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Review: A tasty pair of chunky, beefed and dubbed up disco delights courtesy of the Cardiology label and every bit as likely to get the heart rate pumping as the name would suggest. The Owl's 'Groove Engine' steps up to the breach on the A-side, the slightly slower of the pair but blessed with a thumping framework of four-to- the-floor sturdiness on which funky keys and an almost Afro vibe are tastfully and decoratively hung. Flip track 'I'm Gonna' by C Da Afro is constructed from more archetypically traditional old skool disco ingredients, from the Sister Sledge-esque female vocals to the shooting, strings. There's a nice amount of dub behaviour via the desk, enough to elevate it into orbit but not so much that the song elements of the track are obscured. Nice work all round.

Review: Al Kent takes on Japan’s answer to Vince Montana for another extended disco mix, with the emphasis - as always - on disco! Judging by the popularity of the pair’s last outing this release should once again please those DJs and music lovers with a penchant for the percussion, strings and traditional instrumentation that underpins the best disco music, bringing it up to date with one eye firmly on the past.

Review: ***B-STOCK: Torn sleeve & record has light surface marks/scratches, otherwise in excellent working condition***


It's been a while since we last heard from Kinfolk, but the broad-sweeping label with cosmic chuggery in its bones is back with this powerful dose from Ess O Ess and Saulrichards. "Totem" is an epic track that rolls around in the muck somewhere between shoegaze extravagance, post-rock heaviness and psyched-out electronics. The "Swamp Crawl" version of the track keeps the guitars bedded deep within the mix, but there's space for more expressive synth work. Hardway Brothers take the track on a similarly rockist journey, but take their time building up to a climax. Otologic wrap things up with a deadly dub that will have low tempo trippers rubbing their hands with delight.