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Notes: SolidGoldFX EM-III- Compact Delay Powerhouse

Welcome to the new SolidGoldFX EM-III Multi-Head Octave Echo; the smallest, most powerful and by far the most versatile SolidGoldFX delay pedal to date.

Building on SGFX's Electroman Delay legacy, the EM-III manages to both echo the past, present and future. With EM-III's wide-ranging yet ultra-intuitive control set, warm analogue-voiced echoes, precise and modern delay, as well as experimental and futuristic sound designs, are all just a single stomp away.

At your feet (or fingers) you have a multi-head tape style echo, with the ability to add in a signal an octave lower to the primary delay head. This can result in dancing, rhythmic delays with body and gravitas, as well as bold washy soundscapes. These two core features are controlled via a single mini-toggle. Flick it left to select between 1, 2 or 3 delay heads or flick it right to toggle the octave effect on and off. From there, just set your Delay Level, Repeats and Time via the knobs or tap in your preferred tempo via the soft-click tap tempo switch and let the good echo times roll.

The EM-III also sports delay modulation introduced via the Flutter control. Keep it at centre position for no modulation. Dial it left for a slow and dreamy chorus-like modulation or right for a faster vibrato, letting you create lush oceanic movement, tape-style crinkles, eerie tension and beautiful dissonance.

The colour knob allows you to engage both high-pass and low-pass filtering. Dead-centre you have a pristine full-frequency digital delay.

Dial it to the left and you cut the highs, creating warm, murky analogue-esque repeats. Dial it to the right and you suck out the lows for crisp and bright tape-style repeats or super thin lo-fi delays.

EM-III also brings interactive warp and glitch features to the tonal table by pressing and holding either Tap, Bypass or both at the same time. Hold Tap to increase the repeats until self-oscillation, creating a swelling wall of sound. Hold Bypass to replicate the sound of a tape motor on the fritz and a tape reel snapping, or hold both for glorious noise seances that will act as the perfect song/set closer.

Additional features include soft-touch, relay based, true bypass switching with the option of buffered trails, top jacks and up to a full second of delay time.

Designed to inspire and evoke emotion, EM-III can sound as pretty and cheerful or as dark and macabre as you wish.

Tune up, plug in and immerse yourself in the EM-III experience.

Notes: Designed to play nicely with guitars and synths alike, this OTA-based mono phase shifter excels at warm, characterful modulation. Three Eurorack-compatible patch points add creative options.

Supplier's Notes:
Lethargy derives from the greek word for forgetfulness, "Lethe". It is a state of being drowsy and dull. The feeling of having little energy or of being unable or unwilling to do anything.

Dreadbox LETHARGY is an OTA based Phase Shifter effect pedal suitable for fretted instruments and synthesizers, with eurorack patch compatibility.

100 mm wide
140 mm high
90 mA / 9 V DC / Negative Center

SPECIFICATIONS:

Circuit: Analog

Bypass: CMOS

Audio: Mono

Inputs / Outputs:
IN/OUT : TS Unbalanced 6.4mm jack
Manual / Rate / LFO Out : 3.5mm mini jack

Power Supply: 9VDC BOSS style center pin negative 2.1mm (NOT INCLUDED)

Dimensions (cm): 14 x 10 x 5.6

Current Draw: 90mA

Notes: Premium analogue delay from Erica's flagship Black Series range. Two bucket brigade device delay lines work simultaneously with smooth crossfading and tons of voltage control. Lovely.

Supplier's Notes:
Erica Black Series include high-end, unique functionality and superior quality modules. Only the best, highest quality components are used, all inputs and outputs are protected against undesired overvoltage. When designing Black Series, put design and usability superior. Big knobs are assigned to functions that make difference in sound. Erica Black series consist of range of modules that are needed to put together entire synth. Enjoy!

The Erica Synths Black BBD is one of kind analogue delay module. It features two BBD lines: short, 1024 stage and long, 4096 stage, that work simultaneously and you can smoothly fade between those two, thus creating distinct multitap effect.

Furthermore, an advanced BBD clock noise cancellation circuit is implemented that reduces unwanted BBD noise without filtering higher frequencies of audio signal. Most of parameters are voltage controlled, which allows to integrate the module in complex modular setups.

Time

This is delay time manual control.

Because of BBD clock suspension circuit, delay time can be pushed in extremely long regions, however in that case BBD clock noise may appear. The Time CV is added to the knob setting.

In level

This is the input attenuator switch. Select among full amplitude, half amplitude and audio off.

BBD mode

This control smoothly fades between short and long delays. Any setting in-between will result in distinct multitap delay effect.

LFO rate

Adjust the internal modulation LFO rate. The internal LFO controls delay time, and it's automatically disengaged, when an external modulation signal is connected. The LED gives visual feedback on the LFO rate.

LFO shape

Select the LFO shape. Three shapes are available - triangle, square and in-between shape - mix of triangle and square.

Input

This is the audio input of the module. This is manual Dry/Wet mix. The MIX CV is added to the knob setting.

Colour

Even though the module has BBD clock suspension circuit, the colour switch provides extra lowpass filtering of the signal. At top setting no filtering is applied, at lower settings increasing filtering is present.

Feedback

This is the delay feedback manual control. In extreme clockwise settings the module goes into self-oscillation, and by adjusting delay time and BBD mode settings, the module becomes a drone machine. The FBK CV is added to the knob setting.

CV level

This is the Time CV level attenuator. If nothing is patched into TIME CV socket, it controls the internal LFO amplitude.

WET out

This is the WET signal output of the module - use it for advanced patches.

Out

This is the main output of the module.

Time CV; FBK CV; Mix CV;
These are CV inputs for Time, Feedback and Dry/Wet mix.

SPECS:
Audio level 10Vptp
CV level (full span) -5V - +5V
Power consumption +95mA, -81mA
Module width 12HP
Module depth 35mm

Notes: Unusual output and mastering module, inspired by studio and radio mastering tools but fitting into just 6hp. Includes multi-band compression, mid/side stereo processing and brickwall limiting.

Supplier's Notes:
Golden Master is a multiband processor module in Eurorack format. Inspired from the studio mastering and radio loudness units from the 90's, this tool is a game changer for everyone who performs live with a Eurorack synthesizer.

The whole magic of Eurorack lies in its raw sound and simple analog mixes - processing through the Golden Master brings instant punch and sound pressure, as well as controlling the overall volume.

Power consumption: 135mA at +12V and 25mA at -12V
Depth: 30 mm (with ribbon cable connected)
HP : 6

Notes: Updated version of the hugely popular MSP3, now with Yamaha's Twisted Flare Port technology for improved low-end response. Small design with big sound thanks to 4-inch woofer and precise dome tweeter.

Supplier's Notes:
MSP3A powered monitor speaker provides faithful sound reproduction in a compact form

The MSP3, a compact reference monitor speaker loved for many years, has been renewed as the MSP3A. This new reference monitor is the first in this series to include our Twisted Flare Port technology and provides an even clearer and tighter low-end while also realizing faithful sound reproduction.

The built-in 22W power amplifier is optimized for the speaker unit, which comprises a 10 cm (4") woofer and a 2.2 cm (.87") tweeter, to achieve a clear and natural reference sound.

The cabinet features a refined, simple design and weighs a mere 3.6 kilograms (7.9 pounds), making it easy to reposition and carry to different locations. Just like its predecessor, this monitor has multiple input connectors and controls, and is compatible with a variety of optional brackets, making it useful for a wide range of uses. These include serious audio and music monitoring in settings from small-scale studios to broadcast and post-production suites, as well as monitoring audio from digital musical instruments and ICT devices, and surround sound playback.

Twisted Flare Port technology, which is included in the MSP3A for the first time in this series, is an aerodynamic sound control technology that we at Yamaha have created by leveraging our extensive subwoofer development experience. Using it, we apply aerodynamic sound analysis and flow visualization measurement technologies to pinpoint and control noise generation mechanisms. Noise-generating air flow turbulence at both ends of the port is suppressed by changing how the port widens from input to output and adding a twist to it. Suppressing turbulence reduces bothersome muddiness in the sound and lowers the amount of noise generated at the port ends. This strengthens the connection between the sound and main speaker and delivers clear, tight low frequencies along with pitch and rhythm.

Compared to the air turbulence generated by the "ordinary port" shown in pink on the left, turbulence is reduced and air flows smoothly through the Twisted Flare Port shown in blue on the right.

Featuring a 22-watt built-in amplifier and Twisted Flare Port for clearer bass, the MSP3A reference monitor produces sound that is faithful to the original. With a variety of inputs, controls and optional support brackets, the MSP3A is ideal for small studios, post-production, monitoring electronic instruments and surround reproduction.

General specifications:

Speaker type: 2-way powered speaker, Bass-reflex type (Twisted Flare Port)
Frequency response: (-10dB) 67Hz - 22kHz
Components- LF: 4" (10 cm) Cone, HF: 0.8" (2.2 cm) Dome
Crossover: 4kHz
Output power: 22W
Maximum Output Level (Measured peak, IEC noise@1m): 99dB SPL
Input sensitivity- LINE 1 : -10 dBu, 10kO (RCA), LINE 2 : +4.0 dBu, 10kO (Combo)
I/O connectors- LINE 1 : RCA, LINE 2 : Combo (XLR/TRS phone)
Indicators: Power ON (Green LED)
Power requirements (May vary depending on region): 120V 50/60Hz, 110 - 120V 50/60Hz, 230V 50/60Hz, 220 - 230V 50/60Hz, 220V 50Hz, 240V 50Hz
Power consumption: 30W
Others: Level control (LINE1, LINE2); Tone control (LOW = Center, REF = 100Hz : MIN -3.0 i 2.0 dB, MAX +3.0 i 2.0 dB; HIGH = Center, REF = 10kHz : MIN -3.0 i 2.0 dB, MAX +3.0 i 2.0 dB)
Dimensions: W- 144mm (5-5/8"), H- 236mm (9-1/4"), D- 166mm (6-5/8")
Net weight: 3.6kg (7.9 lbs.)
Accessories: Power cord, Owner's manual
Packaging: Single
Flying and mounting hardware: 2 x M5 (Depth 15)
Options: Mic stand adaptor BMS-10A, Free-angle clamp BAS-10, Wall mounting bracket BWS20-120 / BWS20-190, Ceiling bracket BCS20-150 / BCS20-210

Notes: Introducing the MAGMA SOLID BLAZE packs, the new benchmark standard in utility backpacks. Designed for modern creators with eco-sustainability in mind.

The new SOLID BLAZE packs are constructed from recycled plastic bottles as the foundation, while maintaining the perfect balance between high-grade material processing, advanced features, and a clean and ergonomic look. When it comes to comfort, performance and functionality, the new SOLID BLAZE packs are unrivalled in the market. Developed to fit a wide range of applications, they make the ultimate travel packs for pro DJs, music producers, photographers, filmmakers, and content creators.

A true packing backpack designed to carry what you need.

The SOLID BLAZE PACK 120 is an all-purpose travel backpack with modular interior layout crafted for versatility. Whether you are hauling DJ or production gear, photo or video equipment, or other electronics, the SOLID BLAZE PACK 120 enables you to easily and conveniently organize your gear. The spacious and expandable main compartment features removable EVA padding and multiple dividers for ultimate packing experience. The customizable padded interior ensures your gear travels with you safely. Loads of additional compartments, pouches and zippered pockets offer intuitive accessory management and quick access to your belongings. The SOLID BLAZE PACK 120 is crafted from only the highest quality materials, such as its water-repellent RPET 900D shell and YKKr AquaGuardr zippers to protect your laptop, tablet, timecode records and other expensive gear from the elements. Travel comfortably knowing your gear is safe inside the MAGMA SOLID BLAZE PACK 120.

FITS:

Pioneer DJM-S11
Pioneer DJM-S9
Pioneer S-1000
Pioneer Toraiz SP-16
Rane Seventy-Two
Rane Seventy
Rane Sixty-Two
Reloop Elite
Akai MPC Live
Akai MPC Live 2
Ableton Push 2
Roland SP404
NI Maschine MK2
NI Maschine+
Denon Prime Go
12" vinyl
Rodecaster Pro
Laptops up to 17"
Camera gear etc.

Outer dimensions: (H/B/T): 52 x 35 x 23-26*cm / 20.5" x 13.75"x 9"-10.25"* (*extended)

Inner dimensions: 45 x 32 x 14 -17* / 17.75" x 12.5" x 5.5"-6.75"* (*extended)

Weight: 2,3 kg / 5lb

Notes: Erica Synths Black VC Clock is the beating heart of your modular system.

The beating heart of your modular system in 10HP.

This module generates several clock signals simultaneously and has some more advanced features like tap tempo, shuffle and divide, both for controlled rhythmic music production and for experiments with high level of uncertainty. You may also find the adjustable and even random duty circle of shuffling and random clock outputs interesting. Bonus feature - the module can be used as a performance time stopwatch.

Erica Black series are high-end modules with unique functionality. Only the highest quality components are used and all inputs and outputs are protected against undesired overvoltage. When designing the Black Series, design and usability was prioritised over module width. Big knobs are assigned to functions that make difference in sound. Together the Erica Black series are a range of modules that make an entire synthesizer.

Technical specifications:

Max input level: -10V - +10V
Clock signal level: 0 - +5V
Clock rate: 30 - 400BPM
CV input level (full sweep): -5V - +5V
Power consumption: 40mA@+12V, 5mA@-12V
Module width: 10HP
Module depth: 25mm

Notes: The Oxygen Pro 49 is a powerful, 49-key USB powered MIDI controller that allows you to create the music you want to make even easier! The new Oxygen Pro controllers open up worlds of expression and creativity and make bringing your production ideas to life more seamless than ever. Taking feedback from users and artists alike, these controllers are the ultimate studio and live performance tools, allowing you to keep your focus on creating music-not programming your software. It doesn't matter if you want to create music on the go or in the studio, the M-Audio Oxygen Pro series is perfectly flexible for your workflow.

It's simple to use the Oxygen Pro 49 controller with any DAW with the Oxygen Pro 49's automatically mapped controls such as Transport, Faders, Channel controls (Record Arm, Solo, Mute, and Select), Pan controls and more. Whether you use Ableton, Pro Tools, MPC Beats, Cubase, Logic, Studio One or any other major DAW, just select your DAW in the Oxygen Pro 49 and select the correct configuration in your DAW, and the Oxygen Pro 49's controls will be completely integrated into your DAW! It also instantly maps to all the virtual instruments included with the Oxygen Pro 49 (Velvet, Mini Grand, Vacuum, Boom, DB33, Xpand!2). These world-class Air Music Tech plugins can be fully controlled by the Oxygen Pro 49 and used in real-time as you create and mix your music.

With Smart Chord and Smart Scale technology, creating music and transferring what's in your imagination to what you hear coming out of your computer has never been easier!

With Smart Chord activated, pressing a single key or pad will play a full chord rather than just one note. The key or pad you press will determine the root note in the chord. The rest of the chord's properties (Major, Minor, and Voicing - 1,3,5; 1,3,7; 1,3,5,7, etc.) are determined by the settings you choose. Smart Chord also has a Custom Mode which lets you to determine the chord structure that will be assigned to each key by manually playing it. For example, if you select Custom Mode, and play a 1-b3-5-b7 chord, every key will then be assigned to play this chord structure. The note of the key you press will serve as the root of the chord and all of the parameters can be edited right on the Oxygen Pro 49!

The Oxygen Pro 49 also features intelligent Smart Scale technology. With Smart Scale, you can set the key bed so that only notes in the selected scale are able to be played. This allows you to play within a chosen scale without the risk of playing any "wrong" notes. You can choose from 16 different scale variations when assigning a scale to the keyboard. Smart Scale is easy to activate and deactivate and allows you to set the scale parameters you need to keep you focused on creating.

Built into the Oxygen Pro 49 are features that are essential to creating modern day pop, electronic, hip hop, and dance music. Note Repeat and the built-in Arpeggiator open up a world of precise music production and live sound techniques to make your music sound professional.

Note Repeat allows you to hold down any of the custom-made M-Audio performance pads and you'll hear a repeated rhythmic pattern at a selectable note division. The Note Repeat feature can be activated momentarily or can be used in Latch mode. If you choose Momentary, holding the Note Repeat button will make the note played by the pad automatically repeat. If you choose Latch, pressing any pad will cause its assigned note to repeat without you having to hold down the Note Repeat button.

The built-in Arpeggiator will affect anything you are playing on the keys from any virtual instrument in your DAW. When the Arpeggiator is activated, the keyboard will repeatedly play the pressed keys in sequence. The arpeggiator's timing and rhythm is based on the keyboard's time division setting and either the keyboard's or your DAW's tempo setting. Each note in the arpeggio will be the length you've selected for the time division setting; for example, if you select 1/4, each note in the arpeggio will be a quarter note. This powerful tool can operate in Latch or Momentary mode, making it easy to unleash your creativity.

What's In The Box:

Oxygen Pro 49
USB Cable
Software Download Card
Quickstart Guide
Safety & Warranty Manual

Dimensions: 10.4" x 31.5" x 3.3" 264.2 x 800.1 x 83.8 mm

Weight: 9.3 lbs/4.2 kg

Notes: Excellent value from this entry-level two-channel DJ controller, bundled with Serato DJ Lite to help you get started with digital DJing software. Great for beginners or as a portable option.

Supplier's Notes:
The Mixtrack Pro FX is a Serato DJ controller designed to inspire, develop and hone your DJ skills. It has everything you need to sound professional from the get-go: large 6-inch jog wheels, a 24-bit digital audio interface for pristine sound quality, six dedicated software effects buttons for easy transitions, 16 performance pads for hot cues, auto loop, fader cuts and sampling. Plus, you can even stream the music you love direct from TIDAL or SoundCloud via Serato DJ Lite! With Mixtrack Pro FX, everything the modern DJ demands is here - entering a world of pro DJ performance has never been simpler. Mixing Starts Here!

Center stage on Mixtrack Pro FX are two all-new premium paddle triggers for effortless command over Serato's built-in software effects; there's even quick access buttons to essential effects including Echo, Reverb, Flanger, Phaser, HPF (High Pass Filter) and LPF (Low Pass Filter) - a sure-fire guarantee that everything you need for creating build-ups, crafting unforgettable transitions and adding your own unique spin to your mix is only a touch away!

You demand complete control over your mix, period. Mixtrack Pro FX's large 6-inch capacitive-touch jog wheels emulate an authentic turntable feel for scratching and precise cue placement, while the rugged grooves on the platters side enables you to nudge your mix perfectly into place.

Get creative, remix and perform unforgettable mixes with Mixtrack Pro FX's 16 multi-function backlit performance pads! With dedicated quick-access pad mode buttons per deck for Hot Cues, Auto Loop, Sample and Fader Cuts (a signature crossfader effect that emulates a 1-4 click flare on the pads), reimagine and reinterpret your favourite tracks, creating something totally unique!

Mixtrack Pro FX's Auto Loop makes it simple to mix and blend between songs, increasing or decreasing the loop segment with the on-board Loop Multiplier buttons to make electrifying build-ups.

Your set demands the best, that's why Mixtrack Pro FX comes pre-mapped with Serato DJ Lite for Mac & PC (software included) and is upgrade-ready to the full version of Serato DJ. For first-time DJs, Serato DJ Lite now comes with demo music and an easy on-boarding tutorial that will walk you through the basics so you can start DJing right away. Built on Serato DJ Pro technology, Serato DJ Lite is designed to be intuitive, reliable & feature rich.

Never run out of music and keep the dance floor shaking! The Mixtrack Platinum FX comes with Serato DJ Lite, giving you access to stream millions of songs via WIFI from TIDAL or SoundCloud. Upgrade to Serato DJ Pro to unlock even more features. Plus, get 3 free months of TIDAL Premium to get you started!

As if all of this wasn't enough, Mixtack Pro FX features everything you need for immediate DJ performance, right out the box! Fusing plug and play high speed USB connectivity, a dedicated mixer section outfitted with a full 3-band EQ, filter knobs, channel faders and a cross fader, plus an onboard microphone input, RCA outputs and a headphone output, Mixtrack Pro FX covers all your bases, catering for anything your next DJ set demands!

Simplify your lighting control with a 2-month trial of SoundSwitch premium DJ lighting software included with the Mixtrack Pro FX. SoundSwitch is a Digital Lighting Workstation that lets users create lighting displays that are performed in time with audio files when played back live in Serato DJ. It allows DJs and lighting designers the ability to sync lighting visuals with live audio seamlessly.

Tech Specs:

Outputs: 1 RCA stereo pair:1 1/4" (6.35 mm) TRS 1 1/8" (3.5 mm) TRS
Inputs: 1 1/4" (6.35 mm) TS
Power: USB bus power
Audio: 44.1 kHz, 24-bit
Dimensions (width x depth x height): 21.1" x 9.7" x 2.0" 53.6 x 24.6 x 5.1 cm
Weight: 5.35 lbs. 2.4 kg
Mac - System Requirements: macOS Catalina 10.15, macOS Mojave 10.14, macOS High Sierra 10.13
PC - System Requirements: Windows 10 - Note: 64-bit only (32-bit operating systems not supported)

Notes: Based on a famous circuit from a classic "Rodent-based" 1980's high gain distortion pedal

Notes: 6HP Micromodule of MI Warps.

Notes: Huge chorus-flanger. Take your music to infinity. The fully analogue Dreadbox Komorebi Chorus-Flanger Pedal gives you a huge array of sound design possibilities. This powerful pedal can add some serious impact to your sound.

It doesn't matter if you're playing bass, guitar, synths, or even if you want to hook it up to your modular Eurorack system. The Komorebi is ready to go. Sprinkling its beautiful effects over anything it touches.

From a slight pinch of flange to add some movement to your bass lines, or a lengthy chorus effect to treat your pads and chords to a final touch of space-age wideness. It's a guitar pedal but not as you know. Komorebi works with everything.

Current draw: 100mA

Notes: Compact, affordable and truly powerful DJ controller from one of our favourite brands. One of the best options for starting out with DJ software. Hook up to a smartphone, tablet or computer and get mixing.

Supplier's Notes:
This compact and powerful 2-channel DJ controller was designed and developed in close partnership with Algoriddim for the tightest integration possible with their award-winning djay app.

The Reloop Buddy offers DJs of any level all the tools they need to perform creatively and efficiently at a high level. Thanks to its powerful features and the brand new Neural Mix controls, the BUDDY is space-saving without compromising any functionality.

Whether you're a complete beginner or an experienced DJ, the Reloop Buddy offers you full control over your mixes thanks to powerful features including the intuitive pad section consisting of 8 performance modes (hot cue, auto loop, touch FX, sampler, slicer, bounce loop, Neural Mix™, looper), dedicated loop controls, a flexible effect section with FX paddles (hold & toggle), and responsive jog wheels for precise mixing and scratching.

Also, the Reloop Buddy includes extensive Neural Mix controls (pad / EQ mode) to isolate beats, instruments, and vocals of any song in real-time for even more creative mixing possibilities.

The Reloop Buddy offers you large FX Paddles with HOLD and ON positions for instant effect mixing.

In terms of outputs, a full headphones cue section and 14 inch jack are conveniently located at the side of the unit, together with an RCA out port for direct connection to active speakers and sound systems.

Thanks to its dedicated integration with Algoriddim's djay software, and built-in USB audio interface, the Reloop Buddy enables instant plug and play compatibility with smartphones, tablets, and computers.

The Reloop Buddy is built from quality, durable materials, and its space-saving, highly-portable design makes it perfect for your home setup, mobile use, and even on-the-go or while traveling. Furthermore, its built-in device slot can hold smartphones and tablets up to 12.9", which keeps the overall footprint of the unit to a minimum.

Not only can tracks be loaded to djay from your crates and libraries, but it's also even possible to mix millions of tracks instantly from popular streaming services such Tidal*, Soundcloud Go+*, Beatport LINK*, and Beatsource LINK*.

*Please note: An internet connection and a TIDAL Premium or HiFi subscription, Soundcloud GO+ subscription is required. Beatport Link and Beatsource Link are accessible with all 3 offered subscriptions.

HIGHLIGHTS:

Compact performance controller for djay across all platforms (iOS/Mac/PC)

Powerful features: FX paddles, sound filters and 8 performance modes

Neural Mix controls for real-time vocal and instrumental separation

Notes: For podcasters, videographers, bloggers, journalists and more, the F2 is the perfect audio solution for creators on the move.

The F2 is incredibly small, but its audio quality will amaze you.

The F2 features 32-bit float recording technology, allowing you to record the loudest audio signals without worrying about clipping. It will also record the quietest signals in beautiful detail. And the best part is you don't have to worry about setting the gain. Just plug in the lav and hit record.

Once you start your recording, use the F2's HOLD switch to ensure you don't accidentally stop recording.

Screw-lock connectors keep your lav plugged-in securely no matter the situation.

With the F2 actors can record and playback their lines to perfect their delivery.

The F2-BT comes with built-in Bluetooth. And with the free Zoom F2 Control app the F2-BT can wirelessly start/stop recordings, display battery levels, adjust output volume, control lo-cut and more.

You can also pair the F2-BT with a Bluetooth timecode synchronization device to receive and write timecode to recorded files. See Bluetooth Control features here.

The F2 Editor for PC and Mac allows you to adjust settings, format SD cards and more. Simply connect your F2 or F2-BT via a USB cable and launch the editor. The USB connection also makes it easy to transfer files to your computer. See the F2 Editor features here.

Whether a stroll through your garden, or the whispers and shouts of a dramatic reading, the F2 provides crystal clear recordings.

The F2 can record up to 15 hours (14 hours on the F2-BT) with two AAA batteries.

Record on microSD, microSDHC, and microSDXC cards up to 512GB.

The LMF-2 omnidirectional lavalier microphone has a low-profiled design, captures high-quality audio, and includes a windscreen and lapel mic clip.

The F2 Field Recorder gives you the option to choose the recording format that works best for your projects. Choose from 44.1 kHz/32-bit float or 48 kHz/32-bit float mono WAV files.

The F2 Is Perfect For Recording Interviews Anywhere.

TECHNICAL SPECIFICATIONS

LMF-2
Lavalier mic
Connector: 3,5 mm stereo mini (with screw lock)
Directionality: Omnidirectional
Sensitivity: -32 dB/Pa at 1 kHz
Maximum sound pressure input: 115 dB SPL
Cable length: 160 cm

F2 / F2-BT
Input
Connector: 3,5 mm stereo mini (with screw lock) Supports plug-in power (2.5 V)
Input impedance: 2 k? or more
Maximum input level: -5,5 dBu
Output
Connector: 3,5 mm stereo mini (with screw lock)
Maximum output level: 20 mW + 20 mW (into 32 O load)
Recording media
Cards compatible with microSD/microSDHC/microSDXC specifications (Class 4 or higher, 512 GB maximum)
Recording formats
WAV, 44.1kHz/32-bit float, 48kHz/32-bit float Mono, BWF format supported WAV
USB
USB Typ-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Mass storage operation: USB 2.0 High Speed
PC app operation: USB 2.0 High Speed
Power
2 AAA batteries (alkaline, lithium or rechargeable NiMH batteries)
AC adaptor
Bluetooth
Bluetooth Ver4.2

The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

External dimensions: 57,5 mm (w) x 46,4 mm (D) x 22,4 mm (H)
Weight (main unit only): 32 g

Notes: uBurst

This is a new build of the micro version of Mutable Instruments Clouds. The module retains all the functions of the original Clouds, taking up significantly less rack space.

These modules use tall bushing potentiometers to offer a more stable feel.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Notes: The Oyster Series' premium Moving Magnet cartridge range features four models with a matching aesthetic, all named after a different type of Oyster.

The Rainier is a venerable cartridge which expands on the company's legacy for smooth, natural sound reproduction in its affordable cartridge models. After years of development, the Rainier features an integrated body and generator system that significantly reduces internal resonances. Finished with an expertly shaped elliptical stylus, the Rainier is capable of extracting even the more nuanced musical details.

The Rainier utilises the same cartridge body as the Olympia and Moonstone, allowing for easy stylus upgrades as your listening system progresses.

Frequency Response:: 15Hz - 25kHz
Output Voltage:: 5.0mV
Internal Impedance: 1.130O
Load Impedance: 47kO
Channel Seperation: 25dB @ 1kHz
Channel Balance: 1.5dB@ 1kHz
Stylus Type: Elliptical
Compliance: 10x10-6 cm/dyn
Tracking Force Range: 1.8g - 2.2g
Recommended Force: 2.0g
Cartridge Weight: 6.5g

Notes: Erica Synths Black LPG is our take on Lowpass Gate idea - it's designed from scratch
module featuring 2nd order lowpass VCF (the original Buchla lowpass gate was 1st order
VCF) and VCA combo with distinct resonance circuit on top. Voltage control over VCF cuto
frequency/VCA oset and mode (VCF/VCF+VCA/VCA), as well as built in decay envelope
generator makes it a versatile module for sound shaping in any modular setup.

FEATURES:
Three vactors for 2nd order VCF
VCF/VCF+VCA/VCA modes
Manual and voltage controlled cuto/oset
Manually and voltage controlled mode selection
Manually resonance depth control
Resonance overdrive switch
Built in decay envelope generator
Manually and voltage controlled decay time
Envelope CV output
Ski-friendly design

SPECS:
Audio output amplitude 10Vptp
CV range (full span) -5V - +5V
Max Decay time 4''
Panel width 10HP
Module depth 35mm
Power consumption 44mA@+12V, 45mA@-12V

Notes: The CVx 1U expander module has eight user-configurable outputs and connects to the MIDI 1U module. Using the Intellijel Config app, you can assign each of the eight jacks to generate just about any type of voltage that can be derived from a MIDI signal; pitch, gates, triggers, clocks, velocity ... you name it! You can chain up to four CVx modules to a single MIDI 1U to add a whopping 32 additional channels of midi control to your modular.

Each CVx module can also allow you to generate 2 or 4 voice polyphonic controls with selectable voice allocation modes. The connectivity, feature set, expandability, and compact size make the MIDI 1U + CVx system ideal for integrating your modular gear with the rest of your rig.

Intellijel's MIDI 1U system comprises several elements, which work together to provide flexible, programmable MIDI-to-CV conversion to your Eurorack modules: The system comprises two mandatory components, and one optional component:

MIDI 1U module - This 14HP 1U module receives MIDI from an attached, external MIDI input connector (7U case, Palette case, or MIDI IN Jacks 1U module), and extracts (by default) Pitch, Velocity, Mod, CC, Gate, Trig, Clock and Reset messages - sending the proportional voltages to individual 3.5mm jacks for patching.If desired, the CC and MOD jacks may be configured to respond to either Channel Aftertouch or High Resolution CC, and the Reset jacks can be configured as a Run jack, instead. Additionally, MIDI 1U features an alternate Dual Mode, which maintains the Clock & Reset functionality, but uses the other six jacks to transmit Pitch, Velocity and Gate messages derived from two separate MIDI channels.

MIDI input connector - the MIDI 1U module does not have its own MIDI input jack. This enables you to use the MIDI/USB inputs built-in to your Intellijel 7U Performance Case or Palette Case. If you don't own one of these cases, you can purchase the MIDI IN Jacks 1U module to connect an external MIDI device.

CVx 1U module - This optional 14HP 1U module connects to the MIDI 1U module and adds an additional eight 3.5mm CV outputs. These outputs are fully programmable using the Intellijel Config app, and greatly expand MIDI 1U's ability to control your entire Eurorack system.

Width: 14HP
Depth: 32mm
Power: 55mA @ +12V
6mA @ -12V

Notes: A 6HP version of Mutable Instruments Peaks that adds CV inputs and attenuverters for each of the four parameters.

It can be an ADSR-style envelope generator, an LFO and a drum emulator. By default, the Dead Man's Catch (DMC) firmware will be loaded, which adds the Alt ENV, ALT LFO, ALT Tap, Alt Drum modes below.

The module is calibrated, comes with a power cable, and a one year warranty.

Additional Dead Man's Catch firmware modes:

Basic (original modes):

Envelope
LFO
Tap LFO
Bass/Snare Drums

Alternative ENV:

Double attack envelope
Repeating attack envelope
Looping envelope
Randomized AD envelope
Bouncing ball envelope

Alternative LFO:

Frequency-modulated LFO (folded sine FM)
Frequency-modulated LFO (random FM)
Varying wave shape LFO ( folded sine WS mod)
Varying wave shape LFO ( random WS mod)
Phase-locked loop oscillator

Alternative TAP Mini-sequencer:

ModSequencer
Pulse Shaper
Pulse Randomizer
Turing Machine
Bytebeats

Alternative DRUM:

FM drum Generators
Randomized bass and snare drum generators
Randomized high hat

Notes: nRings

This is a new build of a micro version of Rings from Mutable Instruments. MicroRings, also called NanoRings, retains all the same functionality as a full-size Rings module.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

These modules use tall bushing potentiometers to offer a more stable feel.

Notes: Pique (uPeaks) 1U Intellijel Format

This is a 1U (Intellijel format) version of the Pique module which is based on the popular Peaks module from Mutable Instruments. It can be an ADSR-style envelope generator, an LFO and a drum emulator.

The module is calibrated, comes with a power cable, and a one year warranty.

Notes: Pique (uPeaks)

Pique is a micro version (4HP) of the popular Peaks module from Mutable Instruments. It can be an ADSR-style envelope generator, an LFO and a drum emulator.

The module is calibrated, comes with a power cable, and a one year warranty.

Notes: Popple is an 8hp multimode stereo filter based on the Mutable Instruments Ripples V1 filter section. Popple maintains the buttery smoothness of Ripples filter while giving you two separate audio paths. The audio paths share a resonance, control, a frequency cutoff control, resonance CV input, and a v/oct cutoff CV input. Each channel then has it’s own cutoff CV input with attenuverters (which are normalled to a 2.5V signal).

Popple will also self-oscillate at high resonance settings, when coupled with the v/oct CV control, it can also act as a dual sine wave oscillator.

Notes: 10HP Edges Clone with integrated midi interface and PSImidi which allows any TRS midi cable to be used.

MIDI Functionality:

MIDI Learn: Press this button and send a midi note. The device will use that channel as the base channel

MIDI Mode: This button cycles between two operational modes.

1. 4 single voices trigger on 4 midi channels starting on the base MIDI channel (i.e. base channel is channel 2 so the voices are mapped over channels 2, 3, 4, 5)

2. Simple Poly mode where each voice plays on a different note on the same midi channel

Note about MIDI and Gating: The gate is normalled OPEN by the Gate 1 input. This is by design but will also force the gate open when the device is triggered by midi. Placing a dummy jack will break the open normal the gate will trigger via MIDI normally

Notes: 8HP Tides version 2

Fully calibrated.

Notes: 8HP Tides version 2

Fully calibrated.

With LED Pots for the attenuverters.

Notes: F8R is a 8 channel, 16hp control surface for Eurorack

16HP Width, 20mm Depth
Current Draw: +12V 50 mA, -12V 40 mA

Basic Usage instructions:

Front:

Voltage Select switches: Independent for each channel. Does NOT affect MIDI/I2C data

Slider LED color: To change the LED color, simply remove the cap and rotate the square LED 180s. Do NOT force the LED back in, it should slide in easily, may require wiggling.

Rear:

Power Header: Standard 10pin power cable, there is NO polarity for this connection. It can be connected either way

MIDI Out Header: This is a 4 pin header but only 3 or 2 connections need to be used. To connect to a DIN cable, either GND, 5 (to pin 5, current sink/aka -), and 4 (to pin 4, current source/aka +) should be used. For internal module to module connections, only pin 4 and 5 should be used. The ground pin is only for the shield in a midi cable, it is never connected on a midi input and isnt necessary for the short module to module lengths

I2C Header: 3 pin header to connect to other I2C devices in your rack, this is an unbuffered connection so cable lengths should be as short as possible (20cm/6" recommended). There are 4.7k pull up resistors on this connection

Module Orientation jumpers: There are 3 of these jumpers which determine how the module operates depending on if the jacks are on top or bottom. They will come installed in the position matching your panel but can be changed should you want to flip it. "INV" is Jacks on Top, the white position is jacks on bottom. Changing these jumpers will change the numbering of the faders from left to right (1->8) in both MIDI and I2C and will invert the voltage response (i.e. 10->0V from top to bottom). The jumper is shown in the "jacks on top" position in the pic below. ALL THREE JUMPERS MUST BE IN THE SAME POSITION for the module to operate correctly.

Module Config DIP switch: This allows you to switch between I2C Follower and I2C Leader modes easily. Simply move the switch to the "lead" position and restart the module (you can press the blue reset button once). The other 3 positions are for future expansion and not currently implemented.

Connector for Expander: This connects the F8R to the I/O expander. The cable is attached to the expander. Note the keyway at the top of the part, the connecter will ONLY connect one way

Notes: This is 2 x opensource branches. The input of channel one is normalled to all other inputs so you can run this as 1 to 4, 2x 1 to 2, etc. Dual Color LEDs on sliders

Notes: A warm and deep sound source you can rely on

A flexible and warm Analog Multifunction Oscillator, rich in harmonics. Excellent for performance use!

ONA can work as an Audio Oscillator or as a Low Frequency Modulator and it provides control over all its parameters, making it a versatile, deep and easy-to-use oscillator.

Thanks to its triangle-core oscillator and wave-shapers you can choose between a big palette of output waveforms to give shape to your ideas.

Classic Waveforms. Sine, Triangle, Saw and Square.

2 Complex Waveforms with Pulse Width Modulation.

2 Sub-Waveforms to add some bass sounds easily.

Blend them to give unlimited depth to your sound!

Notes: Endorphin.es Cockpit² is a 4-channel stereo mixer with side-chain ducking.

Key facts:

Increased headroom
Improved sound quality
The LEDs are blue/red instead of red/green (Daltonic friendly)
No TRRS jacks anymore
New aluminium knobs on the black module version

Power consumption:
240 mA +12V
75 mA -12V
0 mA 5V

Dimensions:
6 HP
38 mm deep

Notes: Sono Abitus is a high-quality output module. It has a stereo pair of Eurorack-level 1/8" inputs that feed a pair of 14" TRS jacks for line output and a 14" headphone output. The headphone output and line outputs have separate level controls, making it easy to monitor while performing or recording.

Size and power:
4 HP

+12v: 50mA

-12v: 50mA

+5v: 0mA

Sono -- from Latin: "to make a noise"

Abitus -- from latin: "way out, exit"

"Make noises exit"

Notes: Keyboard meets sequencing in Arturia's all-round controller. USB, MIDI, CV and analogue clock compatibility make this 64-step polyphonic sequencer a true all-rounder. Great value.

Supplier's Notes:
KeyStep 37 goes beyond an easy-to-use 64-step sequencer, arpeggiator and MIDI keyboard. It's responsive, dynamic, expanded in every direction to encourage musical exploration - the controller that's built to help write music and also includes Ableton Live Lite, making it a complete music production starter kit, as well as appealing to veteran musicians. Like KeyStep and KeyStep Pro before it, KeyStep 37 offers unique features not found in any other product.

The familiar KeyStep formula, expanded. KeyStep 37 features a velocity-sensitive 37-note keybed, complete with aftertouch and RGB LED feedback, while remaining lightweight and compact.

At the center of the control panel, you'll find 4 new knobs with an LED screen, giving you instant access to inspiring new expressive tools and MIDI tweaking - total creative control.

The new controls unlock KeyStep 37's unique & enhanced Chord mode. Choose from 12 chord types, an array of strum effects, and spread the voices out into complex velocity-sensitive parts that respond like a stringed instrument.

Map out KeyStep 37's 3-octave keyboard range with a scale of your choice using Scale mode. Any key you play will automatically quantize to the nearest note in the chosen scale.

Tap into the inner workings of your MIDI hardware and software with assignable 16 MIDI CC pa-rameters across 4 switchable banks. Use the 4 new controls to tweak settings on the fly for dy-namic performances.

The core of your setup:

KeyStep 37 is designed to be put in control. An accessible interface, a compact design and com-prehensive connectivity make it the perfect centerpiece for your rig - whatever your needs.

Hook up your synth hardware with MIDI in/out. Control your favorite VST instruments with MIDI over USB. Use CV pitch, gate and mod connections for modular integration. Analog sync in/out keeps everything in time without hassle. The best bit? Use it all at the same time.

Included is a free copy of Ableton Live Lite, an accessible music-making suite for your Mac or PC. Register KeyStep 37 for your free download and get creative right out the box - let the music flow freely.

Notes: Designed with versatility in mind, the Fold 6 is a six-stage wavefolder with simultaneous series and parallel outputs, dual signal inputs and voltage-controlled folding and overdrive shaping.

Supplier's Notes:
Often considered to be the opposite of filters within a modular system, wavefolders are designed to fold a signal over itself multiple times. This generates additional harmonics, resulting in rich timbres.

While there is a bewildering array of filter types within the synthesiser world, most wavefolders fall within only a few categories. Diode wavefolders in particular come in just two variants: series and parallel circuit topologies. Choosing a specific folder also means being limited to specific sounds and capabilities.

For the first time, Fold 6 puts forward a 6-stage hybrid series/parallel topology, yielding a greater sonic palette than ever in just 4 HP. Having both main (series) and alternate (parallel) outputs means a single module now gives access to just about all wavefolding tones imaginable.

To take things even further, an integrated symmetrical soft clipper limits the output signals to approximately 10 Vpp, keeping the amplitude within typical Eurorack levels and making it easier to create overdriven sounds at high fold ratios. This clipping stage can be driven continuously using the shape parameter, smoothly transforming the folded waveforms into pulse waves for even more harmonic content.

Two signal inputs are included, to mix audio signals or add in a DC voltage for asymmetric folding. The symmetry can also be manually controlled using the dedicated knob. Of course, both fold and shape parameters feature voltage control, to enable continuous timbral modulation.

Moving beyond simple signal processing, Fold 6 also lends itself perfectly for feedback patching, CV folding or frequency multiplication; its modest size belies the sonic capabilities within.

Notes: Floating above your head, delicate and elusive yet dreamy and sweeping. Always in motion until it dissolves and merges with the all immersive atmosphere around it. Just close your eyes and let the KMA Audio Machines' Cirrus Delay and Reverb carry you across the open sky, onto its sonic cloudscapes.

Cirrus is KMA Audio Machines' first step into the fully digital realm. But KMA have come up with a special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.

Made up of a Delay side and a Reverb side, both sides of Cirrus sport the most important basic controls such as Time (up to 1.5 sec). Repeats for the Delay and Decay and Damp for the Reverb. Plus, each side has its own mix control as well. So far so good, but now it's time to jump down the sonic wormhole!

This little Spatial-Temporal Modifier gives you three different Delay AND Reverb modes, which all sport a special dynamic feature that is controlled by your picking attack. This enables you to create sounds that are certifiably out of this world! To set the sensitivity of how the sound reacts, every section has its own sensitivity control.

The different Delay and Reverb modes cover vastly different modulated areas.

Modulated Delay Mode (MOD) fluctuates the Delay signal for a dynamic dancing tape echo-inspired modulation that'll deliver everything from subtle sways, to crazy pitch-bends. The Sample & Hold Mode (S/H) adds a sequencer-like filter in front of the Delay line, perfect for synthy textures. Play softly for subtle filter action or hit it hard for more pronounced electro-vibes. The third Delay Mode (OCT) blends in a high octave as your notes decay for unique shimmery dimensions, shining through like tiny stars in the cloudy night sky.

Over to the Reverb section, Modulated Reverb Mode (MOD) will decorate your trails with silky smooth movement, whereas the two other Modes deliver either an opening Low-pass Filter (LP) or a closing High-pass Filter (HP). The harder you pick the more the Low-pass will open up and bring in those shimmering highs, as if you're opening and closing portals to far away galaxies simply through your playing. Contrary to that, the closing High-pass will cut your lower frequencies when picking harder which will create cool lo-f textures. However, the ambient party doesn't stop here!

A big part of creating a signature sound comes from your pedal order and we know that a lot of you like to get creative there. Well, the Cirrus obliges! Set the Order Toggle to "Reverb" to run the Delay into the Reverb or flip it to "Delay" to switch it the other way - either direction will give you worlds of inspired soundscapes. You even get another Toggle Switch to set the Delay Tap subdivision, so you can get the right rhythms rolling fast. Toggles are awesome!

Now, on to the footswitches - Tap-Tempo on the left (neat!) and the much-needed Bypass Switch on the right (classic!). But wait, we actually made these stompers cool - the humble Bypass and Tap-Tempo Switches are suddenly full of additional creative secrets!

Besides the standard latching mode, the Bypass Switch offers some cool, yet creative and simple to use options. When the pedal is off, you can engage the pedal momentarily by holding the Switch down for sudden bursts of ambience. When the pedal is on though, holding down the Switch maxes out the Decay, jumping you straight into infinite reverb wonderland. You can also hold down the Tap-Tempo Switch to max out the repeats for infinite echoes. Plus, you can even hold down BOTH at the same time to enter an endless cascading dream state!

The Cirrus has been equipped with an Expression Pedal input (standard TRS connection) and a Selector Switch, giving you complete hands-free control over whatever key parameter of Cirrus you want. In addition, an internal switch can turn the Reverb and Delay trails on or off to taste, plus the individual Reverb and Delay mix controls help to tailor your sound exactly as you see ft.

As the final piece of the tonal puzzle, a Serial FX-Loop was added, letting you put any pedal in front of the Delay/Reverb line, to further flavour your own signature sound.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, approx. 220mA current draw)

Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. We use external manufactured PCBs to guarantee our high quality standard and keep the price of our pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz.

80 mA +12V
30 mA -12V
45 mm deep

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other user selected Happy Nerding effects in any order. Also the possibility to run freely available third party effects will be added too.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz.

80 mA +12V
30 mA -12V
45 mm deep

Notes: Possibly the best value DJ isolator on the market. Classic three-band design with full kill on each band, allowing you to perform dramatic filter effects. Joe Claussell vibes on a budget.

Supplier's Notes:
3-band frequency isolator with vintage rotary knobs for DJs

With the Omnitronic ISO-23 MK2 frequency isolator DJs get an effective tool for creative sound shaping in the club or studio. Using high-grade, long-life ALPS RK27 potentiometers, the rack-mounted isolator has excellent sound characteristics.

The large, smooth rotary knobs enable DJs to radically boost or cut low, mid or high frequencies, making it easy to create instrumental or a cappella versions. The isolator provides XLR and RCA connectors and features a bypass switch for bridging.

Control range: kill to +9 dB
Lows: 20 Hz - 300 Hz
Mids: 300 Hz - 4 kHz
Highs: 4 kHz - 20 kHz

Bypass switch
Balanced and unbalanced inputs/outputs (XLR/RCA)
Incl. mounting brackets for 483 mm rack installation (1 U)
(19") 48.3 cm rack installation 1 U

Power supply:
100-240 V AC, 50/60 Hz

Power consumption: 12 W

Isolators:
Master Gain:- 8 bis +9
Low/mid 300 Hz, 18db/oct , Butterworth
Mid/high 4000 Hz, 18db/oct , Butterworth

Connections:
Input: 2 x line via 3-pin XLR
Input: 2 x line via RCA (f) mounting version
Output: 2 x line via 3-pin XLR
Output: 2 x line via RCA (f) mounting version

Max. level:
Input: +22 dBu
Housing design:
(19") 48.3 cm rack installation 1 U

Width: 48.3 cm
Height: 4.45 cm
Depth: 14.5 cm
Weight: 2.15 kg

Notes: The Pitch Forkr+ features two independent pitch shifting engines with full control over each. Both will transpose your pitch up or down over a +/- three octave range and detune +/-99 cents. With rock solid tracking, an organic, musical tone and extensive control, it's your ultimate harmonizer.

Notes: The ADDAC302 Nchunk Control module allows you to connect a Nintendo Nunchuck controller to your modular synth, featuring a two-axis thumb joystick, a three-axis accelerometer and two trigger buttons.

The module provides CV outputs for all of the Nunchuck's parameters and special functions to remap the CV outputs. The remapping can be both continuous or step-by-step and can be accessed through either the dedicated CV inputs or the manual controls.

A specially dedicated Mix output averages between the first two CV outputs, a very useful feature for continuous control parameters.

Mechanical:
- Format: Eurorack
- Width: 8 HP
- Depth: 4 cm

Control Voltage I/O:
- CV inputs: 0 - 10v
- CV outputs: 0 - 5v
- Gate in threshold: 2.5v

Electrical:
- Compatible with +-12v and +-15v power supplies
. Max current: 100mA?
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector

Notes: The Moby Dick V2 brings up to date one of the first pedals that put Hungry Robot on the map. The original Moby Dick is well known for its chimey, tape-emulating delay line with slight lo-fi imperfections and subtle modulation; a "back-to-basics" delay in the world of multi-mode DSP delays.

The V2 has an obviously smaller footprint, but the most exciting changes lie in the circuit updates. When working on the V2, Hunry Robots wanted to further explore the sonic capabilities of the Moby Dick tape-emulation, rather than a miniature version of the pedal- specifically in a lo-fi, wrecked-tape context.

One of the magical qualities of recording to tape is the lovely saturation. The original Moby Dick had a gritty, saturated quality, but in the V2, this quality was pushed to its limit. A "Lo-Fi" knob which allows you to dial in additional tape saturation to the delay line. This is done by applying pre-gain amplification to the front end of the delay chip, resulting in a wonderfully organic character when gain is applied.

The capabilities of the modulation were also expanded. The original Moby Dick had a very subtle chorusing effect. Though it sounded great, it was admittedly subtle. The V2 increases the modulation depth dramatically, allowing it to travel beyond subtle chorusing into more extreme pitch bending territory. The "Mod" in conjunction with a cranked "Lo-Fi" knob creates the most amazing broken tape-deck quality, but when these knobs are dialed back it retains the overall character of the original.

Current Draw: 30 mA

Switching: True-Bypass

Dimensions: 4.7" x 2.6" x 1.5"

Delay Time: Approximately 1000ms

Powering: 9V DC - Negative Center - 2.1mm Barrel

Notes: The Looping ADSR is an extremely versatile envelope generator. It can act as a traditional ADSR envelope requiring a gate signal to activate or as a looping ADSR. Envelopes can be output with both linear and exponential curves. In Loop Mode it repeats the cycle of Attack, Decay, & Release. Once the Release phase is complete, it loops back to the Attack and begins the cycle again. The Looped envelope can be further manipulated with the Loop Scale knob. Loop Scale shrinks the overall size of the envelope while keeping the ratio of A:D:R identical. All knobs on the Looping ADSR have CV input. As with all Hungry Robot "Modular Boxes" the Looping ADSR can be powered with a simple 9V DC, Negative Center power supply.

KNOBS
-ATTACK: Sets the attack length (1st stage of ADSR cycle). Determines how long it takes to come to full voltage after gate is applied (up to 10 sec.)
-DECAY: Sets the decay length (2nd stage of ADSR cycle). Determines how long it takes to go from full voltage to sustain voltage (up to 10 sec.)
-SUSTAIN: Sets the sustain level. Determines what voltage the envelope returns to after decay stage
-RELEASE: Sets the release length (Final stage of ADSR cycle). Determine how long it takes to return to 0V after gate is released (up to 10 sec.)
-LOOP SCALE: When in loop mode, this knob scales down the length of the envelope while keeping the ratios identical

SWITCHES
-LIN/EXP: Selects the envelope type: linear vs. exponential curve
-LOOP/ADSR: Switches between Loop and ADSR mode. LOOP turns the loop on. ADSR is a traditional ADSR requiring a gate signal
-RPT./GATE: Works only in LOOP mode. RPT. automatically repeats the loop without a gate. GATE mode requires a gate to begin looping.

PATCH POINTS
-LS.CV: CV input for Loop Scale. Allows for CV control of this parameter.
-A.CV: CV input for Attack. Allows for CV control of this parameter.
-D.CV: CV input for Decay. Allows for CV control of this parameter.
-S.CV: CV input for Sustain. Allows for CV control of this parameter.
-R.CV: CV input for Release. Allows for CV control of this parameter.
-GATE: Gate input for ADSR mode as well as Gate/Loop mode
-OUT: Output of final envelope for all modes.

Dimensions: 4.7" x 3.7" x 1.96"
Power: 9V DC - Negative Center - 2.1mm Barrel

Notes: Replacement stylus Nagaoka MP-150

JN-P150, Tonar article 6823

Cantilever: hardened tapered aluminum alloy

Stylus: 0.4 x 0.7

Mil naked elliptical block diamond stylus tip

Notes: Row Power is a clean, regulated, and protected power solution for Eurorack systems. Row Power 45 provides enough power for two to three typical Eurorack rows (typically up to about 312HP):
+12V @ 2.0A maximum, 1.5A recommended
-12V @ 1.4A maximum, 1.2A recommended
+5V @ 1.5A maximum, 1.2A recommended

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying bus cables or the Bus Stick. For custom power systems, the Row Power 45 has a set of easily soldered holes for using large gauge wire or MTA156 connectors to connect to distribution bus boards.

Multiple Row Power modules can be powered from a single power brick by daisy-chaining with an inexpensive barrel cable. The Row Power 45 can also be daisy-chained to 4ms Company's Pod enclosures. Each power supply is independently regulated and protected for ultra-low cross-talk between rows/pods.

The Row Power 45 is compatible with the 4ms Row Power Shield. This device (sold separately) attaches to the back of the Row Power 45 and monitors the amount of current being drawn, as well as the voltages of the power rails. The information is sent over Bluetooth to be displayed on a phone or tablet.

Electrical and Mechanical Specifications

Module Size:
4 HP Eurorack format module

Power Output:
Maximum average load under normal conditions: +12V @ 2.0A, -12V @ 1.4A, +5V @ 1.5A
Maximum average load under any condition: +12V @ 1.5A, -12V @ 1.2A, +5V @ 1.2A
Powered by laptop-style DC power supply: 2.1mm barrel, positive center, 15V-20V.

Included with the Row Power 45:
16-to-16 pin power cable
2 M3 Knurlie screws

Notes: All the reverb and analogue-style delay you could wish for in a single pedal thanks to this killer all-rounder. Separate foot switches for reverb and delay on/off, with optional true bypass or 'trails' setting.

Supplier notes:
The Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb for the perfect end to any pedal board. It features Keeley's analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. Caverns now comes with a True-Bypass or Trails option. Because of its small and compact design, the New Caverns is a perfect fit for any fly-rig or small board where you have tight space requirements. The New V2 features Keeley's most popular time-based effects, blended perfectly via a design fine-tuned for over 2 years. Simply put, it will be an amazing addition to any board.

The Reverb side of the pedal features 3 cavernous sounds:

Spring Mode - Blackface Amp style spring reverb with F Style Tremolo
Modulation Mode - Choral modulation to the reverb for a huge, cavernous space
Shimmer Mode - Reverb with emphasis on octave-up voices in the reverb trails

The Delay side of the pedal incorporates Keeley's popular Magnetic Echo circuit, which is designed to emulate analog tape delay lines. Three way switchable modulation gives you options for adding Wow and Flutter to the repeats. Perfectly voiced echoes sit well in the mix, either clean or with distortion.

The New Caverns Delay Reverb V2 builds on the old Caverns pedal by giving players a more open and logical control layout with more space between the foot switches.

Top-Mounted Jacks allow for a compact pedalboard layout.

True-Bypass or Trails option gives you the freedom to create huge caverns of sounds and lets them ring out even after you turn the pedal off. Our buffers are engineered to retain your tone and to feed your amplifier a full-strength signal.

The New Caverns Delay Reverb V2 is entirely built in the US. Keeley's veteran crew builds the most reliable and road-worthy gear.

Use 2 TRS Breakout cables for effects patching or to use the Caverns with a pro switching system.

Notes: Excellent value upgrade to standard hi-fi turntable styluses. Designed for smooth sound with a balanced tonal presentation. Hand built in Brooklyn by experienced audiophile specialists.

Supplier notes:
The Silver3 uses a four piece OTL cantilever with a Grado specific elliptical diamond stylus mounted on a brass bushing. A machined turned generator is used to achieve a lower distortion and greater transparency.

What's the difference between Gold3 and Silver3?
Approximately 5% of the Silver2 production runs meet higher test specifications. The cartridges that exhibit these specs are hand-selected to become a Gold2.
Grado's OTL, or optimized transmission line, technology provides an ideal transfer of signal from the surface of the LP to the generator of the system.

This technology rejects unwanted resonances and lowers distortion preserving the fundamental and harmonic frequencies of the music. This also helps keep noise generated by the motor system in the cartridge to a minimum.

Grado's OTL stylus/cantilever design makes records sound quieter, improves the height, width, and depth of the soundstage, and present more detail than previously obtainable.

The Silver3 are all hand assembled by our team in Brooklyn, with some builders having over 25 years of experience. With the recent development of the highly received Lineage Series of cartridges, we were able to have a trickle down of technology and bring some new techniques to the Silver3.

This updated series of cartridges offers excellent tonal balance, dynamics, and realism, for a most rewarding reproduction of vocals and instruments. Our coil winding techniques, using ultra high purity copper wire which were honed during the development of the Lineage Series, have let the electrical circuits achieve unison between the four coils in each phono cartridge. This allows for a precise balance between channels and accurate stereo imaging.

As in all Grado phono cartridges the Silver2 is powered by a twin magnet system that optimizes the balance between stereo channels. All internal magnetic circuit parts are held to extremely high tolerances creating the desired stereo imaging. Grado's patented Flux-Bridger design allows the Silver2 to have one of the lowest effective moving mass generating systems while creating an excellent balance throughout the full frequency range.

The development of the Epoch in the Lineage Series gave us an in-depth experience with using an outer housing as a damping device. This led to the creation of a process which de-stresses the chassis and dissipates unwanted energy & resonant frequencies, allowing the desired signal to travel freely.

Notes: With the BeatBuddy MINI 2 Drummer Pedal, use your foot to take full control over your drummer including transitions, fills, intros, and more.

The ergonomic button makes this drummer pedal perfect for playing or jamming out when wearing socks (or barefoot)!

Over 200 styles and samples of professional drummers result in a versatile and organic feeling drum machine.

The BeatBuddy MINI 2 drummer pedal is a more compact and affordable version of the award winning BeatBuddy drummer pedal. It's used by School of Rock, Taylor Robinson Guitar, Frost School of Music (University of Miami), and more as a tool for efficient and engaging practice.

The ability to play along with beats sampled from professional drummers and control them with nothing but your feet will help you improve your musical talent faster than ever before. Most importantly, the fun you'll be having along the way will keep you coming back for more.

Notes: The A-143 series of modules contain multiple modulation sources. Module A-143-2 is a four-fold ADSR type envelope generator. Other modules of this series are the Complex Envelope Generator A-143-1 (Quad AD) and the Quad LFO A-143-3.

The module contains 4 independent ADSR-type envelope generators. Each sub-module has available the controls Attack, Decay, Sustain and Release. The three-position Range switch allows to select the desired time range (low - high - medium). The adjustable envelope time ranges from several minutes to some milliseconds. On top of this each sub-module is equipped with three digital outputs (high/low): "End of Attack (EOA)", "End of Decay (EOD)" and "End of Release (EOR)". As soon as the criterion is valid (e.g. end of decay state) the corresponding digital outputs turns to "high". These outputs can be used e.g. to daisy-chain several ADSR sub-modules. For this the digital output in question (EOA, EOD or EOR) has to be connected to the Gate input of the following ADSR. Even automatically running envelopes (pseudo LFOs) or so-called "quadrature envelopes" with cyclical modulations of several ring-shaped, daisy-chained ADSRs are possible. To obtain a pseudo LFO simply the EOD or EOR output has to be connected to the Gate input of the same ADSR.

In addition to the obligatory Gate (G) input for envelope generators each sub-module has available a Retrigger (Rt) input. The retrigger turns the direction to "upward" if the envelope has already reached the decay state while the retrigger pulse occurs. If the envelope is still in the attack phase the retrigger input has no meaning. This a different behaviour from A-140 and A-141!

The Gate inputs of the units 2, 3 and 4 are normalled to the Gate input of unit 1, i.e. Gate input 1 is connected to the switching contacts of the Gate input sockets 2, 3 and 4. Thus one Gate signal applied to Gate input 1 can be used to trigger all four sub-modules simultaneously.

The envelope outputs are displayed with LEDs.

The maximal envelope voltage (Attack/Decay reversal point) is about +8V.

If voltage control of all parameters is required module A-141 is available.

Notes: CR8S-XBT

8" powered studio subwoofer

The CR8S-XBT subwoofer brings a tight, clean bass to your studio monitoring or home listening setup. This subwoofer is designed to meet the demands of modern musicians and content creators while offering Bluetooth connectivity for easy streaming

Feel the bass

Ready to upgrade your listening experience? With the Mackie CR8S-XBT subwoofer, you won't just hear the bass-you'll feel it too. The CR8S-XBT houses an 8" polypropylene-coated woofer within an all-wood sealed enclosure. The result? You get powerful bass reinforcement that delivers the bottom end you've been dreaming of.

Product features
Premium 8" Woofer and Wood Cabinet
Sleek, Brushed Metal Grille with Outlined Design Flexible I/O-1/4" TRS, RCA and Bluetooth
Included CRDV Desktop Volume Remote

Studio-quality sound

How else are you going to hear those deep 808s when you're mixing or listening to music? Adding the CX8S-XBT to your setup brings powerful low-end to your studio or home audio system. You'll know it when you feel it.

Sleek cosmetics

Sounding great is only half the battle-your multimedia monitors should reflect your style too. The sharp aesthetic of CR8S-XBT monitors looks great in the studio, the bedroom or any home listening setup. Be bold and make it loud without sacrificing style.

Bluetooth streaming

Effortlessly pair any Bluetooth-enabled device for easy streaming. We'll let you in on a secret. Paired with the CR8S-XBT, you can transform a set of regular CR-X monitors into Bluetooth monitors that you can pair with any compatible device. Has your dream come true yet?

Control it

All the control you need is always within reach. We include a CRDV desktop remote to give you control over the input and output levels of your subwoofer and stereo speakers. You'll never have to get up from your chair to adjust volume ever again.

Flexible inputs and outputs

In addition to Bluetooth connectivity, you can connect your subwoofer using TRS or RCA cables. This makes it easy to use your subwoofer in a studio or a home listening setup-the choice is all yours.

Wattage: 200W
Driver Size: 8"
Bluetooth: Yes