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Notes: Great value from this compact digital mixer. Pocket-sized four-channel design with one mic input and three line inputs. DSP effects include reverb, shimmer, delay, compression, limiting and EQ.

Supplier's Notes:
GigMix 4-1 mini Digital mixer, porting the engine from the StompMix 4, the GigMix 4-1 is built with a powerful 32-bit 100Mhz DSP engine and a compact lightweight pocket size package. The GigMix 4-1 mini digital mixer offers a full featured, highly intuitive four channels Digital Mixer with a Color Display. 4 effects level control for Reverb and Shimmer. Assignable Delay effects. The DSP engine provides a compressor, limiter, Mid sweepable EQ, Highpass Filter, Notch Filter, Phase reverse to each of the 4 inputs. Analog inputs consisted of 1 Class A solid-state Mic pre-amps and three 1/4" TS line/Instrument inputs. Two sets of stereo Mix outputs are selectable between a 1/8" TRS jack and 2 1/4" TRS jacks with output level control knob . 2 assignable switches, 1/4" TRS Balanced outputs. 10 Memory for easy recall and set up. Mic Stand mounting accessory is also available. The size/functionalities of the Gigmix 4-1 mini digital mixer makes it the great pocket live gig mixer to your guitar/vocal setup.

Features

4-Channel Mini Digital Mixer
10 user scene memories.
Colour display
Input Level Monitoring
1 Class-A Mic inputs with TRIM (CHAN 1)
3 LINE/INSRT inputs with Level Control(CHAN 2, 3 and 4)
Independent Reverb, Shimmer effect on each channel
2 notch filter available on each channel
High Pass Filter and Phase Reverse on each channel
Noise Gate and Compressor on each channel
3 Band EQ with Sweepable MID on each channel
Max 1 second Delay with Tap Tempo (assign to one Channel at a time)
Assignable A/B switch functions (MUTE channels, EFX by-pass, Tap Tempo, Scene change etc)
Output 1 (L/R TRS 1/4" jacks) - Balanced
Output 2 (Stereo TRS 1/8" jack)
Output 2 can be used for Headphones
Main MIX and AUX MIX
Scenes Change - via A/B switches
Metal chassis
AC/DC power supply included
Support 9VDC to 12VDC power inputs (500mA, 2.1mm *Center Positive*)
Designed and assembled in USA

Review: The Black Sabbath Hand Of Doom box set provides the ultimate collection for fans who opt to live in a world where the group never had any other vocalist apart from Ozzy Osbourne. Providing picture disc represses of all eight LPs released during the original frontman's tenure from 1970 to 1978 (2013's reunion album 13 is not included), the collection boasts the self-titled 1970 debut, the same-year follow up Paranoid, as well as the iconic slew of Master Of Reality (1971), Vol 4 (1972), Sabbath Bloody Sabbath (1973), Sabotage (1975), Technical Ecstasy (1976) and Never Say Die! (1978). Limited to 3000 copies (which isn't a large amount when considering how vital Sabbath's early material still is to this day) and complete with a large coloured poster, fan service rarely gets as ideal or essential as Hand Of Doom.

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


The DISTURBANCE is an extreme filter, flanger, and phaser with modulation like you've never heard before.

DISTURBANCE's controls allow for a wide range of sounds to be sculpted perfectly to your needs. The 'Tensity' knob changes the feedback amount and structure of all effects, with two totally different intensity options to choose from for each disturbing modulation. The Filter allows for deep swells and piercing resonance with highpass and lowpass options.

The Flanger creates a classic modulation sound with options for watery, multi-tap delay matrixes or a screaming flange with distorted feedback. Last but certainly not least, the Phazer mode is a psychedelic 8-stage phaser sound with options for mellow filtered scoops on one side and combination phaser/flanger on the other.

But that's not all - the pedal introduces a brand-new way to control an effect: The custom designed modulation core lets you pause the LFO where it stands and listen to the strange world of frozen modulation. Not only does this new system control its own sounds, the DISTURBANCE includes a CV OUT jack which lets the modulation control signal be sent to whatever device dares let it in.

Go forth and DISTURB and bend, break, and twist your sound!

Notes: Customized to hold the Pioneer DDJ-REV5 Controller and a 19'' rack mount device (1U) such as a wireless microphone system, power strip or storage drawer. Crafted from 9 mm vinyl laminated plywood, sturdy aluminium profiles, heavy duty butterfly latches and smooth rolling wheels, this case provides ultimate protection for mobile use on the road. The included 19" rack mounting brackets allow individually fastening of a 1U 19" unit (or smaller devices) at the front underneath the controller.

Fits

Pioneer DDJ-Rev5

Basics

Heavy duty construction of 9 mm vinyl laminated plywood
Solid aluminium profiles and spring loaded latches
Incl. gliding laptop platform (removable)
Incl. two 19" rack mounting brackets to fix 1U devices underneath the controller
Full padded interior keeps controller well-protected
Detachable front cover/panel
Incl. recessed wheels for easy transportation
Solid rubber feet

Specs

Outer measures: 82,4 x 50,7 x 22 cm
Inner measures: 73,6 X 36,3 X 5 cm (Controller-compartment)
Weight: 17 kg

Notes: Your studio headphones

DT 900 Pro X

Trusted sound meets performance and flexibility

In launching the open-back DT 900 PRO X, Beyerdynamic are unveiling circumaural studio headphones, which are set to usher in a era for the long-established, Heilbronn-based company. While the classics of the PRO series are regarded as reference products in professional studios all over the world, the PRO line is suitable for flexible use both in the studio and while on the move. It is all made possible by the STELLAR.45 driver that loudly reproduces the best sound in studio quality without any distortion - with all playback devices.

Professional audio quality

Trusted studio sound meets high performance

The STELLAR.45 sound transducer, developed and produced in Heilbronn, Germany, delivers that proven Beyerdynamic sound at previously unattained levels of studio-headphones-class performance. This is down to the neodymium ring magnet as well as copper-clad high-tech wire. The trade-off between electrical conductivity and the weight of the wire is unique. In combination with the three-layer speaker diaphragm featuring integrated damping layer, this has created a highly efficient driver system that performs superbly on all playback devices.

The innovative membrane structure controls the axial motion of the voice coil and ensures that it remains securely positioned in the magnet gap even during high oscillations. Another benefit is vast and natural frequency response. The fast response of the transducer and the detailed transient response, produced by the low coil weight, create a sound that is always reliable and distortion free even at high sound pressure levels.

Flexibility

Wide range of applications on all playback devices



Anytime, anywhere - the wide range of applications offered by the PRO X line unleashes your creativity. Be it on an audio interface, laptop, tablet or mobile phone: Thanks to the high-performance STELLAR.45 driver, the PRO X headphones with an impedance of 48 ohms reproduce sound at volume and power to familiar levels of studio quality - on all playback devices. The cable concept is also demonstrably suitable for everyday use: the removable mini-XLR cable can be swapped out as required to be replaced with cables that have different lengths or feature other connectivity options.

Superb wearing comfort

Tailored fit for extra-long sessions

The PRO X line also embodies what these professional headphones have always been synonymous with: maximum wearing comfort. The robust spring steel headband design assures the over-ear headphones provide a secure fit and ensures durability. The supple velour ear pads are soft to the touch, as you would expect, and guarantee superior ventilation. The headband ergonomically adapts to the shape of the wearer's head with the aid of soft memory foam and, like the ear pads, can be replaced if required.

Design & materials

Built to last, featuring a sleek, robust design

Black, minimalist and reduced to the essentials. In a word: PRO.

As far as the design of and materials used in the PRO X line are concerned, attention was paid to the resilience of all components: metal headband, GRP components, a robust mini-XLR connector and hard-wearing cable. This means you are geared up on a daily basis for any professional application.

Sustainability

Sustainable headphones - made in Germany

The PRO X line headphones have been designed for daily use in challenging conditions. This is why they are handmade in Germany using premium quality materials. If required, nearly all the headphones' components can be replaced, turning these headphones into an investment that makes sense for every creator.

Technical data

Transmission type: Wired
Earpad material: Velours
Nominal impedance headphones: 48 ohms
Weight headphones without cable: 345 g
Headphone frequency response: 5 - 40,000 Hz
Nominal sound pressure level: 100 dB SPL (1mW/500Hz)
Sound coupling to the ear: Circumaural (around the ear)
Cable & plug: 3 m or 1.8 m straight cable, detachable, with 3-pin mini XLR & stereo jack (3.5 mm & 6.35 adapter)

Notes: The Nectar "Tone Sweetener" strikes aperfect balance between versatility and simplicity. It offers a wide range of tones, spanning from a vintage tweed-style crunch to a full-bodied overdrive, and even a modern high-gain fuzz that pairs wonderfully with any guitar, pedal or amp.

Use the mode toggle to switch between the DRIVE and FUZZZ modes, while the LEDS indicate the selected mode, even when the effect is bypassed. Fine-tune your sound with the TASTE control to set the perfect eq for each guitar or amp.

The Nectar's responsiveness is truly unparalleled, like a delicate bee collecting pollen. Every nuance of your playing is enhanced and sweetened in the best way possible, with plenty of headroom.

True Bypass Design
Power requirement: 9V, 30mA
Made in California, USA

Notes: Dizygote is an A-side/B-side digital oscillator with a built-in envelope generator. The A-side builds harmonies with a square waveform and frequency modulation. the b-side distorts a sine waveform with phase modulation.

Inputs:

Trig - button and gate in to trigger oscillator amplitude envelopes
Switch - button and gate in for toggling between the a and b sides
Length - knob and CV in for changing the envelope length
Mod - knob and CV in for changing the phase and fm modulation amounts
Mfreq - knob and CV in for changing the phase and fm modulation frequencies
Freq - knob for setting the oscillator frequency
V/oct - voltage per octave CV for modulating the oscillator frequency

Outputs:

Out L and out R - audio output
Env - CV envelope out

Notes: The Next Generation of Intelligent Effects Interfaces

Following the success of The Prime P1 - MOOER have refined the concept of a combined ultra-portable digital effects device and audio interface. The Prime P2 features an enhanced user experience courtesy of a 1.3" touch screen as well as a fully revamped effects and rhythm suite.

Users can access 52 amp models + 10 GNR downloadable file slots, 25 Cab Sims +10 GIR/3rd IR downloadable file slots*** and 57 classic and experimental effect models making the need for bulky pedals and multiple power supplies a thing of the past. From touch sensitive vintage amp models to huge stereo reverbs, modulations and delays based on powerful digital algorithms, the Prime P2 can more than keep up with the demands of the modern guitarist and each chain is fully customizable - that's right, you can put your effects in any order you want for maximum versatility.

The Prime P2 is the ideal tool for streaming/social media use and is designed to make immediate, high-quality sound creation as effortless as possible with seamless connectivity via Bluetooth for playback and the USB-C port for on-the-go recordings* as well as a stereo output jack and TRRS headphone input which supports headphone integrated microphone use. In addition, the integrated rechargeable battery gives up to five hours of power - making the Prime P2 a great choice for the musician on the move.

Users can download the MOOER Prime App* for increased functionality via mobile device. This allows deep-dive editing of preset patches and effects chain parameters as well as storage and recall of up to 80 presets. You can also download and share presets on the MOOER Tone Cloud.

While a mobile device can be used to control the tuner, drum machine, metronome and Looper - MOOER recommend an F-Series wireless footswitch (sold separately) for hands free operation. This transforms the Prime P2 into a very powerful live performance tool. MIDI connectivity is also available for Preset switching, Looper and Drum Machine functions using CC commands from an external MIDI controller.

Features:
Eliminates the need to carry a large number of different pedals and their associated power supplies
Easy configuration of an effects chain without complicated user interfaces
1.3" touch screen allows quick preset changes and access to the tuner directly on the device
Based on MOOER's unique MNRS technology, allowing for high-quality digital amp models and effects in a small format
52 amp models created with MNRS technology + 10 GNR slots to store simulation files downloaded from the cloud
25 cab sim models + 10 GIR slots to store simulation files downloaded from the cloud or third-party IR files
57 classic and experimental effect models
Up to 80 presets in 20 banks
Drum machine with 56 groove varieties, can be synchronized with the Looper
4 metronome styles
Looper with a total capacity of 80 minutes (storage for 10 loops with 8 minutes each)
Supports loading of 3rd party IR file
Supports Tone Cloud sound sharing
Supports stereo output for stereo effects
Stereo headphone output with support for headphones with integrated microphones.
Bluetooth audio playback in stereo for practice or jamming
USB-C charging port also supports audio playback over USB and USB-OTG for live streaming and easy recording
Can be controlled using MOOER F-series wireless footswitches
Can be controlled from an external MIDI controller
Integrated rechargeable battery with up to 5 hours of battery life
Free mobile app for easy editing of sounds as well as saving, organizing and sharing presets**
MOOER Studio PC management software for backup and updates, 3rd IR loading.
* An adaptor may be necessary depending on your device
** The MOOER Prime App is available from Google Play Store, Apple App Store or the official MOOER Download-Support website.
***MNRS is MOOERS's proprietary sampling technology which can be used to sample preamps, combos, pedals and speaker cabinets - MOOER MNRS Sample files come in two categories - GNR files (Amps, preamps, pedals and effects) and GIR files (Cabinet models) for a huge array of sounds.

Specifications
Input: 6.35 mm (1/4") TS, 2 MO
Output: 6.35 mm (1/4") TRS, 100 O
Headphone: 3.5 mm (1/8"), 32 O
Screen: 1.28" Touch Screen
USB: Type C for charging or OTG recording
Bluetooth version: 5.0
Bluetooth: Bluetooth audio playback and App control
Wireless control: 2.4G
Wireless footswitch: supported
Battery capacity: 3000 mAh
Battery life: 5 hours*
MIDI Port: 3.5 mm (1/8")
Charging requirement: 5VDC / 2 A (10 W)
Charging time: 2.5 hours for full charge*
Dimensions: 120 x 64 x 21 mm (LxWxH)
Weight: 152 g
Accessories: Quick-Start manual, USB-C to USB-A cable, 3.5 mm jack to 5-PIN MIDI-connector

*Charging time and battery life are based on lab test data.
Disclaimer: Parameter updates will not be notified separately.

Notes: The Next Generation of Intelligent Effects Interfaces

Following the success of The Prime P1 - MOOER have refined the concept of a combined ultra portable digital effects device and audio interface. The Prime P2 features an enhanced user experience courtesy of a 1.3" touch screen as well as a fully revamped effects and rhythm suite.

Users can access 52 amp models + 10 GNR downloadable file slots, 25 Cab Sims +10 GIR/3rd IR downloadable file slots*** and 57 classic and experimental effect models making the need for bulky pedals and multiple power supplies a thing of the past. From touch sensitive vintage amp models to huge stereo reverbs, modulations and delays based on powerful digital algorithms, the Prime P2 can more than keep up with the demands of the modern guitarist and each chain is fully customizable - that's right, you can put your effects in any order you want for maximum versatility.

The Prime P2 is the ideal tool for streaming/social media use and is designed to make immediate, high-quality sound creation as effortless as possible with seamless connectivity via Bluetooth for playback and the USB-C port for on-the-go recordings* as well as a stereo output jack and TRRS headphone input which supports headphone integrated microphone use. In addition, the integrated rechargeable battery gives up to five hours of power - making the Prime P2 a great choice for the musician on the move.

Users can download the MOOER Prime App* for increased functionality via mobile device. This allows deep-dive editing of preset patches and effects chain parameters as well as storage and recall of up to 80 presets. You can also download and share presets on the MOOER Tone Cloud.

While a mobile device can be used to control the tuner, drum machine, metronome and Looper - MOOER recommend an F-Series wireless footswitch (sold separately) for hands-free operation. This transforms the Prime P2 into a very powerful live performance tool. MIDI connectivity is also available for Preset switching, Looper and Drum Machine functions using CC commands from an external MIDI controller.

Features:

Eliminates the need to carry a large number of different pedals and their associated power supplies
Easy configuration of an effects chain without complicated user interfaces 1.3" touch screen allows quick preset changes and access to the tuner directly on the device
Based on MOOER's unique MNRS technology, allowing for high-quality digital amp models and effects in a small format
52 amp models created with MNRS technology + 10 GNR slots to store simulation files downloaded from the cloud
25 cab sim models + 10 GIR slots to store simulation files downloaded from the cloud or third-party IR files
57 classic and experimental effect models
Up to 80 presets in 20 banks
Drum machine with 56 groove varieties, can be synchronized with the Looper
4 metronome styles
Looper with a total capacity of 80 minutes (storage for 10 loops with 8 minutes each)
Supports loading of 3rd party IR file
Supports Tone Cloud sound sharing
Supports stereo output for stereo effects
Stereo headphone output with support for headphones with integrated microphones.
Bluetooth audio playback in stereo for practice or jamming
USB-C charging port also supports audio playback over USB and USB-OTG for live streaming and easy recording
Can be controlled using MOOER F-series wireless footswitches
Can be controlled from an external MIDI controller
Integrated rechargeable battery with up to 5 hours of battery life
Free mobile app for easy editing of sounds as well as saving, organizing and sharing presets**
MOOER Studio PC management software for backup and updates, 3rd IR loading.

* An adaptor may be necessary depending on your device
** The MOOER Prime App is available from Google Play Store, Apple App Store or the official MOOER Download-Support website.
***MNRS is MOOERS's proprietary sampling technology which can be used to sample preamps, combos, pedals and speaker cabinets - MOOER MNRS Sample files come in two categories - GNR files (Amps, preamps, pedals and effects) and GIR files (Cabinet models) for a huge array of sounds.

Notes: With the Zomo Flightcase D-Live-2 NSE, you expand your DJ gear with a reliable partner that securely houses and stylishly showcases your Denon DJ SC Live 2 DJ controller. This high-quality flight case stands out for its robustness and elegance, and it belongs to the trendy NSE series - Night Style Edition, which is known for its unique aesthetics and durability.

As the ultimate protector for your DJ controller, the D-Live-2 NSE flight case takes on any challenge, whether you're traveling by car or flying. These resilient cases are ready to face any challenge and keep your valuable equipment safe from the harshest stage conditions.

Constructed from 9mm thick laminated plywood, this flight case offers an extra dose of stability. It withstands shocks, scratches, and effortlessly meets the demands of touring life. Sturdy ball corners and particularly robust, black lacquered aluminium profiles complete the durable construction and give the case an attractive and long-lasting aesthetic.

The handling of the D-Live-2 NSE flight case is incredibly easy. Before every performance, you can quickly and effortlessly remove the lid and front panel, even when the DJ controller is still inside the case. You'll always be ready to go and can fully focus on your performance.

The Zomo flight case not only excels in terms of practicality but also boasts an attractive appearance. The elegant NSE edition in black immediately catches the eye and enhances your professionalism. The convenient butterfly latches ensure secure handling by enabling easy opening and closing of the lid.

You can rely on high durability and optimal fit, providing your DJ controller with the space it deserves - safe, protected, and stylish.

Features of Zomo Flightcase D-Live-2 NSE:

Perfect fit: The Zomo Flightcase D-Live-2 NSE is tailor-made for the Denon SC Live 2 to ensure optimal protection and precision fit. Your DJ controller is always safe and well-protected.

High-quality construction: The flight case is made of laminated 9mm plywood, guaranteeing a robust and durable structure. It withstands both shocks and scratches.

Additional protection with interior padding: Interior padding protects your DJ controller from damage and unwanted influences, providing a secure and protected storage space.

Quick and easy access: The lid and front panel of the flight case can be quickly and easily removed, even when the DJ device is still inside the case. Ideal for quick access before and after performances.

Elegant and eye-catching design: The Zomo flight case captivates with its elegant design in the black NSE edition, drawing all attention and emphasizing your professionalism as a DJ.

Robust butterfly latches: They ensure a secure closure of the flight case while remaining easy to use. They also offer the option to attach an optional lock for additional security.

Transport-friendly: Integrated handles make it easy and comfortable to transport the flight case.

High lifespan: The flight case's sturdy ball corners provide additional protection against shocks and vibrations, contributing to its high lifespan.

Technical Specifications:

Suitable devices: 1x Denon DJ SC Live 2
Exterior material: 9mm plywood
Colour: Black (NSE)
Weight: 11.3 kg
Exterior dimensions: 716 (width) x 483 (depth) x 206 (height) mm
** The devices shown and/or mentioned in the photos are NOT included!

Suitable devices: Denon DJ SC Live 2
Suitable brands: Denon
Laptop shelf included: No

Notes: With the Zomo Flightcase PM-A9 NSE, Zomo present you with a tailor-made flight case for your Pioneer DJ DJM-A9 DJ Mixer. This special Night Style Edition (NSE) brings an elegant, dark look and gives your DJ setup an impressive aura. This advanced equipment flight case combines extreme durability with the highest functionality and excels in any tour routine.

The robust, black-painted aluminium profiles and extra sturdy ball corners of the Flightcase PM-A9 NSE ensure unparalleled durability. Additionally, they create an appealing, classy design that stands out in any environment. Another protective factor is the high-quality interior padding, which keeps your Pioneer DJ mixer safe from damage, scratches, or other external influences.

The modern, stylish design of the Night Style Edition skilfully showcases your equipment and perfectly complements the overall concept of the Zomo Flightcase in terms of professionalism and design. The butterfly clasps are not only easy to handle but also ensure a secure fit of the lid. For additional security, all NSE equipment cases can be locked with an optional padlock.

The Flightcase PM-A9 NSE is made of high-quality laminated 9mm plywood, making it particularly scratch and impact resistant. This demonstrates that Zomo Flightcases are guaranteed to be tour-ready and effortlessly withstand even the most demanding tour routines.

A special feature of the Zomo Flightcase PM-A9 NSE is the removable front panel, which allows easy access to the inputs of your DJ mixer during your performance without having to remove the DJ gear from the case.

With the Zomo Flightcase PM-A9 NSE you have the perfect solution for the safe transport and the professional use of your DJ mixer.

Features of Zomo Flightcase PM-A9 NSE

Provides secure protection against shocks, scratches, or external damages
High-quality construction and craftsmanship for the highest standards
Extra sturdy design
Modern design
Sturdily constructed interior padding
Convenient ball corners provide optimal shock protection
Quick-lock butterfly latches
Integrated handles
Removable lid

Technical Specifications

Suitable devices: 1x Pioneer DJ DJM-A9
Exterior material: 9mm plywood
Colour: Black (NSE)
Weight: 14.4 kg
Exterior dimensions: 461 (Width) x 563 (Depth) x 209 (Height) mm
** The devices shown and/or mentioned in the photos are NOT included in the delivery!

Suitable devices: Pioneer DJ DJM-A9
Suitable brands: Pioneer DJ
Laptop shelf included: No

Notes: With the Zomo Flightcase Rane Four, you get a custom-made flight case for the Rane FOUR. The Zomo Flightcase Rane Four is part of the exclusive NSE (Night Style Edition) collection, known for its aesthetic appeal and exceptional durability. It's not just a case; it's a statement - a statement of quality, design, and function.

Made of robust, laminated 9mm plywood, this case is designed to withstand the tough everyday life on and off the stage. It's reinforced with wide, black-painted aluminum profiles and extra sturdy ball corners, giving it high resilience. Whether you're on the road or in the air, the Zomo Flightcase Rane Four is ready to protect your valuable equipment.

The interior of the case is lined with high-quality padding to protect your controller from scratches, defects, or other damages. This way, you'll always be on the safe side, regardless of spilled drinks or unexpected drops.

But the Zomo Flightcase Rane Four is not just practical - it also looks fantastic. With its sleek, advanced design in the deep black NSE edition, this case is a real eye-catcher. The front panel can be easily and quickly removed, allowing you to access your controller's inputs even when the case is closed.

The Zomo Flightcase Rane Four is more than just a case - it's an investment in protecting your equipment. With its elegant design and robust construction, it's the perfect addition for any DJ who doesn't want to compromise on quality and style.

Features

Zomo Flightcase Rane Four
Protects devices from scratches, defects, or other damages
High-quality construction and craftsmanship
Extra sturdy design
Elegant design in deep black NSE edition
High-quality interior padding
Ball corners provide effective protection against shocks and impacts
High-quality butterfly latches for quick locking
Convenient carrying handles
Removable lid
Front panel is detachable for easy access to the device
Technical Specifications
Compatible devices: 1x Rane FOUR
Exterior material: 9mm plywood
Color: Black NSE (Night Style Edition)
Weight: 15.2 kg
External dimensions: 837 (width) x 532 (depth) x 207 (height) mm
** The devices shown and/or mentioned in the photos are NOT included in the delivery!

Suitable devices: Rane FOUR
Suitable brands: Rane
Laptop shelf included: No

Notes: The Zomo Flightcase PM-A9 Plus NSE is the ideal case for your Pioneer DJ DJM-A9 mixer. The unique Night Style Edition (NSE) gives this flight case an impressive, jet-black appearance that convinces not only with its robust quality but also with its stylish look.

As a renowned manufacturer of DJ cases, Zomo ensures that its products are suitable for both road and air transport. Therefore, the DJM-A9 equipment flight case is well-equipped to handle all DJ gigs effortlessly. Excellent internal padding reliably protects your equipment from damage, scratches, or external harm and also prevents the mixer from slipping.

The PM-A9 Plus NSE flight case is made of solid, laminated 9mm plywood, giving it high shock and scratch resistance. The extra-wide, black lacquered aluminum profiles and the sturdy ball corners ensure high durability, which is essential for professional use.

In case you need access to the mixer's inputs during your performance, the front panel can be quickly and easily removed even when the DJ gear is still inside the DJ case. A special feature of the PLUS version of this flight case is the integrated, pull-out laptop shelf. It provides a secure hold for your notebook during the performance, enhancing the case's practicality.

The Pioneer DJ equipment case in the dark NSE edition not only offers professional quality but also captivates with a classic appearance that is guaranteed to catch everyone's attention. The butterfly latches ensure a secure hold of the lid and allow for easy opening and closing. For additional protection, all NSE flight cases can be secured with an optional padlock.

With the Zomo Flightcase PM-A9 Plus NSE, you'll get a professional DJ case that leaves nothing to be desired in terms of quality, design, and functionality.

Features of Zomo Flightcase PM-A9 Plus NSE

Protects your equipment from negative influences
Premium quality and craftsmanship
Most stable construction
Contemporary design
Brilliant shelf for laptops
Well-crafted internal padding
Genius ball corners for optimal shock protection
High-quality butterfly latches
Convenient carrying handles
Removable lid

Technical Specifications

Suitable devices: 1x Pioneer DJ DJM-A9
Integrated pull-out shelf for 1x notebook up to 17 inches
Outer material: 9mm plywood
Color: Black (NSE)
Weight: 15.2 kg
External dimensions: 497 (Width) x 563 (Depth) x 220 (Height) mm
** The devices depicted and/or mentioned in the photos are NOT included in the delivery!

Suitable devices: Pioneer DJ DJM-A9
Suitable brands: Pioneer DJ
Laptop shelf included: Yes

Notes: *** Onyx Edition ***

The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes. The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin' runs.

With other features like the smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored.The X knob changes functions depending on which Algorithm you are using. It adjusts a specific parameter in each algorithm.

In Digital, Analog, and Slap modes, the knob will control modulation depth. In Lo-fi mode, the knob will control Filter width. Note that when changing delay types this loads a whole new algorithm and the tempo must be tapped in again.

Trails Mode

The ARP-87 can be run in trails or no trails mode. In trails mode, when you turn the pedal off, the delay trails die off naturally. In no trails mode, the delay trails are abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.

Momentary Functions

When the switch is in off position, press and hold the Bypass Switch to temporarily activate the effect to add a moment of delay texture. Releasing the switch turns the effect off. When the effect is on, press and hold the bypass switch to momentarily ramp the X parameter to maximum. Releasing the switch sets the X parameter back to the knob location. Press and hold the Tap Switch to temporarily ramp the feedback to maximum.
Release to set the feedback back to the knob location.

The ARP-87 comes in a Frosted Charcoal finish with cream and seafoam ink featuring original artwork by Chris Castro of a lone ship traveling through the ARP-87 Galaxies.
Dimensions and power consumption:

6,6 x 12,2 x 5,6 cm (W x D x H)
100 mA

In the box:

Walrus Audio ARP-87
Manual
Sticker
Guitar pick
Pouch

Notes: *** Onyx Edition ***

Like the Iguana that's malleable to its environment, blending into its surroundings for harmonious balance or standing out with vibrant confidence, the Polychrome Flanger is a uniquely colourful tool for adding modulated textures to songs.

The Polychrome Flanger is a true bypass, all analogue Flanger pulling in familiar layout controls from the Julia and Lillian.
Dial in a wealth of colourful flange with the D-F-V blend knob and the shape and voice switches.
The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line

The Voice Switch lets you select between two voices for the flanging effect.
In the down position, the flanger is more traditional and full frequency.
In the up position, you get a more complex and notched flange effect with less low end.

Like the other members of the Walrus Audio modulation family, the Polychrome has a blend knob. The D-F-V (Dry, Flange, Vibrato) knob lets you blend the dry and delayed signal from full dry at minimum (no effect), to traditional flange at noon to full pitch vibrato at maximum. Don't sleep on the vibrato sounds in the Polychrome.
Set the D-F-V knob to maximum, feedback to a minimum, and the voice switch up for some unique pitch vibrato.

Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Polychrome fit well on your board and ensure smooth operation for years to come.

Specs

Power supply not included.

Dimensions and power consumption:
0.25kg
6,6 x 12,2 x 5,6 cm (W x D x H)
50 mA

In the box:

Walrus Audio Polychrome
Manual
Sticker
Guitar pick
Pouch

Notes: SSL Recording Pack

Condenser mic, shock mount, studio headphones and XLR cable

Step Up Your Recording Game

Introducing the SSL Recording Pack from Solid State Logic, the all-in-one solution to capture your ideas and record great music. Available in a bundle with an SSL 2 interface, the SSL Recording Pack includes a condenser microphone with shock mount and thread adapter, closed-back studio headphones and an XLR microphone cable, bringing you everything you need to record with your SSL 2 interface.

Recording Made Easier

SSL Recording Pack includes everything you need to start recording now. Just plug your SSL microphone and headphones to your SSL 2 interface and start turning your ideas into records.

SMC 80 Studio Microphone

Capture every detail and nuance of your vocals, guitars and acoustic instruments with the SMC 80 studio condenser microphone.

SHP 20 Headphones

Listen with clarity and detail. Hear every step of your recording and production process with SHP 20.

Included with SSL 2 Interface

Bring Your Productions To The Next Level

The SSL 2 Interface include the acclaimed SSL Production Pack, featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, to let your creativity shine and bring your productions to life.

What's in the Kit

SSL 2
SSL headphones (including 1/4" jack adapter)
SSL condenser microphone, shock mount and thread adapter (5/8" outer and 3/8" inner) for microphone stands
2.5 M XLR microphone cable

Specifications

SHP-20 Headphones
Operating Principle: Closed
Fashion: Supra-aural Transducer Type Dynamic
Loudhailer: 50mm
Impedance: 32 O
Sensitivity: 98 +/-3dB
Frequency Response: 15Hz-25kHz
Max. Power: 1200mW
Rating Power: 300mW
Cable: About 3m (straight)
Plug: 3.5mm + 6.3mm

SMC-80 Microphone
Element: 25mm condenser capsule
Polar Pattern: Cardioid
Frequency Response: 20Hz-20kHz
Sensitivity: -36dB+/-2dB (0dB=1V/Pa at 1kHz)
Output Impedance: 200+/-30% (at 1kHz)
Load Impedance: >1000 O
Self-Noise: 16dB A
Max. Input SPL: 136dB (at 1kHz<1% T.H.D)
S/N Ratio: 78dB
Phantom Power Requirement: 48V DC Phantom Power
Weight: ~340g
Dimensions:55x38x165mm

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.

Notes: The highly coveted Octave Clang has made a triumphant return to Death By Audio's Queens workshop. Long presumed extinct, the OC was never really gone, merely in a state of hibernation-evolving, refining, and enhancing its already extraordinary sound.

In the decade since it disappeared, Death by Audio have revisited the original Clang circuit, sculpting it into something better-a more ferocious, menacing, and thunderous force that is as usable as possible for today's musicians.

Embraced by professionals and punks alike, the vintage Octave Clang was created to unleash distinctly unconventional tones that captivated the senses. In this, it succeeded, but many users found it difficult to tame. Today, Death By Audio have refined and extended the range of the original controls, added a foot-switchable octave, and did some under-the-hood supercharging.

The resulting circuit is an insane yet versatile beast, empowering you to easily sculpt discordant ringing drones, visceral octave scrapes, and ground-shaking distortion. The revitalized Octave Clang is primed and ready to destroy!

Controls

Bypass (Left Footswitch): Turns the Octave Clang on and off (red LED).
Octave (Right Footswitch): Toggles the Octave Up mode (yellow LED). The yellow LED stays on/off when the pedal is bypassed to indicate if the Octave Up is engaged.
Volume: Controls the output level. Goes from totally silent to extremely loud. When set above your normal volume, it propels your chain into overdrive
Gain: Sets the gain of the Octave Clang. This can (and will) drive the rest of the circuit into overdrive and fuzz. Can provide up to +39dB of gain.

Tone: A powerful pre-gain tilt EQ, this control adjusts the amount of highs and lows going into the rest of the circuit. This can make the octave and fuzz react very differently. Overloading the lows yields a larger, more blown-out sound while overloading the highs gives a more cutting and clear sound.

Bias (Internal): Allows misbiasing the distortion circuitry. Leave this control in the middle (5-6) for standard functionality, or turn it left or right to skew the character of the distortion to a rougher sound.
Access this control by removing the back plate of the Octave Clang.

Specifications

Dimensions: 4.8" x 3.7" x 2.1" (including hardware).
Weight: 11.5 oz.
Power: The Octave Clang is powered by a standard 2.1mm 9V DC adapter with a centre-negative polarity. Isolated power supplies are recommended. It is also possible to use the Octave Clang with a 9V battery (not provided). When not using a battery, the internal battery snap should be attached to the corresponding battery snap holes on the board. This will prevent the contacts from shorting out against the circuitry. Do NOT leave the battery snap floating inside the pedal when not using a battery.
Current Draw: 10 mA

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M4 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M4 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M4 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The latest and greatest version of one of the most popular microphones around. XLR and USB connections both offer warm sound suitable for vocals, instruments and podcasting.

Supplier's Notes:
The NT1 5th Generation is a revolutionary studio condenser microphone that fuses the classic sound signature of the iconic NT1 with cutting-edge, next-generation technology. It features RODE's groundbreaking (patent-pending) Dual Connect output, offering both XLR and USB connectivity for incredible versatility, a world-first "unclippable" 32-bit float digital output, advanced digital signal processing, and more, all while delivering the same warm, silky character, extremely low noise, and high SPL handling that the NT1 is renowned for. The NT1 5th Generation is a true studio workhorse that excels on everything from vocals and speech, to guitar, piano, drums and percussion - the ultimate studio microphone.

The Iconic Original Studio Microphone, Reborn

The NT1 5th Generation is the latest evolution of the iconic NT1. First introduced in 1991, the NT1 is the world's most popular studio microphone, renowned for its warm, classic sound and incredible versatility. The NT1 5th Generation takes the much-loved and respected core of the NT1 and introduces state-of-the-art features while preserving the legendary sound quality that made the original the go-to microphone for countless creators. A perfect marriage of tradition and innovation.

Game-changing Connectivity

Featuring RODE's groundbreaking, patent-pending Dual Connect output, the NT1 5th Generation can either be connected to an audio interface or mixer via XLR or directly to a computer via USB for studio-grade, plug-and-play recording. Unprecedented flexibility for any studio setup.

Classic Sound on the Cutting-edge

The NT1 5th Generation delivers the same warm, silky character, extremely low noise, and high SPL handling capability that the original is revered for, with improved circuitry for even lower self-noise - an astonishingly low 4dBA, making it the world's quietest studio condenser microphone. When using the XLR output, it delivers the rich, classic studio condenser sound you know and love from the NT1. When using the digital output, you get this same sound plus a slew of cutting-edge features to further enhance your audio for recording pro studio sound directly into your computer.

The Digital Studio of the Future

The NT1 5th Generation features a professional-grade audio interface built into the microphone, which is perfectly optimised to preserve its pristine audio fidelity and also offers a range of highly innovative features for enhanced sound, including the ultra-low-noise, high-gain Revolution Preamp™, high-resolution (192kHz) A/D conversion and advanced digital signal processing. This is so much more than just a studio condenser microphone, it's an all-in-one digital recording solution.

The "Unclippable" Microphone

The NT1 5th Generation features a world-first 32-bit float digital output - a revolutionary recording format that allows you to record everything from a whisper to a scream, the softest guitar to the loudest drummer without having to worry about setting your gain - simply adjust your audio after recording and all the dynamics of your performance will be maintained, with zero risk of clipping or distortion. Gamechanger.

Versatility Like No Other

With its smooth frequency response, extremely low noise, high SPL handling, flexible connectivity options and powerful digital capabilities, the NT1 5th Generation offers versatility like no other studio mic. It excels in any recording application, from vocals and speech to guitars, drums to piano, and can fit into any workflow, from a solo bedroom recording setup to a professional studio.

Craft Your Sound

Craft your sound with advanced APHEXr audio processing, driven by the NT1 5th Generation's powerful on-board DSP. Add compression, a high-pass filter, noise gate, and the legendary APHEXr Aural Exciter™ and Big Bottom™ to your audio with ease using the free RODE Connect and RODE Central companion apps. Dial in the perfect sound with the touch of a button using the intuitive VoxLab™ editor or fine-tune each processor using the advanced editor.

Premium Components, Built to Last

Made from premium components, the NT1 5th Generation is built to the highest standard in RODE's state-of-the-art manufacturing facilities in Sydney, Australia. The HF6 capsule is precision manufactured to sub-micron tolerances to ensure the utmost consistency in tonality and frequency response and is internally shock-mounted for minimising external vibrations. The body is machined from rugged aluminium and is available in black or silver, with high-grade finishes that are extremely resistant to scuffs and scratches, ensuring the NT1 5th Generation is ready to take on the rigours of recording day in, day out.

Everything You Need to Start Recording

The NT1 5th Generation comes with everything you need to start recording in the box, including XLR and USB cables, and a studio-grade shock mount and pop filter for minimising unwanted artifacts in your recording caused by plosives, knocks and bumps.

Unlock More Creative Potential with the RODE App Suite

The NT1 5th Generation is compatible with a range of free RODE apps, including the RODE Central companion app, RODE Connect podcasting app and UNIFY streaming app, all of which allow you to configure settings, access the advanced DSP, update firmware and more.

Specifications

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: Via XLR: P48
Analogue Output Connection: 3-pin XLR

Digital Specifications

Digital Power Requirements: Via USB: 5V
Digital Output Connection: USB-C
Bit Depth: 24-bit / 32-bit floating point
Sampling Rate (kHz): 48 / 96 / 192
Processing: APHEX digital signal processing (only available at 48kHz / 24-bit)
Minimum OS Requirements: Windows 10 Mac OS 10.15

Mechanical Specifications

Weight (grams): 308

Dimensions (millimetres):
Length: 52
Width: 52
Height: 189

Box Contains

1 x NT1 5th Generation
1 x SC29
1 x XLR-6
1 x SM6

Notes: The ultimate companion for producers on the move - the UDG Ultimate Producer Backpack Trolley. This sleek and versatile backpack is designed to meet the demands of modern music producers and DJs, combining style, functionality, and durability in one package.

The Producer Backpack Trolley is more than just a bag; it's a travel companion designed to make your life easier while maintaining a sleek, professional look. Whether you're a DJ, music producer, or someone who needs a reliable, feature-packed backpack for travel, this is the perfect choice. Elevate your gear transportation experience with the ultimate in style and functionality. Get yours today!

Specifications

Colour: Black, Orange inside
Weight: 4,25 kg / 9.35 lbs
Outer Dimensions (W x H x D): 39.5 x 62.0 x 32.0 cm | 15.5 x 24.4 x 12.6 inch
Inner Dimensions (W x H x D): 35.0 x 45.5 x 15.5 cm | 13.8 x 17.9 x 6.1 inch
Material: Water Resistant Nylon 420D

Protection

Padded MIDI controller compartment
Inseparable wheel cover
Comfortable moisture absorbent shoulder straps
Ergonomic back padding provide exceptional comfort
Integrated with a TSA combination lock
Easy backpack to trolley mechanism

Extras

Multiple external pockets for accessories & smaller gear
Quick access top pocket
Top & side carry handles
Retractable handle with 2-stage trolley system
Smooth rolling in-line wheels with high quality in-line skate bearings

Fits

Main compartment fits up to 18.4" laptop.
Pioneer CDJ-3000, Ecler Warm4, Reloop RMX-95, Roland SPD-SX Pro, Ableton Push 3

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one especially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Pioneer DDJ-REV5 Black Plus (Laptop Shelf) also features heavy-duty spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Pioneer DDJ-REV5 Black Plus (Laptop Shelf) not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications

Colour: Black
Weight: 15,80 kg / 34.76 lbs
Outer Dimensions (W x H x D): 84.4 x 51.5 x 24.3 cm | 33.2 x 20.3 x 9.5 inch
Inner Dimensions (W x H x D): 73.8 x 36.2 x 5.5 cm | 29.1 x 14.3 x 2.2 inch
Material: Heavy duty construction of 9 mm thick plywood

Protection:

Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide black solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Adjustable laptop shelf
UDG heavy-duty spring-loaded handles
Cable access hole with removable UDG emblem cover
Removable front access panel

Fits

Pioneer DDJ-REV5 controller

Notes: The ZIO Analog Bass Preamp + DI is an ultra-low noise, all-analogue preamp and DI for bass guitar. The pedal offers maximum headroom and a simple but flexible set of tone shaping controls. ZIO Bass can be used as a direct input using the balanced XLR output for connection to a mixer or audio interface as well as with headphones through its dedicated headphone jack.

The ZIO Bass features a simple control panel. The OUTPUT knob offers +12db of additional boost plus a significant amount of cut. The BASS and FOCUS controls work best in tandem - use the BASS knob to increase low-end output and the FOCUS knob (which adjusts the cut-off point of a high-pass filter) to eliminated excessive lows and create added punch. The TREBLE knob boosts or cuts the high frequencies, providing enhanced articulation without adding harshness.

The GRIT toggle enables a mild distortion to mimic the transformer-style breakup from high-end bass amps. GRIT mode's gain level can be adjusted for more or less distortion with the GAIN control located on the side of the pedal. The SCOOP toggle engages a special midrange cut to clean up "muddy" mid-range frequencies. The SCOOP profile is based on the "Pultec Trick" - a setting commonly used with vintage Pultec Equalizers to add clarity.

The pedal has three outputs that can be used individually or simultaneously. The OUTPUT jack connects to an amplifier or pedalboard.

The DIRECT OUT is a balanced XLR output that sounds great running into a mixer or audio interface for recording or live sound applications. The HEADPHONE jack features a high dynamic range, low noise amplifier that is capable of driving low impedance studio headphones.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Six segment generator. Looping or one shot envelope generator. Chainable, so it can be expanded to link multiple units.

An exact hardware replica of the Mutable Instruments Stages.

Dimensions
14 HP
25 mm deep

Current Draw
80 mA +12V
20 mA -12V
0 mA 5V

Notes: Excellent studio-quality sound in a compact package from this clever PreSonus design. 4.5-inch coaxial drivers deliver point source reproduction, for precise imagine and off-axis response.

Supplier's Notes:
The Eris Pro 4 reference monitors employ a single point-source coaxial design for clear and accurate sound reproduction. This design provides superior phase alignment between components and delivers a wide sweet spot, precise stereo imaging, and symmetrical dispersion patterns - unique advantages for Dolby Atmos immersive rooms as well as stereo mix environments.

The Eris Pro 4 also delivers finely detailed transient response, and stunning dynamics that create a natural and less fatiguing listening experience. A 1-inch ultra-low mass, silk-dome tweeter ensures snappy, accurate transient reproduction, while a 4.5-inch woven-composite woofer offers tight, clear bass, with plenty of punch and no flab. A ported enclosure and 80 Watts of power allows the Eris Pro 4 to reach down to 55 Hz.

Acoustic tuning controls let you configure the Eris Pro 4 for your room and three-way Acoustic Space tuning can compensate for the effects of speaker placement against a wall or in a corner.

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything. Lastly, provisions for wall and ceiling mounts make it easy to integrate Eris Pro 4 monitors into any stereo or multi-channel system.

Specifications

Series: Erisr
Colour: Black
Country of origin: CN

Electronics

Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10 kO

Performance
Peak SPL: 99 dB (@ 1 meter)

Speakers
Crossover frequency: 3.4 kHz

Hardware

Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Volume High Frequency (+/-6 dB, centre 10 kHz, continuously variable) Mid Frequency (+/-6 dB, centre 1 kHz, continuously variable)
Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
Monitor inputs:1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA
Power amplifier type: Class AB

Measurements

Dimensions: 8.50x7.00x5.00 IN
Shipping weight: 9.04 LB
Product depth: 8.6" (21.8 cm)
Product height: 9" (22.9 cm)
Product width: 7.5" (19 cm)

Shipping length: 5.00 IN
Shipping height: 8.50 IN
Shipping width: 7.00 IN

Accessories
Footswitch: N/A

Miscellaneous
Power cable: IEC

Protections:

RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter

Notes: ***B-STOCK: Box opened, product in perfect working order***


Trying to find your gateway into modern DJing? Look no further than the MDJ-600 Professional Media Controller. It may be small, but this mighty unit has plenty of capabilities without the need for external software with its USB, MIDI and CD compatibilities.

MDJ-600 - Tiny, Yet Fierce:

A large 4.3-inch vivid full-colour screen is the brilliant focal point of this unit, providing real-time visual feedback of your tracks. Full track information including Title, Time, BPM, and Pitch are clearly displayed alongside the precise full-size waveform window. You'll appreciate the additional visual feedback for Slip Mode, Hot Cues and active Auto/Manual Loops meaning you can confidently use scratches or hot cues without ruining your mix. The 100mm pitch fader ranges pitch from 4% to 100%; you'll mix with surgical precision.

Fast Learning, Faster Results

The MDJ-600's intuitive interface will have you spending less time learning and free up precious time for you to experiment with the 4 Hot Cues, 8 Auto Loops, and the 5-inch touch-sensitive jog wheel with LCD display and resistance control to Slip and Scratch. Bonus MIDI capabilities mean you can even control the parameters of your favourite DJ software directly from the unit, routing your audio through its 24-bit/192kHz soundcard. Of course, the MDJ-600 is fully compatible with our V-Case Library Management Software, which offers users a faster, easier way to manage their music libraries.

Notes: A true legend of modular synthesis, Make Noise's Maths is arguably the definitive Eurorack function generator. Based on analogue computing circuits, Maths draws on Buchla-style techniques to offer countless ways of generating and processing modulation signals.

Supplier's Notes:
The MATHS music synthesizer module is an analogue computer designed for musical purposes. Amongst other things, it will allow you to:

Features

Generate a variety of linear, logarithmic, or exponential triggered or continuous functions

Integrate an incoming signal

With no signal applied, generate a variety of linear, logarithmic, or exponential functions

Add, subtract and OR up to 4 signals

Generate analogue signals from digital information (Gate / Clock)

Generate digital information (Gate / Clock) from analog signals

Delay digital (Gate / Clock) information

If the above list reads like science rather than music, here is the translation:

Voltage Controlled Envelope or LFO as slow as 25 minutes and as fast as 1khz

Apply Lag, Slew or Portamento to control voltages

Change the depth of modulation and modulate backwards!

Combine up to 4 control signals to create more complex modulations

Musical Events such as Ramping up or Down in Tempo, on command

Initiating Musical events upon sensing motion in the system

Musical note division and / or Flam

Perfect for modulating the DPO and just about anything else

Specifications
Width: 20hp
Max Depth
(incl. power cable): 32mm

Power:
60mA@ +12V
50mA @ -12V

Notes: Part of Mackie's ProFXv3+ series, this six-channel model offers great value, with built-in audio interface, Bluetooth streaming and GigFX+ effects.

Supplier's Notes:
Mackie ProFX6v3+ is a professional 6-channel analogue mixer and USB-C audio interface featuring Onyx preamps and EQ, switchable USB recording modes, Bluetoothr for capturing phone calls and upgraded effects you can adjust on a colour LCD screen.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

With up to 60 dB of gain and ultra-low noise, ProFXv3+ series mixers allow you to sound better than ever. Record podcasts, stream gameplay or produce the next hit-all with ultra-clean, transparent audio. Our award-winning Onyx Mic Preamps deliver analogue warmth so you sound great, no matter what you do.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

Capture your stream or performance at pristine 24-bit / 192 kHz quality with a built-in 2x4 USB-C audio interface, complete with three recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

Use the dedicated Bluetoothr channel to send and receive audio from devices like smartphones and tablets. For podcasters, it's an effortless way to bring in phone calls. For musicians and performers, it's the easiest option for streaming outside music and backing tracks.

Product features
Three recording modes: Standard, Loopback and Interface
Bi-directional Bluetoothr for music playback and caller integration
2-band EQ on channels 1 and 2
One-button compression on channels 1 and 2
Hi-Z switches allow direct connection of instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 1/8" input on channel 5/6
Headphone output with separate level and blend control
Easily blend between monitoring your computer output and a latency-free feed from the mixer
Waveform OEM recording software Included
Legendary Built-Like-A-Tank design
Solid steel chassis
Tough ABS side protection

Line inputs: 6
Mic inputs: 2
Effects: GigFX+
USB I/O: 2x4
USB Type: C
Recording modes: Yes
Bluetooth w/MixMinus: Yes

Notes: The Wave Transformer is a complex single oscillator with 7 audio outputs. Its method of wave shaping differs from other complex oscillators in that it is not based upon classic wave folding such as is common in West Coast synthesis, or filtration such as is common in East Coast synthesis.

This analogue, vintage-voiced, voltage-controlled oscillator features over 8 octaves of accurate pitch tracking. Its 7 simultaneous wave outputs include a unique Complex output. This strange and novel output varies between a simple waveform (triangle, unless you patch a signal into the Shape Insert jack) and a complex transformation of the harmonic structure of the original waveform. It contains a unique mixture of the fundamental frequency, odd order harmonics, even order harmonics and subharmonics. The Sub Octave panel control will determine whether the sub harmonics are derived from one octave down, two octaves down, or are muted altogether. It will vary from a simple waveform to a silhouette of your cat watching you as you react to a "present" that it left for you on the counter. No, seriously.

The module's Transform control morphs from a basic waveform through many strange iterations into a complex, gnarled mass of audio mutations at the Complex output using an asymmetrical multi differential audio transmutation circuit. You can yield countless variations on these permutations by combining this novel circuit with Hard Sync, Soft Sync, Linear FM and Exponential FM.

Additionally, you can mute the source waveform to use the circuit as a harmonic gate/VCA, rendering the Wave Transformer a voice unto itself.

If that is not enough, there is a Shape Insert that allows you to transform external oscillations and modular-level audio sources.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


*** Onyx Edition ***

Building off of the lush, tonal landscapes that the Julia Analog Chorus/Vibrato created, Julianna is an all analogue, digital LFO, stereo chorus/vibrato with new expanded features. Julianna is able to produce mild smooth chorus, to seasick vibrato, to everywhere in between.

Familiar controls like Lag, Dry-Chorus-Vibrato Blend, and selectable LFO wave shapes are all still here, but Julianna employs some new tricks: The Secondary LFO speed, modulation drift, tap/expression control and momentary features will have you commanding all new kinds of sounds not found in traditional chorus pedals.

Unlike most other chorus pedals, the Julianna and Julia have a special feature called Lag control. The Lag knob lets you set the centre delay time that the LFO modulates. From smooth and tight modulation at lower settings, to a warbling detune at maximum, the Lag knob adds a new dimension to the traditional chorus/vibrato landscape.

D-C-V KNOB

The DCV knob sets the ratio of dry to wet signal through the mono channel of the Julianna. Traditional mono chorus sounds can be heard with the knob set around noon. Pitch vibrato is found in the full clockwise position. The ground in between offers unique blends of chorus and vibrato not commonly found on other chorus pedals.

When both outputs are connected, set the DCV knob to full counterclockwise to send your dry signal to the mono output and vibrato signal to the stereo output for a traditional stereo chorus sound. Explore other variations by turning the DCV knob up slightly to add some vibrato signal to the dry output changing the stereo image.
Dimensions and power consumption:

6,6 x 12,2 x 5,6 cm (W x D x H)
100 mA

In the box:

Walrus Audio Julianna
Manual
Sticker
Guitar pick
Pouch

Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The DD-200 Digital Delay brings together sounds and features inherited from the flagship DD-500 into an even smaller footprint. Twelve different modes offer an inspiring variety of delay colours from modern digital to classic analogue, letting you dial up everything from basic echoes to rich ambient pads and everything in-between. There's also a looper that's always ready to use, plus a selectable carryover function for seamless transitions between memories.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current DD-200 system software

Twelve Modes, Unlimited Sounds

With 12 different modes to choose from, the DD-200 provides nearly any flavour of delay in an amazingly compact size. At your command are super-clean digital delays, gritty analogue echoes, and spot-on retro sounds from the Roland RE-201 Space Echo and Binson Echorec 2. There's also a variety of options for creating reverse effects, lo-fi tones, and pulsing rhythmic sounds with layered delays. And with the Tera Echo, Shimmer, and Pad Echo modes, immersive ambient colours are just a knob twist away.

Dial in Sounds Fast

The DD-200 features a no-nonsense interface, making it easy to craft inspiring sounds in the heat of the moment. Essential delay parameters are provided on dedicated controls for direct, hands-on access. And in each mode, the function of the PARAM knob changes to parameters tailored for the selected type, delivering extended control with no need to menu dive.

Save and Recall Your Favourite Setups

The DD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. If you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device. And by enabling the carryover function, delay repeats will keep sounding as you change memories for smooth, free-flowing transitions.

Deep Real-Time Control

By default, the DD-200's multi-function footswitches provide access to basic functions like bypass, memory scrolling, tap tempo, and looper control. But you can easily reassign them to hold, warp, and many other functions. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control a wide range of functions from MIDI devices like the ES-8 and ES-5 effects switchers.

Ready-to-Go Looper

Any time you're ready, pressing the DD-200's two footswitches together puts you into looper mode. Up to 60 seconds of mono recording time is available, and operation is simple and direct with the onboard switches. And since the looper engine functions independently, you're able to develop expressive loops with any of the DD-200's rich delay sounds.

DD-200 Delay Modes

Standard-Clear digital delay. PARAM adjusts the delay attack.
Analog-Emulates classic analogue "BBD" delays like the BOSS DM series. PARAM controls character and distortion amount.
Tape-Emulates the warm tape-based sound of the legendary Roland RE-201 Space Echo. PARAM selects different combinations of three playback heads, and also adjusts the amount of distortion in the delay sound.
Drum-Models the drum-based Binson Echorec 2. PARAM selects different combinations of four playback heads, and also adjusts the amount of distortion in the delay sound.
Shimmer-Pitch-shifted delay for lush, heavenly textures. PARAM adjusts the delay brightness.
Tera Echo-Spacious, animated ambience effect derived from the BOSS TE-2 pedal. PARAM adjusts the sound character.
Pad Echo-Newly developed delay sound for creating drifting ambient textures. PARAM adjusts the delay attack.
Pattern-Rhythmic sounds with 16 delay lines layered together. PARAM selects different pattern variations.
Lo-Fi-Delay sound with fat, distorted character. PARAM adjusts the distortion effect.
Dual-Two different delay lines connected in series. PARAM adjusts the time of the second delay.
Reverse-Backwards delay for cool psychedelic effects and other unique tones. PARAM adjusts the delay attack.
Ducking-Delay with a built-in ducking effect. PARAM adjusts the input sensitivity.

*The product names mentioned on this page are registered trademarks or trademarks of their respective owners. These names are used because it is the most practical way of describing the sounds that are simulated.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point

Modes: 12 modes
STANDARD, ANALOG, TAPE, DRUM, SHIMMER, TERA ECHO, PAD ECHO, PATTERN, LO-FI, DUAL, DUCKING, REVERSE

Memory127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/TAP switch
MODE knob, TIME knob, FEEDBACK knob, E. LEVEL Knob, PARAM knob, TONE knob, MOD DEPTH knob
TAP DIVISION button, MEMORY button

Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA

Expected Battery Life Under Continuous Use
Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery): 680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms

Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

Outfitted with algorithms from the flagship MD-500, the MD-200 Modulation delivers an array of world-class effects in one small, convenient pedal. Twelve different modes provide every mod sound you need and more, and each includes customized controls that unlock deep tone shaping right from the panel. And with the powerful insert function, it's simple to patch in drive pedals and other effects for selectable pre or post processing.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current MD-200 system software.

Twelve Mod Essentials in One Pedal

Compact and mighty, the MD-200 gives you every key mod effect in a minimal footprint. Modern and vintage BOSS chorus effects are included, plus phaser, flanger, rotary, vibrato, and tremolo. Classic vibe and '70s phaser effects are also available, complete with selectable distortion for added versatility. BOSS's famous Slicer delivers lots of cool rhythmic grooves, while the rich Overtone effect dishes up fat octave tones and unique sonic colours. There's a highly adjustable auto wah as well, which can double as a foot wah when an expression pedal is connected.

Dial in Sounds Fast

With the MD-200's simple and direct interface, it's easy to craft inspiring sounds in the heat of the moment. Using dedicated controls, you can quickly dial in rate, depth, and level for any selected mode. You can also tap in the rate with a footswitch while playing, and visually set note subdivisions right from the panel. Going further, three additional parameter knobs dynamically change functions with each mode, providing extended tone shaping with no need to menu dive.

Save and Recall Your Favourite Setups

The MD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. And if you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device.

Instantly Change Effect Order for Optimum Tone

Using the MD-200's insert loop function, you're able to patch external pedals, set the ideal effect order, and save the setting to an onboard memory. For example, you can place a phaser or classic vibe before an external pedal in one memory, a chorus or flanger after in the next, and then switch between them. This is particularly useful with drive pedals, where the signal order can have a dramatic effect on the selected mod sound.

Deep Real-Time Control

By default, the MD-200's multi-function footswitches control bypass, memory scrolling, and tap tempo, but you can easily reassign them to alternate functions as needed. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control various functions from MIDI devices like the ES-8 and ES-5 effects.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Modes:12 modes; CHORUS, CE-1 CHORUS, FLANGER, PHASER, VINTAGE PHASER, CLASSIC VIBE, VIBRATO, TREMOLO, ROTARY, AUTO WAH, SLICER, OVERTONE
Memory: 127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY/TAP switch, MODE knob, RATE knob, DEPTH knob, E. LEVEL knob, PARAM 1 knob, PARAM 2 knob, PARAM 3 knob, TAP DIVISION button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack

USB port: USB micro B-type (program update only)
Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA
Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight
Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot)65 mm 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery)680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms

Notes: Part of Boss's 200 series, the SY-200 is the latest in a range of guitar synth pedals dating all the way back to the 1970s. Plug in any guitar or bass and layer synth sounds over the raw tone. A versatile and creative way to explore new sounds.

Supplier's Notes:
A World of Synth Tones at Your Feet

Offering a universe of rich, analogue-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS's expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI.

A Massive Library of Expressive Synth Tones

The SY-200 transforms your guitar or bass into a versatile analogue-flavoured synth, ready to infuse your music with dynamic, compelling, and evocative new voices. This streamlined stomp gives you 171 total sounds organized in 12 intuitive categories, along with adjustable parameters for customizing the tone and response. And with 128 memory locations, you're able to store your favourite sounds and instantly recall them while performing.

Build Custom Sounds Fast

With the SY-200's informative display and hands-on controls, it's quick and easy to call up sounds and balance the direct and synth levels. All the preset synth tones have been dialled in by the BOSS engineers to be inspiring and playable right away. But if you want to go deeper, you can tweak three different parameters for each sound via dedicated knobs.

Flexible Connectivity

The SY-200 smoothly integrates into your setup in a variety of ways. Patch it in your chain like a regular pedal, or use the send and output jacks to route synth and straight guitar sounds to different destinations. And with the send/return loop and level knobs, it's possible to craft unique hybrid sounds by blending one or more pedals in parallel with different synth voices.

Powerful Real-Time Control

The SY-200 provides a massive range of control options while taking up minimal space on your pedalboard. Two customizable footswitches offer multi-functional operation with press-and-hold functionality, allowing you to control synth on/off, memory scrolling, pitch bend, synth hold, and more. Expanded control is possible via external footswitches or an expression pedal, and MIDI I/O is also available to interface with other MIDI-equipped pedals and devices like the ES-8 and ES-5 loop switchers.

Plug-and-Play and Latency-Free

You can use the SY-200 with any guitar or bass-just plug in with a standard 1/4-inch cable and start creating. Thanks to custom DSP and the latest BOSS innovations, you'll enjoy latency-free performance that's a natural extension of your instrument, letting you play freely without altering your normal technique in any way.

Supercharge Your Music with a Diverse Range of Sounds

The SY-200 is loaded with a large library of synthesizer tones to inspire new ideas and bring fresh voices to your music.

LEAD-A wide range of sounds suitable for single-note soloing.
PAD-Full tones that work great with chords, from layered pads to synth brass and more.
STRING-Classic analog-style strings, including layered voices and sweeping textures.
BELL-Percussive synth sounds with metallic resonance.
ORGAN-A large selection of organ sounds, including many with rotary-style modulation.
BASS-Fat synth bass sounds, including filtered and sub-octave tones.
DUAL-Fat synth tones with stacked oscillators.
SWEEP-Dynamic sounds with expressive and engaging movement.
NOISE-Classic analog-style synth noise. Great for percussive sounds and dramatic effects.
SFX-A variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more.
SEQ-Pulsating sounds with rhythmic pitch or filter changes.
ARPEGGIO-Generate rhythmic arpeggios based on the notes you play.

Specifications

Sampling Frequency: 44.1 kHz
AD/DA Conversion24 bits
Processing: 32-bit floating point

Modes: 12 modes
LEAD, PAD, STRING, BELL, ORGAN, BASS, DUAL, SWEEP, NOISE, SFX, SEQ, ARPEGGIO

Memory: 128
Nominal Input Level: INPUT, RETURN: -10 dBu
Maximum Input Level: INPUT, RETURN: +7 dBu
Input Impedance: INPUT, RETURN: 2 M ohms
Nominal Output Level: OUTPUT, SEND: -10 dBu
Maximum Output Level: OUTPUT, SEND: +7 dBu
Output Impedance: OUTPUT, SEND: 1 k ohm
Recommended Load Impedance: OUTPUT, SEND: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/CTL 1 switch
TYPE knob, MEMORY knob, 1 knob, 2 knob, 3 knob, D. LEVEL knob, E. LEVEL knob, VARIATION knob
MENU button, EXIT button

Display: Graphic LCD (132 x 32 dots, backlit LCD)

Connectors:
INPUT jack, OUTPUT jack, SEND jack, RETURN jack: 1/4-inch phone type
CTL 2, 3/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 230 mA

Expected Battery Life Under Continuous Use: Alkaline: Approx. 5 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 630 g / 1 lb 7 oz
Weight (including battery): 700 g / 1 lb 9 oz

0 dBu = 0.775 Vrms

Notes: Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Notes: Advanced generative sequencer featuring mutes per channel and transposition facilities.

Akropoli is an extension and enhancement of our successful Little Melody and High Towers modules, offering the features of both of these modules as well as some of it's own unique features such as mute buttons per channel, manual transpose knob and 1V/oct transpose CV input. Akropoli operates using Frequency Central's proprietary TOOL V2 code, and can count in integers as well as multiples for even more subtle and evolving variations.

Akropoli is a generative sequencer based around clock divisions and a chromatic quantiser, used to create in-the-moment licks and riffs. It is more that the sum of it's parts.

Akropoli's internal operations can be considered as 4 clock dividers patched into a CV mixer via attenuators. The attenuators select notes over a 5 octave range, the clock dividers determine how often those notes are added to the mix. The final output of Akropoli is quantized chromatically for fast set up and continuously pleasing results. Akropoli has an onboard transposition knob, as well as a 1V/oct transposition CV input.

The 4 clock dividers are labelled A, B, C, and D. They all receive clocks from the same source, the divisions may be selected using the presets and the individual division selectors. The clock dividers can be set to count up, down, or to one of a variety of modes that move between counting up and down. For further information on Presets and Modes see the Little Melody User Guide.

Additionally, each clock divider has it's own binary output (either high or low), these 4 outputs can be used to clock/gate/trigger other stuff on other modules to great effect.

Product Specifications

12V draw
50mA

-12V draw
36mA

5V draw
0mA

Depth
35mm

Notes: The Ultimate CUBE Bass Experience for Home and Beyond

For over four decades, CUBE amplifiers have brought exceptional value to musicians everywhere, offering great sound and versatile features in portable, go-everywhere designs. The DUAL CUBE BASS LX is the most advanced compact CUBE bass amp yet, filled with evolved BOSS technologies for the ultimate home practice experience. This thunder box punches well above its size, delivering rich, full sound and a host of fun rhythm patterns to groove with. A generous array of connectivity options are also included, extending its range to performing, recording, and many other applications.

Stage Sound at Home

With its custom stereo speaker system and advanced cabinet design, the DUAL CUBE BASS LX delivers big, refined tones that you won't believe are coming from such a small amp. Five different preamp types are available, offering uncoloured sounds for studio and slap playing, vintage sounds for classic styles, and aggressive modern tones for heavy genres. With natural feel and organic response honed with decades of BOSS amp development, you have an endlessly inspiring platform to hone skills and explore new techniques.

Find Your Voice

The DUAL CUBE BASS LX features a variety of bass-tuned effects, including many with expansive stereo sound. Shape your core tone with compression or drive, add colour with touch wah, flanger, or chorus, and bring in spatial depth with delay or reverb. Each amp type includes three user memories, allowing you to store gain, EQ, and effect setups for quick recall. The DUAL CUBE BASS LX Editor lets you dive even deeper, providing access to effect variations and detailed parameter tweaks from your Mac or Windows computer.

Get in the Groove

Make your practice sessions more fun and productive with the powerful onboard Rhythm Guide. There are nine rhythm types with three pattern variations each, spanning from a basic metronome to realistic drum grooves in rock, jazz, metal, Latin, and other styles. Using the DUAL CUBE BASS LX Editor, you can explore a total of 91 rhythm variations and save your favorites in the amp. With the high-performance stereo speakers, rhythms and backing music are presented in full-range detail for a rich, immersive experience.

Beyond the Bedroom

Thanks to its ultra-flexible connectivity, the DUAL CUBE BASS LX goes far beyond the capabilities of other compact amps. Use the stereo XLR line output to directly connect to a PA system and perform on stage. Or capture mix-ready sounds in music software on a computer or mobile device via USB or i-CUBE-Link. If you like to livestream, you can capture your voice with a headphones mic and send it to the USB and i-CUBE Link outputs along with your bass sound. And with the ability to use AC or battery power, you can play absolutely anywhere.

Expand Your Possibilities

With optional FS-series footswitches, you can operate the Rhythm Guide hands free and unlock access to the onboard looper to create layered performances. And by connecting the optional Bluetoothr Audio MIDI Dual Adaptor, you can go even further with a smartphone or tablet. Wirelessly stream music from your device and jam along, or use the iOS/Android version of the DUAL CUBE BASS LX Editor to tweak functions remotely. Or pair the EV-1-WL Wireless MIDI Expression Pedal for cable-free operation of wah and volume.

Standard Features
Ultra-portable stereo bass amplifier with professional sound and features
Two custom-designed 5-inch speakers
10-watt stereo power amp (5 watts x 2)
Five preamp types: Super Flat, Flat, Vintage, Modern, and Rock
Compressor/drive control tuned for bass
Chorus, flanger, touch wah, delay, and reverb effects
Three-band equalizer
Store amp and effects settings in 15 memories (3 memories for each amp type)
Powered via AC adaptor (included) or eight AA batteries
Onboard rhythms with 27 different patterns (nine types and three variations each)
Edit sounds, access additional rhythm variations, and more with the dedicated DUAL CUBE BASS LX Editor
Stereo XLR balanced line output
Phones/Rec jack with support for an inline headphones microphone
USB audio for direct recording and livestreaming
Control jack for up to two external footswitches
i-CUBE Link/Aux In jack for audio playback
Selectable Loopback function for USB and i-CUBE Link/Aux In
Onboard looper (requires optional footswitch)
Connector for optional Bluetoothr Audio MIDI Dual Adaptor (BT-DUAL)


Specifications

Rated Power Output: 10 W (5 W+5 W)
Nominal Input Level: INPUT: -10 dBu (1 M ohm), i-CUBE LINK/AUX IN: -20 dBu (15 k ohm)
Nominal Output Level: LINE OUT L, R: -10 dBu
Speakers: 12 cm (5 inches) x 2
Controls: POWER switch, COMP/DRIVE knob, DRIVE button, AMP TYPE knob (SUPER FLAT, FLAT, VINTAGE, MODERN, ROCK), MEMORY button, GAIN knob, VOLUME knob, BASS knob, MIDDLE knob TREBLE knob, EFFECTS knob (CHORUS, FLANGER, T-WAH), DELAY/REVERB knob, START/STOP button, PATTERN knob (METRONOME, JAZZ, ROCK, BLUES, R&B, FUNK, METAL, LATIN, COUNTRY), VARIATION button, TAP TEMPO button, VOLUME knob (RHYTHM GUIDE), MIC VOL knob, MASTER knob, LOOPBACK switch (i-CUBE LINK/AUX IN), LOOPBACK switch (USB)
Indicators: POWER, DRIVE, MEMORY, START/STOP, VARIATION, REC, PLAY, DUB

Connectors:
INPUT jack: 1/4-inch phone type
PHONES/REC OUT jack: Stereo Miniature phone type (Stereo, CTIA)
i-CUBE LINK/AUX IN jack: Stereo Miniature phone type (Stereo, CTIA)
LINE OUT L, R connectors: XLR type
FOOT SW jack: 1/4-inch TRS phone type
Bluetooth ADAPTOR connector: Dedicated connector
USB port: USB B
DC IN jack
Power Supply: AC adapter (DC 9 V), Alkaline battery (AA, LR6) x 8, Rechargeable Ni-MH battery (AA, HR6) x 8Current Draw370 mA
Expected battery life under continuous use: Alkaline battery: Approximately 8 hours
Rechargeable Ni-MH battery: Approximately 10 hours (*1)

*1 When using batteries having a capacity of 2,500 mAh.
* These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.

Accessories: Owner's Manual, Leaflet USING THE UNIT SAFELY, AC adapter, Power cord, Mini cable (4-pole miniature phone type)

Options (sold separately):
Footswitch: FS-5U, FS-6, FS-7
Bluetoothr Audio MIDI Dual Adaptor (MODEL BT-DUAL)
Wireless MIDI Expression Pedal: EV-1-WL

Size & weight
Width: 341 mm / 13-7/16 inches
Depth: 205 mm / 8-1/8 inches
Height: 261 mm / 10-5/16 inches
Weight (excluding AC adaptor): 4.4 kg / 9 lbs 12 oz

Notes: Katana MkII takes the acclaimed Katana guitar amp series to the next level, turbocharging the core platform with more sounds, more effects, and more features. Newly voiced variations are now available for all five amp characters, doubling the tonal options. And the onboard effects categories have been expanded from three to five, providing even more real-time processing to choose from. The usability has been ramped up too, with a power amp input for modelers and multi-FX, updated editor software, and many other enhancements.

More Sounds, More Versatility

The stage-class Katana MkII lineup picks up where the first generation left off, building on the same core tones and features that have made the series such a worldwide smash. If you loved the original Katana amps, you'll love Katana MkII even more. And if you're new to the party, get ready for sound, feel, and versatility that soars far beyond its price class.

Five Amp Characters, Ten Overall Tones
Katana MkII's five primary amp characters offer everything from organic vintage tones to modern high-gain sounds, plus a dedicated voice optimized for acoustic-electric guitar. The characters have now been extended with newly voiced variations, providing a wider palette of tone options to craft your personal sound.

Five Effects At Once

Katana MkII now includes five simultaneous effects categories, putting the tone-shaping power of a massive pedalboard right inside your amp. Independent Booster, Mod, FX, Delay, and Reverb sections come loaded from the factory with three variations in each, providing 15 ready-to-play effects to choose from. Connecting to BOSS Tone Studio lets you dive much deeper if you want-customize the sections with over 60 different effect types, change the order with four different chains, and much more.

Full-Throttle Sound Every Time You Plug In

Backed by BOSS's Tube Logic approach, Katana MkII delivers the authentic output distortion characteristics of genuine tube amplifiers, with the sound and feel becoming richer and more responsive as you turn up the volume. But unlike that classic tube amp, Katana MkII's variable Power Control makes it easy to fly in the sweet spot without getting fired from the gig or kicked out of the house. Just throttle back the overall volume as needed to enjoy inspiring, cranked-amp sound anywhere you play, from bedroom to stage.

Amplify Your External Gear

The Katana-50 MkII rocks as a standalone amp, but it also excels as a powered cabinet for a favourite preamp, modeler, or multi-effects unit. Connecting to the rear-panel Power Amp In jack bypasses Katana MkII's preamp and effects, letting you tap straight into the Tube Logic power section, complete with grab-and-go Power Control. And with BOSS Tone Studio, the input can be easily optimized for your particular gear with a high-pass filter and adjustable gain.

One-Touch Recall Of Custom Setups

One of the Katana-50 MkII's most powerful features is the ability to store favourite amp character and effects setups in Tone Setting memories for instant recall. After you've dialled in a sound with the panel controls, simply save it to the desired memory with a quick button hold. Four Tone Settings (two banks of two) are available, with fast selection right from the panel. It's also possible to connect external footswitches for hands-free control on the gig.

Specifications

Rated Power Output: 50 W
Nominal Input Level: INPUT: -10 dBu (1 M ohm), AUX IN: -10 dBu (20 k ohms)
Speaker: 30 cm (12 inches) x 1

Controls:

POWER switch, MASTER knob, POWER CONTROL switch (STANDBY, 0.5 W, 25 W, 50 W)

[AMPLIFIER]: VARIATION button, AMP TYPE switch (ACOUSTIC, CLEAN, CRUNCH, LEAD, BROWN), GAIN knob, VOLUME knob

[EQUALIZER]: BASS knob, MIDDLE knob, TREBLE knob

[MULTI EFFECT]: BOOSTER button, MOD button, FX button, DELAY button, REVERB button, TAP button, BOOSTER knob, MOD knob, FX knob, DELAY knob, REVERB knob

[TONE SETTING]: CH1 button, CH2 button, PANEL button

Indicators: VARIATION, BOOSTER, MOD, FX, DELAY, REVERB, TAP, CH1, CH2, PANEL

Connectors
INPUT jack: 1/4-inch phone type
POWER AMP IN jack: 1/4-inch phone type
REC OUT/PHONES jack: Stereo 1/4-inch phone type
EXP PEDAL/CTL CH1/CH2 jack: 1/4-inch TRS phone type
AUX IN jack: Stereo miniature phone type
USB port: USB B type
AC IN jack
Power Consumption: 47 W
Accessories: Owner's manual, Power cord

Options (sold separately):
Footswitch: BOSS FS-5L, BOSS FS-6, BOSS FS-7
Expression pedal: Roland EV-5, BOSS EV-30, BOSS FV-500L, BOSS FV-500H
Amplifier Stand: BAS-1

Size & weight

Width: 470 mm / 18-9/16 inches
Depth: 238 mm / 9-3/8 inches
Height: 398 mm / 15-11/16 inches
Weight: 11.6 kg / 25 lbs 10 oz

Notes: Premium tone for players on the go

Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. And by connecting to BOSS TONE CENTRAL, you can download free pro patches, editing software, and more. Equally suited for beginners, weekend warriors, and traveling players, the GT-1 packs premium sound in a compact and rugged package.

Exceptional Sound

Thanks to its Premium BOSS sound engine, the GT-1 provides tone quality and sound-shaping ability that far exceeds typical compact multi-effects. A history of BOSS processing is at your fingers, from classics such as the OD-1 Overdrive to modern effects powered by innovative MDP technology. There's a huge selection of COSM amp tones on tap too, including vintage legends and BOSS original amps optimized for ideal tone and response. Specialized effects like Acoustic Simulator, Guitar Simulator, and others provide numerous tonal options, and there's even a looper to enhance your practice sessions and stage performances.

Portable Tone Partner

The GT-1 was designed for musicians on the move. It's surprisingly lightweight and compact, yet still delivers the rugged durability that BOSS is famous for. The modern design is easy to slip in and out of a guitar bag's accessory compartment, with no worries of hard edges causing damage to your axe. AC or battery power provides flexibility for any performing situation, and up to seven hours of battery life is available for street performing and other mobile gigs.

Easy Patch Selection and Sound Creation

With the GT-1, it's simple to find fantastic tones for your style, and just as simple to customize them to taste. Beginners can get great sounds right away, while more experienced players will appreciate how quick and intuitive it is to adjust sounds. The Easy Select function allows you to choose patches by genre, distortion, or effect type, while Easy Edit lets you tweak drive, modulation, and echo tones to perfection with little effort. Dedicated panel buttons provide quick on/off switches for effect groups, and also unlock deep-dive parameters for microscopic fine-tuning.

BOSS Tone Central and BOSS Tone Studio

At BOSS Tone Central, you'll find tons of free patch collections for playing all types of music with the GT-1. Created by pro guitarists, these patches are dialled-in and ready to use, and make great starting points for advanced players who like to create their own custom sounds. The free BOSS Tone Studio software provides a full-featured editor/librarian for the GT-1, as well as integrated access to all the patch collections at BOSS Tone Central.

Maximum Control in a Small Space

The GT-1's three footswitches are smartly designed to provide patch selection, tuner access, looper control, and more in a minimal footprint. The dedicated CTL1 switch is freely assignable to functions like tap tempo, effects on/off, and numerous others, while the expression pedal and toe switch are assignable to volume, wah, and various effects parameters. If you crave more control, there's even a jack for connecting up to two external footswitches or an expression pedal. And in addition to providing access to BOSS Tone Central and BOSS Tone Studio, the GT-1's USB jack lets you record tones with your favourite DAW.

Specifications

Sampling Frequency: 44.1 kHz
AD Conversion: 24 bits + AF method
* AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 24 bits
Effects: 108 types
Patches: 99 (User) + 99 (Preset)
Phrase Loop: 32 sec
Nominal Input Level: INPUT: -10 dBu, AUX IN: -20 dBu
Maximum Input LevelINPUT: +7 dBu, AUX IN: 0 dBu
Input Impedance: INPUT: 1 M ohm, AUX IN: 27 k ohms
Nominal Output LevelOUTPUT (L/MONO, R): -10 dBu, PHONES: -10 dBu
Output Impedance: OUTPUT (L/MONO, R): 1 k ohm, PHONES: 44 ohms
Recommended Load Impedance: OUTPUT (L/MONO, R): 10 k ohms or greater, PHONES: 44 ohms or greater
Controls: DOWN switch, UP switch CTL1 switch, EASY SELECT button, EASY EDIT button, FX1/COMP button, OD/DS button, PREAMP button, FX2/MOD button, DELAY button, REVERB button, MEMORY EDIT button, EXIT button

Display: Graphic LCD (132 x 32 dots, backlit LCD)
Connectors: INPUT jack, OUTPUT (L/MONO, R) jacks: 1/4-inch phone type, CTL2, 3/EXP2 jack: 1/4-inch TRS phone type, AUX IN jack: Stereo miniature phone type, PHONES jack: Stereo miniature phone type, USB COMPUTER port: USB type B, DC IN jack
Power Supply: Alkaline battery (AA, LR6) x 4, AC adaptor (sold separately)
Current Draw: 200 mA

Expected battery life under continuous use:
Alkaline: Approx. 7 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Owner's manual, Leaflet "USING THE UNIT SAFELY", Alkaline battery (AA, LR6) x 4

Options (sold separately):
AC adaptor: PSA series
Footswitch: FS-5U, FS-5L, FS-6, FS-7
Expression Pedal: FV-500L, FV-500H, Roland EV-5

Size & weight

Width: 305 mm / 12-1/16 inches
Depth: 152 mm / 6 inches
Height: 56 mm / 2-1/4 inches
Maximum height: 74 mm
2-15/16 inches
Weight (including battery): 1.3 kg / 2 lbs 14 oz

Notes: Be Heard Anywhere

Wherever you perform, high-quality sound with great projection is essential to capture listeners and stand out from the pack. With the portable CUBE Street II by your side, you have the tools you need to deliver your message with confidence in any mobile setting, from musical performances on the street to public speaking events.

Evolved from the best-selling Roland CUBE Street-and newly rebranded with the BOSS name-this battery-driven powerhouse provides rich stereo sound for busking and other mobile gigs. Dual channels allow you to plug in mics and instruments and sound great immediately, with no extra gear to carry around. A vocal harmony function, looper, and effects are also on hand to lift your performances and impress the crowd. And with the optional Bluetoothr Audio MIDI Dual Adaptor (BT-DUAL), you can wirelessly stream backing tracks and control CUBE Street II functions from your phone or tablet.

Travel Light with Powerful Sound

Compared with its popular predecessor, CUBE Street II is even lighter and more durable thanks to its modern ABS injection-moulded design. The output power has been doubled too, giving you 10 total watts of crisp and clean stereo sound to cut through street traffic, train arrivals, and other noise challenges on the gig. In quieter situations where you don't need as much headroom, kicking in Eco mode reduces the power to extend battery life.

All the Connectivity You Need

With two ultra-versatile input channels, CUBE Street II supports all types of musicians and performers. The Mic/Instrument channel features a combo jack for either an XLR balanced mic or an instrument such as a keyboard or Roland's Aerophone. Equipped with a standard 14-inch jack, the Guitar/Mic channel provides plug-and-play sound for guitarists with seven acoustic and electric amp types, as well as settings for a line-level instrument or unbalanced mic. And if you ever need to expand your sonic reach, dedicated outputs are available for connecting to a house PA or another CUBE Street II.

Make Your Performances Shine

CUBE Street II is packed with features to enhance your sound and bring fresh energy to shows. Each channel provides dedicated three-band EQ and reverb, and there's a chorus/delay effect on the Guitar/Mic channel. The harmony function on the Mic/Instrument channel creates impressive vocal harmonies that will make audiences wonder where the background singers are hiding. Harmonies are produced as you sing based on the guitar chords you play or a key you set, and you can bring them in and out as needed with an optional footswitch. There's a built-in looper too, providing a powerful and fun way to create backing tracks on the spot.

From the Street to the World

CUBE Street II helps you reach both in-person and global audiences at the same time. Via i-CUBE Link and USB, you can send the amp's audio output to video, livestreaming, or music production apps for on-the-spot capture. The i-CUBE Link jack provides a mono output and connects to most phones and tablets with the included cable, while USB supports a stereo digital connection to a computer or an iOS device.*

*An Apple adaptor may be required to connect an iOS device to the CUBE Street II via i-CUBE Link or USB.

A Grab-and-Go PA for Everyone

While designed with performing musicians in mind, CUBE Street II excels in any situation that requires high-quality sound. It's easy to move and sets up anywhere, making it perfect for speaking in presentations, workshops, and school events. And with the ability to play music as well-either wired through the aux input or wirelessly with the optional Bluetoothr Audio MIDI Dual Adaptor (BT-DUAL) -CUBE Street II is ideal for background entertainment and impromptu karaoke performances.

Specifications

Rated Power Output: 10 W (5 W + 5 W)
Nominal Input Level: MIC/INSTRUMENT INPUT: -40 dBu (2 k ohm)/-20 dBu (11 k ohm), GUITAR/MIC INPUT:-10 dBu(1 M ohm), i-CUBE LINK/AUX IN: -20 dBu (15 k ohm)
Nominal Output Level: LINE OUT : -10 dBu (MONO)
Speakers: 16 cm (6.5 inches) x 2

Controls: POWER switch, OUTPUT POWER switch (MAX, ECO), LOOPER button, STOP button

[MIC/INSTRUMENT]: SELECT switch (MIC, INST), VOLUME knob, HARMONY knob, KEY button, BASS knob, MIDDLE knob, TREBLE knob, REVERB knob

[TUNER]: TUNER button

[GUITAR/MIC]: AMP TYPE knob (NORMAL, BRIGHT, WIDE, INSTRUMENT, CLEAN, CRUNCH, LEAD, ACOUSTIC SIM, MIC), GAIN knob, VOLUME knob, BASS knob, MIDDLE knob, TREBLE knob, CHORUS/DELAY knob (CHORUS, DELAY) REVERB knob, [i-CUBE LINK/AUX IN], i-CUBE LINK/AUX IN knob

Indicators: POWER, TUNER, KEY, REC, PLAY

Connectors

[INPUT]: MIC/INSTRUMENT jack: Combo type (XLR type, 1/4-inch TRS phone type), balanced; GUITAR/MIC jack: 1/4-inch phone type; i-CUBE LINK/AUX IN jack: 4-pole miniature phone type

[OUTPUT] LINE OUT jack: 1/4-inch phone type; PHONES/REC OUT jack: Stereo miniature phone type

[FOOT SW]: SW 1 HARMONY/MIC/INST jack: 1/4-inch TRS phone type, SW 2 LOOPER/GUITAR/MIC jack: 1/4-inch TRS phone type

Bluetooth ADAPTOR connector: Dedicated connector
USB port: USB B type
DC IN jack

Power Supply
AC adaptor (DC 9 V)
Alkaline battery (AA, LR6) x 8
Rechargeable Ni-MH battery (AA, HR6) x 8

Current Draw: 390 mA

Expected battery life under continuous use:

[OUTPUT POWER switch: MAX (Maximum power output: 10 W)]
Alkaline battery: Approximately 8 hours
Rechargeable Ni-MH battery: Approximately 10 hours (*1)

[OUTPUT POWER switch: ECO (Maximum power output: 5 W)]
Alkaline battery: Approximately 11 hours
Rechargeable Ni-MH battery: Approximately 14 hours (*1)

*1 When using batteries having a capacity of 2,500 mAh.
* These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.

Accessories: Owner's Manual, Leaflet USING THE UNIT SAFELY, AC adaptor, Power cord, Mini cable (4-pole miniature phone type)

Options (sold separately):
Bluetoothr Audio MIDI Dual Adaptor: BT-DUAL
Carrying case: CB-CS1
Footswitch: FS-5U, FS-6, FS-7

Size & weight

Width: 414 mm / 16-5/16 inches
Depth: 285 mm / 11-1/4 inches
Height: 255 mm / 10-1/16 inches
Weight (excluding AC adaptor): 4.4 kg / 9 lbs 12 oz

Notes: EarthQuaker Devices proudly present to you the new and improved Spatial Delivery V3 Envelope Filter!

EarthQuaker Devices took the already cosmic, original Spatial Delivery and added six available preset slots for you to store your preferred settings - whether they be dissonant sweeps, rhythmic auto wah frequencies, oscillating robot gibberish or honestly whatever filtered frequency fun you want.

Even the expression jack assignment can be saved and recalled in any of the slots so that the signature sounds you dial in are readily available with a quick tap of the switch.

Save your settings confidently on the go thanks to the two modes indicated by the LED Save/Recall switch. Green means you're in Live Mode so what you see is what you get; current control settings will be what you hear. Red means you are in Preset Mode, where your selected pre-saved setting will be what's taking the journey through your amp.

You didn't think this pedal could get any better, and then, bam!

And of course, for all of you Spatial Delivery diehards, all the familiar features of the original are still in place. This baby has three modes with the switchable Up Sweep, Down Sweep, and Sample and Hold functions, along with Range, Resonance and Filter controls.

Get some wild filter sweeps with the Up and Down modes and adjust the Range to control the sensitivity and reaction time of the envelope, which alters the width of the frequency sweep. The higher the Range and harder the attack equals a faster reaction time and higher frequency sweep and vice versa. But again, you're a smart player, you get this stuff.

In the Sample and Hold mode, the filter is controlled by random voltage and the Range controls the speed. The filter can be crossfaded between high pass (counterclockwise), band pass (center) and low pass (clockwise) for a wide variety of voices. The Resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice.

Due to its envelope control, it is recommend that you place the Spatial Delivery first in your signal chain, however, experimenting with pairing and signal chain placement can take the potential of the Spatial Delivery even further. How far will you take it? Only time will tell.

Each Spatial Delivery pedal is handmade in Akron, Ohio, USA and is hand delivered... espatially for you.

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