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Notes: The Spectral Multiband Resonator from 4ms Company is an innovative resonant filter which can process audio like a classic filter bank, ring like a marimba when plucked/struck, vocode, re-mix tracks, harmonize, output spectral data, quantize audio to scales, and much more...
A gorgeous ring of colored lights displays the frequency of each filter, as well as the levels and current scale selection(s).

At a glance, the SMR works like a normal six-band graphic EQ: six frequency band-pass filters are mixed together using sliders. Resonance/Q is variable, which changes the "ringy-ness" or width of the bands.

But here's where comparison stops. The frequency of each channel is treated like a note in a scale, and the six bands form a chord. Spin the Rotate knob and the "notes" circle around the scale, rotating back to the bottom once they've reached the top. Adjust Spread and the distance (interval) between each note changes. Triggers for up/down motion, CV inputs for sequencing and scale selection allow for flexible control with external modules. Morph, which automatically cross-fades between frequencies, together with variable Slew allows rhythmic clocks drive the SMR as a variable-speed evolving resonant filter.

At maximum Resonance/Q, the SMR can be struck like a gong or marimba by inputting clocks or triggers. The frequency of each channel is quantized to a scale: beautiful chords, ethereal tones and eerie ambiance flows easily. With lower resonance, the SMR can pull out particular frequency bands, and sweep these across the spectrum.

Two 1V/octave Frequency jacks allow for tracking even and/or odd bands and creating floating melodies over evolving chord bases, or complex percussive membrane sounds.

Save your settings into one of six storage banks, and recall on the fly. On startup, the SMR instantly jumps to the last saved settings. The color scheme of the lights can be adjusted, so if you prefer all white lights on your modular, you can have that (or all red, or rainbows, pastels, etc..)!

Advanced features:
- Program your own scale. The frequency of each of the 20 notes can be assigned by setting the octave, the semi-tone, and coarse and fine micro-tone. Up to 11 scales can be saved permanently in the user bank
- Adjust color scheme of the LEDs. Pick a pre-programmed color scheme or create your own using the sliders to set Red/Green/Blue values. Custom color schemes can be saved permanently
- Save your settings in one of six parameter banks. Note position, scale and bank selection, Q value, Lock settings and color scheme can be saved and recalled on the fly. On startup, the SMR loads settings from the last saved bank.
- Optional alternative filter type for a more exponential decay when plucked and different timbral qualities. Freq jacks no longer track 1V/oct in this mode.
- Slider LEDs can be assigned to display level for each channel (combination of slider position and CV on the jack), or clipping for each channel.

Notes: The Circadian Rhythms is moving modular synthesizer technology another step forward by gluing all the pieces of a system together. Each module or voice can now be programmed to play straight from an intelligent, eight-channel, 512-step master trigger sequencer made for composers looking to make music on the modular. Building on the sequencing concept of step programing multi-channel patterns of musical phrases can be repeated, looped, chained, muted and manipulated on the fly in real-time, and most importantly, all of this is done through a simple, clearly labeled interface. Using an array of multicolor illuminated buttons and innovative grid views provides a highly functional live performance sequencer with a beautiful glowing appearance of the programmed music that will look amazing on stage for both performer and crowd. As a master controller, the heart of the modular synthesizer, Circadian Rhythms generates high precision clock and reset signals for all the other sequencers and devices in the system to align with and can also act as a high precision bridge for DAW synchronization.

Views - Unlike most hardware sequencers that have a single static display of a timeline, Circadian Rhythms offers four different horizontal views of the timeline and two unique vertical views that scale from macro to micro. Switch between viewing 64 steps at once or all 8 channels side by side instantly. Stretch gates over multiple patterns to drive envelopes or use Zoom view to move a single hit back a few milliseconds in time to get the right feel all from the same interface.

LED Grid Built for Quick Access - Built around 72 buttons set as a multi-color illuminated 8x9 array, Circadian Rhythms displays both note data and settings in a clear and precise manner. It takes only one click to switch to vertical view and the grid turns into a set of programming and realtime playing functions like Mutes, Loops, Swing, Fills, Copy and Pate, Grouping, Randomizing, Manual trigger entry drum machine style and many many more. Activate any of those functions with only a button press or two.

Clock - Inside the CR ticks an extremely precise clock with jitter and latency measured in mere microseconds for the ultimate feel of groove. The four modes of clock sync make interfacing with other modules, hardware or software simple. Whether driving a large Eurorack system or synced to a DAW, the groove always remains tight.

SyncBus Technology - The Tiptop Audio designed SyncBus enables the CR to connect to any number of other SyncBus devices with the highest possible level of synchronization. A SyncBus master directly injects its core clock and running status into every connected unit so they work seamlessly as one device. Hook up two CRs to make a 16 channel device or add a Trigger Riot (or three) to the mix for further experimentation. Plus, the connection is done behind the panel so no need to patch anything together.

Under The Hood - When state of the art chip technology, musically driven firmware, and professionally engineered hardware design all come together in one electronic device, the result is a music sequencer with unparalleled specifications. Starting with a powerful, precise sequencing engine that has superb feel for the groove, add internal functions that automatically balance performance and smooth user interface operation, and finish with outstanding low power consumption placing minimal stress on power supplies even at maximum output, Circadian Rhythms has a design focused on the requirements of the most dedicated musicians and composers. Long time pros will immediately feel a machine made for their needs, while the newcomers can instantly dive into next level programming and performance.

Notes: Perfect for use with Ableton Live and Traktor, the Killamix-Mini is a compact USB controller housed in a sturdy brushed aluminium case with solid aluminium knobs. It is the perfect companion to your laptop, whether you are using a sequencer, DJ-ing or VJ-ing, just plug in the USB cable and go. Despite having only 9 knobs, 9 buttons and a joystick, the Killamix-Mini can in effect be 144 knobs,144 buttons and a joystick.

By pressing a single knob you can select any MIDI transmit channel from 1 to 9, or, with a combination of two knobs, select the remaining channels 10 to 16. When you select a new MIDI channel, the current values of the knobs for that channel are stored so that they can be restored when you next select this channel, thus avoiding any parameter jump difficulties typical of units with traditional knobs and faders.

When the values are restored, the LED rings around the knobs indicate their new positions.

Notes: Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

Mackie VLZ mixers are truly built like a tank. From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap around chassis and features like grime resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit inspired controls and high contrast knobs not only optimise your mixer's usability in low light scenarios, it also means your mixer looks as good as it performs.

Mackie's VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra compact 402VLZ4 for desktop applications to the tour friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs

Notes: Great value sub from one of the rising brands in the studio monitor market. 10-inch speaker design reproduces frequencies all the way down to 20 Hz for precise monitoring of bass.

Supplier's notes:
To hear what's really going on at the bottom of your mixes, you need a subwoofer that speaks the truth. The Temblor T10 lets you take charge of the low-frequency foundation of your mix with a combination of quality components and design, plenty of inputs and outputs, and extensive user controls not normally available in this price range.

An ideal companion to Eris and Sceptre active reference monitors, the T10 complements full-range monitors without overshadowing them, extending the reach of your full-range system's low end with a musical and natural approach.
Powerful and musical, Temblor features high-quality components and design that enable it to deliver fast and accurate transient response, extending low frequencies without a hint of "tubbiness" or overshoot.

The Temblor T10 is an active subwoofer with a 10-inch glass-composite driver, built-in crossover, high-temperature voice coil, and damped rubber surround. Its cabinet features a front-firing, bass-reflex acoustic port and optimized, resonance-suppressing internal bracing. The enclosure has integrated rubber feet for stable placement.

In addition to outstanding accuracy and a frequency response that ranges from 20 Hz to 130 Hz, this combination of features enables the subwoofer to produce higher volume - up to 113 dB SPL - with less power than a sealed-box design. But make no mistake; the T10 has plenty of juice: 250 watts of Class AB power.

The result is a subwoofer that delivers accurate, tight low end and outperforms subs costing far more. With Temblor T10, you hear what the foundation of your mix really sounds like so you can produce your best mix from top to bottom.

The T10 provides more user controls than any other subwoofer in its class, enabling seamless integration into your listening environment.

The Temblor T10's extensive user controls include input gain (-30 dB to +6 dB, continuously variable) and a continuously variable low-pass filter (50 Hz to 130 Hz) that let you create a seamless crossover transition between your full-range studio monitors and subwoofer for a more accurate listening environment.

A switchable high-pass filter removes frequency content below 80 Hz from the full-range signal sent from the T10 outputs to the main monitors, avoiding destructive cancellation and reinforcement in the T10's upper range.
The result is a subwoofer that can be adjusted to perfectly complement not only our Sceptre CoActual and Eris active studio monitors but virtually any studio monitor.

The T10 also features a momentary footswitch (included) that bypasses the subwoofer, high-pass filter, and Sub Out. This allows your audio source signal to pass directly through the Temblor T10 to the full-range studio monitors, making comparing your mix with or without sub frequencies quick and easy. This helps to ensure your mix will sound good on a wide variety of systems.

Of course, we didn't forget the "small things" that can make a big difference: polarity invert and a ground-lift switch.

No other subwoofer anywhere close to the Temblor T10's price range offers a comparable selection of inputs and outputs.

The Temblor T10 provides a choice of three input pairs: two sets of balanced inputs (XLR and 1/4" TRS) and one pair of RCA unbalanced inputs. Pairs of inputs are provided in order to accept a stereo signal from your audio source.
When both of the balanced connections are in use, the TRS inputs will take precedence over the XLR inputs. The RCA inputs will sum into either balanced connection.

You get two pairs of balanced outputs: XLR and 1/4" TRS. The full-range signal connected to the stereo inputs on the T10 is passed through to these outputs so you can connect them to your main left and right studio monitors. If the High Pass Filter switch is engaged, frequencies below 80 Hz are not sent from these outputs.

The T10 also has a balanced XLR output that sends the low-frequency signal from the low-pass filter to a second Temblor T10 for the ultimate in smooth low end.

Notes: Vintage and more.

With its unmistakably unique exterior and its inimitable sound, the microKorg set the standard for analog modeling synthesizers. The year 2008 saw the introduction of the microKorg XL, which inherited the microKorg's fat and powerful sounds, while adding keyboard staples such as electric piano and the CX-3 organ. And now, in the next evolutionary step, the microKorg XL+ delivers a fresh update to the sounds and design of the microKorg XL, making it the ideal compact keyboard.

The microKORG XL featured a sound selector that lets you choose your sound using 2 large dials: music genre and instrument category. The new microKORG XL+ offers an additional selection of these music genres to fit today's fast-moving music scene. Now you can select a program that matches your song more intuitively than ever. For even more convenience, you can also leave one of the dials fixed and only use the other dial to make program changes during a song (music genre fixed), or use the dial to select vocoder variations (instrument category fixed).

Lush analog modeled synthesizer sounds that are characteristic of the microKORG have been freshly added to the microKORG XL+. In addition, for band use, the microKORG XL+ comes equipped with the piano sound from Korg's classic stage piano, the SGproX (famous for its ability to stand out in your band's mix), as well as its hard-edged grand-type electric piano. This compact package also includes sounds from the M1 and the VOX organ, vintage tape-type string and flute machines, as well as other gorgeous sounds from keyboard history. Each of these 128 programs are genuinely usable sounds, giving the microKORG XL+ plenty of variety to serve as your main keyboard or of course as a secondary keyboard in your rig.

The microKORG XL+ projects a style that's reminiscent of vintage electric pianos, featuring a futuristic yet retro design with a stylish black panel. High-quality parts such as metal levers, dials that move with an audible click, and knobs with a sturdy operating feel are some of the ways that the microKORG XL+ outclasses other instruments in its range and enhances your experience editing synthesizer sounds.

The microKORG XL+'s sound engine uses MMT (Multiple Modeling Technology), borrowing from Korg's well proven wealth of analog modeling technology. The MMT sound engine has been featured on numerous products, and provides 2 oscillators that generate huge powerful sounds. Oscillator 1 (OSC1) gives you a total of 7 types of oscillator algorithm to choose from, including formant waveforms such as human voice, and PCM/DWGS waveforms for vintage keyboard and strings. It also lets you use techniques that cannot be imitated on typical PCM synthesizers, such as cross modulation, unison, and VPM (Variable Phase Modulation). By taking advantage of modulation (sync or ring) with oscillator 2 (OSC2), it's easy to create complex and powerful sounds.

The microKORG XL+ can function as a powerful vocoder that lets you connect a mic and use its audio input to shape the tonal character of the oscillator's sound to create talking effects. The vocoder consists of a 16-band filter bank that can simulate the vocoder sounds of the past and also shift the filter frequencies (Format Shift function) or adjust the level and pan of each band to dramatically change the sonic character. Using the Vocoder is an easy way to add sounds that can be found in today's popular electronic music. Since a gooseneck microphone is included, you can immediately start using thevocoder in your songs.

2 master effects utilize the effect engine that was brought to perfection in Korg's Kaoss Pad series, giving you a total of 17 powerful effect types including delay and echo effects as well as dramatic effects such as ring modulator and grain shifter. In addition, effects such as delay can be synchronized to MIDI clock for a wide range of possibilities in live performance.

Notes: The uniK 05+ is the result of extensive development work performed in Germany, defining a new quality level in its class. With its new 5" kevlar low frequency driver and a new custom engineered and powerful high frequency magnetostatic tweeter, the uniK 05+ offers many improvements over our successful uniK 05 and will easily become an important part of your studio setup with its clear and strong sound image.

What makes uniK 05+ unique?

The uniK 05+ studio monitor offers true full range quality with extended low end in a small case and an entirely new signal processing and amplifier unit with a perfect order low-z and low noise design. Mos-Fet Bi-amplification ensures a high slew-rate and fast setting, featuring true analog vintage sound processing with LC-like gyrator technology for a stressless and silky sound.

A completely new feature is the unique one knob sound character adjustment from smooth to bright, allowing you to change parameters for every room and preference. The additional high resolution High and Low switches add additional control. And of course the uniK 05+ studio monitor features a real precision gain attenuator, instead of a simple volume control.

The new design of the crossover ensures an excellent phase response and safe power limitation, driving the woofer and tweeter in phase for optimal step response. The tweeter features a newly upgraded magnetostatic design with extremely low moving mass for extended frequency and fast transient response and high sound resolution. The matching woofer consists of a kevlar composite cone with high stiffness ensuring better piston motion and excellent low-end sound reproduction.

Another new feature is the flexible rubber feet with discrete height adjustment. They are not only helpful to reduce unwanted vibrations, but also allow you to tilt the speaker towards the precise listening point - a great feature for typical near field applications.

Other new special features that are not standard in this class are standby to save power consumption (can be disabled) and a ground lift switch.

And with its copper colour woofer cone and the high quality matte cabinet finish, it looks quite uniK, too!

Notes: The Pro VLA II is a tube driven Vactrol-based compressor/leveling amplifier designed to excel in any professional audio environment. Superior performance and an incredible tone makes the Pro VLA II and indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio.

Capable of delivering a far more musical natural sounding and sonically transparent compression than competitive units in its class, the Pro VLA II uses an Opto-electronic circuit rather than the more typical design VCA driven level detection circuit. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro-VLA II the ideal dynamic control device for critical audio applications.

Exceptional signal integrity with extremely low noise and low distortion is achieved in the Pro VLA II by utilizing a transformerless design throughout.

Unlike typical compression units that use Voltage Controlled Amplifiers (VCA's) to handle level detection, the Pro VLA II's Opto-electronic design allows a far more transparent and musical sounding compression without sounding aggressive or un-natural. This Vactrol based optical electronic circuitry is the basic component of the classic highly sought after compressors of past.

The Vactrol design allows the Pro VLA II to react to audio signal in much the same way the eye naturally adjusts to fluctuations in light levels, smoothly, quietly and almost imperceptibly.

The Pro VLA II is a soft knee leveling amplifier by design. Although capable of providing dramatic compression effects, the Pro VLA II was designed to excel in any application where transparent, expressively musical dynamics control is desired.

Large highly visible backlit analog VU meters accurately display input and output levels while extremely fast 10-segment LED's display gain reduction. For added functionality, the LED's display either average level for mastering & mixing applications or peak hold for monitoring individual sources when tracking audio.

XLR and 1/4" TRS balanced inputs and outputs are provided to ensure the Pro VLA II can connect with any audio source or hardware. A +4 dBu/-10 dBu mode switch optimizes the Pro VLA II I/O for either consumer or professional equipment.

Notes: The Yamaha MG16 Analogue Mixer. Road Tough. Studio Ready.

The Yamaha MG16 is part of the third generation of renowned MG Series mixers. These compact mixing desks focus on giving you high quality sound for a wide variety of mixing environments. The Yamaha MG16 has the same mic pre amps as their high-end pro mixers. The new MG Series provides serious quality with the reliability and performance capabilities the series is known for.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.

With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Notes: The Theremini is a reimagination of one of the oldest electronic musical instruments, and Bob Moog's first love - the Theremin. Its design fuses the experience of playing an instrument you don't actually touch, with a powerful sound engine derived from Moog's award winning synthesizer, Animoog. The Theremini guarantees immediate success to anyone at any skill level or physical ability, while also providing new ways to experiment with music, education, and gestural control.

Assistive pitch correction allows each player to adjust the instrument's level of playing difficulty. When activated the Theremini will play every note in a selected scale perfectly, making it impossible to play a wrong note. As the assistive pitch correction is decreased, more expressive control of pitch and vibrato becomes possible. When deactivated, the Theremini will perform as a traditional Theremin and there is absolutely no pitch correction.

A built-in tuner supplies real-time visual feedback of each note as it is played, as well as its proximity to perfection. This is useful for correcting a user's playing position, and for educating younger players about pitch and scales.

The Presets section of the Theremini allows you to select from 32 wave or wavetable-based presets, store a selected scale, set and recall a specified playing range, and specify settings for the included stereo delay and more.

Recessed in the top of the Theremini is a compact speaker perfect for private rehearsal and quick setup anywhere. Silent rehearsal is also possible via the front panel headphone jack. Simply plug in ear-buds or headphones and the built-in speaker becomes silent.

For live performance and gestural control, the rear panel of the Theremini features stereo line level audio outputs, a Pitch CV output with selectable range, and a mini USB jack for MIDI connectivity to the free Theremini Mac / Windows software editor and Theremini iPad editor.

Specifications

Pitch detection: Heterodyning analogue oscillator
Synthesis engine: Animoog-derived wavetable
Presets: 32
Display: 128 x 64 pixel backlit LCD
Internal speaker: 2-inch, full-range
Headphone jack: 1/8" (3.5mm) TRS headphone jack
Audio outputs: 1/4"TS Mono/Stereo; Line Level

Notes: All the modulation effects you could dream of in a compact pedal. Chorus, Phaser, Tremolo, Vibe, Rotary and Filter programs give you plenty of sonic options with nice tweakability and superb sound quality.

Supplier's Notes:
The M1 is a powerful multi-function modulation machine with six customized, studio-quality programs: Chorus, Phaser, Tremolo, Vibe, Rotary, and Filter. Each program has a wealth of options to tune, tweak, customize and then save to one of nine onboard presets. A sound explorers delight, the M1 features a dedicated lo-fi knob allowing you to mix various lo-fi parameters to every program. Add subtle movement and texture to float under your playing or make a massive statement with a thick swirling chorus to choppy panning tremolo. Write your sonic story in any style and genre with the M1 High-Fidelity Modulation Machine.

Programs

Chorus - Find subtle chorus to be vibrant and lush tri-chorus that will instantly teleport you to the 80s. Type I is a traditional chorus great for tight smooth chorus tones. Type II adds a second chorus with an offset rate and depth. Thanks to the constructive interface, it has a more dramatic character caused by essentially running two chorus pedals in series. Type III finds its roots in the classic tri-chorus effect running three chorus units in parallel for a lush multi-dimensional chorus.
X knob controls Lag to set the maximum allowed amount of pitch detuning.

Phaser -Classic 70s phaser sounds we all know and love, with added features that you wouldn't expect. Similar to the Lillian, Type I is a 2-Stage Phaser that produces a single notch to the classic mild phaser. Type II is a 4-Stage model producing 2 notches for a stronger effect. Type III is a phaser modeled after the unique tuning and LFO shape found in a Uni-Vibe.

X knob introduces Feedback for a more dramatic phaser effect.

Tremolo - This program emulates a tremolo with three algorithms containing all the bells, whistles, and even a cherry on top. Type I is excellent for traditional sounds similar to optical and bias tremolos that raise and lower the entire frequency range - similar to the Monument in standard mode. Type II is a warm and cozy harmonic tremolo - similar to the Monument in harmonic mode. This unique sound is formed by raising and lowering your high and low frequencies opposite each other. Type III offers several predefined patterns for rhythmic sequenced pulsing tremolo. X knob manipulates the phase of the left and right volume modulation for a wide stereo panning effect. Shape and Symmetry in Type III (pattern Trem) select the pattern group and patterns within each group.

Vibrato - Make good parts great with detuned, warbly, and vintage sounds that harken back to the 60s. Type I focuses on traditional vibrato sounds like those found in Julia and Julianna's "V" mode. Old record players inspire type II with classic RPM's on the rate knob and some noise character you'd find in your dad's old dusty Speedwagon LPs. The rate knob can select 33rpm, 45rpm, and 78rpm speeds in this mode. Type III is our take on the wow and flutter pitch characters found in old tape players. Warm and charming with a hint of nostalgia. X knob manipulates the phase of the pitch modulation when connected with stereo outs in Type I and Type II and controls the amount of "flutter" modulation applied in Type III.

Rotary - Because you can't fit a Leslie speaker on your pedalboard, type I aims for that traditional watery sound of a well-oiled Leslie speaker. Type II only spins the horn but still plays the sound out of the drum. Type III only spins the drum but still plays sound from the horn. X knob controls the drive of the horn.

Filter - Add tone-shaping movement to your signal with different modulated filters. Type I is a lowpass filter good for modulated darker tones. Type II is a highpass filter used to creatively modulate your low frequencies. Type III is a bandpass filter forming a sliding "window" of frequencies. Drive the filter frequency with the main LFO or do things like set the depth to zero and turn up the LO-FI envelope control to drive the filter frequency with your playing dynamics.

X knob controls filter resonance, bringing a more aggressive sound to the selected filter.

Tone controls the filter's center frequency or starting frequency where the modulation is applied.

Specs:

The M1 comes in a dark blue finish with red, orange, cream, gold, green, purple and blue ink.
The enclosure's exact size with knobs is 4.9" x 2.52" x 2.64". Power requirements are 9VDC (300mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.
USB firmware updates can be done via www.walrusaudio.io

Notes: Evolved version of Maneco's drone synth uses an oscillator based on equations, a Korg MS20-inspired filter and built-in reverb. Check out the Grone Expander for added touch-sensitive controls.

Supplier's Notes:
Dark Drone Machine

Generates sound based on equations converted to analog signals, there are sixteen equations selected by Up and Down switches. Four LEDs indicate equation number in binary mode. Three Pots modify numbers used by the equation, A0, A1 and A2, fourth pot Sample Rate controls pitch and speed of the oscillation. There's an Output Level pot for the oscillator and a dedicated jack for patching the Oscillator sound to external modules.

NOISEGENERATOR:

White noise with noise level pot and noise output jack.

VCF:

MS20 resonant low pass filter, with CUT frequency pot control, RESONANCE, MODULATION1 amount pot, input and output jacks and second cv input for cutoff, labeled MOD2

LFO1:

Low frequency oscillator routed to MOD1 from VCF, RATE and WAVEFORM shape Pots.

Also routed to delay block1

Waveforms are: ramp up, ramp down, square, triangle, sine, sweep, random levels, random slopes

EffectsSection:

Delay with tap tempo and reverse component: controls for delay time, delay feedback, delay level and reverse component, tap tempo input jack for external control

Reverb with freeze button, controls for reverb level and reverb decay, input jack for freeze function

Notes: Very nice old-school vocoder for Eurorack, featuring a built-in mic pre-amp and full 10-band patch bay. Internal VCO and straightforward control setup help simplify operation.

Supplier's Notes:
The VXC-2220 is an 10-band analogue vocoder with patch-bay for each individual filter section. VXC-2220 vocoder is based on the iconic classics 222 vocoder. For stand alone usage the VXC-2220 is equipped with an internal oscillator generating saw and pulse waves form C1 to C6. A simple and efficient vocoder.

Specifications

Microphone input for speech signal
Line input for speech signal
Line input for carrier signal
Input level control for speech and carrier signal
Output level control
Line output
10-Band analyzer outputs
10-Band synthesizer input
Internal VCO (1 semi-nut step size);
* Saw wave (C1 - C6)
* 3x 10% Pulse wave (C1+C2+C3 - C4+C5+C6 )
* White noise
- Synthesis for 's' and 't' sounds
- Feed-trough level control for speech and carrier channel
- Bypass switch
- 10pin power connector (+/-12V)

Dimensions:
(36HP) 128,5×182.5mm (depth: ca. 35mm incl. power connector)

Power Consumption:
+12V = 125mA
-12V = -125mA

Notes: Versatile CV processing with eight inputs and eight outputs, programmable via a text file on an SD card. Can work as an envelope generator, melody sequencer, clock divider and much much more.

Supplier's Notes:
The DROID is a very flexible generic CV processor. It has 8 CV inputs and 8 CV outputs, all ranging from -10V to +10V. The DROID can do almost any CV task you can imagine, such as sequencing, melody generation, slew limiting, quantizing, switching, mixing, working on clocks and triggers, creating envelopes and LFO or other fancy voltages, or any combination of these at the same time. While doing this, is very precise both in voltage and in timing.

Now you can attach several different DROID controller modules in order to get direct hands on access to all parameters and values of these patches.

You tell your DROID what to do by means of a simple text file called "DROID patch". That file is be named droid.ini and is located on a micro SD card. No special software is required for writing that file. A simple text editor running on Windows, Linux, Mac or any other device will suffice. DROID patching is not programming, it's just a simple configuration file.

The building blocks of a DROID patch are called circuits. Every type of circuit performs some basic task. Just like a Eurorack module each ciruit has inputs and outputs. You can wire these either directly to the eight inputs and out or even connect them internally. Every parameter can be CV controlled. You can attach up to 16 controllers. Controllers have faders, buttons and potentiometers and allow you to map assign to any parameter or function you like. This gives you direct control over your DROID patch and allows you to create you own instrument.

Here are a few examples of what your DROID can be for you. As long as you do not run out of inputs and outputs you can implement as many of these functions at the same time in one DROID. You also can connect them together internally.

Envelope generator
Melody sequencer
Trigger sequencer
Random / Pseudo random melody or trigger generator
Precision adder
Slew limiter
Clock divider and multiplier
Logic gate
CV looper
Sample and hold
Euclidean rhythms generator
Quantizer
Addressable and clockable CV switch
CV mixing and routing matrix
LFO
Bernoulli gate
Mathematical operator
... and many many more
You can use these circuits either directly - just like normal Eurorack modules - or combine them internally in order to implement more complex functions. Then you can assign pots and buttons of your controllers for switching, tuning and live performing with these. Basically you can transform your Eurorack modular system into your own custom instrument. Or you simply use the DROID as a replacement for several utility modules, because it is very space efficient.

Expanders:

The P2B8 is a controller with two pots and eight buttons - for free assigment. You can attach up to 16 of these to one Master.
The P10 is a controller with two large and 8 small pots.
The G8 is an expander with 8 additional gate inputs / outputs.
The X7 gives full MIDI connectivity via DIN and USB, also remote access to the SD card
Further expanders are under development

Dimensions
8 HP
40 mm deep

Current Draw
154 mA +12V
15 mA -12V
0 mA 5V

Notes: Dark Drone Generator

Maneco Labs Grone eurorack version of Dark drones.

Generator Blocks description:

Drone VCO: Generates sound based on equations converted to analog signals , there are sixteen equations selected by Up and Down switches. Four leds indicate equation number in binary mode. Three Pots modify numbers used by the equation, A0 , A1 and A2 , fourth pot Sample Rate controls pitch and speed of the oscillation. There's an Output Level pot for the oscillator and a dedicated jack for patching the Oscillator sound to external modules.

NOISE GENERATOR: White noise with noise level pot and noise output jack.

VCF: MS20 resonant low pass filter, with CUT frequency pot control, RESONANCE

MODULATION 1: amount pot , input and output jacks and second cv input for cut off , labeled MOD2

LFO: Low frequency oscillator routed to MOD1 from VCF , RATE and WAVEFORM shape pots.

Waveforms are : ramp up, ramp down, square, triangle, sine , sweep, random levels, random slopes.

CLOUDS: based on MUTABLE INSTRUMENTS eurorack module , with parasites firmware ,same controls from MI : Input gain, position, size, density, pitch, texture, blend, switches for blend parameter and load/save, freeze control with indicator led, same display as MI original,Dedicated audio input jack (mono) stereo output and control inputs for V/OCT and TRIGGER.

Drone, Noise, Filter, with LFO incl. a Clouds

Notes: A fresh take on granular processing with this stereo DSP module. Grain delay, texturising and freezing with plenty of hands-on control and modulation via CV, gates and triggers. Versatile.

Supplier's Notes:
Melotus Versio is a stereo texturizer that uses granular processing to transform and reshape sound.

Designed to be played by hand or manipulated within a patch, Melotus is everything from a grain delay to a completely transformative texturizer with grain control and manipulation of triggering, direction, and randomness.

Filter audio with a lowpass/highpass combo filter that adds haunting shimmers and subharmonics. Freeze grains by hand or with triggers and gates, or clock them to create rhythmic effects.

Plus, Melotus Versio is part of the Versio DSP platform: transform it into a completely different effect by loading a growing number of alternate firmwares, completely free - or develop your own firmware with our open-source documentation.

Notes: From one of the most iconic names in modular synthesis, the Variable Bandwidth Filter is a unique design, combining two state-variable VCFs with extensive CV control for clean, versatile filtering.

Supplier's Notes:
The Serge Variable Bandwidth Filter (VCF2) is probably the rarest classic filter in the Serge system, offering a unique combination of 2 filters. According to the 1983 Serge catalogue, the Variable Bandwidth VCF (VCF2) "has a band-pass output which can be varied manually or with voltage control. This is a standard response synthesizer VCF, typical to filters used in many studio systems. In the VCF2, two state-variable VCF's are connected in series to produce a total of five outputs. High pass, low pass, two fixed bandwidth outputs, and one variable bandwidth output are available. The outputs are all flat-response (no resonance) so the VCF2 is suitable for processing concrete sounds without introducing resonant coloration to the timbres. Under voltage or manual control, cut-off frequency of the high and low-pass outputs are affected, as well as the center frequency of the two band-pass outputs. Both center frequency and bandwidth are independently controllable on the variable bandwidth output."

Now - for the first time, designed and licenced by Serge - the VCF2 is available as a eurorack module. A new switch has been added which determines if the CV-controls are routed to the first (left), second (right) or both filters, bringing even more sonic options than the original.

Some details of the Random Source Serge VCF2 module:

Original Serge design, under licence and in cooperation with Serge Tcherepnin
Uses for High-end VCAs
Eurorack format (3U), 20 hp
Power consumption: 45mA @ +12V, 45mA @ -12V
Module depth: < 30mm (1.2")

Notes: The second batch of Animal Factory's dual-valve saturation all-rounder features hand-matched 6J32P valves for a faster, slightly more precise take on this unique blend of mixing, VCAs, distortion and wave folding.

Supplier's Notes:
Orobas is a dual tube amplifier that is composed of two identical units.

Each channel has two audio inputs with dedicated gain controls and one output volume control.
Thanks to clever routing, a wide variety of sounds can be created. The two channels can be connected in parallel or in series (Parallel / Series). In series connection, the output of channel 1 is still active, good for parallel signals (note: each channel output is phase-inverted in relation to the opposite input). This way, feedback can be generated by feeding back the signal from output 1 to e.g. a control voltage input.

The screen control voltage input determines the gain and the sound characteristics. Additionally, the input is normalized to INPUT 1 of the respective channel.

The Suppress control voltage input is normalized to the input signal if nothing is connected. The purpose of this input is to direct electrons reflected from the anode back to the anode. Turning the knob to the positive does not change as much, turning it to the negative slightly attenuates overtones. With a positive control voltage the change is minimal, but with a negative control voltage you can realize e.g. ducking effects and effectively switch off the tube. Audio Rate Modulation is also possible here and a bit milder than with the Screen CV, but still effective.

The evocation potentiometer controls the feedback of the second output into the first channel. The sonic performance is very much dependent on the Plate Bias switch. The Plate Bias switch effectively controls the headroom. This allows you to use the tubes in three different settings, from fuzz sound to full distortion.

*This version is equipped with other tubes than in version 1.

Tube length: 55mm

Depth: 45mm

Review: RECOMMENDED
Ennio Morricone's legacy is well known across the world, or at least the world of cinephiles. The legendary film composer is responsible or no less than 400 movie and TV scores (in fact, he's made a few more), with a 100-strong oeuvre of classical compositions to add to that storied back catalogue. Sadly lost last year at the age of 91- unrelated to coronavirus - much of his work is now rightfully returning to the release schedule.

Of course, none of his output can match the music he created to accompany Spaghetti Westerns - Italian made cowboy movies from directors such as another late-great, Sergio Leone, including The Good, the Bad and the Ugly and A Fistful of Dollars. 134 of the finest arrangements from that part of his life are included on this mammoth collector's item, which proves you don't really need visuals to be transported to the wild frontier towns of yesterday.

Notes: Ultra-high quality portable recording courtesy of this premium model from the ever-reliable Tascam. Ideal for podcast recordings, video soundtracks or interviews. Includes stereo mics and multi-track options for external sound sources.

Supplier's Notes:
Discover the Subtle Differences in High-Quality Content Creation

You don't have time for long set-ups if you regularly create new audio content on the go. And sound quality must meet the highest standards if your productions are to be successful. With the Portacapture X8 from Tascam, high-quality recordings are now even easier. Thanks to its app- like operation via a large colour touch screen, this field recorder can be quickly adapted to the situation at hand to record up to six signals plus a stereo mix in impressive 32-bit/192-kHz resolution. Enjoy the built-in mixer with EQ, dynamic processing and effects, use the USB mode later to process the material on a computer with minimal loss, or stream your show directly to the Internet.

The Portacapture X8 makes all the difference.

The Portacapture X8 isTASCAMs New Generation High Resolution Adaptive Multi-Recorder.Featuring 192kHz/ 32-bit floating point recording technology for highest audio quality.

Combined with the recorder's intuitive Launcher system and the incorporated 3.5-inch color touch panel display, the Portacapture X8 provides users with more time to focus on the actual recording without having to struggle with complicated settings. It uses an app-like set of configurations that optimize the unit for various recording tasks, including multitrack recording, voice capture for interviews, podcasts, music recording, field recording, and ASMR (Autonomous Sensory Meridian Response) for capturing those unusual / sensory related sounds.

The Portacapture X8 comes with two large 14.6mm diameter built-in condenser microphones. With the TASCAM developed HDDA mic preamps, these microphones are well suited for high quality audio recording and can easy be set for A-B and X-Y microphone patterns.

The TASCAM Portacapture X8 provides a wealth of DSP capability that include Compressor, Limiter, Low-Cut Filter, Noise Gate, Reverb, Auto Gain Control, and more.

Wireless remote control is possible via the TASCAM Portacapture Control using the optional AK-BT1 Bluetooth dongle with your Android or iOS device.

With its 2 built-in large format stereo mics, 4 XLR inputs with support for both mic and line-level, AUX-IN, LINE OUT, and CAMERA IN/OUT terminals, the Portacapture X8 provides an abundance of IN/OUT choices for multiple recording scenarios. The 3.5mm CAMERA EXT/IN connector also supports audio input of wireless microphones and more. Additionally, the Portacapture X8 is equipped with a CAMERA/LINE output with an attenuation function that allows for sending audio to external devices such as cameras.

Together with its multitrack record capability of 8 tracks (6 tracks plus 2 mix) and its 8-IN / 2-OUT USB Type C audio interface with support for USB bus power, the Portacapture X8 is a full-featured powerful handheld recorder both on its own or with a computer. Audio monitoring is possible via either the unit's headphone output or the built-in speaker and the recorder also provides both mark and slate tone functions. Supported recording media includes micro SD, micro SDHC, and micro SDXC cards up to 512GB capacity.

Includes
Portacapture X8
Included mics × 1 (left/right pair)
AA alkaline batteries × 4
Owner's Manual(including warranty) × 1
TASCAM ID registration guide × 1

Optional accessories
Bluetooth Adapter AK-BT1

Specifications

Recorder Specification

Recording Media: SD/SDHC/SDXC cards (64MB to 512 GB)
Recording/playback formats: Wave Files (BWF) 44,1/48/96/192 kHz
Input Channels: 6
Max. Recordable tracks:8 tracks (6 track + Stereo Mix)
Analoge Audio inputs/ outputs
Mic inputs (balanced)
Input jacks 3-6(input set to "MIC")

Connectors

XLR-3-31 equivalent (1: GND, 2: HOT, 3: COLD)
6.3mm (1/4") standard TRS jacks

Input

(Tip: HOT, Ring: COLD, Sleeve: GND)
Note: phantom power supported by XLR only
Input impedance: 2.2kO or higher
Maximum input level: +2 dBu
Minimum input level: -75dBu
Input jacks 3-6(Input set to "LINE")

Dimensions: 83 x 205.6 x 41.5mm (W× H× D, including protrusions)
Weight: 472g/381g (with/without batteries)

Notes: Desmodus's Aggressive Reverb/Delay Counterpart.

Not quite a reverb, not quite a delay, it's Desmodus's more aggressive clocked counterpart. More distortion, more in-your-face atmospheres, and synced delays for creating your tails in a whole new way. Use Electus Versio as a spacey clocked delay, as a reverb that starts with some synced echoes, or as a completely new way to create evolving spaces.

Notes: Desmodus's Aggressive Reverb/Delay Counterpart.

Not quite a reverb, not quite a delay, it's Desmodus's more aggressive clocked counterpart. More distortion, more in-your-face atmospheres, and synced delays for creating your tails in a whole new way. Use Electus Versio as a spacey clocked delay, as a reverb that starts with some synced echoes, or as a completely new way to create evolving spaces.

Notes: ALM Eurorack cases are available in a range of sizes all including an integrated powered bus boards.

The cases all feature anodised aluminium construction, an on/off switch, rubber feet, and high quality switched powered bus boards with numerous keyed headers and ample power capacity.

These are simple and compact Eurorack cases, perfect for small, focused systems, taking along on travels, or as a tabletop addition to a larger setup.

Cases are available in 4 sizes; 3U 84HP / 6U 84HP / 3U 52HP / 6U 52HP sizes. They all offer 1 Amp on both the -12V and +12V rails per row.

Great modern cases

The ALM powered Eurorack case was originally designed for the System Coupe. Wider interest has seen it evolve into a range of different sized cases being made available by themselves.

A fixed solid bus board provides quality ample power and plentiful keyed power connectors. The shielded DC/DC power converter is low noise and includes overload and short circuit protection. Fixed, quality mounting rails are used over sometimes frustrating sliding nuts. The case has a great looking all anodised aluminium construction that is both strong and light.

The case proportions are designed to look great on a table or desk (not too deep, just enough) and also be easy to fit in a bag and transport.

Decksaver case covers are available currently for the 3U/84HP, 6U/52HP, and 6U/84HP cases.

6U / 52 HP

Provides up to 1 Amp power on each -12V & +12V rails.
Connections for up to 9 modules on busboard, with additional 'flying bus board' included that adds up to 12 connectors.
Includes 2 Amp power 'brick'

Notes: Most musicians use their feet as an extension of their playing, either pushing piano pedals, sustain pedals, guitar pedals.

However, feet have been underrated while using modulars. In the past ADDAC released a series of modules using sustain and expression pedals for triggering or controlling signals to help breaking the ice. While these are small and still useful for simple uses, ADDAC wanted to create something more specific this time.

This new solution features 5 footswitches and 5 inputs for external expression pedals with independent controls for each.

The aim was to save HP rack space and so created an external floor pedal with all the footswitches and controls, keeping the module HP to the minimum possible featuring only the 10 outputs and the connector to the external floor pedal.

There are many expression pedals in the market and although the most common one is the TRS pedal there are 2 other standards: RTS and TS.

All five ADDAC311 inputs expect TRS pedals, if you're looking into buying one choose a TRS pedal.

If you already have other pedals channel 4 features jumpers that can be switched in order to be used with a RTS pedal.

Channel 5 features a jumper that can be switched in order to be used with a TS pedal.

External expression pedals are required for their outputs to work.

External expression pedals are not included

Notes: Create without boundaries.

Record, produce, compose, mix, master, and perform-all from a single, intuitive application. Only Studio Oner 5 provides integrated tools that take you from initial inspiration to mastered production, from full-length album to setlist on stage. The standard for end-to-end production, Studio One is the DAW that does it all.

Drag-and-drop everything.

Studio One pioneered the often-imitated drag-and-drop workflow that continues to be a guiding principle in Presonus' design philosophy. Audioloops, virtual instruments, plug-in effects, and even presets can all be dragged into your session from Studio One's innovative Browser. Copy FX Chains from one channel to another simply by dragging-and-dropping. Convert MIDI to audio or audio to MIDI using drag-and-drop. Upload and download files to and from your PreSonus Sphere Workspaces by drag-and-drop. Ease of use is at the heart of Studio One, so your mind stays focused on your inspiration.

Perfect harmony.

The only DAW with Harmonic Editing for both audio and MIDI, Studio Oner 5 offers Chord Track, a songwriter's dream come true. Create, audition, and change chord progressions and even have older parts follow a newer, better chord structure, thanks to the inspiration Harmonic Editing can provide. With version 5.3, you can now drag chords from the Chord Track to an Instrument Track to begin composing right away. Chord notes can even be extracted directly from audio by detecting chords and then dragging the audio event to an Instrument Track.

Inspiring plug-ins.

With a complete suite of effects plug-ins, Studio Oner 5 supercharges your mixing. These plug-ins are so good we've made a few available for use in any DAW by popular demand. From State Space Modeled guitar amps to lush reverbs and polyrhythmic delays, Studio One has all the plug-ins you need to mix and produce. Studio One Professional's unique Pipeline XT plug-in lets you use boutique and vintage analogue signal processors as easily as software plug-ins. Studio One's powerful Splitter plug-in lets you run multiple plug-ins in parallel on a single channel.

Analogue mixing with digital ease.

The proprietary Mix Engine FX plug-ins provide State Space Models of classic analogue consoles that can process your mix across channels on any bus, collectively. This isn't a stereo bus plug-in, this is multi-source processing that re-creates true analogue circuit behaviour like console input-gain saturation, analogue noise, and crosstalk-all painstakingly modelled component by component from real-world hardware.

Produce without limits.

Forget laborious transposition, cutting, pasting, and moving when arranging. Audition new arrangement ideas on the fly with a simple click of your mouse. Use Scratch Pads to test arrangements. The flexible Arranger Track makes moving sections of Songs as easy as moving Parts. Powerful comping tools make assembling a perfect take simple, efficient, and fun. A robust suite of tools ranging from transient detection to multiple slicing and time-stretching features makes editing multitrack drums blazingly fast. And with groundbreaking Harmonic Editing-the most flexible implementation ever-no other program can approach the ease of arranging and songwriting that Studio One 5 delivers.

Edit audio and MIDI- fast.

Clip Gain Envelopes let you polish performances or remove glitches with adding a plug-in to your effects chain. Convert audio to MIDI and MIDI to audio with a simple drag-and-drop for blazing fast sample replacement. Replace drum sounds with samples simply by dragging the source track to an Impact XT track. The combined Arrow and Range Tools boost your audio editing efficiency by merging the most frequently used tools into one. Select, move, split, or duplicate Events; trim start and end points of Events; adjust fades; and change the overall Event level in one seamless action.

A sound as unique as you.

Inspiring virtual instruments and unique Multi Instruments let you combine instruments to create your own unique library of sounds. You'll create beats faster than ever with Impact XT, our comprehensive rhythm-production environment. Build your own sampled instrument with Sample One XT. From polyphonic analogue to monophonic subtractive synthesis, Studio One has the sounds that make you want to create. Presence XT can be expanded with Add-on packs like Deep Flight One and PreSonus Studio Grand. Aux Channels let you easily use your hardware synths, drum machines, and groove boxes as part of your productions, so dust off that TX81Z or Portastudio and put them back to work! However you create, Studio One has a tool that makes the job easy.

Notes: Excellent value from this unique dual analogue oscillator, heavily based around the concept of 3D morphing using touch-sensitive control strips. Deep modulation options and stable TZFM add up to impressively deep sound design.

Supplier's Notes:
Norand unveils Morphos, a morphing dual analogue oscillators packed with creative features.

3D Morphing

Morphos' preset strips are groups of four specially developed FSR sensors that can precisely detect vertical, horizontal and pressure information from the pressure distribution of your finger. 3D morphing allows you to create entirely new soundscapes by morphing between multiple user presets, in three different dimensions. All at the reach of your fingertips, it opens up a whole new world for live jamming!

The Synthesis

The two all-analogue, digitally controlled Oscillators provide very pure harmonics, 4 waveform types on a continuously variable potentiometer and extremely stable TZFM (Through Zero Frequency Modulation). Thanks to its digital brain, an active calibration system allows it to track over 10 octaves, even at high TZFM ratio.

Contextual Modulation

Morphos inherits Norand Mono's Contextual Modulation technology, adapted for the modular world. It is possible to modulate every parameter under CV. The module provides 3 Modulation Modes - Attenuverter, Modulator and Ping Envelope - allowing you to modulate timbre and create drum sounds.

Technical Specifications

Synth Voice Features

Fully analogue signal path 2x analogue oscillators Continuously variable waveform Thru-zero frequency modulation Hard-sync

Modulation Features
Controls: 8x dedicated ping envelopes 8x dedicated modulator
Modulator: 4 waveforms Type settings : Free/Synced/Audio-Rate Audio-Rate anti-aliased, quantized to OSC1 Free from 0.1 to 80 seconds
Envelope: Decay segment from 10us to 20s

Memory Storage: 4 banks 3 layers per bank 4 presets per layer
Outputs
Eurorack level audio outputs: Output level: 10Vpp maximum Output impedance: 1000 Ohm
CV outputs: Voltage range: -5V/+5V 1V/oct resolution : 3 cents of a semitone
Electrical Specification: +12V: 460mA -12V: 90mA +5V: 0mA

Physical Specifications
Width: 28HP
Height: 3U
Depth: 25mm

Warranty: 2-year Norand warranty

Notes: Another cracker from Xaoc, the Timiszoara is a take on digital multi-effects with stereo in and out, an intuitive interface and CV control of effect parameters. Big power with 176 factory programs.

Supplier's Notes:
Timiszoara is a stereo, Eurorack compatible, voltage-controlled multi-effect signal processor based on the popular Spin Semiconductor FV-1 DSP chip. It features a full stereo signal path with two adjustable audio inputs, two outputs, and a stereo voltage-controlled wet/dry mixer. In addition, there is a microSD memory card slot on the front panel that allows for loading factory and custom effects without any restrictions or copyright protection, which means you can use many effects available on the Internet and even create your own.

Effect programs are organized in banks of 8 and can be selected using a rotary encoder, as well as CV and trigger signals. Timiszoara features a crisp OLED screen that displays the program parameters and its name. It also facilitates navigating the list of banks. Up to three parameters per effect can be controlled from the front panel with illuminated slider potentiometers and dedicated CV inputs.

Xaoc Devices have prepared quite a few banks of algorithms (176 in total) that cover most effects needs: delays, reverbs, filters, modulation effects (such as choruses and flangers), pitch shifters, and, of course, shimmers (no multi-effects unit would be complete without its share of those). However, Xaoc Devices wanted to ensure that users had access to some more adventurous programs, so some special banks have been created to allow you to take a walk on the wild side.

For detailed description, please refer to the manual.

Technical details:

10hp, skiff friendly
Current draw: +120/-45 mA
Reverse power protection

Notes: Collabing with YouTube sensation Andrew Huang, Endorphin.es offer up this impressive multipurpose processor module. Building blocks of stereo filtering, compression, reverb and more offer huge creative potential.

Supplier's Notes:
In collaboration with Andrew Huang, based on his modern music production techniques, Endorphin.es developed a creative audio processor with multiple blocks that can be moved around in order to achieve different flavours for sound design.

Processing unit without fixed structure: intuitively create astonishing and ephemeral timbres, from atmospheric rumbles to heavy or distorted textures.
Creative stereo effect processor with delay, reverb, filter and distortion with quickly explorable routing chain with single button press.
New generation ARM Cortex - M7 processor with 96 kHz 32 bit internal processing.
Lush hall and whooshing reverse reverbs with audio freeze and pre-delay.
Sidechain audio ducking envelope available both internally and externally with additional one knob single band compressor.
Tap delay with maximum delay time up to 2.5 seconds, external clock input with onboard clock divider and 1v/oct time control.
8x oversampled distortion algorithm.
Pre- and post - VCA, tone and volume controls with extra gain.

Power consumption
135 mA +12V
35 mA -12V
0 mA 5V

Dimensions
16 HP
26 mm deep with power ribbon cable connected.

Notes: The Z8000 Matrix Sequencer is a modulation source like no other: The 16 knobs of the Z8000 are accessed by ten sequencers with their own clock, direction and reset inputs. The ten sequencers are as follows:

Four 4 step CV sequencers on the horizontal.
Four 4 step CV sequencers on the vertical.
One 16 step CV sequencer on the horizontal.
One 16 step CV sequencer on the vertical.

The Z8000 can simultaneously modulate up to 10 CV parameters poly-rhythmically, with unprecedented motion complexity. One knob affects all 10 CV outputs! Imagine modifying 10 parameters from one knob. With its 30 gate and clock inputs and 10 CV outputs one can only imagine the possibilities, and all clock inputs can even be driven at audio rates! The Z8000 pairs well with the Trigger Riot and Circadian Rhythms and using it with the QuantiZer extends its capabilities as a high-precision 1V/Oct note sequencer.

Introduced in 2017, a new version of the Z8000 maintains the original circuitry but adds output range adjustment switches on the back and Tiptop's new colored look, which helps highlight the sections, on the front.

Size: 28HP
Depth: 15mm
Power: +12V 70ma / -12V 10ma

Notes: Mantis have taken years of experience with Eurorack to create a low-cost case that makes the Eurorack modular synthesizer look, work, and feel like a professional instrument. Mantis is an instrument that is at home on stage, touring, or in the center of the studio.

Mantis has two rows of 104HP for you to rack your modules. It comes fully powered and assembled, just drop in your modules and play.

Using its sophisticated leg mechanism, you can set it to three different positions: 0, 45, and 90 degrees.

Power Power and more Power! With Mantis, say bye-bye to the tedious, never-ending calculation of current consumption for the i12V power. Mantis comes with a juicy Zeus power supply that delivers plenty of power both now and for the future.

Mantis deep black coloru gives you another option to customize your Eurorack look and matches perfectly with black Tiptop Audio modules.

Mantis comes with real Z-Rails made according to Eurorack enclosure standards. No sliding nuts or wrong spacing! It also has keyed power connectors to help protect your modules from damage from plugging the power in in reverse.

Weighing only 3kg/6.5lb, Mantis is so light, traveling has never been so relaxed.

Dual Mantis Studio Brackets

Using the optional bracket accessory Mantis can be doubled up to 416HP! Multiply your Mantis and watch your studio setup grow.

Notes: You've heard of parametric EQ, now meet the paranormal filter. Filter on steroids with experimental six-band EQ, delay and loads of LFO modulation. A powerful, creative take on a filter box.

Supplier's Notes:
Dementor Paranormal Filter is a powerful analogue filter with infinitive of option to modulate the sound, it's perfect to create field soundlandscape and introduce in the dark side of the sound with noise and harmonics feedback sounds.

The Dementor is a unique filter, EQ and delay that takes your signals and makes sure to add spice and character to your sound.

You send one or two signals through the machine by using the two independent signal inputs with level control. The special filter features cutoff and resonance control is LFO controlled - in fact, it's three LFOs for cut-off, resonance and time modulation. You also get an experimental six-band EQ called Nuances (not a usual EQ!) with level control and feedback. The echo/delay, is also LFO controlled.

Dimensions: 20 × 30 × 10 cm

Notes: Great value turntable from one of the most innovative brands in DJ tech. Classic Technics-style design updated with nice modern features like adjustable pitch range and reverse function.

Supplier's notes:
The RP-4000 MK2 is a solid DJ turntable for advanced users. The new MK2 version comes with several improvements, including a newly developed top panel and reworked metallic buttons with enhanced feel as well as a variety of functions.

The precision-engineered die-cast platter is accelerated by a powerful motor with a high-torque direct drive of more than 1.8 kg/cm. The precise motor control with 3 speeds (33 1/3, 45 & 78 rpm) allows for the RP-4000 MK2 to play back any record. The pitch section with a selectable range of +/-8% and +/-16%, respectively, is suitable for the finest pitch adjustments.

The RP-4000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Via the universal connection for pick-up systems (SME) a large number of pick-up systems can be connected.

The new deep black metallic top panel construction is equipped with metallic buttons for start/stop, platter speed, pitch control, reverse function and tempo reset. The improved touch upon hit offers a clear haptic feedback. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.

Notes: Hands-on controller for DJ software or to expand the power of your Denon players and controllers. Plug into an SC6000 player or similar to add dedicated controls for the second layer. Excellent value.

*** Introducing Engine DJ version 3.0 ***

This product is compatible with Engine DJ 3.0, visit enginedj.com for more info.

Comprising of Desktop and OS platforms, Engine DJ is the world's first, and most advanced, embedded creative platform for DJs.

Internet-ready music streaming

Access premier music streaming services directly on Engine DJ compatible devices via Wi-Fi or wired connection without the need of a computer. Log in to your favourite music streaming service and start playing. Set and recall hot cues and loops as you would with physical media.

Control and sync music with lights

Automatically sync your DJ set with DMX, Nanoleaf and Philips Hue Smart Lights. Simply raise the channel fader and press play to see the automatic and synchronized light show. Get creative by customizing the light show on-the-fly with a variety of touchscreen controls.


Supplier's Notes:
Expand your creativity

Inheriting the same DNA from the ultimate club experience SC6000 PRIME, the Denon DJ LC6000 Prime is the world's most versatile DJ controller. Bringing professional club style layout, design and control to both standalone and laptop-based DJ workflows.

With the same look, design, and feel, as the flagship SC6000 Media Player, the versatile LC6000 gives DJs a professional hardware control for the second dual-layer audio output, unlocking Engine OS powered Media Players' full potential when controlling the secondary layer. Showing its true versatility, the LC6000 Prime is the ultimate DJ Controller for compatible DJ applications, giving DJs professional hardware control in their setup.

The stunning full size 8.5" jog wheel, multi-function performance pads, 100mm dual-precision pitch fader, and navigation control grants the DJ more power and ease to be creative in the mix. Powered and activated with just a single USB connection, the LC6000 Prime gives 'plug and play' a whole new meaning in the DJ booth. Connect one or multiple units to customise your setup and expand your creativity.

Unique power of dual-layer

Denon DJ has the only media player on the market that offers dual-layer playback with independent outputs for each layer. The LC6000 Prime adds physical control over the second layer, making it easier than ever to perform using just one media player.

Professional DJ controller

The LC6000's plug and play connectivity with DJ software, provides the ultimate club experience over one or multiple software decks, further expanding creative possibilities for the professional DJ. Compatible with Virtual DJ, Algoriddim Djay Pro AI & Serato DJ Pro.

8.5" jog wheel

At the heart of the LC6000 Prime is a full size 8.5", capacitive touch jog wheel that features a high-definition central display. This colour display shows track artwork or a custom DJ logo, layered with play head position and other essential performance information.

Expand your creativity

Completing the creative toolset, the LC6000 Prime has 8 robust multi-function performance pads offering Hot Cue, Loop, Roll, and Slicer for enhanced creativity and remixing 'on-the-fly'. Alongside this, the LC6000 has a dedicated loop section and navigation control, giving DJs complete and confident control of their performance.

Technical Specifications:

Platters: 8.5" / 216mm (diameter)
Metal construction with display & capacitive touch
Platter Display: 3.5" / 89mm (diameter)
Full-colour LED-backlit display
Connections: (1) USB Type-B port (for computer/media player connection), (1) DC power adapter input
Power Adapter: 12.0V, 2.0A
Dimensions (width x depth x height): 14.2" x 12.6" x 4.7" / 36 x 32 x 12cm
Weight: 6.24 lbs/2.83kg

Notes: Explore unique sonic possibilities with this semi-modular digital synth, combining physical modelling with spectral sound sources, versatile effects and complex modulators.

Supplier's Notes:
An affordable hybrid monophonic synthesizer that allows you to create new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

Anyma Phi blends the classic ingredients of electronic music with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Anyma Phi is compact enough to stand on your keyboard, or anywhere on your desk, and is compatible with any MIDI controller, such as keyboards, sequencers, or even wind controllers, including Aodyo's own Sylphyo.

Whether you play live or record in the studio, design sounds or play presets, Anyma Phi will become an indispensable tool. It can even be used as a stand-alone effects processor, or as part of a guitar effects pedal setup.

The heart of the Anyma Phi is the matrix, which provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation:

With its matrix, Anyma Phi offers a straightforward way to tweak, explore, and create sound universes. It also provides easy ways to make your sound react to your MIDI controllers with mapping shortcuts. But don't be fooled by the simplicity!

If you want to dive deeper, you can take control of the powerful semi-modular synth engine beyond the matrix, with oscillators covering a wide range of synthesis techniques, effects, and modulators.

By connecting those together, you can create any kind of sound, and control it any way you want.

Anyma Phi offers you:
Up to 3 oscillators (sound sources)- physical models, classic spectral, noise souces, external input
Up to 5 effects: resonators, filers - EQ, pitch shifter, ring mod, delay - reverb, chorus - phaser, drive - folder
Up to 8 modulators: envelopes, LFOs, curves, slew limiter, math & logic

This amounts to 69 different module types available, including 30 sources, 22 effects, and 17 modulators.

Technical specifications:
Hybrid monophonic synthesizer
Stereo audio output:
Two 1/4" mono line jack outputs
One 1/4" stereo headphone jack output
1/4" stereo jack audio input (internal piezoelectric mic when external input unplugged)
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine :
Memory: 200 patches
3 oscillator slot
5 effect slots along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots, including envelope generators, LFO, curves, interpolators, slew limiters, etc.
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with a sidechain input
Responsive to pitch, pitch-bend, velocity, breath control / expression, as well as 4 other controller inputs

Additional features:
Percussive playing surface
Patch librarian / editor
Extended memory

The percussive playing surface will allow you to tap and scratch your sounds directly on the case, making your performance even more expressive and fun! This would be made possible by integrating a piezoelectric contact microphone into the case. The resulting sound would be available to use on the Anyma as an audio input, ready to be fed into resonators and effects!

You can edit patches directly on your Anyma, as well as send and receive patches via MIDI SysEx. But what about something more comfortable and powerful?

This software will allow you to easily manage and share patches, as well as edit them in depth in a streamlined environment on your PC or Mac, by making all the synth components directly visible and showing their interactions.

With more memory, you can have a huge library of sounds at your fingertips, or you can make many variations of your patches without having to worry about space or having the computer editor around to make backups!

Let's free the Anyma Phi from the shackles of the Western 12-tone equal temperament! A440 be gone!

Notes: Jürgen Haible's legendary redesign of the Tau "The Pipe" Phaser has now (and for the first time ever) been adapted to Eurorack format. The 2021 version is a new, skiff-friedly design. It includes some additions and modifications compared to the original Haible version like Extended CV control: -1V/Oct and an attenuverting CV input.

Some details of the Haible TAU Pipe phaser module:

Faithful adaption of Jürgen Haible's design
Uses crazy caps for sonic performance.
Eurorack (3U) format, 18 hp
Skiff-friendly: < 30mm deep
Power: appr. 45mA @ +12V and 40mA @ -12V

Notes: Professional vinyl cleaning solution, suitable for 12-inch and 7-inch records. Washes and dries records using specialist cleaning fluid (included), stainless steel clamp and precision vacuum tube.

Supplier's Notes:
Keeping your vinyl records clean is as important as having good equipment when you want to enjoy an optimal sound.

The Tonar Wash & Dry vinyl washing machine offers a helping hand to make your records shiny and bright again.

With this compact and easy-to-use device, you're ready to wash your complete record collection - including 7", 10" and 12" records - and quickly dry them with an extremely silent, yet powerful vacuum system.

The importance of cleaning your vinyl records

Many people associate vinyl records with hearing "pops" and "clicks". In part, this is the charm of the medium but it should not get over the top of course. Unless your vinyl has scratches, these pops and clicks are caused by dust and dirt that has been collected in the grooves. Also, contamination by air pollution from the traffic outside, cooking fat, grease and tobacco smoke can cause a tough film to form on the surface of the record. Sometimes even moulds and fungi are present if the records have been stored for a prolonged period of time in a humid environment. If you play a dirty record, the stylus will scrape part of this dirt off the groove and this causes a thick build-up of grime on the stylus. Ultimately, this will result in complete miss tracking or groove skipping with permanent damage to your costly stylus and precious records.

All-in-one vinyl Wash & Dry system

The Tonar Wash & Dry is an all-in-one solution to clean your records in the most easy way. The set includes a high quality goat hair brush, concentrate for one litre of cleaning fluid, a special stainless steel record clamp with rubber rings to protect the label during washing, and a dust-cover. With just one single button, you can control the direction of the rotation of the platter (clockwise or counter clockwise), and activate the vacuum arm. Instead of having to change vacuum arms for different record formats, the Tonar Wash & Dry uses only one arm with a switch button to change between 7", 10" and 12" records. The vacuum system of the Tonar Wash & Dry is extremely silent, yet very powerful. The vacuum will collect all the liquid in a reservoir inside of the device.

The wastewater level can be read-off on right hand side of the machine, and can be easily emptied with the hose.

Did you know that it's important to clean brand new records?
What most people don't realise, is that brand new records actually benefit from a quick clean before you take them for a spin. But why would you need to clean something you've literally just purchased? Nearly every new vinyl record is positively charged with static electricity. The static charge attracts dust and particles in the immediate proximity, including tiny paper fibers from the sleeve. This will lead to hearing unwanted crackles and clicks while playing the record.

Also, during the production process, oils and other gummy release agents are used for the pressing of the records. This will leave a sticky residue on the record surface, which can, in turn, contaminate your stylus and ultimately diminish the sound quality. Cleaning your newly purchased records with the Tonar Wash & Dry Vinyl Washing Machine will contribute to a better listening experience and long lasting preservation of your records.

The Tonar Wash & Dry offers a complete ready-to-use vinyl cleaning set, including:

0.50 ml bottle with Tonar record
Cleaning fluid concentrate
Tonar Plastigoat goat hair cleaning
Brush
Power cord
Stainless steel record clamp
Black aluminium adapter disc for
Singles
Label-cover
Extra 7 inch platter
All-in-one vacuum-arm 7"-10"-12"
Dust cover

Notes: Large 15-inch version of Alto's fourth-gen TrueSonic PA speaker, featuring more power and better sound quality than the older TS3 model, plus advanced Bluetooth integration for streaming and remote control.

Supplier's Notes:
2500-watt 15-inch 2-way powered loudspeaker with Bluetooth, DSP & app control

TrueSonic TS4 from Alto Professional

Louder. Clearer. Smarter.

Where TS3 exceeded expectations, TS4 redefines them completely.

Building on the legacy of the best-selling TrueSonic speakers, the TS4 Series delivers increased power, clearer sound, and advanced Bluetooth functions including streaming, speaker linking, and App control.

Compact, lightweight, and designed for reliability, the new TS4 Series makes it simple to get great live sound at every event.

True Sonic Power

Whether you need a powerful vocal PA or club-shaking bass performance for a DJ set, TS4 speakers deliver loud, clear, room-filling sound for any application.

With a 15-inch woofer, and a 1.4-inch compression driver, TS415 delivers 2500W of class-leading power and clarity in equal measure.

Free Alto App for remote configuration and control

Available free for both Android and iOS, the Alto App gives hands-on remote control over Bluetooth levels, Speaker Use Modes, Custom EQ and Sub Size selection. Further, True Wireless Stereo linking can be configured remotely via the app to save time during setup.

Built-In 3-channel mixer

Every TS4 features an integrated 3-channel mixer, with two Mic/Line input channels and a dedicated Bluetooth channel. The Mic/Line channels feature XLR/TRS combo jacks and can be used with microphones, instruments, and line-level signals without the need for additional hardware or adjustment. Just plug straight into the rear panel and you're up and running.

Simple Bluetooth Streaming & Speaker Linking

The ideal high-powered streaming solution, TS4's built-in Bluetooth connectivity makes it easy to pair your laptop, phone or tablet and get the music pumping in no time at all.

With the True Wireless Stereo function you can stream Bluetooth audio to two TS4 speakers in perfect stereo without the need for any cables.

DSP Modes for the best sound in every application

TS4's three preset "Speaker Use" modes let you optimize the speaker for any application, so you'll get great sound every time at the touch of a button. For even more control over your sound, you can configure a Custom EQ within the Alto App and remote adjust the settings from any listening point in the venue. You can even save your favourite Custom EQ setting direct to the TS4 for easy recall whenever you need it.

Versatile and Reliable

From the high-quality drivers to the fanless class D amplifiers, every aspect of the TS4 Series has been designed for superb reliability, whether used for mobile gigs and performances or fixed installation.

Each speaker features a lightweight, sleek, black box design that can be used as the application demands - freestanding, as a wedge monitor, pole-mounted or suspended via the integrated suspension points

Applications

Solo performers
Musicians and Bands
Mobile DJs
Gymnasiums, fitness centers, and dance studios
Houses of worship
Theatres
Bars, restaurants, clubs
Special events, presentations, and weddings

Technical Specifications

Output Power: 2500W
Drivers Low-Frequency: 15.0" driver, 2.5" (63 mm) high-temperature voice coil. 1 x 800 W RMS @ 2 O.
High-Frequency: 1.0" exit ceramic driver with 1.4" (35 mm) coil. 1 x 450 W @ 4 O.
Crossover Frequency: 2 kHz
Maximum SPL: 135 dB (peak), 132 dB (continuous) (dB-SPL @ 1 m)

Frequency Response: 44 Hz - 20 kHz (+/- 3 dB)
Frequency Range: 33 Hz - 20 kHz (-10 dB)
Horn Coverage: 90- horizontal x 60- vertical (nominal)
Connectors:(2) XLR+1/4" (6.35 mm) TRS combo inputs (Balanced), (1) XLR output (Link), (1) IEC power cable input
Input Impedance Line: 10 KO balanced, 20 KO unbalanced, Mic: 1.2K
Line Gain/Volume Control Range: -8 to 0 dB, +4 dBu nominal, +10 dBu for max output
Mic/Inst. Gain/Volume Control Range: -8 to +50 dB
USB Charging Port: 5V 2.1A
Controls: Power switch, (2) gain control knobs (1 per input), (2) Mic/Line switches, Bluetooth volume control encoder, Pairing button, Stereo Link button, Sub Size button, Speaker Use button
Indicators: (1) Input Channel Signal/Limit/Clip LED (Green = Ch1/2 Signal) (Yellow = Ch1/2 Limiter) (Red = Ch1/2 Output Clipped), (1) Bluetooth LED (Blue), (1) Link LED (Orange), (4) DSP Presets LED (Green), (3) HPF LED (Green)
Power Connection: IEC
Voltage: 100-120V, 50/60Hz; 220-240V, 50-60Hz
Consumption: 1100W
Fuse: 100-120V T15AL AC250V; 220-240V T6.3AL AC250V
Protection: Electronic clip, thermal, and transducer overdrive protection
Enclosure: Injected Moulded Enclosure and Perforated Metal Grille
Mounting/Installation: Standard 36 mm pole socket, flown application with integral M10 suspension points, or in a wedge monitor position
Operating Temperature: 10-C to 45-C (14-F to 113-F)
Dimensions (height x width x depth): 25.3" x 16.4" x 15.8" / 643 x 417.5 x 402 mm
Weight: 38.0 lbs. / 17.2 kg

Notes: 1010's Nanobox range expands with the Razzmatazz, a tiny drum machine with FM synthesis, sampling and a built-in sequencer. Small but powerful, with built-in MIDI and touchscreen control.

Supplier's Notes:
Create the juiciest beats and tastiest rhythms with Nanobox Razzmatazz, a mini drum sequencer that combines powerful FM synthesis and sampling. Featuring advanced voice architecture, razzmatazz puts a huge range of percussive sounds at your fingertips-from deep and gritty kick drums to searing snare hits and crisp hi-hats. Perform using 8 touchscreen pads or your favorite midi controller, and craft up to 16 rhythms using an innovative visual sequencer that allows you to see all pad states and steps simultaneously. Shape the sound of each pad by combining any variation of two FM oscillators and a WAV file-plus two filters, two envelopes, a resonator, a snap generator, and three additional effects.

You can even choose from four unique types of distortion to create incredibly distinct and powerful drum sounds. Enjoy massive analogue drum sounds and an innovative feature set, all in a compact package that goes anywhere.

Technical Specs

Includes 120 presets and 112 wave files
8 pads that can support 2 FM Oscillators and WAV file each
Sample memory per WAV of 30 seconds
Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type B
Clock Input: 1,2, 4, 8, 12 or 24 PPQ selectable
MIDI support: Note On/Off, Velocity, Pressure, Mod Wheel, Aftertouch, assignable CCs, program changes and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.

What is included:

Nanobox | razzmatazz mini drum sequencer with FM synthesis and sampling
MicroSD card with presets and wav files
Color matched USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Notes: Ultra-versatile stereo reverb pedal with eight contrasting algorithms for flexibility and character. Expression pedal highly recommended for real-time hands-free modulation.

Supplier's Notes:
Space Reflections

ROOMS is a stereo, multi-function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind.

ROOMS was designed to the highest standards of flexibility and audio fidelity. A studio-quality mixer section provides independent DRY and FX controls over six meticulously programmed reverb algorithms; ROOM, DIGIT, PEAK, GATE, WAVE, and GONG. Each different verb is capable of a universe of sounds, and ROOMS is here to help you explore them.

ROOMS' creative I/O switching and dual-mono dry signal lines allow for a wealth of possible mono and stereo configurations, making it easy to route signals for parallel processing or stereo amplifier setups.

Controls

FREQ: Controls the frequency parameter of the current mode.

DEPTH: Controls the depth parameter of the current mode.

TIME: Controls the reverb time in all modes.

DRY: Controls the volume of the dry signal, from -inf to 20x gain.

FX: Controls the volume of the reverb signal, from -inf to 20x gain.

ALT: Engages the ALT mode, switching between two sets of controls. When active, FREQ is controlled with the F knob, DEPTH with the D knob, and TIME with the T knob. Additionally, the ALT mode turns on expression control of either FREQ or TIME using the F?T Switch on the side of the pedal. NOTE: Expression control ONLY works in ALT mode and when an expression pedal is plugged in.

Expression Pedal: Almost any expression pedal will work with ROOMS. When not plugged in, the controls work as normal. NOTE: Expression control ONLY controls the F or T knobs when ALT mode is engaged and when an expression pedal is plugged in.

Modes & Parameters

FREQ knob : DEPTH knob

1 - ROOM: Tone of Decay : Pre-Delay
A classic reverb that simulates many different rooms.

2 - DIGIT: Delay Time : Delay Feedback
A filter matrix verb capable of creating otherworldly resonances and fractured repeats.

3 - PEAK: Filter Frequency : Filter Resonance
A super intense bandpass filter combined with an ambient reverb.

4 - GATE: Decay Tone : Gate Response Time
A gated reverb. Short reverb times create a classic gate effect, long reverb times create a controllable freeze effect.

5 - WAVE: Modulation Frequency : Modulation Depth
Creates a pitch vibrato effect. Lowering TIME will blend out the reverb signal, allowing sweeps from chorus/vibrato to long modulated reverbs.

6 - GONG: Modulator Frequency : Blends from Aliasing (left) to Ring Modulation (right)
Ethereal, crushed reverb sounds guaranteed to make you star in the upcoming remake of DUNE and live out your sci-fi fantasies of space travel and galactic domination.

Specifications

Dimensions: 5.95" x 3.86" x 2.96" (including hardware).
Weight: 18 oz.
Power: 80 mA, 9V (runs on a standard 2.1 mm negative center 9V adapter).

Notes: For the truly wild

Psycho multimode filter with an ultra-sleek, laser-etched enclosure. Its medical-grade IC chip creates a hyper-precise filter that sounds like no other. With high pass, bandpass, and low pass modes, as well as two types of screaming resonance, the Evil Filter is ready to saw any sound into pieces - or just be the most insane wah you've ever heard. The Evil Filter's two fuzzes take signals into a much more twisted dimension, creating a blooming compression that's perfect for ripping solos and walls of noise alike. Push it past the limit into octaves up, down, and snarling wavefolding sounds. Using the CV/Expression input, you can also control the filter cutoff frequency with an expression pedal or synthesizer.

Controls

Filter Freq: Cutoff frequency of the filter. Numbers shown are in Hz.
Filter Output: Volume of the filter section of the pedal.
Filter Selector: Selects between the different filter types - Low Pass Symbol Low Pass, Band Pass Symbol Band Pass, and High Pass Symbol High Pass.
Filter Resonance: Sets the resonance of the filter in conjunction with the Resonance Switch. WARNING: Will self oscillate at high levels!
Resonance Switch: Sets the range of the Filter Resonance knob between Normal and High.
Fuzz Output: Volume of the fuzz section of the pedal.
Fuzz Type Switch: Choose between two different fuzzes - Low Gain Fuzz Symbol lower for a cleaner, more driving fuzz, High Gain Fuzz Symbol higher for a blasted out, blooming, insane fuzz.
EXP/CV Input: Plug in CV control (~0-3.0v) or an expression pedal for external control of the Filter Freq knob. The Filter Freq knob sets the range for the EXP/CV input.

Specifications

Dimensions: 7.75" x 4.72" x 2.4" (including hardware).
Weight: 25 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).
Current Draw: 21 mA.

Notes: The definitive MIDI controller keyboard, KeyLab MkII is a luxurious, expressive tool for your studio or live rig. Unsurpassed connectivity, effortless integration, customizable interface, and inspiring included software; there simply is no other MIDI controller quite like KeyLab MkII.

KeyLab MkII is an expressive, versatile, and superbly powerful next-generation USB MIDI controller keyboard. It features dynamic performance and studio controls, including a high quality 49-note keyboard with aftertouch, 16 RGB backlit pads, 9 faders, 9 rotary knobs, and dedicated DAW and transport controls. Its huge connectivity also includes CV/Gate outputs, so you can take command of outboard synth and Eurorack modules with ease. Factor in the amazing included software, and you've just found your ideal creative companion for the studio and stage.

Another level in terms of quality and luxury, KeyLab MkII is a treat for the fingertips and gives unprecedented levels of control over your music and software.

Both 49-key and 61-key versions of KeyLab MkII feature Arturia's Pro-Feel action, the same lusciously playable keybed as the MatrixBrute and MiniBrute 2. Sensitive enough to accurately capture the subtleties and nuances of delicate playing, while still being robust enough to feel the energy of high-impact playing.

Every version of KeyLab MkII also offers 16 RGB-backlit, multi-function performance pads which can be used in a huge variety of ways, whatever suits your performance style or studio needs best. Trigger custom chords, activate samples, quickly switch user maps, KeyLab MkII puts the "control" firmly back into "controller".

A gateway to software, KeyLab MkII features 9 rotary encoders, 9 faders, and a selection of fully assignable buttons to give you unfettered access to your virtual instruments, effects, and recording environment. Send and receive CV/gate data to bridge the gap between modular and MIDI, with a fully customizable setup.

To allow for maximum expression, and to put that unmistakable "human touch" into your music, KeyLab MkII features multiple expression pedal inputs, that can be assigned to whatever parameters you desire in your DAW or virtual instruments, and sports robust, luxurious machined metal pitch and mod wheels. Truly a live-performers dream!

Amazingly versatile, hugely expressive, and geared up to enhance your creativity and workflow wherever your music takes you.

Included is an impressive software bundle: Arturia's complete Piano V virtual piano instrument, Analog Lab 3, and Ableton Live Lite.

Notes: The definitive MIDI controller keyboard, KeyLab MkII is a luxurious, expressive tool for your studio or live rig. Unsurpassed connectivity, effortless integration, customizable interface, and inspiring included software; there simply is no other MIDI controller quite like KeyLab MkII.

KeyLab MkII is an expressive, versatile, and superbly powerful next-generation USB MIDI controller keyboard. It features dynamic performance and studio controls, including a high quality 49-note keyboard with aftertouch, 16 RGB backlit pads, 9 faders, 9 rotary knobs, and dedicated DAW and transport controls. Its huge connectivity also includes CV/Gate outputs, so you can take command of outboard synth and Eurorack modules with ease. Factor in the amazing included software, and you've just found your ideal creative companion for the studio and stage.

Another level in terms of quality and luxury, KeyLab MkII is a treat for the fingertips and gives unprecedented levels of control over your music and software.

Both 49-key and 61-key versions of KeyLab MkII feature Arturia's Pro-Feel action, the same lusciously playable keybed as the MatrixBrute and MiniBrute 2. Sensitive enough to accurately capture the subtleties and nuances of delicate playing, while still being robust enough to feel the energy of high-impact playing.

Every version of KeyLab MkII also offers 16 RGB-backlit, multi-function performance pads which can be used in a huge variety of ways, whatever suits your performance style or studio needs best. Trigger custom chords, activate samples, quickly switch user maps, KeyLab MkII puts the "control" firmly back into "controller".

A gateway to software, KeyLab MkII features 9 rotary encoders, 9 faders, and a selection of fully assignable buttons to give you unfettered access to your virtual instruments, effects, and recording environment. Send and receive CV/gate data to bridge the gap between modular and MIDI, with a fully customizable setup.

To allow for maximum expression, and to put that unmistakable "human touch" into your music, KeyLab MkII features multiple expression pedal inputs, that can be assigned to whatever parameters you desire in your DAW or virtual instruments, and sports robust, luxurious machined metal pitch and mod wheels. Truly a live-performers dream!

Amazingly versatile, hugely expressive, and geared up to enhance your creativity and workflow wherever your music takes you.

Included is an impressive software bundle: Arturia's complete Piano V virtual piano instrument, Analog Lab 3, and Ableton Live Lite.

Notes: Brilliantly powerful trigger module, capable of acting as a master clock and a sequencer, generating gate signals and pulses. Good hands-on control options for live performances.

Supplier's Notes:

The Trigger Riot is a multipurpose trigger module that makes ultra complex patterns of gates triggers and clock pulses. The Riot covers a lot of ground in any Eurorack system from the master clocking for your entire system to algorithmic generation of pulses for envelopes, step sequencers, drums and accents that can venture into highly complex territory driven by simple yet powerful logic and algebra with a dash of pseudo randomness for some unpredictable results.

The user interface allows a great deal of control over pulses with each knob acting as a clock divider, clock multiplier, step injector, time shifter, clock shifter, pulse-width modulator, and an arithmetic probability processor. Now take that control and multiply it by 16 and feed it into 8 outputs for maximum Trigger Riot madness!

Furthermore the interface features a master clock knob, push switches to mute unmute and select rows, and multiple switches to configure, adjust, create loops and save your work for later recall from memory banks.

Trigger Riot integrates nicely in the studio with non-volatile memory, generous synchronization options with external gear including sample accurate sync with DAWs, smart synchronization to other Tiptop modules using SyncBus, and DIN Sync for vintage gear. A precise internal tempo clock generator with tap tempo and BeatSync to manage precise changes round out the features.

Notes: A whole lot of module for the money. Eight-track trigger sequencing with built-in drum synth, sample player and MIDI. Amazing value for studio use or live performance.

Supplier's Notes:
Trigger sequencer with audio and midi

TUKRA is an 8 track eurorack trigger sequencer with drum synth, sample player and midi.

This module can be an 'all in one' solution for drums, but also has great integration capabilities with other gear (eurorack modules, drum boxes, DAWs, midi devices and midi surface controllers).

There are no submenus, all functions and views are accessible all the time.

Brief overview:
- Up to 64 steps per pattern, 64 patterns, 64 parts and 16 songs per project. 64 projects in the microSD card.
- Play mode, clock divider, length & choke settings independent per track & pattern.
- Step value (can be used for modulation, to define the midi velocity, midi note & drum synth pitch or sample selection).

Ins & outs:
- 8 trigger/gate, clock & reset outputs. Clock & reset inputs.
- 4 CV inputs with offset potentiometers (so they're manual controls when no CV is plugged in).
- Audio L & R out (6 additional ones with the expander for independent track output).
- Front panel midi TRS in & out, and USB host for midi controllers.

Midi and audio:
- Midi note and channel configurable per track & song, midi note and velocity can be set by the step value.
- Drum synth, noise with envelope and 'one shot' sample player (factory and user banks) per track.
- Flexible sample selection (each track can play up to 128 samples).
- Mixer with volume, balance, reverb, bit crusher, filter cutoff, resonance and type (smoothly crossfades LP - BP - HP).

Modulation:
- CV & assignable midi CC plus 8 internal LFOs, 3 stepped random sources and step value.
- Modulation matrix for almost all parameters.

Rhythm variation:
- Probability for step, gate and roll.
- Euclidean Rhythm Generator.
- 'Ramifications' generative tool.
- Live view with solo, mute, fill, roll, invert pattern, reverse play direction and rotate.

Time:
- High precision clock source and low latency.
- External sync (via trigger, midi TRS or USB).
- Triplets and swing (aka 'shuffle'), triplet and swing can be generated from a straight clock input or midi clock.
- Micro grid edit, each step has 6 micro steps (24 ppq).
- Half and double tempo functions.