel has two audio inputs with dedicated gain controls and one output volume control.
Thanks to clever routing, a wide variety of sounds can be created. The two channels can be connected in parallel or in series (Parallel / Series). In series connection, the output of channel 1 is still active, good for parallel signals (note: each channel output is phase-inverted in relation to the opposite input). This way, feedback can be generated by feeding back the signal from output 1 to e.g. a control voltage input.

The screen control voltage input determines the gain and the sound characteristics. Additionally, the input is normalized to INPUT 1 of the respective channel.

The Suppress control voltage input is normalized to the input signal if nothing is connected. The purpose of this input is to direct electrons reflected from the anode back to the anode. Turning the knob to the positive does not change as much, turning it to the negative slightly attenuates overtones. With a positive control voltage the change is minimal, but with a negative control voltage you can realize e.g. ducking effects and effectively switch off the tube. Audio Rate Modulation is also possible here and a bit milder than with the Screen CV, but still effective.

The evocation potentiometer controls the feedback of the second output into the first channel. The sonic performance is very much dependent on the Plate Bias switch. The Plate Bias switch effectively controls the headroom. This allows you to use the tubes in three different settings, from fuzz sound to full distortion.

*This version is equipped with other tubes than in version 1.

Tube length: 55mm

Depth: 45mm
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 1 in stock $404.27
AMP Electronics Star Song Optical Disc Sequencer & Synthesiser
Cat: 947840 Rel: 05 Jun 23 • View all Synthesisers
 
Star Song is a rotating optical disc-programmed sequencer with a built-in minimalist synthesizer.
Notes: One of the most unusual synths around, based on a rotating optical disc which functions as a sequencer. Program the built-in pulsewave synth engine or control other synths using the optional Wave Expander.

Supplier's Notes:
Taking its cosmic inspiration from star charts and ancient astrolabes, Star Song is a rotating optical disc-programmed sequencer with a built-in minimalist synthesizer.

Star Song can be used either to play its own built-in pulsewave synthesizer, or in combination with the A.M.P. electronics Wave Expander (sold separately) to drive external analogue and modular synthesizers.

How it is used

To create sequences on Star Song, the seven translucent rings (orbits) of the optical disc are marked with a marker (included) or opaque tape. The disc is removable and additional discs are sold separately, allowing for indefinite storage of your favourite sequences.

The outer six rings control the tuned note selection and note-on/off sequencing. The innermost ring controls the cut-off frequency for the built-in bandpass filter.

Disc on/off and disc direction are toggled from touch contacts on the front panel, and disc speed is controlled from the central rotary control.

Additionally, there are 1/8" inputs to control rotation speed and rotation direction with an external source.

The addition of Wave Expander makes the Star Song into an incredibly versatile Gate(6 channels) and CV (1 channel) sequencer, as well as providing the Star Song's tuned audio oscillator over five separate octave divisions (four audio and one sub-audio), 12 outputs in all to integrate into your modular system.

Multiple Star Song units can be synced by using an external clock signal, and you can even slave Star Song to your existing Melody Oracle/Wave Expander combo.

Sing the cycles of the spheres, with Star Song, a "revolutionary" new sequencer.

Tech Specs:

Disc Rotation: 0~15RPM
Panel Controls: Disc rotation on/off, disc rotation rate, disc rotation reverse.
Synthesizer: Quasi-monophonic pulsewave, 8 tuned notes, each with three octaves used in any combination. Sequenced via optical disc.
Tone Filter: Bandpass, optically-controlled.
Audio Output: 1/4" LINE (5V p-p)
AMP LINK Output: CAT 5 or 6 w/SHIELDED connector (compatible with Wave Expander and future AMP accessories only).
Motor Clock Input: 1/8" 0-12V. ON @>7.5V
Disc Direction Input: 1/8" 0-12V. CCW @>7.5V
DC input: 15VDC, 2.1mm, tip positive (US adapter included)
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 1 in stock $469.64
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Feedback MIX BX 6-Channel Mixer Module Feedback MIX BX 6-Channel Mixer Module
Feedback MIX BX 6-Channel Mixer Module (equalizer/mixer/distortion/dual/stereo/panning synth module)
Cat: 923569 Rel: 04 Apr 23 • View all Synth modules
 
6-channel mixer module - 35HP.
Notes: As probably many of you know the MIX BX (like Feedback's PRE BX channel strip) is based on a very popular mixer used by techno artists in the nineties and loved for its specific sound.

Tech specs:

- 35HP front panel
- 35mm depth behind front panel including the power connector
- 6 mono input jacks ( 1 per channel)
- Pot controls for channels : Gain, Hi, Low, Aux1 send, Aux2 send, Pan, Volume
- 6 mute switches (1 per channel)
- Pot controls for master : Master Level, Headphone Level, Aux1 Return, Aux2 Return
- 2 x mono aux send jacks
- 4 mono input jacks for two stereo Aux returns
- 2 jacks for master left and right out
- one 3.5mm stereo jack for headphone out
- boxed 10 pin euro power (+12V / -12V)

- Input Level from -50dBm to -10dBm
- EQ Hi +-10dBm/10kHz shelf type
- EQ Low +-10dBm/100Hz shelf type
- Output Level 20Vpp
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 1 in stock $305.02
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Moog Subsequent 25 & Sub Phatty Ballistic Cordura Case (black) Moog Subsequent 25 & Sub Phatty Ballistic Cordura Case (black) Moog Subsequent 25 & Sub Phatty Ballistic Cordura Case (black)
Cat: 926171 Rel: 07 Mar 23 • View all Synth Accessories
 
Susbequent 25 or Sub Phatty case.
Notes: Moog Music SR Series Cases feature generous padding around a semi-rigid A.B.S. shell, a rugged Ballistic Cordura outer that resists tears and abrasions, and laminated water-resistant zippers to offer on-the-go protection and safe storage for your instrument.

Multiple strap and handle configurations keep your commute comfortable, and multifunction pockets ensure you're organized on arrival.
Designed in conjunction with Subsequent 25
Rugged and road-ready semi-rigid A.B.S shell
Tear-resistant Ballistic Cordura outer
Water-resistant laminate zippers
Also fits Sub Phatty!

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 1 in stock $313.44
Captivity Rider (B-STOCK)
Cat: HARDER 12 (B-STOCK). Rel: 01 Jan 90
 
Hardstyle
Captivity Rider
Low Deep Sound
Rush Requiem
 in stock $383.92
NANO Modules CAIXA 104 Modular Synthesiser Case (B-STOCK) NANO Modules CAIXA 104 Modular Synthesiser Case (B-STOCK) NANO Modules CAIXA 104 Modular Synthesiser Case (B-STOCK)
Cat: 927998 Rel: 28 Jun 22 • View all Synth Module Accessories
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


CAIXA 104 is an advanced fully portable 104HP Eurorack Modular Case, with a wide range of utilities fully integrated on it. Connect up to 19 modules and carry it anywhere you go thanks to its handle.

Nano Modules designed CAIXA 104 to provide a solid base for starting your modular journey and squeezing every centimetre of your system in case you're already an experienced Eurorack-head.

7 integrated modules

19-slot busboard with reversed protection headers

A selection of utilities that everyone usually needs to have in their modular synthesizer, just like the Buffered Multiples, the Stereo Mixer or its 2 LFOs.

Nano Modules have also focused on improving connectivity with the integrated inputs and outputs.

19-slot busboard with reversed protection headers

+30W power supply - An efficient and reliable supply which is more than enough to provide plenty of power for a 104HP system (and more).
+12V output at 1.25A
-12V output at 1.1A
+5V output at 0.5A

Deep enough.
The maximum module depth above the busboard connectors is 47mm, but you can place modules up to 60mm outside of the busboard space. That should be sufficient to fit the vast majority of modules out there.

Carry your synthesizer anywhere you go.

The lightweight aluminium, together with the handle, make it super easy to take your modules with you. Weighs only 1.7 Kg!

Utility Modules
Balanced Inputs
Buffered Multiples
Precision Adder
2 LFOs
Sample & Hold
Stereo Mixer
Stereo & Headphone Out

Power Specifications

30.7W Integrated switching power supply with Meanwell 60W power brick.

+12V output at 1.25A
-12V output at 1.1A
+5V output at 0.5A

Construction

Dimensions: 535 x 200 x 85 mm
Materials: Anodized aluminum
Aluminium extruded rails with steel threaded inserts
Rubber feet to protect your desktop.
Depth Maximum module depth -> 47 mm inside busboard space, 60mm outside.
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 1 in stock $489.10
New Systems Instruments Inertia Universal Movement Simulator Module
New Systems Instruments Inertia Universal Movement Simulator Module (envelope follower/envelope generator/filter/frequency divider/function generator/LFO/oscillator/slew limiter synth module)
Cat: 929653 Rel: 20 Mar 23 • View all Synth modules
 
An universal movement smulator module in 14HP.
Notes: Eurorack and Newtonian physics meet in this clever 'movement simulator' module, capable of acting as a VCO, LFO, envelope generator, filter and more.

Supplier's Notes:
Inertia is a universal movement simulator. It generates output curves from input stimuli and the weight of its own motion-that is, its inertia.

Just as Newton described the motion of the planets and the motion of earthly bodies with a single set of laws, so too Inertia brings together several seemingly disparate musical functions with a single, elegant abstraction. Inertia can be used as:

A rich oscillator with 5+ octaves of temperature-compensated V/O and CV over skew
A quadrature sine wave oscillator
An LFO divider
A filter with controllable, skewable resonance, from a light touch to screaming glitches
An envelope generator with nuanced, natural sounding control over the minutiae of the attack and decay stages
An intuitive sine wave skew LFO
A phase locked loop
A voltage controlled exponential slew limiter
A slew limiter with controllable overshoot and settling (like a Wogglebug)
A percussive sound generator
And more uses that we haven't yet discovered

Inertia achieves all this complexity with simple controls. The exponential rate at which the output rises and falls can be set by the rise and fall controls. Inertia then follows an input signal according to these two rates, producing a first order and second order output. But things get interesting with the momentum controls. When you add some rise or fall momenta, the output signal exceeds its target in that direction before returning to its destination. With momentum, you can create ADSR-like envelopes, skewed filter resonance, etc. When momentum is all the way up, Inertia self-oscillates, acting like an LFO or VCO.

In addition to rise/fall mode, Inertia can be set to value/skew mode, in which these same parameters are controlled as overall frequency, plus the skew between rise and fall rates, and overall momentum, plus the skew between rise and fall momenta. An LED colour and position indicates which mode is being used.

Inertia is inspired by the Dual Universal Slope Generator (DUSG), invented by Serge Tcherepnin for his Serge synthesizer system. Rather than duplicate the DUSG in a new wrapper, Inertia builds on the innovative, abstract impulse at the heart of the DUSG to create something different and new. This all-analogue circuit is original both in concept and execution, but it grows in rich soil.

Size: 14HP
Depth: 25mm
Power Consumption +12V 72mA, -12V 72mA
Timing Range: 50s-7ms (low), 7Hz-50kHz (high)
Tuning Accuracy: ~5 octaves
Self-Oscillation Range: -6V-+6V peak
Full I/O Range: -9.5V-+9.5V peak
Input Impedance: 50kO
Output Impedance: 150O
Output Drive: 2kO (min), 20kO+ (ideal)
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 1 in stock $315.54
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Korg Drumlogue Hybrid Drum Machine (black) (B-STOCK) Korg Drumlogue Hybrid Drum Machine (black) (B-STOCK) Korg Drumlogue Hybrid Drum Machine (black) (B-STOCK) Korg Drumlogue Hybrid Drum Machine (black) (B-STOCK) Korg Drumlogue Hybrid Drum Machine (black) (B-STOCK)
Cat: 930182 Rel: 01 Jan 90 • View all Drum machines
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The best of both worlds, combining analogue drum circuits with samples and Korg's Multi Engine. Versatile step sequencing, built-in effects and seamless connectivity.

Supplier's Notes:
The introduction of Drumlogue marks a paradigm shift for drum machines. It combines the rich and raw power of analogue, the flexibility and convenience of digital, and the deep customisation of a unique SDK. A heavy-duty dynamic sequencer, powerful effects, and intuitive controls make Drumlogue a must-have in any setup.

The power of analogue

Drumlogue features completely new analogue circuitry from legendary Korg engineer: Junichi Ikeuchi (ARP 2600 M, MS-20 Mini, ARP Odyssey). The depth and richness of its sound is on a whole new level. New analogue circuits for bass drum, snare drum, low tom and high tom provide a solid foundation, and elevate tracks with harmonic richness and a thick low end.

The versaility of digital

Drumlogue has 7 digital parts: 6 sample-based and 1 Multi Engine based. The sample-based parts can play a wide selection of pre-loaded PCM samples alongside imported user samples. These can be easily loaded into Drumlogue by connecting to a computer via USB and simply dragging and dropping into its main memory.

Endless creative potential

The wildly popular Multi Engine from Minilogue XD is made even more powerful: in addition to Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine in Drumlogue features a new user slot able to play fully-fledged synth voices - providing vast sonic possibilities never before heard on a drum machine.

Custom Synths

Synth voices in Drumlogue are so much more than static waveforms. Custom synths can be built to not only generate sound, but can also draw on built-in filters, LFOs, MIDI controlled polyphony

Exclusive "Nano" plugin

Korg has collaborated with popular plugin developer "Sinevibes" to create a brand new synth plugin for Drumlogue: Nano. This exclusive plugin explores the power behind the newly expanded Multi Engine and gives an incredible first taste of the platform.

"Nano" is a full-fledged virtual analogue synth with a broad array of features and customisable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Sequencing powerhouse

At the heart of Drumlogue is a flexible, easy-to-use, and extremely powerful 64-step sequencer. This makes it easy to create complex patterns and polyrhythms that elevates the music creation process. Innovative features are available including per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more. With the clear OLED display, it's also easy to follow and edit your sequences visually.

Chain mode makes creating long and interesting patterns simple. In loop mode you can switch between several variations to play sequences in new and interesting ways. The Motion and Accent recording functions are fast and intuitive, and if you want to try new things on your track, the randomisation function is there to help you.

Effects and customisation

Drumlogue has high-quality effects across three categories that can be used simultaneously: delay, reverb and master effects. The send amounts for delay and reverb effects are set independently, with multiple return points also available. Master effects add that final polish to the sound and can be bypassed on a per-part basis, meaning it's possible to send the effect to specific audio parts. A sidechain bus is also available to the master effects section.

Drumlogue has an audio input, so you can process other instruments through Drumlogue's effect chain, making it an ideal companion for your studio setup.

Connectivity

With a wide range of I/O, Drumlogue can be integrated seamlessly with your rig. A USB-A port supports connectivity with USB MIDI class-compliant devices, meaning volumes can be controlled with the faders on a nanoKONTROL 2, or sounds triggered by the pads on a nanoPAD 2.
It almost goes without saying that Drumlogue easily syncs with other gear via the MIDI in/out, sync in/out, or via USB MIDI.

Four individual outputs are available, in addition to headphone and main L/R. Any part can be assigned to any output, allowing for expanded routing versatility with external processing and multi-track integration.

Ease of use

Drumlogue is incredibly easy to use - having been designed with simplicity and accessibility in mind. The most important parameters for the main drum parts have dedicated knobs on the front panel for on-the-fly adjustments, as well as dedicated volume pots for each part to speed up the mixing process.

A wide and clear OLED screen coupled with a simple UI and 4 dedicated encoder knobs makes the navigation process fast and smooth.

Design

Unlike other drum machines, Drumlogue's main panel is slanted. This offers superior ergonomics and visibility, while a brushed aluminium body and wooden side panels add to the premium look and feel.

Specifications

Polyphony: 11 voices (*)
(*) User synths may be played polyphonically via MIDI, the actual voice count will depend on the synth's implementation

Sound Engine
Analogue:4
PCM / User samples: 6
Multi-engine(NOISE, VPM, User Synthesizer): 1

Number of Programs (including rhythm patterns): 128 (64 preset programs by factory default)
Effects: Reverb, delay, master

Inputs / Outputs
Headphones
OUTPUT, (L/Mono, R/Audio, Out 1-4)
Sync In/Out
Audio In, MIDI In/Out
USB A (To Device) (Only for MIDI controllers)
USB B (To Host)

Power supply: AC adapter (DC9V)
Dimensions (W × D × H): 317 × 189 × 73 mm/12.48" × 7.44" × 2.87"
Weight: 1.4 kg/3.09 lbs.
Included items: AC adapter, Precautions, Quick Start Guide
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 2 in stock $420.73
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