Review: Important Records recently described this release as featuring "two sound poems". There's certainly something poetic about the fluid ebb and flow on both pieces, both of which were crafted with the use of analogue and modular synthesizers and tend towards the epic. On the A-side you'll find a new piece by Italian sound designer and composer Caterina Barbieri. "Bestie Infinite" somehow manages to be both mournful and strangely positive, with fluctuating modal melodies slowly emerging from the backbreaking weight of Barbieri's droning chords. Minimal analogue synthesis specialist ELEH handles side B, casting a spell via held church organ chords, off-key melodies and cascading electronics on stunning, 16-minute opus "Wear Patterns".
Review: Spain's Slow Town rarely fails to deliver the goods. Split, so called because it contains tracks from numerous artists, more than lives up to the label's rising reputation. It probably helps that the A-side comes from former Bent man and longtime East Midlands deep house stalwart Nail. His "Shake Back" explores similar sonic territory to Pepe Bradock's "Deep Burnt", whilst retaining the chunky, bass-heavy bottom-end recognizable from his releases for Classic, Shabby Doll and Robsoul Recordings. On the flip, there's an equally assured cut from London stalwarts Jonno & Tommo. "Wolf Spirit" is an altogether more tech-tinged affair, built around a restless electronic bassline, hypnotic percussion and woozy, late night chords.
Review: Coming from the Mr Sam album, and being played by the trance majors of the World, "Split" finally got the dancefloor upgrade everybody was waiting for. Remixer's T4L and Jonas Steur (Estuera) do a fine job and boost the original.
Review: Sushi tech Records has always been a favourite of ours but, looking back at the entirety of its catalogue and more recent releases, we have too admit that we slightly underestimated the label over the last ten years. not anymore; each and every release that Yossi Amoyal drops is better than the last, and their most recent compilation is still proudly turning at 33RPM on our HQ turntable. It's a new two-tracker this time, led by Ion Ludwig and Monoaware, both interesting deep house producers who know the meaning of subtlety. The former delivers a fine, dubbed-out house tune called "Be Fifty Times Two" - most certainly one for the dub techno enthusiasts or fans of the Workshop latel - while the latter's "Side Stepper" takes a more minimalist approach in the same vein as the Villalobos school of thought. All in all, a masterful and beautifully executed EP.
Review: In terms of mental Swedish techno reissues, you can't do better this week than this reappraisal of the Frak and Smea split LP from Borft Records. Initially released jointly by Jan Svensson's label and TE Records back in 2003, Split was only one of two releases through Borft that year; given the avalanche of material the label has released over the years such a fact should not be overlooked and listening to the material it's understandable why this period in the Borft discography is described as "very silent and strange". Tobias Ekberg's SMEA project lines the A Side with two sprawling freeform new beat in "Koala Grip" and "Gott Medd Kaffe" bookending a pair of abstracted compositions. On the Frak side, "Svett 2" finds Jan Svensson and friends dabbling in pitch shifting minimal sounds, whilst "Malad" is much closer to the deranged electronics we all now love them for.
Beta Evers & Heinrich Mueller - "Innerhalb Der Zeit" (4:37)
Spatial Relation - "Highly Questionable" (4:23)
Spatial Relation - "Last Night I Dreamt" (3:24)
Spatial Relation - "Spectrum Of Hues" (3:26)
Review: Jason B.Bernard's Peripheral Minimal is one of those labels which rarely disappoints, especially when the release concerns a collaborative effort from some of the most sought-after names in the electronic sphere. Beta Evers, a legendary coldwave Goddess from the 70s and 80s, rolls through with two magnetic slices of electro-infused gnarliness that take the genre back to its core roots, and she's backed by Drexciya's legendary Heinrich Muller on "Innerhalb Der Zeit". On the flip, Spatial Relation is armed with three further shots of cold-blooded drum machine funk with that inimitable warehouse feel... sounding a bit like Berlin back in the mid 80s. Heavy and tipped!