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Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Inspired by the legendary Moog CP3 mixer, the 713 tweaks the old-school discrete circuits into three stereo inputs and one mono channel, summing to stereo with adjustable feedback and clipping to add character.

Supplier's Notes:
ADDAC713 is the stereo version of ADDAC System's 703 Discrete Mixer.

Inspired by Moog's CP3 mixer, this is a fully discrete analogue mixer and it's not, by any means, your standard breakfast mixer, although it can behave like one.

This is a wolf in sheep's clothing. Despite its harmless looks there's a dark snarly soul behind that panel that wants to take your sounds into a realm of gritty gnarly growls.

This new version was initially thought of as a percussion mixer, with mono inputs and panning, to allow placing percussive voices in the stereo field, while keeping channel 4 in mono for low end sources like a kick drum or Bass. In the development process ADDAC System slightly changed this initial idea, adding stereo inputs for the first 3 channels, but still kept the 4th channel in mono.

All four [GAIN] controls go to extreme levels, the first 3channels also feature [PAN] controls. Feedback is used to overdrive the whole mix. As the control is turned clockwise the sound will be clipped harder until it goes completely off, this happens as feedback is increased the audio bias reference also moves up, at extreme levels it offsets the whole signal upwards until it completely goes above the top rail clipping the whole signal hence the resulting gate effect.

The [MASTER OUTPUT] sets the overall output gain of the mixer, the two leds monitor the audio output signal. The Soft clipping switch engages an anti-click circuit which adds a low pass before the output, the switch allows 3 states: Soft low pass / Off / Hard low pass.

Features:

Three channels with stereo inputs, gain and pan knob
One channel with mono input and gainknob
Feedback/gate knob
Master output volume knob
Soft clipping switch
Two Led Monitors for Left and Right channels

Tech Specs:

8HP
4cm deep
80mA +12V
80mA -12V

Notes: Esquivel is Bocuma's homage to space-age pop. This is a voltage controlled filter in a 14HP Eurorack, around a diode ladder topology. It is capable of switching between the 3 classic states: low-pass (LPF), high-pass (HPF) and band-pass (Band Pass).

Control cut-off, resonance and two inputs for CV. Likewise, a mixer for 3 signals was added at the input, giving it the possibility of mixing 3 different waveforms to obtain more harmonic-enriched signals and to maximize the sonic possibilities of its resonance.

Specs:

14HP
+12V > 12mA -12V > 12mA

Notes: Dual channel analogue overdrive with real tube-like compression featuring 3 clipping options with carefully hand picked germanium diodes, smooth and sensitive to picking strength.

3 different gain levels from clear boost with a touch of dirt to high gain overdrive, full EQ with air control to manipulate the presence of your pickups, a MOSFET boost circuit lets you push your amp into natural breakup.

Order toggle switch to add volume or an extra gain stage.
Side A: BB style circuit with bass, air, treble, drive and volume control
Ge, Si and LED asymm clipping toggle
3 level gain toggle.
Side B: MOSFET boost +20dB with level control
A > B or B > A stack order toggle
Top mounted jacks

Notes: True bypass studio-grade compressor in small form factor offering full control of your overall tone. OTA based parallel compression with variable output current, input voltage controlling a carefully designed envelope circuit. Optimized for low noise operation.

Analogue compressor with OTA topology
Controls: Ratio, Threshold, Release, Attack, Brite (high cut), Level (compressed signal), Blend
Soft switch with relay bypass, momentary & latching operation
Top mounted jacks

Notes: Everything sounds better with compression - whether you need a bit of extra pressure for your drum sounds or just that extra touch to make your modular mix more nimble and tight, the Erica Synths Stereo Compressor will make your live performances a joy. The module is optimized for percussion sounds and will be a great addition to any Erica Synths Drum module rig. The Stereo sidechain can be used to animate melodic layers on the beat and to truly bring your Basslines to life.

Features

THAT chip-based stereo compressor
DC coupled sidechain
Gain, Threshold and Compression Amount (Ratio) settings
Stereo Link for level detectors
Bypass switch
8 segment output level VU meter

Specs

Audio input level -5...+5V
Threshold -40dB to +10dB
Makeup gain -12dB to +12dB
Ratio 1:1 to 8
Power consumption +60mA, -22mA
Module width 10HP
Module depth 35mm

INPUT LVL; Adjust the input signal level to your taste
GAIN; This knob adjusts the makeup gain of the compressor
THRESHOLD; Set the compressor threshold
COMP. AMT;This knob adjusts the compression ratio
STEREO LINK; Sending hard-panned or significantly different audio levels on the left and right channels into the audio inputs may result in undesired left-right panning on the output of the compressor, because the level detectors on each channel will ensure a different amount of compression. With the STEREO LINK switch on, the level detectors on both channels are merged and the min/max function is engaged. This ensures equal compression on both channels.
PROCESS; The bypass switch allows for turning off the compressor instantly
8 SEGMENT VU METER; 8 segment VU meter gives a visual reference of the output signal
IN L / IN R; These are the L and R audio inputs
OUT L / OUT R; These are the L and R outputs of the module
SIDE IN L / SIDE IN R; These are L and R sidechain inputs. You can process each channel individually
SIDE OUT L / SIDEOUT R; These are the sidechain signal outputs - they are buffered copies of the sidechain inputs

Notes: The BETA-V from SolidGoldFX is a Bass Preamp pedal that kicks! This latest incarnation of SGFX's top selling Beta Series is designed to capture the warmth and grit of favorite vintage tube amps. You know, that distinctive drive and tone that seems to be lacking from much of today's modern bass amplification.

Yes, we all know the convenience of a lightweight "sub 10 lbs" bass head that pumps out 500 watts and a neo cab that doesn't require a roadie crew or chiropractor is great, but there is something extremely satisfying in the way that big, old Ampeg-style tube setups compress, clip and round out your signal. However, with the BETA-V you can finally have the best of both worlds - bone-shaking mojo-packed dirt, all wrapped up in modern and easy to use convenience.

Solid Gold FX's classic Beta bass architecture has been reworked and expanded, delivering a wider range of tones. The low-pass filter now has 2 settings for bumped or scooped-mids as well as a centre bypass setting for a more transparent experience. Plus, the Drive control has been reworked for lower gain applications or hotter basses.

Most importantly, the BETA-V sports an active 2-band post gain EQ allowing you to boost or cut your highs and lows with a flat response in the centre. Dialling in anything from punchy overdriven Lemmy tones to the fattest, deepest soul shaking dub is only a few knob twists away. Complete with top-mounted jacks, soft touch true bypass switching and 9-18 V DC operations, the BETA-V is a true thump machine, ready to rock your world.

Notes: Seeking to unapologetically tear apart the definition of a chorus pedal, Old Blood Noise Endeavors have created the BL-82 Chorus. An ode to delay time, this is a device with a variable clock control to shift between recognizable shimmering chorus and chaotic modulated delays.

Two delay lines, modulated by opposite synchronized LFOs, are combined in parallel and the timing of the delay lines, as well as the speed and depth of the LFOs, are all determined by one tactile slider. This allows you to instantly open up the modulated floodgates on the fly and go from well-known waves, to deeply unknown oceans of sound.

BL-82 is a chorus pedal, technically. It creates a swirling shimmery sound somewhere between chorus and flanger from a mono instrument signal. Its two delay lines are stretchable, and that's where the pedal's genre blurs from chorus into modulated delay into trailing pitch bending uncertainty.

The control set for BL-82 is dead simple. A Clock slider sets the timing of the entire system. The sample rate that determines signal fidelity, the centre delay time and the speed of the delay modulation are all affected as the slider slides. The interface is rounded out with feedback, volume, and mix add to an immediate experience that breaks open the boundaries of what it means to be a chorus and allows you to further craft the undulations of this mesmerizing device.

Notes: Shortwave

(Lo-fi Radio and Wire Recorder Emulation)

Inspired by espionage devices used during World War II and the Cold War, Shortwave transforms audio into clandestine operations of the past; Russian number stations, mysterious sounds transmitted by radio, and eerie sounds stored on early portable recorders.

Choose between 2 types of noise and interference, and control it with the Exposure parameter. Velocity and Focus control the amount of pitch stabilization. Shortwave will add an interesting emotional response and atmosphere to dry, simple sounds, or destroy a signal like no other fuzz pedal can.

Hand-wired in Seattle, Washington. Shortwave operates on a standard "Boss" style 9vdc power supply, not included. True bypass switching. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.77" x 2.6" x 1.39"

Notes: Bleeding Hearts Eurorack Modular Device

(Random Sequencer, Rhythm Generator, Destroyer, and Filter)

The Bleeding Hearts is a device that starves, bit crushes, splatters, and filters audio sources like no other. Feeding a gate signal to the Bleeding Hearts enables a whole new world of strange and random analog-generated movement. Each position of the 8-step sequencer can bleed into each other and interact with the destruction effect, creating gated and filtered splatters, glitches, and crunches that move to the beat of your patch.

Designed and assembled in Seattle, Washington. Includes a limited 1-year warranty, if registered within 30 days of purchase.

20hp, 42mm deep.

Notes: Profile Streaming Set

USB-C microphone with cardioid condenser capsule, integrated features, and boom arm for enhanced Podcasting and Streaming applications.

The Profile USB Microphone is where performance meets accessibility. Featuring a cardioid condenser capsule, this USB-C powered microphone puts audio quality and design above all else.

Created for Podcasting and Streaming, the Profile has three fundamental controls; Gain Control to adjust the level of the microphone, Mix Control to balance the microphone with your device audio, and Volume Control to set your head phone monitoring level.

The Profile features an adjustable tilt function with a self-locking joint so you can aim the mic directly towards the sound source. Depending on your needs, the Profile includes either a table stand for compact convenience or a boom arm for optimal positioning.

Plug-and-play simplicity

Setting up a podcast session or live stream can be overwhelming but capturing pristine audio doesn't have to be. With the Profile, one simple connection is all you need to achieve the sound you're looking for. Powered by USB-C, the Profile puts audio quality and ease-of-use first without the need for an interface or complex software. Your device will automatically recognize the Profile, truly making it a plug-and-play experience.

The sound you're looking for

If you're just getting started or you're a seasoned pro looking to simplify your setup, the Profile delivers a natural, warm sound that accentuates the body and presence of the human voice. Built around a German engineered capsule, this cardioid condenser microphone provides a sound that will impress both you and your audience, right out of the box. And to ensure you're getting the best sound the multi-function LED ring turns from green to orange to indicate when your signal is too hot.

Control at your fingertips

Software has its place... but the ability to control your sound with the twist of a dial makes all the difference when you're in the moment. Gain Control allows you to adjust the sensitivity of the microphone, effectively setting the level for your session. Mix Control allows you to balance the levels between your microphone and your device audio so you can monitor what matters to you. The dedicated Volume Control gives you quick access to easily adjust your headphone level while a soft-touch mute button allows you to silence your microphone discreetly.

Form and function

Quality audio is all about microphone placement. The Profile Streaming Set features a boom arm with a sleek and modern design, ideal for on-camera applications. Integrated cable management and an included 3 m USB-C cable provide flexibility with positioning and help to remove clutter from your workspace. For best results, place the Profile within 15 cm (6 in) of the sound source to ensure clarity and warmth in your sound.

Features

Powered by USB-C (macOS/iPadOS/Windows/Android)
Adjustable tilt function (self-locking joint for optimal positioning)
Mute button (with LED ring to indicate when engaged)
Gain control (with LED ring to indicate power and audio clipping)
Mix control (for balancing microphone and device level)
3.5 mm headphone output (for audio monitoring)
Headphone volume control (for adjusting the volume of the headphone)
Cardioid capsule (for off-axis rejection of sound)
Robust metal housing and premium finish
3-point self-locking boom arm (with cable management and adjustable desk clamp)


Delivery includes

Profile USB Microphone
Boom Arm
USB-C Cable (3 m)
Mic pouch
Quick guide
Safety Guide with manufacturer's declarations

System requirements

Windows: 10.0 or later
macOS: 10.15 or later
Android: 9.0 or later
iPadOS*: 14 or later
(* Compatible with USB-C enabled Apple devices)

Specifications

Overall device

Operating temperature: 0 -C to +40 -C (32 -F to 104 -F)
Storage: -20 -C to +70 -C (-4 -F to 158 -F)
10 to 95 %, non-condensing
Dimensions Microphone: O 50 x 152 mm
Boom arm: 780 mm (horizontal reach)
Connectors: USB Type-C (USB 2.0 Full-Speed), 3.5 mm TRS
Cable length 3 m (Profile Streaming Set)
Power supply: 5 V $, max. 200 mA

Weight

Microphone: 350 g
Boom arm: 820 g

Microphone
Transducer principle: Pre-polarized condenser microphone
Pick-up pattern: Cardioid
Sensitivity at max. gain
Sensitivity at min. gain
-10 dBFS at 80 dB SPL
-50 dBFS at 80 dB SPL
Max SPL
Min. gain
Max. gain
125 dB SPL
85 dB SPL
Frequency range: 20 to 20,000 Hz
Equivalent noise level
Min. gain
Max. gain
34 dB(A) SPL
28 dB(A) SPL
Sampling rates 44.1, 48 kHz
Sampling resolution 16, 24 Bit

Headphone output

Connector 3.5 mm TRS
Min. output impedance 16 O
Frequency range: 20 to 18,500 Hz
OS Interoperability
Windows 10.0 or higher
macOS 10.15 or higher
Android 9.0 or higher
iPadOS * 14 or higher (* Compatible with USB-C enabled Apple devices)

Notes: Amnis is a shift register with a few tricks up its sleeves. It can be used as a generative sequencer for gates and CV, as a tunable digital noise source, as a random gate and CV generator, as the center of a chaotic system and more.

It needs two input signals to start doing its thing. A Clock and some Data. Data can be pretty much any signals. From these two signals Amnis will generate 8 gate outputs, always on the clock. From these gate outputs, it will generate 3 staircase CVs and a slewed CV. With 8 gates and 4 CV outputs it can be the heart of any patch.

Amnis has an XOR input for linear feedback. A shift register with linear feedback is the core of the Rungler, the chaotic core in Rob Hordijk's Benjolin and Blippoo Box. With Amnis you can recreate these type of behaviors with any oscillators you have on hands.

Amnis is compatible with the Turing Machine expanders thanks to its expansion port at the back.

Due to popular demand for a 3U shift register, Amnis replaces (and expands on) Ruissellement, which was the 1U version of this module.

Notes: The Zoom G2x Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
Expression pedal lets you control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2X Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

The G2X Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been miked at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historical guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2X Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones

The G2X Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, set up the G2X Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Express yourself

The G2X Four features an expression pedal for controlling volume, wah-wah and more.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2X Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).

Notes: Designed to help beginner DJs learn how to mix and scratch, the second-generation Inpulse 300 controller offers great value, with improved jog wheels and performance pads. Includes the excellent Serato DJ Lite software.

Supplier's Notes:
Start mixing easily and reveal your DJing skills with Hercules DJ Control Inpulse 300 MK2 and its unique BEATMATCH GUIDE feature. Building on the success of DJ Control Inpulse 300, you can now enjoy the new DJ Control Inpulse 300 MK2 version compatible with Serato. Sporting a new look that's more modern, more comfortable and more readable, you can learn to mix and make progress quickly thanks to the controller's 16 pads and 8 modes. Scratch more easily with slimmer, smoother touch-detecting jog wheels. DJControl Inpulse 300 MK2 is the most full-featured controller to help you learn how to mix with Serato.

Key points:- Serato DJ Lite and DJUCED software included, and compatible with Serato DJ Pro- The Beatmatch Guide lets you manually adjust tracks thanks to the built-in light guides- Improved jog wheels help you scratch more easily: better rotation and an enlarged detection zone- Mix using tracks stored on your computer, or from music streaming services (Beatport ADVANCED, Beatsource, SoundCloud GO+ or TIDAL)- With DJUCED, the IMA (Intelligent Music Assistant) lets you quickly and easily prepare your mixes by suggesting the best-suited tracks- Master the fundamentals of DJing with the Hercules DJ Academy- Perfect your mixes using different effects, modes and 16 pads.

HERCULES is a division of the Guillemot Corporation S.A. Group. A designer and manufacturer of interactive entertainment hardware since 1984, Hercules has always put its passion for music right at the heart of its strategy and innovations. Hercules completed a total brand refresh in 2018, offering even more innovative, higher-performance solutions for learning how to DJ - making it fun and easy for everyone to understand and master all of the techniques required for mixing. In 2021, Hercules launched an easy-to-use, full-featured solution for mixing with a smartphone. For more information, please contact the customer service team (support.hercules.com)

Power supply USB

Mix Easy, Become a DJ

Learn the fundamentals of mixing and become a DJ with DJControl Inpulse 300 MK2. This controller features both the Serato DJ Lite and DJUCED software, and will accompany you throughout your learning journey thanks to its many helpful features.- The Beatmatch Guide helps you learn how to manually cue up tracks by looking at the LED arrows, and sync tracks together.- Scratch more easily thanks to improved jog wheels: better rotation and an enlarged detection zone.- Learn all the basics of DJing, thanks to great tips from pros in the DJ Academy video tutorials.

Enable the Beatmatch Guide feature

Enable the Beatmatch Guide supported by both DJUCED and Serato DJ Lite, to learn how to manually cue up tracks. You can disable this feature once you've mastered the moves you need to make.

Mix easily

Follow the TEMPO arrows to adjust tracks' BPM, and the BEAT ALIG Narrows to sync tracks together.

Learn to scratch

Scratch more easily thanks to improved jog wheels: better rotation and an enlarged detection zone.

Premium look

Enjoy a more readable and more comfortable controller that lets you mix under the best conditions.

Serato software

DJControl Inpulse 300 MK2 includes the Serato DJ Lite software and offers the Beatmatch Guide feature. It's compatible with Serato DJ Pro, so that you can enjoy the maximum number of features.

DJUCED software

DJControl Inpulse 300 MK2 includes the DJUCED software, plus its built-in DJ Academy. It also includes the ENERGY feature, allowing you to control your party's energy level: this handy coloured light-based feature helps you choose the best-suited upcoming track in relation to the one that you're currently playing.

DJ Academy

Discover the DJ Academy in the DJUCED software. You'll also find extremely helpful video tutorials on the Hercules DJ YouTube channel.

IMA (Intelligent Music Assistant)

Enable the Assistant to launch Prepare mode in Serato DJ Lite. In DJUCED, the Intelligent Music Assistant (IMA) gives you great suggestions for the best upcoming tracks from your music library, and also in Beatport ADVANCED.

Technical description:

Product weight : 4.0 lb / 1.8 kg
Product dimensions: (W x D x H) 18.9 x 11.3 x 2.0 inches / 480 x 286 x 52 mm
Product name: DJControl Inpulse 300 MK2Color Black Master output for speakers 2 x RCA
Headphones output: 1/8" / 3.5 mm stereo mini-jack
Diameter of touch-detecting jog wheels 5.5 inches / 140 mm

Technical specifications

Dimensions/weight
Body dimensions: 18.9 x 11.3 x 2.0" / 480 x 286 x 52 mm
Weight: 4.0 lb / 1.8 kg
Diameter of jog wheels: 5.5" / 140 mm

Built-in audio
Master output (speakers): 2 x RCA
Headphones output: 1/8" / 3.5 mm stereo mini-jack
Audio resolution: 44.1 kHz / 24-bit

Controls
Mixing controls (centre section)
Per deck: 1 filter knob, 3 EQ knobs, 1 gain knob, 1 volume fader, 1 VU meter
General: 1 crossfader, master volume knob, headphones volume knob, master VU meter
Other controls per deck
- Play/Pause, Cue, Shift, Sync, jog wheel with touch detection
- 8 pads × 8 modes (Hot Cue, Roll, Slicer...)
- FX rack with button + 2 knobs (depth and beat)
- Slip, Quantize, AutoLoop, Loop In / Out buttons

Browsing controls
Rotary encoder + 2 Load buttons + Assistant button

Beatmatch Guide
Tempo guide: light guide alongside each tempo fader
Beat Align guide: light guide underneath each jog wheel
IMA (Intelligent Music Assistant) With DJUCED
Assistant: suggests upcoming tracks to be played from your music library based on musical key, BPM...
Energy: lets you set the mood for your party and choose the energy level - from blue (lower energy) to red (higher energy: good for dancing)
Assistant in Beatport and Beatsource: suggests tracks from these music streaming services

Software
Serato DJ Lite
DJUCED version 5
System requirements
Operating system: Windowsr 10 / macOSr 10.15 or higher
Intel Core i3 / AMD Ryzen / Apple M1 or better + 4 GB RAM or more

Box contents:
DJ Control Inpulse 300 MK2
Braided USB cable
DJUCED and Serato DJ Lite
Warranty information

Review: Amused To Death is the third studio album from Roger Waters outside of his work in Pink Floyd. As one of the fundamental creative forces in the prog behemoth, of course it's hard to separate his solo work from that most famous of bands, but this is indeed its own beast. At times it's an experimental space in which Waters uses space and minimalism to great effect, creating a foreboding sound peppered with speech samples and field recordings. There are of course plenty of more straightforward tracks too, like lead single 'What God Wants, Part 1'. This lavish issue of the 1992 album spreads the music out across four discs and comes in a box set format, a must-have for devoted Floyd and Waters collectors.

Notes: ADDAC712 is a dual channel discrete gain staging amplifier, based on a famous discrete preamp board from the 70's used in some legendary equipment.

What was eye-catching was the character of its clipping and resulting saturation/distortion.

The module can be used with modular signals to add a distortion/fuzz character or as a preamp for an external source such as a line source, keyboard, guitar...

It's also a great side companion for our ADDAC711 Balanced Inputs.

At the top an On/Off [BYPASS] switch routes the signal into the Effect (Up: Active) or to the bottom output gain stage (Down: Bypassed).

The amount of amplification is set by the [GAIN] control, the maximum amount of amplification can be set by the user using the [MAX GAIN] trimmer.

Up to +/-5.5v the incoming signal will keep it's integrity, beyond this point saturation will start to increase.

At approx. +/-6v a hard clipping will start to occur, this clipping also has a particular quality that at extreme levels it drifts the audio 0v bias reference, moving it upwards which results are similar to a Gate effect.

In the middle, an x2 opamp based output gain stage with a clipping led, which monitors the clipping at the output, and an [OUTPUT] control to set the output volume.

Having the top and middle gain stages provides flexibility allowing the user to completely distort the signal on the top stage and tame it's output level with the second stage.

At the bottom, Input and Output for both channels (Left input is normalled into Right input).

Tech Specs:
6HP
4 cm deep
40mA +12V
40mA -12V

Notes: ADDAC714 is a dual channel soft clipping module.

Diode based passive clipping acts as a "brick wall" limiter with a fixed knee given by the inherent diode physics. A passive RC low pass circuit adds a 3.3KHz -3db low pass filter which sculpts the overall tone while also adding further character to the effect.

At the top an On/Off [BYPASS] switch routes the signal into the Effect (Up: Active) or to the bottom output gain stage (Down: Bypassed).

The amount of clipping is set by the [GAIN] control, it mostly works as a threshold control for how much clipping will be applied.
As more clipping is applied the signal's amplitude will also decrease, to compensate for this we set up a gain compensation stage to keep the output amplitude balanced across the Gain range.

Symmetry chooses between bipolar clipping or positive clipping, this relates to the harmonics generated, bipolar for odd and even harmonics (up position) and unipolar for odd harmonics only (down position).

At the second stage, an opamp based x2 output gain with a clipping led, which monitors the clipping at the output, and an [Output] control to set the output volume.

Having the top and middle gain stages provides flexibility allowing the user to completely distort the signal on the top stage and tame it's output level with the second stage.

At the bottom, Input jacks for both channels (Left input is normalled into Right input) and output jacks

Tech Specs:
6HP
4 cm deep
40mA +12V
40mA -12V40mA +12V
40mA -12V

Notes: Envelope with filter with serious attitude

This mangled, filter-sweeping, abruptly overdriving pedal is designed to respond to your playing. It syncs its wave-thumping movement with the force at which you play. It multiplies dynamics into a hyper-exaggerated frenzy. It adds just the right amount of movement to punch through the mix and it reacts to an external trigger of your choosing to follow your tempo. Six selectable frequency ranges mean you're always gonna have just the right quack and oomph for whatever's plugged in! The sounds are wild, the thump is thick, and the animation is deep.

Controls

Input: Plug an instrument in to this jack.
Trig: Plug another instrument in to this jack and use it to trigger the filter sweep.
Out: Connect this to the amplifier.
Sensitivity: Determines the point at which the filter engages and the frequency range of the filter shift in relation to the input amplitude.
Intensity: Simultaneously blends in the resonance, amount, and grit of the filter.
Vol: Adjusts the output volume of the DEEP ANIMATION.
Frequency Selector: Selects the frequency range of the filter.
Bypass: True bypass the effect.
Up / Down: Controls the polarity of the filter decay once triggered. UP sweeps the frequency from higher frequencies to lower ones and DOWN, the opposite.
Additional Features: There is a subtle light to indicate the external trigger behind the main bypass LED.

Specifications

Dimensions: 5.92" x 4.72" x 2.34" (including hardware).
Weight: 21 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).
Current Draw: 18 mA.

Notes: The NU-X MG-400 builds on the success of the ground-breaking MG-300 compact multi-FX pedal, adding dual processors and delivering high-definition models and increased flexibility. Integrated effects sections include Drive, Amp Simulation, I.R cabinet simulation, Modulation, Delays & Reverbs with a host of options within each category. Audio modelling is based on the NU-X TSAC-HD algorithm, which delivers high-definition analogue circuit simulation for pro quality guitar tones. An expression pedal covers wah and swell effects amongst other possibilities. All settings can be edited onboard or via USB using the downloadable PC/Mac Quicktone software and then stored into one of 36 internal memory locations. For live or rehearsal backing, the built-in Jam function has a fully featured drum machine and phrase looper. To integrate with a DAW studio suite, the USB also functions as a high-quality audio interface, completing the studio-ready guitar rig. The main output can be stereo or mono for guitar amplifiers or D.I to studio equipment. There is an additional 3.5mm output for stereo headphones. Expanding the control surface has provided space for additional control footswitches for a smoother and more accessible live playing experience.

Specifications

Power supply: 9Vdc, 280mA pin-negative (adaptor included)
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
USB port: USB type-C for audio interface and PC/Mac editing
Sampling format: 48kHz, 32-bit
Frequency response: 20Hz - 20kHz (+/-1dB)
Outputs: L/Mono + R 6.3mm jack, stereo 3.5mm headphones
Latency: 1.1ms
Dynamic range: 108dB
THD: +N<0.03%
Input impedance: 470k ohms (Aux 10k ohms)
Output impedance: 1k ohm (Headphones 47 ohms)
Dimensions: 289 x 160 x 71mm
Weight: 920g

In the box

The box for this item contains:
MG-400 multi-FX pedal
9Vdc UK power adapter

Notes: This is an exact hardware replica of the Mutable Instruments Ripples module.

Width: 8hp
12V: 35mA
-12V: 35mA

Notes: The J44 models are JICO CUSTOM SHOP brand alternate replacements for the iconic SHURE M44 cartridges. JICO has two products available on the market: the J44A 7 and the J44D. The J44D is designed to be a replacement for the SHURE M44G, while the J44A 7 is designed to be a replacement for the SHURE M447. The JICO J44 models are made to be as close to the actual SHURE M44 cartridges in terms of output performance.

The J44D and the J44A 7 are the same exact cartridge, just as the original SHURE M44G and M447 cartridges. The difference in the sound reproduction is created by the stylus that is used with the cartridge, which produces the distinct sound that is reproduced in conjunction with the J44 cartridges from JICO.

The N-44G stylus that is included with the J44D offers a thicker bass sound than the N-44-7 stylus that is included with the J44A 7, which gives a brighter sound-the same difference as with the SHURE 44 cartridges.

JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs the same with sticking to a record groove with high jump/skip resistance and low wear.

The JICO J44D offers a vibrant high-definition sound, with a detailed deep warm thickness to the bass. This produces a
well-balanced and solid sound. The J44D generates a broad, smooth sound with a musical audio response and 3D audio
image, similar to the specification of the genuine Shure M44G cartridge.

Cartridge: J44D
Cartridge Type: Moving Magnet
Stylus: N44G DJ IMP Nude
Stylus Type: Nude Conical (Spherical)
Tip Size: 0.7 mil
Cantilever: JICO S-Type Aluminium
Weight: 5.6 g
Height: 16 mm
Output Voltage: 6 mV
Frequency Range: 20Hz-20kHz
Recommended Load: 47 kO
Direct Current Resistance: 800 O
Compliance: L8.5 / V7.8
Stereo Channel Balance: 1.5 or below
Channel Separation (at 1kHz): 20 db
Tone Arm Mount: 1/2 inch standard mount
Tracking Force: 3.5-4.5 g
Glow in the Dark: True
Use: DJ (scratching)

Notes: The N-44-7 stylus offers a brighter sound than the N-44G stylus that is included with the J44D, with a thicker bass sound-the same difference as with the SHURE 44 cartridges.

JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs as the same with sticking to a record groove with high jump/skip resistance and low record wear.

Additional information

Cantilever: Aluminium
Cartridge number: M44-7
Colour: White
Tip: NUDE Conical Stylus
Tracking Force: 3.5 - 4.5 g
Type: Moving Magnet
Manufacturer: SHURE

Notes: A versatile alternative to conventional rack-mounted patch bays, the Minibay 1/4-inch connections round the back, which can be patched on the front panel via 1/8-inch cables. Compact and effective.

Supplier's Notes:
MINIBAY is a compact 40-point audio patch bay, designed to integrate neatly into a studio desktop space. It utilises 1/4" stereo sockets to connect with external gear and 1/8" mono (Eurorack) sockets for routing signals. There are also two built-in passive mixers with dedicated patch-points located on the main panel.

Intuitive

While the ins and outs can be configured to suit your needs, the general idea is to have instruments on Row A, mixer channels on Row B, and effects hooked into the FX rows.

Reach up to the effects; reach down to the mixer.

Convenient

MINIBAY can be neatly positioned next to a mixer (or just about anywhere) for quick and easy access and reference while working.

Patch-points are spaced to allow for comfortable grip and leverage when handling cables (even for fat fingers :)

Connecting to Gear

Insert Cables

In most cases, connections to instruments, effects and the mixer are made with standard insert cables (1xTRS to 2xTS).

This system allows two mono connections for each 1/4" socket on the back panel, and is how MINIBAY is able to pack so much for its size.

TRS Cables

TRS cables can be used to make stereo or balanced connections. When this is done, each channel or polarity is patched separately on the front panel.

Rows A and B

For Rows A and B, each 1/4" socket on the back panel is wired to two adjacent 1/8" sockets on the main panel.

FX Rows

Each 1/4" FX socket on the back panel is wired to the two corresponding 1/8" FX sockets on the main panel. One insert cable can therefore be used to connect to the input and output on an effects unit (or two cables for a stereo unit).

Normalling

Connections between patch points on Rows A and B can be individually normalled using the dip switches located on the interior of the main patch panel. Simply take out the screws on MINIBAY's steel enclosure to open it up and access these.

A normalled connection is one where the signal flows without the need for patch cables. In a fully normalled connection (as used in MINIBAY), the connection is broken if a cable is inserted at any point in the signal flow.

Notes: Ultra slim envelope generator with looping, ASR and AD modes

CV control over fall (decay / release)
Continuously variable shape over both slopes without stretching the slope's duration in time.
Low aliasing CV generation, 224 kHz sample rate.
1 v/oct input, bipolar and unipolar outputs, end of cycle output.
Audio rate oscillation in cycle mode allows you to utilize it as an oscillator.
Polarizer knob with additional VCA input scales the envelope and inverts it when CV goes to negative voltages, allowing for compact sidechain envelope solution without the need for external mixers / inverts / offset generators.
Slew limiter, S&H, T&H processing for external CV sources

Power consumption:
60 mA +12V
15 mA -12V
0 mA 5V

Dimensions:
4 HP
26 mm deep with power ribbon cable connected

Notes: Ultra slim envelope generator with looping, ASR and AD modes

CV control over fall (decay / release)
Continuously variable shape over both slopes without stretching the slope's duration in time.
Low aliasing CV generation, 224 kHz sample rate.
1 v/oct input, bipolar and unipolar outputs, end of cycle output.
Audio rate oscillation in cycle mode allows you to utilize it as an oscillator.
Polarizer knob with additional VCA input scales the envelope and inverts it when CV goes to negative voltages, allowing for compact sidechain envelope solution without the need for external mixers / inverts / offset generators.
Slew limiter, S&H, T&H processing for external CV sources

Power consumption:
60 mA +12V
15 mA -12V
0 mA 5V

Dimensions:
4 HP
26 mm deep with power ribbon cable connected

Notes: Room #40

Marshall Mojo in a Box

Heavily inspired by the tone and feel of the following legendary Marshall amps: the non master volume series PLEXI Super Lead (1959/1987) & Super Bass (1992) and the master volume series JMP & JCM800 (2203/2204).

Over the years, Tsakalis have had many different types of Marshall amps on their workbench, some for repairs and others for customisation. Being huge fans of the sound of these classic amplifiers, Tsakalis decided to try and capture its mojo - the true essence of the soul of this sound - and carefully place it in a little box. Thus the Room #40 was born!

Using JFET technology, Tsakalis tried to stay loyal to the tone and feel of the following legendary Marshall amps: the non master volume series PLEXI Super Lead (1959/1987) & Super Bass (1992) and the master volume series JMP & JCM800 (2203/2204).

Tsakalis emphasized on emulating the compression and sag coming from the power amp section, when these amps are pushed to the edge, while at the same time giving access to two famous mods, mod #39 (PLEXI) and mod #34 (JMP & JCM800).

Finally, the Presence control was incorporated to make the sound adjustable to any circumstance, regardless of whether you are plugged into the front of an amp that may or may not have a bright cap or even straight to a power amp.

Product Height (cm): 5.600
Product Width (cm): 7.300
Product Depth (cm): 12.300
Product Weight (kg) 0.314

Box Height (cm): 6.500
Box Width (cm): 0.300
Box Depth (cm): 14.800
Boxed Weight (kg): 0.385

Notes: Experience - Fuzz Octave

Experience is a unique Fuzz & Octave up pedal that was designed to revive the sounds of the 60's and 70's with a modern touch.

It features 2 stand-alone channels in series (fuzz and octave) which can be used individually or together, offering a wide range of dirty goodness!

The Octave channel produces a classic and easy to manipulate octave up effect, sitar & harmonica like sounds, enhancing your tone with ringing octaves and micro-phonic feedback at the end of every note. It features separate volume and tone controls for a wide range of colours.

The fuzz channel is based on the Jordan Boss Tone fuzz circuit and is capable of producing a wide range of tones. From mild and creamy overdrive and classic fuzzy tones, all the way to heavily distorted goodness with sub octaves, similar to trombone and analogue synth! It is equipped with 2 vintage silicon transistors with FET clipping for richness and detail and four controls (gain, volume, tone and damage) with which you can adjust the type of distortion.

Combining the 2 channels is where the real Experience begins! Create your signature sound exploring the Experience's endless tonal capabilities!

Unleash your creativity and let the Experience do the rest...

Product Height (cm): 5.400
Product Width (cm): 10.200
Product Depth (cm): 12.400
Product Weight (kg): 0.360

Box Height (cm): 6.000
Box Width (cm): 1.000
Box Depth (cm): 14.800
Boxed Weight (kg): 0.445

Notes: Galactic - Multi Modulation

With the Galactic, Tsakalis wanted to create a unique modulation pedal which, lets you combine effects and blend them in a way that brings new textures to your sonic arsenal and creates potential for exploration!

The Galactic has five basic modulation effects - Phaser, Univibe, Vibrato, Rotary Speaker and Flanger - and made it possible for you to use them separately or in pairs, blending them together via a Blend control creating interesting effects from 3D chorus to many other spacey and yet to be named soundscapes. Find your sweet spot for each pair and discover an unexplored Galaxy of sounds and inspiration!

Three expression input jacks let you control the Speed and Depth of the effects, as well as how you choose to Blend them, making your live performance easier and letting you experiment even on stage!

Use the Galactic modulation to enrich your music with the sounds of the unknown!

Product Height (cm): 5.200
Product Width (cm): 12.700
Product Depth (cm): 9.900
Product Weight (kg): 0.369

Box Height (cm): 6.000
Box Width (cm): 1.000
Box Depth (cm): 14.800
Boxed Weight (kg): 0.448

Notes: MiniFuse 4 is a next-gen 4in/4out audio & MIDI interface designed to transform your ideas into your art. Capture crystal-clear recordings, refine with pro-grade creative software, and get your sound out there.

The best software included

MiniFuse 4 comes with an exclusive selection of software titles offering everything you need to give your sound the professional edge. This isn't a bundle of fremium plugins or demos - this is the same exceptional software used by music and audio professionals worldwide.

Ableton Live Lite Compose, record, perform, and produce anything with an introduction to one of the most widely-used musical software titles in the business - yours with MiniFuse.

Analog Lab Intro Instantly add inspiring sounds from our award-winning keyboard emulations to your mix with hundreds of presets to explore, from vintage '80s synths to fat modern sounds.

Arturia FX
Colour your sound with 4 premium FX plugin recreations of studio classics; a lush plate reverb, a gritty analogue preamp, a classic tape echo, and a rich stereo chorus.

Auto-Tune Unlimited™ 3-months free subscription Refine your vocal parts for perfect harmony or go full trap-style autotune with a 3-month subscription to the industry's favourite voice tuning plugin.

Native Instruments GUITAR RIG 6 LE An inspiring selection of amps, cabs, delays, reverbs, stompboxes and compressors, so you can build your own processing chains and customize your perfect guitar tones. Splice Creator Plan 3-months free subscription Access millions of hi-def royalty-free samples, from lo-fi drum loops to punchy vocal one-shots, as well as synth sounds, Splice Skills tutorials, and much more.

MiniFuse 4 is built by audio creators, for audio creators. Expertly engineered to tick every box for whatever sound you want to make, this is one interface you can count on in every situation.

Creativity connected Your MiniFuse 4 is designed to be the hub of your sound setup. Connect up to 4 input sources at once with 2 combo inputs and 2 jack inputs; send, receive, and sync MIDI information with 5-pin DIN connections; connect extra USB devices like controllers or external drives with the USB hub socket; all connected via universal USB-C connectivity.

Simply the best sound For audiophiles, MiniFuse 4 delivers a 110db dynamic range and a class-leading equivalent input noise of -129dB. For everyone else, that means unbelievable sound quality that can compete with leading studios. Get the dynamics, clarity, and impact that your sound deserves.

Tough, portable design MiniFuse 4 is a desktop interface, but we know that inspiration can strike at any time. A compact and lightweight design with a rugged aluminium casing means you can take your sound with you - perfect for those last-minute sessions, quick deadlines, and spontaneous musical moments.

Fully operational

Whether you're using a laptop or desktop, MiniFuse can work for you. PC or Mac, connect it and enjoy total recording freedom. To keep things organized, the free MiniFuse Control Centre app lets you control its inputs, outputs, settings, and firmware updates in one place.

Who is it for?

For the musician Whether you're recording your band, your friends, or yourself, MiniFuse 4 can capture up to 4 instruments simultaneously with beautifully transparent low-latency sound.

For the producer The perfect companion for making beats, tweaking your final mix, or laying down ideas thanks to easy connectivity and a bundle of the finest creative software out there.

For the singer-songwriter Track your vocal ideas, capture your new favorite chord sequence, or nail that single-take intimate vibe with multiple inputs and plug-and-play recording.

For the podcaster MiniFuse pairs with up to 4 inputs of your choosing for ultra-clear voice recordings, captivating storytelling, and in-depth roundtable debates - make yourself heard.

For the content creator Easily capture voiceovers alongside in-app or in-game audio with MiniFuse's Loopback function, tailor-made for tutorials, unboxing videos, and game playthroughs.

Notes: An 8hp version of the retired Mutable Instruments Grids. It is an identical functional clone, so it will behave in the same was as the full size version, and will run any firmware that runs on the full size version.

Notes: The J44 models are JICO CUSTOM SHOP brand alternate replacements for the iconic SHURE M44 cartridges. JICO has two products available on the market: the J44A 7 and the J44D. The J44D is designed to be a replacement for the SHURE M44G, while the J44A 7 is designed to be a replacement for the SHURE M447. The JICO J44 models are made to be as close to the actual SHURE M44 cartridges in terms of output performance.

The J44D and the J44A 7 are the same exact cartridge, just as the original SHURE M44G and M447 cartridges. The difference in the sound reproduction is created by the stylus that is used with the cartridge, which produces the distinct sound that is reproduced in conjunction with the J44 cartridges from JICO.

The N-44G stylus that is included with the J44D offers a thicker bass sound than the N-44-7 stylus that is included with the J44A 7, which gives a brighter sound-the same difference as with the SHURE 44 cartridges.

JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs the same with sticking to a record groove with high jump/skip resistance and low wear.

The JICO J44D offers a vibrant high-definition sound, with a detailed deep warm thickness to the bass. This produces a well-balanced and solid sound. The J44D generates a broad, smooth sound with a musical audio response and 3D audio image, similar to the specification of the genuine Shure M44G cartridge.

Cartridge: J44D
Cartridge Type: Moving Magnet
Stylus: N44G DJ Improved Nude
Stylus Type: Nude Conical (Spherical)
Tip Size: 0.7 mil
Cantilever: JICO S-Type Aluminium
Weight: 5.6 g
Height: 16 mm
Output Voltage: 6 mV
Frequency Range: 20Hz-20kHz
Recommended Load: 47 kO
Direct Current Resistance: 800 O
Compliance: L8.5 / V7.8
Stereo Channel Balance: 1.5 or below
Channel Separation (at 1kHz): 20 db
Tone Arm Mount: 1/2 inch standard mount
Tracking Force: 3.5-4.5 g
Glow in the Dark: False
Use: DJ (scratching)

Notes: The J44 models are JICO CUSTOM SHOP brand alternate replacements for the iconic SHURE M44 cartridges. JICO has two products available on the market: the J44A 7 and the J44D. The J44D is designed to be a replacement for the SHURE M44G, while the J44A 7 is designed to be a replacement for the SHURE M447. The JICO J44 models are made to be as close to the actual SHURE M44 cartridges in terms of output performance.

The J44D and the J44A 7 are the same exact cartridge, just as the original SHURE M44G and M447 cartridges. The difference in the sound reproduction is created by the stylus that is used with the cartridge, which produces the distinct sound that is reproduced in conjunction with the J44 cartridges from JICO.

The N-44G stylus that is included with the J44D offers a thicker bass sound than the N-44-7 stylus that is included with the J44A 7, which gives a brighter sound-the same difference as with the SHURE 44 cartridges.

JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs the same with sticking to a record groove with high jump/skip resistance and low wear.

The JICO J44D offers a vibrant high-definition sound, with a detailed deep warm thickness to the bass. This produces a well-balanced and solid sound. The J44D generates a broad, smooth sound with a musical audio response and 3D audio image, similar to the specification of the genuine Shure M44G cartridge.

Cartridge: J44D
Cartridge Type: Moving Magnet
Stylus: N44G Improved Nude
Stylus Type: Nude Conical (Spherical)
Tip Size: 0.7 mil
Cantilever: JICO S-Type Aluminium
Weight: 5.6 g
Height: 16 mm
Output Voltage: 6 mV
Frequency Range: 20Hz-20kHz
Recommended Load: 47 kO
Direct Current Resistance: 800 O
Compliance: L8.5 / V7.8
Stereo Channel Balance: 1.5 or below
Channel Separation (at 1kHz): 20 db
Tone Arm Mount: 1/2 inch standard mount
Tracking Force: 0.75 - 1.5 g
Glow in the Dark: False
Use: Listening / Playback

Notes: Xer Dualis is a compact analogue four-channel stereo mixer. Each channel has left and right inputs, a level control, and a mute.

Want to use mono signals? No problem! The left inputs normal to the right ones. On the stereo pair output, XD features a simple meter and a clip indicator to keep your mix clean. Xer Dualis is a compact and performable choice whether you need a submixer for a large system or an easy way to mix all the elements of a portable case together.

Notes: Configuring a streaming setup from scratch can be a daunting task, particularly for users with little or no music production experience. The minimalist design of the AG01 takes this into account by combining a high-quality condenser microphone with DSP effects, a LOOPBACK function, flexible input connectivity, and a simple, intuitive mixer for stress-free streaming operation.

Simply connect to your computer or iOS/Android device along with the headphones of your choice, then set your levels and you've got a fully operational streaming station that can be up and running within minutes. If you're an aspiring live streamer that requires a compact yet comprehensive, high quality all-in-one solution, the AG01 is ready when you are.

In most streaming applications your microphone is likely to feature prominently onscreen so it is important for it to complement your overall vision. With a unique and iconic design that blends classic and contemporary aesthetics, the AG01 looks as good as it sounds, offering both black and white-based models to suit your preference.

In addition to the condenser microphone audio input, the AG01 is equipped with a mini stereo line input jack, and an upgraded 4-pole mini jack (TRRS) for smartphones that allows input and output. You can also add audio from devices connected via USB in LOOPBACK mode. Combined with these features, this microphone-type model can cover a wide variety of streaming styles that could not be achieved in the past without a separate mixing device.

The AG01's high-performance condenser microphone utilizes a cardioid polar pattern that captures your voice or musical instrument performance precisely, and converts it into high resolution audio (192kHz, 24bit) while blocking out unwanted ambient noise from the rear or sides.

The AG01 features high-quality DSP effects, allowing you to easily add COMP/EQ and REVERB to color and hone your audio and get the best sound possible to broadcast to your audience. What's more, these tools are processed by the internal DSP chip so there is no delay, making the AG01 particularly valuable for live streaming, when real-time accuracy is required.

You can also turn these effects off completely to capture pure, raw recordings of the AG01's condenser microphone for music/audio production that will be edited by an engineer later.

There are many situations in live streaming where you may need to make audio adjustments on the fly. The carefully configured physical controls of the AG01 respond to these needs providing a simple operating experience that won't detract from your live content or performances.

AG Controller offers two modes, "Simple" and "Detail," which allow users with varying degrees of audio engineering experience to easily and precisely check and adjust the AG's DSP processing from any Windows/Mac or iOS device connected via USB.

The AG01 can be easily placed on a desk or any flat surface with its dedicated stand, or mounted on a desk arm, making it adaptable to almost any environment.

It can also be used in combination with a mobile battery allowing you to take your fully functioning streaming station anywhere you like.

*For stable operation of the AG01, a power supply of DC 5V 900mA or more is required.

AG01 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG01 is also compatible with Rec'n'Share and Cubasis LE applications for iOS devices which are available free of charge from Yamaha and Steinberg to support and inspire your audio content creation.

Specifications

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 110 dB (THD - 1.0% at 1 kHz)
Sensitivity: -34 dB i 3 dB (0 dB=1 V/Pa, at 1 kHz)
Connector: USB Type-C

Input Channels
Microphone: 1 (Mono condenser microphone)
AUX: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1

Output Channels
PHONES: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1
Bus: 1 Stereo
Functions: MIC GAIN (HIGH / MID / LOW), MUTE button x 1, STREAMING OUT (MIC / INPUT MIX / LOOPBACK), MIX MINUS MIC (ON / OFF)

On-board processors
DSP: COMP/EQ, REVERB (SPX Reverb) *Detail is Controlled on AG Controller
USB Audio: 2 IN / 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C
USB DC Power Input: 1 - Type-C, 5 V DC, 900 mA

General specifications
Power requirements 5 V DC, 900 mA
Power consumption Max. 4.5W
Dimensions: W: 116 mm (4.6") H: 281 mm (11.1") D: 118 mm (4.6")
Net weight: 1.2 kg (2.6 lbs)
Included accessories: USB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information
Others: Operating Temperature: 0 to + 40C

Notes: While the Western world was preoccupied with smooth and soulful Fuzz Faces and Muffs, the Orient was bubbling up with gnarly mystical fuzzes, heavily imparted with earthshaking Godzilla DNA. This very distinct era in fuzz history gave us many treasures that have been rightfully crowned fuzz legends: the Univox Super Fuzz, Ibanez Standard Fuzz, Ace Tone Fuzz Master, Shin-Ei Companion and several others.

Just like its predecessor, the SolidGoldFX 76 MKII offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks. On face value, the improved 76 MKII gives you a multi-voiced fuzz unit that offers loads of octave-up snarl and clang, at the same time as ruthlessly pummelling your amp with hair and fangs, while the top mounted jacks and new JFET Preamp stage all helps to make the pedal easily fit into any modern setup.

Armed with a JFET input and built around a specific set of Toshiba transistors, the 76 MKII's dual Texture and Colour tone controls allow you to precisely sculpt your fuzz while the octave switch allows you to dial back the octaves and overtones for a smoother finish.

All of this translates to a surprisingly varied and delicious fuzz feast, with everything from stabby robotic clangs, synthetic soaring leads, absolutely crushing doom chords as well as more warm and enveloping drives just a single stomp away.

Topped off with silent, soft touch true bypass switching and top jacks, the 76 MKII is everything you need if you're looking for a musical yet powerful fuzz capable of levelling Tokyo! Here's to the new Standard Fuzz.

Notes: Tape Echo is an echo and delay processor with 7 different types of simulation to recreate the sound of vintage echo units. In addition to classic tape echo simulation, the NDD-7 has a separate spring reverb effect, sound-on-sound (SOS) for operation as a 40 second looper, and up to 1600ms of delay. For authenticity, the NDD-7 also has Wow & Flutter settings and Saturation adds natural compression and degradation, which can even drive into self-oscillation, like a true tape echo. Two foot switches operate as effect on/off and tap tempo and they double as looper and display controls. Above the foot switches are Time, Repeat, Level and Reverb controls and 2-band EQ governs the tone of repeats. USB connectivity and MIDI compatibility give further possibilities for deep control and integration with DAW and project studio setups. A full vintage echo collection in a single compact pedal for those seeking the genuine retro echo sound.

Specifications:

Power supply: 9Vdc, 300mA (min) pin-negative (not included)
Controls: Time, Repeat, Level, Reverb, Bass, Treble, Select
Current consumption: <150mA
Sampling Frequency: 48kHz
Sampling format: 32-bit
Frequency response: 20Hz - 20kHz (-1dB)
Input impedance: 5M Ohms
Input level: 1.5V max
Output impedance: 100 Ohms
Output level: 1.5V max
Latency: 1ms
Dynamic range: 103dBu / 105dBu (A-weighted)
THD: +N0.0038% (1Vrms, 1kHz) / 0.01% (1Vrms, 1kHz)
Dimensions: 115 x 105 x 58mm

Notes: The J44 models are JICO CUSTOM SHOP brand alternate replacements for the iconic SHURE M44 cartridges. JICO has two products available on the market: the J44A 7 and the J44D. The J44A 7 is designed to be a replacement for the SHURE M447, while the J44D is designed to be a replacement for the SHURE M44G. The JICO J44 models are made to be as close to the actual SHURE M44 cartridges in terms of output performance.

The J44A 7 and the J44D are the same exact cartridge, just as the original SHURE M447 and M44G cartridges. The difference in the sound reproduction is created by the stylus that is used with the cartridge, which produces the distinct sound that is reproduced in conjunction with the J44 cartridges from JICO.

The N-44-7 stylus that is included with the J44A 7 offers a brighter sound, than the N-44G stylus that is included with the J44D, with a thicker bass sound-the same difference as with the SHURE 44 cartridges. JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs as the same with sticking to a record groove with high jump/skip resistance and low record wear.

The JICO J44A 7 with N44-7 stylus provides a crisp and clear sound in the higher frequencies, with the bass being heavy, bold and pronounced. This gives a lively, vigorous and dynamic sound experience. The J44A 7 produces powerful bass frequencies with a smooth, balanced sound, similar to the specification of the genuine Shure M44-7 cartridge.

Cartridge: J44A 7
Cartridge: Type Moving Magnet
Stylus: N44-7 DJ Improved Nude
Stylus: Type Nude Conical (Spherical)
Tip Size: 0.7 mil
Cantilever: JICO S-Type Aluminium
Weight: 5.6 g
Height: 16 mm
Output Voltage: 8 mV
Frequency Range: 20Hz-20kHz
Recommended Load: 47 kO
Direct Current Resistance: 800 O
Compliance: L8.5 / V7.8
Stereo Channel Balance: 1.5 or below
Channel Separation (at 1kHz): 20 db
Tone Arm Mount: 1/2 inch standard mount
Tracking Force: 3.5-4.5 g
Glow in the Dark: False
Use: DJ (scratching)

Notes: The J44 models are JICO CUSTOM SHOP brand alternate replacements for the iconic SHURE M44 cartridges. JICO has two products available on the market: the J44A 7 and the J44D. The J44A 7 is designed to be a replacement for the SHURE M447, while the J44D is designed to be a replacement for the SHURE M44G. The JICO J44 models are made to be as close to the actual SHURE M44 cartridges in terms of output performance.

The J44A 7 and the J44D are the same exact cartridge, just as the original SHURE M447 and M44G cartridges. The difference in the sound reproduction is created by the stylus that is used with the cartridge, which produces the distinct sound that is reproduced in conjunction with the J44 cartridges from JICO.

The N-44-7 stylus that is included with the J44A 7 offers a brighter sound than the N-44G stylus that is included with the J44D, with a thicker bass sound-the same difference as with the SHURE 44 cartridges. JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models, but the tracking ability of the J44 performs as the same with sticking to a record groove with high jump/skip resistance and low record wear.

The JICO J44A 7 with N44-7 stylus provides a crisp and clear sound in the higher frequencies, with the bass being heavy, bold and pronounced. This gives a lively, vigorous and dynamic sound experience. The J44A 7 produces powerful bass frequencies with a smooth, balanced sound, similar to the specification of the genuine Shure M44-7 cartridge.

Cartridge: J44A 7
Cartridge: Type Moving Magnet
Stylus: N44-7 DJ IMP Nude
Stylus: Type Nude Conical (Spherical)
Tip Size: 0.7 mil
Cantilever: JICO S-Type Aluminium
Weight: 5.6 g
Height: 16 mm
Output Voltage: 8 mV
Frequency Range: 20Hz-20kHz
Recommended Load: 47 kO
Direct Current Resistance: 800 O
Compliance: L8.5 / V7.8
Stereo Channel Balance: 1.5 or below
Channel Separation (at 1kHz): 20 db
Tone Arm Mount: 1/2 inch standard mount
Tracking Force: 3.5-4.5 g
Glow in the Dark: True
Use: DJ (scratching)

Notes: The J44 models are JICO CUSTOM SHOP brand alternate replacements for the iconic SHURE M44 cartridges. JICO has two products available on the market: the J44A 7 and the J44D. The J44D is designed to be a replacement for the SHURE M44G, while the J44A 7 is designed to be a replacement for the SHURE M447. The JICO J44 models are made to be as close to the actual SHURE M44 cartridges in terms of output performance.

The J44D and the J44A 7 are the same exact cartridge, just as the original SHURE M44G and M447 cartridges. The difference in the sound reproduction is created by the stylus that is used with the cartridge, which produces the distinct sound that is reproduced in conjunction with the J44 cartridges from JICO.

The N-44G stylus that is included with the J44D offers a thicker bass sound than the N-44-7 stylus that is included with the J44A 7, which gives a brighter sound-the same difference as with the SHURE 44 cartridges.

JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs the same with sticking to a record groove with high jump/skip resistance and low wear.

The JICO J44D offers a vibrant high-definition sound, with a detailed deep warm thickness to the bass. This produces a well-balanced and solid sound. The J44D generates a broad, smooth sound with a musical audio response and 3D audio image, similar to the specification of the genuine Shure M44G cartridge.

Cartridge: J44D
Cartridge Type: Moving Magnet
Stylus: N44G Improved Nude
Stylus Type: Nude Conical (Spherical)
Tip Size: 0.7 mil
Cantilever: JICO S-Type Aluminium
Weight: 5.6 g
Height: 16 mm
Output Voltage: 6 mV
Frequency Range: 20Hz-20kHz
Recommended Load: 47 kO
Direct Current Resistance: 800 O
Compliance: L8.5 / V7.8
Stereo Channel Balance: 1.5 or below
Channel Separation (at 1kHz): 20 db
Tone Arm Mount: 1/2 inch standard mount
Tracking Force: 0.75 - 1.5 g
Glow in the Dark: False
Use: Listening / Playback

Notes: Part of Xaoc's Leibniz subsystem, which processes signals and voltages by manipulating binary 8-bit numbers, the Poczdam allows switching between two data sources.

Supplier's Notes:
Poczdam is a binary data routing solution for the Xaoc Leibniz Subsystem. It facilitates manual and remote switching between two Leibniz data sources, modifying individual bits of the data stream, and re-clocking the data with its onboard voltage-controlled wideband oscillator or any external clock signal. Poczdam is particularly useful within complex Leibniz setups where the user needs to reconfigure the data flow between multiple modules. However, it can also be employed in small creative patches, e.g., for waveform splicing, disrupting rhythmic loops, or generating digital chaos.
To better understand the device and avoid common pitfalls, it is strongly advised to read through the entire user manual before use.

Component of the Leibniz Binary Subsystem
Routing Leibniz data
Reclocking Leibniz data
Additional CV clock generator (up to 2MHz)

6hp, 30mm deep
Current draw: +20mA/-10mA
Reverse power protection

The high quality Coal Mine black panels are available for all Xaoc Devices modules. Sold separately. Ask your favourite retailer.

Drezno is the input/output front-end of the system, consisting of an analogue-to-digital converter (ADC) and a digital-to-analogue converter (DAC), that alone can be used for manipulating analogue signals and voltages based on their binary representation.

Lipsk is a binary logic processing expander module that can flip (invert) individual bits of the digital signal representation. There are more Leibniz Binary Subsystem elements coming, with specialized and advanced sets of features.

Jena is a digital module that may be used as a flexible waveshaper for CV and audio signals, a wavetable oscillator, a Walsh function generator, or a rhythm generator.

Erfurt is a bi-directional digital counter, frequency divider. It has multiple applications: the output of the counter may be used as a phase source driving a digital wavetable, connected to other Leibniz modules it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc.