Search dance music

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Classic closed-back headphones in a low-impedance version designed to play nicely with outputs on phones, laptops and interfaces. One of the best all-round options for production.

Supplier's notes:
The Beyerdynamic DT 770 Headphones 80 Ohm are closed back dynamic headphones that use the same comfortable, sound isolating design as the 250 Ohm studio version, but with a lower resistance for general purpose and mobile applications. Because of the lower resistance, the DT 770 Pro 80 Ohm headphones are louder and work on low power devices such as smart phones, MP3 player, laptops and bus powered interfaces. Therefore, if you are working in a loud environment or using a battery operated device, the Beyerdynamic DT 770Pro 80 Ohm headphones make the perfect choice of headphone.

When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.

Notes: DRONX is a special mixer designed especially for the DRONE38 module; if has 6 input channels (so you can connect two DRONE38 modules) and offers some sound processing capabilities: A tone control with bass and treble control, a distortion, and finally a dual delay with different algorithms. Two insert points allow to add up to two more audio effects to the internal signal chain. Together with the DRONE38 module(s) you get a quite nice drone synth for dense, dark soundscapes.

Of course, it can be used with any other sound sources!

Review: Celebrating its 30-year anniversary with a monolithic deluxe edition, Green Day's Dookie has gone on to become one of the cornerstones of pop-punk, pre-dating Blink-182 with its global expansion. Spawning timeless anthems such as 'Basket Case', 'Longview' and pop smash hit 'When I Come Around'; the album signalled the artistic prowess and bright future the band have continued to live up to in the decades since. Complete with 17 previously unreleased demos, studio outtakes and both their Woodstock 1994 and unreleased Barcelona 1994 live performances, as well as a 36-page book cataloguing the creative journey of these formative years, this 6xLP beast is not for the faint of heart but for the devout and avid legions of generation spanning followers the trio still continue to amass to this day.

Notes: 8-input CV expander for Xer Mixa

Expando Expandi adds 8 freely assignable CV inputs to the Xer Mixa in just 4 HP. Connect up to two Expando Expandi to Xer Mixa for easy CV control over channel levels, pan, aux sends, and more.

Expando Expandi is not for use on its own and is currently compatible only with Xer Mixa.

Notes: Sound your best anywhere

A great interface is the one that's always there for you. iRig HD X is the new flagship of the iRig guitar interface family, bringing breathtaking sound quality and even more advanced features to guitarists everywhere. Compact enough to store in your gig bag, iRig HD X lets you connect anytime with inspiring new ways to play and sound amazing.

Practice with popular learning apps or favorite songs. Browse and discover thousands of new tones on ToneNET. Record ideas wherever inspiration strikes. Stream videos of you jamming to backing tracks. Warm up before gigs with all your favorite tones. No matter where you are on your musical journey, with iRig HD X the possibilities are endless.

Your new mobile dream rig

iRig HD X + TONEX and AmpliTube for iPhone and iPad gives you an incredibly versatile mobile rig with 2 powerful ways to find your sound: TONEX using IK's AI Machine Modeling technology, and AmpliTube offering the ultimate tone processing and recording studio. Play, practice and record on your mobile device with the most authentic and hyper-realistic gear models ever made.

Ultra-compact, high-quality audio

iRig HD X features a whisper quiet and transparent instrument preamp with wide frequency response and dynamic range that ensures every nuance of your playing is accurately translated while preserving the true tone of your instrument. The Headphone Out and Amp Out are equally high end offering exceptional sound quality in a device this portable.

One knob to do it all

iRig HD X sports an all-new enclosure featuring a LED ring input level indicator that also doubles as an ultra-fast and precise tuner for the connected instrument. Its ergonomic, multi-function knob lets users quickly adjust headphone level, loopback functions, direct monitoring and the tuner.

Reach your guitar goals faster

Practicing should be fun. With iRig HD X you'll be inspired by professional guitar tone while you learn. From anywhere, easily connect to the most popular learning apps while playing through the best amp models. Use the included TONEX and AmpliTube apps to load one of your go-to tones then launch your preferred app to study music, tabs or the original song. It's that easy!

Discover the best tones online

iRig HD X comes with AmpliTube 5 SE with 80 models covering all the "must have" gear. You also get TONEX SE for Mac/PC and iOS, which includes 200 Premium Tone Models plus unlimited user Tone Model downloads from ToneNET. You can browse, demo and download new guitar and bass tones within TONEX or build the ultimate guitar rig with AmpliTube 5.

Have fun playing along

Imagine finding perfect guitar tones from ToneNET for songs you love. Got a few minutes to play? Just plug-in and open up AmpliTube or TONEX and start jamming with incredible tone. No need to plug in a pedalboard or out-board gear. Play along with backing tracks on YouTube or from your music library or streaming service. Staying inspired has never been this easy.

Jamming and performing with friends

With iRig HD X it's easy. No more lugging a pedalboard to rehearsal spaces. All you need is right in your gig bag. Just show up and connect the Amp Out jack to an external amplifier or powered monitor. Everyone will be amazed by your tone as you load favorite AmpliTube presets or TONEX Tone Models from your iOS device (or laptop).

Recording audio tracks

iRig HD X is recognized by all desktop and iOS recording apps. TONEX and AmpliTube for Mac/PC work standalone or as plug-ins inside your favourite DAW so it's easy to record a DI or a processed guitar part. You can use the Loopback+ feature of iRig HD X (which acts like a virtual FX loop) to route your guitar signal first to TONEX or AmpliTube and then into your recording app.

Recording and streaming Video

The same feature that lets you record processed audio on your mobile device also lets you record or stream video with your amazing guitar tones sounding crystal clear. Use the Loopback+ feature of iRig HD X to route your guitar signal first to TONEX or AmpliTube and then into the video recording App on your iPhone or your streaming App of choice. You fans will love how great you sound.

With more ways to connect on more devices and with all your favourite apps, iRig HD X is your all-access pass to limitless musical experiences.

Ideal for all players

Whatever your level and style of music, iRig HD X will keep you connected to the newest and best tools for sounding great, learning new songs, advancing as a player and sharing the music you make with others. Sound better, play more and improve faster throughout a lifetime of guitar with iRig HD X.

Specifications

Common
AD and DA resolution: 24-bit
Sampling rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz
Host connection: USB Type-C socket

Instrument Input
Input impedance:1 MOhms
Maximum input level: +9 dBu
Frequency response: From 20 Hz to 20 kHz within 3 dB (96 kHz sample rate)
Dynamic range: 115 dB(A)

Amp Output
Configuration: Unbalanced
Output impedance: 3.3 kOhms
Output level: 0 dBFS corresponds to -2 dBu
Frequency response: From 15 Hz to 40 kHz within 1 dB (96 kHz sample rate)
Dynamic range: 97 dB(A)

Headphone Output
Output impedance: 22 Ohms
Maximum output level: approx.. 8 mW into 32 Ohms load
Frequency response: From 15 Hz to 40 kHz within 1 dB (96 kHz sample rate)
Dynamic range: 95 dB(A)

Package includes
iRig HD X interface
USB-C to USB-C cable (60 cm/23.62")
USB-C to Lightning cable (60 cm/23.62")

Dimensions
Size: 99 mm/5.35" x 42 mm/2.27" x 25 mm/1.35"
Weight: 54 g/1.9 oz.

Compatibility

iOS Devices
Made for: iPhone 14 Pro Max, iPhone 14 Pro, iPhone 14 Plus, iPhone 14, iPhone SE (2nd and 3rd generation), iPhone 13 Pro Max, iPhone 13 Pro, iPhone 13, iPhone 13 mini, iPhone 12 Pro Max, iPhone 12 Pro, iPhone 12, iPhone 12 mini, iPhone 11 Pro Max, iPhone 11 Pro, iPhone 11, iPhone XS Max, iPhone XS, iPhone XR, iPhone X, iPhone 8 Plus, iPhone 8, iPhone 7 Plus, iPhone 7, iPhone SE, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus, iPhone 6, iPhone 5s, iPad Air (3rd, 4th and 5th generation), iPad (9th generation), iPad mini (5th and 6th generation), iPad Pro 12.9-inch (1st, 2nd, 3rd, 4th and 5th generation), iPad Pro 11-inch (2nd and 3rd generation), iPad (8th generation), iPad Pro 11-inch, iPad Pro 10.5-inch, iPad Pro 9.7-inch, iPad Air 2, iPad Air, iPad mini 4, iPad mini 3, iPad mini 2, iPad (5th, 6th and 7th generation), iPod touch (6th and 7th generation).
Also compatible with all newer iPhone, iPad and iPod touch models.

Computers
Macr: macOS 10.6 or later. One free USB port.
Windowsr: Windows 10 or later. One free USB port. For low latency, the IK Multimedia's iRig audio driver must be installed.

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


At 84hp wide the NiftyCASE isn't super tiny or super huge, in fact, it's just right for all of the cardboard boxes bought to ship it to you in. Aside from the 84hp width NiftyCASE features ample +12v -12v and +5v power for your modules. It will also take Din MIDI from any DIN MIDI device and USB MIDI from your computer and turn it into eurorack compatible CV, gate, mod, and clock.

MIDI to CV, gate, clock, and mod

It's all built into the case. Make your instrument and don't waste precious hp (space for modules) on power and MIDI tools. you can plug NiftyCASE into your computer via USB or 5pin MIDI DIN device and send it MIDI. It will convert it into CV, gate, mod, and clock. Sequence with your DAW, jam with your controllers, or do something wacky, NiftyCASE has got you covered.

Power

Built-in power saves space for more of your modules, and keeps things good and easy.

As is, you can plug up to 10 modules into NiftyCASE's 10 gang flying bus that provides a peak 1500mA of +12v, 500mA -12v, and 500mA +5v, covering all industry standard power requirements

Specs:
Useable case area = 84hp
Internal depth = 55mm
Weight = 1.8kg
6.8cm x 44.6cm x 18.6cm
Range of cv out 1 = 0-10V
Range of cv out 2 = 0-10V
Voltage output gate 1 - off =0 on =5(off = 0 on = 4.65)
Voltage output gate 2 - off =0 on =5(off = 0 on = 4.65)
Voltage output mod = 1-10V
Voltage output clock - off =0 on =5
Power output for modules
+12V - 1500mA peak output**
-12V - 500mA peak output**
+5V - 500mA peak output**
1/4" ts mono output on rear
MIDI in via USB and 5 pin Din
MIDI thru via 5 Pin Din and USB

Included in the box:

NiftyCASE
NiftyCASE switching power supply with blades for NA, EU, UK, and AU

* Please note that the right and left sides of NiftyCASE fit very flush. It is recommended to favour a module with a pcb 1mm or more narrower than it's front panel for use on the left and right sides of the case (this amount or more of tolerance is fairly common on many modules).

** The NiftyCASE power supply is designed only to power modules that are being used in the NiftyCASE. Modifying the case or using it otherwise to power external cases & external modules is not advised.

Notes: ***B-STOCK: Box opened, product in perfect working order***


OBEY is a dual-function module: one half envelope follower and one half attenuverter / offset generator.

Envelope Follower:
The OBEY takes an audio or CV signal and uses it to trigger an envelope or gate for use in a Eurorack system. It is designed to work with a wide variety of input levels: plug a Eurorack module, passive microphone, piezo, guitar, drum machine, Game Boy into your Eurorack system.

Attenuverter / Offset Generator:
Attenuvert your voltage sources up to two times in the positive or negative! The offset generator provides up to 5 volts in the positive or negative.

Specifications:
Module width: 4HP
Module depth: 48mm
Current draw:
+12V: 25mA
-12V: 18mA

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The BXx2 is a dual channel preamp, EQ and mixer based on the classic Boss BX series mixers. With the inclusion of both input gain and level controls, each channel can be overdriven, producing the signature saturated and lively sound the BX mixers are known for. The EQ controls provide the channels with simple but great sounding high and low shelf EQs for emphasising and shaping sounds and an additional 'Aux' input allows another mixer or extra sound source to be chained in.

Input gain controls

Sets the input gain of the channel preamp. Higher settings will cause source to overdrive the channel.

Inputs

In 1 - Input to channel 1 of the mixer.

In 2 - Input to channel 2 of the mixer.

Aux - Auxillary mix input for chaining with another mixer or extra source.

Fixed gain (-6dB).

EQ High

Sets the gain of the fixed high shelf EQ. Boosts high frequencies when set above 12 o'clock and cuts when set below.

EQ Low

Sets the gain of the fixed low shelf EQ. Boosts low frequencies when set above 12 o'clock and cuts when set below.

Level

Sets the channel level in the mix. Use level controls to trim back volume when overdriving the preamp.

Output

Audio output producing the mix of the 3 inputs.

Technical specifications

Power: +12V 10mA / -12V 10mA
Size: 8HP
Depth: 32mm

The BXx2 was designed in collaboration with Feedback Modules and is based on their single channel 'PRE BX' module.

Review: Arther Baker's Dance Masters series continues, as the spotlight turns to another remix legend: one of the originators of the form, John Luongo. Regarded as one of the most influential DJs and mixers of his day, Luongo's many credits include remixes of Jackie Moore's 'This Time Baby', 'Vertigo / Relight My Fire' by Dan Hartman and Patti Labelle's 'Music Is My Way Of Life'. Luongo also went on to establish a production career in his own right, and his legacy is more than cemented here on this retrospective comp from Demon. This box set compiles his most striking tracks in a sixc LP compilation, as well as: a 16-page booklet; an in-depth essay from Alexis Petridis; a foreword by Arthur Baker and a rare photo album from Luongo's personal collection.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Keyboard meets sequencing in Arturia's all-round controller. USB, MIDI, CV and analogue clock compatibility make this 64-step polyphonic sequencer a true all-rounder. Great value.

Supplier's Notes:
KeyStep 37 goes beyond an easy-to-use 64-step sequencer, arpeggiator and MIDI keyboard. It's responsive, dynamic, expanded in every direction to encourage musical exploration - the controller that's built to help write music and also includes Ableton Live Lite, making it a complete music production starter kit, as well as appealing to veteran musicians. Like KeyStep and KeyStep Pro before it, KeyStep 37 offers unique features not found in any other product.

The familiar KeyStep formula, expanded. KeyStep 37 features a velocity-sensitive 37-note keybed, complete with aftertouch and RGB LED feedback, while remaining lightweight and compact.

At the center of the control panel, you'll find 4 new knobs with an LED screen, giving you instant access to inspiring new expressive tools and MIDI tweaking - total creative control.

The new controls unlock KeyStep 37's unique & enhanced Chord mode. Choose from 12 chord types, an array of strum effects, and spread the voices out into complex velocity-sensitive parts that respond like a stringed instrument.

Map out KeyStep 37's 3-octave keyboard range with a scale of your choice using Scale mode. Any key you play will automatically quantize to the nearest note in the chosen scale.

Tap into the inner workings of your MIDI hardware and software with assignable 16 MIDI CC pa-rameters across 4 switchable banks. Use the 4 new controls to tweak settings on the fly for dy-namic performances.

The core of your setup:

KeyStep 37 is designed to be put in control. An accessible interface, a compact design and com-prehensive connectivity make it the perfect centerpiece for your rig - whatever your needs.

Hook up your synth hardware with MIDI in/out. Control your favorite VST instruments with MIDI over USB. Use CV pitch, gate and mod connections for modular integration. Analog sync in/out keeps everything in time without hassle. The best bit? Use it all at the same time.

Included is a free copy of Ableton Live Lite, an accessible music-making suite for your Mac or PC. Register KeyStep 37 for your free download and get creative right out the box - let the music flow freely.

Notes: Constructed with 100% aluminium die casting, this sleek and robust keyboard stand weighs a mere 3.06kg, making it an incredibly lightweight and portable option. Designed to support keyboards with up to 76 keys and weighing up to 60kg, it offers reliability and strength for musicians on the go. Easy to set up and dismantle, this stand is a perfect choice for those looking to blend functionality with simplicity.

Features:

Maximum height: 1.30m
Capacity: 69.8kg
Weight: 3.49kg

Notes: Constructed with 100% aluminium die casting, this sleek and robust keyboard stand weighs a mere 3.06kg, making it an incredibly lightweight and portable option. Designed to support keyboards with up to 76 keys and weighing up to 60kg, it offers reliability and strength for musicians on the go. Easy to set up and dismantle, this stand is a perfect choice for those looking to blend functionality with simplicity.

Features:

Maximum height: 1.30m
Capacity: 69.8kg
Weight: 3.49kg

Notes: Building on the reputation of its award-winning predecessors, the Erisr Studio 5 is a substantial update that delivers richer low-end and more controlled high-frequency response that reproduces every detail in your recordings with a natural sound unparalleled in its class. Designed for superior performance in both home studio and small professional mix rooms, the Eris Studio 5 combines flexible connectivity with sonic accuracy that puts it a class all its own.

The custom-designed EBM (Elliptical Boundary Modeled) waveguide provides superior high-frequency response and wide 100-degree horizontal dispersion to create a broader sweet spot. Narrow vertical dispersion reduces reflections from your desk, and a silk-dome tweeter ensures snappy, accurate transient reproduction. An elegant new enclosure design improves the waveguide performance so you'll hear the finest details in your mix.

The woven-composite low-frequency driver offers Eris' signature tight, clear bass with plenty of punch. Its 80W of biamped power make the Eris Studio 5 more efficient than previous designs. The ported enclosure maximizes bass response and allows the Eris Studio 5 to reach down to an astonishing 48 Hz - without a subwoofer!

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything.

Features

5.25-inch woven composite low-frequency driver
1-inch, ultra-low mass, silk-dome, high frequency driver
Crossover Frequency, 3.5 kHz
100- x 60- EBM waveguide provides a sweet spot
Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
80W, Class AB dual amplification
48 Hz to 20 kHz frequency response
102 dB Peak SPL (@ 1 meter)
Acoustic Tuning Controls:
Acoustic Space (Flat, -2 dB, -4 dB)
High Frequency (+/-6 dB, center 10 kHz, continuously variable)
Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)
Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Inputs:
XLR and 1/4-inch TRS balanced rear-panel inputs
RCA unbalanced rear-panel inputs

Protection:
RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter
Power Saver mode (engages after 40 minutes)

Set up your studio monitors for your room.

Erisr Studio 5 active monitors are equipped with Acoustic Tuning controls to ensure the flattest response in your mix environment. You get Low Cut, Mid, and High controls, as well as three-way Acoustic Space tuning that makes it easy to compensate for the boundary bass boost that occurs when a speaker is placed too close to a wall.

Honest. Expressive. Powerful.

Like all PreSonus studio monitors, the Eris Studio 5 offers consistent, accurate listening. Their stylish design makes them a welcome addition to any mix space and their smooth, incredibly even frequency response ensures that your mixes will sound great everywhere.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10kO

Performance

Peak SPL: 102 dB (@ 1 meter)

Speakers
Crossover frequency: 3.5 kHz
Coverage pattern: 100 degree (H) x 60 degree (V)

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard

Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)

Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Monitor inputs: 1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA

Power amplifier type: Class AB

Measurements

Dimensions: 11.50 x 8.00 x 8.80 in

Product depth: 8.78" (22.3 cm)
Product height: 11.5" (29.2 cm)
Product width: 8" (20.32 cm)

Notes: R2M is module 1 of a pair of two 2 HP modules that allow you to connect a chain of controllers to your DROID master through a standard 3.5 mm stereo cable (sometimes also called aux-cable).

The usual idea is that you put all your DROID controllers into a skiff case and mount your DROID master, X7 and G8 into another case, together with all your fancy Eurorack sound modules.

R2C is module 2 of a pair of two 2 HP modules that allow you to connect a chain of controllers to your DROID master through a standard 3.5 mm stereo cable (sometimes also called aux-cable).

The usual idea is that you put all your DROID controllers into a skiff case and mount your DROID master, X7 and G8 into another case, together with all your fancy Eurorack sound modules.

While you could do this with the typical 6-pin ribbon connector (e.g. the 80 cm version that we offer), using the R2M/R2C combination has some serious advantages:

The connection cable can be almost arbitrary long (20 m have been tested and works perfectly).

Since the connection is done on the front of the modules, you can quickly disconnect your skiff for the purpose of travelling to a gig.

You can use a standard 3.5 mm stereo TRS cable for the connection.

These modules are not just passive connectors but contain special driver ICs that transform the electronic voltage levels, which run in the 6-pin ribbon, to something more stable and reliable that is fit for longer distances in a more hostile environment.

The controllers do not receive their power from the master but from the R2C module, which has a power connector and a voltage regulator for that purpose. Each chain of the R2C module provides the same power to its controller chain as the master does (it contains the identical voltage regulator). That means that you can connect up to 32 controllers (!) to one R2C.

Another nice thing: The R2M/R2C combination allows for two of these master / controller connections in parallel. That means that you can have two masters being attached to their individual controller chains. That does not mean, that each of the masters can access each of the controllers at the same time, however. Both master / controller connections work completely separately.

Package contents:
* one R2M module
* one R2C module
* one Eurorack power cable for the R2C
* two 6-pin ribbon cables for connecting the R2M to two masters
* two 3.5 mm stereo TRS cables, approx.. 1.2 m
* 4 red M3 screws for mounting the two modules

Notes: The Cosmic ECHO is an analogue-sounding LoFi delay that will work with just about anything you plug into it.

The dark, lush, moody tones of the ever-popular PT2399 IC provide an out-of-this-world experience. Our take on this classic pedal pushes the chip's limits so you can explore all the gritty elements drifting at the edge of long delay rates. It already outperforms other bucket brigade style echoes, but just to be sure, we added 2 momentary switches, Zone and Warp.

Dark, rich sounds with the analogue vibe of a tape echo.

Uses the PT2399 IC, a bucket brigade style emulation. This IC has 16-bit sampling for 30-300 milliseconds. After that, the sample rate goes down in relation to the delay length. This results in artifacts and noise being introduced into the audio for weird, cosmic, psychedelic sounds.

Delay length: 30ms-1,250ms

3 knobs: Feedback, Mix and Rate. The Mix is a wet-only control that attenuates the amount of delayed signal in the signal chain. The Rate controls the number of repeats in an organic-sounding way.

Warp button: Momentary pushbutton switch that gives a bright, "small speaker" tone.

Zone button: Momentary pushbutton switch that introduces feedback into the circuit momentarily. Great for adding rhythmic feedback and other strange sounds. The Zone amount can be adjusted by an internal trim pot.

Pedal may have a slight volume drop.

Great for shoegaze, surf rock, ambient and experimental sounds.

Pedal uses a 125B case

Dimensions (L x W x H): 4 7/8" x 2 5/8" x 2 3/16" (124mm x 67mm x 56mm).

Takes a 9V battery or 9V centre negative 2.1mm barrel power supply (not included).

Notes: This filter is based on the classic 2600 from the seventies and uses the LM3900 Norton opamp chip.

It has an audio inputs, two CV ins and an audio out.

You can control audio input level, CV levels, frequency cutoff and resonance.

It has a beautiful sound and it can go from relatively clean to dirty and screamy depending on audio signal level and resonance.

Tech specs:

- 8HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 7mA , -12V 13mA

Notes: Bridging the worlds of overdrive, distortion, and fuzz in a sub-compact pico chassis!

The EHX Pico Triboro Bridge is a tri-mode drive box with a wide range of tonal possibilities. Featuring Overdrive, Distortion, and Fuzz modes, it bridges any gap in your gain. With a powerful EQ, input contouring, and a pico-sized footprint, the Triboro Bridge can be your tonal keystone or a welcome change from the routine drive.

Starting with Overdrive mode, the gain spectrum ranges from low to mid with an open voicing that can be used as a light always on drive or a solo boost. Engage the Triboro's Distortion mode for additional gain-staging for a tone from crunchy rhythms to fully saturated leads. Transform the pedal into something completely different with the Fuzz mode's over-the-top gain, Gate and Low Pass Filter.

The Triboro Bridge controls features Volume and Gain knobs to control the overall output and saturation of the tone. In Overdrive and Distortion modes, the Treble and Bass knobs act as a Baxandall EQ for simple yet effective tone shaping. In Fuzz mode the Treble knob is now the gate more, controlling the Fuzz's noise gate threshold, and the Bass knob controls a Low Pass Filter for extreme tonal variations. Additionally, the Triboro Bridge features an Input Contouring EQ which can be applied to your tone at the input, for a more modern, sculpted tone in all modes.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Vintage tape-style delay smaller than a cassette player!

Tape delay is loved for its warmth and charming imperfections compared to pristine digital delays. Their preamps could be pushed to saturation and, over time, the tape in vintage delay units would degrade causing a signature warble loved by many. These signature elements are captured and packed into Electro-Harmonix's Pico Rerun tape delay. Based off the tape delay algorithm found in the Canyon Delay & Looper, the Rerun gives vintage vibes with modern features.

The Rerun features a simple control set and tap tempo for ease of use in any situation. BLEND sets the wet/dry blend. DELAY adjusts the delay time from 8ms to 3s. SAT adds tape saturation and distortion for added crunch to only the wet signal, keeping your dry signal unaffected by the added distortion. FDBK sets the level of repeats from 1 to infinite for runaway oscillation. You can also press and hold the footswitch to engage infinite repeats in an instant. The FLUTTER mode switch toggles between low, medium, and heavy modulation effects ranging from slight chorusing to seasick thickness.

Tap Tempo is simple and easy to use. Just press and release the footswitch at least two times to set the tempo and the LED will blink to confirm your tap tempo. Additionally, the Rerun also features selectable Tails bypass allowing echoes to continue after putting the pedal into bypass.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Ultra-compact ambience featuring the spacious sounds of Spring, Plate and Hall Reverb!

The EHX Pico Oceans 3-Verb is an ultra-compact reverb pedal packed with the essentials of ambience with plenty of flexibility and control. This Pico-sized reverberator adds the huge sounds of Spring, Plate, and Hall reverb to any pedalboard while using minimal space. Adjustable decay time, pre-delay / spring length, and tone make the Oceans 3-verb able to create a plethora of spacious sounds.

SPRING - pays homage to the classic Fenderr 6G15 tube spring reverb
PLATE - the lush, warm reverb that got its name as it was originally created by a large metal plate
HALL - the rich reverberant sound of a grand concert hall

A comprehensive control set allows for tailored sound to any setup. BLEND adjusts from 100% dry to 100% wet. TIME controls the decay time of the reverb. DELAY/SPRING sets the pre-delay time in PLATE and HALL mode or selects between 3 springs lengths in SPRING mode. The TONE control adjusts the overall brightness of the reverb from bright and airy to warm and smoky.

Additionally, TAILS bypass can be selected so the reverb continues to decay after the pedal is switched to bypass. This allows for a more natural sounding decay when turn the reverb off. Infinite Reverb can be achieved by maxing out the TIME control in both PLATE or HALL mode or by pressing and holding the footswitch. This creates a building ambient soundscape until you release the footswitch.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Flexible digital delay in the world's smallest Canyon!

The EHX Pico Canyon Echo takes the digital delay from the award-winning Canyon Delay and Looper and plates it up as a single serving echo unit. Starting with a crystal clean delay, the Canyon Echo is a sweetly simple delay with 3 seconds of delay time. Don't let the size fool you, this canyon is deep! Add filtering, tap tempo, and a feedback knob capable of infinite repeats and this little echo is up to most time bending tasks.

The Canyon Echo features a BLEND knob to get the perfect wet/dry mix. The DELAY knob sets the delay time from 8ms to 3s. FEEDBACK is adjustable from 1 repeat to infinite repeats for endless delay washes and pads. Turn the FILTER knob past noon and it's a High Pass Filter while below noon it is a Low Pass Filter.

Tap Tempo is simple and easy to use. Just press and release the footswitch at least two times to set the tempo and the LED will blink to confirm your tap tempo. The tempo can then be subdivided from a quarter note to a dotted eight note to an eighth note with the TAP DIV button. Additionally, the Canyon Echo also features selectable Tails bypass so echoes continue after putting the pedal into bypass.

The Canyon Echo also features a new style of Infinite Repeats where a single delay is repeated and the input is taken out of the delay path. This makes the pedal function like a micro tape looper that can be played over without new delays being created. The micro loop can also be manipulated into warped sound effects by adjusting the DELAY knob.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Review: The Cocoon alphabet compilation is an always timely snapshot of the year in techno that was. It's well-curated by label head Sven Vath and always digs into several different sub-genres with a knowing skill. Now up to letter U, it is still going strong as we dive into everything from the soft and dreamy acid-laced deep techno delights of New Jackson's 'Acid Jackson' to the more bright and intense sounds of Jakob Reiter's 'Il Rotori'. Drumcomplex & Frank Sonic provide more epic peak time moments with 'Lacalute' and Space Dimension Controller's deft synth flourishes on 'Cold Tunings' make for a gorgeous high-speed techno trip.

Notes: Module A-105-2 is a voltage controlled low pass filter with 24dB/octave slope.

It is the successor of the A-105 which had to be discontinued because the obsolete SSM2044 filter circuit. The A-105-2 is based on the SSI2144 which is in turn the successor circuit of the SSM2044. The features of both modules are nearly the same. The main difference is the clearly reduced front panel width of the A-105-2 (4HP instead of 8HP) and the associated changes of the controls and sockets positions. In addition the A-105-2 is equipped with 2 audio inputs.

The module has these controls and in/outputs available:

Control Frequ: manual frequency control
Control FCV2: attenuator for the frequency control voltage applied to socket FCV2
Control Q: manual resonance control
Control QCV: attenuator for the resonance control voltage applied to socket QCV
Control Input 1 Level: attenuator for the audio input signal applied to socket Input 1
Socket Input 1: audio input 1 (with attenuator)
Socket Input 2: audio input 2 (without attenuator)
Socket FCV1: frequency control voltage 1 (without attenuator, about 1V/oct scale)
Socket FCV2: frequency control voltage 2 (with attenuator)
Socket QCV: resonance control voltage (with attenuator)
Socket Out: audio output
Technical notes:

Frequency range: about 15Hz ... 15 kHz
Resonance up to self oscillation
Max. input voltage at Input 2 without clipping/distortion: about 15Vpp
Max. output voltage without clipping/distortion: about 15Vpp
The signals of both inputs are mixed before they are processed by the filter. This saves an external mixer for small setups.
Depth: 45 mm

HP : 4

Notes: Module A-105-2V is a voltage controlled low pass filter with 24dB/octave slope.

It is the successor of the A-105 which had to be discontinued because the obsolete SSM2044 filter circuit. The A-105-2 is based on the SSI2144 which is in turn the successor circuit of the SSM2044. The features of both modules are nearly the same. The main difference is the clearly reduced front panel width of the A-105-2 (4HP instead of 8HP) and the associated changes of the controls and sockets positions. In addition the A-105-2 is equipped with 2 audio inputs.

The module has these controls and in/outputs available:

Control Frequ: manual frequency control
Control FCV2: attenuator for the frequency control voltage applied to socket FCV2
Control Q: manual resonance control
Control QCV: attenuator for the resonance control voltage applied to socket QCV
Control Input 1 Level: attenuator for the audio input signal applied to socket Input 1
Socket Input 1: audio input 1 (with attenuator)
Socket Input 2: audio input 2 (without attenuator)
Socket FCV1: frequency control voltage 1 (without attenuator, about 1V/oct scale)
Socket FCV2: frequency control voltage 2 (with attenuator)
Socket QCV: resonance control voltage (with attenuator)
Socket Out: audio output
Technical notes:

Frequency range: about 15Hz ... 15 kHz
Resonance up to self oscillation
Max. input voltage at Input 2 without clipping/distortion: about 15Vpp
Max. output voltage without clipping/distortion: about 15Vpp
The signals of both inputs are mixed before they are processed by the filter. This saves an external mixer for small setups.
Depth: 45 mm

HP : 4

Notes: Pont-Neuf is an adapeor module which converts between eurorack jacks (3,5mm / 1/8") jacks and banana plugs, providing a simple link between eurorack and Serge 4U systems. The module provides 8 bidirectional channels, is superslim and passive, i.e. does not require a power connection. It does provide a GND-banana-jack to establish a common ground between the systems.

Dimensions:
10 HP
24 mm deep