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Items 51 to 100 of 399 on page 2 of 8
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Conductive Labs The NDLR v2 MIDI 4-Track Sequenced Arpeggiator/Chord & Drone Player Conductive Labs The NDLR v2 MIDI 4-Track Sequenced Arpeggiator/Chord & Drone Player
Cat: 968112 Rel: 10 Oct 23 • View all Sequencers
 
Multi-part MIDI Arpeggiator.
Notes: Second-generation version of the 'noodler' device from Conductive Labs, the NDLR v2 aims to simplify music theory and unlock creative ideas, making it easy to create and perform arpeggios, drones, chords and other patterns. Hook up to your synths and software over MIDI, USB or analogue clock.

Supplier's notes:

Conductive Labs have turned complex music theory into a killer synthesizer jamming MIDI controller. With four parts that can play up to 8 synths, you can make fantastic electronic music, such as soundscapes, electronica, ambient, electro, or techno to name a few. Whether noodling in your music space after work or jamming with friends, The NDLR can take your music to amazing places!

Press one of the seven chord buttons, and the two arpeggiators and drone follow the chord notes while your polyphonic synth sings with pads.

There are start and stop buttons for each of the four parts, and a button to start/stop all parts. And there's a "panic" button to stop all MIDI notes.

A colour LCD screen shows you everything that's going on. A very flat menu structure keeps menu diving to a minimum.

Pick a key, a mode and control the BPM of The NDLR's MIDI clock.

With two sets of 5 pin DIN MIDI inputs and outputs, and four USB MIDI virtual ports you have lots of ways to connect your MIDI devices. There is also CV clock in and out connectors to sync with your Korg Volcas, modular or semi modular synths.

It works with MIDI hardware synths, and your DAW or tablet, if that's your thing.

Once you master the basics, dive into the 8x modulation matrix. It lets you animate most of The NDLR's parameters. You can even send LFOs to your MIDI gear.

The NDLR includes a Pattern editor to make arp and modulation patterns, a rhythm editor and now a Chord Sequencer too! Once you have your perfect piece, you can save your patches.

What's new in The NDLR (v2)?
By popular demand, a soft-power button has added. The NDLR (v2) is powder coated with a black faceplate and beautiful red base. And the internals were modified for a new, faster microcontroller. The feature set remains the same, though there are some surprises waiting to be discovered in the menus. So far, new features are being back ported to the original The NDLR via firmware updates, as long as it does not require the faster processor.

The Four Parts


The PAD part is a polyphonic chord player for getting beautiful PADs out of your favourite poly synth. Like all of the other parts, the PAD plays notes based on the selected global chord. When you press a chord button the notes stay on until you press the next chord or stop the part, so you can twist knobs on your synths or play a lead part on guitar. Change or modulate the chord octave position, note range, spread, and strum.

A really cool feature of the PAD part is the "Interleaved Poly-Chain". When enabled, this will send the chord notes to up to 4 MIDI channels in a round robin fashion. Really great for ethereal evolving patches on a multi-timbral synth, or for turning multiple mono-synths into a poly synth! Six voices from 2 Volca FMs? Sure!

There are two "Motifs" which are extremely versatile sequenced arpeggiators. Select a pattern for each one and press Play! Independently tweak on clock division, pattern length, octave position and more. You can create your own patterns with the onboard pattern editor, and add rhythm with the onboard Rhythm editor. The motifs play the notes contained in the currently selected chord, so you don't need to pick notes on a keyboard. The NDLR supports a 10 to 300 BPM clock so play as fast or slow as you like, or use an external clock source.

The Drone part can play a single continuous note like a traditional drone does... or choose from various retrigging options, such as having the note retrigger on a chord change, the down beat, every beat, up beat, etc. You can also choose to add a 3rd and/or 5th note to the root note for a polyphonic drone. Or have the drone play a thundering kick drum if you want to.

Hardware

Requirements:

USB Power Supply not included; The NDLR (v2) runs on 5V DC, 140mA. The original is 90mA.
The NDLR comes with a 6 foot USB cable. You can purchase longer or shorter cables as needed, with USB A to USB B connectors. Users of newer Macs may need to purchase a USB B to USB C cable or use an adapter.
MIDI Synthesizer(s); The NDLR is a MIDI playing device, it doesn't make any sound on its own, it sends MIDI messages to your MIDI sound modules. It can play most anything with MIDI input including vintage synths, modern synths, mono and polyphonic synths, software synthesizers, on an iPad, PC, stand-alone or VSTs in a DAW. Note that some vintage synths or synths with poor MIDI implementations may be prone to getting stuck notes. Use the Panic button on The NDLR when needed.
To connect many synths, and for the best MIDI timing we recommend using an active, 1 input to 4 or more outputs MIDI thru device or MIDI router, such as the MRCC.
The NDLR has rich velocity controls if your synths support velocity, not all do.
The NDLR can be controlled with an external MIDI controller or sequencer. See The NDLR Setup Examples in The NDLR User Manual for details.

Physical Layout:
Dims: Size 9"W x 6.3"L x 2.8?H (22.8 x 16 x 7.1cm)
Color LCD Screen 1.8" (128×160)
8 Rotary Encoders w/ switch
7 Chord Buttons (degree / type)
4 Play/Pause Buttons (PAD, Drone, Motif 1, Motif 2)
Motif 1 or Motif 2 Select
Global Play/Stop Button
Shift & Menu Buttons
Recessed Firmware Update Button (upgrades via USB)

Physical Input/Output:
2x MIDI 5-Pin Inputs
2x MIDI 5-Pin Outputs
1x USB w/ 4 Virtual USB MIDI I/O ports + Power
1x Clock Out 1/8th inch jack
1x Clock In 1/8th inch jack
Limited Warranty:
The NDLR comes with a limited warranty to the original owner for 1 year (or the minimum time required by law in your country) from the time you received it.
Consumables, such as the USB cable and accessories have a 90 day limited warranty.

MIDI

MIDI-in Options:
Connect a MIDI keyboard or sequencer and The NDLR selectable transpose MIDI channel to transpose from the key of "C" to the current NDLR key & mode.
Use a MIDI keyboard or sequencer to select chords. Choose The NDLR "Control-In" MIDI channel. The white keys map to chord degrees I-VII. Optionally black keys map to the chord type. Sonority is automatic based on key & mode.
Most features of The NDLR can be controlled by inbound CC messages.
All notes and CCs pass thru except for The NDLR control channel.
With 2 MIDI 5 pin and 4 USB MIDI in and outs, The NDLR is a MIDI merger and a MIDI splitter. See the manual for details.
MIDI-out Options:
Selectable Drone MIDI-out channel (Off, Pad, 1-16). Pad choice means same as Pad channel.
Selectable Pad MIDI-out channel (1-16). Poly-chains play on next successive MIDI-out channel(s). Example: Pad MIDI-out ch = 4. Polychain = 1 - all pad notes on ch 4. Polychain = 2 - every two notes plays on channels 4/5. Polychain = 4 - every 4 notes plays on channels 4/5/6/7. If you are playing 6 notes with Polychain = 2, note1->ch4, note2->ch5, note3->ch4, note4->ch5, note5->ch4, etc.
Selectable Motif 1 MIDI-out port and channel.
Selectable Motif 2 MIDI-out port and channel.
MIDI out ports are USB 1 thru 4, and 5 pin din MIDI A and MIDI B.
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 5 in stock $389.17
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quote 968112
OTO Machines BAM Space Generator Stereo Reverb Unit OTO Machines BAM Space Generator Stereo Reverb Unit OTO Machines BAM Space Generator Stereo Reverb Unit
Cat: 763273 Rel: 08 Jun 20 • View all Effects units
 
stereo reverb processor
Notes: BAM is a stereo reverb processor inspired by the late 70s / early 80s digital reverberator units.These units are sought after by sound engineers, producers and musicians for their grainy, warm and musical reverberations.

The audio signal was severely high-cut filtered (10 kHz was standard at that time) because of the limited sample clock. Some units used 12 bit gain stepping converters to achieve a 15 bit resolution and others used the first 16 bit converters. Then the samples were digitally processed through a 16 to 20 bit fixed-point CPU with limited memory. The algorithms had to be simple but efficient to create the most musical and versatile reverberation from these limitations. And the hardware itself added grain and warmness to the sound.

The technology used in BAM is very close to the one used in these early digital reverberator units : 16 bit converters, 20 bit fixed-point processing, analog filtering and even an input transformer transient simulator. Some of the 7 reverb algorithms are influenced by the early structures, and some are brand new.

BAM is a very musical and unique reverb processor. It combines the sound quality of a vintage reverb processor with the playability of a desktop effect in a compact format with MIDI control and 36 user presets.
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 9 in stock $489.09
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quote 763273
Omnitronic TRM-202MK3 2-Channel Rotary DJ Mixer Omnitronic TRM-202MK3 2-Channel Rotary DJ Mixer Omnitronic TRM-202MK3 2-Channel Rotary DJ Mixer
Cat: 652255 Rel: 01 Dec 17 • View all DJ mixers
 
2-channel rotary mixer with 3-band frequency isolator for DJs
Notes: The best value rotary mixer on the market. Entry-level rotary option from German brand Omnitronic offers similar features and sound to boutique mixers three or four times the price.

Supplier notes:
The TRM-202 MK3 by Omnitronic with its classic ALPS potentiometers (Blue Velvet RK27) and the integrated 3-band frequency isolator offers the classic features of a rotary mixer.

Due to its high quality components, the sound pattern is good and appealing. The large potentiometers of both input channels allow very smooth transitions, hardly realizable with a conventional mixer. Both input channels can be switched between line and phono. A microphone input is also at hand. The kill characteristic provides a total erasure of basses, mids and highs and so enables creative mixing. Due to its booth output and a separate volume control, the TRM-202 MK3 can also be used in clubs without a problem. Thanks to the record output, it is also possible to record own's DJ set.
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MRP:$379.71 SAVE 12%
 7 in stock $332.38
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quote 652255
Nagaoka MP-200 Cartridge
Cat: 900228 Rel: 29 Sep 22 • View all Hi-Fi Cartridges | Phono Cartridges
 
A unique cartridge that manages to provide an amazingly rich and warm mid range
Notes: The MP 200 is a unique cartridge. It manages to provide an amazingly rich and warm mid range for jazz and vocals while still providing the detail and dynamics across the spectrum. It's not just another "warm sounding" cartridge.

Specifications

Type: Moving magnet (Permalloy)
Cantilever: High-strength Boron
Stylus type: Superfine elliptical diamond
Weight: 6.5 g
Output voltage @ 1kHz,5cm/sec: 4mV
Frequency response: 20Hz-23kHz
Channel balance @ 1kHz: > 1.5dB
Channel separation @ 1kHz: > 25dB
Recommended loading: 47k ohms
Dynamic compliance: 7.2 x 10-6 cm/dyne
Static compliance: 20 x 10-6 cm/dyne
Tracking force range: 1.5 - 2.0 g
Break-in period: 30 hours
Stylus replacement: Nagaoka JN-P200
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 1 in stock $379.71
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quote 900228
Erica Synths/Sonic Potions LXR Drum 7-Voice Percussion Synthesiser Module Erica Synths/Sonic Potions LXR Drum 7-Voice Percussion Synthesiser Module Erica Synths/Sonic Potions LXR Drum 7-Voice Percussion Synthesiser Module
Cat: 877382 Rel: 03 Oct 22 • View all Synth modules
 
7-voice percussion synthesiser module - 28HP
Notes: Based on the excellent LXR-02 drum machine, the LXR Eurorack module is a percussion all-round, with six voices, trigger inputs and CV modulation, plus the ability to generate synth parts. Versatile.

Supplier's Notes:
LXR eurorack module is a compact and great-sounding percussion synthesizer based on the sound engine of the LXR-02 drum machine. While retaining the core interface of the LXR-02, this module adds the essential eurorack ingredient - assignable CV control over parameters and many more tweaks in the user interface for better integration in any eurorack system

Features

6 drum/percussion voices
7 trigger inputs with accents
5 assignable CV inputs
4 assignable outputs
3 voices can be used as basslines due to 1V/oct tuning
Over 30 adjustable parameters per voice
Insert FX section
Kit memory
SD card for Kit exchange and easy firmware updates
Kits compatible with the LXR-02

Dimensions
28 HP
35 mm deep

Current Draw
88 mA +12V
10 mA -12V
0 mA 5V
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 1 in stock $450.18
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quote 877382
IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser IK Multimedia UNO Synth Pro X Analogue Desktop Synthesiser
Cat: 952030 Rel: 03 Aug 23 • View all Synthesisers
 
Paraphonic dual filter analogue synthesiser
Notes: Flagship model in IK's Uno Synth range, the Pro X adds extra synth power to the three-oscillator analogue design, with plenty of hands-on control and sequencing power.

Supplier's Notes:
Freedom of sound

Paraphonic dual filter analogue synthesiser

Embark on a liberating sonic adventure with UNO Synth PRO X, a powerful analogue synthesizer that'll ignite your creativity and elevate your music to new dimensions. Prepare to be inspired as you explore a world of infinite possibilities, where technology meets the timeless allure of analogue warmth.

Get creative

Featuring three discrete wave-morphing oscillators, the UNO Synth PRO X invites you to explore a vast sonic landscape. Unleash your imagination with PWM, sync, FM, and ring modulation capabilities: Your sonic palette knows no bounds.

Unrivalled sound sculpting

Discover a new realm of sonic possibilities with the UNO Synth PRO X's dual-filter design, combining classic OTA and SSI-chip-based filters. Immerse yourself in the moment as you weave intricate textures and shape your sound to perfection. Dive deeper into sonic exploration with the 16-slot modulation matrix enabling you to create intricate and evolving textures.

Sound connection

Take complete control over your music with over 30 hands-on controls, providing immediate access to your sound-shaping tools. With USB, MIDI, CV and Gate in/out options, integrating the UNO Synth PRO X into your setup is effortless.

4 kinds of effects

With 10 studio-quality FX in three slots and an analogue drive, your music will further come to life with warmth and character.

3 effects slots + analogue drive
Vintage chorus and uni-vibe
5 different delays
Hall, plate and shimmer reverbs

From sequencing to arranging

Unleash your creative potential, easily creating complex ever-evolving sequences. Try the 10-mode arpeggiator, equipped with a pattern designer to bring your melodies to life. New horizons are just around the corner with the Bassline mode, along with legato, mono and paraphonic modes, offering unprecedented expression of your musical ideas.

Advanced paraphonic 64-step sequencer
Per-step parameter recording with up to 48 parameters
Sequence randomizer that follows the scale you select
Parameter automation per step and real-time
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono and paraphonic modes

Seamless DAW integration

With 256 user-editable presets the UNO Synth PRO X is a playground for sonic fun and exploration. Effortlessly sculpt save and recall your own custom sounds recapturing every moment of your creativity. And with the included Editor/Librarian software providing seamless control from your Mac or PC anything becomes possible. The Editor works as both a standalone application and as a plug-in inside your favourite DAW. This means you can program and play the UNO Synth PRO X just like a virtual instrument.

Designed for portability
The UNO Synth PRO X is not only a fun sound-design partner but also the perfect musical companion on the go, adapting to any environment. From backpack to mainstage, new sonic destinations will always be within reach.
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs

Custom travel bag available

Whether you're a seasoned sound designer or on the way to becoming one, UNO Synth PRO X is here to travel physically and sonically wherever you go.

UNO Synth PRO X Specifications

Sound generation
3 discrete wave-morphing oscillators
3 super-fast envelopes with loop and retrigger options
PWM, sync, FM and ring modulation
Dual-filter design, OTA and SSI-chip based
12 studio-quality FX in 3 slots + analogue drive

Performance tools
Advanced paraphonic 64-step sequencer
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono, paraphonic
Audio input to filters and FXs or pass-through

Complete controls
Over 30 hands-on controls
16-slot modulation matrix
256 user editable presets
USB / MIDI / CV / Gate in/out
Backlight control and onboard factory preset restore
Advanced software control for Mac/PC

Ready for travel
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs
Editor/Librarian included
Optional gig bag available

Dimensions
Size (W x D x H): 33.3 x 15 x 5 cm, 13.11 x 5.91 x 1.96 in.
Enclosure: Plastic
Weight: 800 g, 1.76 lb
Power: iRig PSU-3A (included) or USB (5V/1.5A, 7.5W or above)

Package includes
UNO Synth PRO X
1x USB-C to USB-C Cable - 60 cm, 23.6 in.
Power Supply Unit
Quick start guide
Registration card

NOTE: USB power has inherent ground noise, so when connecting the UNO Synth directly to your computer via USB, you may hear more noise and interference than when the synth is connected to a USB wall charger or running via batteries. With the direct computer connection, you can reduce the USB ground noise and other interference by either using a USB isolator or a custom TRS cable into a balanced input on your preamp or audio interface where the ground is not connected at the balanced input side.

UNO Synth Pro Editor Compatibility

Computers
64-bit application. Requires a 64 bit CPU and Operating System.

Macr (64-bits)
Minimal: macOS 10.15 or later.

Windowsr (64-bits)
Minimal: Windows 8 or late
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MRP:$546.95 SAVE 32%
 2 in stock $370.24
1010 Music Nanobox Tangerine Compact Streaming Sampler 1010 Music Nanobox Tangerine Compact Streaming Sampler 1010 Music Nanobox Tangerine Compact Streaming Sampler 1010 Music Nanobox Tangerine Compact Streaming Sampler
Cat: 976070 Rel: 15 Dec 23 • View all Samplers
 
Compact streaming sampler
Notes: Part of 1010's excellent Nanobox series, the Tangerine is a tiny powerhouse sampler. A fresh new approach to sampling, from one-shots to loops, all the way through to four-hour recordings.

Supplier's Notes:
Sweet and Tangy Sampling

The nanobox | tangerine delivers powerful sampling in an ultra portable form factor. With this nanobox, you can add recording, sample playback, clip launching, slicing, and musically intelligent looping capabilities to your desktop or travel rig. With an intuitive touch screen interface, nanobox | tangerine makes easy work of selecting, editing, and tweaking your samples. You can stream large samples of up to 4 GB file size straight from the microSD card. Interact with other musical components via MIDI. Load multi-sample banks with over 500 samples for amazing instrument reproduction. Tweak your configurations to get them just right, then save them to multiple presets for future reuse.

Top features

Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card

Play multi-sample banks with up to 16 velocity layers and 576 WAV files loaded in one preset

Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, or new recordings

Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio

Trigger samples with the touch screen or MIDI input as one shots or melodic notes

Control how samples start and stop by choosing from one-shot, toggle, gate and piano (New!) launch modes

Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, and MIDI note and channel mapping

Quickly and easily use MIDI mapped controls for more tactile access to common parameters

Record up to 16 sequence layers per preset.

Get into the groove with a fast, fluid, and intuitive workflow

Make music anywhere thanks to a compact and nearly indestructible design

Recording Capabilities

Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

What is Included:
nanobox | tangerine - Compact Streaming Sampler
MicroSD card with 85 presets and over 1500 wav files
Colour matched USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs:

Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type B
Clock Input: 1,2, 4, 8, 12 or 24 PPQ selectable
MIDI support: Note On/Off, Velocity, Pressure, Mod Wheel, Aftertouch, CC mappings to common parameters, program changes and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.
2" touch screen, 2 knobs and 4 buttons in a 3.75" x 3" x 1.5" package

Additional information

Weight: 0.65 lbs
Dimensions: 7.75 × 4.85 × 2.25 in
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Tags: Sampler
 1 in stock $406.00
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quote 976070
Make Noise 0-Coast Semi-Modular Desktop Synthesiser
Make Noise 0-Coast Semi-Modular Desktop Synthesiser (semi-modular desktop synthesiser)
Cat: 599686 Rel: 26 Sep 16 • View all Synthesisers
 
Single voice patchable synthesiser
Notes: A modern classic. Superb little semi-modular monosynth in its own right, but comes alive when paired with other modular gear. A great option for beginners and experienced synth users alike.

Supplier's notes:
The 0-COAST is a single voice patchable synthesizer. Its name reflects the fact that it utilizes techniques from both the Moog and Buchla paradigms (aka "East Coast," and "West Coast," due to their locations), but is loyal to neither and thus implements "no coast synthesis."

While the 0-COAST utilizes classic modular synthesis techniques, it's designed to operate with or without the use of patch cables. The necessary connections have been made from circuit to circuit so it operates as an expressive, musical MonoSynth. Using only the MIDI controller of your choice you could apply new timbres to your existing musical forms!

Using the included Patch Cables you could get more scientific, experimenting with new ways to wire up the circuits. You might even forgo MIDI altogether, disappearing into a cloud of analog FM induced Sidebands and harmonics scattered around a single fundamental drone that has nothing to do with any form of music you've ever known.
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 3 in stock $482.79
Audio Technica AT-LP120XBT-USB Wireless Bluetooth DJ Turntable (black) Audio Technica AT-LP120XBT-USB Wireless Bluetooth DJ Turntable (black) Audio Technica AT-LP120XBT-USB Wireless Bluetooth DJ Turntable (black) Audio Technica AT-LP120XBT-USB Wireless Bluetooth DJ Turntable (black) Audio Technica AT-LP120XBT-USB Wireless Bluetooth DJ Turntable (black) Audio Technica AT-LP120XBT-USB Wireless Bluetooth DJ Turntable (black)
Cat: 849738 Rel: 06 Jul 22 • View all DJ turntables
 
Direct-drive DJ turntable (analogue, Bluetooth wireless & USB)
Notes: Bluetooth-equipped version of Audio-Technica's excellent LP120 turntable. Built-in USB connection allows you to hook directly up to a PC for recording vinyl. Great value.

Supplier's Notes:
This version of Audio Technica's critically-acclaimed AT-LP120X USB, now features full wireless Bluetoothr 5.0 connectivity, allowing you to enjoy your favourite vinyl records on the latest Bluetoothr speakers and wireless headphone technology.

The LP120XBT-USB can be plugged into PC, Linux or Mac allowing you to record and convert your vinyl collection to digital tracks, while the fully manual tonearm puts you in control, allowing you to position and set playback wherever you like.

Taking Your Vinyl to the Next Level

Crystal Clear Bluetooth Wireless Audio

Compatible with most Bluetoothr speakers and headphones, the LP120XBT-USB pairs seamlessly to your devices. Simply press the Bluetoothr button, located next to the tonearm, for 4 seconds and connect to your chosen speakers, it's that simple.

You can also connect to Bluetoothr wireless headphones, giving you the flexibility to enjoy your vinyl records without the clutter of wires or having to be near your turntable and music setup. Sink into your comfiest chair and wirelessly enjoy over half a century of Japanese audio engineering and sound excellence.

Bluetooth 5.0 Technology

USB and Analogue Output

Plays 33-1/3 RPM, 45 RPM and 78 RPM Records

AT-VM95E Dual Magnet Phono Cartridge

Multiple Connectivity Options

Plug and Play

The LP120XBT-USB is designed to give you a high-quality listening experience that's easy to enjoy right out of the box. A built-in preamp means the LP120XBT-USB can be plugged directly into your existing speakers, or, with the simple press of a switch, connect wirelessly via Bluetoothr 5.0 to any Bluetooth-compatible speaker, supported home assistant or wireless headphones. Space saving with no external amps, no clutter and no mess; just incredible sound and reliable features designed with over half a century of Japanese audio innovation.

The LP120XBT-USB can also be plugged directly into your computer, for audio playback via your PC speakers or for simple and easy backup and transfer of your vinyl records to playback on your smart devices when on-the-go.

Over 55 Years of Analogue Excellence

Iconic Sound Loved The World Over

The LP120XBT-USB and LP120XUSB line are some of the best-selling turntables around the world, with over 2,500 5-star reviews on Amazon and consistently high feedback from beginners, music lovers, professionals and audiophiles. Audio Technica designed the LP120XBT-USB with you in mind, eliminating the need for expensive amps or convoluted speaker setups.

Based on the iconic DJ turntables and almost 60 years of Japanese audio innovation, the LP120XBT-USB lets you plug directly into your favourite speakers, or enjoy your vinyl collection wirelessly via Bluetoothr to your smart speakers or wireless and truly wireless headphones.

Specifications

Turntable
Type: 3-speed, fully manual operation
Motor: DC servo motor
Drive Method: Direct drive
Speeds: 33-1/3 RPM, 45 RPM, 78 RPM
Turntable Platter: Die-cast aluminum
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MRP:$357.62 SAVE 12%
 4 in stock $313.39
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quote 849738
Waldorf Blofeld Virtual Analogue Wavetable & FM Synthesiser (white) Waldorf Blofeld Virtual Analogue Wavetable & FM Synthesiser (white) Waldorf Blofeld Virtual Analogue Wavetable & FM Synthesiser (white) Waldorf Blofeld Virtual Analogue Wavetable & FM Synthesiser (white) Waldorf Blofeld Virtual Analogue Wavetable & FM Synthesiser (white)
Cat: 370595 Rel: 20 Oct 09 • View all Synthesisers
 
Synthesiser comes with a FREE copy of The Waldorf Edition software, includes D Pole Filter Module, PPG Wave 2.V & Attack
Notes: Offspring from a noble house, the little synthesizer machine with the big and evil sound.

Waldorf is back in the game. With the Blofeld.

This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their pulse, Q, Q+, micro Q, microwave, microwave II/XT, or even the flagship wave.
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MRP:$520.66 SAVE 11%
 2 in stock $464.43
Squarp Instruments Rample Wave System 4-Voice Sample Player & Audio Processor Module
Cat: 783294 Rel: 09 Sep 20 • View all Synth modules
 
Sample player & audio processor module
Notes: Nicely thought out four-voice sample playback module from Parisian innovators Squarp. Load up a microSD card with samples (up to 2600 kits), then trigger and process. Neat.

** Firmware update- February 2024 ***

Thanks to a major rework of the OS, this upgrade includes an overall better sound quality and an improved latency.

Moreover, the effects Freeze and Bitcrusher have been redesigned, and the parameters Start and Sample Length are now exponential to facilitate the fine-editing of your samples.

Supplier's Notes:

Rample waves system

Eurorack 4-voice sample player & audio processor

Versatile sample machine

From percussive drum-machine kits to synth samples, breakbeats to sound FX, backing tracks to hour-long audio music, Rample can play up to 4 .wav files on independent audio outputs :

These samples are stored inside the provided SD card, and organized as kits, from A00 to Z99... allowing up to 2600 banks of 4 voices, with on-the-fly loading! The SD card is preloaded with tons of samples, and we made it very easy to import your own kits.

Thanks to the DC coupled audio outputs, it's also possible to play CV waveforms.

Effects rack

Each voice has its own "rack" of effects, and all audio effects can be enabled at the same time, allowing you to manipulate your samples in real time, from a gentle lowpass to massive destruction!

pitch - a great sounding pitch engine, based on a 6-pole interpolator, which ranges from -1 octave to +1 octave.

bits - two different bitcrushing algorithms, based on sample rate and resolution reduction. It produces distortion and warms the audio signal.

filter - a low resonance filter, DJ-style, cutting off the high frequencies or the low frequencies.

freeze - sample and loop a fraction of the played waveform, creating a glitching effect.

levels - decrease the gain or drive the signal.

It's also possible to edit 'advanced parameters' like the start point, sample length, attack/decay and run mode, and create mute groups without breaking a sweat.

Finally, thanks to the 4 CV inputs, any of the effects (or advanced parameters) can be assigned to create amazing modulations!

Multi-layer sampling

One of the key feature is the ability to "multi-sample" your kits, multiplying Rample's potential. Each voice supports up to 12 samples, can be played randomly or in a controlled fashion. It's a great way to add complexity and variations, to create organic/acoustic sounding drums, or simply to increase the number of samples per kit (up to 48).

As an example, Squarp are providing a multi-layered drum kit, with 12 different recordings of a kick, 12 different recordings of a snare, etc. Sequencing them randomly leads to a more natural drum playing.

Another kind of multi-layered acoustic drum kit is also provided, where each drum is recorded with 12 levels of velocity. Controlling the layer to be played leads to intricate, convoluted drums programming.

Of course, it's very easy to create your own multi-layered kit, and you can use this method to perform multiple synth chords, sound glitches, voices, breakbeats, ...

CV/Gate and Midi interface

Rample is designed to be the perfect rhythmic companion of your eurorack system thanks to its Gate (trig samples) and CV (modulate samples) connectivity.

You can also use it as a standalone midi machine, without using the CV/Gate connectivity: the midi in port allows you to trig & control all samples parameters + effects values at the same time. Each Rample comes with a 'stereo jack to midi DIN' and 'stereo jack to jack' adapters, easing the chaining of multiple modules in order to create an 8-voice, 12-voice, 16-voice (or more) midi drum machine!

SD card preloaded with 200+ kits from artists and sound designers, covering a large range of audio samples
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OTO Machines BIM 12-Bit Analogue/Digital Hybrid Delay Processor OTO Machines BIM 12-Bit Analogue/Digital Hybrid Delay Processor OTO Machines BIM 12-Bit Analogue/Digital Hybrid Delay Processor
Cat: 763272 Rel: 08 Jun 20 • View all Effects units
 
stereo delay unit
Notes: Ultra-characterful 80s grit from this unique stereo delay. The BIM's 12-bit circuitry gives all that vintage colour with modern features like perfect stereo balance, MIDI control and tap tempo.

Supplier notes:
BIM is a 12-bit stereo delay unit inspired by some studio delay processors built in the early 80s. These monophonic processors have been renowned for the quality and musicality of their sound. The processing was mainly analog (companders, limiters, low-pass filters, feedback path,...), and the signal was converted to digital just for the delay section, using 12-bit AD/DA converters and some RAM memory chips.

The advantage of this technology is particularly obvious when the sound is feedbacked many times through the whole analog and 12-bit circuitry. You'll hear a sweet degradation and dark damping that the 100% digital delay boxes can't offer. BIM was designed with the purpose of creating a unique, modern and versatile effects processor based on this 80's technology.

The sound of an old 12-bit digital delay has been mixed with modern features such as stereo processing, extra FXs, many user presets, MIDI control, tap tempo, compact size- therefore BIM is the best of both worlds!

BIM is the perfect companion for the musician, producer, sound engineer or live performer who is looking for a unique, warm and musical delay processor.
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 2 in stock $481.73
Tiptop Audio Mantis 2x104HP Modular Synthesiser Enclosure Case (orange, UK power supply)
Cat: 622920 Rel: 16 Dec 20 • View all Synth Module Accessories
 
2x104HP modular synthesiser enclosure case
Notes: With Mantis, Tiptop took their years of experience with Eurorack to create a low-cost case that makes the Eurorack modular synthesizer look, work, and feel like a professional instrument. Mantis is an instrument that is at home on stage, touring, or in the center of the studio.

Mantis has two rows of 104HP for you to rack your modules. It comes fully powered and assembled, just drop in your modules and play.

Using its sophisticated leg mechanism, you can set it to three different positions: 0, 45, and 90 degrees.

Power Power and more Power! With Mantis, say bye-bye to the tedious, never-ending calculation of current consumption for the i12V power. Mantis comes with a juicy Zeus power supply that delivers plenty of power both now and for the future.

Mantis is beautiful and the color contrast between legs and body gives it its identity. Legs are offered in 4 different colors so anyone can find the right look.

Mantis comes with real Z-Rails made according to Eurorack enclosure standards. No sliding nuts or wrong spacing! It also has keyed power connectors to help protect your modules from damage from plugging the power in in reverse.

Using the optional bracket accessory Mantis can be doubled up to 416HP! Multiply your Mantis and watch your studio setup grow...

Weighing only 3kg/6.5lb, Mantis is so light, traveling has never been so relaxed.

The Dual Mantis Studio Brackets pair lets you connect two Mantis together in a robust and elegant solution. This setup is fixed and is recommend mainly for studio use. The brackets are cut precisely by laser from a sturdy metal and then coated twice for a nice smooth finish that matches the Mantis light gray color. They come with sixteen screws and special washers that help hold the screw in place during assembly and keep a tiny gap between the brackets and the Mantis. Installation is fairly simple and takes about 30 minutes to complete.

***UPDATE - MAY 2021 ***
As of May 2021, all Mantis cases shipped have a small update to the design. The connector for SyncBus is no longer included. This connector was never used as Tiptop didn't develop the cable for it, and the connector is no longer in production by the manufacturer so it was removed. The Mantis still has the same power supply and functions as before.
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Korg Minilogue 37-Key Polyphonic Analogue Synthesiser Korg Minilogue 37-Key Polyphonic Analogue Synthesiser Korg Minilogue 37-Key Polyphonic Analogue Synthesiser Korg Minilogue 37-Key Polyphonic Analogue Synthesiser Korg Minilogue 37-Key Polyphonic Analogue Synthesiser
Cat: 598443 Rel: 29 Jan 16 • View all Synthesisers
 
Polyphonic analogue synthesiser
Notes: Killer value for money here. Korg's budget synth brings proper analogue polyphony to a crazy price point. Amazingly versatile with sound to match synths two or three times the price.

Supplier's notes:
Meet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer:
minilogue's newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.

True analog sound:
The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it's a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.
The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators' harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.

Polyphony and Presets - Perfect:
minilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue's engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.

Voice modes:
Selectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.

Eight voice modes:
- POLY - operates as a four-voice polyphonic synthesizer
- DUO - operates as a unison two-voice polyphonic synthesizer
- UNISON - operates as an all-unison mono synthesizer
- MONO - operates as a mono synth with sub-oscillator
- CHORD - produces chords
- DELAY - voices 2--4 sound consecutively at a delay following voice 1
- ARP - an arpeggiator operates with up to four voices
- SIDE CHAIN - when a note sounds, the volume of the preceding voice is lowered

16-step sequencer:
Get creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.

Oscilloscope visualizes the sound:
The OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.

Build quality:
The uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.

Sync with groove machine:
In addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.
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Knobula Chord Pilot MIDI Chord Explorer & Arpeggiator Module
Cat: 910319 Rel: 07 Feb 23 • View all Synth modules
 
MIDI chord explorer & arpeggiator module - 12HP
Notes: Another clever one from Knobula, this chord-based sequencer/arpeggiator adds versatile harmonic options to your creative process. Pair it with the Poly Cinematic module for best results.

Supplier's Notes:
Generate extraordinary chords without using a keyboard.

Chord Pilot introduces a whole new take on the task of chord creation and performance offering 192 chord memories, a strummer, an arpeggiator and an 8 step chord progression sequencer, all in one compact 12hp package.

Knobula have thrown away the music theory rule book and instead offer a module that encourages the curious mind to discover alternative musical pathways, whether for generative patches or for EDM riffs.

To generate a new chord, Chord Pilot uses a series of controls that alter the width and spread of 'fingers' over a virtual keyboard before conforming them into a variety of musical moods from the pure and harmonious to the terrifying and cacaphonic.

Like all Knobula products, Chord Pilot has been designed primarily with performance in mind, to inpsire by experimentation, to lose yourself in the moment, and to occassionaly generate impossibly hard to play super chords.

With the ability to store and transfer chords in sets of eight, Chord Pilot makes a great companion module for Poly Cinematic, but it is equally at home serving any poly synth with a midi input.

Discover Chord Pilot, your guide, navigator and explorer to a whole new universe of musical harmony, and beyond.
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 1 in stock $311.74
Solid State Logic SSL 12 12-In/8-Out USB & MIDI Audio Interface Solid State Logic SSL 12 12-In/8-Out USB & MIDI Audio Interface Solid State Logic SSL 12 12-In/8-Out USB & MIDI Audio Interface Solid State Logic SSL 12 12-In/8-Out USB & MIDI Audio Interface Solid State Logic SSL 12 12-In/8-Out USB & MIDI Audio Interface Solid State Logic SSL 12 12-In/8-Out USB & MIDI Audio Interface
Cat: 912626 Rel: 01 Dec 22 • View all Audio interfaces
 
The perfect audio interface for producers and engineers who demand uncompromising performance and versatility from a desktop device.
Notes: An affordable taste of the legendary Solid State Logic sound, an iconic name in high-end recording consoles. The SSL 12 offers four analogue inputs and four analogue outputs plus eight-channel ADAT digital expansion and two stereo headphone outs which can also be used as line outs.

Supplier notes:
Class-leading performance, in the studio and on the road

The Solid State Logic SSL 12 is the perfect audio interface for producers and engineers who demand uncompromising performance and versatility from a desktop device. SSL 12 is capable of being both a studio centrepiece and a portable production hub to take with you on the road. Four SSL-designed mic pre-amps with uncompromising low-noise and high gain performance, Legacy 4K analogue enhancement for adding that signature SSL colour, class-leading dynamic range from premium-quality converters, comprehensive monitoring section, ADAT expandability, talkback mic, flexible headphone outputs and an intuitive console-style software mixer. SSL 12 just set a new bar for what you can expect from a unit that is entirely USB-powered.

Big studio features, small desktop footprint

SSL 12 is loaded with an extraordinary amount of professional studio features normally reserved for high-end rackmount interfaces. For tracking, the ADAT connectivity, together with the on-board talkback mic and an incredibly powerful cue mixer (that allows you to create up to 4 independent near-zero latency performer mixes) will handle the most demanding of recording sessions. For mixing, alternative monitor switching and assignable front panel control room functions puts everything you need at your fingertips. For production, USB Loopback, MIDI I/O and DC-coupled outputs for CV control of synths and FX equip you with a serious toolkit to keep the creativity flowing. To top it all off, the ever-expanding SSL Production Pack (packed with a selection of must-have virtual instruments, plug-ins, samples and DAWs) helps to bring your productions to life.

SSL Studio Quality and Know-How

For over 50 years, SSL have been designing cutting-edge mixing consoles and hardware processors, as used by the world's most recognised artists and recording studios. Over that time, their reputation as a world-leading manufacturer of professional audio equipment has centred around a constant pursuit of audio excellence and technical innovation, accomplished through streamlining production workflows and advanced studio ergonomics. SSL 12 takes the 'traditional' desktop audio interface where it's never been before with an incredible array of features in a compact footprint that delivers outstanding audio quality. Featuring the familiar Alps pots, Neutrik connectors and an attractive brushed aluminium front panel, SSL 12 is built to last whether you're using it in the studio or on location.

Real Analogue Enhancement Inspired By The SSL 4000-Series (4K) Console

SSL has a history of innovation in analogue electronics and console design. Whether it be the sound of the classic '242' and '292' EQ circuits, the punch of the legendary SSL Bus Compressor or the incredible bandwidth and sonic accuracy of the ground-breaking SuperAnalogue designed mic amps and consoles, SSL are always moving forward with analogue. Legacy 4K is an all-analogue enhancement effect, inspired by the character of an SSL 4000-series console (often referred to as '4K'). It distils two essential characteristics of the 4K sound into a single circuit. The first thing engaging the Legacy 4K circuit will do is to introduce a forward, yet musical sounding high frequency EQ boost, helping to add some excitement to your vocal or instrument. Secondly, it'll add some subtle analogue distortion with finely tuned harmonic content, helping bolster any sound with more edge and personality.
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 1 in stock $380.76
Reloop RP-7000MK2 Professional Upper Torque DJ Turntable (silver) Reloop RP-7000MK2 Professional Upper Torque DJ Turntable (silver) Reloop RP-7000MK2 Professional Upper Torque DJ Turntable (silver) Reloop RP-7000MK2 Professional Upper Torque DJ Turntable (silver)
Cat: 667568 Rel: 26 Jan 18 • View all DJ turntables
 
Professional upper torque turntable system - silver
Notes: One of our favourite DJ turntables, courtesy of German DJ brand Reloop. Classic Technics-inspired design updated with nice features like reverse mode, 78rpm setting and second start/stop button.

Supplier notes:
With the RP-7000 MK2, Reloop has built a turntable that caters to the high demands of professional DJs and modern nightclubs. With its powerful direct drive motor and rugged construction we were able to develop a sturdy and indestructible turntable that can take on harsh everyday life with ease.

Sturdy Casing Construction:

By using a combination of metal, rubber and synthetic materials, the RP-7000 MK2's housing is more reinforced and heavy than ever before. This results in a turntable that is extremely resistant to vibrations that can be caused by heavy bass sounds in DJ booths and its shock-absorbing feet help to further improve isolation. The surface is coated with a scratch-resistant high-quality deep black or classic silver metallic finish.

Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:

The RP-7000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).

Dual Start/Stop Buttons, Precise Motor Control and Reverse Function:

As well as the above technical innovations, the RP-7000 MK2 is equipped with a few functions that will make any DJ's life much easier. The newly developed aluminium LED target light is freely moveable to help you find the stylus position in dark surroundings. The target light is also removable and easily exchanged. An additional start/stop button has also been integrated to facilitate a vertical setup (battle position) and by using the buttons on the RP-7000 MK2's top panel, you can switch between the three motor speeds (33 1/3, 45 & 78 rpm). Dedicated buttons for forward and reverse mode allow for further creativity in your mix.

High-Resolution Pitch Section with Digital Fader:

Using the high-resolution pitch fader you can adjust the platter speed in the classic turntable pitch range +/-8%. However, the RP-7000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch. This allows for increased creativity when modulating the playing record's tone. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).

High-Quality Connections and Integrated Phono Pre-Amp:

Thanks to the recessed rear connection panel, the RP-7000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. The switchable integrated phono pre-amp makes it is possible to use the gold-plated RCA connectors for both phono and line output signals. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.

Powerful Motor with Extensive Adjustment Possibilities:

The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes it an extremely smooth running turntable with wow and flutter of just 0.01% WRMS*. Furthermore, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration reducing rubber to eliminate unwanted vibrations and resonance.
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 2 in stock $459.66
Endorphin.es Ghost Audio Processor Module (black)
Endorphin.es Ghost Audio Processor Module (black) (delay/digital/distortion/dual/stereo/dynamics/effect/filter/reverb synth module)
Cat: 880293 Rel: 05 Oct 22 • View all Synth modules
 
In collaboration with Andrew Huang, based on his modern music production techniques, Endorphin.es developed a creative audio processor with multiple blocks that can be moved around in order to achieve different flavours for sound design.
Notes: Collabing with YouTube sensation Andrew Huang, Endorphin.es offer up this impressive multipurpose processor module. Building blocks of stereo filtering, compression, reverb and more offer huge creative potential.

Supplier's Notes:
In collaboration with Andrew Huang, based on his modern music production techniques, Endorphin.es developed a creative audio processor with multiple blocks that can be moved around in order to achieve different flavours for sound design.

Processing unit without fixed structure: intuitively create astonishing and ephemeral timbres, from atmospheric rumbles to heavy or distorted textures.
Creative stereo effect processor with delay, reverb, filter and distortion with quickly explorable routing chain with single button press.
New generation ARM Cortex - M7 processor with 96 kHz 32 bit internal processing.
Lush hall and whooshing reverse reverbs with audio freeze and pre-delay.
Sidechain audio ducking envelope available both internally and externally with additional one knob single band compressor.
Tap delay with maximum delay time up to 2.5 seconds, external clock input with onboard clock divider and 1v/oct time control.
8x oversampled distortion algorithm.
Pre- and post - VCA, tone and volume controls with extra gain.

Power consumption:
135 mA +12V
35 mA -12V
0 mA 5V

Dimensions:
16 HP
26 mm deep with power ribbon cable connected.
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 2 in stock $408.11
OXI Instruments Coral Polyphonic Multi-Engine Synth Voice Module
Cat: 938984 Rel: 01 Jun 23 • View all Synth modules
 
An 8 full voice polyphonic, multipart, multi engine synthesiser module with sample playback, sweet reverb and chorus in 14HP.
Notes: Hugely powerful multi-engine synth module, offering up to eight voices and eight oscillators, sample playback, custom wavetables and much more. Ultra versatile.

Supplier's Notes:
8 full voice polyphonic, multipart, multi engine synthesizer module with sample playback, sweet reverb and chorus.

Create pads, basslines, riffs and drums. All in one module.

Group voices into parts and assign each voice a different engine or parameter settings to create complex patches.

Features:

Big Sound

Lots of computing power to deliver rich sounding engines, in an 8 voice package.
One voice can have 8 oscillators depending on the engine, which means up to 64 oscillators at the same time!

Polyphonic

Coral features 8 full voices with independent filter, amplifier and modulation envelopes per voice.
Individual FX sends and individual parameter can be set per voice!

Multiengine

Different sound engines can be assigned to each voice from the 10 available.
New engines will be available through firmware updates.

Multipart

The 8 voices can be freely split into different parts. Every single parameter (filter, envelope settings, engine, FX sends, pan, etc.) can be independently set for each part or voice to create complex patches out of the box.

Sample playback

CORAL supports almost any kind of wav file: 16, 24 and 32 bit mono and stereo files, no limit to playback time!
Add overdrive to your samples, sculpt them using the filter and envelopes, pitch them up and down in tune and even modulate the sample file or folder in real time using the CV inputs or CC MIDI commands!

Custom wavetables

You can load any wavetable .wav file to the SD card for the Wavetable engine. The wavetable can be morphed in 3 dimensions. Use our OXI Wave APP to create and edit 3D wavetables.

MIDI Integration

Control any part's parameter via MIDI CC, from FXs sends to sample selection.
Combine it with CV signals for a killer compact combo.

Effects

Space engine to create deep atmospheres and rich ensemble chorus.
Every effect send can be set per voice
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quote 938984
Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (blue) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (blue) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (blue) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (blue) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (blue)
Cat: 959522 Rel: 28 Jul 23 • View all Effects pedals
 
Stereo ambient reverb effects pedal.
Notes: The Sloer Stereo Ambient Reverb builds on our popular Slo lineup but adds two additional reverb algorithms, stereo width control, two additional modulation wave shapes, and the ability to control the sample rate. Now you can create immersive, lush, modulated, sleepy, and ambient soundscapes with more width and depth than ever before.

Save your favourite dreamscapes with three onboard presets by simultaneously pressing and holding down on the bypass and sustain switches. Scroll through them by simultaneously pressing and releasing bypass and sustain.

The five-way rotary dial allows five different reverb modes - the three you know and love from the Slo: Dark (Lower Octave), Rise (Ambient Swell), and Dream (Latching Pad); and the addition of two new modes: Rain (Delay Tap Diffusion) and Light (High Octave Shimmer). Secondary functions on the dial change between five different wave shapes for modulation on the reverb trail.

Combine deep modulation, long washy trails, and an immersive stereo field to experience Sloer.

5 reverb modes:

DARK - Add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb.

RISE - This is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time it takes the reverb to swell in after a note is played. Set lower for shorter rise times and higher for longer rise times.

DREAM - Lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add vibrato over the pad. Press sustain again and the pad will decrescendo according to where the decay knob is set. X knob sets the depth of vibrato applied to the reverb trail.

RAIN - Tappy and trippy, this program creates a unique effect with lower levels of diffusion allowing the reverb delay taps to audible create an echo-like effect within your reverb. Use the Xcontrol to set the amount of diffusion of the delay taps.

LIGHT - Bright and smooth reverb with an octave-up shimmer. Create a range of ethereal sounds with the X slider, keep it low for a smooth pad-like reverb or push it higher for a bright shimmer effect.

5 wave shapes

The Sloer also features five different wave shapes accessible by holding down bypass while switching the algorithm dial.

Sine - Smooth and even pitch up and down modulation.
Warp - Asymmetric pitch up modulation similar to a warped record.
Sink - Asymmetric pitch down modulation for sinking detune similar to a Bigsby.
Square - Symmetric pitch up and down modulation for stepped modulation.
Random - Uses sample and hold that picks new random values.

Momentary functions

Bypass: When the switch is in the off position, press and hold to temporarily activate the effect to add a moment of reverb texture. Releasing the switch turns the effect off, and fades it out.

Sustain: When pressed, the decay switch ramps up the reverb trail to maximum creating a long dreamy reverb trail, and then ramps back down to the decay knob setting when released. In the "Dream" algorithm, the sustain switch is latching. Press it once to capture and sustain the current reverb decay for extremely long pad-like sounds. Press it again to let the reverb trail taper off, based on the position of the decay knob.

Trails mode

The Sloer can run in trails or no trails mode. In trails mode, when you turn the pedal off, the reverb decay dies off naturally. In no trails mode, the decay is abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.

Preset spillover

When scrolling through presets, there is only preset spillover if the next preset is the same algorithm as the one preceding it. For example, if your red and green presets are both in Dream mode, switching from red to green will not cut your reverb trails.

Specs

The Sloer comes in a Lollipop Blue finish with light blue and off white ink featuring original artwork by Christi Du Toit OR a matte black finish with cream ink.
The die-cast enclosure's exact size is 4.79" x 3.62" x 2.25" including knobs.
Power requirements are 9VDC (100mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.
Power supply not included.
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 2 in stock $352.36
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Boss RE-202 Space Echo Effects Pedal Boss RE-202 Space Echo Effects Pedal Boss RE-202 Space Echo Effects Pedal
Cat: 997454 Rel: 01 Mar 24 • View all Effects pedals
 
Space echo effects pedal
Notes: Based on the legendary Roland Space Echo, the RE-202 brings tape-style delay effects into the future. Classic vintage sound in a modern, user-friendly package.

Supplier's Notes:
A Masterpiece Returns in the Modern Era

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

Backed by intensive R&D and Boss' latest innovations, the RE-202 faithfully delivers the authentic sound and behaviour of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201's magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colourful preamp circuit. And to take things even further, Boss have expanded the vintage Space Echo experience with lots of new features tuned for today's music.

Tape Echo Magic

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today's CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colours the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that's subtle and continually evolving.

RE-201 Space Echo: Simply Legendary

The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analogue preamp circuitry was another key ingredient in the Space Echo's rich sonic recipe.

A Masterpiece Reborn

Realized through the latest technologies and exhaustive analysis of several vintage RE-201s-including a pristine original unit from the BOSS and Roland factory archive-the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

While previous BOSS designs captured the true sonic flavour and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, Boss' engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

Retro Sound at Your Fingertips

The RE-202 delivers the full vintage vibe of the RE-201-without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behaviour is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviours of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob.

Sampling Frequency: 48 kHz

AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converter.

DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, INPUT B: -10 dBu
Maximum Input Level: INPUT A/MONO, INPUT B: +7 dBu
Input Impedance: INPUT A/MONO, INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, OUTPUT B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, OUTPUT B: +7 dBu
Output Impedance: OUTPUT A/MONO, OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY switch, TAP switch, SATURATION knob, WOW & FLUTTER knob, MODE SELECTOR knob, BASS knob, TREBLE knob, REVERB VOL knob, REPEAT RATE knob, INTENSITY knob, ECHO VOL knob, MEMORY button, INPUT button, TAPE button

Connectors: INPUT A/MONO jack, INTPUT B jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)
Power Supply: AC adapter
Current Draw: 140 mA
Accessories: AC adapter, Owner's Manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Rubber foot

Options (sold separately)
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 192 mm / 7-9/16 inches
Depth: 133 mm / 5-15/64 inches
Height: 52 mm / 2-3/64 inches
Height (including rubber foot): 53 mm / 2-3/32 inches
Weight: 860 g / 1 lb 15 oz
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MRP:$375.50 SAVE 19%
 2 in stock $303.98
1010 Music Bitbox Micro Compact Sampling Module (black) 1010 Music Bitbox Micro Compact Sampling Module (black) 1010 Music Bitbox Micro Compact Sampling Module (black)
1010 Music Bitbox Micro Compact Sampling Module (black) (sampling/drum/clock generator/controller/digital/dual/stereo/MIDI synth module)
Cat: 913321 Rel: 28 Dec 22 • View all Synth modules
 
Compact sampling module
Notes: Black version of Bitbox's excellent sampling module. Touchscreen-based design allowing up to eight stereo samples, recording directly or loaded from SD card.

Supplier's Notes:
Bitbox micro provides Eurorack sampling for smaller racks and smaller budgets. In only 18 HP of rack space you can get a touch screen based sampler with support for 8 stereo sample pads. Now you can record samples directly into the module or load them from the microSD card. Trigger your samples via CV or MIDI, then apply effects and mix the outputs. Save your configurations to multiple presets for later reuse.

Powerful Sampling Capabilities in a Smaller Form Factor

With the sampling features of Bitbox micro you can add interesting new ways of generating sound and music to your Eurorack. Trigger one shots, play time synched loops or record live looping. Bitbox micro is equally at home in your studio or as a component of your live performance.

Features

Sample Playback
Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card
Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Sample Recording

Record Eurorack level audio straight into the module:
Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI and CV
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

Sample Modes

Find creative ways of using your samples with our 5 sample playback modes:
Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode

Inputs and Outputs

Use the 8 inputs the way you want: assignments include a stereo audio input, up to 8 gate inputs, up to 8 CV inputs and 1 clock input.
Route the audio from each pad out to one of 3 stereo audio outputs or one of 6 mono audio outputs
Listen to all of the pad outputs combined on the master stereo output
Inputs and outputs are DC coupled so you can record and play out CV signals
External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode i no need to look up CC numbers

Module Features

Use the 2" diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Refine your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Compare to Our Other Samplers
Our Sampler Selection Guide shows you how bitbox micro compares to our other samplers.

What Is Included

When you purchase bitbox micro, you will receive:

a bitbox micro Eurorack module
a microSD card with a bank of demo presets and samples loaded on it
a Eurorack power cable
a bitbox micro Quick Start guide
a MIDI Adapter
Firmware Updates
Get new features by downloading firmware updates from forum.1010music.com.

Documentation and Video Tutorials

The Bitbox Micro Support page has links to videos, the quick start guide and the full user manual to get you up and running quickly and answer your detailed questions. If you can't find answers there, reach out to the community with questions on the 1010 Music forum.
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 1 in stock $440.71
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quote 913321
RME Digiface USB 66-Channel Bus-Powered USB 2.0 ADAT Audio Interface RME Digiface USB 66-Channel Bus-Powered USB 2.0 ADAT Audio Interface RME Digiface USB 66-Channel Bus-Powered USB 2.0 ADAT Audio Interface RME Digiface USB 66-Channel Bus-Powered USB 2.0 ADAT Audio Interface
Cat: 641232 Rel: 31 Mar 17 • View all Audio interfaces
 
66-channel bus-powered USB 2.0 ADAT audio interface
Notes: *** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.
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MRP:$462.81 SAVE 15%
 1 in stock $395.49
Make Noise Mimeophon Multi-Colour Zone Stereo Repeater Module
Make Noise Mimeophon Multi-Colour Zone Stereo Repeater Module (delay/effect/dual/stereo/sampling/digital synth module)
Cat: 732819 Rel: 21 Oct 19 • View all Synth modules
 
Audio repeater synth module - 16HP
Notes: Freaky stereo digital delay from the Eurorack gods at Make Noise. Typically creative stuff, packed full of interesting features for creating complex echoes, modulating sounds and generating loops.

Supplier notes:
The Mimeophon music synthesiser module is a stereo, multi-zone colour audio repeater by Make Noise and soundhack, coded by Tom Erbe.

The Mimeophon (from Greek mimeo (repeat/copy) and phon (sound)) is a modern take on various historical sound copying, echo and repeating devices. It allows for Stereo modulations of Time, Space and Timbre of Mono or Stereo sound sources. The Mimeophon is capable of modulating and morphing time scales of repeated sound from micro-sound to note to phrase length while also colouring and spatializing the repeats.
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 1 in stock $388.13
Mordax DATA Multifunction Tool Signal Analyser & Generator Module (silver)
Mordax DATA Multifunction Tool Signal Analyser & Generator Module (silver) (clock generator/clock modulator/dual & stereo/LFO/oscillator/quad/tuner/utility eurorack module)
Cat: 783343 Rel: 26 Feb 21 • View all Synth modules
 
Signal analyser & generator module
Notes: The Ultimate Eurorack Utility Module (and a whole lot more!)

The DATA is a digital platform for testing, measurement, and signal generation in Eurorack modular synthesis systems. It is a modular tool kit, with functions applicable to any system and style.

Use the DATA's scope to view the interactions between your control voltages and audio signals, allowing you to master your modules by understanding their voltage ranges, control shapes, and parameter responses. Use the DATA's dual waveform generator to dial in a precisely scaled LFO for CV control, or use the waveform's frequency "note mode" to effortlessly make dyads (two note chords). Use the DATA's clock program as a master clock or to divide or multiply an incoming clock signal, sending four different clock outs to gate modules directly or as control to sequencers.

The possibilities of the DATA are basically unlimited; with the included microSD you can update the DATA's firmware and we can continue to refine and create new programs.
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 5 in stock $395.49
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quote 783343
Xaoc Devices Sarajewo 1984 Syncable Analogue Delay Line Module
Cat: 797181 Rel: 10 Nov 20 • View all Synth modules
 
An analogue delay module based on old school BBD (Bucket Brigade Delay) chips.
Notes: Sarajewo is an analog delay module based on old school (but newly manufactured) BBD (Bucket Brigade Delay) chips. It features three delay taps, an external clock input with various tempo sync factors, and a wide range of settings controllable via CV. It is based on high quality components with maximum effort put towards the highest sound quality possible, while still preserving the charm of the BBD technology. The module offers a clean and warm analog sound with tons of character and a comfortable user interface with a tap tempo button, signal level indicators, sync and CV inputs, four signal outputs, and an adjustable feedback filter.

TECHNICAL DETAILS:
Eurorack synth compatible
12hp, skiff friendly
Current draw: +180mA / -120mA
Reverse power protection

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 2 in stock $397.58
Acid Rain Technology Maestro 6-Channel Clocked Modulation Controller Module Acid Rain Technology Maestro 6-Channel Clocked Modulation Controller Module
Acid Rain Technology Maestro 6-Channel Clocked Modulation Controller Module (clock generator/clock modulator/controller/CV modulation/envelope generator/LFO/random/sequencer module)
Cat: 804571 Rel: 22 Jan 21 • View all Synth modules
 
6-channel clocked modulation module
Notes: Maestro is a 6 channel clocked modulation controller inspired by the automation lanes found in digital audio workstation software, brought into eurorack and made playable and performable. Maestro will push and pull the parameters of your other modules with rapid or slowly evolving voltages, always in perfect sync with eachother and the rest of your system.

Details:

20hp

25mm deep

65mA on +12, 18mA on -12, 0mA on 5V
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 1 in stock $398.64
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quote 804571
Qu-Bit Data Bender Circuit Bent Audio Buffer Module (silver) Qu-Bit Data Bender Circuit Bent Audio Buffer Module (silver)
Qu-Bit Data Bender Circuit Bent Audio Buffer Module (silver) (digital/distortion/dual & stereo/sampling synth module)
Cat: 798307 Rel: 09 Nov 20 • View all Synth modules
 
Synth module
Notes: Harness the Sound of Failure with Data Bender.

Data Bender is a circuit bent digital audio buffer. It is inspired by the ways in which audio equipment can fail. The sounds of skipping CDs, software bugs, and defective tape machine playback are all accessible. The 96kHz, 24-bit audio buffer can hold over a minute of stereo audio, providing a sonic canvas capable of infinite surprises and discovery.

Circuit bent digital audio buffer

Skipping CDs, software bugs, old tape machine, scratched records

96kHz sample rate, 24-bit depth for high fidelity audio with over a minute of stereo sampling time

Stereo IO

Tech Specs:

Width: 14HP

Depth: 28mm

Power: 58 mA +12V, 60 mA -12V, 0 mA 5V

Color: Silver
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 2 in stock $366.03
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quote 798307
Animal Factory Module Orobas 2 Dual Tube Amplifier Module Animal Factory Module Orobas 2 Dual Tube Amplifier Module Animal Factory Module Orobas 2 Dual Tube Amplifier Module
Animal Factory Module Orobas 2 Dual Tube Amplifier Module (distortion/mixer/VCA/waveshaper synth module)
Cat: 852781 Rel: 24 Feb 23 • View all Synth modules
 
A dual tube amplifier that is composed of two identical units.
Notes: The second batch of Animal Factory's dual-valve saturation all-rounder features hand-matched 6J32P valves for a faster, slightly more precise take on this unique blend of mixing, VCAs, distortion and wave folding.

Supplier's Notes:
Orobas is a dual tube amplifier that is composed of two identical units.

Each channel has two audio inputs with dedicated gain controls and one output volume control.
Thanks to clever routing, a wide variety of sounds can be created. The two channels can be connected in parallel or in series (Parallel / Series). In series connection, the output of channel 1 is still active, good for parallel signals (note: each channel output is phase-inverted in relation to the opposite input). This way, feedback can be generated by feeding back the signal from output 1 to e.g. a control voltage input.

The screen control voltage input determines the gain and the sound characteristics. Additionally, the input is normalized to INPUT 1 of the respective channel.

The Suppress control voltage input is normalized to the input signal if nothing is connected. The purpose of this input is to direct electrons reflected from the anode back to the anode. Turning the knob to the positive does not change as much, turning it to the negative slightly attenuates overtones. With a positive control voltage the change is minimal, but with a negative control voltage you can realize e.g. ducking effects and effectively switch off the tube. Audio Rate Modulation is also possible here and a bit milder than with the Screen CV, but still effective.

The evocation potentiometer controls the feedback of the second output into the first channel. The sonic performance is very much dependent on the Plate Bias switch. The Plate Bias switch effectively controls the headroom. This allows you to use the tubes in three different settings, from fuzz sound to full distortion.

*This version is equipped with other tubes than in version 1.

Tube length: 55mm

Depth: 45mm
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 1 in stock $484.89
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quote 852781
Red Panda Lab Tensor Pitch Shifter & Time Stretcher Effects Pedal Red Panda Lab Tensor Pitch Shifter & Time Stretcher Effects Pedal Red Panda Lab Tensor Pitch Shifter & Time Stretcher Effects Pedal Red Panda Lab Tensor Pitch Shifter & Time Stretcher Effects Pedal
Red Panda Lab Tensor Pitch Shifter & Time Stretcher Effects Pedal (tape stop pitch shifter/time stretcher effects pedal)
Cat: 856617 Rel: 18 Jul 22 • View all Effects pedals
 
A pitch shifter & time stretcher peal that gives you live reverse and tape stop effects
Notes: Mess with time and space in real time with this impressive pitch-shifter and time-stretcher. Reverse and tape stop effects, looping, randomisation and much more, with optional expression and MIDI control.

Supplier's Notes:
The Tensor gives you live reverse and tape stop effects, pitch shifting, time stretching and hold functions that you can combine in creative ways. Slow down, speed up and rewind in real time. Stretch or compress time with no pitch change. Loop, overdub, and randomly slice phrases up to 9.4 seconds (4.7 seconds in stereo).

Intelligent randomization adapts to the knob settings. The results range from occasional CD skips, stutters, and rhythmic repeats to random slicing and erratic pitch shifts. Both foot switches have momentary and latching modes to inject pitch jumps, glitches, or instantly rewind what you just played.

The Tensor is in a pedalboard-friendly enclosure with all jacks on top. All controls are immediately accessible with well-spaced knobs for live tweaking, and USB MIDI for recording and sequencing.

Listen to music written around the Tensor: Tensor Tracks on bandcamp

New in firmware version 1.1:

Loop sampler functions (retrigger / stop / one shot) via MIDI or remote switch
31 presets via MIDI or remote switch
Expression pedal assignable to any knobs
Improved MIDI scaling for speed, time, and pitch
Kill dry mode (always mutes dry signal)

Size:3.05" x 4.75" x 2.5"
Input impedance:1 MO
Output impedance:< 1 kO
Bypass:Analogue buffered
Power:9V DC, center negative
Current:250 mA
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! low stock $315.54
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quote 856617
Boss RC-505MKII Loop Station Boss RC-505MKII Loop Station Boss RC-505MKII Loop Station
Boss RC-505MKII Loop Station (desktop loop station)
Cat: 858659 Rel: 29 Mar 22 • View all Effects units
 
The industry-standard tabletop looper, updated and enhanced.
Notes: Second-generation version of Boss's excellent looper gives you five stereo tracks, four simultaneous effects, hands-on control and full MIDI support. Ideal for live use but also a creative studio tool.

Supplier's Notes:
Looping Magic at Your Fingertips

Packed with inspiring tools for on-the-spot music creation, the RC-505mkII brings next-generation power and flexibility to the world's most popular tabletop looper. Elevate your performances with five stereo tracks and four simultaneous Input FX and Track FX, and soar even further with customizable buttons, expanded I/O, increased mixing control, and other enhancements requested by long-time RC-505 users. Built for free-flowing expression on stage and in the studio, the RC-505mkII is a dream machine for beatboxers, vocalists, multi-instrumentalists, and other fearless looping artists.

More to Love

The RC-505mkII retains everything that made the original so loved and adds a wealth of new features to make the looping experience even more creative and free flowing. The faders provide longer throw for finer adjustments, and they also have a more solid feel under the fingers. And each track now has dedicated FX and Track buttons, making it easier to colour and control your loops in the heat of the moment. Undo/redo has also been enhanced with a Mark Back function that lets you instantly jump back to a previous loop state while performing.

Customize Your Workflow

While the original RC-505 was very customizable, the RC-505mkII takes things to the next level with a vast range of user-configurable controls. You can assign various CTL parameters to the FX and Track buttons and trigger them with a press, hold, or double-click. Pressing the Undo/Redo button reveals a secondary layer, doubling your options. Two external control jacks are also available for connecting footswitches or expression pedals, and each has its own dedicated set of parameters. Crave even more? Then tap into the Assign screens to set up 16 different targets for hardware control and MIDI operation.

More Sonic Colours for Inspired Looping

Sonic variations help make loop performances more compelling, and the RC-505mkII provides a greatly expanded FX palette to colour your sounds during recording and playback. There are 49 Input FX and 53 Track FX types to choose from-including powerful new vocal harmony effects-and you can use up to four in each section at once. Going further, groups of four Input FX and Track FX can be stored in four banks for quick recall, along with toggle or momentary button settings for each type. A step sequence function is also available in some FX to automate parameter changes for dynamic real-time movement.

SPECIFICATIONS

Sampling Frequency: 44.1 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point

Recording/Playback
Number of Tracks: 5
Data Format: WAV (44.1 kHz, 32-bit float, stereo)
Maximum Recording Time: Approx. 1.5 hours (1 track), Approx.13 hours (total of All memories)

Rhythm Type: 200 types or greater
Rhythm Kit: 16 types

Effect:
INPUT FX: 49 types
TRACK FX: 53 types
MASTER FX: 2 types
Memory: 99
Nominal Input Level: MIC 1, 2 INPUT: -40 dBu/INST 1, 2 INPUT: -10 dBu
Maximum Input Level: MIC 1, 2 INPUT: 0 dBu/INST 1, 2 INPUT: +7 dBu/+20 dBu (selectable)
Input Impedance: MIC 1, 2 INPUT: 3k ohms/INST 1, 2 INPUT: 1 M ohms/25 k ohms (selectable)
Nominal Output Level: MAIN OUTPUT: -10 dBu/SUB 1, 2 OUTPUT: -10 dBu
Maximum Output Level: MAIN OUTPUT: +7 dBu/SUB 1, 2 OUTPUT: +7 dBu
Output Impedance: MAIN OUTPUT: 1 k ohm/SUB 1, 2 OUTPUT: 1 k ohm
Recommended Load Impedance: MAIN OUTPUT: 10 k ohms or greater/SUB 1, 2 OUTPUT: 10 k ohms or greater

Controls:
TRACK1--5 REC/PLAY button, TRACK1--5 STOP button, TRACK1--5 TRACK button, TRACK1--5 FX button, ALL START/STOP button, UNDO/REDO button, TAP TEMPO button, RHYTHM START/STOP button, RHYTHM EDIT button, INPUT FX A--D button, INPUT FX EDIT button, TRACK FX A--D button, TRACK FX EDIT button, MENU button, LOOP button, ENTER button, EXIT button, PAGE buttons, 1--4 knobs, OUTPUT LEVEL knob, TRACK1--5 LEVEL Faders

Display:
Graphic LCD (128 x 64 dots, backlit LCD)

Connectors:
MIC IN 1, 2 jack: XLR type (balanced, phantom power: DC 48 V, 10 mA Max
INST IN 1, 2 jacks, MAIN OUT jacks, SUB OUT 1, 2 jacks: 1/4-inch phone type
PHONES jack: Stereo 1/4-inch phone type
CTL1,2/EXP1 jack, CTL3,4/EXP2 jack: 1/4-inch TRS phone type
USB port: USB B type
MIDI (IN, OUT) connectors
DC IN jack

Power Supply: AC adaptor
Current Draw: 1.0 A (with phantom power), 0.9 A (without phantom power)
Accessories:

AC adaptor
Owner's Manual
Leaflet "USING THE UNIT SAFELY"

Options (sold separately):
Footswitch: FS-5U
Dual Footswitch: FS-6, FS-7
Expression Pedal: FV-500H, FV-500L, EV-30, Roland EV-5

SIZE AND WEIGHT

Width: 420 mm/16-9/16 inches
Depth: 234 mm/9-1/4 inches
Height: 67 mm/2-11/16 inches
Weight: 1.8 kg/4 lbs
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MRP:$604.80 SAVE 18%
 1 in stock $493.31
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quote 858659
Yamaha MG16X CV Analogue Mixing Console Yamaha MG16X CV Analogue Mixing Console Yamaha MG16X CV Analogue Mixing Console Yamaha MG16X CV Analogue Mixing Console
Cat: 870823 Rel: 02 Sep 22 • View all Studio mixers
 
16-Channel Mixing Console
Notes: Part of the analogue MG-X series, the MG16X CV features 16 channels with D-PRE class A preamps, three-band semi-parametric EQ and high-quality SPX digital effects. Solid value.

Supplier's Notes:
MG-X are an addition to the MG Mixer line up. Available in 10, 12 and 16 channel versions, this variant of MG Mixer features our acclaimed SPX effects, without the USB option featured on the XU model - perfect for all scenarios where USB streaming is not needed. The quality and features of the MG mixers series is of course retained, whilst the new models are presented in a fresh black/grey finish.

Road Tough. Studio Ready.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of their products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.

With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

As same as XU models, X models have SPX effects. Not to mention live session, but also installation cases like conference rooms, banquet halls and weddings, users can have wide range of use. Stylish grey colour models enhance your performance.

Specifications

Mixing capability

On-board processors - SPX algorithm: 24 programs, PARAMETER control:1, FOOT SW:1 (FX RTN CH on/off)
I/O
Phantom power: +48 V
Digital I/O: N/A

Input Channels

Mono[MIC/LINE]: 8
Mono/Stereo[MIC/LINE]: 2
Stereo[LINE]: 2
Output Channels
STEREO OUT: 2
MONITOR OUT: 1
PHONES: 1
AUX SEND: 4
GROUP OUT: 4
Bus - Stereo: 1, GROUP: 4, AUX: 4 (incl. FX)

Input Channel Function

PAD: 26 dB (Mono)
HPF: 80 Hz, 12 dB/oct (Mono/Stereo: MIC only)
COMP: 1-knob compressor (Gain/Threshold/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec
EQ HIGH: Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving
EQ MID: Gain: Gain: +15 dB/-15 dB, Frequency: Mono 250 Hz - 5 kHz peaking, Stereo 2.5 kHz peaking
EQ LOW: Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving
PEAK LED: LED turns on when post EQ signal reaches 3 dB below clipping
Level Meter: 2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB]

General

Total harmonic distortion: 03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min
Frequency response: +0.5 dB/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min
Hum & noise level
Equivalent input noise: -128 dBu (Mono Input Channel, Rs: 150?, GAIN knob: Max)
Residual output noise: -102 dBu (STEREO OUT, STEREO master fader: Min)
Crosstalk: -78 dB
Power requirements: AC 100 - 240 V, 50 / 60 Hz
Power consumption: 22 W

Dimensions

W: 308 mm (12.1"), H: 118 mm (4.6"), D: 422 mm (16.6")
Net weight: 2 kg (9.3 lbs.)
Accessories: Included Accessory: Owner's Manual, Technical Specifications, AC power cord, Cubase AI Download Information, Optional Accessory: Rack-mount kit RK-MG12, Foot Switch FC5
Others: Operating Temperature: 0 to +40C
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MRP:$549.06 SAVE 19%
 1 in stock $442.30
PWM Malevolent 32-Key Analogue Semi-Modular Keyboard Synthesiser PWM Malevolent 32-Key Analogue Semi-Modular Keyboard Synthesiser PWM Malevolent 32-Key Analogue Semi-Modular Keyboard Synthesiser PWM Malevolent 32-Key Analogue Semi-Modular Keyboard Synthesiser
PWM Malevolent 32-Key Analogue Semi-Modular Keyboard Synthesiser (analogue semi-modular keyboard synthesiser)
Cat: 871121 Rel: 19 Jul 22 • View all Synthesisers
 
A semi-modular analogue synthesizer, that boasts 19 x 3.5mm inputs and outputs for deep sound exploration and integration capabilities with other modular systems.
Notes: Cracking value in this brutalist beauty manufactured by Bristol's Future Sound Systems. Interesting features like wave-shaping VCOs and Sallen-Key filter make it the ideal starting point for a bigger modular setup.

Supplier's Notes:
Malevolent has been designed by Paul Whittington in collaboration with Bristol based synth manufacturer Future Sound Systems who have provided the analogue circuitry, and Ben Supper who developed the control interface:

Paul has a had a long career in developing products for some of the biggest names in the industry and is now using his expertise to build instruments, bringing in talents from friends he's made during his tenure in development.

Future Sound Systems are a renowned Bristol based synthesizer manufacturer, who are responsible for some of most forward-thinking designs on the market, they specialize in modular and semi-modular synthesizers & their design prowess is very apparent in Malevolent.

Despite its diminutive size, Malevolent sounds big, aggressive and is capable of everything from soaring leads, huge bass sounds, percussive phrases, weird sound FX and more.

It's form factor, user interface and price point make it a great option for those taking their first step in the modular domain, but it's unique sound, extensive modulation capabilities and the options for integrating seamlessly with other synthesizers, makes it a great option for experienced user who's looking for something a little different.

Modular Pure Analogue Synthesiser

Pure Analogue signal path designed by Future Sound Systems
Pure VCOs

19 Outputs and 19 Inputs for 3.5mm mono jack cable patching
Normalised signal path for immediate sound Malevolence
Additional rear panel line out
Additional headphone out


2 Voltage Controlled Oscillators
Saw / Triangle / Pulse outputs plus Mix for each oscillator
1V/Oct pitch control input
Shape control / pulse width modulation input
2x Frequency Modulation inputs
Coarse / Fine tune control
Shape mod amount control
FM1 and 2 mod amount controls
Shape control
Selectable waveforms for the mix output
Individual osc level control


LFO (Low Frequency Oscillator)
Triangle / Square wave outputs
Rate control

2x Envelopes
Individual ADSR controls for each envelope
Individual gate inputs
Individual envelope outputs


Multi-mode 2 pole VCF (Voltage Controlled Filter)
Low pass / Band pass / High Pass individual inputs
2x Frequency Modulation inputs with amount controls
Filter cutoff
Filter resonance


Mixer
Noise w/level control
Aux input w/level control


VCA (Voltage Controlled Amplifier) with overdrive control
Compatible with Eurorack standard 1V/Oct gear
Monophonic and patchable allowing individual pitch control of each VCO and gate control of each envelope
USB bus-powered
MIDI In / Out
Headphone out
Line out
Analogue clock in & out


USB-MIDI to 1V/Oct CV & gate conversion
All pitch and gate control is fully analogue
Analogue clock In / Out


Multi-function Joystick control
Left / right for pitch bend
Performable portamento
Performable vibrato
This is in addition to the analogue LFO
Latching hold mode


Arpeggiator
6 arpeggiator types
Up, Down, Up/Down 1, Up/Down 2, Played & Random
Auto clock sync
Detects analogue / MIDI or USB-MIDI clock and synchronises the arpeggiator automatically
Selectable sync rates when clock detected
Rate / sync control
Latch
6 Octave range
Analogue / MIDI / USB-MIDI Clock output when arpeggiator is running


Keyboard Control
32 Velocity-sensitive mini-keys
Octave shift +/- 4 octaves
Pitch output
Velocity output
Gate output
Local Off mode for DAW use


Includes:
5 Patch cables

Power Supply (9V 600mA)
USB C lead

Getting Started Guide


Weights and Dimensions:

Product (unboxed):
490 x 250 x 80 mm
2.61 kg

Product (boxed with contents):
690 x 320 x 160 mm
3.70 kg
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MRP:$524.86 SAVE 22%
 2 in stock $410.51
ALM 6U 84HP Powered Modular Synthesiser Enclosure Case
ALM 6U 84HP Powered Modular Synthesiser Enclosure Case (modular synthesiser enclosure case)
Cat: 875241 Rel: 26 Apr 22 • View all Synth Module Accessories
 
The cases all feature anodised aluminium construction, an on/off switch, rubber feet, and high quality switched powered bus boards with numerous keyed headers and ample power capacity.
Notes: ALM Eurorack cases are available in a range of sizes all including an integrated powered bus boards.

The cases all feature anodised aluminium construction, an on/off switch, rubber feet, and high quality switched powered bus boards with numerous keyed headers and ample power capacity.

These are simple and compact Eurorack cases, perfect for small, focused systems, taking along on travels, or as a tabletop addition to a larger setup.

Cases are available in 4 sizes; 3U 84HP / 6U 84HP / 3U 52HP / 6U 52HP sizes. They all offer 1 Amp on both the -12V and +12V rails per row.

Great modern cases

The ALM powered Eurorack case was originally designed for the System Coupe. Wider interest has seen it evolve into a range of different sized cases being made available by themselves.

A fixed solid bus board provides quality ample power and plentiful keyed power connectors. The shielded DC/DC power converter is low noise and includes overload and short circuit protection. Fixed, quality mounting rails are used over sometimes frustrating sliding nuts. The case has a great looking all anodised aluminium construction that is both strong and light.

The case proportions are designed to look great on a table or desk (not too deep, just enough) and also be easy to fit in a bag and transport.

Decksaver case covers are available currently for the 3U/84HP, 6U/52HP, and 6U/84HP cases.

6U / 84HP

Provides up to 2 Amp power total on each -12V & +12V rails (1 Amp total per row)
Connections for up to 32 modules.
Includes 5 Amp power 'brick'
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 3 in stock $414.42
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Xaoc Devices Moskwa II 1965 Rotosequencer II Module
Xaoc Devices Moskwa II 1965 Rotosequencer II Module (clock generator/quantizer/random/sequencer synth module)
Cat: 831904 Rel: 30 Jul 21 • View all Synth modules
 
An eight-step sequencer generating two kinds of signals: gate/trigger and CV.
Notes: Updated version of Xaoc's Moskwa sequencer module includes customisable gate/trigger sections, independent randomisation sections, built-in quantiser, slew limiter and preset storage.

Supplier's Notes:
XAOC Devices Moskwa II - compact feature-packed sequencer with preset memory and trigger patterns.

Designed with live performance in mind, Moskwa II takes inspiration from vintage analog sequencers and greatly expands on their functionality surpassing our original Moskwa rotosequencer, while retaining the same size, basic panel structure, and operation principles.

At the core of the module is an 8-step CV sequencer and a parallel 8-step gate/trigger sequencer. But there's more, much more. Besides these basic functions, Moskwa II offers more unique, advanced features like eight independent programmable gate/trigger pattern generators (one for each step of the sequence). You can treat them like sequencers within the sequencer offering another eight microsteps for each main sequence step. This allows for programming complex gate/trigger rhythmic patterns (e.g. step repeat, additional pauses, microshifting or swing effect).

Moskwa II features two independent randomization sections that give the user advanced control over the optional chaotic/random change of various sequence parameters (e.g. step order, slew and trigger probability and more). A programmable custom trigger sequence can be up to 256 steps long! Topping it all off, Moskwa II can store eight presets to be loaded at any time. All these functions allow Moskwa II to generate sequences much longer and much more complex than those produced by traditional 8-step sequencers.

Compared to the first Moskwa, Xaoc have also added a transport button for manual starting/stopping of the sequence, range control for CV output, and a flexible quantizer. Two Moskwa II units can be joined for chained operation doubling the number of available steps and preset slots. Ostankino II expander adds CV inputs for many Moskwa II functions, as well as a transpose input, clock out and individual gate/bit outputs for each step.

Specifications:

- 20hp, skiff friendly
- current draw: +40mA at +12V, 0mA at -12V
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 1 in stock $323.97
Joranalogue Step 8 Sequential Tracking/Sampling Register Module Joranalogue Step 8 Sequential Tracking/Sampling Register Module
Joranalogue Step 8 Sequential Tracking/Sampling Register Module (sample & hold/sequencer/switch synth module)
Cat: 846726 Rel: 08 Dec 22 • View all Synth modules
 
Sequential Tracking/Sampling Register.
Notes: Clever sequential signal processing from Joranalogue, capable of a range of functions including toggling signal muter/attenuator, clock divider, rotating shift register or programmable voltage bank.

Supplier's Notes:
Sequencers, sequential switches, counters, analogue shift registers... Modular synthesisers provide a wealth of creative sequential functions for controlling and processing signals. Choosing which of these to include in a system can be a bewildering task.

Except when you don't have to choose. Step 8 represents a new type of modular building block: a sequential tracking/sampling register, which can be configured to provide any of these functions, and many more.

At its heart lies an analogue 1-to-8 signal switch feeding an octet of high-stability track/sample-and-hold stages. Each of these has its own analogue output with an attenuation slider, in addition to a gate output. LEDs visualise the status of each stage in real time. The switch can be controlled sequentially using the built-in 8-step counter, or addressed directly by an analogue control voltage (CV).

Numerous advanced circuit techniques are used to avoid the issues that often plague analogue switching and memory modules. The result: totally transparent signal paths with low noise, distortion and voltage 'droop', yet high bandwidth and precision.

Add to this the ability to 'mute' the inactive stages, pause the counter, reset it, change its direction or even shift the stages on each step, and the possibilities quickly become near-endless. A scanning output takes things even further, particularly making sequencer or addressed voltage source use easy and intuitive.

For those who are feeling adventurous, there are always more applications to try: configurable voltage mapper, hocketing controller, clock divider, graphic waveshaper, multi-output analogue downsampler... Discover a new world of sequential synthesis with Step 8.

16 HP
+12: 110 mA, -12: 45 mA
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MRP:$348.16 SAVE 11%
 1 in stock $309.23
Vermona Filter Lancet Analogue Multimode Desktop Filter (with UK power supply) Vermona Filter Lancet Analogue Multimode Desktop Filter (with UK power supply)
Cat: 433132 Rel: 19 Aug 11 • View all Filters
 
Analogue multimode desktop filter, includes UK power supply
Notes: The Vermona Filter Lancet is a compact but versatile stand-alone multimode filter for your desktop. It's the right weapon against static sound and boredom and made for any kind of audio signal. The filter section itself has 3 modes: low-pass, high-pass and band-pass. The last one works with a slope of 12 dB per octave whereas low- and high-pass are 24 dB filters.

You can give the filter some extra punch with the Balls knob, known from Kick Lancet. It pushes low and high frequencies of the signal before being filtered. And of course the resonance is self-oscillating.

Other than the filter section of Mono Lancet, the Filter Lancet is not based on (Moog-) cascade circuitry. It was inspired by the filters of the Vermona M.A.R.S. respectively DAF-1 and Action Filter.

Without modulation the Filter Lanced would still be a good filter but kind of boring. So it is equipped with a LFO, an envelope generator, an envelope follower and a CV/pedal input. The LFO has 2 frequency ranges and goes up to 250Hz - that's fast. At low frequencies the LFO can be re-triggered by gate- or audio signals. It has sample & hold and five waveforms: saw up and saw down, square, sine and triangle.

The envelope generator can be triggered by the input signal or an additional audio signal as well as by a gate voltage. If triggering it via gate it works as an attack-sustain-release envelope. With audio triggers its mode is attack-decay. The envelope follower transforms the contour of the input signal into control voltages that can serve as modulation source.

The LFO modulation intensity can be set separately from modulation intensity of envelope generator and envelope follower on the VCF- as well as on the VCA section.

The Filter Lancet features a drive circuit right in the input section to add subtle shades of overdrive up to solid distortions.

The Filter Lancet is packed with useful features. It's a great and powerful addition to any synthesizer including Mono Lancet with or without Modular Dock. But Filter Lancet also is designed for stringed instruments. It creates standard effects like WahWah and tremolo with ease and even adds a palette of extraordinary sounds to any effect repertoire.
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Ecler NUO 2.0 2-Channel Scratch DJ Mixer Ecler NUO 2.0 2-Channel Scratch DJ Mixer Ecler NUO 2.0 2-Channel Scratch DJ Mixer Ecler NUO 2.0 2-Channel Scratch DJ Mixer Ecler NUO 2.0 2-Channel Scratch DJ Mixer Ecler NUO 2.0 2-Channel Scratch DJ Mixer Ecler NUO 2.0 2-Channel Scratch DJ Mixer Ecler NUO 2.0 2-Channel Scratch DJ Mixer
Cat: 318390 Rel: 24 Jun 08 • View all DJ mixers
 
Professional DJ mixer with 2 mixing channels
Notes: Two-channel DJ mixer from one of our favourite brands. Ultra-simple design with three-band full-cut EQ and sweet sound on a par with much more expensive boutique mixers. One for the purists.

Supplier's notes:
The NUO 2.0 mixer is a 2 channel analogue mixer addressed to the professional DJ of any kind, in despite of the music style.


The NUO 2.0 mixer features the professional characteristics that made its predecessors acclaimed worldwide and it equips the best analogue components available in the market place in order to obtain the highest sound performance.



Whether you play house, techno or hip hop, perform smoothly or as a scratch DJ, the NUO 2.0 mixer will please all your needs thanks to its versatility and plenty of features, such as the precise and ergonomic full cut EQ, FX Send control per channel in pre or post fader mode, faders curve adjustments and suitability for the awarded magnetic Eternal crossfader for the professional scratch DJ.

Its superb sound quality and robust format, plus balanced XLR master output and booth output for monitoring make it also a perfect mixer for small installations.



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MRP:$452.29 SAVE 12%
 3 in stock $396.26
Noise Engineering Desmodus Versio Stereo-In/Stereo-Out Synthetic-Tail Generator Reverb & DSP Platform Module (black)
Cat: 781603 Rel: 21 Sep 20 • View all Synth modules
 
DSP reverb & FX platform module
Notes: Proper creative stuff with this one. Lush, characterful stereo reverb with CV control, distortion, pitchshifting, a freeze button and more. Oh, and it's got user-customisable DSP firmware for good measure.

Supplier's Notes:
Desmodus Versio is Noise Engineering's take on a synthetic-tail generator reverb. In only 10hp, it features true stereo in and out, seven CV-controlled parameters, and three reverb modes. Desmodus Versio's feedback control sets the length of reverberation, from short echoes through infinite regenerations.

At its max, the reverb ducks when it receives input, useful for creating sidechain ducking and atmospheres for percussion. The different reverb modes offer even more sound options with clean, distorted, and pitch-shifting shimmer settings. The FSU button acts as a freeze and also creates some noise to stimulate the reverb when there is no external input.

Desmodus Versio isn't just a reverb, though: it's a DSP platform. Its firmware can be changed via USB, so users can load future firmwares onto it or develop their own with upcoming open-source support.

With Desmodus Versio, Noise Engineering continues their tradition of supporting conservation:a portion of proceeds from every Desmodus Versio sold goes to Bat Conservation International. Find out why bats are not only cool but also an important part of our ecosystem at Bat Conservation International's website, batcon.org.
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 1 in stock $388.11
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Yamaha HS8S 8" Powered Studio Subwoofer Monitor (black) Yamaha HS8S 8" Powered Studio Subwoofer Monitor (black)
 
8" active subwoofer with low cut switch and control
Notes: Ever since the 1970's the iconic white woofer and signature sound of Yamaha's nearfield reference monitors have become a genuine industry standard for a reason - their accuracy. Unlike studio monitors with added bass or treble frequencies which may sound more flattering at first, HS Series speakers were designed to give you the most honest, precise reference possible, providing an ideal sonic platform to build on throughout the mixing process.

By combining acquired knowledge and expertise with state-of-the-art sound technologies, Yamaha's speaker engineering team have examined, then optimized, every aspect that has contributed to making these monitors the most trusted in the business. The second generation HS Series also adds a new 6.5" model to the lineup, bringing its exceptional accuracy to an even greater variety of recording environments.

8" bass-reflex powered subwoofer delivers low frequencies down to 22Hz
22Hz - 150Hz frequency response
High-power 150W amplifier exclusively designed for low frequencies
LOW CUT switch, LOW CUT control (80-120Hz) HIGH CUT control (80-120 Hz)
PHASE switch allow users to set up a subwoofer system with simple connections and no additional equipment
XLR and TRS phone for inputs and XLR for outputs
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 1 in stock $485.67
Xaoc Devices Odessa 1975 Variable Spectrum Harmonic Cluster Oscillator Module
Cat: 689812 Rel: 22 Nov 19 • View all Synth modules
 
Addiditive synthesis engine
Notes: Additive synthesis oscillator based on the concept of building up harmonics from sine waves. A complex idea nicely executed for ease of use.

Suppliers notes:
Odessa implements the principle of additive synthesis controlled by a set of carefully tailored macro parameters to harness thousands of sinusoidal partials that altogether form the resulting sound.

The interface is kept simple and accessible, so you can easily build rich and full, great sounding timbres of very complex spectra, that can be either harmonic or inharmonic. Even though inharmonic spectra yield non-periodic waveforms, all partials are frequency related to the common fundamental controlled by a V/oct input. The series of harmonics can be squeezed or spread apart, tilt, and pruned by a comb-like frequency response, resulting in a variety of unearthy sounds. Animating the comb response yields radical effects similar to flanging and phasing. Additional, often sought after features are implemented: through-zero linear frequency modulation, and unison detune: up to 5 copies of the sound can be spread apart for a fat and dense cluster of voices.

There are nine parameters, each controlled by a dedicated knob, so the workflow is as smooth and immediate as possible. Furthermore, every parameter has a dedicated CV input, allowing live animation for organic audio effects. Odessa sports two main outputs for banks of harmonic partials that can be further scaled in frequency, as well as an additional output that can either spit out a square wave or a single sinusoid of the fundamental frequency. Interesting spatial effects, crazy modulation feedbacks as well as synchronisation is possible that way.

The hardware is based on a powerful FPGA chip offering massive parallel computing. The synthesized signal is devoid of aliasing through the entire audio range thanks to intrinsically bandlimited algorithm. A simplified spectral analyser helps you to keep a visual track of what is actually happening to the harmonics.

For even more control over Odessa, you can use the Leibniz subsystem (or just the Lipsk) that can be connected to a header at the back of the module.
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 2 in stock $454.38
Frap Tools Falistri Analogue Multi-Purpose Movement Manager Module
Frap Tools Falistri Analogue Multi-Purpose Movement Manager Module (clock generator/envelope generator/frequency divider/LFO/oscillator/ring modulator/slew limiter/VCA synth module)
Cat: 690924 Rel: 21 Jan 19 • View all Synth modules
 
Fully analogue multipurpose movement manager module - 18HP
Notes: The Falistri is a fully analogue multi-purpose movement manager designed to generate and edit voltages to easily accomplish any patch.

The module can be divided into two big parts: in the upper two-thirds of the panel take place two specular function generators, while the lower third is composed of a dual cascaded frequency divider, a linear slew limiter, and a four-quadrant multiplier.

Key features:

Two Function Generators: Envelopes, LFOs, Oscillators
Adjust the Shape Without Changing the Time
Exclusive Shapes per Stage
Trig Buttons: Play Those Envelopes!
Three Play Modes (Voltage-Selectable)
Interacting Functions: Quadrature Mode
All the Outputs, Everywhere
Cascaded Frequency Dividers
Four-Quadrant Multiplier
Linear Slew Limiter

Size 18 HP
Depth 38 mm

Current draw
170 mA @ +12 V
170 mA @ -12 V
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 1 in stock $408.11
Erica Synths Acidbox III Filter Effects Unit Erica Synths Acidbox III Filter Effects Unit Erica Synths Acidbox III Filter Effects Unit Erica Synths Acidbox III Filter Effects Unit Erica Synths Acidbox III Filter Effects Unit
Cat: 690926 Rel: 14 Jun 18 • View all Effects units
 
Filter effects unit
Notes: Erica Synths Acidbox III brings you the core of the famous Polivoks VCF in stereo version with a unique audio signal overdrive circuit, built in LFO and envelope follower in a compact, full aluminium case.

The Acidbox III has adjustable input gain, therefore it works with various sound sources - guitars, units with line level signals (synthesizers, grooveboxes, etc.) and modular synths. Configurable control input allows you to connect a bypass footswitch, expression pedal, external cut-off control voltage source and LFO synchronization trigger. This makes the Acidbox an ideal companion in almost every production or live performance setup.
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Erica Synths Sample Drum Dual-Channel Drum Sample Module
Cat: 690936 Rel: 18 Apr 19 • View all Synth modules
 
Dual-channel drum sample module - 14HP
Notes: Performance oriented Sample Drum brings you two independent drum sounds or loops with plenty of manual and CV controlled parameters. Samples are stored on the microSD card, and OLED screen makes working with samples instant and easy.

Sample Drum allows you to slice up loops directly in your modular system and rearrange them to taste. For processing, there are tuning functions (including 1 v/octave pitch tracking) and virtual VCAs plus AD envelopes. Thanks to the module's dual-channel concept, two loops can be combined. It is also possible to load one-shot samples instead of entire rhythms, of course. A total of six CV inputs guarantees lively results.

Sample Drum is composed of two identical audio players. WAV files (including cue points) are fed to the module via a micro SD card. Loops can be cut into several sections using the Data, Start and End potentiometers. The resulting slices may be played back in any order imaginable. A tune control allows real-time pitch changes. Additionally, there is a virtual VCA plus AD envelope per slice. - But that's not all! There are three CV inputs per channel, which can be routed to any parameters. It is even possible to play sounds according to the 1 v / octave standard. Results are emitted via one output per player.

Dimensions
14 HP

Current Draw
95 mA +12V
2 mA -12V
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Allen & Heath ZED-10FX Multi-Purpose Studio Mixer Allen & Heath ZED-10FX Multi-Purpose Studio Mixer Allen & Heath ZED-10FX Multi-Purpose Studio Mixer
Cat: 431968 Rel: 17 May 12 • View all Studio mixers
 
Multipurpose mixer with FX for live sound and recording.
Notes: Ten-channel version of one of the most cost-effective mixers on the market. Great sound, good EQ and handy built-in effects. Check out the 12-channel version if you prefer faders for level control.

Supplier's notes:
The Allen & Heath ZED-10FX mixer is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordings.

Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. We've added a set of fabulous effects to give shimmering reverbs and enhance your sound.

USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS:
1) Main Mix Left + Right (Post master Level)

2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)

3) Record Bus Left + Right (Separate stereo bus to Main Mix)

RETURN OPTIONS:
1) To Playback input (through jack socket break contacts)

2) To Stereo 2 channel (through jack socket break contacts)

ZED-10FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED-10FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

ZED-10FX's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain "Boost" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character.

The ZED-10FX is bundled with IK Multimedia's AmpliTube X-GEAR software, giving access to superbly modelled amps and effects.


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Arturia Keylab 61 MKII 61-Key USB MIDI Keyboard Controller (white) Arturia Keylab 61 MKII 61-Key USB MIDI Keyboard Controller (white)
Cat: 694340 Rel: 21 Nov 18 • View all MIDI keyboards
 
Expressive, versatile & powerful next-generation 61-note USB MIDI controller keyboard - white
Notes: The definitive MIDI controller keyboard, KeyLab MkII is a luxurious, expressive tool for your studio or live rig. Unsurpassed connectivity, effortless integration, customizable interface, and inspiring included software; there simply is no other MIDI controller quite like KeyLab MkII.

KeyLab MkII is an expressive, versatile, and superbly powerful next-generation USB MIDI controller keyboard. It features dynamic performance and studio controls, including a high quality 49-note keyboard with aftertouch, 16 RGB backlit pads, 9 faders, 9 rotary knobs, and dedicated DAW and transport controls. Its huge connectivity also includes CV/Gate outputs, so you can take command of outboard synth and Eurorack modules with ease. Factor in the amazing included software, and you've just found your ideal creative companion for the studio and stage.

Another level in terms of quality and luxury, KeyLab MkII is a treat for the fingertips and gives unprecedented levels of control over your music and software.

Both 49-key and 61-key versions of KeyLab MkII feature Arturia's Pro-Feel action, the same lusciously playable keybed as the MatrixBrute and MiniBrute 2. Sensitive enough to accurately capture the subtleties and nuances of delicate playing, while still being robust enough to feel the energy of high-impact playing.

Every version of KeyLab MkII also offers 16 RGB-backlit, multi-function performance pads which can be used in a huge variety of ways, whatever suits your performance style or studio needs best. Trigger custom chords, activate samples, quickly switch user maps, KeyLab MkII puts the "control" firmly back into "controller".

A gateway to software, KeyLab MkII features 9 rotary encoders, 9 faders, and a selection of fully assignable buttons to give you unfettered access to your virtual instruments, effects, and recording environment. Send and receive CV/gate data to bridge the gap between modular and MIDI, with a fully customizable setup.

To allow for maximum expression, and to put that unmistakable "human touch" into your music, KeyLab MkII features multiple expression pedal inputs, that can be assigned to whatever parameters you desire in your DAW or virtual instruments, and sports robust, luxurious machined metal pitch and mod wheels. Truly a live-performers dream!

Amazingly versatile, hugely expressive, and geared up to enhance your creativity and workflow wherever your music takes you.

Included is an impressive software bundle: Arturia's complete Piano V virtual piano instrument, Analog Lab 3, and Ableton Live Lite.
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MRP:$535.38 SAVE 17%
 1 in stock $447.02
Erica Synths Black Sequencer 4-Channel & 64-Step Sequencer Module
Erica Synths Black Sequencer 4-Channel & 64-Step Sequencer Module (clock generator/clock modulator/CV modulation/MIDI/sequencer module)
Cat: 732854 Rel: 16 Dec 20 • View all Synth modules
 
4-channel & 64-step sequencer module - 42HP
Notes: Immense power in this multi-featured sequencer from one of our favourite brands. Four channels of 64-step sequences with advanced options including probability, quantising and randomisation.

Supplier's Notes:
The Erica Synths Black Sequencer takes classical modular sequencing to the next level by adding tons of features required for contemporary modular synthesizers.

The Black Sequencer features 4 channels with CV, gate and modulation outputs, up to 64 step sequences that can be chained into songs, independent track time divisions, multiplications and lengths. It includes a built-in quantizer, LFOs, envelope generators, parameter randomization, a MIDI in/out and many other features essential for composing and performing electronic and experimental music. Even though it provides many programmable parameters per step, it's intuitive, easy and straightforward to use, and could well become a master controller for many modular setups.

Black Sequencer firmware 1.04 is now available!

It adds output quantiser which can quantise track outputs in real time or rewrite notes in the sequence. Update also adds new track and synced LFO time divisions.

Technical specifications:

Power consumption: +145mA, -25mA
Module width: 42HP
Module depth: 25mm
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MRP:$545.90 SAVE 12%
 3 in stock $481.73
Numark Scratch 2-Channel DJ Mixer Numark Scratch 2-Channel DJ Mixer Numark Scratch 2-Channel DJ Mixer Numark Scratch 2-Channel DJ Mixer
Cat: 735865 Rel: 24 Jul 19 • View all DJ mixers
 
24-bit 2-channel scratch mixer
Notes: Numark Scratch is a 24-bit two-channel mixer that redefines what you can do with an affordable 2-channel scratch mixer. With Scratch, you'll be able to create and perform at a higher level than you ever thought was possible - especially with a mixer in the affordable price category. Scratch combines professional-level performance and outright DJing fun in a way nothing else ever has. You've got to experience it to really see what it's all about!

Scratch is really something special - It brings a new look and design to the mixer category. It boasts an all-metal build with professional features such as a built-in Innofader crossfader, performance pads, instant loop encoder, and toggle paddles to trigger software-based effects. To top it off, it comes with Serato DJ Pro and Scratch is Serato DVS ready.

Its soft responsive performance pads give you the freedom to access cues, rolls, and sampler quickly. The pad mode makes it very convenient to set hot cue points, roll temporary loops, and trigger samples at ease.

Six dedicated software-based FX to apply to individual channel or both using the premium performance base toggle paddles. You can adjust your FX mix from Dry to Wet as you feel the mix.

Play your best with the best! With amazing sound quality thanks to its 24-bit circuitry, the sound is pristine. Your digital song collection never sounded so good, whether you're using Serato DJ Pro or other preferred software. This is also a great mixer to play vinyl records, with a full EQ and a dedicated low/high pass filter.

The butter-smooth Innofader crossfader is designed with the turntablist in mind to perform most intricate and accurate scratches. You have two switches above the crossfader; 1.) reverse the channels and the other 2.) change the slope for a hard cut or a soft curve for mixing.

Easily connect to the Numark Scratch, whether you use traditional turntables or media players. Scratch unlocks Serato DVS for Serato DJ Pro instantly.

Looping made easy. Keep the beat going by pressing the encoder down, and it will lop to the default parameters set in your software. Turn the knob to the right to extend the beat and to the left to shorten the loop.

Scratch has all the necessities with premium features for any setup. There is an XLR main output and unbalanced booth output for the best booth/dance floor experience. There are unbalanced inputs for both line and phono inputs for each channel. A microphone/auxiliary input for XLR or 1/4-inch TS controlled by the mic level knob on the mixer gives you all the versatility you could ask for.

Power supply:
Internal 100v - 240v

Dimensions
12.05" (L) x 9.61" (W) x 3.32" (H)
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MRP:$483.84 SAVE 17%
 1 in stock $403.64
Arturia KeyStep Pro 37-Key USB MIDI Keyboard Controller & Multi-Channel Polyphonic Sequencer
Cat: 762332 Rel: 20 Apr 20 • View all MIDI keyboards
 
USB MIDI keyboard & sequencer
Notes: Amazing all-rounder from one of the most creative brands in the controller market. Compact 37-key format packs in polyphonic sequencers, MIDI and CV outputs and great performance options.

Supplier's notes:
If you prefer keys to pads, you're in for a treat. KeyStep Pro features a great-feeling 3 octave keyboard with velocity sensitivity and aftertouch. Letting you fully articulate your musical ideas, this expressive little sequencer truly puts the power at your fingertips.

KeyStep Pro works the way you want it to, and removes the barriers between you and the music you want to create.

Version 2.0 of the free Firmware update (July 2021) has these enhancements:

Global transpose - Transpose multiple melodic tracks at the same time

Global value offset - Apply a relative offset for any of the 5 main controls for every step across the selected track pattern

Recording Arpeggios in sequences - You can now record arpeggios into a sequence

Recording Chord Mode - You can now record 'Chord Mode chords into a sequence

Arpeggios while stopped - You can now create and play arpeggios while KeyStep Pro isn't playing

MIDI Thru - MIDI Out 2 can now be set to Thru mode

Mono Mode: The mono mode has been refactored for a smoother experience

Arpeggio swing - You can now add swing amount to arpeggios using Shift

Step Listen - Trigger sequence steps without playing a sequence so you can preview your notes

Various workflow and UX improvements

Bug fixes - Various improvements to workflow and functionality
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MRP:$493.31 SAVE 15%
 3 in stock $418.62
Qu-Bit Data Bender Circuit Bent Audio Buffer Module (black)
Qu-Bit Data Bender Circuit Bent Audio Buffer Module (black) (digital/distortion/sampling/dual/stereo synth module)
Cat: 766026 Rel: 26 Oct 20 • View all Synth modules
 
audio buffer module
Notes: Glitchy business with this digital module based on the sound of scratched CDs, buggy software and failing hardware. Stereo in and out with up to five minutes sampling time.

Supplier's Notes:
Data Bender is a circuit bent digital audio buffer. It is inspired by the ways in which audio equipment can fail. The sounds of skipping CDs, software bugs, and defective tape machine playback are all accessible. The audio buffer can hold up to five minutes of stereo audio, providing a sonic canvas capable of infinite surprises and discovery.
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 2 in stock $366.03
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