Search dance music

Notes: The Fold Processor is a voltage-controlled wave multiplier and sub-octave generator. The circuit is based on a classic diode design that adds odd harmonics by folding the incoming signal, followed by subdivided square waves.

The wave folder creates new waveforms from standard sine, triangle, sawtooth, and square waves and includes a CV input with an attenuator, making it very easy to create beautifully animated folding sounds. Adjustable voltage-controlled Inject alters the bias point creating an even wider palette of sounds.

The subdivide generator squares the fold output generating 4 more sounds spaced one octave apart, each with its own gain knob and mixed to the Subdivide output jack. Mixing the four can create anything from discordant square wave swarms to sweet harmonic oscillator stacks, from a stable square version of the folded wave to freaky PLL-like glitched slides.

Overall results can sound evil at times and sweet at others, a true multi-faced devil.

Size: 12HP
Depth: 31mm
Power: +12V 60ma / -12V 55ma

Notes: Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it's appearance to facilitate all-new ways to experiment with your songs.

Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it's appearance to facilitate all-new ways to experiment with your songs.

Artists and producers can save time on tracking sessions by recording dry tracks first, then using Canvas Re-Amp's custom transformer to convert line-level signals, optimizing them to work with amps and guitar pedals of any kind to explore limitless tones and sounds.

Using a Re-Amp

1. From your DAW, audio track goes into the Canvas Re-Amp.
2. Out from Re-Amp into pedals or mic'd amp.
3. Out from pedals / amp back into DAW.

Specs

Frequency Response: 20Hz To 20kHz
THD+N: 0.07% @ 20Hz / +4dBu Input 0.001% @ 1kHz / +4dBu Input
Maximum Input Level: +21dBu @ 20Hz
Noise Floor: -116dBu
Signal To Noise Ratio: 114dB @ 1kHz
Input: Balanced Line-Level
Input Impedance: 3k Ohms
Output: Unbalanced Instrumental-Level
Output Impedance: 2.5k Ohms
Common Mode Rejection Ratio:79dB @ 20Hz / +4dBu Input
Power Requirement : None - Passive
Audio Circuit: Transformer Isolated

Review: Celebrating its 30-year anniversary with a monolithic deluxe edition, Green Day's Dookie has gone on to become one of the cornerstones of pop-punk, pre-dating Blink-182 with its global expansion. Spawning timeless anthems such as 'Basket Case', 'Longview' and pop smash hit 'When I Come Around'; the album signalled the artistic prowess and bright future the band have continued to live up to in the decades since. Complete with 17 previously unreleased demos, studio outtakes and both their Woodstock 1994 and unreleased Barcelona 1994 live performances, as well as a 36-page book cataloguing the creative journey of these formative years, this 6xLP beast is not for the faint of heart but for the devout and avid legions of generation spanning followers the trio still continue to amass to this day.

Notes: Constellator is an all-analog delay pedal capable of producing up to 600ms of lush echo with adjustable modulation and a comprehensive sound palette. From percussive slapback and doubler sounds to chorused-out, long delays with endless repeats, the Constellator's MN3005 bucket brigade chips provide superior overall headroom and tape-like saturation when pushed to the limit. The Feel toggle switch adjusts several parameters simultaneously for an additional coloring of LFO modulation. With the Feedback control maxed out, the Constellator is capable of self-oscillation which can be pitched up or down by turning the Time knob. Runs on standard 9VDC.

Knob-by-knob

Time: Sets your delay time. Clockwise for slower, counter-clockwise for faster.
Mix: Controls your dry/wet balance.
Mod: Controls the modulation depth. Adds color and warp.
Repeats: Sets the amount of feedback in the delay line.
Feel: Selects between two distinct modulation types. When the switch is pushed in, a chorus effect is selected. When the switch is not pushed in, a vibrato effect is selected.

King of bucket brigades

The pair of analog delay chips used in the Constellator are new production replicas of the mighty Panasonic MN3005 Bucket Brigade Devices (BBD) found in some of the most iconic vintage delay pedals of all time. With 4096 individual "buckets" and +15V power rails, the MN3005 provides the longest possible delay time and most available headroom in an analog delay. Luscious.

Make your ow myth

Develop shimmering delay lines with crystalline overtones and watch them scatter across the canvas in your mind. Constellate your own myth into being.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: 10M
Output impedance: 150ohms

Body

Length: 1.5"
1.5
Width: 3.75"
Height: 1.75"
Weight: 0.5lbs

Notes: Fuzz sculptor with an appetite

Star Eater is an all-analogue, dual footswitch super-jumbo Fuzz with a footswitchable booster and variable filter stage, allowing players to easily sculpt a massive array of inspiring, unique fuzz tones. On the fuzz side, newly-available, precision-matched transistor pairs are utilized to ensure that each and every unit is perfectly dialled in to "the sweet spot" that can be so elusive to find in vintage pedals. A rocker switch provides your choice of Germanium or Silicon colour. Downstream from the fuzz, a powerful booster stage drives the filter in the Star Eater. Scoop and Bump voicings for the filter can be selected via a rocker switch, drastically changing the frequency response of the Sweep control throughout its entire range. Built to last and designed to inspire, the Star Eater brings a unique approach and a new standard of performance to the world of boutique fuzz pedals. Runs on standard 9VDC.

Knob-by-knob

Hunger: Determines the amount of gain in the fuzz.
Volume: Determines the output level of the fuzz.
Sweep: Sets the frequency response of the filter. Note: The Sweep knob is only active when the Contour footswitch has been turned on.
Voice: Selects between Silicon (Si) and Germanium (Ge) diode clipping in the fuzz circuit.
Contour: Changes the shape of the tone.

Back to the future

Inspired by the chunky chassis feel of the late 70s and early 80s, Star Eater was designed to offer a fun, tactile user experience and make it easy for players to fine tune their own signature fuzz tone.

Model

Model name: Star Eater
SKU: FUZ
Function: Super-Jumbo Fuzz with Filter
Category 1: Distortion
Bypass: True Bypass

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: High
Output impedance: 1k
BodyLength (in): 3.5
Width (in): 4.75
Height (in): 2
Weight (lbs): 1

Review: The legend of the late great David Bowie will always live on, particularly with spectral releases like this still appearing on the regular. Rock 'n' Roll Star! vharts Bowie's journey to Ziggy Stardust across no fewer than six CDs and a blue-ray disc that include early home demos, radio sessions and live performances, session recordings, outtakes and alternate versions of tunes from his The Rise and Fall of Ziggy Stardust record. Unreleased gems on the album include an alternate rendition of 'Lady Stardust,' an unheard version of the cherished 'Shadow Man,' and an upbeat interpretation of The Who's 'I Can't Explain.' Interestingly, Bowie later slowed down and covered this for the PIN-UPS album.

Notes: Module A-174-4 modules outputs three control voltages generated by a spring-loaded X/Y cross potentiometer (so-called joy stick) and a Gate signal. The control voltages for X and Y are controlled by the X and Y position of the joystick in the usual way. The third control voltage Z is controlled by the rotation of the spring-loaded joystick knob. The Gate signal is generated by a button at the center/top of the joystick knob.

For each control voltage the non-inverted signal (X, Y, Z) as well as the inverted signal with adjustable offset (-X+XO, -Y+YO, -Z+ZO) are available. The generic joystick control voltages are bipolar, i.e. they range from typ. -5V (lowest position) via 0V (center position) to typ. +5V (highest position). The "Overlap" switches can be used to add a fixed offset voltage of typ. +5V to the non-inverting output in question so that the output voltage range changes to typ. 0...+10V (rather than -5...+5V). That's necessary if e.g. a VCA has to be controlled, which requires a pure positive control voltage range. The switches are named "overlap" because they allow the overlapping of the non-inverting CV output (X, Y, Z) with the inverting output (-X+XO, -Y+YO, -Z+ZO) for crossfading applications. With the overlap switch "on" and appropriate setting of the offset control it's possible to obtain a control voltage range of 0...+10V for the non-inverting output and +10V...0V (i.e. same range but opposite direction) for the inverting output.

The offset voltages which are added to the inverting outputs can be adjusted by means of three small potentiometers. That way different kinds of control voltage ranges are possible, e.g.
-5V ... +5V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = off, Offset = 0)
0 ... +10V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = on, Offset = max)
-5V ... +5V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = off, Offset = max)
0 ... +10V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = on, Offset = 0)
On top of this the four quadrant voltages Q1, Q2, Q3 and Q4 are available. A quadrant voltage becomes positive when the joystick is positioned in the quadrant in question.
Each CV output is equipped with an LED that displays the present voltage.

Because of the construction height of the joystick (about 7 cm) the module cannot be installed into the cases A-100P6, A-100P9, A-100PMS6, A-100PMS9 and A-100PMS12 during transportation as the depth of the case cover is not sufficient. Into the base cases A-100PB and A-100PMB as well as in all other cases without cover the module can be installed without problems.

HP : 12

Notes: Clever four-channel utility module designed to make it easier to achieve perfect oscillator tracking and transpose CV signals. Also includes some neat quantising and portamento features.

Supplier notes:
The CalTrans solves issues encountered when playing tonal music with a modular system: tracking problems, curves unrelated to Volt per octave ratio, limited octave range, cumbersome transpose, ...

The CalTrans corrects and expands the range of troublesome VCOs and brings V/Oct tracking to anything that oscillates.

Besides calibration, the CalTrans offers live play features. Each channel can be quantized and any combination of them transposed jointly.

A pair of rotary encoders with detent allow an precise selection of octaves and semitones.

VCOs whose tracking doesn't go high enough to follow the leader will see their pitch repositioned in their highest possible octave so that the global harmony is unaffected.

You can add a pinch of portamento and glissando to each channel and save the whole in user presets.

Notes: Lipsk facilitates the inversion of the individual bits produced by Drezno (or any other module connected to its input header at the back), and delivers the resulting code to its output header. Bit inversion can be manually controlled by pressing any of combination of its eight illuminated buttons, or it can be automated by patching gate signals into its gate input sockets. An active (5V) gate flips the state of the respective bit. If the button is active (bit already flipped), then the gate flips the bit again yielding double inversion (no inversion). The corresponding LEDs show the combined effect of both manual and gate actions. The bit processing logic is hardware-based, so there is virtually no latency, allowing the binary signals to be manipulated at extreme rates.

Notes: Gera is a component of the Leibniz subsystem that allows masking individual bits of the digital data by the use of logical AND operation.

It features 8 individual gate inputs that affect the individual bits of data, as well as 8 illuminated tact switches for manual inverting of each control input. When connected to Drezno that is processing a waveform or voltage, masking of individual bits yields various forms of quantization. However, Gera can function on its own. The AND operation is a basic building block for sequence automation, chaos and rhythm generation, and various computer-like modular patches.

Bit processing logic in Gera is hardware based, hence there is virtually no latency, and the binary signals may change at extreme rates.

Main features:

Logical AND operation on Leibniz data
Masking of individual bits controlled manually and by gate signals
Visual indication by illuminated buttons
6HP
30 mm depth (including ribbon cable brackets)
- +12V: +45mA / -12V: 0mA / +5V: 0mA

Review: Van Halen's third release, Women & Children First, showcases the band coming into their own after their meteoric rice to fame in the late 70s. Originally released in 1980, the album made the top ten and sold over three million copies with little radio play and not even a top 40 song. The album is also ranked #36 in the top 100 Heavy Metal records of all time. Released on limited numbered 180 gram at 45RPM Audiophile SuperVinyl with the UltraDisc One-Step process spread across two records. Mobile Fidelity Sound Lab US's pressing is perhaps the ultimate copy to have for the discerning audiophile.

Notes: Next-Generation Guitar Compressor for Expressive Players

Powered by BOSS's MDP technology, the CP-1X is a new type of multiband compressor for guitar that preserves the character of your instrument and technique for unlimited musical expression. Intelligent processing analyses your signal in multiple dimensions as you play, providing advanced dynamics control that never colours or muddies your tone like typical stompbox compressors can. The simple, four-knob interface makes it easy to dial in sophisticated results, while the handy gain reduction indicator always shows you how much compression is being applied. Optimized for all types of guitars, the CP-1X offers next-generation performance for every style of music.

Intelligent Processing for Natural Sound

When you first plug into the CP-1X, you're in for a totally new guitar compressor experience. Typical stompbox compressors colour and restrict your sound, and are hard to dial in for various playing styles. The innovative CP-1X eliminates these drawbacks and more, opening up a world of expressive potential. The powerful MDP engine analyses your guitar's many different tonal elements in real time, providing natural compression that intelligently follows and adapts to your playing. With this high-tech approach, your true tone and technique always comes through, even when using aggressive settings for that effected "squish."

Tap Into New Levels of Musical Expression

No matter what kind of guitar or style you play, the CP-1X always delivers rich, musical tone. From mellow phrases and arpeggios to heavy rhythms, fast solos, and beyond, every playing nuance remains detailed and defined. The pedal also provides superior performance for chicken pickin' country licks, funky rhythm grooves, and other standard guitar compressor applications, and works great as a booster thanks to its punchy, transparent sound. On seven- and eight-string guitars, the CP-1X easily controls upper-range dynamics without compromising your powerful low-end tone. And when used with acoustic-electric guitar, the natural, lush overtones are fully preserved as you go from gentle fingerpicking to full-chord strums.

Studio-Level Results with Simple Controls

With the knobs on most pedal compressors, what you see is what you get. Not so with the CP-1X, as the pedal's controls interact with each other at a highly detailed level. When you turn a knob, numerous interlocked parameters are adjusted under the hood at once. This gives you dynamics control and tone shaping ability that far exceeds standard compressor pedals, providing results previously attainable only with high-end studio processing. The good news is that you don't need to be a sound engineer to use the CP-1X-its sophisticated MDP processing has been meticulously fine-tuned by the BOSS engineers to let you dial in ultra-polished tone with familiar stompbox controls.

High-End Features for Pro Performance

The CP-1X features pro-level 18-volt input circuitry that provides ample headroom for the hottest guitar pickups, ensuring exceptional clarity with any instrument. A 16-segment gain reduction indicator clearly displays the compression amount, making it easy to see what the pedal's doing. The CP-1X's noise performance is also extremely low in comparison with other compressors, another huge benefit brought by BOSS technology.

MDP: Advanced Tech, Superior Tone

Leveraging decades of research and development, BOSS's proprietary Multi-Dimensional Processing (MDP) technology offers a fresh approach to achieving exceptional guitar tones. In real time, MDP analyses the various elements that make up the sound, including frequency, overtones, dynamics, pickup response, and more. Various playing characteristics are analysed as well, such as note register, single notes vs. chords, bends, vibrato amount, and others. Each individual element is then processed in unique ways to produce optimized tones as you play. With its ultra-detailed, high-tech approach, MDP delivers tone quality and playability that reaches far beyond the limits of traditional effects processing.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
BypassL Buffered bypass

Controls:
Pedal switch
COMP knob
RATIO knob
ATTACK knob
LEVEL knob

Indicators: CHECK indicator (Serves also as battery check indicator), GAIN REDUCTION indicator
Connectors:
INPUT jack
OUTPUT jack
DC IN jack
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Working Voltage: 18 V
Current Draw90 mA

Expected battery life under continuous use: Alkaline: Approx. 2 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Alkaline battery (9V, 6LR61)
Option (sold separately) AC adaptor (PSA series)

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb

Notes: Another intriguing experimental offering from Soma Labs. ROaT is a digital synth inspired by 80s video games. Four oscillators combine with a sequencer to create drones, soundscapes and glitchy loops.

Supplier's Notes:
Rumble of Ancient Times (RoAT) is an 8-bit noise synthesizer and sequencer inspired by the clever programming of the early PC era when an entire video game would fit on a floppy disk. RoAT is capable of a wide variety of sounds ranging from dense noise scapes to diverse glitching rhythmic patterns. The compact and portable instrument contains many elements that can be combined into surprising musical results.

The "heart" of the synthesizer contains 4 sound oscillators, each with a tunable waveform and an individual LFO, which can modulate the tone or volume of the oscillator. The modulated signal of each oscillator is mixed with other signals using 1,536 variations of complex summing algorithms that contain FM, ring modulation, bitwise logical operations and more.

The synth contains an 8-bit resonant lowpass filter with a distinct Lo-Fi character.
The built-in sequencer can be synced to an external device and also send clock out.
RoAT is battery powered and can work up to 130 hours on one set of AAA batteries.

Rumble of Ancient Times is built on a very simple 8-bit microcontroller similar to the ones used in the "brains" of old refrigerators and other simple electronic devices. Thanks to some very clever programming, it's also able to drive a very capable synth with many features!

In stark contrast to modern consumer electronics, this synth celebrates and emphasizes what can be achieved with efficiency of code and using chips considered obsolete by industry leaders. We live in an age where text editors can be 1GB or more and simple things like checking email require the latest OS and powerful processing, despite the core tasks being no different than 15 years ago with a fraction of the computational power.

So RoAT proposes a new kind of ecological thinking with the innovative use of chips that were developed and produced decades ago, instead of turning them into millions of tons of trash. We can still use technology that the industry forced us to consider obsolete, with the added benefit here of extremely low power consumption. It's an environmentally friendlier approach than galloping in the rush of planned obsolescence that damages our planet and wastes precious resources.

Rumble of Ancient Times was designed and programmed by Kakos Nonos, a new creative mind who joined the SOMA development team. His very unique style of building electronic musical instruments combines quality craftsmanship, advanced programming and a love for medieval acoustic instruments such as gusli, wheeled lyre and bagpipes.

Specifications:

Sync out voltage: 5 V
Minimum syn in voltage: 0.2 V
Current input: 20 mA
Maximum output voltage: 5 V
Audio output:3.5 mm jack
Sync out: 3.5 mm jack
Power Supply: 4*AAA battaries
Size: 122 x 136 x 40 mm
Weight (without batteries): 145 g

Notes: ***B-STOCK: Box damaged, product in perfect working order***


The Morphor Mixer - 5 Channel Amplifier is a flexible analogue mixer module that can find a home in every type of Eurorack setup.

Each of the five channels feature an attenuator knob and mute switch to allow for instant playability, for example in live settings.

Input signals can be AC or DC-coupled depending on your preferred setting.

The output stage also features an extra attenuation/gain stage that allows you to double the mixed signal. An additional master mute switch, clipping LED are nice-to-haves that complete this intuitive mixer module.

Weight: 102 g
Dimensions: 128.5 × 40.3 × 30 mm
Width: 8 HP

Notes: The SVF is a 4hp 2 pole 12dB State Variable Filter Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

It provides Low Pass, Band Pass, and High Pass outs inspired by WASP and Thomas Henry filter topologies. The filter has 2 audio inputs, but channel 2 is jumper selectable between standard audio in or Ping-able operation. The 2019 revision also adds improved cutoff and resonance response and attenuversion through the ACV IN using the above pot. CV IN provides another unattenuated voltage input to modulate the frequency.

At the CV in, +10v will open the filter completely if the cutoff pot is CCW(counter clockwise). With the cutoff knob at noon the filter can be opened with +5v or closed with -5v. CV input at the ACV in is dependent on the CV attenuverter knob.

There are also several jumper selectable modes for max resonance, self oscillation or no oscillation based on the setting of the resonance pot. According to the jumper configuration, the filter is capable of clinical and clean, to juicy and drippy, to low pass gate sounding plonks, to screaming chaotic resonance. When set to self oscillation mode, the filter can produce a sine like wave with no input and a trapezoid like wave in the max resonance jumper setting. In max resonance mode, the filter output can exceed 10Vpp. On the newest version, there is a trimmer on the top pcb to set the lowest cutoff frequency.

The new black and white pcb/panel is reversible meaning, one side is classic (first picture) and the other side is soulless (second picture).

Notes: Memphis Vibrato was designed as the "small brother" of Crazy Tube Circuits' Killer V- this was born out of high demand for a true pitch shifting amp-like vibrato pedal, without the drive section.

It features all analogue LFO and true-to-the-original-amp 2-stage pitch shifting circuit powered from an internal voltage multiplier for high headroom and improved dynamic response. A clean period correct preamp with up to 20db boost takes you back to the late 50s / early 60s.

With the intensity and speed knobs you can add a subtle shimmer , or a pronounced 3D acoustic image and musical feel with ear- pleasing vibrato effect for instant classic Lonnie Mack / Robert Ward sounds!

ALL WET - DRY / WET toggle switch selects between 100% modulated signal or places the dry unmodulated signal in parallel with the modulated signal. The latter setup was found in some of the original amps through "stereo" inputs and yields whirling phaser / vibe sounds.

Notes: Taking equal inspiration from gritty delays on cheap mixers, the sounds of dub and the fracturing of consciousness in time and space, the Coma Reactor looks like a deceptively simple delay module... till you start digging deeper.

The Coma Reactor boasts the crunchy sounds of the PT2399 chip, but adds a number of useful routing possibilities that really open it up for sound mangling that transcends the norm.

Independent volume controls for dry, wet as well as FX loop return allow you to blend in clean, delayed and affected sounds to suit your needs. A CV input on the module increases or decreases the delay time, going from slight tape-echo warbles to some truly seasick pitch shifting. A buffered clean through allows you to pass an unaffected unity gain to a mixer or other device.

The Send/Return path allows you to process your delay signal through another effects unit. Without anything plugged in, a truly nasty bandpass filter lurks in the delay feedback path. The 2022 edition of Coma Reactor features Frequency (CV controllable) and Resonance knobs for this filter.

Lastly, this completely delirious module is also capable of generating noises and oscillating with no input attached, making it a useful soundtrack generator for the end of the world.

The 2022 Coma Reactor includes a breakout header for future integration with upcoming AFA expander modules.

Power consumption: 39mA at +12 V and 21mA at -12 V
Depth: 22mm
HP : 12

Notes: The new Preamp Model X comes loaded with a host of new features that make it easy to customize your digital preamp and cab setup. Featuring 3 global cab sim files, support for third-party impulse response files, and 14 preset slots, each with two different channel settings to customize, the Model X offers plenty of space to prepare for long gigs or the freedom to explore and save different tonal combinations.

Where the Preamp Model X excels compared to previous Mooer preamp pedals is in the user interface and digital editor software. The expanded footswitch layout of the X2 gives users two settings to choose from: one for preset scrolling and one for A/B channel switching. This allows users to quickly cycle through presets at just a tap of the foot. The editor software is free and can be downloaded from Mooer's website (www.mooeraudio.com) and allows users the comfort of a desktop interface when customizing and tweaking presets, loading third-party impulse response files, or updating the Model X2's firmware.

The Preamp Model X has been specifically designed to be compatible with files created using Mooer's MNRS sampling technology. Simply download these files from Mooer Studio (www.mooerstudio.com) and load them into your Model X2 using the editor software. The Model X2 is also compatible with Mooer's GIR/GNR cab sim files as well as other major third-party impulse response filetypes.

Specifications:

Input: 1*1/4" Monoaural jack (Impedance value: 1M ohms)

Output: 1*1/4" Monoaural jack (Impedance value: 510 ohms)

Num. of Preset Slot: 14

Num. of Factory Amp Model: 28 (Can be replaced by imported GNR file)

Num. of Factory Cab Sim: 3 (Global cab sim, can be replaced by imported GIR/IR file)

IR Spec: 44.1kHz/24bit/1024points

Power supply: 9V DV center negative (Please ensure the voltage value of power supply is not more than 9V, ensure the polarity is correct.)

Current Draw: 300mA

Weight: 0.334kg

Dimensions: 75mm(D)*115mm(W)*33mm(H)

Accessories: Owner's manual, USB TYPE-C to TYPE-A cable; DC 9V power supply, sticker.

Notes: Multi-format turntable case

One size fits all! The new MULTI-FORMAT TURNTABLE CASE is a heavy-duty road case that was especially designed to fit the popular Technics SL-1200/1210 Turntable. It includes several foam pads to accommodate various new models such as a Pioneer PLX-1000, Mixars LTA and other models from Stanton, Vestax, Reloop, American Audio or Numark.

Fits

Audio Technica LP120-USB
Audio Technica LP1240-USB
American Audio Power Drive 2.2
DJ-Tech SL-1300MK6
Mixars STA
Numark TTX
Numark CDX
Pioneer DJ PLX-1000
Pioneer DJ PLX-500
Reloop RP-8000
Reloop RP-7000
Reloop RP-6000
Reloop RP-2000
Roland TT-99
Stanton ST-150
Technics 1200/1210 G
Technics 1200/1210 GR
Technics 1200/1210 MK2
Technicsc 1210 MK5
Technicsc 1210 MK7
Vestax PDX 3000

Basics

Heavy duty construction of 9 mm vinyl laminated plywood
Solid aluminum profiles and spring loaded latches
Secure stacking due to stackable ball corners
Full padded interior keeps equipment well-protected
Incl. adjustment foams to accommodate different turntable models

Specs

Outer measures: 52 x 43 x 22 cm
Inner measures: 45,5 x 36,5 x 9 cm
Weight: 8 kg

Notes: The Zoom G2 Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
An external expression pedal can be used to control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2 Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

Zoom G2 Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been sampled at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historic guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2 Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones
The G2 Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, you set up the G2 Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2 Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).

Notes: The Moon Op Amp Fuzz is a supermassive destroyer, spinning galaxies of gain. Tidal wave bass response gives you tones heavy as gravity itself.

The filter control offers an expanded range of usable tones and the filter switch gives you three distinct EQ phases: Scooped Mids 'classic', Flat EQ, or Full Range.

Feed the Moon Op Amp Fuzz with your favourite drive pedals and unlock worlds of complex tones.

The Moon's massive sound is achieved with a quad op amp delivering four stages of gain and fuzz. This circuit has its roots in Keeley's popular Dark Side pedal. In that design the tone and gain of the pedal were both tailored to be a vintage sounding fuzz for lead work. Keeley wanted to go 180 degrees in the other direction with this pedal's tone, the purpose being to achieve infinite sounding dreamy deep fuzz.

This is a punishingly heavy op amp fuzz designed to extend your guitar or bass frequencies as low as possible. This also means that your lead tones are as harmonically as rich as possible. So thick is the fuzz that your notes will rise and peak into brilliant feedback.

Keeley's most lunar sounding pedal: Moon Op Amp Fuzz.

Notes: The innoFADER PNP3 now offers you the best precision full bodied fader feel with some nice improvements to make your installation go much more smoothly. Utilising the same capacitance technology innoFADER is famous for to ensure maximum reliability and longevity.

The innoFADER PNP3 has an added feature which allows you to sharpen the cut point itself without the need to adjust the curve dial. This way you can optimize the Innofader PNP3 for both scratching and mixing.

Depth reduced from 45mm to 38mm
Durable, easy access Curve and Cut dials
No polarity testing required - plug in and go!
Fits Pioneer S series mixers (S3, S7, S9, S11)*1
Upgrade for Pioneer DDJ-1000 and DDJ-Rev7*1
LED shows cutting action and presents
Spare stem included

Notes: The Keeley Compressor is the most popular boutique compressor in the world.

The Keeley Compressor Plus is the first true advancement in Keeley's 2 and 4 knob compressor line. The new features are simple and straight forward. Now, there is a simple Release Switch that is tuned for single coils or humbuckers. No more wondering if you have the attack or release set right. Your humbuckers will have all the attack and punch that they should. The Tone Control was also added, which emphasizes the most sensitive harmonics that can be lost in compression. The Compressor Plus now sports a Blend Control that retains the peaks in your playing and, more importantly, the proper phasing of your guitar signal. The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to easily handle any instrument.

The Keeley Compressor Plus is a compressor with an expander/sustainer. Not only does it act as a regular compressor, limiting the peaks in your playing, it adds more and more gain as notes fade out. Now you have sustain. Nothing worse than a note or a bend that has died before its time. The Keeley Compressor Plus adds just the right amount of sustain and expressive bloom to your notes.

The new Release Switch on the Keeley Compressor Plus is designed to make it very easy to transition between single coil and humbucker guitars. Humbuckers have more average energy than single coils which can cause compressors to stay in "compression mode" for a lot longer. When this happens, any series of notes you play will sound dull. With the quick release of the new Compressor Plus, your humbuckers remain true sounding, and each note retains dynamic attack and definition.

The Tone Control is Keeley's own design taken from analog delays and other vintage effects. Those effects used an emphasis circuit to recover treble and highs after they went through the BBD or other analog delay lines. That circuit was then taken and made it into a full fledged tone controll- it is the perfect way to gently add back in those highs lost in the compression process.

The Blend Control is a way of getting the peaks to come through while having sustain at the same time. So if you want sustain more than peak-limiting, this style of Manhattan Compression is for you! Keep all the peaks and transients with the Blend and Tone Controls while adding sustain on the back end. Heaven!

This compressor isn't just for heavy funk or chicken pickin' anymore.The new Compressor Plus is for players wanting a smooth, subtle wash from their guitar. Remove just the right amount of peaks for an ambient layer and then blend in the right amount of treble for a nice shimmer to your guitar. Use with your favorite fuzz to create a wall of tone like you've only heard on records. Looping has never been easier than with this compressor. Consider it an essential tool when creating loops that sound well-balanced. Forget it all and use the Compressor Plus for the best amp boost you've heard. Nothing pushes an amp better than the Keeley Compressor Plus.

Review: Following the enduring success of the 2017 action RPG Horizon Zero Dawn - in which we play as Aloy, a lone human hunter lost and confused in a world overrun by giant, aggressive mechs - now comes Horizon Forbidden West, its sequel, along with a brand new soundtrack by the game franchise's extensive in-house roster of composers. Matching the game's theme of environmental restoration and a return to purer pasts, we hear soaring original compositions from Niels van der Leest, The Fligght, Oleksa Lozowchuk and Joris De Man, all compiled onto a deluxe 6xLP edition - for the merch-heads, there's even an exclusive slipmat, a t-shirt, and several inserts with extensive notes on the game and music bundled in there too.

Review: New age fans and Celtic music aficionados unite, for high priestess Enya is presenting an authoritative, long awaited vinyl edition of her 1997 greatest hits box set A Box Of Dreams. Enya's enduring popularity since her debut in the mid 80s remains a beacon of hope for humanity - a shout out for optimism and serenity in a world where such qualities feel indulgent if they're to be found at all. Gathering together the best of her work from her 1986 debut up to 1997's Paint The Sky With Stars best of, the music has been arranged around three thematic collections, Oceans, Clouds and Stars, moving from the upbeat via piano instrumentals on to choral and meditative ballads. Sleeve notes and some additional poetry from Roma Ryan make this a special edition which fans will rejoice at.

Notes: The DIGI DJ-Stashpack XL Plus is a versatile and lightweight gig bag that and was designed to be flexible in order to accommodate a variety of equipment. It features a practical, height-adjustable Rolltop opening to easily stash a battle-mixer, records, production gear or a DJ-controller. With its durable material, solid processing and a unique design, the new DIGI DJ-Stashpack XL Plus is perhaps the most versatile gear bag in the market.

Fits: Pioneer DDJ-SR2, Pioneer DDJ-RR, Pioneer DJS-1000, Numark NS6II, Numark NV2, Numark Mixtrack Pro 3, NI Kontrol S5, NI Kontrol S4, NI Kontrol S2, Reloop Terminal Mix 4, Roland DJ-202, Pioneer DDJ-SB2, Pioneer DDJ-RB, Numark Mixtrack Pro 2, Denon MC-4000, Vestax VCI-400, Vestax VCI-380, Akai MPK-25, Akai MPC Renaissance, Rane Seventy-Two, Rane Sixty-Two, Rane Sixty-Eigth, Pioneer DJM-S9, Pioneer DJM-900 SRT/NXT, NI Kontrol Z2, Laptop up to 17", 12" Vinyl, Accessories

Notes: Upgrade your Hercules T7 so it becomes a true scratching machine! With this you get 3 mini Innofader Plus faders already soldered to a board which drops straight into the Hercules T7. No soldering or adjustments needed for installation...faders are already pre-adjusted for tight cut-in < 1.0mm. User accessible calibration buttons on all 3 faders allow for further precision adjustments. Also includes a sleek see-through acrylic mounting plate.

Notes: Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision.

Packaged in the same tough-as-nails, tour-ready enclosure as all Walrus pedals, the Tuner features a bright 2.8" TFT LCD display that can be viewed under just about any stage lighting conditions, multiple screen orientations, i0.1 cent accuracy, buffered or true bypass options and more. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Uncompromising Accuracy

Precise and accurate tuning you expect with i0.1 cent accuracy and multiple tuning presets. Tune with confidence, allowing your music to shine with clarity.

A World of Sound at Your Fingertips

With a flat frequency range spanning from 20Hz to 20KHz, the Walrus Audio Tuner is ready to handle tuning for low bass notes to high-strung acoustics. Even bassists needing that low B rumble can tune with confidence.

See the Music Come to Life

The 2.8" TFT LCD display is your window to pitch-perfection. Its crystal-clear quality ensures your tuning is always on point, even under the blazing stage lights or glaring sunlight.

Tailored to Your Preferences

Tailor your tuning experience to your liking with multiple screen orientation options and selectable Strobe or Needle tuning modes. Your preferences, your performance.

Your Aesthetic, Your Way

Match your style with ease. The Walrus Audio Tuner comes with eight colour themes and multiple screen savers including a custom picture mode* allowing you to personalize your tuner to fit your unique aesthetic. *Photos can be uploaded to the tuner via walrusaudio.io.

Tune Faster with Tune Assist

Let Tune Assist guide you swiftly and accurately through your tuning process. Quick and easy tuning has never been so effortless. With Tune Assist, once your note stays in tune longer than a pre-determined threshold, a border outlining the display will flash letting you know that you are in tune and can move to the next string.

Versatile Bypass Options

Enjoy ultimate flexibility with buffered bypass which routes your audio through the clean, low-noise, high headroom audio buffer with a Total Harmonic Distortion ratio of .001%. This buffer offers a high input impedance of 1M Ohms and low output impedance of 400 Ohms to maintain the highest level of single integrity. Other available bypass modes include relay bypass, monitor mode, and pass-thru.

Customize Your Reference Pitch

Adjust the reference pitch from 390Hz to 490Hz to suit your musical needs. Precision tuning for any style of music.

Stay Current with Firmware Updates

Keep your tuner up to date with firmware updates via www.walrusaudio.io. Experience continuous improvement and new features as they become available.

Notes: Updated take on Artiphon's unique instrument, now with built-in sample engine. Loop, manipulate and create all in the unit, with built-in speaker and expressive motion sensor options.

Supplier's Notes:
Hold out your hands and meet Orba 2, the follow-up to Artiphon's award-winning synth, looper, and controller. Orba 2 has everything you loved about the original with multiple ground-breaking upgrades. Now, you can play any sound imaginable with its unique sample engine. Listen through the built-in speaker, or plug in and get loud. Customize your instrument with the Orba App and share your creations with friends. Take your creativity to new heights as you take Orba 2 anywhere you go.

Play any sound in the world
Orba 2 features a brand new sound engine that includes sampled audio recordings. This means you can now play instruments like electric guitars and upright pianos, as well as more adventurous sounds like vocals, found sounds, and custom artist songs. Imagine conducting an orchestra in the park with no strings attached and no screens required.

Create your own instruments
Orba 2 players can also capture or import their own sounds to create completely unique instruments. With the press of a button in the Orba App, everything around you can be turned into an Orba preset. A bicycle bell, a bird singing, or your roommate's amazing voice can all be played, looped, and shared as a musical melody. Sample recording requires a cabled USB connection.

Loop songs in seconds
Orba 2 allows you to record loops right on the device itself. Using Drum, Bass, Chord, and Lead, you'll be able to layer sounds to create songs that are uniquely yours. Orba 2 also has a quantize feature that snaps your musical phrases to the beat so that every moment fits perfectly into the groove. And since Orba 2 has far more memory than its predecessor, you'll be able to make way longer songs: up to 128 bars!

Play with gestures
Orba 2's touch and motion sensors combine to capture even the most subtle micro - movements. Its improved ceramic - like playing surface simultaneously reacts to the nine simple gestures: Tap, Press, Radiate, Tilt, Shake, Spin, Vibrato, Move, and Bump. Each gesture can control the onboard synth engine or your MIDI music software of choice. With unprecedented express ive potential, you'll never play the same note twice.

MIDI control
Use Orba to control your MIDI - based software and hardware instruments (via USB - C or wirelessly via Bluetooth MIDI). Orba works with GarageBand, Ableton Live, Logic Pro, Pro Tools, Cubase , FL Studio, as well as any MIDI - compatible mobile app. In addition, Orba is fully compliant with the new standard for MIDI Polyphonic Expression (MPE), making it capable of multiple independent note expressions.

What's in the box?

Orba
USB Cable
Quickstart Guide

Dimensions

3.14" (diameter) x 2" (height)

I/O
USB-C (USB 2.0 Class Compliant Audio/MIDI)
3.5mm (1/8") TRS Analog Headphone Stereo Out


Bluetooth
Bluetooth LE MIDI (MIDI only)
Note: Windows 10 does not currently support Bluetooth LE MIDI
Speaker System
3W built-in active speaker system

Compatibility

iOS 11 and newer
Android 9 and newer
macOS 10.12 and newer
Windows 10 (64 bit)

Note: Firmware updating requires a cabled USB connection and can only be done from a desktop computer.

Note: Transferring a sample from your device to Orba 2 requires a cabled USB connection.

Notes: Everyone loves bass, so Minirig decided to take the Subwoofer to the next step - rather than the old 30 watts of power, it now has 40 watts of power! This ultimately gives you a cleaner low that matches the new Minirig 3.

Don't just hear the bass - feel the bass:

The Subwoofer works in harmony with your Minirig or Minirig Mini to enhance the low end.

Optimised Airflow Technology:

With Minirig's custom folded horn design you get bone shaking bass, in a small package.

Take the party on the road:

Chuck this little bass bin in your rucksack and complete your Minirig soundsystem set-up.

Review: Part of the early 80s Sheffield avant-garde scene, In The Nursery was formed at the turn of the decade between twin brothers Nigel and Klive and Humberstone. As living mirror-images, they knew likeness first hand; it seems fitting that they would embrace the imitative, reproductive spirit of industrial music. Under the shared moniker, they would subvert the prevailing mood, agonising grotesque military connotations of an uncertain future by working in a new style, "martial electronica". As heard on this latest set of Recordings made between 1981-1999, their sound was not totally tinny or robotic, making use of cinematic and Romantic tropes in near equal measure to futuristic shock-horrors. From spectacular edge-of-your-seaters ('Stone Souls') to operatic apogees ('Listen') and modish drum machine workouts ('A To I'), this is a comprehensive compilation, just as suited to the spectacular screen as for the auratic DJ set - pick your poison.

Review: Celebrated jazz man Charles Mingus took Manhattan by storm when he played a series of legendary darts at the world famous Birdland venue in New York between 1961 and 196. Now, in conjunction with the Mingus Estate, the complete collection of those sessions make it to vinyl for the first time ever. Mingus Takes Manhattan - The Complete Birdland Dates: 1961 - 1962 is taken from the original reel-to-reel tapes used for the radio broadcasts at the time. These rare recordings comes with a 44-page book with a foreword from Christian McBride.

Notes: Mackie Mix Compact Mixers deliver the quality you expect from the world leader in compact mixer design.

The professional and affordable Mix Series mixers feature high quality components, a rugged metal chassis and features designed for a variety of applications. With Mackie preamps and proven high-headroom, low-noise design, Mix delivers great sound from any source.

Besides, wouldn't you rather Mix on a Mackie?

Notes: The STAY Slim 2 tier keyboard stand is a lightweight (just 2.9kg) aluminium keyboard stand ideal for practice, studio and performance use. This model with curved arms on the top tier enables a peripheral such as smaller synth, laptop or mixer to be placed safely above the main keyboard. The stand is quick to put up and packs away quickly into the neat zip carry case that is included. Despite being so lightweight the keyboard can carry a 61 note keyboard of up to 10kg on each pair of arms. The tripod foot design raises the stand off the ground and provides a very stable plus gives room for sustain and other effects pedals to be placed exactly where you want them. In addition, the stands keyboard arms are height adjustable (top level max height is 1100mm) and the top deck arms are set at a 10 degree angle for ease of playing. Cables can be neatly run down the stand using the proved stretch clips.

- Maximum load capacity: 20 kg (10kg per tier)
- Automotive paint
- Ultra fast assembling
- Product net weight: starting at 2.8 kg
- Tote bag included

Notes: Korg's excellent FM synth offers a modern take on those classic 80s digital tones. Second-gen version doubles the number of voices to six, adds new MIDI features and extra effects.

Supplier's Notes:
The next-gen Volca FM is a powerful 6-voice, 6-Operator FM synthesizer with all 32 classic algorithms, a 16-step loop sequencer, effects and a powerful arpeggiator that perfectly reproduces the sound of the classic Yamaha DX7 and is completely compatible with SYS-EX patches for the DX7 as well.

Battery (included) or adapter (optional) operated with built-in speakers and a compact and light chassis, the Volca FM is the ultimate portable FM solution for all musicians.

This new generation - with double the voices of its predecessor, additional effects, expanded MIDI connectivity, and intuitive interface - is poised to bring unprecedented possibilities to your setup, and revolutionize your studio with new musical ideas.
With 6 voices (instead of the 3 of its predecessor) the new Volca FM brings a new world of harmonic possibilities to your production.

Now it is possible to play, sequence or arpeggiate complex chords with up to 6 voices in order to bring a unique flavour to your music production. No more running out of voices when sequencing melody, harmony and bass all in one device!

Moreover, the new Volca FM is now velocity sensitive via MIDI, which coupled with its 6 voice polyphony, provides a much more expressive and nuanced playing experience than ever before.

By popular request, Volca FM includes a lush Reverb effect in addition to the Chorus effect. Each of these two effects can be used and adjusted individually to add the finishing touch to any FM sound you are going for.

In addition to MIDI IN the new Volca FM also includes a MIDI OUT (IN/OUT 3.5 mm TRS), making it possible to use the intuitive Volca internal sequencer to control other devices through MIDI, making it the perfect addition to your standalone setup. Of course, it also works well with your DAW of choice thanks to note, control, and clock receipt via the MIDI IN.

The internal sequencer offers looping up to 16 steps, allowing you to record your performance on the touch panel keyboard as you play. Up to 16 sequence patterns can be stored in the internal memory.

Volca FM also incorporates a motion sequence function to record in real time all the subtle nuances of your playing and knob movements, letting you add time-varying change to the sound. This is a great way to polish your loops, and also lets you generate highly original live performances.
In order to spice things up, the new generation of Volca FM includes a brand new program randomizer, letting you find new inspiration through happy accidents and unexpected patches.

Of course, it still incorporates highly acclaimed functions such as the warp active step, pattern chain and an improved arpeggiator, making it easy to create crazy looping rhythms and patterns.

In addition to the active step function that lets you skip steps during a sequence, the volca fm provides new functions that enable you to generate more irregular rhythms. If the active step is fewer than 16 steps, you can use the warp active step function to compensate so you occupy the same playback time as 16 steps; then by synchronizing the playback with another volca series unit, you can deliberately skew the step timing to generate truly unconventional performances.

Specifications

Keyboard: Multi touch 27 key keypad
Synthesizer:
Type: FM synthesis
Maximum Polyphony: 6 voices
Structure: 6 operators, 32 algorithms
Number of Programs: 64
Edit parameters: Modulator (Attack, Decay), Carrier (Attack, Decay), LFO (Rate, P.Depth), Algrtm, Randomize Available to edit full parameters for each operator in Edit Mode
Controls: Transpose, Velocity, Octave, Arp (Type, Div), Chorus Level, Reverb Level
Arpeggiator Types: 9 (each 3 patterns of "Rise", "Fall", and "Random")
Voice Modes: Poly, Mono, Unison
Effect: Chorus, Reverb
Sequencer:
Number of Parts: 1
Number of Steps: 16
Number of Recording Patterns: 16
Controls: Motion Sequence, Active Step, Warp Active Step, Pattern Chain, Metronome
Audio Output: Headphones (3.5mm stereo mini jack)
Sync: Sync In (3.5mm monaural mini jack, Maximum input level: 20V), Sync Out (3.5mm monaural mini jack, Output level: 5V), When two units of Volca FM, available to export the sound programs and sequence data from a Volca FM to the other one
MIDI: IN/OUT - Note: 3.5mm stereo mini jack connector (type-A MIDI adaptor needed)
Available to convert and load SYS-EX/SYX files from Yamaha DX7
Power Supply: AA alkaline battery x 6 or AA nickel-metal hydride battery x 6, Or AC adapter (DC 9V) (optional)
Battery Life: Approximately 10 hours (using alkaline batteries)
Dimensions (W x D x H): 193 x 115 x 40 mm / 7.60" x 4.53" x 1.57"
Weight: 360 g / 12.70 oz. (Excluding batteries)
Included Items: AA alkaline battery x 6 (for verifying operation), Sync Cable, Edit Parameter List - Accessories: AC adapter (DC 9V) KA-350

Notes: Dual Moving Magnet Mono Cartridge for Shellac or Phonograph records

Model dedicated to 78 RPM records, whose round stylus has a large curvature radius at the tip. The curvature radius is 3 mil, and suitable for playing 78 RPM records from a wide variety of eras.

Audio-Technica's internationally-patented Dual Magnet design replicates the structure of the cutter head.

Instead of using a single, large magnet, the two magnets are arranged in the shape of a "V". The two magnets are positioned precisely to match the positions of the left and right channels in the stereo groove walls. Consequently, the VM design ensures outstanding channel separation, extended frequency response and superb tracking.

Para-toroidal generating system

Para-toroidal coils improve generating efficiency and offers superb linearity, since leakage of magnetic flux in this continuous and unitised magnetic circuit is low. Permeability of the cores is also optimised through the use of laminated cores.

Mono body

For monaural operation, left and right channels should be connected. A mono body on which left and right terminals are connected internally reduces record noise which is primarily in the vertical direction and obtains a highly focused 'centre' sound image compared with stereo bodies.

600 Series

Specialised 600 series mono body with internal wiring dedicated to monaural sound.

Conical Bonded (3mil) Stylus

A conical bonded stylus with a large curvature radius at the tip. The curvature radius is 3 mil, and suitable for playing 78 RPM records from a wide variety of eras.

Specifications

Cartridge & Stylus

Frequency Response: 20 - 20,000Hz
Vertical Tracking Angle: 23 degrees
Stylus Construction: Bonded Round Shank
Recommended Load Impedance: 47,000O
Coil Impedance: 1,400O (1kHz)
Output Voltage: 3.0mV (1kHz, 5cm/sec.)
Stylus Shape: Conical Bonded (3mil)
Cantilever: Aluminium Pipe
Static Compliance: 15 x 10-6 cm/dyne
Dynamic Compliance: 2.0 x 10-6 cm/dyne (100Hz)
Mounting: 1/2" centres
Dimensions: 17.3 (H) x 17.0 (W) x 28.2 (L) mm
Accessories Included: Cartridge installation screws 5mm ×2 and 10mm ×2, Washer ×2, Hexagon nut ×2
Recommended Load Capacitance: 100 - 200pF
Replacement Stylus: VMN70SP
Stylus Size: 3.0 mil
Type: VM Type
Weight: 6.4g

Review: ***B-STOCK: Box slightly damaged, slight surface marks, otherwise in perfect working order***


The 1971 classic album by Canadian singer-songwriter Joni Mitchell, Blue is widely thought by many music lovers to be one of the best albums of all time. Already well into her career by the time of its release - it's her fourth album - it was certainly Mitchell's best yet, reflecting a period in her life where she took a break from touring and live performing to focus on creation. Its confessional and poetic lyrics, not to mention the distinctively groggy yet idyllic guitar and piano playing on songs like 'All I Want', 'River', 'A Case Of You', heard Mitchell encapsulate the various milestones, Renaissances and turning points of the contemporary rock landscape of the 1970s, into a singular LP.

Notes: KR is based off of the concept of a guitar tonestack: you get a gnarly drive on the top and a super clean two-band shelving EQ with switchable midpoint after that. There are separate ins and outs, too, so if you want to EQ a thing and distort the other thing at the same time you can!

Kith Ruina's inspiration comes from the world of guitar amps. A drive into an EQ is an extremely common configuration for shaping guitar tone, and we find that it works extremely well for synths as well. A grungy drive into a pristine EQ gives excellent tone control, and with separate ins and outs for the two sections KR can be configured to fit into any patch you throw at it.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Keyboard meets sequencing in Arturia's all-round controller. USB, MIDI, CV and analogue clock compatibility make this 64-step polyphonic sequencer a true all-rounder. Great value.

Supplier's Notes:
KeyStep 37 goes beyond an easy-to-use 64-step sequencer, arpeggiator and MIDI keyboard. It's responsive, dynamic, expanded in every direction to encourage musical exploration - the controller that's built to help write music and also includes Ableton Live Lite, making it a complete music production starter kit, as well as appealing to veteran musicians. Like KeyStep and KeyStep Pro before it, KeyStep 37 offers unique features not found in any other product.

The familiar KeyStep formula, expanded. KeyStep 37 features a velocity-sensitive 37-note keybed, complete with aftertouch and RGB LED feedback, while remaining lightweight and compact.

At the center of the control panel, you'll find 4 new knobs with an LED screen, giving you instant access to inspiring new expressive tools and MIDI tweaking - total creative control.

The new controls unlock KeyStep 37's unique & enhanced Chord mode. Choose from 12 chord types, an array of strum effects, and spread the voices out into complex velocity-sensitive parts that respond like a stringed instrument.

Map out KeyStep 37's 3-octave keyboard range with a scale of your choice using Scale mode. Any key you play will automatically quantize to the nearest note in the chosen scale.

Tap into the inner workings of your MIDI hardware and software with assignable 16 MIDI CC pa-rameters across 4 switchable banks. Use the 4 new controls to tweak settings on the fly for dy-namic performances.

The core of your setup:

KeyStep 37 is designed to be put in control. An accessible interface, a compact design and com-prehensive connectivity make it the perfect centerpiece for your rig - whatever your needs.

Hook up your synth hardware with MIDI in/out. Control your favorite VST instruments with MIDI over USB. Use CV pitch, gate and mod connections for modular integration. Analog sync in/out keeps everything in time without hassle. The best bit? Use it all at the same time.

Included is a free copy of Ableton Live Lite, an accessible music-making suite for your Mac or PC. Register KeyStep 37 for your free download and get creative right out the box - let the music flow freely.

Notes: Great value from this versatile six-channel function generator, suitable for LFOs, envelopes, slew limiting and much more. A versatile module at a good price.

Supplier's Notes:
This modules is a 6 channels function generator, each channel has an attenuverter to set the output gain, there are 2 extra outputs with mixed signals (channels 1+2+3 and 4+5+6) for complex CV

-With no signal plugged in the input, channel will self-oscillate generating an LFO of i4,8V

-With gate/trigger signals in the input, channel is an AR envelope generator

-With an stepped CV signal plugged in the input, the channel acts as a slew limiter

min attack/decay time:
0,3 milliseconds in fast mode
13 milliseconds in slow mode

max LFO length:
1" in fast mode
1'20" in slow mode

max attack/decay length:
13" in fast mode
3'00" in slow mode (approx)

18 HP
159 mA +12V
153 mA -12V