Search dance music

Notes: The SL MIXFACE is a complete controller device which combines style and simplicity with a powerful engine. Designed for mobility, you can bring it everywhere and use it in total freedom thanks to its hosting capability and auto-mapping of the main DAW apps.

Through its connectivity and the integrated batteries, it's a perfect portable device, which with a simple gesture becomes the best desk companion.

Press a button and switch the control from the DAW environment to your favourite instrument and vice versa. All the Transport functions are always ready to go, while you can edit any sound parameter of the instrument or mix the tracks of your song.

Connectivity:

The SL MIXFACE is able to host any keyboard turning it into a full 4 layers MIDI controller. Thanks to its connectivity ports it communicates with the computer as device by using Bluetooth and USB at the same time.

Extended capability:

The SL MIXFACE perfectly matches the SL controller line expanding its control capability. Thanks to the magnetic system it sticks on it becoming a natural physical controls extension. Simply plug MIXFACE to an SL keyboard and it gets the control of the 4 layers on the fly.

Notes: The module can record the joystick movement up to a length of over a minute. The sequence remains stored in the battery-backed RAM after switching off. When playing the sequence, it can be manipulated in speed and playback direction.

There is a FREEZE function to hold the current joystick position plus an external reset input. In addition, a GATE is set during movement and a CV voltage is output as a function of the joystick movement. The ranges of the X / Y output voltages are bipolar +/- 5v or unipolar from 0 to + 10v. Both channels X and Y have a passive attenuator potentiometer, so that the voltage range can also be set lower.

Notes: Mini version of Mackie's excellent ProFX mixer series. Two mono mic/line channels plus two stereo line input channels. Basic two-band EQ on the mono channels plus digital effects. Small but capable.

Supplier's notes:
The Mackie ProFX6 v3 6-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever. The new GigFX effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools First and Waveform OEM recording software/plugin packages are included.

Notes: Studio grade production - simplified.

Enter the world of studio-based recording with the AIR 192|4 Vocal Studio Pro- the ultimate all-in-one solution for computer recording projects. Combining the critically acclaimed AIR 192|4 interface, HDH40 headphones, a Nova Black condenser microphone, XLR cable and the premium AIR Series Software Suite, laying down vocal tracks, recording electric and acoustic instruments and adding voice-overs to multimedia projects has never been easier. With the AIR 192|4 Vocal Studio Pro, the combination of high-performance hardware and easy-to-use software results in pro-grade audio capture for every recording scenario.

Software included to match your style!

The AIR 192|4 Vocal Studio Pro comes complete with a software package that has everything to get you started making professional recordings right out of the box. With 2 powerful DAWs to suit your production needs, AIR 192|4 Vocal Studio Pro includes Pro Tools | First M-Audio Edition, and Ableton Live Lite.

We've also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we've got your effects needs covered with Eleven Lite, 20 effect plugins and AIR's Creative FX Collection. With the included AIR Virtual Instrument plugins, you'll have a virtual drum machine, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.

More than just an interface.

This is the creative center of your recording setup: The simple-to-use, style-infused AIR 192|4 audio interface is the perfect tool to record and produce natural-sounding 24-bit/192kHz studio-quality recordings. Combining one XLR+14" balanced combo input and an all-new dedicated 1/4" instrument input, the AIR 192|4 enables you to record two channels simultaneously.

Professional recording- done!

Studio-grade recording demands the right tools for the job. M-Audio's Nova Black large-diaphragm condenser microphone is perfect for podcasting applications or capturing high-quality audio from vocalists, instruments, percussion and more.

At the heart of the Nova Black microphone is an 18mm pure aluminum condenser capsule with a directional cardioid polar pattern. This delivers wide range frequency response (20-20kHz, resulting in a microphone that captures even the most subtle nuances).

Thanks to an included windscreen, a purpose-designed shock-mount for mounting to a traditional mic stand and an XLR cable, everything you need to get connected and start recording is included.

Hear every detail

Professional recording demands uncompromised accuracy when it comes to monitoring. M-Audio's HDH40 headphones combine premium transducer elements with a durable, rugged design to deliver superb sound reproduction and the outstanding acoustic isolation required in professional recording and monitoring environments. With the HDH40, you can concentrate on what's important- your production!

Specifiactions:

Minimum System Requirements

macOS: 10.8 Class Compliant
PC: Windows 7, Windows Driver
Standard USB 2.0 or USB-C Port

Nova Black microphone

Type: Back Electret condenser microphone
Element: 18 mm pure aluminium diaphragm capsule
Frequency response: 20 Hz - 20 kHz
Sensitivity: -38 dB (0 dB = 1 V/Pa @ 1 kHz)
Rated impedance: 200O
Maximum SPL: 136 dB
Phantom power required: +48 V
S/N ratio: 77 dB
Current consumption: 3 mA

HDH40 Headphones

Acoustic design: Dynamic, Closed
Driver: 40 mm, neodymium
Frequency response: 15 Hz - 22 kHz
Sensitivity: 95 dB i3 dB
Rated impedance: 32O
Earpad: Leatherette
Cable length: 9.8 ft. / 3 m

Mic Input 1 (balanced XLR)
Frequency response: 20 Hz - 20 kHz (+0.1 dB)
Dynamic range: 104 dB (A-weighted)
Signal-tio=noise ratio: 104 dB (+1.0 dBu, A-weighted)
THD+N: 0.003%
Preamp EIN: -128 dBu (max gain, 150 O source, A-weighted)
Max. input level: +1.5 dBu
Gain range: 55 dB

Line Input 1 (balanced 1/4" [6.35 mm] TRS)

Frequency response: 20 Hz - 20 kHz (+0.05 dB)
Signal-to-noise ratio: 101 dB (1 kHz, +4 dBu, A-weighted)
THD+N: 0.003%
Max. input level: 16 dBu
Gain range: 55 dB

Inst Input 2 (unbalanced 1/4" [6.35 mm] TS)

Frequency response: 20 Hz - 20 kHz (+0.05 dB)
Dynamic range: 100 dB (A-weighted)
Signal-to-noise ratio: 102 dB (+ 4 dBu, A-weighted)
THD+N: 0.004%
Max. input level: 6 dBu
Input impedance: 1 MO
Gain range: 24 dB

General:
Power: USB-bus-powered
Dimensions (Width X depth X height): 8.0" x 6.0" x 2.76" (20.42 cm x 15.24 cm x 7.0 cm)
Weight: 2.0 lbs. 0.9 kg

What's In The Box:

AIR 192|4
USB-C-to-USB-C Cable
USB-C-to-USB-A Cable
NOVA Black Microphone
Microphone Carrying Pouch
XLR Microphone Cable
Microphone Shock Mount
Microphone Windscreen
HDH40 Headphones
Software Download Cards
User Guide
Safety and Warranty Manual

Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative

Notes: Amp Academy Pedal

The Amp Academy is a complete valve amp modelling rig in a compact stomp box format. 3 storable scenes with 2 channels, selectable from 6 separate classic amplifier models. Each patch has Gain, Master and Boost for overdriven tones and 3-band EQ + Presence control. As with a real professional tube amp, there is an effects loop and internal rever effect. The addition of a noise gate helps to keep everything silent when no notes are played. Balanced or unbalanced outputs give flexible options for live performances via FRFR speakers, mixing console, or even for direct recording. All settings are fully editable via USB using the proprietary Amp Academy software and even self-made or third party IRs can be loaded for custom amp modelling. Next time you are carrying your heavy valve amplifier around, consider this incredibly flexible and pocket-sized alternative.

Power supply: 9Vdc, 100mA (min) pin-negative (not included)
Controls: Gain, Master, Boost, NR, Bass, Middle, Treble, Presence
Connections: Guitar in/out (6.3mm), Loop (6.3mm TRS), Aux (3.5mm), DI (XLR)
Dimensions: 115 x 105 x 58mm
Weight: 440g

Review: This triple pack box set from Craft Recordings takes a look at legendary jazz saxophonist Sonny Rollins and his run for Lester Koenig's revered Los Angeles label Go West. As well as presenting seminal albums Way Out West and Sonny Rollins and the Contemporary Leaders in full, this collection also presents six additional alternative takes from both album sessions, allowing listeners to hear the development of such iconic recordings as 'Come, Gone'. With additional liner notes from noted music historian Ashley Kahn and an interview with Rollins from 2021, this is an authoritative look at a true legend in the legacy of jazz.

Notes: A comprehensive solution for stereo signals in Eurorack, the Enhance 2 offers stereo and mid/side processing with tons of CV control. Balance, widen and sculpt frequency bands.

Supplier's Notes:
Moving from mono to stereo sound: a logical progression for any synthesist looking to expand their sonic palette. Making use of two audio channels, rather than just one, quite literally adds another dimension to the capabilities of a synthesiser.

Unfortunately, controlling stereo signals can be a challenge within a modular system. This realisation led to the development of Enhance 2: a convenient yet high-fidelity tool for stereo enhancement. It can be used to adjust balance, width and spectral content, while also opening up a world of mid/side processing; all under voltage control and in just 8 HP.

The primary stereo parameters are balance (moving the sound left or right) and width (making it narrower or wider). The balance circuit uses a true constant-power gain law, while the width stage allows for seamless transitions from pure mono to extra-wide stereo.

In addition, tone control is provided by a pair of unique, wide-ranging mid/side voltage controlled tilt filters with selectable corner frequency. These make 'cleaning up' a muddy-sounding mix straightforward, but also provide unique binaural effects when modulated.

Mid/side processing encodes the stereo signals into one containing only the mono material (mid), and another containing the differences between both channels (side). Apart from the internal tilt filters, mid/side outputs also enable external signal processing such as compression or reverberation. An integrated mid/side decoder returns the results back to standard stereo. And at all times, a LED bar phase meter ensures that phase correlation can be easily maintained.

Stereo field modulation, mid/side equalisation and beyond; Enhance 2 brings true analogue stereo control to the Eurorack world.

8 HP
+12: 70 mA, -12: 70 mA

Notes: The Zoom G2 Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
An external expression pedal can be used to control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2 Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

Zoom G2 Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been sampled at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historic guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2 Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones
The G2 Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, you set up the G2 Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2 Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).

Notes: ADDAC712 is a dual channel discrete gain staging amplifier, based on a famous discrete preamp board from the 70's used in some legendary equipment.

What was eye-catching was the character of its clipping and resulting saturation/distortion.

The module can be used with modular signals to add a distortion/fuzz character or as a preamp for an external source such as a line source, keyboard, guitar...

It's also a great side companion for our ADDAC711 Balanced Inputs.

At the top an On/Off [BYPASS] switch routes the signal into the Effect (Up: Active) or to the bottom output gain stage (Down: Bypassed).

The amount of amplification is set by the [GAIN] control, the maximum amount of amplification can be set by the user using the [MAX GAIN] trimmer.

Up to +/-5.5v the incoming signal will keep it's integrity, beyond this point saturation will start to increase.

At approx. +/-6v a hard clipping will start to occur, this clipping also has a particular quality that at extreme levels it drifts the audio 0v bias reference, moving it upwards which results are similar to a Gate effect.

In the middle, an x2 opamp based output gain stage with a clipping led, which monitors the clipping at the output, and an [OUTPUT] control to set the output volume.

Having the top and middle gain stages provides flexibility allowing the user to completely distort the signal on the top stage and tame it's output level with the second stage.

At the bottom, Input and Output for both channels (Left input is normalled into Right input).

Tech Specs:
6HP
4 cm deep
40mA +12V
40mA -12V

Notes: ADDAC714 is a dual channel soft clipping module.

Diode based passive clipping acts as a "brick wall" limiter with a fixed knee given by the inherent diode physics. A passive RC low pass circuit adds a 3.3KHz -3db low pass filter which sculpts the overall tone while also adding further character to the effect.

At the top an On/Off [BYPASS] switch routes the signal into the Effect (Up: Active) or to the bottom output gain stage (Down: Bypassed).

The amount of clipping is set by the [GAIN] control, it mostly works as a threshold control for how much clipping will be applied.
As more clipping is applied the signal's amplitude will also decrease, to compensate for this we set up a gain compensation stage to keep the output amplitude balanced across the Gain range.

Symmetry chooses between bipolar clipping or positive clipping, this relates to the harmonics generated, bipolar for odd and even harmonics (up position) and unipolar for odd harmonics only (down position).

At the second stage, an opamp based x2 output gain with a clipping led, which monitors the clipping at the output, and an [Output] control to set the output volume.

Having the top and middle gain stages provides flexibility allowing the user to completely distort the signal on the top stage and tame it's output level with the second stage.

At the bottom, Input jacks for both channels (Left input is normalled into Right input) and output jacks

Tech Specs:
6HP
4 cm deep
40mA +12V
40mA -12V40mA +12V
40mA -12V

Notes: 10HP Edges Clone with integrated midi interface and PSImidi which allows any TRS midi cable to be used.

MIDI Functionality:

MIDI Learn: Press this button and send a midi note. The device will use that channel as the base channel

MIDI Mode: This button cycles between two operational modes.

1. 4 single voices trigger on 4 midi channels starting on the base MIDI channel (i.e. base channel is channel 2 so the voices are mapped over channels 2, 3, 4, 5)

2. Simple Poly mode where each voice plays on a different note on the same midi channel

Note about MIDI and Gating: The gate is normalled OPEN by the Gate 1 input. This is by design but will also force the gate open when the device is triggered by midi. Placing a dummy jack will break the open normal the gate will trigger via MIDI normally

Notes: 8HP Tides version 2

Fully calibrated.

Notes: 8HP Tides version 2

Fully calibrated.

With LED Pots for the attenuverters.

Notes: This is 2 x opensource branches. The input of channel one is normalled to all other inputs so you can run this as 1 to 4, 2x 1 to 2, etc. Dual Color LEDs on sliders

Notes: 6HP Micromodule of MI Warps.

Notes: DJ Controller Case XDJ-RX3/RX2

Customized to hold the new Pioneer XDJ-RX3 or XDJ-RX2 DJ-Controller. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles and heavy duty butterfly latches, this case provides ultimate protection for mobile use on the road.

Fits

Pioneer XDJ-RX3
Pioneer XDJ-RX2

Specs

Outer measures: 80,5 x 53 x 20,5 cm
Inner measures: 72,5 x 37,4 x 7,5 cm (Controller-compartment)
Weight: 12,9 kg

Notes: With our WURM Distortion pedal, KMA Machines brought you a highly regarded, yet unabashed sonic love letter to the legendary filthy 'doom and gloom' distortion sound of the original Boss HM2 MIJ pedal, taking it much further and pushing the envelope of how destructive it could be.

Adorned in an iconic black and orange colour-scheme reminiscent of its inspiration, WURM 2 takes the essential ingredients of KMA's now classic pedal, adding the ability to switch between EQ settings right on the front of the pedal. In addition, we squeezed it into a smaller and more pedal board friendly enclosure with top mounted jacks, improved the electronics and enhanced it with relay-based silent switching, all helping to make WURM 2 a more flexible metal-distortion pedal than ever before.

Main Features:

High-Gain Metal Distortion pedal
Modern take of the classic and now sought-after original Boss HM2 MIJ
Wide range of metal-distortion tones from chainsaw, to plain evil and gritty
Highly configurable 4-band active EQ
3 distinct types of EQ frequency controls to tailor your tone now accessible on the front
Compact enclosure with top-mounted jacks will fit into any setup
True Bypass, with silent relay-based soft switching

Specifications:

Product Type:
High-Gain Distortion with Active 4-Band EQ

Bypass Type:
True Bypass

Power Supply Requirements:
9 V DC - Centre (-) negative 2.1mm

Current Draw (max):
>60 mA

Product Dimensions / Weight:
H: 60 mm / 2.36 inch
W: 74 mm / 2.91 inch
D: 128 mm / 5.04 inch
Weight: 350 g / 12.35 ounces

Calling a pedal legendary or a cult classic is often stretching the truth, but when it comes to the Boss HM-2 MIJ it's absolutely on the money. From its beyond brutal and grinding distortion tones, bands like Dismember and Entombed birthed Swedish chainsaw metal. While WURM 2 absolutely nails that death-metal sound, its thick walls of gain and sustain is not all about that genre the pedal is also adept for so many other styles, from Shoegaze to Prog Rock. To give you an idea, famous players like David Gilmour, Prince, Johnny Marr, Belinda Butcher, Lee Ranaldo, Daron Malakian and more have all made their mark with this style of distortion.

The TERROR control dials in all the malice and the evil distortion sounds you are searching for. Crank it up and feel the tremors of the WURM 2 under your feet, tremors that would even frighten the wits out of a young Chuck Norris!

EQ Section
Dead simple to operate, this tonally deep submergence vehicle offers three sub-octave settings to choose from.
These allow you to turn your guitar into a filthy bass guitar with ground shaking lows, alternatively adding extra depth to basses and mono synths alike. The toggle switch lets you select between either the first octave (-I), the second (-II) or mix both together (-I/-II) which gives you a thunderously massive wall of sound, it even changes colour depending on the mode.

EQ Style
For the WURM pedal, we developed our own EQ stack and added an internal EQ STYLE switch to help you carve out additional tonal variations. In WURM 2, this is now on the front of the pedal to make it easier to access and for even more tonal options on-the-fly. Selecting HM-II mode will get you that classic 'chainsaw' High-Mids character.
However, in KMA mode the EQ is a little more tonally balanced, less peaky and a bit wider in response. If balanced and less peaky sounds too boring for you, select BOTH to fatten and double up the tone stacking, letting you ramp up the LOWS and the H-MIDS and rip that Swedish forest completely to shreds!
With all of this extra tone shaping, the pedal can sometimes begin to feedback at extreme settings. So, if this proves too much and to help tame that high-frequency content, we added a new internal control to smoothen things out. By flipping the dip-switch to activate the input filter, this will help to tame the high frequencies when absolutely everything is maxed out.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, >60mA current draw)

Notes: Tape Echo is an echo and delay processor with 7 different types of simulation to recreate the sound of vintage echo units. In addition to classic tape echo simulation, the NDD-7 has a separate spring reverb effect, sound-on-sound (SOS) for operation as a 40 second looper, and up to 1600ms of delay. For authenticity, the NDD-7 also has Wow & Flutter settings and Saturation adds natural compression and degradation, which can even drive into self-oscillation, like a true tape echo. Two foot switches operate as effect on/off and tap tempo and they double as looper and display controls. Above the foot switches are Time, Repeat, Level and Reverb controls and 2-band EQ governs the tone of repeats. USB connectivity and MIDI compatibility give further possibilities for deep control and integration with DAW and project studio setups. A full vintage echo collection in a single compact pedal for those seeking the genuine retro echo sound.

Specifications:

Power supply: 9Vdc, 300mA (min) pin-negative (not included)
Controls: Time, Repeat, Level, Reverb, Bass, Treble, Select
Current consumption: <150mA
Sampling Frequency: 48kHz
Sampling format: 32-bit
Frequency response: 20Hz - 20kHz (-1dB)
Input impedance: 5M Ohms
Input level: 1.5V max
Output impedance: 100 Ohms
Output level: 1.5V max
Latency: 1ms
Dynamic range: 103dBu / 105dBu (A-weighted)
THD: +N0.0038% (1Vrms, 1kHz) / 0.01% (1Vrms, 1kHz)
Dimensions: 115 x 105 x 58mm

Notes: The uniK 05+ is the result of extensive development work performed in Germany, defining a new quality level in its class. With its new 5" kevlar low frequency driver and a new custom engineered and powerful high frequency magnetostatic tweeter, the uniK 05+ offers many improvements over our successful uniK 05 and will easily become an important part of your studio setup with its clear and strong sound image.

What makes uniK 05+ unique?

The uniK 05+ studio monitor offers true full range quality with extended low end in a small case and an entirely new signal processing and amplifier unit with a perfect order low-z and low noise design. Mos-Fet Bi-amplification ensures a high slew-rate and fast setting, featuring true analog vintage sound processing with LC-like gyrator technology for a stressless and silky sound.

A completely new feature is the unique one knob sound character adjustment from smooth to bright, allowing you to change parameters for every room and preference. The additional high resolution High and Low switches add additional control. And of course the uniK 05+ studio monitor features a real precision gain attenuator, instead of a simple volume control.

The new design of the crossover ensures an excellent phase response and safe power limitation, driving the woofer and tweeter in phase for optimal step response. The tweeter features a newly upgraded magnetostatic design with extremely low moving mass for extended frequency and fast transient response and high sound resolution. The matching woofer consists of a kevlar composite cone with high stiffness ensuring better piston motion and excellent low-end sound reproduction.

Another new feature is the flexible rubber feet with discrete height adjustment. They are not only helpful to reduce unwanted vibrations, but also allow you to tilt the speaker towards the precise listening point - a great feature for typical near field applications.

Other new special features that are not standard in this class are standby to save power consumption (can be disabled) and a ground lift switch.

And with it's copper color woofer cone and the high quality matte cabinet finish, it looks quite uniK, too!

ROOM ADJUSTMENTS

SIDE - TILT UP

SIDE - TILT DOWN


Features
Biamp 2-Way Powered Speaker System
Active Studio Monitor Speaker
HF Driver: extremely low mass magnetostactic tweeter F49 x 26 mm
LF Driver: 5" kevlar curved cone (magnetic shielding type)
Output Power: 80W (HF: 40W, LF: 40W), 110W AC consumption power
Frequency Response: 49Hz - 25kHz
Input Impedance: 27.2kOhm (balanced) / 13.6kOhm (unbalanced)
Crossover Point: 3.2kHz
SPL: 101dB, Peak 104dB
Input Connectors: XLR / TRS 1/4" combo connector, balanced / unbalanced
Gain Control: -14 .. 0dB .. +14
Room Adjustments Control: Character: -6 .. 0dB .. +6; Low: -5 .. 0dB .. +5; High: -5 .. 0dB .. +5
Rear Bass-Reflex ventilation, optimized for near field application
Ground lift switch
Standby function, can be turned on and off
Indicator: multi color LED on front panel, power on orange, standby red
Feet: 4 pieces rubberized, adjustable height separately
Working Voltage: AC100-240V 50/60Hz
Dimensions (W x H x D): 190 x 265 x 210mm
Weight: 4.4 kg

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Germanium Filter is Death By Audio's love letter to sticking a pencil in your speaker.

Start with a console-style drive circuit, add in a dash of obsolete germanium transistors and finish it off with a super intense DBA-style filter - BLAMO! You've got a sound heavy enough to crush on and sharp enough to slice a tomato.

The Filter control is extremely unconventional - it'll take you from bottomless, sub-woofered out lows to super searing and brittle highs, with a universe of tone in between. The Germanium Filter will help you find the sweet spot for your instrument in any situation - at a show, in the studio, or even stranded on the side of the highway after your tour van catches fire - hey, it happens!

The Gain knob starts with a dirty boost that then spans through saturated drive, spitting distortion, and a blistering fuzz tone. Get ready for your sound to be cranked up to infinity-and-a-half and captured on tape by the most incredible recording engineer you've ever heard - only there's no engineer and no studio. Just you, your guitar, your amp and the Germanium Filter.

Controls

Filter: Controls the frequency response of the pedal, featuring huge low end, scooped mids, and sharp, piercing highs.

Gain: Sweeps from mild overdrive to blasted-out fuzz. Very interactive with your guitar's volume control.

Volume (internal): Controls the overall output level of the pedal.

Specifications

Dimensions: 5" x 2.5" x 2.25" (including hardware).

Weight: 10.6 oz

Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).

Current Draw: 5 mA.

Notes: Lush analogue EQ switchable between tilt and Baxandall high-shelf configurations.

Perform a variety of mixing and sound design duties ranging from subtle brightness and clarity adjustments to low-end rumble removal, boosted low-pass filtering and sweep EQ.

In the default tilt mode, turning the control knob clockwise simultaneously boosts treble and cuts bass. Turning anti-clockwise boosts bass and cuts treble. These boosts and cuts are pivoted around the mid-range. With the control knob at 12 o'clock the frequency response is neutral.

With Baxandall high-shelf mode enabled, turning the control knob clockwise past 12 o'clock introduces and gentle high-shelf EQ weighted around the upper mid-range. Turning the control knob anti-clockwise results in a wide high-shelf cut with subtle bass and mid-range adjustments.

Patching the channels in series allows for radical sound shaping and band-pass responses. Each channel provides up to +/- 8db of low and high-frequency gain control, summing into a low noise output stage. Hot input signals over 15vpp are saturated by active Zener diode clipping.

Features

Precise voltage control of EQ tilt and shelf
Seamless switching between EQ modes
High-quality components used throughout

Specifications

Intellijel 1U format
Width 18HP
Depth 32mm
Power requirements ~60mA +12V/~58mA -12V
Control voltage range 0-8V
Impedance Input 100K / Output 1K

Notes: Simple, powerful and high-quality voice recording solution, ideal for interviews, videography and podcasting. Clip on the lavalier microphone and record directly into the tiny battery-powered unit in high-quality 32-bit float resolution.

Supplier's Notes:
Small Appearance, Big Impact.

Videographers love the Tascam DR-10L Pro portable recorder with clip-on microphone as an easy and unobtrusive solution for capturing audio for video. Combining the clip-on convenience of a lavalier microphone with an ultra-compact portable recorder, this form factor solves many of the problems content creators often face. It's a superior solution for busy events such as weddings and on-location film shoots.

While traditional wireless microphone systems can pose workflow concerns, the rock-solid performance of a Tascam wired lavalier recorder is proven and assured. Simple plug-and-go operation also makes the DR-10L Pro an easy backup system for your typical voice recording setup.

The DR-10L Pro's 32-bit float recording technology lets you capture a whisper, a scream and everything in between with impeccable fidelity, ultra-low noise and no need to fine-tune gain levels. Support for wireless timecode sync with Atomos products, the ability to wirelessly control up to five recorders from the app*, plus long battery life and generous storage capacity make the DR-10L Pro ideal for professional applications.

*optional AK-BT1 required for app control and wireless timecode sync

Ultra-compact and lightweight, the DR-10L Pro is the perfect solution when stealth is a priority. Fitting in the palm of your hand and weighing just 65 grams, this recorder is easy to hide at film shoots, weddings, stage performances, and other projects where invisibility is crucial.

The included belt clip attaches easily and securely to clothing, allowing you to capture great audio without compromising your talent.

Using the DR-10L Pro's standard 32-bit float recording mode, two analogue-to-digital converters (ADCs) capture sound over an enormous dynamic range without distortion or excessive noise. This means that videographers can avoid having to discard recordings due to poor levels. With 32-bit float resolution, there's no need to adjust input gain levels, so you can set up faster and be confident that you're recording excellent audio in every situation.

The included TM-10L microphone captures clear, detailed audio while handling high sound pressure levels without distortion, making it the perfect lav mic for 32-bit float recording with the the DR-10L Pro.

Whether you're recording people at a wedding reception, a busy convention or a lengthy ceremony, the DR-10L Pro is ready for service as long as you are. There's no need to worry about changing batteries during recording: the DR-10L Pro personal recorder runs on just two AAA batteries for up to 24.5 hours*.

In addition, files are saved on the microSD card approximately every 20 seconds during recording to minimise the risk of data loss due to unexpected power cuts.

*Lithium batteries

With the optional AK-BT1 Bluetooth dongle, up to five DR-10L Pro recorders can be controlled wirelessly from iOS, iPadOS and Android devices using the free DR-10L Pro CONNECT app. The app allows videographers to check device status*, view the recorded waveforms in real time and create up to five presets. A preset can be applied to a single recorder or to all controlled units at once. You can also use the app to name devices for easy identification, for example "Bride", "Groom", and so on.

With the optional AK-BT1 Bluetooth dongle, the DR-10L Pro is ready to wirelessly synchronise timecode with supported Atomos products. Timecode allows videographers to perfectly align audio with video, even when there is no audio on the camera.

Timecode is critical for videographers when dealing with multi-camera video shoots, saving valuable time in post-production.

*Audio monitoring via app is not supported

Whether you're in a dark environment or outdoors in the sun, the DR-10L Pro's highly visible OLED display lets you confirm settings at a glance.

You can check your battery level, recording status, and input levels directly from the display, and all advanced functions are just a few button presses away.

The DR-10L Pro lavalier recorder has a headphones output for easy monitoring. You can listen to the input before or during recording, and also check the quality of your recordings immediately without having to first transfer them to a computer.

The DR-10L Pro comes bundled with a free version of RX Elements, a groundbreaking audio repair and noise reduction tool from iZotope. RX Elements gives videographers powerful audio restoration capabilities that need to be heard to be believed, from seamlessly removing coughs and background noise to reducing wind roar and ambient noise. Live video shoots for weddings, on-location interviews, and documentaries can present countless post-production challenges, and RX Elements gives videographers the tools they need to overcome them.

Specifications

Storage media and file formats

Recording media: microSD card (64 MB - 2 GB), microSDHC card (4-32 GB), microSDXC card (64-512 GB)

Recording and playback formats:
WAV: mono/poly (BWF format), 44.1/48 kHz, 16-bit, 24-bit, 32-bit float
MP3: 44.1/48 kHz, 128/192 kbit/s (recording) 32-320 kbit/s (playback)

Analogue audio inputs and outputs
Microphone input: 3.5-mm mini TRS jack (with screw lock)
Maximum input level: -11 dBu
Gain range: 7.5-38 dB
Input impedance: +/-2 kO
Included microphone: TM-10L
Sensitivity: -42 dBV/Pa
Maximum sound pressure level: 115 dB SPL
Supply voltage: 2.3 V
Analogue output (Headphones jack): 3.5-mm mini stereo jack (dual mono audio output)
Maximum output power: 10 mW + 10 mW (THD =0.1 %, 32 O)

Audio performance
Frequency response (input to recorded data): 20 Hz - 20 kHz, +0/-1 dB
Distortion: 0.01 % (1 kHz, input level -21 dBV)
Dynamic range: +/-105 dB

Power supply and other specifications

Power supply
2 AAA batteries (alkaline, NiMH or lithium rechargeable, sold separately)
USB bus power from a computer

Power consumption (batteries): 0.3 W (maximum)
Current consumption (USB bus power): 0.1 A (maximum)
Dimensions (W × H × D): 53 mm × 51 mm × 21 mm (excluding protrusions)
Weight@ 65 g (with batteries), 43 g (without batteries)
Permissible operating temperature range: 0-40 -C

Battery operation time
Conditions: WAV recording at 48 kHz, 32-bit float, mic connected, headphones not connected, limiter off, mono file, continuous operation, in hours:minutes (JEITA CP-2905)
Alkaline battery (Evolta)
16:30: No Bluetooth connection
16:00: Bluetooth connection

NiMH battery (Eneloop)
11:30: No Bluetooth connection
10:30: Bluetooth connection

Lithium battery (Energizer Ultimate Lithium)

24:30: No Bluetooth connection
23:00: Bluetooth connection

Note: Operation times may vary depending on the recording media being used. Reduced battery life when using headphones.

Notes: Introducing a limited edition re-release of this iconic electronic instrument in a modular format.

This limited edition of 75 units is a tribute to the pioneering work of Dutch musician and instrument maker Michel Waiswisz (1949 - 2008), who first invented the Cracklebox with Geert Hamelberg in the late 1960s.

The Cracklebox was a small, handheld device designed as a way to explore new sonic territories. It was one of the first electronic musical instruments to use circuit bending techniques in the creation of electronic music. It allowed musicians to manipulate and control electronic circuits in real-time, creating a wide range of unique and experimental sounds. He used a circuit from a toy piano as the basis for the instrument, and then added a series of touch-sensitive pads that were connected to the circuit. When a player touched one of the pads, the circuit would be completed, producing a crackling sound.

The Cracklebox was probably the first commercially available portable self-powered alternative 'keyboard' analogue electronic instrument with inbuilt loudspeaker.

In the 1970s about 4000 Crackleboxes were built and sold by STEIM in Amsterdam.

Nowadays many people refer to the The Cracklebox as the archetype of 'glitch' or 'circuit bending'.

In the decades since its invention, the Cracklebox has continued to be an important and influential instrument in the world of electronic music. It is still in use today, and is considered a classic example of the potential of electronic music to create unique and innovative sounds.

This Eurorack recreation includes a 9v battery, swappable through the front panel, this allows to isolate the current flowing through the user's fingers from the Eurorack frame PSU, protecting the user from undesired electrical shocks. The internal speaker has been removed, a transformer has been used instead to isolate the output signal.

The output generated can be used as an audio, as a gate or a cv signal, when using it as a cv source, due to the specific qualities of the signal, users may want to send it through other modules as slews, sample and holds, quantizers to tame/control it's peculiar cv output.

Controls:

- The module features an on/off switch to turn off the 9v battery (remember to turn it off when you turn off your Eurorack system).
- A Power Starve knob, reduces the 9v voltage feeding the circuitry changing it's overall timbre/pitch
- An Output Gain knob to control the output volume.
- A Boost switch to add more presence to the signal.

Tech Specs:

12HP
5.5 cm deep
20mA +12V
20mA -12V
9v battery required

Notes: The Herzlich 4x4 Switched Passive Matrix Mixer is a fresh dose of hot old school synth flavor right into your signal chain - inspired by the Buchla and Synthi matrix mixers of yore, the Herzlich 4x4 Passive Switched Matrix Mixer will give you all the joys of an old school matrix mixer, and none of the pesky conveniences of a modern one!

Looking for a super clean, powered matrix mixer that will treat your signals with velvet gloves and behave with mind-numbingly boring predictability? Then you've taken a wrong turn, and instead of finding the pristine tedium you sought, you have uncovered a sleeping beast, an uncut diamond the size of a bell pepper and an all-red rainbow all in one. No power needed, and a super slim profile for even the shallowest skiff user.

The Switched Passive Matrix Mixer will set your heart ablaze with its glorious commitment to happy accidents and unapologetic jank. With absolutely no electronics to rein in the monster that resides in its circuitry, you will be delighted and shocked as you turn the knobs and click the switches, to find channels that bleed gently into each other, pots that alter channels other than their own, and switches that may take your desire to open and close them as suggestions rather than commands.

You'll think you've fallen asleep in the pale glow of your DAW and awoken to a nightmare at first, but very soon, you will discover it is a creative dream. Step into the shoes of the composers of yesteryear, and discover how your unintended accidents mixing CV or audio turn into beautiful and unexpected compositions. Find beauty in the strange interconnectedness of the switches and pots, as you try to brave and tame them. Reach synth transcendence with the psychedelic potential of passive matrix mixing, and open your heart to the multitudes of possibilities contained with the power of 70s circuit design.

Dimensions
20 HP
22 mm deep

Current Draw
Module does not draw current

Notes: The Erica Synths Envelope Generator 2 is a re-triggerable, looping envelope generator with some unconventional features that are very useful for experimental setups. What sets the Black EG2 apart from other envelope generators is its optional GATE LENGTH setting, which allows for generating full ADSR envelopes even if a short trigger is used at the input. Likewise, in LOOP mode, the module outputs a full ADSR envelope instead of a classical AD envelope. The gate length is both manual and CV controlled, which allows for using this envelope generator in compact modular setups controlled by trigger sequencers only.

SPECS:

Gate input level 3...10V
Envelope amplitude 0...10V
Attack time 0...7,4"
Decay time 0...19"
Sustain level 0...10V
Release time 0...17"
Gate length 0...3,7"
Panel width 8HP
Module depth 25mm
Power consumption 29mA@+12V, 33mA@-12V

LOOP/SINGLE

Select between SINGLE SHOT or LOOP modes. When the internal gate is o , the rise and fall times are set via the A and R knobs. When the internal gate is on, all knobs have an e ect on the envelope shape.

The LED gives visual feedback on the envelope state.
GATE ON
Engage the internal gate and you have a full ADSR envelope in loop mode and with a trigger applied to the trigger input in single mode.

G. LENGTH

Set the internal gate length manually

LENGTH CV

This is the internal gate length CV input.

The CV is added to the gate length potentiometer setting

GATE

This is the GATE input

A / D / S / R

These knobs adjust envelope stage times and sustain level

TRIGGER

This is the TRIGGER input. You can retrigger the envelope and start the attack stage again, even if the gate is still high (see Figure 1).

If you wish to use the envelope generator with an internal gate, patch the incoming trigger signal here. The internal gate is linked to the trigger input, not the gate input.

EG OUT

This is the envelope generator output.

Notes: The Erica Synths Black DADSR (Delay-Attack-Decay-Sustain-Release) is a fully analogue envelope generator that gives you extended control over events in your modular synth. It's a looping exponential envelope generator that has voltage control over each stage of the envelope. An independent Gate Delay section adds extra functionality to design advanced soundscapes, like delayed modulation e ects, wave morphing, etc.

SPECS:
Attack time (with max CV) 0...2,5" (4,4")
Decay time (with max CV) 0...5" (12")
Sustain level 0...10V
Release time (with max CV) 0...4,5" (10")
Gate delay time 0,7"
CV level (full sweep) -5V - +5V
Panel width 10HP
Module depth 30mm
Power consumption 42mA@+12V, 58mA@-12V


ATTACK
Set the attack time of the envelope

GATE
Patch the gate signal here to start the envelope. If nothing is patched here, the gate input is normalled to the gate

DELAY OUT
CV ATTENUATORS
These are CV attenuators for attack, sustain and release stages

SUSTAIN
Set the sustain level of the envelope

GATE DEL
Set the gate delay time

TRIGG
You can retrigger the envelope at any stage by applying trigger signal here. The trigger alone initiates an AD envelope instead of ADSR

DELAY OUT
This is the gate delay output. The gate delay section can be used independently to control other modules in your modular setup

D GATE
If you wish to use gate delay functionality, patch the gate signal here

BP OUT
This is the bipolar output - the CV here is centered against 0V and this output serves as an LFO

EG OUT
This is the envelope generator output

M. GATE
This is the manual gate button. A built in LED gives a visual reference of the output voltage

RELEASE
Set the release time of the envelope

DECAY
Set the decay time of the envelope

LOOP
This is a LOOP switch. When it's ON, the envelope generator outputs a signal for which the rise time is defined by the Attack setting and the fall time is defined by the Release knob setting.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Inspired by the legendary Moog CP3 mixer, the 713 tweaks the old-school discrete circuits into three stereo inputs and one mono channel, summing to stereo with adjustable feedback and clipping to add character.

Supplier's Notes:
ADDAC713 is the stereo version of ADDAC System's 703 Discrete Mixer.

Inspired by Moog's CP3 mixer, this is a fully discrete analogue mixer and it's not, by any means, your standard breakfast mixer, although it can behave like one.

This is a wolf in sheep's clothing. Despite its harmless looks there's a dark snarly soul behind that panel that wants to take your sounds into a realm of gritty gnarly growls.

This new version was initially thought of as a percussion mixer, with mono inputs and panning, to allow placing percussive voices in the stereo field, while keeping channel 4 in mono for low end sources like a kick drum or Bass. In the development process ADDAC System slightly changed this initial idea, adding stereo inputs for the first 3 channels, but still kept the 4th channel in mono.

All four [GAIN] controls go to extreme levels, the first 3channels also feature [PAN] controls. Feedback is used to overdrive the whole mix. As the control is turned clockwise the sound will be clipped harder until it goes completely off, this happens as feedback is increased the audio bias reference also moves up, at extreme levels it offsets the whole signal upwards until it completely goes above the top rail clipping the whole signal hence the resulting gate effect.

The [MASTER OUTPUT] sets the overall output gain of the mixer, the two leds monitor the audio output signal. The Soft clipping switch engages an anti-click circuit which adds a low pass before the output, the switch allows 3 states: Soft low pass / Off / Hard low pass.

Features:

Three channels with stereo inputs, gain and pan knob
One channel with mono input and gainknob
Feedback/gate knob
Master output volume knob
Soft clipping switch
Two Led Monitors for Left and Right channels

Tech Specs:

8HP
4cm deep
80mA +12V
80mA -12V

Notes: MiniFuse 4 is a next-gen 4in/4out audio & MIDI interface designed to transform your ideas into your art. Capture crystal-clear recordings, refine with pro-grade creative software, and get your sound out there.

The best software included

MiniFuse 4 comes with an exclusive selection of software titles offering everything you need to give your sound the professional edge. This isn't a bundle of fremium plugins or demos - this is the same exceptional software used by music and audio professionals worldwide.

Ableton Live Lite Compose, record, perform, and produce anything with an introduction to one of the most widely-used musical software titles in the business - yours with MiniFuse.

Analog Lab Intro Instantly add inspiring sounds from our award-winning keyboard emulations to your mix with hundreds of presets to explore, from vintage '80s synths to fat modern sounds.

Arturia FX
Colour your sound with 4 premium FX plugin recreations of studio classics; a lush plate reverb, a gritty analogue preamp, a classic tape echo, and a rich stereo chorus.

Auto-Tune Unlimited™ 3-months free subscription Refine your vocal parts for perfect harmony or go full trap-style autotune with a 3-month subscription to the industry's favourite voice tuning plugin.

Native Instruments GUITAR RIG 6 LE An inspiring selection of amps, cabs, delays, reverbs, stompboxes and compressors, so you can build your own processing chains and customize your perfect guitar tones. Splice Creator Plan 3-months free subscription Access millions of hi-def royalty-free samples, from lo-fi drum loops to punchy vocal one-shots, as well as synth sounds, Splice Skills tutorials, and much more.

MiniFuse 4 is built by audio creators, for audio creators. Expertly engineered to tick every box for whatever sound you want to make, this is one interface you can count on in every situation.

Creativity connected Your MiniFuse 4 is designed to be the hub of your sound setup. Connect up to 4 input sources at once with 2 combo inputs and 2 jack inputs; send, receive, and sync MIDI information with 5-pin DIN connections; connect extra USB devices like controllers or external drives with the USB hub socket; all connected via universal USB-C connectivity.

Simply the best sound For audiophiles, MiniFuse 4 delivers a 110db dynamic range and a class-leading equivalent input noise of -129dB. For everyone else, that means unbelievable sound quality that can compete with leading studios. Get the dynamics, clarity, and impact that your sound deserves.

Tough, portable design MiniFuse 4 is a desktop interface, but we know that inspiration can strike at any time. A compact and lightweight design with a rugged aluminium casing means you can take your sound with you - perfect for those last-minute sessions, quick deadlines, and spontaneous musical moments.

Fully operational

Whether you're using a laptop or desktop, MiniFuse can work for you. PC or Mac, connect it and enjoy total recording freedom. To keep things organized, the free MiniFuse Control Centre app lets you control its inputs, outputs, settings, and firmware updates in one place.

Who is it for?

For the musician Whether you're recording your band, your friends, or yourself, MiniFuse 4 can capture up to 4 instruments simultaneously with beautifully transparent low-latency sound.

For the producer The perfect companion for making beats, tweaking your final mix, or laying down ideas thanks to easy connectivity and a bundle of the finest creative software out there.

For the singer-songwriter Track your vocal ideas, capture your new favorite chord sequence, or nail that single-take intimate vibe with multiple inputs and plug-and-play recording.

For the podcaster MiniFuse pairs with up to 4 inputs of your choosing for ultra-clear voice recordings, captivating storytelling, and in-depth roundtable debates - make yourself heard.

For the content creator Easily capture voiceovers alongside in-app or in-game audio with MiniFuse's Loopback function, tailor-made for tutorials, unboxing videos, and game playthroughs.

Notes: With the T-10 NSE from Zomo you get a high quality flight case for the Technics SL-1210 MK7. The T-10 NSE in the appealing NSE edition impresses with its black look. This flightcase was developed to survive the rough DJ use without any problems and convinces with an extremely stable quality.

The extra strong, black lacquered aluminium profiles and very solid ball corners guarantee an absolutely high durability and provide noble and beautiful design accents. The practical inner padding of the T-10 NSE ensures optimal protection of the Technics DJ turntable against damage.

Abrasion and cigarette burns cannot harm the T-10 NSE, thanks to the solid, laminated 9mm plywood. Made for the rough DJ everyday life, the Zomo Flightcases are unrestricted tour-suitable and protect your valuable DJ equipment from damage, wetness or falls.

The Technics Equipment Case in the night black NSE Edition not only offers strong, professional quality, but also inspires with a modern look - without question an eye-catcher! The helpful butterfly snap locks ensure an extraordinarily stable fit of the cover and easy unlocking and locking. All NSE flightcases can also be locked with an optional lock for stronger protection.

Technical data

Suitable devices: 1x Technics SL-1210 MK2 / MK5 / MK7
Outer material: 9mm plywood
Color: Black NSE (Night Style Edition)
Weight: 8.68 kg
External dimensions: 517 (length) x 427 (width) x 224 (height) mm
** The devices pictured and/or mentioned in the photos are NOT included in the scope of delivery!

Suitable devices:

Technics SL-1210 MK2
Technics SL-1210 MK5
Technics SL-1210 MK7
Suitable brands: Technics

Laptop shelf included: No

Review: The Fallout videogames depict an alternate reality in which nuclear fallout has ravaged much of the US - its real-world settings like Nevada lends the series an urgent mystery. While the latest instalment, Fallout 76, was near-universally panned by critics, that hardly detracts from its soundtrack by Inon Zur, the franchise's in-house composer from the beginning. Zur crafts a sensitive, heartfelt and scenic LP through which it becomes possible to imagine the chance of a renewed world after the apocalypse, using our ears alone.

Notes: An 8hp version of the retired Mutable Instruments Grids. It is an identical functional clone, so it will behave in the same was as the full size version, and will run any firmware that runs on the full size version.